Dice Shame - 2-182 | 'Heavy Lifting'

Episode Date: February 19, 2026

As the team boards the Vonindod... the stakes get higher...______________________________________________________________________________________________________________Imagine your best game of D&amp...;D. The shocks, the twists and turns, the moments that can’t be caught because you just had to be there. That’s Dice Shame.Join our DM Jo, her husband Harlan, their brother Alex & their friends Nic & Timm as they experience those unmissable, gut-wrenching, heart-aching, joy-filled moments.This legendary AP releases a brand new episode every Thursday morning at 1:20 am!Content Warning: animal death, swearing, violence, claustrophobia Hosted on Acast. See acast.com/privacy for more information.

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Starting point is 00:00:01 And the dogs jump out. The cyber dogs, no. Oh my God. Wait a minute. Doran, get in here. Get out of here. Evil pulses of darkness. Yeah.
Starting point is 00:00:11 Shut up. No, not that. God, no. God, no. Dare you have more of an involvement in our plot. I mean, there is one thing he could do. They made it in. Let's go.
Starting point is 00:00:19 Yeah, one of the feet. Come on. Best day ever. Inside it. Inside it. Just for fun. This is the most fun I've ever had. It's a fun game.
Starting point is 00:00:28 Wait, are we in combat, though? It's hard to know. Are we in combat? Wait a minute. Hold on a second. Now that's going to be a vocal tick. Welcome back to Dyshame. This is Season 2, Episode 182, Heavy Lifting.
Starting point is 00:00:53 MVP this week is shared between three wonderful community fan artists, Milk, Danny, and Rotten Little Flea. Over the years, we've seen some incredible and ridiculous illustrations from all three of them. Furthermore, Milk, Danny, and Flea are going to be participating in this year's InvictusCon fan artist Madlibs panel, and we are so thrilled to be hosting their talents. You can join the entirely virtual gaming and fan convention on March 27, 28, and 29 for plenty of panels, art booths, community run RPGs, exclusive events, and more.
Starting point is 00:01:28 Hope to see you there. We better. All right, should we play some D&D? Yeah, let's do it. Woo! So question, have you ever had a reoccurring nightmare or dream? Yeah, I have, I, yeah, I have had reoccurring nightmares, mainly about pigs, whart hogs, pig-related things, big pig-centric nightmares and then skews off slightly, mostly anthropomorphized wardhogs. Is that based?
Starting point is 00:02:10 Based on babe. No, you know what it is. It's a horrible. It's the 1980-some-odd film. starring Warwick Davis. Willow? Willow. Thank you. Oh my God.
Starting point is 00:02:22 Oh my God. Yeah. Where she turns them all the pigs at the end. Oh my God. Yes. But yeah, no, that really, you know, there's certain things you see. And they're not, they're definitely not like too old for you because it's a kind of a kid-e movie. But it was just, it really affected me.
Starting point is 00:02:39 I think that was like the first time I saw. And like there's something so horrific about it, you know, like you're... I'm Googling these images. It's rough. And I think this was like when you think about it, being transformed against your will is like one of the most horrific things that could happen. You know what I mean? Like the idea of, and they do it in the witches too when the kids get turned into mice. And those two like against your will transformations really affected me.
Starting point is 00:03:09 And in Pinocchio, you were telling me when we were watching Pinocchio, the scene where the boys get turned into a donkey's really horrified. as a child. It's terrifying. This is, Carlin, this is actually a pretty common thing. And it's, I, I do, I have had anecdotal experience where multiple students in terms of lines and veils will express to me nothing except I do not like, like, you know, the idea of being turned amorphous, the idea of being like transformed in some way. And even when they don't, that's, that's remarkable when the kids like express that. it is even more common when it comes up and they're like,
Starting point is 00:03:49 no, I hate this. Like, it is, I think, a really, and it's, and there's something suspicious about the fact that this happens a lot in movies, like for kids and stuff. Like, yeah. The witches in particular, that one really, I remember messed me up. Because the book ends with them being like, anyway, we got the witches, but like, I guess I got to figure out how to live as a mouse.
Starting point is 00:04:07 I'm like, wait, I went to my parents, like, explain this, please. Like, what's happening here? Yeah, literally. At the end, she's like, don't worry, I'll take care of you forever. And they're just fucking nice. You better live your best mouse life. I'm like, undo the magic. You had control of this.
Starting point is 00:04:23 Horrific. There must be a phobia. But yeah, that, I had a reoccurring nightmare. It's a reasonable anxiety that kids. Yeah, anxiety about that. I used to have recurring nightmares of losing all my teeth. Ooh. That's common too.
Starting point is 00:04:37 There's a reason for that. Yes. They say that. Whether I would get in a fight with somebody and they would punch me in the face and then later on in the dream, my teeth would all like get loose and fall out. or just sort of spontaneous discovering that they were falling out while I was talking or something? They say that's high stress, feelings of powerlessness,
Starting point is 00:04:56 or major life transitions are like when you lose your teeth. But whomst among us doesn't experience that, right? Nick, did you get to go? If you want to share it. I've kind of into it. Well, that's the thing is like my, the reoccurring nightmare that I've had is a bummer. You could do dream.
Starting point is 00:05:12 Do I have any recurring dreams? I feel like. Even when you were like a baby, like a little, kid. Or even if you can relate to the teeth falling out or the fear of pigs. Actually, while you're thinking, Harlan, when you said fear of pigs, I thought for a moment you were talking about like you were in your nightmare being force fed pork. You're like, no, no more barbecue. I can't do it. No more. A really traumatic experience with a rib, McRib.
Starting point is 00:05:39 The McRib, it's back. No, it's coming down. I also had a recurring dream, or a recurring nightmare, I should say, about Road to Avonlea. What is that? The Road to Avonlea TV show about Anne of Green Gables. Anna Green Gables. It's like Little House on the Prairie, but for Canadians. I actually remember Anne of Green Gables.
Starting point is 00:06:05 In the dream I was going down into my Oma and Opa's basement, and it was an unfinished basement. And in my dreams, it was getting smaller and smaller as you go farther back. into the basement and the ground turned from like poured concrete into gravel and then dirt and in the far back reaches of this short basement there was a wooden coffin and like little joe four or five years old walked up to this or crawled i guess up to this wooden coffin and i opened it up and aunt hetty from road to avonlea was in the coffin and she reached up out of the coffin and grabbed me me and tried to pull me in. And with every yank, her skin started peeling back from her hand.
Starting point is 00:06:53 And she started to become a skeleton from her hand all the way down her arm up to her skull. It was like this terrifying experience. Yo, Anna Green Gables got dark. I had that dream probably a half dozen times while I was little kid. They shouldn't have put that exact scene in Anna Green Gables. I can't believe they did. I think he's in there. I get to the finale.
Starting point is 00:07:14 I wonder where, okay, and where my mind went here is you get these visuals. Like there obviously those visuals came from somewhere and probably a movie, right? And I flipped it on its head and I thought to myself, wouldn't that be like a bit of pride? If you were like a director of a movie or a producer of a movie that was so effective. No, but that was so effective that you would. Degs into this subconscious. You would remember these things for years. Like when you said that, I was like, Freddie,
Starting point is 00:07:44 Brugher from Scroooged when the ghost hangs Bill Murray outside of the window. And he's clawing at the ghost's arm and the skin and everything's just falling off. Like when you said that, that's what made me. It's kind of a point of success for that director or whatever. What about you, Tim, dreams or nightmares? Not really a lot of recurring dreams. I'm lucky in that regard. I've had a lot of like liminal space dreams, like where like hotels, conventions very often.
Starting point is 00:08:14 and nowadays, because I've been to a lot of conventions now, and it's the bad recurring one insofar as I have one, it's not like a single recurring dream, but it's always me losing something somewhere. I always had something really important, like a whole backpack with lots of things, and then suddenly later in the dream I don't have it anymore, or like tell myself I did have it and like left it somewhere,
Starting point is 00:08:38 and it's just like, oh, I hope it's still there. Like I did that enough as a kid that like that became sort of a thing, of like, oh, okay. Do liminal spaces in general creep you out? They don't creep me out, but they pop up in my dreams a lot, I think. Not necessarily always bad dreams, but, like, definitely, like, more uncomfortable dreams tend to be airports, convention centers, hotels, those sort of spaces. Wow.
Starting point is 00:09:03 Yeah. That and, like, the teeth falling out is, like, because they're so real, like, they're so, like, almost mundane. And warthogs. Wardhugs, too. I mean, listen, if I had a nickel for every friend that turned into a war dog, uh, I would have two nickels and that's weird.
Starting point is 00:09:22 30 feral pigs, 30 or 50 feral pigs. It's interesting because like certain dreams, like dreams are. They're all reflective of things you experience in real life. Like even the losing something, Tim, that's like anxiety, feeling like you don't have control over what you're doing and stuff like that. And I would bet all of these, as we've just uncovered, all sort of fall under big umbrellas of like things that we were experiencing in our life at that time.
Starting point is 00:09:45 But you didn't even say yours, Alex, did you? I have a kind of a good series of reoccurring dreams, I will say, and they kind of surround around particular places, but places that don't exist. Like, there's this house that I visited in my dreams more than once. And it's like a mansion and it's on the corner of a street. And I can't tell you what the inside looks like, but it's sort of ratty. It's like sort of falling apart. And I end up making my way out to.
Starting point is 00:10:14 the back deck, which then looks out over this very large, overgrown backyard. And it's like, I want to live here and like renovate this place or something. Like it just something, is there something so exciting about having this like big, cool, old house with lots of different angles and like, is it neglected? Like, is it run down? You said? Yeah. Yeah.
Starting point is 00:10:38 Okay. So that symbolizes feelings of neglect. Oh. In security. Ah. Such as relationships, career, or self-care. Things are falling apart and you need attention. But he feels positively about the house.
Starting point is 00:10:50 Like he has the opportunity to- Because he's finally giving attention to the thing that needs it. Maybe. But I think it's more like personally, I come out of the dream going, oh, I wish I was there in that dream still. I wanted to investigate that last area, you know? Exploring. But their floor pants, like literally, I'm walking around in this house.
Starting point is 00:11:10 I'm like remembering, I'm going to draw a floor. plan and then I go to draw it and it doesn't it can't make sense like there's rooms that wouldn't like oh I couldn't have walked there because it's like a house of leaves you like loop or something yeah I find it kind of trippy I've seen it multiple times on the discord where people will say that they dream about us oh oh die shame yeah yeah like Disham or like Harlan and I they're like oh I dream like I went to bed with Witted last night no they're like well I dream that I met you guys and we just went out and got a beer together and we had a fun time or whatever. I got lots of gadgets.
Starting point is 00:11:49 It's kind of funny that you say. Yeah, that's called daydreaming. If you, okay, if you could press a button and at any point during the day and a number would pop up and it would tell you how many people dreamed about you that night. Oh. How often would you check that stat? Never. Never. Ever, ever.
Starting point is 00:12:08 I don't want to know. Alex? Every morning. Daily. Same, same, same. Really? Except you don't watch. The two personality types.
Starting point is 00:12:16 The real, the real sad part is it'd be like, every morning, be like, zero. Oh, my God. Okay. I talked about you last night, Harle. Actually, that's the thing is I'd be, I'd be not checking it because I'd be afraid of what the number would be high, and then I'd check it and be zero and be like, wait, wait, no. Hold on, hold on, hold on, hold on. What will I do? I will say, though, just before we totally move on from any conversations.
Starting point is 00:12:41 Oh, yes. Yes. Yeah, I checked out a show based on your recommendation, Nick. The residence. Here's the thing is, like, you can absolutely dunk on my recommendations, but I, it won't, I don't know. I don't care. So it's like, I don't, I thought you're going to go the other way with it. I will cry.
Starting point is 00:13:00 Like, I don't know. Like, this is why I don't like giving recommendations because then people come back and they tell me like, oh, I didn't like that thing because of this, this and this. And I'm like, that's cool. And we don't have to talk about it. But I like I like talking about things that I like and other people like that's really good energy, but I'm not going to debate the merits of like... I totally agree with you, right? Like I was listening recently to someone debate with someone else the merits of rom-coms.
Starting point is 00:13:28 And I just got so frustrated with the conversation because it's like these are subjective opinions. Like you can like them and you cannot like them, but trying to argue that like there's no. artistic value and stories that are just about relationships aren't valid because there's no dinosaurs in them or whatever the fuck is like, okay, you're entitled to that opinion. But you can't tell me that I don't get to like that because that's pretentious bullshit. It's true. It's the definition of a genre that clearly has an audience and like clearly people who don't enjoy it.
Starting point is 00:14:06 But also it's like musicals. It's like clearly there are people who like it. And if you're not one of them, what's the point of this discussion kind of? Don't go to a musical if you're not that kind of person. I totally agree. Like my closest friends will ask for recommendations. I'm like, I have nothing for you. Because if I recommend something and you don't like it, like, then just here are things that I like.
Starting point is 00:14:29 But that's the extent of like recommendation that I will give for that exact reason. But some people get really into that kind of conversation. Yeah. they really like debating whether or not something has merit in their eyes. And here's the thing. Like, I'm down to engage in that because I love a good kind of like back and forth that I love the devil's advocates part of things. But like, that's not how most people come into those types of conversations.
Starting point is 00:14:58 You know what I mean? Anyway. That's true. Anyway, I liked it. That's all I was going to say. I was just going to say, thanks for the recommendation. Alex is like, how does everyone feel about rom-coms? Alex is looking at index cards.
Starting point is 00:15:14 They're all like your opinion on this genre. Um, um, yeah. The cards go everywhere. Oh gosh. Yeah, it's all gone off the rails. When we last left our heroes, having found the Von and Dodd and done battle with the fire giants guarding it, you come face to face with the shadowy creature that we
Starting point is 00:15:43 was the author of Kralath's ultimate fate just in time for the Von and Dodd to seemingly power on. Something is definitely happening. Witted, is that your turn? You want to do anything else? I assume I can't try again with like a bonus action or something like that to pop the door open. Yeah, try again. Okay, I'll dedicate my whole turn to that then. I did my action.
Starting point is 00:16:11 I'll... Oh, thing. Wow. I just rolled a natural four. Oh, my God. Oh, wait. What? Roll that second one.
Starting point is 00:16:25 I am going to say that I didn't take the, I don't want the inspiration. I wouldn't have used it. I would have just hoped for the best on this. So with a four plus nine, that's a 13. I think I am just going to use as a reaction. Flash of Genius. So you see me like still kind of panicking.
Starting point is 00:16:45 Finger's still working like, nah, come on, come on, come on. It's got to be something along these lines. And if I turn this left and click this into place, and you see through the visor all of like the computer of Bessie helping me out like trying to like predict outcomes. It's like turn this here. It's like, yeah, okay, okay, got it, got it.
Starting point is 00:17:02 And like I'm getting a plus five from Flash of Genius for a, if I'm doing my math right, 18. is 18 yeah well if it had been a 19 no I'm just kidding yeah we did it would be a 19 if we weren't in combat um but because wait are we in combat though it's hard to know are we in combat wait a minute hold on a second now that's going to be a vocal tick if you yeah you just take like an extra second to to reassure yourself and apply your knowledge to the problem and as you do the control panel lights up. You've hit the correct series of buttons and levers
Starting point is 00:17:45 and with a hiss, you put the key in the lock and you hear something open from deep inside. All right. And the dogs jump out. No, the cyber dogs, no. Do not open, beware of dogs. Do you open the door?
Starting point is 00:18:05 I certainly do. And I look up as I grab the handle, I look up and say if I may and open the door. I feel like you have one of those anime super excited faces on. Yeah, with like glowing eyes. Slowly over it. Wait, did you enter a chamber that is reminiscent of like an airlock almost? It is like an anti-chamber that is entirely encased.
Starting point is 00:18:34 And it is mostly like a bronze construction, though there are some. steel elements and just the amount of noise that is outside compared to the amount of noise that is inside. It's like you're entering just this entirely sealed chamber. But again, this rumbling coming from within, this increasing in intensity, you can tell that something, something is happening. There's a moment where with that almost rumbling, and I think when you zoom in on Witted's eyes, it's almost like it becomes this gentler hum than it really is. And with
Starting point is 00:19:15 the silence and isolation relative to outside, this is exactly why Witted likes armor deep down. And it's not one of the greater traits about him, but for just a moment,
Starting point is 00:19:31 he like stops. And in a very like, no, what are you doing in the horror movie kind of way? He's just standing there. letting the silence wash over him for a moment, enjoying it. Like, I don't know who can see in. It might be red. I'm not sure, but, like, he's just standing there.
Starting point is 00:19:50 Meanwhile, everyone who is outside the Vonendod is lit from above by a red luminescence. Oh, no. As the ruby eyes blink on. Oh my God And Beyond Red's ability of Waterwalk the Von and Dod
Starting point is 00:20:17 begins to tremble and lift off of the ground What? We're only talking a couple feet here But we are going to go Go to space We're riding on quick Me and my Bonindod
Starting point is 00:20:32 Dres Dysha goes to space This is when his dream come true Actually sorry the Vonenad and me had to go on an adventure alone together, guys. BRB, I'll see you later. If you want to get on the ship, now's the time. Meanwhile, it is this terrifying shadow giant creatures turn.
Starting point is 00:20:56 Oh, my God. Yeah, it moves easily over to the fire giants that are trying to escape it. And it is going to multi-attack. it's got a 15 foot reach so it easily just reaches out a hand toward one of these fire giants and begins to like
Starting point is 00:21:18 suck the life out of it in these like evil pulses of darkness just pulling the life energy out of him evil pulses of darkness cast evil pulses 25 to Hit, yes, 25 does hit.
Starting point is 00:21:41 And I'm going to make a save. Wait, if it sucks at all the evil, will it be a good giant? He just turns into his smile. It's like, my little pony giants left. Yeah, it's like, hello. That's what I was picturing. Tamil is watching this interaction, I think, being the last kind of one, a field, far afield from the Von and Dodd.
Starting point is 00:22:02 Does it seem like that wisdom save is causing, like, Fear? Do these things... Make a insight check. Just for fun. This is the most fun I've ever had. You can just do it for fun. Insight it.
Starting point is 00:22:16 Insight it. It's a fun game. I have a plus 11 to Insight and I rolled a natural one. No! It's an ability check, so it has to be a fail. But, but like, natural ones are... We're rolling swingy tonight. I will tell you that you observe light leaving the fire giants once dancing.
Starting point is 00:22:36 Eyes. Dancing. Oh, I forgot that these fire giants have rich internal lives. That's right. I'll never see my boyfriend again. Yeah. She is, she is, uh, Jesus.
Starting point is 00:22:49 Plus. We're going to get letters. No, no, no. This is one of the lady fire giants. I have a diverse cast. Oh, kill the women first, of course. No. It's like four or fifth.
Starting point is 00:23:00 Oh, kill the woman fat last. Yeah. Wait, are we in combat? Yeah, we're in combat right now. We're flying away, right? Yeah, we're getting on this thing. No, no, no, but what I mean is like we're not, we're not then going to turn and fight this thing, right?
Starting point is 00:23:16 Like we're going to get on the Von and Dodd and then. No, we're going to get on this thing and go. Well, I don't think we're, put it this way, I don't think we're going to get to the controls of this thing before it's taken off. So we're on this thing and it's taken off, right? Cool beans. This shadow fell creature, again, attacks the same
Starting point is 00:23:33 fire giant and deals a further 41 damage killing it. Oh, gee. Whoa. There are two fire giant targets for this terrible monster to focus on before it turns its gaze upon you. And meanwhile, Tamil, it is your turn.
Starting point is 00:23:54 You hear the rumble. You see the red luminous eyes light up. What do you do? Uh, Tamil realizes that she's alone out in the In the wilds here, she's going to take a dash action that will give her enough movement to get to the who'sy what's. Do you need any kind of like athletics check or anything to get into it? No, because right now it's just a couple feet off the ground. You can do a happy little hop up, maybe grab a handhold and you're fine later.
Starting point is 00:24:23 Like in future subsequent rounds, it's going to get a lot harder. If you want to roll to see if you hit your shins. I would, but, you know, because we're in combat, it feels like we should be taking this seriously. No. Still in combat? Is there any way I could negotiate, and I'm totally willing to hear no about this? Is there any way I could negotiate using some of my movement to bring somebody else in with me? Like, like shoulder, like tackle right into the thing or like, as I'm running, I pick up whim.
Starting point is 00:24:55 You could use your action? I use my action for dash. So never mind. Yeah, no worries, no worries. So, Tamil will board the Vonendad kind of standing next to Widdid. She'll put a hand on his shoulder and she'll say, we're counting on you now. And we believe that you can do this.
Starting point is 00:25:10 And I'll give him Bartik inspiration. So that's a D-8 for future roles. Nice. Nice. And that is my turn. Fabulous. My turn. It is the fire giant's turn.
Starting point is 00:25:22 The one that is closest to you makes his way up toward the Von and Dodd and grabs hold of the leg. This fire giant wants to come to a ready to us. Dinkus. If I'm not mistaken, I read it in action, didn't I? I think you did. Doren, Doren, would you like to, Wack him?
Starting point is 00:25:46 Would you like to use your ready action? Why, yes, I would. Thank you very much. Absolutely. Wack his ass. Wack him, Dorn. All right, this is going to be a great weapons masterfeet. It will say, anyone who takes damage while they are climbing the Von
Starting point is 00:25:58 on the outside is at risk of falling. Oh, hilarious. So that includes the giant and Doran and chaos, whoever is on the outside. It's an 11 plus 11. That's 22 minus 5. 17. That's 17. Ah.
Starting point is 00:26:16 All right, so he swings once, misses the giant. Yep. Swinging again. That's a 21. Booy! Doing nice. Max damage. Yeah.
Starting point is 00:26:28 18. Hell yeah. 28 points of damage. Fuck yeah. Doran. Yes. He's like, you don't touch my friend. And he like swings down.
Starting point is 00:26:40 Hork splitter at this guy's arm. The fire giant's going to make a dexterity saving throw to maintain hold. Drop it. Losing. And with a five. Yes. Back to the month. Get out of here.
Starting point is 00:26:53 And Lans prone. Nice. Dare you have more of an involved. in our plot. Get out of here. Potential side character, indeed. How dare you? You're not invited to this party.
Starting point is 00:27:07 And we exchange a look. A look like he's coming back from me at some point in the future. He's got a name. Based on the fact that you interrupted his action where he was going to attack you and he landed prone, he would have to stand up for half of his movement, which means he would need to take another movement action. So essentially, you prevent. prevented him from attacking you at all, right? He used his movement to move up to the Vaughan and Dot and hang on.
Starting point is 00:27:33 I just meant for future. He was about to attack you. You interrupted him. And then because he's prone he has to stand up so he can't attack you. That's wicked. Very, very cool. The other fire giant being that it is within striking range of this shadow fell demon creature is not able to really escape.
Starting point is 00:27:56 So he's going to just drive. to fight for his life. Two great sword swings. That's an 18 and a 28 to hit. Both of them hit for 27 and 26 slashing damage, divided by two, 13 apiece. Because of that doctorate. All right.
Starting point is 00:28:23 He's got a, he's well educated. Yeah, yeah. Top of the round. Wim. So Wim is going to use her turn to move around the Von and Dodd and find this open door. And then she like reaches up to grab Temeel's hand for assistance. They do like the hero hold. Yeah, we're holding each other's like forearms.
Starting point is 00:28:50 And she like gets hauled up into this steadily rising. Dylan. Von and Dodd. Dylan. Dylan. That's what I just said. Everyone says that all at once. once.
Starting point is 00:29:00 Oh, okay, okay. Yeah, we all said it. Yeah, I was like, another time. Why are you mad at me? No, I'm not. I'm not mad. Fabulous. That is Wim's turn.
Starting point is 00:29:10 Red, hasted, invisible. Red runs up and hops into the open doorway of the Von and Dodd. And invisibly, he sort of grabs Temeel's hand and guides it to the back of his waistcoat. Not now, Red. No, he says, Shut up, no, not that. God, no, God, no. And he says, just hold me.
Starting point is 00:29:37 And he positions his feet on the edge of the doorway and with the leverage provided by Temeel leans out to make an attack against the giant. Nice, okay. And he's prone. You already have an advantage, don't you? Well, this is why I hate prone. It's my least favorite rule in all of D&D
Starting point is 00:29:55 because for some stupid fucking reason, when a giant is prone, I have disadvantage when I attack it. You're going to like this, though, because I think that is assuming a level playing field. Yeah. But since you are raised up, I don't think that should apply because you have more of a vantage point on the giant even when he's prone, right? Because I think I think prone is the stupidest fucking rule. If you're on top of a building and you're looking down at someone who's laying down, technically that's more surface area for you to fire. Not only that, I think the rule should apply to like bipedal humanoid small creatures.
Starting point is 00:30:27 Like, it should be voided with giants because you're just making a way bigger target that's prone. But anyway. You just shouldn't. If a whale gets knocked prone, you're like, fine. Sorry. This is what I mean. Sorry. What does it look like when it?
Starting point is 00:30:39 When a whale's broke consistently. Don't worry about it. When a whale is standing. So with haste, I used my action to get up there. I still have my full double attack. Okay. Natural 20. Oh, yes.
Starting point is 00:30:55 That's the way to roll it. And you know what? I'm going to Colossus Slayer this guy. So we're rolling 4D. Colossus. Nice. That was a max damage die. Yes.
Starting point is 00:31:06 Max damage. Die. 42 damage. Nicely done. For my first attack. Uh-huh. And the second attack. Oh, it's a 10 to hit.
Starting point is 00:31:16 No. That's okay. And Red leans back in. Thanks to me. I appreciate that. Doran. You're up. Yeah, Doran's not really.
Starting point is 00:31:26 He's knocked this. Giantoff, there's not really anything he looks like he can do at this very moment. I suppose he holds on to Chaos Hammer for extra support and kind of links an arm. I kind of picture him linking an arm into this Vaughan
Starting point is 00:31:41 and Dog. I mean, there is one thing he could do. Yeah, a major thing. One very important thing he could do. Okay, what am I missing here? You tell him. No, go ahead. You're his brother. No, you do it. Hold on. He might get mad at me. He could get in the Von and Dodd.
Starting point is 00:31:59 Like you keep in the, because Chaos Hammer's... No, he wants to tell him. We're on the outside of it already. I'm just curious if it's like... Yeah, we're in it. Doran, get in here. You got your way in. Oh, we're just holding it on for dear life.
Starting point is 00:32:13 Hey, one of the feet, come on! Doran sort of jumps down. Let's go, Chaos Hammer. Chaos Hammer has been, like, readying a peaton and, like, rope. Like, he's readying to, like, lash you to the outside. I love the idea of him like hammering the peaton, the peaton just bends. Yeah, yeah, yeah. He's like Ataman team.
Starting point is 00:32:32 On board for Doran's style of just like clinging. They made it in. Let's go. He recognizes. And I, okay, okay. I leaped down and wait for chaos hammer before we scoot around and jump in the door. He leaps with you, twin leapers from the side of the Von and Dodd,
Starting point is 00:32:47 and you hustle your dwarven way up and in to the Vonnedad. And with that, the Colossus blasts off into the sky. It seems like we were in almost like an engine gathering phase as it slowly lifted, maybe 10 feet in the air. And then all of a sudden, everyone is like plastered back to one of the walls of this airlock as the velocity just pounds.
Starting point is 00:33:18 pounds you. The side of the airlock that is open, this open door, that was looking at the side of the mountain because you guys were inside this valley. Immediately, just sky. It is all you see. And the
Starting point is 00:33:34 wind is immense, and you are gone. Good job, everybody. Yeah, rock on. Best day ever. Best day ever. Okay, now I'd just like to thank our dear Patreon supporters.
Starting point is 00:34:10 Screw all their names down here. Just bear with me. Okay, thank you too. Lita J. Christopher, Colin Burckhardt, Merlin, Adam Frey, Liz, Ruthen Reed, Trin. Lorelei Feldman, Merrick's Moon, J.D., Scotty, Haley, Joshua Named. Nicky Queen Shannon Waldner Ren Cass Joy Robinson Melinda Curley Sray 96 Moon Jeanette H.D Gabby Tao tea kettle Izzy Anna Lena Gareth Bradshaw Abriel Mizra Nibiya Nerd Fairy Oakland Abby Mae Birkin Quinn
Starting point is 00:34:52 Manderpans Stab Vol Control Keely Hill Pan Axel Abid and cheese, absolute Ocelli behavior, Danny, seer of time, wanderer fen, Luna de Maria, Feli, Bird, Starlight, A.K. Trash Panda. Amanda Nicole, Clockwork Phoenix, Lickrott, Kite, Alicia Duh, O.B., Marimo, Luke, Fisher, Knox the Nightshark, Sunny, Zill Street, Liz, Kara, Caspian, Bean Fiend, Jagger Man Gensens. Roses of Envy, Karen Duley, Minty, Percy, This guy could, Hydrus, Martina, Celeste Jedlick, Lysanne Kleckner, Nick D, Slate Blue Flowers, Sparks, Marino, Ren Gillespie, Scoutgar, Delicate Jaws, Shank, Sakura, AKA Cam, Veritas, Tell, Laura, Jane, Sasha, Busing Star O3, Snick Snick Snick, Jinks, Jinks, Jinks, Jynx, Aaron Blair, Nukwom, Conzo Como, Trinity, Morgan King, Brona, Loris, Bart, O.W.O.N. Art Jacks, Axe, Arrestu, Libet Reed, Mademoiselle Salamandra, Ray Silvertong, T.K. Haste, Heather Newman, Marshmorrow, Mittens, Fern Ferguson, Harry, Immortal Dragon, Sarah Tonin, Decu Loves Hair, Dylan, Dylan, Dylan, Dylan, Ibnibuib, Jesse, Rachel Isaac's, Red Wing Rising, and Milk.
Starting point is 00:36:33 It's a good thing I have this all written down because I would never be able to remember some of these names. Have a great one and see you around the battlefield. From over the edge of the... Garden wall? Thank you. I was joking. Over the edge of the ridge? Thank you, yes.
Starting point is 00:36:56 And it sounds like the beginning of a rumble. There's a raccoon in there. Ladies and gentlemen, let's get ready to rumble. You guys are such brothers. Does that what Alex did too? Yeah. Yes. Idiots.
Starting point is 00:37:15 High five. Seriously? That's so funny. Are you like delayed?

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