Dissect DJs - Another Bad Creation - Iesha

Episode Date: November 27, 2020

We kick it back to '91 to explore the young hip hop squad rapping about adult things craze of the early 90's, as we dissect Another Bad Creation's "Iesha!” Advertising Inquiries: htt...ps://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Transcript
Discussion (0)
Starting point is 00:00:00 Dot, dot, dot, dot, dot, deskt, DJs. What's going on, everybody, dot sec, DJs, DJ, DJ, Zag. What's going on, Kast, Easy? Wait a second, you're not going to let the song play a little bit more than it. I had to hit it because right from this point on, it hits so hard. Wait a second. Like, nobody knows what the song will be. Nobody knows the song anyway.
Starting point is 00:00:32 Yeah, they do. I mean, well, they're not right now. They don't, no. Exactly, because nobody paid attention to the first 15. seconds of this song so I'm trying to dissect and let everybody know you don't know what you're about to get yourself into it just sounds like some Arabic like trans like to like bring a serpent dance up or like a genie I don't know what song is it everybody it's Aisha we're about to do it let it get to that point it might as well be like a good like guess what song this is folks but
Starting point is 00:00:59 I'm telling everybody it's Aisha it's a bunch of four-year-olds talking about them trying to bang some girl that they met at the playground they're just going to explain it right out You're going to chase away a lot of people. That's what this song is. It's awkward. It's crazy. But it's a gym. It's a gym. That's why we are dissecting this song right now.
Starting point is 00:01:19 What? This song always has been one of those songs that I'm listening to. We're talking too much before letting it play. No, it's not. No, it's not. I'm going to go ahead and say it. This song is one of those songs that a child is telling you he is trying to bang somebody and he is under 10 years old.
Starting point is 00:01:37 Listen to it. Let's get into it. You just stop it right there. You'll keep it going? That was the best part of the song. All right, I'll keep you going. What's up? He is talking about...
Starting point is 00:03:04 Another bad creation. The ABC in the building. That's what we're listening to. Listen, he is talking about some young lady named Aisha. And when we say young lady, we mean young. I have no idea what age, but I would guess... You don't want to know how young. What age would you guess?
Starting point is 00:03:21 I don't know. Well, I've seen the music video, and yeah, these kids are... straight up look like they're like 90s. This is awkward song. This is like a 1993. Because if you're like getting down to it as a mid 30 year old
Starting point is 00:03:31 and you're like, Aisha, like it's a kid singing a sexual song. Yeah, about another little kid. And we'll get into that later because the other verse is like kind of like describe that.
Starting point is 00:03:43 Well, I'm gonna go like get into it now because this shit's weird. This shit is weird. I mean, let's, all we need to do to get into it is describe the first line. Aisha, Aisha. So gotta meet you.
Starting point is 00:03:53 See you in the school. Strulling with Yatitscha, that right there is like, okay, we're talking about, we're talking about elements of school. Yeah, this is... The little skirt you play was really fly. She turned around and she winked her eye. So I stepped to her like, I knew her. The bib is cool, but Rommel is cooler. The bell rang because I started the talk yet the class is not there no more.
Starting point is 00:04:17 I don't even know. What? This full is in fourth grade. Yeah, yeah, exactly. Like, you know what's funny? He's like, I remember being. Being in elementary school and wanting to be like a rapper, wanted to be like a singer, a saba, whatever. And like the ideas I came up with for any song that I would write, they all were like this.
Starting point is 00:04:36 They were all like, I'm in the schoolyard. I'm on the school bus. I'm at the playground. I'm on the playground. And the principal came out and he said this and I was like, I'm not listening to it. I'm on the monkey bars. Yeah, exactly. This song, why is this, this song should have never been created another bad creation?
Starting point is 00:04:59 No wonder your name is so bad. It was very apropos. This is another bad creation and you can't even hate on it at that point. I can't even spill, apropos. You're like, it's a hard word as well, yeah. I think you've gone down this throat already. You can't even hate it out. You're like, what the hell is it?
Starting point is 00:05:16 And what the hell is this? And they're like, it's another bad creation. You're like, clearly. Yeah. Clearly. It's kind of what it is, yeah. So he's at the playground, you know. That's where he saw this cutie.
Starting point is 00:05:28 This girl was swinging so she looks so fly. On the monkey box. They climbed onto the top, and she touched my hand. That's where he fell in love. All right, but let's stop right there. That's a genuine moment right there. She touched her hand on the monkey bar. And she was willing?
Starting point is 00:05:47 Wait, here's the question. Was it like an accidental? Like you were both kind of like swinging at the same time? she was just like oh sorry my bad i didn't know your hand was that or was it like a willing like hey and then like she gets it says they climbed to the top so we climbed to the top so they oh so they're sitting on top of the monkey bars that's a whole other set right there they climbed on top was the previous line she touched his hand and that's when he fell in love let me just say this going ahead and taking myself back to the playground days we often forget the monkey bars
Starting point is 00:06:20 doubled up there. There was like a little exercise thing you could. Or if you were bold enough, you get climbed to the top and sit on top like a damn king. And if a young lady touched my hand while I'm at the top? Just sat up there and was like, let me come up there with you. And then she, yeah, put, okay. That would be the girl that I never had. I understood.
Starting point is 00:06:39 You were the girl that I never had. I understand where he's going from now. Yeah, that's all it took. All I had to do was put myself in that position and be like, I remember. know her better? Absolutely. Yeah, right? And if her name was Aisha, that's why this song was created by another bad creation.
Starting point is 00:06:58 Absolutely. It's great. You know I want you so bad and there's nothing anyone can do to keep me away from you. Now, I got to be honest, if you are in fourth grade, your parents can keep you away, the teacher can keep you away, the principal can keep you away. Like, physically there's a lot of things that actually keep you away. There's many things that keep you away. But I want to say this as an adult. Yes.
Starting point is 00:07:21 That's the kind of things that creates rebellion within a person. Like that kind of stuff gets established early. Like if you want your child to actually kind of like listen to you and like follow your advice from an early age, just deciding to keep them from somebody because they have a crush from them, that's a bad start. You're probably going to like lose their trust a little bit early. And you don't know what kind of result could result in that. I don't know. I'm just saying, like, just from an outside perspective, that's what I'm seeing.
Starting point is 00:07:52 I agree. The thing I can't get over here is that we're viewing this through the eyes of like, I don't know. This is ageless, but I want to say... Fourth grade. I like to say fourth grade, but I want to know who's responsible for this. Who produced this? But I got a feeling. I mean, it seems to be a Bell Biv-Devot creation.
Starting point is 00:08:09 It seems like Michael Biven is responsible. But it looks like somebody named Dallas Man is going to be able to explain this. So let's hear what Dallas Man has to say. I'm down to listen to what Delah But before you we do that I was going to say Fuck, Aisha Because you know, I got to say fuck somebody
Starting point is 00:08:24 But no Fuck Dallas man He's the one who is baking chicks I'm gonna say fuck Whoever produced this song That Delasman That made four year old I'm sorry
Starting point is 00:08:33 Fourth graders Talk about shit That they should not be talking about And then making it sound like a jam Why do you all? And making it a jam And for all of us 30 year olds It'd be like
Starting point is 00:08:44 A blend too All right And any girl named Aisha is fucked from this point on You're fucked And anytime she's like hi my name is Aisha But you know what You know what the first thing I'm gonna say
Starting point is 00:08:55 If I ever meet a girl named Aisha Aisha Aisha A real mental word It kind of like remind me and my boys No ditching you know what I'm saying So all you people out there riding You guys listening to the radio station
Starting point is 00:09:28 A cold maxim in your living Watching this head video Check a second Where in Dallas man feel the need to fucking start telling us some shit. Shut up, dude. Just let the music play for itself. I think.
Starting point is 00:09:42 Fuck you, Dallas. Sorry. It's not going to not get you. Yeah. Well, fuck you, Dallas, man. Five young boys, first of all, there are nothing close to a new edition. New Edition was way better than these fools.
Starting point is 00:09:56 Well, he said it reminded me of my boy's New Deal's. Because he's from New Edition. So he's like a product of New Edition. And they started probably when they're around the same age. That's what they used to do back then. And then he says, you know what I'm saying? Can we just use that line and pull that out real quick? And I hate when homies or friends are like, you know what I'm saying?
Starting point is 00:10:15 I'm like, if I knew what you were saying, I wouldn't need to be listening to what you were saying to me right now. So don't need to reaffirm yourself. I mean, sometimes it's necessary. It's like, hey, you feel me? You know where I'm going with this? I hate when they use it as a. I just want to check in and you make sure that you get, especially even. you're talking about like a squad of little kids.
Starting point is 00:10:35 You want to clarify what you're saying. I get it. But for the most part, that line is used as more of an in-between because you forgot what you were going to say for the next sentence. So you go with no... That's what ends up happening, Elijah.
Starting point is 00:10:47 Yeah. Yeah, it's what I'm saying. Point that out of that I hate that shit. So you saw people out there riding their cars listening to the radio station or cooling back in the living room watching this here video. Yo, people, this is the second verse.
Starting point is 00:10:57 We play Nintendo. They play Nintendo. All right, that's the very... right there that really ages them exactly how old they are. Yeah. Because like, yeah. Fourth grade. But at the same time, I do not see that and be like, that is kind of a dope first date, man.
Starting point is 00:11:30 I play Nintendo on a first date, man. Like, if I was, if I could get away with it, that sounds kind of dope. Can I ask you a question, Castle? Imagine being, okay, imagine being 20. And then they age cereal? Like, fuck it, yeah, that's your baby. That's where, that really ages them. That really ages.
Starting point is 00:11:45 But let me ask you a question with this. Imagine being 22, in 1980. Nintendo just comes out Wait, this is 1991 that the son came out Okay, 1991, fucking call me out What's a huge difference?
Starting point is 00:11:59 I like it You're still 23 in 1991 And Nintendo just came out Yeah Are you playing video games With your girl? Fuck yeah I think so
Starting point is 00:12:09 I think so I definitely paying Mario I just, okay Well, okay Literally Or like duck hunt Can you imagine Duck Hunt on the first day
Starting point is 00:12:16 Yeah, it's a great fucking game to play with some Well By the way, would you like some duck? I made something for you. No, I just want to play duck hunt, actually. I can't tell if these kids are actually older than me or not, but they are roughly around the age I was when this song came out
Starting point is 00:12:30 because they seemed really young, and I was really young in anyone. But I do remember having, like, play dates with, like, kids at, like, my school. You just come over, it's just, like, awkward, and you're just like, you don't really necessarily know what to talk about. You're like, you want to play duck hunt? And then, like, that's what you have to do. Like, no, it's play Nintendo. I got, like, I got, like, nine games.
Starting point is 00:12:49 Well, this guy, played Nintendo. He's playing Mario 3. Didn't want that to seem to fly. They ate cereal, which, I got to be honest, if they weren't eating golden grams or Lucky Charms. He had some dope cereal at this house, I'm sure. The good sugary brands. They better have had some Lucky Charms originals.
Starting point is 00:13:05 Do you remember, like, yeah, when your parents would try to get you, like, some of the healthy shit? And then you go to a friend's house and he had all the sugary cereos. They're like, oh, my God, dude. Max's mom is the shit. You know who I hated was you would try to get. You want Honey Nut Cheerios, but your parents would get you in a Nut Cheerios. They would get you the store brand Honey Nutriere's, which were like...
Starting point is 00:13:25 The ones you get on like Stater Brothers. Made of Oats. And you're like, wait, okay, that sounds like similar. And you're like, no, it's the same thing. And it comes in a bag. It's not a box. It's the worst. Which is the worst.
Starting point is 00:13:35 Which is the one reason. Like, when you were a kid, like, when the cereal came in a bag, you just didn't trust it. You're like, no, this is the fucking... Even though inside the box. The whack-ass brand. Yeah. If they had just put it in like a box with like a fucking cartoon ape on there, like I would about a.
Starting point is 00:13:49 I would have been like, it's delicious. Yeah, it's just weird how that shape plays mental's with you. So they play Nintendo, seems to fly, ate some cereal,
Starting point is 00:13:57 she couldn't stay out that late. Her mother told her to be home by nine. Yeah, because she's like seven. Yeah. That's a pretty late night for a seven-year-old, that makes it age to about a 10-year-old. Yeah,
Starting point is 00:14:12 it's right. We're talking about, fourth grade. Fourth grade would make it age. Yeah, because there's no way like an elementary school are staying out that late. I'm saying now this kid's 10 or 11.
Starting point is 00:14:20 All right, we've moved it up. That's good. So 10 or 11. Still, good age to play Nintendo though. It's still an awkward age for a song like this. So old enough to be home by 9, but young enough to have your first date be
Starting point is 00:14:32 Nintendo and Serial. And be a date. And be a date. At 11. You're having a date at 11? If the date is Nintendo and cereal, then yeah, you can get away with that.
Starting point is 00:14:44 That's fucking crazy. I mean, I wasn't, but, you know, No, I think there were. They were probably Oh, I was fucking by eight. Just get back to that you shit, dude. It's the only thing they could say this right now.
Starting point is 00:15:39 Okay, so real quick, he talks out. Chris Mark, Red, Day, and Rue. Chris Mark, Red, Day, and Rue. Yo, Roo, you might sound to sure what you're gonna do. I don't know, Day. I'm gonna, one more rap, and a-moor rap. See what happens. It's kind of gangster.
Starting point is 00:15:57 What you missed was that before that they had that old, that little new edition sound bite where it says Ronnie, Bobby, Ricky and Mike which is from what legendary
Starting point is 00:16:07 new edition track do you remember? Cool it now Ooh, what's up? You got to do it's gotcha All right we might have to do that one then
Starting point is 00:16:19 all right because that's a favorite new edition shit we got to do some new edition I mean I do feel like now that we're tapping into we're moving backwards now but like we got to
Starting point is 00:16:28 cool it now We're gonna have to do cool now Just to like Tie this in you Watch up You're gonna lose good job That's coming next y'all Be ready next episode
Starting point is 00:16:41 That's what it's gotta happen now DGoo Got sick DJ But hey We're standing up with this song So Chris Mark Red de Rue Chris Mark
Starting point is 00:16:50 To Rowe Chris Red Mark Day Rowe Oh I always mess up names Oh I always mess up names Yeah you're better at name And he says
Starting point is 00:16:59 I got more rap. I'm gonna see what happens. I think it's a gangster. Like, I got one more verse. It's just kind of like your throat out there. Hey, let's see if I can pull this. What's up? He threw down his books when he went to the door. Press the bell. What was in the store? Aisha came out with a smile.
Starting point is 00:17:43 Oh, no! She ain't worth the while. It's given the group in the back for some reason. Just like a peek at the whole situation. Oh no. Okay. She ain't worth the while. So I passed her a lollipop at a letter. Told her so let's keep this a secret.
Starting point is 00:18:00 Now remember Aisha, only you can peep this. Peace. Hey. What a stupid fucking line. This song is stupid. This little four-year-old fourth grader has no idea what he's doing. He's paping her a lollipop and a smile. And tell her to keep her a secret.
Starting point is 00:18:22 It's like, go take care of your fucking hamper. bro like what are you doing like what is this why is this called why was this a popular song why are their fourth graders talking about stuff they should not be involved in and why i don't have a third why i could not disagree with you more even as young as they are that is the gist part of the song right here so home dude right in front of his squad is like i don't know we'll see what's happening with a verse, sneaks up to the door, drops the books, I don't need to walk out with some books,
Starting point is 00:19:03 press the bell, what was in store? Aisha came out with a smile. Oh no! She ain't worth a while. So, he passed her a lollipop with a letter. He could have just given her a note, but he's like, hey, lollipop little something sweet for my home girl that's something sweet.
Starting point is 00:19:21 Boom, take that. You know she's not going to not appreciate it. She'd like a lollipop. Told her to keep it a secret. Now remember Aisha, only you can peep this. And then this is where you've seen the video would help you realize how G it is. Hey, ooh! And he just like bounces on that note right there.
Starting point is 00:19:41 He gives her a deuce's, and then she's just like, he just leaves it. And then the whole, you know what helps her realize that what he did was just, gee, is that the whole squad is back there like, oh shit, man, my boy's in. That was fucking money. I'm telling me a fourth grader is in. Yep. This song is disgusting. Yeah, it is.
Starting point is 00:20:02 I'm disapproving of universal music publishing group. I'm disagree. This is the first time you've ever nailed down the publishing group in this. Sony ATV music publishing group. Songwriters Dallas Austin and Michael Bivens. Fuck both of you guys. All right. They're pieces of shit.
Starting point is 00:20:21 In defense of the song. Dallas Austin. Dallas Austin's is two six. in fucking Texas, piece of shit. In defense of the song. You're trying to pretend, like, kids in fourth grade don't have crushes on each other. They keep this shit pretty innocent. They don't have dates.
Starting point is 00:20:38 They have pretty, the date thing and the 9 p.m. thing, I get with you on that. But the fact that it's like coming over to watch Nintendo have cereal, give a girl a letter with a lollipop. Some pretty innocent shit, man. Like, they could have made this shit a lot worse. But the fact is, if they're tapping into a, like, kind of young market. at the same time. These two are touching their hands on the top of the monkey bars, bro. Is that too much?
Starting point is 00:21:02 Is that too ex-phew? Is that kidding me? All I'm saying is, yeah, if you're going to... If my eight-year-old is touching some other boys in the hand... Oh, for sure. In a sexual manner, I'm disappointed. No, I'm... In the school, in the principal...
Starting point is 00:21:24 In... The fuck the principal got to do with this. Ambrosius, are you with me on this? Ambrose's doesn't give a fuck. He's found a good comfortable nap spot. What were we talking about? You were yelling about the principal and all that. Yeah, that's right.
Starting point is 00:21:40 The principle of the... Whatever, you hear my point about everything that's going on, okay? This is a song, it's disrespectful. It should not be... It should not be sung by eight-year-olds. Look, the idea of putting together a song of a bunch of kids singing about how they want to, like, get at Aisha. is kind of a fucked up idea.
Starting point is 00:22:02 Awkward. I don't know why they decided to put together this young-ass group to do that. Who are their names again? Daniel, Dallas-A-Laston? But... Dallas-Austin. There's a thing... That was the thing...
Starting point is 00:22:14 I want to punch you. In the late 80s, including starting with a new edition, which is where they came from. That was Michael Biven's crew. And into the early 90s, like, this was the thing. This is what people like, people liked. Like, remember, like... so for real and uh even like boys to men were super young like they they love that kind of young
Starting point is 00:22:36 crew with like the young kids and like these ones are a real young example but like this is real young and that's why i got to go ahead and give my uh notorious and everlasting fuck delazzoic and michael bivans you guys suck don't you ever make a song with fucking eight-year-olds talking about sexual preferences of how they went on dates and like and and and play Nintendo and ate cereal. You guys are gross. Ill. L.
Starting point is 00:23:06 It wouldn't play today. It wouldn't play today. It is playing today and L. No, no, no. I'm saying the idea of the track. Whatever. L. You won't see.
Starting point is 00:23:14 Actually, maybe you do. I don't listen to the Disney Channel Radio Network. I don't know. It might. Either way, can we get to these kids fucking breakdown right now? We're about to hit the breakdown.
Starting point is 00:23:22 You, Dad is Man. What up? Check this out. So tell me that that does not make you want to, like, get into like a little like soul train line kind of thing everybody like oh get in there i imagine chris mark red day day and ro robe like on each one of their parts having just the most epic moves actually i kind of want to share the video because they all do like all these kids at that
Starting point is 00:24:36 last part like killer they each one of them each one of them gets in there and they could all dance it i figured it sounded like they were bringing it but every time i listen this song i have the same thought right there it shouldn't end on that note like they needed to to get into one more Aisha hook just to like close it out. Because it just kind of fades out on that. And Aisha like got with him or something? No. No.
Starting point is 00:24:59 Fuck, dude. Get your mind out of the gutter. I'm not in the gutter. This song is in the gutter. They have eight year olds talking about like love. Like they know what it's going on and hormones that they have no understanding of. Really, we'll be honest. Fuck these guys.
Starting point is 00:25:13 As we're going. As we're going through the lyrics, like that the most they're actually talking about is like just playing like Nintendo with a girl giving her a lullipop. Like they really like your mind is kind of taking it. Eight year olds. Yeah, I know. But like, no, my mind isn't taking exactly where it needs to be. I'm thinking of it as a jam right now.
Starting point is 00:25:29 And like they do that breakdown when it's like, go Chris, go Chris, go Dave, go Dave, go Dave. Fuck Dallas. Go, row, go row. And then I want it to go into the fucking hook one more time. So let me hear that going to the hook one more time because that's the jam. Aisha, I want you so bad. Yeah, but here's the thing. Maybe at that age they don't even know what Bwant you so bad is
Starting point is 00:26:22 Maybe that just means holding your hands at the top of the monkey bars They're not the ones that wrote it Adult men wrote this for children And this is the most pedophile Fucking song There's probably worse pedophile shit than that Like what? I don't know
Starting point is 00:26:38 Into the pedophile genre of music I'm just saying This is top hit, this top ten I'm just saying at that time This came from Michael Bivens who was himself in a group where they were singing about this shit when he was like a kid 10 years earlier. So
Starting point is 00:26:53 it's like, yeah, that was just kind of the genre at the time. And looking at the lyrics, they kept it pretty clean. They did. They kept it pretty clean. Dude, it's a fucking jam. And I don't know why it starts off with like an Arabic flute. I can't
Starting point is 00:27:09 help you there, but it works, I guess, you know? I don't know. It's a classic early 90s jam. And I, you know, I love my early 90s jams. And, uh, It's weird that it's a bunch of kids singing about, like, somebody they want so bad, but... Oh, it's super fucking awkward. Are you waiting for your snaps and slaps? Yeah, go ahead and hit me on.
Starting point is 00:27:39 And I'm going to go... Aisha, Aisha, I gotta meetcha. You can't get it four? And then a little bit about Aisha. I eat you. I mean, honestly, it had to just do the fact that that was the beat. Like, when you gave that whistle, I just like... follow it up and the beat then gives it four hits so i just kind of had to give it four clubs
Starting point is 00:28:03 but no it's a jam and uh so i don't mind it i feel bad for iisha aisha is getting love from the entire fucking abc crew she's gonna be fine i assume i don't know you never really know it is i don't know look the fact is nobody nowadays with like kids like is that i don't think you'll see it it was a kind of thing that people were doing in the 90s and 80s and it was like a fun little like there's an instance to it ill so you gotta gotta just take yourself there i really wish you'd stop making that fucking 17 year old girl sound this is like three episodes in a row that you made that sound it's really starting to off put me i don't even know how many slaps i just gave it i just went with a beat that you just set me up for okay no i'll rebuttal it and
Starting point is 00:28:57 take it down a three. But I... Aisha, Aisha. I still gotta throw that shit in there. It makes more sense. Yeah. Three makes more sense. Four was like, I was mad at you for four.
Starting point is 00:29:11 Yeah, no, it doesn't deserve four. But it is a fucking jammer. I'm gonna say, let's be honest. I'll take it down a slap because, yeah, it's kids singing about shit that will potentially make you uncomfortable. But I gotta say, I was ready for to be more uncomfortable with a song based on what I knew of it. Like, oh, it's kids like singing about a girl.
Starting point is 00:29:28 they want so bad. But when we actually went through the lyrics, like, they're pretty fucking innocent, dude. Like, there's really no line that's, like, cross-on-line. There's not even any reference to, like, them kissing. Like, at most, it's, like, them holding hands on top of them. Yeah, eight-year-olds going on dates.
Starting point is 00:29:43 It's talking about them holding hands on top of monkey bars. Gross. But I play video games and eat cereal at their parents' house. It could have said something else, like they're hanging out or something. I mean, that's how they see it. You're viewing the song through their eyes. So to them, this is a date, you know?
Starting point is 00:30:00 Another bad creation is... Another bad creation, what can I tell you, man? It's another bad creation from the early 90s. Yet, as we've learned time and time again, some of these bad creations, they put out some jams, man. What do we do we're going next? We're going to do Sol for Real ever? No, man, we got new...
Starting point is 00:30:18 Oh, yeah, we already set up new edition. Okay, self for real, I'd like to mark down the road, but we can't do a bunch of this genre at the same time. But, all right, I'm ready to jump into it. Let's step back into the next generation and see where this was birth from. Are you ready for it? Next!

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