Death To Everyone - Death To... Labels, Magazines & Idents

Episode Date: February 3, 2025

Dearest listener, Its us once again, filling up your ears with our beautiful words. Listen in as we discuss which Label survives the end times... Also Magazines and Idents. X Follow us, won't you? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/deathtoeveryone⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/deathtoeveryonepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/mslazysusan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/zeldamoon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Death To Everyone is recorded at Natural Habitat Studios by Matt Sheers. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.naturalhabitatstudios.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Our theme and music was provided by Edie Centric and Angus Leslie. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/ediecentric/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/pir_ingi103/

Ooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo Hello, listener. It is I, Daisy Susan. And me, Zellamoon. And this is Death. Dearie. So, a weekly podcast where we talk about a range of fabulous topics and dissect them because we indeed have a doomsday bunker. And inside that bunker, we preserve the best of the best. Wouldn't you say?

I would in fact say that. And what do you have there? I found a tambourine in the room. We now have a soundboard. And it's sound. Finally. Eight. God, I didn't realise the tambourine was so versatile. Cause there is always something there to remind me.

Have you seen that like hot gay saxophone person on Instagram lately? Zelda, stop making up sentences. Anyway, listener, I know you've seen them. He's so hot. It's got this like blonde mustache. Oh, he's so hot. And what does he play on saxophone? I don't know, music? Weird.

Notes. Now, Matt's here as well. Matt, our producer, is here, but he's also a space car driver. And occasionally when we're in a rush, flying between the celestial void and then, Matt, slow down! We do hop into the space car and we do have a recording booth at the back of the space car as long, you know, we also record. It's like a limo.

Because we are celestial goddesses. Yeah. Maybe that's context you require. Celestial goddesses who have been sent, and it's our mission now here as celestial goddesses to decide what gets into the doomsday bunker for the end of times, as we are now heading at light speed towards the end. And that's good. I like that. How are you, sister?

A little sister. We, sorry, you say. No, you go. Wicked! We hosted a Wicked sing-along last week. That's right. That was pretty good. It was so good.

It was very fun. It's just, you know, I don't know whether people had fun, but we had. We had a lot of fun. And I think that's the most important thing. Dream gigs, going to large, um, publicly funded arts institutions and getting treated very well. They had an office boardroom meeting suite where we had, they'd converted into our dressing room. And they gave us a little spread.

They gave us a rider of like chippy packets individually wrapped, a bowl of popcorn, giant suggestive cucumbers. Yes. Some hummus, a bottle of wine, two bottles of wine, like five cans of Coke. Yeah. Three red bulls and a bucket of ice and some water. Yeah. And God, let me tell you, I just love having all this space.

And then they took us downstairs and we took photos with the people that come to the Wicked screening, which had sold out. Yeah. So there was, you know, 300 people there. Nearly 400. Nearly 400 people. Yeah. It was so fun.

And then we, um, like, intro'd the movie, we put together a stupid little bingo sheet, which neither, I don't think either of us actually thought about the fact that people would be like playing that. I know. Wasn't it fun? People started yelling bingo. It's like, sorry. Just cross it off and laugh at the thing that we highlighted.

Sit down. But it was just like people, I mean, obviously musical theater people are generally just like fabulous because they have no shame in public. Yeah. And it's so sincere. Sincerity. Yeah. And they set up a couch for us at the front, like a kind of Queens who like to watch-esque moment. Yeah. And they set up a couch for us at the front, like a kind of, um, queens who like

to watch esque moment. Yeah. With a glittery, um, sheet over it. And then they held together with pegs, which I thought was really funny. And they had a gorgeous, um, monitor in the front row that we could watch. So we would be looking forward at the audience who was in dim lighting, watching the film behind us. And it was like, I just, I can't even just the, my dream gig. It was so good. Sitting, occasionally yelling. Occasionally standing.

I fell twice. I tripped on the stairs in my gown in the darkness. That was good. It was so fun. We like ran around with the microphones and like held them out to people while the songs were out. People were also like really incredible singers. Some.

And also like we just like people were having the best time. Yeah. People dressed up or like did you know that green eyeshadow or pink eyeshadow? It was just so cute. Yeah, that's my, I think more of that. Yeah. So Acme, we had a fabulous time. Thanks for having us. Thanks for the spread. Thanks for the wine.

Is that the line at the gift shop was out of control because there was only one person working. Yeah. And it's like, I've, I meant to be at my gig now, but here I am buying a goose game t-shirt and I'm missing my call time. Yeah. Well, what do we do about that? I'm sure I'm not the only one who's experienced that, specific experience there, but you know,

make sure that store's well staffed. I visited a lot of gift shops recently when I was overseas. I love seeing the gift shops. I think Acme's is really good. gift shops recently when I was overseas, it loves seeing the gift shops. I think Acme's is really good. It's such a great little selection. I wish there was a little bit more depth. Like they have a lot, but I wish there was like, I wish there was a table just dedicated to like a bunch of like key rings and there was like 30 different key

rings. Do you know what I mean? Like I just want something where there's like so different key rings. Do you know what I mean? Like I just want something where there's like so much of it, of varieties. Sometimes when I go to a shop and they're like, we have this button and then you walk to the back of the shop, you're like, oh, it's the same button again. Oh, I never want to see it again. No, once I've seen it, don't double represent. No, I don't like that. I hate that. Yeah. And also if they have a display and I'm like, I don't like that. I hate that. Yeah, and also wait if they have a display and I'm like, oh look It's I don't know a dune model model from dune I'm like how much is that and they're like that's just a display and like I'll see wasted my time

Yeah, my eyes are fatigued. Mm-hmm. Yeah to see something that I can't take home This is a land of purchase put it in the gallery if it's so important This is a land of purchase. Put it in the gallery if it's so important. I agree. Yeah. But that was great. Yeah. But anyway, I'm jumping on the bandwagon of your, how are you?

Now we'll never know. I did Mel and Sam's podcast, Rat Bag the other day. I don't know when that's coming out, but Mel and Sam, famous Melbourne comedians? Like question mark. I don't know what they refer to themselves as. So they're kind of like, uh, you know, when we put together that, um, rubric of like, there's an iteration in every sexuality of like, there's hot department, gay and gal, and there's lesbian hot department and that's, um, Mel and Sam.

Yes. And they have a podcast that is produced through Auntie Donna. And let me tell you, when I went there, they had chocolate hot croissants, red bulls, a lit makeup mirror. And then the set was couches with a digital backdrop and a crane arm and a producer telling them when and what to say and very various games. Games. Yeah.

And then we had to keep breaking for ad breaks because they had sponsors. I've heard about them, but I haven't experienced them myself. Then I crawled back into this dampened cardboard box we call a space car to record this show about the most imperative piece of human content that's ever been created. And there's no hot cross buns. We have cold cross buns. Get out Matt. You know who wouldn't say that?

Luce, the producer of Rat Bag. Anyway, I'm not. Okay, move on of Rat Bag. Anyway, I'm not. Okay, move on, move on. Okay, I'm letting it go. He's doing the thing. Oh, good. Oh, good. Yeah.

Trying to produce for you. This is what we need. Actually, no, I think that that's the only issue there. Who wants a 45 minute podcast, darling? Not us. That's an intro. That's literally an intro. I know.

I haven't warmed up if it's, you know, even when we do an hour long show, I'm like, we're really depriving them this week. I, right. Our anemic offerings. Sorry listener. There was an episode recently that was like 50 minutes. I know. I was like, Oh, what are people going to say?

You were unwell that week. She's unwell this week too. I just can't believe that you have so much to talk about every week. And we actually like pre-talk about stuff we can't talk about on mic. Yeah. So we actually, like we save a lot of juice that you can't ever hear because sometimes we're talking about listeners and sometimes we're talking about things that are too X-rated.

Hmm. Yeah. Anyway, I've been a busy bitch. I've just been getting my affairs in order. Like I'm not gonna die, but I'm getting my affairs in order as far as like, my housemates are moving out, my boyfriend has moved in, we got a giant skip. We've been getting rid of everything I own.

I've been trying to get rid of things on marketplace. And let me tell you, I've become a worst person. Because of the automatic messages. Well, I wish there was. But you know, like people that message you like, and are like, can you drive this to my house? I'm like, it's free, Debra. Pick it up. Yeah.

Pick it up. Oh, I put some stuff out the front of my house the other day that I no longer required. Yeah. And some of it was taken. I loved that. And then a few things weren't taken. What was not taken? So a pair of crutches from when Jeremy hurt his foot the other year. Yeah. And I don't know why. That's a nice way of saying you stood on it. And so weirdly no one took those crutches. They're good quality, I presume. Anyway, now they're under the house and also... Oh, you can't take them back, honey.

You what? You put that out on the side of the street, it's there now. Oh no, it was there for 24 hours and I was like, sorry street, I take it back now. You can't take it back. I can't keep the street ugly. Yeah, no. And like then you have to disown it and be like, who left these in front of my house? Say it loudly, go out in front.

So Vanessa- And with the hands on hips, what is this? Vanessa, have you seen this? Put on a good show for them. Yeah. And they'll overhear me like, we've got little bugs in our midst. And it keeps coming right out front of my house. Which one of you did this?

Oh my God. And so the crutches and then also like some stupid ugly shelf that was pretty shit. So like the little like bamboo thing I got from Anko or whatever. Or like, remember in Carlton, like above the washing machine, a little like elevated shelf. Do you remember? Yeah, that thing. Cause I replace-

People are like, why is this shelf 45 minutes? Do you remember my old house? I had this bamboo little piece. You remember? Remember how I had that? Listener is like, yes. Above the washing machine. Yeah, I remember. It was a specific shape because it had to have long legs so it could. Above the washing machine. Yeah, I remember.

It was a specific shape because it had to have long legs so it could sit above the washing machine. Oh, long legs. So when you look at this object without the context of another object under it, it looks suspicious. It's Salvador Dali, the guy who's freaking slaying long legged out. It's just like a one and a half meter long, uh, like shelving unit where there's no shelves in the bottom one meter.

Give me an example. So why did nobody take it? Well, right? I mean, they probably looked at the integrity of the item, but you know, now that's also under the house. So one day there'll be a hard rubbish day and then it will all be cleansed. But more importantly, it's no longer in the room where it was before because I've replaced it with something better.

Ooh. So I've been re-firbing my drag rooms and properly setting up like the wig room and then the outfit room. Yeah, that's good. So now the wig room is set up, which is actually quite nice. And how Curly Girls? They have pride of place. The curls are no longer crushed.

They're free to be. Excellent. Yeah, so that's good. Oh, how lovely. Well, that's how I am. How are you? Oh, true. Ah.

Ha ha ha. I'm fine. Oh, what's wrong? Yeah, exactly. Ha ha ha. Oh, you's wrong? Yeah, exactly. Oh, you know, when I got up, I had a piece of toast and I brushed my hair. Um, yeah, no, it's good. I really like had such a good time at Wicked.

And we've got more gigs this weekend. You got the blues now. Like the post good gig blues. Yeah. Well, you know what? I had two weeks of annual leave, so I've just come back to work this week. And like, that's fine. It's nice to be back and like see everyone. But it was really nice.

Like I had kind of like a staycation kind of holiday, where I didn't really go anywhere, like I didn't go overseas or anything. And just like having all that time around the house and like I was playing in the garden and just like zhooshing stuff. Yeah. It's like, why can't I be paid to do that?

You can be. I'm so good at that. Yeah. The house is immaculate right now. I reckon you could become like a sugar baby. Who are like a very old man. I would love that. No, you do, but you'd have to lower, like you'd have to, like the only standard you'd have to keep is that they have money.

Yeah. But like everything else has to go out the door. Hmm. You can't have any standards. For this person. Yeah. Yeah. But if they're paying me, I don't know 120 a year Yeah, you have to be coercive though

They're not gonna come up with the offer. You have to kind of like slowly like, you know Well, no, that sounds like a job in itself. Yes No, but no you have to go I kind of like slowly manipulate them until eventually you have control of their finance I don't want too many. No, I just want them to see how good life could be and then pay $120,000 a year for it. $120,000. I reckon you could do it for like $60,000 a year. No, I want $120,000. They live with you.

No. Yeah. No. That's part of it. The gig is that I'm living my life, having my house nice and tidy and having like my gorgeous little garden and doing my little drag gigs on the side.

When are you seeing them? I'm not, they're paying to know how happy I am. Like a sponsor child? That's the gig. And you just send a photo every month. Yeah. All you have to pay is $120,000 a year to guarantee someone has the best life. Yeah.

But if they picked up this podcast and listened to it and you had even one complaint, they'd be like, we're cutting it back. Obviously the money isn't working. No, that's when I get a pay rise. Make you happier. Yeah. How much money do you think it would take for you to finally be happy? What a depressing question.

Put a number value on it, please. It's priceless. You know what's funny is that you actually like can't buy people like, like that. Like if there was someone who I like wanted to be with, like I can't pay that. Yeah. No. Oh my God. Have you seen Jeff Bezos' wife?

I think there's a number where it definitely can buy someone. Actually think of the billionaires. He's the one that I'd most like to have sex with. Of the like tech bro billionaires. And it's not because he's the one that I'd most like to have sex with. Of the like tech bro billy-ness. And it's not because he's particularly attractive, it's because he seems the most like sadistic. Like Elon is evil. He's just crazy there.

In a way that makes me like yucky. Yeah. Like, oh. Imagine getting dicked down by Elon. No, I imagine. Like getting on your knees and sucking off Elon. Lymph, ketamine, dick, while he's like slicked in some kind of sweat that also smells like, I don't know, whatever protein shake he has every day.

Yeah. And then, uh, Mark Zuckerberg is like eerie. Like, ghosty. He's hot. No. And whereas the Jeff Bezos thing, remember what, like ghosty. Now, whereas the Jeff Bezos thing, remember like him and his ex-wife broke up and she was gonna revenge porn him and leak his dick pic. And then I think this is what happened.

Don't ask me. And then, then allegedly the like, they did get leaked. And then they got taken off the internet very effectively, very swiftly in a way that no porn has ever been removed from the internet before. But ever since that day, I'm like, I need to know what does the Bezos dick look like? That's all. You wouldn't like him. He's bald.

Bezos. Oh my God. Bezos. Bezos. Be bald. Vsauce. Vsauce. Vsauce. Vsauce. Vsauce. Yeah. Anyway, $70,000 USD is allegedly the money at which you like hit the threshold for your life, your life's needs are taken care of, but life doesn't get better after that amount of money. So it's about like $130,000 a year.

Hmm. So I'm okay. My new rate listener is 130. 130 and then she's happy. Yeah. Could you imagine, imagine if like we air this podcast and then I get a message next week from like who? Some listener who's like, Oh, I want you to be happy. I could pay you $130,000 a year to guarantee your like security, like happiness. Are you quitting your job at that point? Well, here's the thing. Bitch, if you don't quit your job, then what are we doing? I know.

But the thing about quitting my job. You said you wanted to just stay at home all day and do your garden and housework. Yeah. And just like, you know, facilitate, you know that. But there's just no job security in this like happiness endeavor. Because like what happens if next year they decide to like provide someone else with a year of happiness. So then I'm back to being unemployed and I left my like career job. So you're living in Pia? Yeah. Oh, well that doesn't sound like the money's working then.

You're right. So there should be a clause where when it ends, there's like a 10 million payout. Like a redundancy package. I think what you do, if you get the $130,000 a year, you quit your job. Go down, you quit your job. Yeah. Go down. You just do drag. Yeah.

Okay. Yeah. You, you live off on a very strict budget. Okay. $80,000 for the year. Seems that is your budget. Yeah. But like that's everything plus whatever you make in drag. Yeah.

Then you have $50,000 that goes straight into savings. Yeah. And then you invest that into like a blue chip hedge fund. Uh-huh. And just let that sit. Dogecoin. Yeah, that too. Maybe you do like $10,000 on riskier investments,

cryptocurrencies, selling people's underwear on the internet, like that kind of thing. Yeah. But then $40,000 into like a really like solid You know just put it away investment fund. Yeah. Yeah, then if it happens the next year the happiness Yeah, yeah, you Then do the same again $80,000 another forty thousand ten thousand dollars high-risk investment. Yeah. Yeah, okay Then you've got you're sitting about like quite a huge sum of money at that point.

And then if you, if the happiness fund ends by one of our listeners, at the end of the two years, that's a long enough time. Like there's a gap in your resume, but it's not impossible to get back into your workforce at that point. No. And they'd be like, what was the two year gap about? And you're like, well, I was getting paid, my lifestyle was getting paid for, you know. Now I'm coming back really clear minded.

Yeah. And that's a great asset. And then you have $100,000 in a investment portfolio that might be, I don't know, $150,000 at that point. Well, I actually think this is a great idea. And then- So I think we should do it. Yeah. Yeah So if you've got

like money Do you think you can make Zelda happy? I'll probably have sex with you as well. What? Well, that's what I'm saying is if you were like You could actually have your life paid for if you're going to become like an actual sugar baby. I don't understand why. And just take care of the sexual needs of an older dying man. I mean. Why does he have to be dying?

We're all dying. Well, because he's not going to be like a 50 year old. Too long. Like, no, they're getting the like prime 20 year old sugar babies. But you're in your mid thirties. Yeah. So you need to go for a 70 year old. Older.

Yeah. But you know what? I feel like they'll be less demanding. I like that. No. Give me my pea soup. Get me my pea soup and suck my dick. Where are my slippers?

Yeah. Could you handle that? Probably. Yeah. Put on my... I want to watch Bonanza. Get me my ammo and put on Bonanza. Put it under my nose. I want to huff it. Why is the 70 year old being played by your dad? Well, you never know. Oh my God.

Yeah. Yeah. Yeah. Yeah. Yeah. You know, like... Turn that heater down! I don't like it when my legs scab up. I don't know why more hot people aren't sex workers. Oh, true.

Like if I was like more objectively hot, I would have sex for money. I'm going to have sex anyway. What? Why haven't you? Done what? Had sex for money. Oh, who's saying I haven't?

But like as like a thing. You could do it as a thing. Mama. Absolutely. You could. Right in listener. But the issue is you've flooded the market. You've oversupplied because you're giving it away for free.

Well that I think is part of like the sex worker thing that I wouldn't enjoy is like, how do you delineate between like what's like a client like interaction and what's like for your fun because you can't have all the fun anymore because then yeah, that's exactly it. Yeah. Oh, unless you travel. Yeah. Traveling for sex work. That's.

I'd like to be a yacht girl. Like, you know, you know how they say that like Lindsay Lohan was a yacht girl and like allegedly Zac Efron is a yacht boy. What are you talking about? Like, okay, wealthy, wealthy, next echelon of wealth that we can't even understand or comprehend kind of wealthy like. Like Nigella Lawson. Probably there's maybe as wealthy as Nigella Lawson, but like, they are like part of like,

just ridiculous oil families and like, you don't know about them. They're not in the news, but they're just the most wealthy people you could even comprehend. Nigella is a celebrity chef. Yes. The oil that she got rich on, olive oil. She's in the oil family.

Yeah. Yeah. Yeah. Yeah. But basically those people will have like, they their like Bradish gay sons or uncles that go off and like have like yachts that like sail around in the Mediterranean. Yeah. And they are so wealthy that they can pay to have like famous people who essentially then like they keep in their employ as like sex workers. So like a...

That's so good. So like a Zac Efron, when the like, you know, some of the maybe career opportunities had dried up just a little bit, allegedly. Then like, a wealthy oil magnate might be like, I will pay you $1.5 million to come to St. Bart's and yacht with me. And if maybe like you let me fondle you from time to time, call it an even two mil kind of thing. That's a fucking dream. And that's allegedly what was happening allegedly

with Lindsay Lohan in Abu Dhabi, allegedly why she was there in her like dry spell. She was like in one of those like gold luxury hotel rooms, you know? I like that. Yeah. A lot. I also often think about there's like, I think we've spoken about this, but maybe not for a while. Um, like the, like king or whatever of like some place who like flew

people like flew like our friend performers out to like, you know what I'm talking about? Like the, like, I don't know that that King of some country or whatever the fuck, who like has like lavish, but like these people just have so much money. They'll like fly out entertainers or like the less performers or comedians or blah, blah, blah, so that they can put on like, yeah, like the private Rihanna show or whatever. Yeah. He flies. Cause like when we were doing, when we were doing Fringe for the first time,

our manager at the time was like, some people do get flown out occasionally selected by one of the scouts to go and perform for this. I think it's a sheik who like, or like, flies people out to these like, desert islands, like, you know people out to these like, um, desert islands. Like, you know, tropical desert islands. Yeah. Like privately owned. Yeah.

Where it's just a hotel. Yeah. That's the only thing that happens on this island. And then they'll fly you out. And basically what happens is you can, and our friend did do this. So Ken confirmed like, it's real that you go, they fly you out and there's like rules. You're not allowed to leave the hotel, hold hotel compound, but you go and then one day you're called in of your stay on this desert island to the like performance room and the like wealthy wealthy,

you know, aristocrat will be sitting there surrounded by women. Cause you know, he has like his like, it do be like that harem vibes. Yeah. And then they like, and apparently that's why he books a lot of gay shows is cause he doesn't want anyone that's like potentially competing for the attention of the young women. And so then they'll you put on a show and it might be like, yeah, like Beastie

Girls do drag show, the game show. And then if he gets bored at any point for long enough, he'd just be like, okay, that's enough. And then they're like, okay, you can go now. And then like the next show will come on and it'll be like essentially changing the channel and then like, um, you can just stay out the next few days in the hotel But he doesn't want to see you again. Yeah, and you just get all your meals paid for swim in the ocean Yeah, yeah

The flights the experience you're not allowed to spend any time with the other performers because he doesn't want anyone else having like contact hmm This pros and cons but I don't know. Sounds like the pros outweigh the cons. What if we're doing like this podcast live and we're just like sitting in the theater on the desert island and the chick is watching us and we're like, anyway, so how have you been?

I'm like, oh, I don't know. I'm here in this weird place and I got dicked down. And then the guy's like, keep going. And we just sit there for an hour and a half while he listens to us, to our live podcast. So it's a short episode. Yeah. Cause eventually we say something so inflammatory that he has us killed. Yes.

And what a way to go. Yeah. I like it. Now, Zelda, this week, it's your turn to decide how the world ends. And I'm a little bit shocked because my apocalypse of choice this week was touched on earlier in the episode. So my apocalypse this week, listener, is... Oh my god. Wait. Is, oh my god.

Is that... BANG BANG BANG Mad, our space car driver... Me? Has accidentally... GDUNK! Run over planet Earth. How big is our space car? Gigantic. has accidentally run over planet Earth.

How big is our space car? Gigantic. And much unlike Australian native roadkill, we've been flat earthed by Matt, the space car driver. What do you mean? And there's just like a big tire track through the squashed planet Earth. Through Greenland. Yeah, so we through the squashed planet Earth. Through Greenland.

Yeah. So we've been squashed. Well, that's... Run over like a blue tongue lizard or the tail of a kangaroo. You say that like the world isn't already flat, Zelda. Nishan. Yeah. So that's it.

Okay, great. Well, you did a great job. Thank you. Matt, keep your eyes checked. New that's it. Well, you did a great job, Matt. Yeah. Keep your eyes checked. Ah, new prescription for me. What is your prescription, Matt? I don't know.

Do they have numbers or? I don't know. You tell me. Do you have anything? Well, I'm, I'm short-sighted. Yeah. So I can't see people in the distance. Oh, lucky you.

So if I don't wave at you, just means, if I don't wave back to you, it just means I'm waiting for you to get closer. Yeah. Closer. Come here, my dears. I like that. Well, with that, let's take a break. Yeah. Death to everyone from this moment As long as I live I will love you

I promise you this There is nothing I wouldn't do from this moment on. Welcome back, listener. Hello. Hello. Now, I would like to introduce our first topic for discussion today. And no, it's not sex work. I would like to discuss which type of label goes into the bunker. Is it masking tape attached with Sharpie on top?

Is it label maker, Dymo, where it's like you type it in and then you print it out and maybe it has some like Daimo version emojis or something? Is it the little like... Sensorifont. Pressed indented label maker where it's like crunched the letters into the... Like that black plastic that goes white when it's got... Crunch. Crunch. I love that. There's that.

Is it like a laminated piece of coloured paper that you write on with a whiteboard marker? I think we all fucking know that it goddamn isn't. Is it like the labels in like a little plant store where it's like a white thing with a little line on the side? Okay. I am fascinated by those like steaks that Rabbit has in Winnie the Pooh with like, oh, we're planting carrots. It's just an image of a carrot. Oh yes. That's very cute. That's beautiful. But how are you keeping up? But Zelda, have you done that? For vegetables. For your whole garden? No. I, the first thing I do when I bring a plant home is remove the like care label.

How will you know if it needs full sun, half sun or a little cloud? Well, cause I'll read it and I might keep them, but I also might not. I didn't need their help, but there is nothing worse than like houseplants with that still on or even worse actually is like the price to go on the side of the thing. But in a garden having those, but that's, I don't like plastic pots. I think people should be forced to decant there. Well, obviously they should decant or at least put the pot in a pot. Yeah. The pot in the pot thing though, like what are we doing? Well, it depends put the pot in a pot. Yeah. The pot in the pot thing though, like what are we doing? Well, it depends on the pot.

I know. And I know that it's better for the plant. It depends. Like you can't just raw dog it into a ceramic pot. Not always. Yeah. But I'm just like, you know. There's a way, like it's got to be hidden. Yeah. I don't want to see it across the lip.

I want to believe that that plant is in that pot, not in a pot in that pot. Yeah. The pot in the pot. Yeah. Oh my God, I hate that. There's a world, but worse is the label still attached. Ugh. But okay, what is happening?

Why do people do that? Cause they're lazy and they don't fucking care. But with Tupperware. Ah. In people's homes. Like leaving the Tupperware sticker on the side? Yes. It's so disgusting. And like, it's obviously been through multiple washes.

Oh! And it's been microwaved. At some point you could have peeled this off, but that time has long since faded into the past because you've mushed it on with heat and water. Nothing worse than one of those stickers, or like when you buy IKEA, and everything has like the barcode sticker. And then the stickers are the quality that like when you pull it,

or like the surface tears away, and then the adhesive and like half of the sticker, the fiber of the paper is attached. It's so annoying. Pay for a more expensive sticker. You know I'm going to peel it off, and you know I'm going to have an awful experience. And when people do that with jars, and you're trying to get the glue residue staying on the jar, I'm like, I'm trying to recycle this jar. How fucking dare you?

But also a chunky, like, oh, you bought the Rutan Kush like, um, rug from IKEA. Oh yeah. And then you've left that giant floppy, like A4 sized label off the side. Off the side. Rip it off. And taking it back. Oh, when you buy, cause I did this recently, like the little washcloth or like a, um, a cushion cover from IKEA,

the tag comes out the side, so it's like sewn in and you're like, oh, it's okay, because if you just give it a good hard tug, it's serrated and it'll all, except that sometimes it's not like that. And you do that and you rip a fucking hole in the stitching. That's terrible. I was sitting on my pillow, like a little couch pillow the other day. Oh yeah. And I was like, why is this stabbing me? And it was stabbing me with the end pieces, the quills of a thousand feathers,

because it was a feather down pillow, because I love that crunchy sound they make when you flop them down somewhere. But then I was like, what is happening? Like this is beyond the pale. And so then I opened up the cover and it was a feather palooza outside of the actual pillar. Yeah. And I was like, what kind of quality is this?

And then I realized, oh no, when I was in a rush one night and I needed feathers for a performance, I cut a hole in the inside and was like, I'll stitch it up. It's okay. And then never did. You know? I see. Occasionally you do have an emergency need for feathers. Yeah. How else are you going to perform? Why do birds suddenly appear?

Or Rollin Wang. Yeah so what kind of labels do you like? Okay so I just got a crick-cut machine. Oh true! And for those of you who don't know a crick-cut machine which I now say is crick-cut because every time I say I got a cricket machine, people are like, I like the sport, I'm not like the sport. What is a cricket machine, you idiot? And I said it actually last night, we were talking to friend of the pod, benign girls, husband, Raph.

Raph. And I was like, I got a cricut machine. And he's like, what's cricut? And I was like, it's a cricut machine. And he's like, what's that? And I'm like, it's a cricut machine. And then he's like, what's that? And I was like, it's a cricket machine. And he's like, what's that? And I'm like, it's a cricket machine. And then he's like, what's that? And I'm like, like a cricket machine.

And he's like, like the sport. What I just, I bent over backwards to try and explain, but the cricket C R I C U T is the cricket machine and I bought it off Sheridan's guy, Gabrielle Labucci's non-sexual life partner and it basically has a small blade that works like a little printer and it cuts like vinyl or like balsa wood or felt or fabric or anything really that's kind of like a millimeter thick or less. Yeah. And you can buy sheets of this vinyl in like different textures, colors and assorted properties.

So it can be ironed onto like fabric or you can have it stick and adhere to different things. So I quite like that. Like what if I wrote flower in cursive and then had it cut? Quick cut. Sorry, quick cut. And then I could put it onto the canister. Yeah.

What if? That could be fun. Marvel's what if. But I'm not going to do that because that's obviously disgusting. Yes. Um, yeah, I need to see more of the application of the quick cut. You didn't like my application. Well, I haven't seen enough.

Wait, you had what? Let me tell you what you're seeing. Okay. Number one. Yeah. I made a giant sash. Which is amazing. So, so that's one that's plus giant plus the cricket in the cricks.

I made a giant blue ribbon sash that said first place and I wore it like a boa at Dragcon UK for you who don't know. Out of a gold adherence vinyl. So that should be enough already. Well that's one plus. That's two plus at least. Two plus. Okay, two plus. Okay. Next, the security label that I had on the back of my dress.

That was cricket. Yeah. That's one to a light fixture from Bunnings. Yeah. Oh, I'll allow that. Yeah. One one plus three. And then I decorated my road mics, the little like roadode to-go microphones, so I could be a

ting-tonker. Oh yes. And I cut them so that it was like multiple colors and glittery bits. And I was able to download off the internet a file of all the like specs of that, so that it would crick cut perfectly around the various elements. So that's certainly one plus. Yeah, that's one plus. That's one plus. And then I am redoing my Amel mirror. Oh yeah. And allegedly you can do a thing where you can scan

with your phone on the Cricut app. And it will like, then you'll be able to trace around something with the Cricut knife. So if that goes well and it's able to cut out the hands holding the amul that I stick onto the mirror, like that Olesi mirror where they all offering to light your cigarette. Um, that would be a good plus. Yeah, it would be, but we're now going to take away a plus. Why? Because what the fuck was that? A hypothetical? Yeah. Yeah.

I'm talking about the potential darling. Yeah. Well, that's a minus. I'm giving you past, present and future. I want to know what's up. What are the quick cut? I'm thinking about what's up. Yeah. So now we're down to three. Okay.

I'll take three out of what? And how many negatives? Well, we just lost the one and then we also, sorry, we're going to lose two because I've Googled quick cut and everything that comes up on Google images is fucked. But that's the thing. You can't blame the craft for the bad application of the craft. Look at this. Look at this.

That's called a tambourine. Do you know how many shitty things have been done with a tambourine? But suddenly in my hands, music, it's like an Arias to soundtrack. Uh huh. Like, it's just, you know, don't blame the art form, blame the artists. Okay. Well now all of a sudden, tambourines are at minus one. Well, tambourines back in action.

Um, yeah, but goddamn, it just seems like people don't know how to use that tool. Because you've got a lot of work to do to prove that it can be cool. So I'm working. And I feel like Sheridan Sky has probably done cool things with it. Of course. I haven't seen that application. So Sheridan Sky has done many cool things. Yeah.

Yeah. But I'm like, that's the thing. I'm like, I want to use it in a way that's like, wow. Quick cut. Quick cut. You know, like how many times have you been like, I just wish I could cut this. You know? Yeah.

Like what if you had a decorative paper and you're like, I like, I wish I could cut the silhouette of Toni Collette out of this decorative paper. Yeah. Well, I mean, I got scissors. Yeah. But you, you're, you're, you know, your ham hock hands would have made a mess out of her delicate profile. Yeah. And which role is she in?

Connie and Carla. Oh, I see. Yeah. Too many corners. I was envisioning her at a track. Of course you were. Yeah. A lot more anguished. If I'll be honest. Yeah. envisioning hereditary. Of course you were. Yeah.

A lot more angles. If I'll be honest. Yeah. More straight angles. Perhaps you should be envisioning six cents. Perhaps. Quick cut. Anyway, so I don't think that's, but what I do want to do for labeling is I think I've

got this like IKEA wardrobe in my house and I would like very much for there to be like a little gold detail that goes on the door of each one of the like little covered sections as like little square sections. And I'd like them to kind of almost be like, where's the Anderson adjacent, where it's like one. And then like it's got a little symbol of what's happening inside. Like say it's a shirt that's inside, you might have a little iconograph that looks like, I don't know, vaguely like the shape of a shirt.

Yeah, that's pretty cute. Yeah. And universal. You need to speak English to understand. And that's quite kind. If you're coming into my room, know that you'll understand everything. Or in the bunker, of course, You won't have to be in Japanese. You have your international guests. That's true.

When they come to your room. How many times... They need a shirt. Have you had an international guest go through your cupboard to find things and struggled due to your labeling system? Opening every door. That's what I'd like to avoid. Well, you're so right.

I mean, I think it's innumerable. It's true. Some things, unlike the crick cut pros and cons, some things can't be counted out like that. Yeah, exactly. So, yeah. I don't want you to know. But then I'm like, is it crazy to do that in the kitchen too?

No. Like have a little picture of a knife and fork on the knife and fork section. It's pretty cute. I came home after I was away in the UK and my husband, Kerjan, who's not actually my husband. I need to clarify it because some of the listeners think that I'm married. Um, ever since high school, me and my friend have, um, had a terrible habit of like, anytime you talk about a man, that even someone is vaguely seeing you're like, how's your husband? And then we say that all the time to each other, but forget. We forget. Yeah, it's not true.

Straight people don't talk like that. And how do they talk? That's pretty good. Yeah, that's that's it. Anyway, so then I came home and he'd like taken like blue painters tape and written like all the utensils names of where he cleaned out all the different parts of the kitchen, which was incredible, but had put like, this is where this like flower is going. This is where sugar is going each like in his like serial killer handwriting in blue tape around on every single surface.

Like Ned Flanders when they stayed his holiday house. And I'm like, you know, when I got back, I was like, oh, this must've just been like when he was setting things up as a way of guiding, but they haven't left. I've seen this. I thought it was just to like set up the initial layout. I think that's what I thought. But now it's been. Oh, they're still there. Well, that's it. Is this a permanent solution?

Well, it's a labeling system. It's just not a good one. Well, that's it. He needs a quick cut. Quick cut. Quick cut. Quick cut. What I don't like is like stickers of like letters and then you like might put those letters down to spell out a word. Why not? Because how is it ever going to be straight? Well, you got to use your cricut.

Cause you know how crickets work? Do you know? Ambassador for cricut now? I wish. Do you know how many brands would be so much better off if they just went with me? Cause you ever see branded ads for like, I don't know, Cricuts or whatever. And they're like, they've, they're like, I've gotten Stacey who does have like a huge following amongst young women who are to be fair, the core demographic for

brands like Cricut. Um, but she's like, today I'm going to show you how I'm using my Cricket to make some new labels for my water bottle that I'm going to be taking with my husband on the Great Ocean Road. Step one, think about the name I want to put on. He always calls me Ashy. And so I'm going to put Ashy on the side of the water bottle. Now I'm using their innovative Tumblr heater to add it to the side. Oh my God, we're having the best time here. Thank you so much for Crricut for sponsoring this content. And I really like drinking out of my bottle and I'll never lose it again because it has

my name on it. And I'm like, I could have done that so much better. Yes. Look at this, she's absolutely covered in cum. This is my cum bottle. Look, if you're making a jar to fill with cum that slowly drowns or like my little pony figurine, I've got you covered. You can even add milliliter signs so you can keep track of how much cum you have.

Yeah. Great cut. Great cut. Yeah. Yeah. Um, I hate the targeted ads that for whatever reason keep coming up for me for those like loops, headphones. Are they called loops? Whatever.

Oh, like fashionable earring charm. They're like headphones, like earplugs. They're not headphones. They're not headphones. They just like go in your ear and they have a little like circle. But they look like chrome gold. Yeah. little like circle, but they look like chrome gold.

Yeah. Yeah. And there's this one pink haired diva who like somehow fucking like twisted this company into like paying her to make ads for them. Like in, like, I just don't understand. Like I need to know how much is getting paid because it just, that's so bad. And she's like, she's like singing. Oh, I hate that. It's awful. But do you know what I think that if you are a micro influencer and you do not get them to sign off on the frequency to which your ad will get served before you

make the ad, then you are making a huge mistake because I genuinely think Peach PRC's career was damaged by those fucking Bush Dove ads that were everywhere on TikTok because the frequency was far too high. So I got them, I got served that ad every day. And it like diminished her reputation. I hate it. It was like very lazy, lazy targeting. I mean, these fucking media companies are fucking jokers. They are out for every penny they can pinch.

Mm. So you didn't know how to fucking put a frequency cap on our fucking Facebook marketing? How dare you? Obviously everybody knows how to put a frequency cap on their marketing. Yeah. Yeah.

Yes. And also targeting. And I also think about like printing off a label on like an inkjet printer and then like cutting it down to size and blue tacking it to an object. Blue tacking. Yeah. And I don't like that. Do you know what I think?

You know what? Do you know what I think? Yeah. I fear, like there are types of labels that I think are the best, but I also think that they are better than me. Yeah. Does that make sense? Yes. Okay.

So what I'm specifically talking about is a gold piece of hardware that has a small lip and into that, like on a filing cabinet, if an apothecary is chest, you could slide a handwritten note of what's inside and it sits in the little gold sleeve bracket, the small window that you can peer inside. Now I love that, but would I do it? No. I know. I just, I'm not going to do that.

I know. But it's cool. It's very cool. You know that I have that on my like makeup and like skincare drawers under my makeup table. Yeah. Have you done it? No. Of course not. Yeah. Because it's better than us.

Yeah. We don't deserve that technology. But the thing about mine that I dislike is that it doesn't have a protective sheath. So there's no like little glass or like little acrylic clear to keep the paper in. So it's just like the paper in like the cutout like location. So like the paper is safe, but if you touch it, it will pop out.

So I haven't, I don't want to risk the heartache of putting on six labels, getting your calligraphy pen out. And then in three months, touching it accidentally, and then the paper falls out and I have to pick it up and put it back in. So instead, I haven't done it yet. But see, that's the thing. If you had, I don't know, like a crick cut, perhaps you could measure the size of a little like sheet of plastic that's required. Get I don't know, like a piece of clear acrylic, like the type you could probably purchase from say an Officeworks or something.

And then you could have dial in the size that you needed cut. Put in your specialty heavy duty blade, because I assume that for something like this, although if it was small enough, I'm sure that just the general all sorts blade could do the trick. But the general heavy duty blade, that would cut through it like an absolute,

well like a knife really. And then it would cut through it and you could get a six dial in as many as you want. And the good thing about the software that Cricket has is that it divides up. I don't want to put a crick cut in the bunker. It is now storming out of the space car. Ah! Oh my god.

Do not hurt each other. Ah! Oh my god. Lazy's left. Her skin has turned blood red. She just needs a minute to calm down. Yeah. She's getting a minute to calm down. She's getting some fresh air.

Yeah. Oh, is she, she's coming back. She's, she's crawling. Lazy? She's crawling back in. Go on. She's just screaming into a pillow. So for the label system that we're putting into the bunker this week, lazy, do you want

to say? You say. She's gone. Oh, she's doing her like indignant face. Like, oh, that's the face she's making everyone. Well, then you're right. We're putting in a label maker with the little press in indent system. Cause that's so cool.

And it looks like a typewriter. Like the daimo? Is that what it's called? There's like a daimo version, but it's pretty frustrating to use. Yeah. It's very time consuming. It's like black tape. With a little indent. That's so cool.

It like presses the letter indented in it. I don't know what a typewriter does. That's what you want. But it kind of looks like it. That's what we're putting in. And since lazy Susan is having a moment. We'll be right back. Hello, listener. Oh, hello.

I have been asked to come back to the show. And given our long history together, I will oblige, but one more time. It's been a few hours. Actually, speaking of one more time. Yeah. The outrage from your inf... Like, tell them what I did. Yeah. So last week, our episode came out. and as we often do, we highlight that on our story

on Instagram and lazy Susan did it this week and she says, I'm paraphrasing, better listen everyone. It's our last episode. It's called viral marketing. And to which many people were like, what the fuck? And then the next story was like, oh, sorry, just joking. Well, I did add that half an hour later when I saw people being like, what the fuck? And then the next story was like, oh, sorry, just joking. Well, I did add that half an hour later when I saw people being like, yeah.

And I was like, oh, well, I guess you really care about us. Yeah. It was actually great because it was really nice seeing all those messages and also so many messages from people that you don't realize listen. Still listening. Yeah. No, that is good. You know, it was like that woman that I was telling you about who was telling the story

about how she was threatening to kill herself to her husband. Yes. And occasionally you do just once in a blue moon, you need to like threaten to leave. Threaten. And just so you can get a bit of attention. Okay. Listener, that's my tip for you. If you feel like, you know, you've had a few sardines and you want a bit

of attention, threatened to leave. I have had it. Get me out of here. Okay. Our next topic for discussion today is which magazine goes into the bunker? Zelda. What's your history with magazines? Well we're not putting in like, automatic rifle magazines. That's for damn sure. Do you have a history with those?

No, other than disliking them. How dare magazine be used for that context? I love niche idea magazine. Like this is Tulip magazine. Yeah. Like I'm talking about assault rifle magazine. No, I'm not talking about a magazine about assault rifles. Oh, magazine. Yeah. Like I'm talking about assault rifle magazine. No, I'm not talking about a magazine about assault rifles. Oh, magazine.

The magazine of bullets that you load into the gun. Oh, that's not like you can't get a subscription to magazine. Magazine magazine. Magazine magazine. You probably could in America, I'll bet. Wait, is there a magazine magazine? I don't know. Cause I want that.

But oh my God, this has reminded me of the actual magazine that I want to put in. I need to find it. Is it Butt? You say something. No, but Butt's good. I love Butt magazine. Like matte, not matte, but like matte,

like a pale pink matte black and white print for a magazine is so chic. But I used to go to Sticky a lot. So I'm really zine-pilled. Yeah, I used to go to Sticky. It's so good. Matt, what is your magazine of choice? I don't think I really read any anymore, but I definitely did used to read Empire. The movie magazine.

I loved Empire. It was really good. I always read it at the hairdressers. Yeah, well that's the thing I could, I still now have the like, even though I'm an adult with adult money, I still think about magazines as being prohibitively expensive

because that's what was drilled into me as a child by my parents. Yes. So like, I'm like, I could, like I bought a Vanity Fair when I was getting on a plane flight the other day. And I'm like, I could, like I bought a Vanity Fair when I was getting on a plane flight the other day and I was like, this is crazy. And then they're like, that's $7 or something. And I was like, what? That's barely anything. Why, why, why did I think that this was the most expensive thing that's ever

existed? Cause that was your monthly pocket money. And, and also, I guess the, um, National Geographic ones. Oh my God. When we were doing the press tour for Drag Race down under season four finale, we were at junkie, um, doing some content, which actually junkie, I'm putting you on blast. We went into the junkie offices, right?

Yeah. As a media offices, right? Yeah. As a media outlet? Yeah. Yeah. To do press. And so like, four drag queens, minivan, drove around all day. We'd been in drag all day. We'd get to the junkie offices.

There's like gay guy, gay gal, and regular gal. Mm-hmm. Like a normal person. Yeah. Did you get a DOA? Yeah. Did you get a DOA? I insisted Like a normal person. Did you get a DOA? I insisted on a DOA. Perfect. I was like, DOA? And they were like, what?

And I was like, where's DOA? And then they had to look into the fridge in the staff room and there were these like canned margaritas. And they were like, I don't know who these belong to. And I was like, well, us now. And then we drank them. And then they were like, I don't know who these belong to. And I was like, well, us now. And then we drank them. And then they're like, okay, so for this content to do with the release of Drag Race down

under season four finale, we're gonna get you to hang ornaments on this Christmas tree. Is that, that's the first flag? Yes. And then we're gonna ask you questions. Okay. So we do the whole thing. And do you know what? We are a hoot and a half having a great time.

Like the four of us, Mandy Moves, Frey Rahmani, Vibe and myself, all having a laugh, doing the things, they're filming us. And I'm like, wow, it's the 20th. You need to edit this tonight. If this is going to go up tomorrow for the finale, guess what the fuck didn't ever happen. Guess what was a true waste of our whole fucking afternoon? It still hasn't gone up?

No. And when the fuck are you putting out Christmas content in February? I guess. Whose fucking great idea was to make it Christmas theme and then not make enough time to fucking put it on the fucking internet. They put up but one story about us coming to the office and that was it. That was an hour. Wow. Boo! Boo!

No, you can't get back. And I wanted that. That would have been fun. Junkie. Boo. Boo. No, you can't get back. And I wanted that. That would have been fun. Junkie. But anyway, all of this to say is that Australian Geographic was upstairs. And so because we were being hellions, we were like running around the offices and we're like, we're going upstairs. And then we went upstairs and there was this woman who she's like, Oh, you're the drag queens.

Oh my God. Welcome to Australia. And we're like, hi. Immediately regretting the decision to come upstairs in the lift. And she's like, well, I need to show you something. I'm like, what is it? She's like, please come on to the back. And then we went around to the back and there was this wall.

We're so proud of these pictures. And then she showed us this wall of pictures that she'd taken at the Broken Heel Festival. And she's like, you see? Are any of these you? Like, no. And we had to feign interest and she's like, yeah, I was so proud. We got this into the magazine because it's quite conservative here at a strange degree. Is that Australian geography?

Yeah. Oh, so I was talking about national geography. I understand that, but they have the same font and they're owned by the same company. Are they? I assume. No, they're not. Of course. No, they're not. Of course.

No. We can't be caught up in facts here. Matt, Google that. They can't have the same font. They're not, they don't have the same font. They have the same font. Wait, Australia Geographic where I can go and buy like a sensor activated frog for my floor?

I wish. Those shops were so good. Yeah, it's their magazine. Yeah. That's not National Geographic? No. Who cares? Tell us more about this fabulous woman and her droll terms. And then she gave us the copy of the magazine, those photos,

those awful photos that appeared in. And I was like, that's not us, you homophobe. And then she was like, I'm gonna took a photo of you guys with the wall. Like, okay. And like our publicist is standing there being like, bitch, what the fuck is happening? And she's like, oh, I'm going to send this to Kathy. And I'm like, we don't know who that is.

We don't know who any of these people are. And then she's like, thank you so much for stopping, bro. And I immediately was like, there's no reason for us to be here. And there's nothing you can give me in this world. I've never cared about anything less than this place. But you still had more fun than when you were downstairs? No, the people downstairs were amazing.

And like the junkie people were actually trying their best to do something fun. I just really resent then that content just being like, Oh, you're in full drag. He like take an hour out of your day. Yeah. That's already stressful. And we're just not going to honor that time and effort spent. And we're just not going to edit it. It's probably cause they're under resourced, but I'm like, then don't do it Christmas themed honey, make it evergreen content.

So some of the magazines that I like, what do you like? When I was buying magazines, I'm glad she's here. Um, which is not something I really do anymore because then what? Then I own a magazine and where am I going to put that? What? I'm going to keep it until I die? Oh, so much room. So I no longer really buy magazines, but when I did, I used to exclusively buy Vogue Italia. Oh. Pretty much. You don't keep that kind of magazine to refer back to?

So I did, and then I owned them for like 15 years. And when I moved house, I was like, I can't do this. It also had a lot of like, these are specific, oh, what's it called? I don't remember, like special effects makeup magazine that was monthly or like, yeah. And I used to get that for a while growing up. And I was little, I used to get like the Nintendo magazine,

which I loved. Tell me what was in Nintendo magazine. Well, like reviews for new games and then gossip about new games. Um, oh, so good. A time before like true internet. Yeah. Cheat codes are more of a PlayStation thing.

Yeah. You didn't have that. Yeah. Yeah. But, um, yeah, that was for the cool kids, not for the Nintendo people. Um, sadly. Yeah. Nintendo people. Yeah, but my pitch listener for this topic is indeed a humble magazine called Chicks Smashing Grunters, which I know you're all familiar with.

Hammond Tree. chicks smashing grunters, which I know you're all familiar with. I'm intrigued. But it's Australia's first female hunting magazine and it features delightful covers of chicks who have smashed grunters and it's hot chicks. Wait, wait, what is a grunter? A wild boar. So it's a hunting magazine, um, that highlights, uh, yeah, women doing it all. Including, um, smashing grunters. Correct. Well, of course.

I wonder if that, that any of the chicks now work at Australian Geographic? I may do. Which while in the... That makes you a grunter. Yes. Well, that's it. Grunters at Broken Heel. Um, apparently Dick Smith started Australian Geographic, but the Australian

Geographic stores are distinct and were earned by Natural Geographic. But Dick Smith of Dick Smith Electronics started Australian Geographic. It was a bi-annual publication that came out to celebrate Australia's rich. Bisexual community. Bisexual community. Yeah. Started Australian Geographic was a bi-annual publication that came out to celebrate Australia's rich. Bisexual community. Bisexual community. Yeah. Dick Smith being, do you remember, did you ever go into Dick Smith? Like electronics?

Baby, yes. Yeah. But Dick Smith was also really into prosthetic makeup. Oh yeah. And there's like all these, like probably my first exposure to makeup was this like old man putting on like spooky makeup in these super dry manuals explaining how he does vampire ears. Is that the same Dick Smith?

Yeah. What a diverse portfolio. Australian Geographic, electronics and makeup. Yeah. Faggot. Yeah. Fruit Loop. Yeah.

No chick would smash that grunder. What about K-Zone magazine? Yeah. Like, no, I probably never owned K-Zone, but I liked it exists. I love how small it is. I know. A5, are you kidding? That's so, also the feel of that kind of magazine.

But you know what I hate about K-Zone magazine is that they never had bespoke cover shoots. Like the photo of like, oh, we have an exclusive like 10 things Miley Cyrus likes, but it was not like she's gracing the cover of K-Zone magazine. It's like they've sent her the file of all of Miley's shoot. And then I'm like, well, this is the same cover that was in the like page 10 of Miley magazine just like three months ago. Like this isn't Jimmy Neutron poses for K-Zone. This is Jimmy Neutron misc. And I could see this on the back of the DVD at the local Video Easy. This isn't Jimmy Neutron poses for K-Zone. This is Jimmy Neutron misc. Yeah.

And I could see this on the back of the DVD at the local Video Easy. Yeah. This, like, you're not getting exclusives here. No. Maybe you got an exclusive with Nick Castle from Hard Castle from fucking Creature Features. Mm-hmm. But I don't even think Madigliana's coming out to do, like, K-Zone magazine. I don't think K-Zone gets OJ content.

No. And that was like- Like photo content. I don't think K-Zone gets OG content. No. And that was like photo content. Like what is this magazine then? Yeah. Seconds. Yeah. Sloppy seconds.

Well, yeah. Like collaborated, like I'm collated. And if you're a parent and you buy your daughter, Girl Power magazine, like check yourself because you should be giving them Dolly immediately. I think they've just got to have Dolly. Dolly. Like I don't think there's an age where Dolly's inappropriate. That's all.

Three? Three? They need to know about that one story that they always recycle in Dolly about how that girl got her period in her white shorts. That's what I grew up on reading Dolly Doctor. Yeah. Exactly. Yeah.

They had one week, a girl kissed a boy. Next week, a girl got a period and she was wearing white shorts and she was going to school. Yeah. And in two weeks, perhaps another story about white shorts. White shorts. Yeah. That was Dolly Doctor's main grind.

Well, I loved Voght Italia because of the editorials. Could you read it? Oh, well, it really isn't very article heavy. Like I think that Vogue, like I also got like Australia or like Vogue baseline or whatever, like have more like interest in editorial and like articles and stuff. Whereas like when I would get Vogue Japan or I would get Taiwan sometimes or Italy, like it's all about the editorials and the shoots and all the ads, because the ads are all fucking beautiful.

So wait, if you could be in one, the cover of one Vogue, which Vogue? Italy. Not US. Oh, no. It would be a toss up between Japan and Italy. There is something so chic about like, I was in the cover of Vogue, Italy. Yeah. That would be like, oh my God, what a fucking dream.

How far away do you think you are from that goal? Pretty far. Like how far? Like I think if I won season five and then did like a really stellar outing in like Milan and like Paris fashion weeks for that following year. And really like both of them as an attendee with a new outfit, every single time I was seen making friends and I walked runway

somewhere, maybe it could happen. Maybe. Yeah. Maybe I could see that after you get your sugar daddy. Well, maybe. Well, I just wish. Yeah. Okay. How about this?

This is an alternative. Okay. Okay. Yeah. Zell LeMoon. Yeah. Does season five of Drag Race, as you said. You do really well.

You win. Yeah. You become, you don't just win, you become known as the fashion diva. Oh, sure. Is that my niche? You know, this is your path to Italy. You go immediately. You moved to Italy, start learning Italian, develop both a coke addiction and a severe eating disorder. Perfect. a hoax addiction and a severe eating disorder. Perfect.

But like severe on both fronts. You become very good friends with a man who's in his 80s, who's exceptionally rich and works in the world of fashion. I presume he also lives in a castle. Go on. Yes. He developed a new type of belt buckle that changed the world in the 70s.

Yeah. And you become kind of his savant, your his inspiration. Because he hasn't made a belt buckle in about 30 years, but he's come back. And then as his parting, um, you know, parting gift to the world, he develops what he calls the Zelda. It's a new type of belt buckle that you can release with just one hand. Oh, I like that. It's incredible. And if you've got nails on it still releases. Yeah. Yeah. And it's kind of becomes not unlike the Birkin. Mm-hmm.

And then he dies, but under mysterious circumstances. So mysterious, in fact, that the police, the polizia, finally investigate his murder. Yeah. Oh, did I just say murder? Turns out that was the case. But you're only done for manslaughter, because they couldn't get anything on you.

He's found strangled to death with one of those belts with the Zelda clasp. And then you go to jail. You come out of jail. Coke addiction still raging because Italian prison, great for coke. Come out and you become kind of like a star of the like bloodthirsty variety. Yeah. You do Dancing with the Stars on Ice, but you're on Coke. And then you come out and you're asked to model for Gucci.

Yeah. You model and it causes a firestorm. And then Vogatalia calls and says, we'd like you to do the Prison Break edition. Yeah. Yeah. That's hard. Yeah. I could see that.

Yeah. You're naked covered in blood on the front cover of Vogue Italia. Did you, that's perfect. Did you see Julia Fox's Mac campaign? No. For like, um, I forget the tagline, great advertising. Um, but it's like, I'm just like, it's about like nude lipsticks for like, maybe it's VivaGlam, maybe it's not,

who cares? But like she's not wearing anything on the subway, but MAC. And like the whole campaign is just like a hot guy with like a kiss on his little tit. And it's like, I'm just wearing MAC. Cause the MAC lipstick. I had nothing on but the radio. Yeah, it's hot. That's fun.

Yeah. Well, should we buy nudes? What? Okay. Okay. So, should we buy nudes? What? Okay. So what do you think about... I think it's chicks crushing... Smashing... Smashing... Grunters...

Welcome to the bunker, chick smashing grunkers. Amazing. That's disgusting. Disgusting. To To To To

To To To To To To To entry world entry world entry world Welcome back listener

I'm so glad you're here for our final topic which is which is which is the topic we don't know this, we didn't discuss oh you haven't told me? no! is this a secret or you know what it is?

No, we don't have, we didn't discuss it. I know what it is. Oh, really? Yeah. Oh, okay. I was going to improvise one, but now you say, welcome back listener. Percussive instrument gets it. Yeah.

It is now time for the final scenario. I'd like to know which ident for a major Hollywood studio gets into the bunker. Okay, so you've all seen this at the start of a film, there will be an ident that tells you which studio you're about to see the film from. Cool! So for example, to give you a few. Yeah.

the film from. Cool. So for example, to give you a few. Yeah. The planet earth, gigantic letters swirl around it that reveal the word universal. Universal. Another example, a city skyline. All the lights of the skyline flicker off in

some sort of catastrophic event, revealing the word Miramax. A giant woman stands holding aloft a burning torch, wherever she's from. Paramount? I don't know. And then, you know, Fox Searchlight, there's giant letters shooting beams into the night sky, And they revealed 20th century Fox. Um, yeah. Yeah.

So that's my question for you Zelda. Those things. Which I get. What about the Warner Brothers thing where it's like a warehouse? I love that. Yeah. When it's like, Oh wait, no, I was thinking of, no. What are they called?

IDENT? IDENT? IDENT. As in I-D-E-N-T? Yeah. Mama, I can't find the one that I want. IDENT. Do you say something else? What about how shitty the fucking stupid Marvel one got?

DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN DEN when it showed actual footage. Let me talk you through it, listener. Back in the day, it used to just have images from the comics that it would flip through, and you'd hear the sound of pages flipping as an homage to its heritage as it used to come from comics. And that was good. I was like, that is nice. That's just like a little touch, but it's not tied to any moment in time. It's kind of universally, it's always applicable because these are always

going to come from comics. Then I go to see a movie. Suddenly I'm confronted by seeing 20. You can say it was quantumania. I'm confronted by the sight of 2010 wig Scarlett Johansson as she's fighting some off-screen foe. And I'm like, this is not universal. This is not chic.

This is not, oh, whatever time, no matter when this plays, this will make sense. This is like so lame. This is not what a studio ident is meant to look like. Mama, don't you understand that as these actors have had enough, they still need to remind everyone, Oh, you like Chris Evans? Oh, you want to see Robert Downey Jr.?

He's already in it, but he's here now. Look at this. Remember Iron Man? That's what that is. Yeah, I hate that. And I love when like She-Hulk is in it and everyone loses their mind. Like, why the fuck is She-hulk in that thing? Like, yeah, well, she's around, you know? What do you think about when they change the...

...ident? They, for MCU? No, no, no, like for like, oh, we're watching Wicked, and now the screen, the sky is green. I, so, for a consistency level, there's nothing I hate more. Like on the planet. There's nothing. What about the Matrix?

Well, I was going to say, but then there's things like the Matrix where it has a green filter and it's green. I like it if it's different, but the same, like it's the same shapes, but it's like unique. But you know what, as time goes on, I'm like, well, maybe it should be themed to the movie. That's kind of fun. Yeah, like how 824 does it for every film. But I think what, it's like the drag logo,

like have a logo, but also like redo the logo every time your name needs to be associated with like drag logo. Yeah. Like you're like, like the Zelda moon logo. What's the Zelda moon? Like if there was a logo, but like have those things be adaptable. So like, I think like if you lean in and it's like, we make it bespoke and special for everyone, but there's a recurring theme, like a Daria outro, where it's like, this is the look, but it's special every time.

Then that is consistent in its own way. But if 80% of your films from New Line Cinema look like this, and then 20% have this because we care about those films more, then it's no longer consistent and I don't like that. Okay. Okay, that's good. That's good to know. Yeah. But I've been trying to find, because like Japanese films, in my experience, have like just so many production companies involved that they have a minute of those. Yeah. And there's an iconic one, I just can't remember the

studio, but it's like just like waves crashing into a into a rock on the ocean and like the logo for the production company or whatever comes up. And I love that one, but I can't remember which one it is. I thought it was Studio Kara, but it's not. And then I thought it was Gainax, but it's not. Well, it sounds like you don't really know a lot about Japanese films. So what do you look for in a studio? I didn't.

What are the qualities? Good soundscape. Yeah, that's good. And the cinema ones need to be really epic as well. I think the cinema ones need to test the sound. Like, like that should be if the projectionist doesn't know the sound is not right. That should be the moment where it's like, yeah. Um, I think that like, you know, the little lamp.

Pixar. Yeah. I was going to say that one. Yeah. See that one is funny. Has too much because what if it's a serious film? What from Pixar? You know, so like I'm set up with like, Oh, what a delight.

And then it opens with like a scene from the Holocaust or something. Yeah. Is Pixar doing movies like that? Pixar Holocaust film. Well, you never know what might happen. And like that seems totally inappropriate. Well, that's because that never happened. So I just think it's very totally appropriate.

I think you need to think about all the things that you might create and just set yourself up for success with something that has impact, but is applicable to many situations. I think that's really important. I do think that's really important. I couldn't agree. What do you think about Walt Disney Studios where it has the like, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do,

do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do, do I wanted the DreamWorks one. It's when you wish upon a star. Yeah. Boop boop boop boop boop boop. Cynthia Arrivo. Bum bum bum bum.

And then like the castle or whatever. Yeah, I've never, I love the Buena Vista one, which was just like 2D, like that pale blue with the ice blue on top. Yeah, yeah, yeah, yeah. Incredible, but the new one where it's like that 3D like, like river scape. Yeah, yeah, yeah. Is so relaxing.

I want to be on that river at that time. Have you seen the like YouTube videos of how that's changed? Yeah. It's quite fun to like watch that video. Sounds like a layer from the head. Yeah. I think you'd have quite a bit of fun watching that. It goes for maybe like three minutes.

You should indulge. I will. It's like on the internet. What's the lion one? Is that? Oh yeah. Goldwyn Metromea. Yeah.

I like that lion. That lion is good. I like that. Just peering through that little window. Behind the scenes footage as well of that lion being let up that little flight of steps. Yeah, how they filmed it. Yeah.

What's the production company that did, it was New Line Cinema that did the faculty and Lord of the Rings. Yeah. Yeah. That doesn't have one. It's just like the image of New Line Cinema, doesn't it? Or does the little film things flip around the film strip? I don't know.

Cool. But it's very simple. It kind of glows from behind. I don't know. Cool. But it's very simple. It glows a bit. Kind of glows from behind. I like that. I like the one at the end of The Simpsons. Shh. I remember as a child thinking about like, what would my one be? Yeah.

Yeah. Because like of those like sitcoms would always have them at the end. And they'd be so like, who comes up with this? Who approves these random little sound bites? Oh no, New Line is all the film. That's nice. That's really nice. That's the perfect. I there's that one like it goes, oh, it's Dolby digital sound where it goes.

And I'm like, Oh my God, I'm scared. Oh my. Yeah. Yeah. I like touchstone, but they don't exist anymore. What's the one with the woman holding the torch? That is Columbia. Sorry.

I should have said that probably. And that, you know, she's- That's a good one. When in Charlie's Angels, when we flew past the woman into the clouds, this one oh yeah yeah yeah yeah bitch you know you're in for a good time That's good! That's a good iPhone. That's also a Japanese company. What about just like all blue Totoro Studio Ghibli? I think that's really classy.

Just like, here it is. A two dimensional little picky of Totoro. And then off to the bottom right. Offset. And like beautiful blue color. Yeah. It's a lovely blue. It's chic and classy, particularly if you're in an animation studio and your identity is

not animated. Yeah. It's like- Focus on the movie, darling. It's not about me. It's about the movie. Yeah. What about the, um, uh, Mad Men one where it's like, shh. Ooh.

And then that. Yeah. I do. Cream pie in the face of Mad Men. Yeah. I remember when they transitioned to that and what did you say? I said, Oh, that's different. when they transitioned to that.

And what did you say? I said, Oh, that's different. Do you know that their, um, their wing that was focused on like, uh, like. Go on. Like Asian cinema was like called Eastern Eye. What do you think about that? And their logo is like a closeup of the madman like eye, but it's just like, because the madman expression listener is a little bit mad. So it's a little bit like a 90s shoe brand for skaters.

Yes. But it's like a bit of a slanted, like angry eye. But when you focus in on just that angry eye without the rest. And then the logo is called Eastern Eye and it's a slanted eye for a production. Like that's focused on Asian cinema. Yeah. Not sensitive. I don't know.

It's just something to think about. Not nuanced. I might minus a point for that. I'm going to be honest. That's in the minus pile. Yeah. What do you think about the Jerry Brockheimer? Like we're speeding down a highway going 10,000 miles an hour. Suddenly we arrive at a giant tree as it is struck by lightning.

Jerry Brockheimer. Ah, yes. Okay. What do you think about Boy in the Moon? With the little like, I. Okay. What do you think about boy in the moon? Oh, with the little like, I'm fishing. No, I don't like that. Well, I don't like fishing. But I also like the ripples confusing because then it's all ripples.

The ripples confusing. Well, so I thought I was looking at the real thing, but I was looking at the reflection. Well, that's cinema. It's not reality, darling. It's a reflection of reality. What? Okay. Well, who do you think belongs? In the bunker. True. I was thinking about this far too literally. Maybe it should be.

Ha ha ha ha ha. Whoo. Whoo. Um, I don't know. Well, it's obviously Columbia. Yeah, that diva. What a giant mountain. They're all so us coded.

A giant mountain, a giant planet, a giant woman. Yeah. Which giant thing? Matt, what do you think? Yeah, what do you think? Which giant thing? No, but like which? Ugh.

That paramount, is that paramount, the mountain? Yeah. Um, I mean, that's pretty hot. I love it when Indiana Jones walks up next to it. It's so cool, that mountain. It is quite a... Apparently that's a real mountain as well. Like apparently.

I think the planet for Universal is pretty like S tier as the kids would say. You know what? I rewatched The Thing this week. What thing? The Thing. What thing? Cinema classic The Thing from 1982. What thing from 1982?

Anything. They, even though it was Universal, they purposefully didn't open with that because the film opens with the spaceship landing and they didn't want to confuse the audience of like, wait, what? Is that, which planet? What? Where are we? Yeah.

That's fun. That is fun. And you weren't confused as a result. Okay, but, wait, I'm just going to file through. Mmm, and you weren't confused as a result Where I'm just gonna file with you What the fuck is this paramount Oh Extended cut I don't know about this. I Don't know. That's a loss. It's also not iconic. Yeah

Do you like that? That's the Warner Brothers lot The fundamental things apply as time goes by Okay, then okay. Oh god, the the Disney one is so good though. Let's just put in the fucking mountain from Paramount. You just nixed it. No I didn't. That's the one. You said it was too much. Yeah, I don't need the audio.

We're putting in the mountain. Are you ready? Well darling. It's part of it. Yeah, the audio, you kind of can't have one without the other. No, we're putting in a scale model of that mountain. On the shelf in the library.

Video in the DVD player. We can never watch it. You're like, this is inappropriate. I think. Oh, here I want to watch my animated Holocaust film. And you've... That's not how we start that. Toy Story zombies.

I think it should be Columbia Pictures. Um, that like the intro to X-Men that opens on your favorite Holocaust film, X-Men, like that opener with Magneto is so impactful. It's so great. And like cooked a blah, blah, blah, blah, blah. That I just like the fact that they redid it again... Yeah. ...in those later films is so fucking hack. I just, it's actually abhorrent.

Yeah. And there's been all this discussion, so many people are talking about it, of like in the MCU, when the X-Men come in, I don't know how they'll do it, blah, blah, blah, blah, blah. But a character like Magneto, who is, like, very well established in the general population, an important comic book character, who has a really rich history for, like origin story of the Holocaust, the Holocaust being

a World War II survivor, blah, blah, blah, blah. All of that is very important to make Newtis character in the comics. But that is because they like this story came about in the sixties and seventies, all that stuff and like that was a more timely thing for a character of like 40 to have been like da, da, da film set in 2025, how can this 35, 40 year old man be from that time? How could he have been born in the mid thirties? So there's like this discussion of like, well, could he have an origin story linked to a separate war? And in which case, which war and all that stuff.

Anyway, what an interesting discussion. I'm intrigued. I know. But the answer is like... Operation Desert Storm. But like, how do you rewrite such an important story? You also don't want to erase that story because that is like, I don't know, kind of like a grounding element of that

character and also X-Men in general and like the parallels between like what the X-Men and mutants represent and all that stuff. So it's like you want to modernize it, but you can't really erase, I don't know, World War II history. But how then do you pull a character that would now be like a hundred years old in? Well, I think what you do is you just don't ever make it on these films. But then further to my point is like,

I don't need to see them attempt that for a third time. That first intro is incredible. Yeah. Yeah. But also I want Magneto to be in the films again because he's such a great character But ooh, what fun I can't believe they're making more Well, like I just am like how mmm. I thought they were just taking their foot off the gas Hmm, just a slow release Do you want to go and see brave new world with me in a couple of weeks? Next movie comes out. What?

Who is it? Captain America. Oh, you don't, you don't like black Captain America. Oh, you had it. Nationalism is a sickness at any level. No matter what the race. Wow. Yeah.

But don't you want to see what happens with the celestial that's poking out of earth from, from, oh my God. No. Oh, okay. Let me tell you. The internals. Haven't you been wondering for years,

what about that thing that's hanging out of the planet? Well, we finally get the answer. Are people excited about this though? And Red Hulk. You know Red Hulk? Harrison Ford. I knew about that part. Because I love watching them forcing Harrison Ford's skeleton to move around on screen. Yeah. Yeah. He was so good in Blade Runner. Hmm.

23.9. 23.9. What indent, Lazy Susan? Columbia pictures, that beautiful fucking woman. Okay, fantastic. This week into the bunker, we have had... Go on. Uh...

Labels. All I can think about is you saying, quick cut. Well, as we know, quick cut. Well, oh no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,

no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, obvious choice of all magazines that have ever existed on this planet. Yeah. That's the strongest contender. Yeah. And we stand by that. True. And finally, the colossal woman from Columbia Pictures. Holding her torch aloft with Charlie's Angels plane flying behind her.

Yes. Do you think, did you see the like the Charlie's Angels reunion stuff this week? No. Where they were like talking on zoom chat. Oh no, but I love that. I just worry that Lucy Lu has aged impeccably. Yes. And by comparison, Drew and other.

I did see that. Are like, just not. No. Lucy just looks so amazing. She's superhuman. And Demi is having like the year of Demi. I think like, I mean, so like my girl Drew and Cameron D. I think Drew still looks immaculate.

Drew is good, but she's not like, Lucy Lou is like, she looks fucking incredible. Yeah. No, I mean, I don't know so much for Cameron. Cameron D, Destiny. Cameron is like, just a woman who loves to surf, so she's got a lot of sun damage. And I think Cameron, in the day, was the hottest diva of the three. I mean, they're all unique. Yes!

That's the point. But obviously she was the hottest one. And now, it's Lucy Liu. I love all three of them. People peek at different times. True. Everyone has different bodies. As if Lucy Lu wasn't always impeccable.

Yeah, gosh, it's so amazing. Philip J. Fry. Does anyone else have an idea like this man's cook machine? I love you. Phillip. Corn log in Valvite. No but I think like there just needs to be a script. We need to get Mick G on the phone.

We need the girls back together. It would be so hot. And I don't know what capacity it's in, but it's like, come on. Yeah. Everyone can get those deep, plain facelifts. Yeah. That I want.

Sure. Where they pull the muscle under the skin. Yeah, but they used to pull them laterally and now they're pulling them up, up. That's good. Yeah. Listener, thank you so much. We hope you've enjoyed this episode of Death to Everyone.

And listener, I'll pray for you. I'll pray for you and your family. I pray that your family never finds out about your sordid lives and all those disgusting thoughts you have in that tiny little brain of yours. I won't. Ben Buggy. Oh little brain of yours. I won't. Ben Buggy. Oh, Ben Buggy. I didn't read the Ben Buggy email.

Oh well, tune in next week, Ben. Ben Buggy sent us an email and now he's going to send us some chai. Yeah. Oh god, the tambourine's back. Now I'm going to play us out as Sam and Mel have taught me. You've got to do a song at the end. Bam, buggy, you're the best friend we ever had. Now, sadly, your verse.

Death to Everyone was recorded at Natural Habitat Studios by Matt Shears. Our theme song and music was provided by Edie Centric and Angus Leslie. If you've got something to say to us, send it to us at d2everyonepod at gmail.com and would you support us? You know, stop playing the music! And would you support us please at d2everyonepod at patreon.com. Goodbye!

Svillen your to you all. That's my line. That's my line! That's my line!