Dissect DJs - Pitbull the Jam Jocker (Full Discography)

Episode Date: January 22, 2021

It's Episode 50 and we think it's about time somebody finally told it like it is, and called out Pitbull for his take on original music. So let's take a listen to 11 classic tracks sampled by Pitbull in his own unique style and dissect the full discography of Mr. Worldwide. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Got set, DJ, DJ. Got set, DJ. Oh, what's going on, everybody? Welcome to 2021, and welcome to the Dysect. D.J. Zinc. We are in our season finale, episode 50. I hate those motherfuckers do that shit, but we didn't just do that shit, but we didn't just deserves it for episode 50

It's episode 50 of the Diasack DJs and you know This is We're tired y'all We're not even in a year in to our legacy We started April and shit Yeah But we're done

Finally made it to the season finale 50 episodes in 50 deep And if you haven't listened to all 50 I suggest you check our catalog out Because it exists And all podcast platforms Oh yeah we got Zapp

We got sublime We got a Rick James We got Michael Jackson We got everybody We got Pipple And that brings us To episode 50 Which we've been saving

As you might have heard We wanted to rip this We have been waiting for this for a long time You might have heard it in previous episodes You brought it up And we're like We need to get to Pipple And we're waiting for the season of Nali

Episode 50 To hit up Mr. Nale Now me and Castle both have Our way of music He has his taste, I have my taste, and we, you know, a lot of it mixed together, and then we have our own separate. But there's definitely something that he and I have both agreed on in our history. Now, mine has gotten more intense over time, but Castles has been infinitely bad at all times. There's one thing we both can agree on and always agreed on.

People. Fuck this guy, man. Now, as I was saying, mine is a little more intense now than it used to be, castles has been ever present with his hate for the absolute re-renditions of pit bull's remixes to songs that he literally does not change a single thing to and just adds a dala mr world wide dala yum yum look this has been a point that i think has been made plenty times but not nearly enough okay pit bull has become the king of Miami, the king of Latin pop.

He took over Fox's New Year's Eve special for at least a few years, which brings me to this. It's relatively recent on New Year's Eve still. Should I tell the story right now? Okay. Yeah, Pitbull ruined my New Year's. I want to say circa maybe 2015. I think I alluded to this in a previous episode, but...

How? Fox... What the fuck did Pitbull did to ruin it? So... You said he ruined your what? My New Year's Eve? How could the fuck? What did he do?

What did he do to come like? Swacked me in the head with like a bag of sand. No, he didn't do that. Which would have been better maybe because Fox for a series of years kept making it like, oh, the Pit Bull New Year. Like literally if you looked on the guide, it was like Pit Bull New Year. Like they put his name on the marquee. So there was one year, I think it was probably 2015.

We were celebrating it, an establishment, and the DJ put the sound on Fox's broadcast of it. And so they connected to this Pitbull performance because that was like their whole thing. Pitbull's special New Year's. And my friend Brian, who was with us, looked at his phone at a certain point. He was just like, oh, it's 1202. Happy New Year! What? New Year happened?

And we looked up at the TV the DJ connected to, and it was just pit bull. Dahl! Dahl! Dahl! Dalla, Mr. 405, Mr. 0805, what was that whatever fucking area code he represents. I was just like, wait, what? Like, why would Pitbull not stop his bullshit for a second to be like, oh, hey, it's the only reason you're there on New Year's Eve is to let everybody know,

hey, and it's midnight, 10, 9, 8, blah, blah, blah. And he just kept playing his bullshit all the way through. And, yeah, I'll never forget that. I'm like, Pitbull took that New Year's away from me. He just danced his way right through midnight because Pitbull decided he wasn't done rocking out to some song that he'd jacked. In all honesty, in my experience with Pitbull, I've actually had good experiences because he's a good wedding DJ at any kind of, you know, party. Has he DJed weddings with you? No, no, never.

Where he handed a fistful of dollars to you and the bride and the groom at the same time? No, never. That never happened. But his music played and it helped the party. So I can say that about him, that he has done that for me. but I just hate his absolute complete copy renditions of songs that were classics. You're going to hear all the originals, followed by his remix of that song, and just hear how much Pitbull is a true artist.

Thief. Thief. I just feel as a musical artist, one carries a certain responsibility to make a certain effort to make a musical performance as well as. as art that distributes not only to his fan base, but also to his creativity operation, to show what kind of musical intelligence they can provide. And my main issue from day one of listening to Pitbull has been, where is that?

Where is he changing? What does he do? Other than Dale and Mr. 305 and Mr. Worldwide. Number two, how are you getting away with this? Yeah, he just pays him. He basically just pays off the other. Nobody has ever questioned how Pitbull is getting away with doing what he does. I can tell you right now why.

Until now. Yeah, I can tell you exactly right. What he does is he basically pays them, whoever the original artist is, half of the money from this track. If he makes $2 million off this track, hey, here's a million, I make a million. Fantastic, we both make money. That's all he does. That's how he makes all these tracks. Like the one we just heard out the gate.

You heard, California. We're talking too much before we're actually giving examples. So let's get into it. First one you heard was Calabria. Let's hear his version. Let's hear how Pipple fucks up Calabria. Everybody knows

your mother, your father, your sister, your brother, Iweli, take it back to you. Take it back to you back to him. Who about you? Come in a nigga. Go and get it to a soukari do no say your laugh.

All the ladies are to the kids. It's more. This motherfucker just added Little John and himself to the exact instrumental beat that we heard earlier and made a track. Little John might be the only person that's more obvious than Pitbull to bring in when you're like, I just want to change his track up slightly, but I want a little bit of a new noise on there. And that's something that's going to get people excited. Well, with that, dude, let's get to his next fucking track. Because this one is almost...

But did we even talk about that? Did you talk about that? Yeah, Calabria. What we said is the fucking... Same fucking track. He literally just put Little John and himself on the top of Calabria and made a fucking track.

All I'm gonna say is like putting Lil John and Pippel over here already made track. Probably the easiest thing you could probably do. Easy shit. And you know he's gonna pull that shit. It's little fucking John and Dibble and just put him thing, yeah.

You go and love it. Yeah! Dahlia! Oh, it's a remix. That's all that says. And for some reason, put some fucking Spanish words on it and now becomes a Spanish jam. Like, get out of here.

I don't know. Here's another one. Let's listen to this fucking one. This one is almost an identical direct takeoff. Let's listen to it. That is 75 Brazil streets by Nicole Fasano. Wait a second. Is that the original version of DeBomb?

This sounds waving to my mind. Is that where that comes from? There's that instrumental beat that you heard of that? Which one came first? I want to know. Man, we got to look that up. Go ahead and look that up real quick. I'll look it up because I'm actually very sure.

Brazil Street release date. We didn't really research. We didn't really research this before. We never do. We're on the flight. 2008, so that came after. Wait, and then, yeah, that came after. The bomb was definitely, it was on my 1996.

Yeah, the bomb was first for sure. Of course, the bomb came first. I don't even know why any question that. I don't know. You know why? Because I never know what year 75 Brazil Street. That could have been like a 70 song. I had no idea.

These sounds were into my mind. Yeah, let's hear that. Let's hear the original real quick. All right. Let's play that real fast. Oh, and that is a jam. That's a jam right there. I love that song.

It comes there. Damn. And you know what I hate? Is that now when you hear that come in, you expect Pippel's fucking stupid voice to come in because he ruins all these songs. And he's ruined so many with such little effort. And yet our brain gets put to like, oh, here comes Pipple. And meanwhile, the bomb, such a fucking glassy jam.

I don't want to have that ruined by Pipple. Is that too much? Yes. Yeah. Zatimasa! All right. All right, let's hear what people did to that song. This is what really exactly is fucking a bit.

You know, they had that 75th Street, Brazil. Well, this year's going to be called Gallocho. And this is how we going to do it. Let's actually break that down for a second. Do you realize how easy that musical piece was? He just took a song that everybody already loved a piece of music that was already out there Everybody knows everybody not only knows it from that version, but the original version So that was already a popular thing in multiple cultures, right?

All he added and tell me that your annoying neighbor that does karaoke in a poor voice could not do this as well I know you want me I know you want me I know you want me I know you want me That's it. That's all you. One, two, three, four. In Spanish.

One, two, three, quarts. Um, bah. That's all he did. He just added a little hymn to it. The most basic shit. To a beat that he didn't write. Literally counting. Literally counting.

He didn't write. In English and Spanish. Let's hear another one. No, he didn't do this one. Oh, yeah. The two's rock lobster. Boles at him. To fucking, okay, what did you do to that song?

Did you even know that you did this one? I bet you didn't even know. I bet all of you out there didn't know. Let's hear this. fucking song. Notice that left field thinking out the

box never thought what happened. I don't need enough I don't need any more I know

I know I'm going to be on she's so nasty she's outrageous I'm with that I don't need anymore though

I know what's going How about another one? Let me hear another one. This is actually fucking fuckers. Shake, shake, Shake, Sinora,

shake it's all the time. Fucking amazing, isn't it? Doesn't make you feel like you're going, and you're just hanging out of everybody were going into Congolade, you're shaking, and you're just like, Woo!

Pitbull was like that kid in your fourth grade class before internet existed, who, like, had a series of records that, like, most people weren't aware of. And they,

and he would bring them. We fucking copied them. And just be like, oh, hey, guess what? I made this new song. Totally fresh music. It's called Shakespeare to know, And they're like, I've never heard this before.

And he would record that exact same song. And then he would just add Foo. Da, da, d'Ale, d'allet, d'allet. And this one doing T-pain. So let's hear this fucking one. I got tea pain in this bullshit. Long time in a side.

The girl made me hold you on. Spizia. We are the girls in done. Bratang by the side. The girl made me hold you. Pan. Confising the girl. That.

That's a shawdy was an an. And, girl, let's get this thing. Tracking. Back. You just been dead on over. I would get behind And you'll be gay Why,

fucking man. All right. Let's look at actually what was added there, okay? First of all, you mentioned T-pain. Second of all,

Yeah. Go like this. Baram-badam-badam. Which was not even him. That was somebody else. I'm pretty sure. Second of all, Wondabindababab.

Guarantee you, Pitbull didn't add that. So what actually did Pitbull do to that song to actually make it a hit? Okay? He took a song that was already pop up that everybody, of course, already knew. T-Pain laid the tracks down.

Somebody else added a crazy, like, little house beat to it. And all he added was, I already forgot what he actually said to it. What was his voice on there? Bram, braum, brahm, bala-pam. That was it. That's all he brought to the table. He's like, he lived in a d'ale. At a certain point, he actually walked to the recording session and was just like,

bada-bondab-blame, blahle, molly, ma'le. Blah Blah Blah Blah Blam Blam Blah And that's all he did Later guys All right guys Make me a millionaire with that track How about this one? Once again adding Little John to the mix

And bringing that extra power Of only Little John can do with it When you think about it Now that I'm looking back at it Little John is sort of the English version of Pipple Even though Pipple is actually still speaking English But like he comes off

And that's the thing That's one of the things That's one of the things that drives me crazy You have Pipple Is he's this representative of Miami Cuba Cuba Latin culture

and like it makes it seem like he's representing y'all and he's doing such a bad job of it sucks he's I don't know why I literally

who's in the group wants to buy the Miami Dolphins I don't even know if it went through I'm not even sure but like literally he became the king of Miami and he's just referenced as this person

who is just like represents Cuban culture who represents Miami who represents Latin culture It's Latin culture. Awesome. And all he fucking does is lit his bullshit lyrics over fucking songs that everybody already loves. Let me get in here, dude.

Let me get in this motherfucker. Because I can tell you right now, hey, pit bull. Hey, if you wanted to come at me, homie, if you came at me, bro, I'd fuck you up, bro. I'm just being real. Like, I'm not even trying to cross any lines and shit. But, like, you ain't sure, bro. I'm Latin culture, but I'm, I'm. salsa dance out you at the motherfucker

you ain't got a shit on me other than a bunch of money which you know whatever I already know that you're gonna tell me to cut that shit out later so no no no I want you to keep this shit this is good I kept it all fucking there fuck you people if you were to come at me if you don't come at me then we're cool but I'm just saying if you

were to that makes this legal because I'm saying if the threat were to come at me but if he actually just walked through in a crowd and you saw them were cool then we're right you'd not he'd be like who's up people Yeah, what up, pit, whatever, dude, whatever you're fucking... Anyways, but yeah, let's keep this going.

You want to hear another one? Is there more? There's so many more. I think we're only like down to five. We're like halfway through. Let's do this. Keep it rolling. Keep it rolling.

Classic. Those two jams you, man. Okay, now I'm mad. I'm mad because I actually want to make the whole episode about Debbie Deb and when I hear music. And I know that the only reason that we played that is because it's going to foster into another bullshit pit bull steal attempt. Have you even heard this one?

I don't even know this one, but I already know where it's going. Yeah. All right, let me hear it. All right, here we go. Fucking people. God damn it. Oh, fuck you. He thinks he's a gangster.

Oh, he thinks he's a gangster. Oh, shit. Oh, my gosh. The fucking she. Oh, it's on this motherfucker. To consider. Consider that a new song. And call it like gangster.

Like, Oh, he's gangster. You want to know who's gangster? Like, dude, are you kidding? I got to say this. Okay. Pipple has a series of producers

who are not only the balliest, but the most obvious. Fucking obvious. On cheek to be like, you know what? We know songs that are popular, and we know that we can just be like, hey, Pippel,

this song is a popular. song. So just put your, yeah, do your whole thing. We'll make it a hit. We'll wrap it up. Yeah.

Just get in the booth. Do your bullshit for like two minutes and we're going to turn it around. So honestly, it's one of those things where like I have a hard time going solely after Pipple on this. Because like if I could do the minimal effort that he's doing and get to the success that he has, I don't know. It's hard to argue with like, yeah, work smarter, not harder. If there's a producer group.

I guess, bro. Listen to this. I do this one, though. All right, what's next? Is this from Dirty Dancing? Oh, yeah. Such a classic. Yeah.

Fucking classic, right? My sweet boy, just like a true... Again, the balls to fuck with that song. Gotta give it to him. Oh, my God. Again, if there's one thing... Again, it's this production team. I guarantee you it wasn't Pitbull himself who was like,

Hey, no, it watched one night when he was up late. Pipo has good shit since 2003. Boy, what's this movie Doody Dancing last night? They did this one in the performance. I don't know. Why you sound like that? I don't know. My dog shit lyrics on top of, oh, baby. Like, no, there's no way.

And this was on men in blacks. It was a popular ass song. Let's listen to it. It's a special worldwide, AGA. Reporting live from Cape Canero. I don't give a fuck of Miami equals. Shut up Pipple. Isn't it fucked up that Pipple is managing to ruin Miami for us,

which is a beautiful city? Well, he's ruining all these classics songs. And mad that he made so much money off of like... Oh, my God. And then he has his cocky-ass smile. He has his cocky-ass smile. Like, he made it like, yeah, I did that. You didn't do shit, dude.

Fuck out of here, man. I can't believe it. You ready for another one? No, but... We got fucking four more, sir. Here we go. Classic. They're lives and a pool of us.

Their lives are again. They're lives and again. They're lives and again. They're like a pool of school of us. I got to be honest. And they're like to pull us. And their lives and again. And they're like to pull us.

I got to be honest. With this one, okay, I love the original. The original is one of the great house beats of ever. And he did completely take this beat. But I got to be honest, this thing jams when you're at a, you're at a club. This is one of the few that I'll have to say that I'm okay that he redid because it is a jam. Yeah, but the original was way better, though. I don't know.

This one hits pretty well. This is one of the few that's like, and this is one of the few that's like, man this one might hit a little harder you ready for it now he's an asshole because he's asking this girl to fucking ditch her boyfriend like I'm fucking hate on the fact that all these pop artists and can be like yeah just leave him and come with me like fuck you bro get out of here anyway

that's actually a good point we actually haven't dissected that into lyrics in any of this shit and that one you dissecting that shit fuck fuck fuck you it's hard we don't even have time because we're just on such a fuck pit bulls stream more of the beats of this and yeah I mean that was cool no well no but here's my point with that it's like yeah that was a cool

remix and he did such little to actually add to it. I think Pitbull kind of came along at that early time when you could still get away with this where like, I don't know that it necessarily wasn't him. Maybe he was the one that was like researching some dope beats

out, but he kept finding these dope beats that were like maybe a little bit undercover. Maybe they were uncovered in Brazil. Maybe it was in Switzerland that it was hot. Cuba or Puerto Rico. I don't know. But a lot of these beats and then he was like this one's hot. around the world, I'm going to add

a little touch of my own bullshit and I'm going to make a bunch of money and put it. Some of them actually yeah, I will give him credit. Some of them actually maybe even sound a little better than the original because all you needed was a little touch of this. He's just disappointed that he can't make up his own shit.

You know, that's one of the things like none of his tracks. Never if you heard a Pitbull track where Pitbull made it himself, original artist, original music, original fucking discography. Where's the original? He's never done it. So therefore, Pitbull if you were to come at me if you were to come at fuck you

people if you were to come at me fuck people if he came at you if he came at me I don't think Pipple's ever going to come at me I'm just saying if you did then fuck him but if he doesn't then we gotta be nice I'll just watch if I ever saw Pipple

I was just kind of look at him from a distance and if you looked at me directly I'd probably give him like a I don't know what's up I'd get a little heads up I wouldn't say shit to Pipple I'd be like I don't even fucking look at me how me you're not gonna do that I'm not gonna be the guy

that's just like I would. No, there's no reason to be aggressive. Hey, so we got two more. We got two more. Listen to this one. Like, I can't believe he did this one. I was mad when I first heard this one.

The cheek. Oh, my God. Oh, my God. No way. By the way, classic video. You're going to tell me that he redid, uh-huh. Take out of me. I redid the shit.

This part. Oh, my God. You're right. He did. He did. Oh, man. And let's transition that motherfucker fucking into. Because fucking Pipple is blowing us up with this bullshit.

Brach Christina on this one to fuck. Aha's a aha. Take it. He fucked with Aha? He fucked it. Now it's. Shit on you, Pipple. God, man, this music.

I can't believe you do this. God, I'm so glad I got to rip on you, dude. It's been years that I've been wanting to do this. Oh, my God. And I've been waiting for somebody else to do it. I was like, who's going to rip this guy for doing this? By the way, it's good music. I don't think I've brought this up yet, but I literally, back when I was making my own, like, YouTube videos, put together entire piece about how Pitbull was getting away with joccing jams.

From everywhere. And right. And nobody was calling on him. And I felt like I was the only one that made a video about it. And it was a video obviously that nobody ever saw. But now we're going to have our podcast where we do it. Because nobody's had the podcast that they'd do it. But that was a video that I made. based off a song that I was like I have no more patience like that was too much I can't

believe that he stole that song from fucking aha a classic not aha I'm talking about a song that I was like if there was ever a song oh somebody got creative with that was like oh that should be played that should be a new jam that I can create and not only did he fucking take it but he made the exact same song with his bullshit lyrics and he just did nothing to make a difference and I just want to call out that in no way is castle against Latin people

I'm Puerto Rican and he loves me. Whoa, whoa, whoa, whoa, whoa. Or Latin language. We just hate the fact that Pitbull has to put his fucking spin on shit on lyrics and beats and fucking amazing music that was already created and he's just like, I feel like putting a

dali and a fucking Mr. 305 on this shit. And it's like, Pitbull, make your own fucking music, homie. So, the very worst example of Pitbull jockeying somebody's jam and putting his own dog shit lyrics on top of it lies right here. A cultural song. This thing is a unique house type and also has an Italian beat to it. And then when we've all first heard it, we're like, man, that's a unique beak and I like it. Am I right? Yeah, but it.

Let's get it. Look at a fuck, I believe you, I'm American. When I just say this a mother, Sottavena, Khammeda di I doviou. Al-laviou American.

Look, Hey-Bank. Let me just say this. My older brother is a DJ, and he works within a community of other DJs, within Hollywood and L.A. all that, who love to dig up old school tracks. They love looking at the most obscure music that exists within pop culture history.

And so given that, I love the idea that somebody was able to dig up this song from the 20s and turn it into a smash hit dance mix in 2010. Somewhere on there. Incredibly impressive. Like, that is DJ hysteria. Like that is like, okay, that is a DJ doing his due diligence in being remarkably impressive with not only researching music, but actually turning it in to something that modern audiences can marvel at. And the fact that somebody did that with this song that was from the 20s and that they made that an impressive jam.

And he can fucking jump in here and do some bullshit where he destroys the song by simply doing nothing more than adding his bullshit-ass voice as he did with all the previous fucking nine songs that we've already showed you guys it's just fucking disrespectful to music in general. Get angry about this. Fuck, be mad with this people. More people need to be angry with this shit.

Please, like this is fucking bullshit. Are you ready for this one? This is like, as Castle said, the epitome of doing this bullshit. Final one, listen to this shit. That damn it, Pitbull. Do something different, man. Is that what you're adding to this one? Beautiful,

Lindissima. Is that what you're adding to this one? Is that what you're adding? Yeah. Look at you're rich. Boom, boom, boom. You guys delayed it just a little bit. Add it a little bit.

Remember that Latin shit? We said he adds a little Latin vibe. Again, we don't like it. I'm Puerto Rican. I fucking love Latin people, but I hate when Pitbull adds his Latin fucking vibe to an already classic fucking song. First of all, it's a Latin fucking vibe

to an Italian classic 20 song. What are you doing, Pitbull? Calm down and go somewhere. How is this guy able to get away with this? How is he able to add such putrid bullshit and such

little musical differentiation to where he takes a song that everybody already know and everybody is already jamming to? Loving. And they're like, oh, is this Pipple on it now? And then he adds such little effectiveness Other than his fucking douchy voice And a little bit extra producing to add a little extra house beat

And here is what made me go off when this happened Is because this song came out The original like Americana song that like the remix came out I think it was around 2011 I remember when it came out because it was playing everywhere And then when Pitbull made his remix He replaced all of it everybody was just playing the pit bull version

and I could not have been angry I was like how is all the DJs in the world all of a sudden deciding his version is the version to play his version needs to be heard instead of the original one just because he added his dog shit

cute lyrics on top of it the difference specifically for what Castle was saying is all the other songs were kind of from the back we had Debbie Deb We had jump in the line. Those are all from the back, you know, from classics. So we understand why you're not playing that in now. But if a song now comes out.

Yeah. And you decide that the song now comes out to put your words over it. And then now your song gets played over the song that was already playing, which is now... It's offensive. Get the fuck out of here, bro. It's offensive on behalf of music. Wait 15, 20 fucking years and then do the fucking remakes. Don't be the same year.

Yeah. That's a beat. Give me that beat. All right. Now I make money off of it. Cool. Dahl. Get the fuck out of here, bro.

Ah, all right. We're done, man. That's 10 tracks. We've got through 10 pit bull tracks. And we're missing a bunch. We would love for you to tell us any more that we missed.

Tell us, DM us, anyone's we missed. I know we'd have some more. We could probably yell out, but we didn't. We got to 10. We were like,

you know what, dude, I'm tired of fucking listening to Pipo fuck up all my favorite tracks. So let us know what you think. But with that said, dude, What is your collapse for Pitbull?

How many claps and snaps are you giving Pitbull and all his... Oh! All his checks. How do you... Let me think how many claps and how many slams. Yeah. I think I forgot him in the airport. I think I forgot him in Miami.

I don't think I brought him back home with me. Sorry. I'm looking... Wait, let me turn my bag. Hang on, hang on, hang on, hang on. Wait. Wait, there they are. Right there.

Third pocket. Third pocket. What? In here... There you go. unzip Okay Hang on

Hang on There it is Oh there is Ah Oh wait That's right I got no Fucking collapse

For Pipple Zero You don't get any Snaps You don't get any Slaps All right Taking them from you

Yeah And Fuck off Go back to Miami Or wherever the fuck I don't know Make an original

track Yeah And I'll And I'll give A Pitbull Give him a Snap He's giving

You a lot of music To play with that were there. Yeah, he gave me a lot of stuff for weddings. It's worth of the snap. Thanks for that. Look, we're not here to be negative nancy's.

Yes, I am. Anybody, oh yeah, he kind of are. That's your thing. Anybody that has been following the entire first season of the Dysic DJs, we're not here to talk shit about folks, all right? We're here to give a fair shake to any of our favorite musicians. But we've been listening to this year for over a decade, and somebody needed to call pit bull on this bullshit on this.

is bullshit. And so we decided to use the season finale of the Dicek DJs. Episode 50. Dysseyed DZZ. In just over nine months, we're killing it out here. But wait, wait, Castle, I'm not fucking done, dude. Why are we stopping? Like, I don't understand why we're stopping.

Like, everybody else stops, and they do this whole, like, season ending, wait till us next season to see what we, why are we stopping? Should we not stop? Why? Just keep rolling. We love this shit. You know what? The fans want us. We keep it rolling.

This is episode 50. Let's just do 51, 52. Let's just keep this shit going, man. Fuck season finale. Let's just keep one big-ass season. We're going to have one big-ass season of Dyset DJs. We got too many things that we want to say. Too many things.

We're having too much fun doing this. We're not done. Why have we got to stop? So this is season one episode and we're just going to go episodes forever with the Diceck DJs. Keep you rolling. So with that, ladies gentlemen, season's finale, but season continuing right on into 2021.

Steve. It's 2021. And you know what? We got some shit we got to talk about. Next!