Dissect DJs - 112 - Dance with Me

Episode Date: June 23, 2020

We take it back to 2001 to see if 112's dance for classic 'Dance with Me' actually makes us dance, or at the very least clap. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

It's the die. Dicex. V. DJs. Oh, Dicek DJs coming at you with some 112. Callie, it's 112, baby.

I don't know how we ended up on a 112, except for I do. Because somehow the Tusi Slide brought us here. And it should be pointed out that we have like 40 songs on the to-do list. But somehow, We bring up a 112 reference and here we are. And that was not one of the 40.

No, it was not. But we decided to bring it because one of our favorite songs, I forgot how we brought it up in the Tissy slide, but all I know is that this is a much better dance than the Tutsi slide, and I hate it. Drake, you suck. I love you. Which is funny because I don't actually know what the dance is at all.

But with this song, it comes out the gate, I see you looking in me, I can tell by your eyes that you feel to me. How many times does this happen when you're, it out of the club castle and you're just I see you looking at me I can tell your eyes that you feel in me that's such a unique

I can't explain it man when you have that feeling and know somebody's looking and you're looking at them and you guys are both feeling at that moment in time such a unique feeling tell me about sometimes it might just be in your mind or you which that one sucks

that's always sucks when you think they're looking at you and it's the guy behind you that's never a good time but um but yeah no when it's when it's connecting and then you walk up to her and you guys start to converse, and that even connects. Sometimes there's not even conversation, there's just movements. Because sometimes some of these clubs, that's all they allow for you do,

because conversation is not allowed because the music is fucking blasting down your throats. So all you have is a little like, little this, a little this, a little bit of that, a little headside. Unless you want to go, why are you from? Do you want a, do you want a beer, drink, or are you, okay? Nobody knows what you're talking about. A lot less sexy at that point, yeah. Yeah, a lot less sexy. The point is the initial I got to have.

But these guys, I see you looking at me, I can tell you, dance with me, my drop tops in the parking lot. His drop tops in the parking lot. I don't really care about that. That's fine. But he's ready to bounce. He's ready to take this girl. He's ready to go. Of course they're.

They're always there. This is what 112 is ready to do. Let's see what we got. I'm trying to do the thing you always do to me. You've got the lyrics. Oh, lyrics. Do we miss the lyrics again? Are we ever going to get this right with the lyrics thing, Catholic?

No, that's part of our charm. Part of our charm to be out prepared? Yep. All right. Checking with me. Freaking with me. Wait a minute. I can see you over there, chilling with your girlfriends.

Can't believe you're by yourself. Now, he just said she was with a girlfriend. She's not by herself. Or does he mean she's not with... Oh, she's not with a guy. Okay. Yeah. He's looking straight past the girls, which is the very bold thing to do.

As you and I both know, you almost have to take account the girls because they can make or break the entire situation. They can be the needy, greedy type that, you know, you can't take our girl away from them. They could be that we want to be in your business type. There's a lot of things that go wrong with the group. Especially if it's one of those groups where she's the clear target of the group. And then they're all basically on defense all night. I don't think so.

You have to back up. Like, if you're trying to look through the defensive squad, you've got to be like Joe Montagnan with his shit, you know? Yeah. You got to recognize the defense. You got to read it, right? You got to read it. But he doesn't care.

He's looking right past it. He said she's by herself. All right. You know what? He sent himself up with a cornerback blitz. He is. But he's going for it. And you know what?

He might have saw the blitz coming, but he's going for it. He's saying, you should be here with me, freaking with me, drinking with me. All this stuff. He's really into like, this girl should be over here

with me. And then he goes, oh, whoa, well, whoa. Chilling with me. So he's just all about this girl. He's supposed to be over here. Like, he's just like, no, she's supposed to be here right now. Why is she not here? What the shit? Right? Yeah.

But then we know why, because... I don't like the fact that Slim has to mention the fact that it's drop tops in the I don't either. That keeps getting me too. Like what? I didn't realize. Like, it's cool to sound of the sign, but she knows you got to ride. like all he had to do is be like let's go back to my spot and she goes oh do you have a car yeah like but he has to be like yo my drop tops in the park i do take special issue with any guy that feels the need to like name their car yeah man in the club because it just feels so dushy to me

like that's the reason you bought it yeah i mean i guess man i've never been one with cars the cars are a to b to me i need to get from a to b from when i get to b from when i get to b is when i'm going to handle my business that's what b stands for right but i like having a car that looks good when I am inside it. I don't need to have a car that I need to name drop it to try to work as game. I will never. Yeah. You will never see me in next car.

But I just need my car to get me A to B in 40 miles to the gallon, to be honest with you. If I can get 40 miles a gallon. Yo, clean gas mileage is key. That's what I'm talking about. So he has a drop top in the parking lot and he can't wait to get her to her spot. Baby. Dance with me. Dance with me.

What if he's saying it that way? What if he comes up doing like the robot and he's like, Dents with me. Dents with me. I don't know. As you know, as I know, as I know, dance game is one of my few games I have. Beyond that, I, you know, I lose it.

But dance game is it. You shorten yourself credit. Yeah, but I'm giving myself credit on the fact that I can dance well. And I know how to dance. So the fact that he's like, dance with me, dance with me, my drop tops in the park. He's just working it. Now, I'm imagining him just like,

breaking it down while he's talking and she's like oh I'm filling this and you have a drop top and you want to take me to your spot I like him I like imagining him coming at him with the robot Yeah yeah

I just that makes it We got completely different ways Then he's got some comedic chops with it Yeah I'm all about it Let's go My chop chops in the parking like To drink with me Wait a minute

How does he know From her looking at her watch That she wants to leave with him And she can continue to stare at him And is he This is one of those times man, you better be reading those signs. Has he not talked to her yet? Has he not talked to her yet?

They already danced. They're leaving a lot up into her interpretation. A lot of ambiguous lyric. Because it's right down, all I'm seeing is him looking at the girl. He's like, I'll into it. He's also looking. She's looking at the time. He's like, she's got to leave with me.

She's supposed to be freaking with me. Now she wants to leave with me, I can tell. He's guessing a lot. What of this entire song is just taking place and inside his head? Yeah, in his head. And like, you jump inside his head and he's playing all this, and he's like, looking at a girl. And he's, he's, he's a little.

She's envisioning her, like, check him out, and then it was back to reality. It's playing some shitty song that sucks. I got to be honest, that's exactly what this is. This song is a guy thinking he's way more into it with a girl. She looked at him once randomly because she was scoping the club. He still hasn't even spoken a word to her, but he's just like, my drop tops in the park a lot and I know that you want to get in the spot. He's like, work at it.

She's like, I don't even see you. There's 400. She's like, I'm sorry, what's her name? No. What was that? Paul? What time is it? I got to be at work in the morning.

Fuck with balls. And I have two kids. I got to get back. My baby surter leaves at one. I got to, you know, exactly. I'm going to let this ride in a second. Good, because it's mostly doing the same thing. But one of the most classic parts, Castle, that I've ever experienced at the club, that I still use when I DJ, that my sister brought me to.

Is this part that's about to come up where if you're sexy and you know it. Sister NeNeNe had to get brought into this part. If you're sexy and you know it. So this has her handprints all over it. Clap your hands. And you clap your hands And you got to clap your hands Because everybody's sexy

So everybody's got to clap your hair I don't care if you're ugly And it's almost like Oh you're not clapping your hands You must not be sexy So you can just clap your hands Guess what You have to

You're sexy You're sexy I'm sexy I'm sexy You know Let's get my dance on So was Castle You can't not dance to that part

You can't not clap to that Because they call you out They call you out If you're sexy You know it clap your hands Which, by the way, sexy and you know what clap your hands goes back to, what, um, like, what's the nursery room that I was, if you're happy and you know it. Happy and you know it.

Which, like, okay, and here's the thing. They get away with it the first two lines because they can be like, if you're sexy and you know it, clap your hands. It's just like, oh yeah, I know that. Like that words. And they got their, they go for it. They got their signature clap for it. But yeah, it's after that, the part that every time, even if I'm in a part, you know, place where everybody's vibing with that.

The part that I'm always like, okay, now it's starting to feel like a nursery ride, is when they go, and you really want to show it. Like, I can't. It always, at a certain point, at that point, you always feel like, why do I feel like I'm out of first grade's birthday party right now? Like, it doesn't matter

how much everybody's vibed on the clapping part. That part always gets me down, like, all right. It's a funny. It's a nursery rhyme. Yeah, jump over this. Which then is a clap, which then the clap saves it, but then it kind of right, almost.

Never really been. a big fan of hip hop crossing over to nursery rhymes. See this when we do the Ying Yang Twins Week, which by the way will never happen. So I'll get it out of the way now. Be ready for it.

No, no, Ying Yang Twins Week is not going to happen. They ruined our spring break old. They ruined SWAT. They ruined SWAT 2006. And they like to make songs off nursery rhymes. I'm over them. We're done. We might do you. We might do YANGs. That's an early next. We might do one.

Next. I'm like I'm like In your eyes But it's mostly this now Right It's pretty much just this The rest of the way out

Oh, 112 Because I'm looking at the lyrics There's like still like paragraphs left And I'm pretty sure it's the same shit It's all the same It's a lot of icy I'm not joking

I'm looking at it And there's three Back to back To back paragraphs That all begin with I see you looking at me And end up with so Won't you dance with me

dance with me. So they literally just go in a repetition mode from here on out. Which makes me feel unnecessary length, unnecessary amount of verses. Sometimes, less is more, guys. Less is more. Less is more.

Yeah. We were sexy and you know it. And happy and we know it. So we clapped their hands. I still love it. I'm going to go ahead and give it for my... Is it my time to give a rating? Is it time for rating? Yes, it is. All right, ready? My rating is... Oh, they got you to give them five.

Slaps of that. I think it was like eight. According to that. Yeah, I think they actually tricked you into giving them. I knew this was going to have. Seven claps. Get the fuck out of here. Seven claps.

That's a fault. You just pulled the fault. It gave me seven claps. That's a clap. Slap fault. For 112's dance with me. I love it. If I hear it at a club, I'm dancing to it.

It's one of my favorites. I'll still play it pretty much a lot of dance parties. Almost any club, any, I could play at a wedding. It goes around all genre, so it's definitely a five clap, but might as well give it seven clas because they told me that if I'm sexy, and I know what I better clap my hands, and therefore I'm giving it a seven clapper. I think it's six.

One, two, three, four, five, six. Six clapper. All right, I'm glad today. Thanks for calling me out. Yeah, I'm reserved a count. This song doesn't deserve that. Don't let them rope you in. They made this song specifically because they knew the Diasik DJs

was going to put out podcast. in 2020 and they were going to create a slap system, not a fucking clap system. If you could get that through your damn head at some point, that would be tremendous. Because everybody else hears it, slaps, not claps. The song doesn't clap. It

slaps! And by the way, that's all the slaps I'm giving the song. Two slaps. Two slaps and snaps? Give it a few snaps at the beginning there. Just to get it. A couple snaps and two slaps. How are you rating this? Are you kidding me? This is six slaps. Explain yourself.

What is not? I will. They told us to clap our hands. They made it a fucking nursery rhyme into a hip-hop song. And then they did the same verse. I'm counting it. Literally, I want to say seven times.

There is so many verses in the song and it's pretty much the same thing the whole time. And it's not even the best 112 song. I don't even know if I put it in the top three 112 song. All right? Only you got peaches and cream. You got, you already know.

Hey, 112 got some jams. fell in again. Don't. You know what? Dad let you down? I'm so disappointed. Good. Because you let me down all the time with the slap system.

It's about time. Let's call this Ryan's revenge. Fuck Ryan. Sticking with two slaps. This song, it makes me moderately want to dance. But it's one of those ones where if it comes on and I'm somewhere where there's like a moderate dance floor happening,

I'll be like, I'm over it. I might jump in there on that slap spot. I might jump into that. You gave it six claps. No, we're done with slaps. Don't try to loop all that in. All right.

Well, 112, thank you guys for my whole entire livelihood with you guys bringing it. You need to give them all of that from this one. 12 is one of my top groups. I love 112. Slim, call us in. Slim, call in 8-88-467-2749. Call us whenever you'd like. We'll get you on the radio.

We want to talk to Slim. Wait a second. The other three of you guys, I don't know who you guys. guys are so slim call me which brings me to this slim had the best single of anybody

in a group like this that I can think of that went off on their own with no Cupid So fly So fly Cupid Cupid

Does it lie That's also slim You know You'll just you Give me the To try To love Bein like I'm picking off on so high.

Call us in which one do you like 8884261489? This Friday is a classic like a pair of repelps. Alright, we're done here. Disected, 112, dance with me. We out! Next!