Dr. Creepen's Dungeon - S6 Ep365: Episode 365: Gulf War Horror

Episode Date: August 24, 2026

Today’s terrifying feature-length tale of terror is ‘The Soldier’, an original work by Shadowswimmer77; a story shared with me via the Creepypasta Wiki and read here under the conditions of the... CC-BY-SA license: https://creepypasta.fandom.com/wiki/The_Soldierhttps://creepypasta.fandom.com/wiki/User:Shadowswimmer77

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Starting point is 00:00:15 Welcome to Dr. Creepin's Dungeon. War horror stories are especially disturbing because they place ordinary people in situations where fear, violence and death become part of everyday life. Here on the battle itself, there's something deeply unsettling about soldiers moving through ruined towns, abandoned trenches, and landscapes where danger could be hiding anywhere. But war horror becomes truly terrifying when it introduces something beyond the human enemy. Strange sounds in the darkness, unexplained disappearance. or something lurking among the dead. In such stories, the chaos of war provides the perfect backdrop for horrors that are impossible to understand, leaving characters with nowhere safe to run and no way of knowing whether the greatest threat is the enemy
Starting point is 00:01:03 or something far worse, as we shall see in tonight's feature-length story. As ever before we begin, a word of caution. Tonight's tale may contain strong language as well as descriptions of violence and horrific imagery. That sounds like your kind of thing. Then let's begin. The Soldier By Shadow Swimmer 77. Part 1.
Starting point is 00:01:31 The Dream. I can hear the screams of men and gunfire. I can smell their fear. They know something's in the dark. Something strange, menacing, and very, very hungry. Oh God, what the fuck is that? It hurts. Please don't.
Starting point is 00:01:53 No. I wake, trembling in a cold sweat, sheets tangled around my legs. I look across the bed at the nightstand. The green LED lights telling me it's 4.30 a.m. It was the dream again, the same dream. A glance reproachfully at the remains of a fifth of whiskey and a half-empty bottle of sleeping pills lying on its side by the clock. I've never quite kept the nightmare from me before,
Starting point is 00:02:23 but I still have hope it's just a question of finding the right quantity. quantity. My hand is still slightly shaking. I grab the bottle and take a healthy swallow, then drop it empty to the puke green-colored carpeting that passes his decoration in my bedroom. It burns, but that's just fine. Knowing I'll never get back to sleep, and with only another 30 minutes before I'd set my alarm to wait me anyway, I throw on coffee and jump into the shower. It's cold, but that's just fine too. I stand there, arms bracing me against the wall. head bowed under the frigid stream of water, and I try to forget. I stay like that for several long minutes.
Starting point is 00:03:05 Finally, when my skin is practically blue, I get out and towel off, shivering from the chill. My name is Michael Landry, and today I'm a high school history teacher at Haverbrook Prep School on the main line outside of Philadelphia. The shower is just what I needed. Already the vivid horrors of my dream have begun to slowly fade back into my subconsciousness. I know all too well that they'll be back in full force when I manage to finally drift to sleep tonight, but even this slight reprieve is welcome. I look into the mirror and decide the dark bags under my eyes can be attributed
Starting point is 00:03:39 as much to a genuine lack of sleep as my ill-advised bender. I quickly run a razor over the rough stubble of my beard and briefly attempt to tame my mop of brown hair still sticking up at odd angles. Not that long ago I'd have gotten reprimanded if it was half this length. I returned to the bedroom and dress in the dark slacks and grey buttoned down a shirt that has become my unofficial teaching uniform. I've worn one uniform or another for most of my life, and consider it a shameful waste of time to spend too much effort worrying about what to wear. Moving to the kitchen, I decided to take advantage of my unexpected time this morning and scramble some ham and eggs to complement my coffee. I note that, besides the few remaining eggs and a half-eaten package of assorted lunchmeat, my refrigerator,
Starting point is 00:04:27 is virtually bare, not counting a three-day expired carton of milk and two cases of beer. The brimis at the trash can sitting next to the refrigerator, currently overflowing with empty takeout containers. Slapping the egg-meat concoction between two slices of only slightly stale red, I throw on my black pea coat to ward off the chill November air, grab my thermos, throw yesterday's graded quizzes into my valet and head to the door. gripping the coffee and valet under my arms and the sandwich in my mouth, I punch in the six-digit code to my state-of-the-art security system. I step outside and fumble with my keys to work the three separate deadbolts
Starting point is 00:05:08 securing the giant steel slab that serves as a front door to my first-floor apartment. All these extra precautions might seem a bit much, but Overbrook makes up for its insanely cheap rent with an even more astounding crime and murder rate. With that in mind, I probably would have considered upgrading my security, even if events three years ago hadn't shown me exactly how many scary things existed in this world. That experience is also what prompted me to start carrying the tiny glock currently concealed in my ankle holster. I'm on good terms with Gabe Parr, the aging head of security at the school, who generally shares my view on gun control. Make sure you're the one with control of the gun. Gabe had been enlisted 20 years in the army, just missing the tail end of Vietnam and retiring as a master sergeant following the first Gulf War.
Starting point is 00:06:01 Sounding like a cross between Sam Elliott and Ernie McDermann, he is all NCO, crusty, hard-bitten, and essentially every platoon sergeant I've ever known rolled into one. Even after finding out that Hoverbrook had no weapon searches to speak of, I revealed to Gabe that I carried shortly after starting the job. I reasoned his position would make him the most likely person to find my gun during the course of a normal workday. To my surprise, he was completely supportive. I would later learn some of the circumstances behind Gabe's enlightened opinions. On one occasion, he'd gone out for drinks. He confided in me that his youngest son Billy had been killed two years earlier. His boy had been 16 and carrying five dollars on the way home from evening basketball practice.
Starting point is 00:06:48 when he was approached by a strung-out junkie looking to score some quick cash. The lone witness to the crime said the druggie took the money and then, apparently angry that his efforts had been wasted, shot the boy out of spite. Unfortunately, the witness had been unable to clearly identify the junkie's features in the gathering dark. The murderer was never caught. Suddenly, Gabe's unique perspective became crystal clear. The walk from the train station to Haverbrook is a short one, and I find myself walking past the large asphalt parking lot
Starting point is 00:07:23 and up the wide cement-lined path to the main entrance just a few minutes past six. The entire building is a study in architectural extravagance. Enormous granite archways, steepled turrets, and literally tons of red-brown brick make the whole gala resemble more than an exclusive postgraduate university than a college prep school. The official seal is carved into the peak of the entryway arch,
Starting point is 00:07:49 his motto, mens corpus, animus, proudly emblazoned beneath. I spot gave as I passed through the archway into the entry hall. He's manning the main door himself, as he does every morning. During my first year, I asked him why. Mike, he told me, a man that franca's when the shit hits, I wanted to go through me first. Twenty years in, through more action than I can remember, I ain't anything in this world can walk through that door if I ain't fought.
Starting point is 00:08:20 Fucked, I'm blown up more than twice. So while some Greenhawton is busy pissing himself, I've already drawn and put ten rounds in the motherfucker, center man. Well, I couldn't argue with his logic. Morning, Gabe, how's it going? It's not so bad, Mike. Only sort of wanted to gnaw through my arm at the elbow when I woke up and saw wife number three this morning.
Starting point is 00:08:46 Still a marked improvement over the last one. He spits into the used styrofoam coffee cup. He is perpetually in hand. A huge wad of tobacco wedged in his lower lip. Good to hear. We still aren't for hitting the bar tonight. Ah, it depends. Still got that young limb bullshit.
Starting point is 00:09:06 You know it. When are you going to give that shit up and move to a real American bill? Like bud. Gabe, we've been over this, hundred times. Youngling is American. It's brood in Pennsylvania. Hey, not that I care, but didn't the dean tell you not to dip on the job anymore? I sure did, and I don't. Just own any less neither. Big you up at nine. After receiving my discharge from the army, I got out in a pretty bad way. Chronic alcohol abuse will do that to you. I applied to Havbrook in response to a notice
Starting point is 00:09:46 that they were looking for a social studies teacher specialising in military history. I figured dropping my name into that particular hat couldn't hurt. I imagine my surprise when the school not only asked me in for an interview a few days later, but ended it by offering me the job. Fortunately, only writing a slight buzz at the time, and I had enough control to take it. Apparently the school board saw West Point graduate and overseas combat experience
Starting point is 00:10:13 as enough to move me ahead of the dozen or so certified academics that I was in direct competition with. Two older board members with prior service experience made a case for hiring me to the other eight, stating that no one was better qualified to teach military history than someone who'd actually seen combat. They argued that competent professional educators would always be available and, worst-case scenario, the board could fire me after a semester and hire one of them. I won't say that the Harvbrook job was exactly what I needed to get my life back on track. It's just a job, or be it one with a good salary and better benefits. It serves two purposes.
Starting point is 00:10:54 Pay the rent and keep me in booze. That's all. I won't say the one simple act of getting a job made me get along with my landlord. Made my nightmares disappear. All the world a better place for everyone to live in. I didn't. My landlord, Mr. Pekonby, is still a prick, which, I attribute to gratuitous levels of inbreeding.
Starting point is 00:11:15 My dreams only became worse, more horrifying with each retelling. My men are still dead. Officially founded in the early 1900s, Hoverbrook can actually claim history back to the pre-revolutionary times when a one-room schoolhouse stood on the very spot. That first tiny structure only occupied one small corner of the total grounds allotted to the school, which actually encompass almost 20 square miles of rolled. wooded terrain. The athletic compound is by far my favourite building at Haverbrook,
Starting point is 00:11:49 specifically because one of the many perks associated with being a faculty member is unrestricted access to any and all of the equipment and facilities. Since I no longer have two hours of physical training scheduled into my day by the government, this fact alone has allowed me to stave off the approaching effects of middle age. Today is the last day of school before Thanksgiving break, so I decided to go for a run after class lets out. It's a perfect kind of weather for it, mid-50s and no breeze, just warm enough not to start out cold, just cool enough not to easily overheat. The main gymnasium contains a locker room for faculty use,
Starting point is 00:12:30 complete with a small bank of washers and dryers. Such amenities are convenient since they mean I don't need to be constantly transporting workout clothes back and forth on the train. Distance melts away as the ground speeds beneath my feet. Most days I try to put in five or six miles on the winding forest paths, and there are enough of them that I only need to repeat routes every couple of weeks. Today is one of the more difficult trails I frequent. Five and a quarter miles almost constant elevation change.
Starting point is 00:13:01 About halfway into the run, my legs are burning and I feel my breathing shorten as I near the top of a particularly brutal hill. I pause at the summit for a moment. to look back and take in the view. Vast acres of untamed wilderness stretch behind me. The crisp nap to the air makes everything seem somehow sharper, but in doing so only accentuates the grey deadness that is insidiously leached into every aspect of the environment.
Starting point is 00:13:32 Hazy, translucent clouds rise in front of a pale sun that seems a shadow of its normal self. It sets very early in the day now, and the shadows are already long. The deciduous trees that lays like a campfire in the autumn rise up below me, now eerily foreboding in their stark nakedness. The faintest hint of wind stirs the branches.
Starting point is 00:13:56 Its passing causes the trees to sway and groan with almost malicious intent. I feel a shiver trickled down my spine that has nothing to do with the weather. These are woods from the darkest fairy tales. These are woods that are alive. Only the distant third floor of the Harvbrook Library, just peeking up over the treetops, serves as proof that I haven't been unwittingly transported through some magical doorway
Starting point is 00:14:21 into a land populated by creatures terrible and unknown. Unbidden, my thoughts turn to memories of another time, another darkness, and the things I found there. Disturbed, I start running again, faster than before, the sun slipping closer to the horizon. As I descend from my vantage point back into the trees, the darkness grows rapidly deeper, the shadows thicker. This can be right. Even in wind of the sun doesn't set this quickly, does it? Appearing out of nowhere, thick black storm clouds have replaced the wispy greyness I observed only moments ago. Deep peals of thunder ride wicked through the seething black seas above. The wind, once only a faint whisper, has become a tormented scream, the death cry of a wild beast.
Starting point is 00:15:15 The trees no longer gently sway, but thrash and buck wildly as if trying to uproot themselves from the very earth that holds them. Massive sheets of icy rain begin to pelt down from the heavens, soaking me through to the bone. Instantaneously, a mild afternoon has been replaced by a savage tempest. I fly down the hill, the storm raging about me. Branches seem to reach out to snatch at my arms. Roots and stones rise up to tangle my feet. Suddenly an incredible blast of pain ignites my right shoulder, sending stars shooting across my eyes.
Starting point is 00:15:53 I cry out, tumbling to the ground. As I roll, a jagged stump appears in my vision, too fast to avoid. Pain. Blackness. Part two. The storm. I lie there in the middle of the forest, not seeing the jewelling lightning flashing high above the trees, not feeling the drenching rain that continues to pour down on my still fall.
Starting point is 00:16:29 Michael. A voice cuts through my mind. So tired. I just want to lay here. Ignore it. Michael, you must listen. There isn't much time. Go away. Just a voice in my head. Leave me alone.
Starting point is 00:16:48 Events are in motion. The storm is only the beginning. They sent it for you. Hopeed it would kill you. They know you have a role, but they can't know how important you are. They wouldn't have stopped there. They...
Starting point is 00:17:03 What are you? There's no time. We have to... Wait. Oh, no. Michael, you need to get up. You need to get up and get the hell out of the... there, it's coming.
Starting point is 00:17:18 My eyes flutter open, disoriented, can't tell how long I've been out. The storm still thrashes crazily around me. I ease myself into a sitting position and gingerly assess myself for injuries. There's a large lump raised above my left eyebrow and I can feel a sizable gash running along my scalp, although it doesn't seem too deep.
Starting point is 00:17:42 I won't be able to tell if I need stitches until I can get to a mirror. Sharp stave of pain beamed directly to my brain as my fingers probe the wound, so I quickly stop. Various cuts and scratches from my fall are spread sporadically over my arms and hands, in addition to a particularly nasty one along my left shin. Shoulder still throbs, not the blinding agony that sent me sprawling earlier, but a dull ache emanating from deep inside the tissue. Was I struck by lightning? I don't remember hearing any thunder.
Starting point is 00:18:16 What the hell? My head snaps up as a deep, inhuman roar rises above the fury of the storm, reverberating over and over again through the trees. The ache in my shoulder flares sharply. I suddenly remember the words of the disembodied voice in my head. Still dazed, I uneasily stagger to my feet. Concussion, based hallucination or not, getting the hell out of here seems like an excellent suggestion.
Starting point is 00:18:48 I managed to find the path and heart. haltingly begin to make my way back towards the athletic facility. The storm continues unabated. Bathtubs of freezing rain continue to drench my shivering body. Shearing winds carry the shill deep into the marrow of my bones. Lightning flashes periodically, lighting up the pitch sky as brightly as midday. Dizzy, my foot hits a rock in the path. The whole world lurches as I barely managed to catch myself,
Starting point is 00:19:18 the throbbing wound on my scalp making my head feel like an abused bass drum. I stumble along as fast as I'm able, occasionally pausing to glance behind me. If they weren't soaked through, the hairs on the back of my neck would be standing at full attention. Impossible to see or hear anything
Starting point is 00:19:37 over the fury of the storm. Some primal scents held over from my caveman ancestors blairs are warning at me that I'm not alone out here in the dark. The savage roar I heard, shortly after waking doesn't repeat itself, but in truth I don't know if that disturbs me more or less. If I hear it again, that means that whatever made the sound exists and is somewhere in the woods with me, but at least I would have an idea where. As it stands, I can hope the unworldly
Starting point is 00:20:05 sound was just another delusion brought on by my head injury. I can't manage to shake the chilling feeling that the beast is simply remaining silent, hunting me. At last, after an eternity of of fleeting glances and barely avoided falls, I finally emerged from the woods along the path, the school stadium lying before me. The electric lights of the gymnasium several hundred yards down the paved walkway burn cheerfully, oblivious to the violent events of the night. I urge my wooden legs to greater effort and blessedly make it to my destination, throwing open the door and tumbling inside. I sit there sprawled in the facility entryway, trembling from the con, from the cold and fear, watching the storm rage outside.
Starting point is 00:20:58 After what must have been several minutes, I managed to gather the will to painfully regain my feet and work my way through the building and down the long corridor to the faculty locker room. The building is deserted, the silence making the noises of my struggling movements seem all the louder. For a moment, I wonder at the complete lack of people before, remembering virtually all sports practices have been cancelled in lieu of the pending week of vacation for the Thanksgiving holiday. Gaining access, I immediately moved to the row of sinks and the mirror to get a better assessment of my injuries. The bump above my eyes considerably swollen and will soon turn into an ugly-looking bruise. On the plus side, the cut on my scalp is actually
Starting point is 00:21:42 more of a scrape and doesn't appear to require stitches. The cuts on my arms, hands and shin are superficial, but will hurt and itch like crazy while they heal. Suddenly, Seeing past the painful details, I struggle to recognize the haggard, beaten-looking figure returning my stare from the glass. Well, you've had worse. God knows you've had worse. Well, that time, that was a lot worse. I grimace, my reflection, perfectly duplicating the motion. Turning on the faucets, I grab a handful of paper towels and begin to carefully daub the dry blood and dirt around my cuts, not wanting to inadvertently open them again.
Starting point is 00:22:26 Satisfied that they've closed up well enough to allow it, I strip off my sodden workout clothes, throw them into one of the dryers and step into the shower. I set the water to scolding. I stand under the steaming water, trying to rub the kinks out of my neck. A small throb in my shoulder reminds me of the incredible pain that first sent me on the way to my current condition.
Starting point is 00:22:51 Reluctantly turning off the shower head, I dry myself, wrap the towel around my waist, and return to the mirror. Although certainly cleaner and free of the cake dirt and blood that previously clung to me, I still paint a terrible picture. The cut on my scalp shines red just below my hairline, and an enormous purple bruise has now begun to complement the generous swelling above my eye. I turn my back to the mirror and move my head so that I can observe my shoulder in the reflection to see the scars located there.
Starting point is 00:23:23 Three long marks extend the length of my shoulder blade. The lines are jagged due to the poor nature of the canvas they were inscribed upon. Aside from the nightmares, they're the only proof I have of the reality of the most horrifying experience in my life, the terror and bloodshed that occurred in a Middle Eastern cave three years ago. Tonight, the marks were inflamed and wet, as if I just received them instead of having warned them for so long. Had I not just showered, I'm sure if I've been. fresh blood would still be oozing from them, though all my other cuts and scrapes are closed and dried by this point. As if listening to my thoughts, tiny red beads slowly begin to whirl
Starting point is 00:24:04 along their length as I watch in the mirror. Without warning, an intense pain radiates outward from the center of the marks. At that moment, two things happen simultaneously. First, all the lights in the locker room go out, leaving me in absolute darkness. Second, I hear the unmistakestate sound of the main entry door closing and the slow steps of someone or something enter in the building the otherwise utter silence serving to augment the noise the emergency generator kicks in back up lights humming to life and bathing the room in a weak amber glow i run to my locker and hurriedly dress almost tripping myself on my pants taking care to loosen the glock in its holster once i have it strapped to my ankle i throw my coat on
Starting point is 00:24:56 twinging at the pain now continuously radiating from the scars and grab my valet. The whole process only takes me about 30 seconds, a holdover from years of uniform drills in the army where soldiers who don't make the time limit are met with insidiously creative punishments. I creep silently over to the locker room door and gently ease it open just a crack, feeling slightly foolish. Odds are the noise I heard is just a student, or maybe a guard gave sent to check on the facility.
Starting point is 00:25:29 Still, I can't shake the feeling that whatever is now occupying the athletic wing with me is somehow connected to the bizarre events that have already occurred this evening. Its arrival and the loss of power to the building seemed too timely to be mere coincidence. I peer out and down the dimly lit hallway through the slit in the door. At first I don't see the thing, not until its eyes catch the light, gleaming a sinister shade of red. My breath catches in my throat as a wave of pure terror thunders through my suddenly rigid body. My shoulder screams, almost as badly as in the woods.
Starting point is 00:26:09 My mind is struck dumb, craze gibbering crowds out all, rational thoughts. God, my God, it's just like that time, just like the last time. Gotta be a dream. Gotta be, can't really be happening. I'm still unconscious on the trail from hitting my head. That's it. Yeah, that's it, but this seems to be so real. What if it's not a dream?
Starting point is 00:26:32 Then I have to move. I have to do something. Why the fuck does this keep happening to me? I'm only frozen for a single long moment until my brain unconsciously kicks into analysis mode. This feeling of unreality is disturbingly familiar, but other than the fantastic nature of my subject, it's not so different from some reconnaissance missions I've been on.
Starting point is 00:26:56 twenty hours down the hall the creature stands on two legs and appears to be about eight feet tall definitely not a student not a guard either unless gay decided to try out some biomedical mutants in the rotation other than its immense size i can't determine any further details about the entity because of the way the shadows seem to bend around it almost as if light is absorbed once it gets within about a yard of the creature as i I watch, raises its head as if sniffing the air. A chill runs down my spine as I realize that's probably exactly what it's doing. Its head snaps forward, its incredible blood-red eyes fixed directly on the door concealing me. Ever so slowly, it begins silently stalking down the hallway, hunched into a hunting posture, moving with the powerful grace of a natural predator. my fight or flight response frantically initiates. Logically, I have no knowledge of the identity of the creature, and the Glock only holds seven bullets.
Starting point is 00:28:05 Something that size is possible the gun would be empty before successfully incapacitating it. The military doctrine drilled into me stresses only committing to a fight when possessing knowledge of the enemy, initiative and a decisive advantage. At this point, I lack all of those. I reached the conclusion to conduct a tactical withdrawal.
Starting point is 00:28:28 To say I'm retreating sounds so much more cowardly. Unfortunately, Haverbrook has equipped all its locker rooms with multiple exits for use in the case of an emergency, although I hardly think my current situation was considered in their plans. As smoothly and quietly as I'm able, I gently close the door and throw the deadbolt, locking it from the inside. I have little hope that the flimsy metal, will impede the monster for more than a couple of seconds, but I'll take any opportunity to up my odds for survival.
Starting point is 00:29:02 Wounds throbbing uncomfortably, I hobbled to the far side of the locker room to the emergency exit as quickly as I can and push through it emerging into a utility hallway. No alarm sounds. The electricians must have foolishly attached the warning system to the primary power grid, though it's not as if help would be able to reach me in time anyway.
Starting point is 00:29:24 I break into a limping run towards the shining red exit sign that seems impossibly far away. Just as I reach it, I hear what can only be the sound of a rudely abused deadbolt shearing in two and the locker room door being thrown inward of its hinges. I shoved the exit door open, finally reaching the outside of the facility. To my relief, the storm was abated,
Starting point is 00:29:52 though in its wake an unnaturally thick and viscous fog has crept in, sinuously enveloping the world in an incredibly dense cloud of white and reducing visibility to little better than nothing. Consider my options. I could try to hide somewhere nearby, but it seems the creature is tracking me by smell or some other method would likely find me fairly quickly. That means my best bet is to try and put as much distance between me and it as possible. A glance at my watch and see that it's just now a quarter past six.
Starting point is 00:30:26 If I push myself, I may be able to make the 620 back towards Overbrook. I make my decision. Pain and exhaustion slowly overcoming my rush of adrenaline, stagger forward towards the station. I really hope the bloody train is on time. Part 3. The Monster. For once the train is on time, rolling in just as I reached the station. Fertively throwing futile glances back into the...
Starting point is 00:31:02 impenetrable whiteness for any sign of pursuit. I wait off to the side of the double doors for the train to discharge its few passengers. Standing up is an effort. A professionally dressed modulately pretty woman looks up in passing and gives me a startled glance as she readjusts the bag on her shoulder. God, I must look a wreck. The sickly smile I return only seems to disturb her more. I enter the car and fall on to one of the hard plastic benches facing near the train, roughly dropping my valet next to me. As the train pulls out of the station, I heave a sigh of relief. Whatever that thing was, I seem to have managed to outrun it so far.
Starting point is 00:31:44 If my luck holds, I'll be able to get home to my apartment and retrieve some firepower more substantial than the Glock. The heavy weight of my giant 0.5 caliber pistol would feel remarkably comfortable right now, as would my semi-automatic shotgun loaded with 12-gauge double aught. The real question on my mind is what the hell that thing was? Granted, it isn't the first otherworldly entity that I've seen in my life, but a large part of me still wants to put the last time down to trauma-based hallucination. Besides, this one was physically different,
Starting point is 00:32:19 though the strange feeling of unreality is absolutely the same. I've never heard of anything like this creature outside of comic books and fairy tales. The odds that one man would randomly encounter more than one of these things in a single life-time, time have to be astronomical. And therefore, logic suggests there must be some connection between the two meetings. But what? The lights flicker. I look around the compartment and notice I have it almost to myself. In fact, the only company I have is a homeless man. I somehow didn't see when I first got on. It's broad unconscious across a bench towards the rear. I can't blame him for wanting to get out of the storm, but briefly wonder how he's managed to avoid the conductor, since he doesn't
Starting point is 00:33:02 look like he'd be able to afford a ticket, or even half a ticket. I pour my monthly ride past from my inner coat pocket and place it into the plastic slot on the back of the seat in front of me. My shoulder sharply throbs, causing me to look up. The first thing I notice is that my formerly sleeping homeless companion is wide awake and sitting at rigid attention. The next is that his eyes are fixed in a blinking stare directly at me. They are remarkably bloodshot, so red that they bear a disconcertingly close resemblance to the eyes of the creature that was pursuing me earlier. The man slowly stands, his unwavering gaze attempting to bore straight through me. I return his stare, matching its steadiness, if not the intensity given by the preternatural colour of his eyes.
Starting point is 00:33:53 I can feel the tiny hairs on the back of my neck stand erect and a rash of goose bumps flushed down my arms. I find myself mentally reviewing years of close combat training as my hand, almost of his own accord, slowly edges down towards my right ankle and the tiny glock concealed there. I take stock of the man 25 feet down the car from me. On the surface, other than his startling eyes, there's nothing that would make him stand out in a room full of derelicts. He stands about 5'7 with an average build and looks to be in his mid to late 60s. His grey hair is as long and matted as the snarling beard that practically explodes out of his lower face. He's wearing grey sweatpants and trashed sneakers, his toes showing through a sizable hole in one of them.
Starting point is 00:34:42 A dark, ratty fleece hat on his head. He's bundled in an old Vietnam-era army-issue jacket, and I briefly pause in my assessment to wonder if he's a veteran. He's carrying no obvious weapons, I can see, but I know many ways for an average person to conceal any number of blades, pistols, and any other violence-inducing implements, many more if that person's clever. Still, with those eyes, that'd be a hell of a coincidence if the two weren't somehow related. I grabbed my shoulder, grimacing as white-hot pain lances through it and brings stars to my eyes. Regaining my awareness, I realized the man has moved the complete length of the train car, impossibly fast, and now looms directly over me.
Starting point is 00:35:28 before I can think, much less begin to clear my gun from its holster. His hand flashes down and traps my wrist in an iron grip. A crazed, sneering grin on his face. The man's other hand seizes my left shoulder and pins me back to my seat, the whole movement taking no more than a fraction of a second. With his face mere inches from my own, as nauseatingly obvious he hasn't bathed in some time. dirt and other substances whose identity I fear to guess
Starting point is 00:36:00 are smeared indiscriminately over skin and clothing alike. Several gigantic flies flit about, buzzing continuously and occasionally pausing to alight on his face, hands and elsewhere. A sickening cocktail odor of sweat, ammonia, and something sulfurous permeates the air around him as his breath weases in and out of his mouth through excessively crooked teeth the color of jaundice.
Starting point is 00:36:25 I notice several are missing. I also note those remaining have been filed into wicked points that look sharp enough to shred skin and tissue like so much wet toilet paper. This close to them, his eyes aren't merely bloodshot, but glowing. Their unfaltering scrutiny becomes an indefensible onslaught. I feel as if my consciousness is being forcibly drawn into some blasphemous other world through a blood-red portal. For a second, I see myself struggling,
Starting point is 00:36:58 drowning in molten fire that snaps and swirls where his irises should be, growing to the point, not the smallest speck of white is visible in his eyes. Realisation hits me like a thunderbolt. God, he and that monster aren't connected. They're the same fucking thing. In the back of my mind,
Starting point is 00:37:20 a deeply buried primal instinct tells me that this moment something is profoundly wrong with the world. The presence of this unknown entity whose very being mocks the laws of reason, a living nightmare that is escaped its realm of sleep. The most unnerving part is that I've felt this way countless times before. Once, three years ago, in a dank underground cavern in the middle of a war zone, and every night since while suffering those horrifyingly real dreams of the impossible things my eyes tell me they saw there,
Starting point is 00:37:52 The long black tongue feeling like rough leather licks the dry blood from my scalp. I sit completely still, shocked beyond movement, mouth slightly ajar. Oh, yes. This is the one. The one, yes. This him. The man thing mumbles. I gape up at him.
Starting point is 00:38:20 Still, not right, no, not right. "'Sposed to be in, has it, doesn't be in has it. "'No, no, doesn't be in hazard, but supposed to be in. "'Where's it being, little soldier boy, eh? "'Where's it being hiding, you know? "'Hiding? "'I somehow find my voice. "'I think you must have the wrong man.
Starting point is 00:38:47 "'Sir, I'm not hiding anything. "'I'm just a schoolteacher. "'I teach history in Havbrook.' "'So I'm incredibly small part of my brain, mentally chastises the rest of my consciousness, which is currently in the process of wetting itself to stop being such a silly, helpless little bitch. I used to call myself a soldier. No wonder I didn't make it all the way through to retirement. He, he, call him bills, sir. Little soldier boy thinking he being a teacher, being a teacher
Starting point is 00:39:21 of little children's, teaching histories he's thinking. The man thing giggles. Biel's is knowing, saying that those who can do, those who can't teach, but you can do, little soldier boy. Little soldier boy can do. Little soldier boy will do if Bielz would let little soldier boy do. Teaching a history as you think you're teaching. History is a man, but not histories, not right histories. Little soldier boy not one to teach him. Little soldier boy wanted to be in doing things like little soldier boy.
Starting point is 00:39:57 being doing if Bail's being ledden him. But Bial's not supposed to be in letting him. No. But Biel's not sure if Biel's supposed to not be in letting him if little soldier boy not being hazard. Little soldier boy, the one supposed to be in hazard, but something being wrong. Supposed to be in it, but being here not.
Starting point is 00:40:23 Where being it, little soldier boy? A small angry spark seems to feel. flare in my mind, and I managed to offer up at least the pretense of resistance. I've always hated it when people get in my face, probably why I had such a tough time at basic training. The non-pants wetting part of my brain gives a tiny cheer. Well, frankly, Beals, or whatever the fuck your name is. A glare at him with what I hope is significantly more confidence than I actually feel.
Starting point is 00:40:56 I don't know what the hell you're talking about. Get your damn hands off me. My anger only seems to amuse him. Yeah, damned hands. Yeah, damned hands. Damned hands, damn bills. The dirt smeared leathery skin of his face crinkles around the flaming pools, glowing in place of eyes as he laughs.
Starting point is 00:41:20 Little soldier boy does knows more than he thinks he knows he does, but no. Little soldier boy not knows why little soldier boy, to know she does not. What Biel's to do? Biel's supposed to be finding little soldier boy. Finding little soldier boy Beals Hasba. Little soldier boy is supposed to be in hazard.
Starting point is 00:41:43 The man things mouth closes in a hard line as he contemplates this dilemma. I would admit his issue has me completely confounded as well, but for entirely different reasons. Suddenly his face lights, red eyes shining ever bright, like two miniature stars that found themselves trapped within a prison of flesh and bone. The same wicked smile again stretches across his mottled lips, razor-like teeth seeming to glint in the harsh electric light of the train car. Ah, but a little soldier boy already marked by Dark One, yes, marked, and so Bial's can fight again.
Starting point is 00:42:25 Find again, Bielas can. Little Soldier boys mock from Dark One. Then Biel's can make sure. little soldier boy not to do a little soldier boy thing. Griffing my arm and shoulder, the man thing pulls me even closer and hisses in my ear. You be lying to dark ones now, little soldier boy. Once you be in has what you're supposed to be in has. Dark ones being taken that what be lying to them.
Starting point is 00:42:57 He abruptly releases my arms, shoving me back painfully hard against the unforgiving seat. The instant I'm free to move, I snatch the glock from my. ankle, jump to my feet and snap into a two-handed shooter's stance. Slightly dazed, I find myself alone in the train car. The creature pretending to be an old man is gone. Part four. The darkness. I sits broad in the overstuffed easy chair that comprises roughly half the furniture
Starting point is 00:43:35 in the small area designated as a living room in my apartment. Aside from a threadbare, second-hand patchwork rug covering most of the floor, the only other piece is a squat table supporting my television, which currently stares hollowly back at me through its black empty screen. I've been home two hours. I'm unbelievably drunk. I drop the empty bottle from my hand to join its relatives on the floor. From the look of things, it's a family reunion and attendance is high.
Starting point is 00:44:04 People get drunk for lots of different reasons. Some people think they become the life of the party when they're wasted. Others want to fit into a particular crue. crowd and some, like me, drink because the muddling effect of the alcohol occasionally dulls the pain of particularly traumatic events or memories. The really lucky ones are actually able to use it to forget. I have never had that option. God, I wish I could forget. I want to forget. For me, the alcohol only takes the edge off the memories. Well, sometimes. Most of the time it doesn't even do that. The buzz just sort of gives me something else to focus on.
Starting point is 00:44:44 But, like tonight, if my thoughts happen to turn to that time, to that place, to that thing, well, I shudder involuntarily. God, so much blood, so much pain, so many screams, so many, so many. Alert shut up from the chair and run, staggering to the bathroom, flinging myself at the toilet. I barely make it before an inadvisable amount of alcohol forcibly removes itself. Twice I stay hunched clinging weakly to the bowl. God, I'll hail the porcelain guard. Sometime later, satisfied that I finish retching for the moment. I returned to the living room, stopping by the fridge to grab another beer along the way.
Starting point is 00:45:29 I just threw up a bunch of alcohol. Need to keep up the pace if I don't want to start sobering up. Settle back into my chair. As always, despite my best efforts, I have perfect recollection of the evening's event. after my encounter with the unworldly thing disguised an old man on the train I frantically searched the car for any sign that it was still there or where it might have gone or how it got there I went over the length of the train car for a second time
Starting point is 00:45:59 replaying the sequence of events yet again trying to convince myself that the whole thing was just a dream that I'm not crazy when the overbrook stop arrived I picked up my valley and exited the train the glock still held in my right hand and concealed in my coat pocket. From that point, I think my brain shut down for a little while.
Starting point is 00:46:20 I remember the walk home, but it's like looking at it through a thin film of gauze, or underwater. The motion seems slower. The time takes longer. Fog still crowded around me, but I hardly noticed the lack of vision its sinuous creeping provided. Well, I've walked the path a hundred times, my legs worked on autopilot.
Starting point is 00:46:41 I was about a block away from my apartment when the man spoke to me. Amen, that's a nice fucking coat. I turned slowly towards the voice, aware but not aware. I could feel my body move, but like a puppet on strings pulled by someone else. I dimly comprehended the two men facing me
Starting point is 00:47:01 under the muted glow of a street light, barely more than boys, really. In a different world, I might have taught them history. God knows what circumstances forced them outside on a night like this. It doesn't really matter. One stood around six-two, and the other a bit shorter, each dressed in the current urban fashion, their clothes loose and baggy. Both had bloodshot, sick-looking eyes, and builds entirely too skinny, emaciated.
Starting point is 00:47:30 The small part of my mind that still acknowledged my surroundings registered that these two were extremely dangerous. You fucking stupid or something, man. What's that fucking look you giving me, man? "'Yo, deal, think our boy here'd be tripping or something. "'Tink, it might be right, Trey. "'Look like somebody beat the shit out of this fool already. "'You tripping, bitch. "'A awfully nice-looking cold you'd be tripping.
Starting point is 00:47:58 "'Best be given that over here.' "'A smaller of the two cautiously approached me from the side, "'wary as if I were a sleeping dog that might suddenly wake "'and decide to take a snap at his hand. "'In a way, I suppose I was. I stood still, dully looking ahead. I felt a slight pinch from the marks on my shoulder. The one called Dre gave me a look over.
Starting point is 00:48:23 Hey, Tio. What's he got in the bag, man? Think you got some bills in there, man? I see what you got in this bag, man. See if you got some money on you. Tio started to remove the valet strap from my shoulder. A moment later, he was sitting down on the ground, hand clamped to his mouth.
Starting point is 00:48:42 mouth, blood seeping through his fingers. One of his teeth lay next to him on the wet pavement. I stared at him in surprise. Looking down at my hand, knuckles bleeding. I realized I'd hit him. Fuck, man. What the fuck? Tio's face was livid. Drey howled with laughter behind him. You know, Tio, man. That bitch, pop you're good. Right in your fucking hole. Tio wiped his lips with the back of his hand and sped. rat, another tooth flying from his mouth. His face was set in a hard expression. Gotta be the last thing he does too, man. Tio's speech sounded off as he tried to talk around two missing teeth.
Starting point is 00:49:27 He pulled a knife from his pocket and flicked it open, the streetlight catching the small hard blade. Think you funny motherfucker. Think you're just going to hit me, ain't nothing going to happen? You're fucking wrong, man. You're dead fucking wrong. His lunge was wild and sloppy, but I would still do serious damage if it connected. Seeing it through the slow-motion fog that my mind was currently operating in,
Starting point is 00:49:53 had all the time in the world to sidestep. Catching the arm, holding the knife, and tightly gripping his wrist with my right hand, I drew my left back and drove my palm against his elbow hard, simultaneously jerking his wrist towards me. With a sickening snap, Tio's arm bent the wrong way against him. the joint, the knife clattering to the ground, and he screamed. Oh, my, fucking God, my arm. Motherfucker, broke my goddamn arm.
Starting point is 00:50:23 I let him go and he crumpled to the ground, curling into the fetal position. He cried, cradling his broken arm. Oh, God, it hurts. It hurts. Oh, God. Tio. Gray's expression was one of open shock. Apparently, this was the first time any of their victims had ever been.
Starting point is 00:50:42 resisted. You crazy son of a bitch. Shouldn't have fucked with my homie, man. Just buy yourself a one-way ticket to hell. I bent and picked up the knife, folded into my coat and stood straight, hands in my pockets, my face placidly unaware of the whimpering heap at my feet.
Starting point is 00:51:02 Dre lifted his sweatshirt and I saw a large 45-caliber handgun stuffed into his pant line. Oh, can I make you scream, bitch? "'Go make you bleed.' "'You reach for the gun. "'Emotionless. "'I poured my Glock from my pocket "'and shot him.
Starting point is 00:51:20 "'It's always surprising to me "'how loud gunshotss really are. "'In shootouts on television, "'the characters have lengthy conversations "'punctuated by witty quips "'while firing gigantic machine guns, "'explosions going off all around them. "'In real life, a gunshot is
Starting point is 00:51:38 "'an incredibly loud, harsh thing. "'When bullets are flying the last, thing anyone thinks of his banter. In this case, it took a second for me to regain my hearing enough to recognize Dray's inarticulate cries over the ringing in my ears. His pistol lay next to him on the ground where he feebly thrashed, shocked at the gaping hole that had, as if by magic, suddenly appeared in his shoulder. I calmly stepped over and kicked the gun away, sending it skittering across the street. I stood over the wounded man, frowning. Just because things didn't work out for them tonight doesn't mean a thing.
Starting point is 00:52:15 Next time it might be someone else they try to mark. Next time it might be Billy Parr. A bright flash of rage flared up inside me. It must have shone in my eyes. Grace cries, quieted to soft, helpless whimpers. I pressed the barrel of my glock to his cheek and roughly gripped his wounded shoulder, painfully hauling him to a standing position.
Starting point is 00:52:41 I should kill him. would easily be justified as self-defense. Already tonight I've seen there are monsters in the world I'm powerless to do anything about. I should take care of the ones I can. Dre's eyes went wild, and he began pleading. Please, man, don't kill me, man. We weren't going to do nothing.
Starting point is 00:53:03 Please, man, I'm sorry, so please, oh God, don't kill me. He started to cry uncontrollably. The harsh metal of my barrel still digging into the side his face. I smelled his bowels as they emptied themselves. Tio silently watched from where he lay terrified on the ground. His broken arm bent unnaturally. Fear plastered across his bleeding face. My finger tightened on the trigger. Suddenly a sharp flare of pain emanated from my shoulder, wiping away the fog that had been clouding my mind. It's as if a veil was lifted. For the first time I observe the situation with perfect clarity.
Starting point is 00:53:44 I saw the hurt, frightened boy in my grasp, his hysterical breaths coming in short gasps. I saw myself as I must look to them, a wrecked, half-crazed madman with a gun. My God, what am I doing? Dre grimaced as I dug my thumb into the bullet hole and leaned in close, talking low into his ear. You and your friend go to a hospital. stay out of my neighborhood. If I see you again, you'll consider this night a pleasant memory.
Starting point is 00:54:19 I let him go and he bonelessly fell to the ground with a cry of pain. Teah managed to get enough control of himself to help Dre to his feet again. I nominally watched the two of them stumble off blindly into the fog in the general direction of a hospital, horrified at what I had almost done. I looked down at the gun still gripped in my hand and shuddered. I reholstered the weapon, picked up the single piece of expended brass from the pavement, and put it in my pocket. The rest of the walk home was uneventful. I took my time, knowing that the frequency of gunshots and gang violence in this neighbourhood would not hurry a police presence.
Starting point is 00:55:00 I couldn't stop shaking. I finally reached my building, opened the front door with my tenant key, and walked down the hall to my door. Moving like an automaton, I unlocked the three deadbolts in succession, heaved open, and my slab of a door, stepped inside and disarmed the security system. I dropped my valet by the door and painfully shrugged out of the p-coat that had attracted so much unwanted attention on my walk home. Hanging it on the hook by the door, I moved through the small living room towards the bathroom attached to my bedroom,
Starting point is 00:55:31 briefly making a side trip to grab the first of what would ultimately be many beers from the kitchen. I finally heard approaching police sirens in the distance, not that I had anything to be worried about. The fog was thick enough that all of our features were sufficiently protected from any potential witnesses. Stripped, tossing the gun in its holster onto the nightstand next to the bed. I examined my shirt. A dark smear of blood from the oozing mar could soak through the shoulder. I checked over my wounds and confirmed my initial assessments.
Starting point is 00:56:07 The scalp was ugly but shouldn't require stitches. The lump above my eye wouldn't win me too many beauty pageants, but once the swelling went down would be fine. I might even look almost normal by the time classes resume after Thanksgiving next week. All my other scratches and cuts were superficial, although the itching as they heal will be considerably uncomfortable. Most curiously, the mark on my shoulder had reverted to looking like it always had. Dead pink scar tissue.
Starting point is 00:56:35 Without the stain on my shirt as testimony, I'd be inclined to believe I'd imagined it bleeding earlier. even though I just showered before my escape from the school, the insuring events left me with a decidedly unclean feeling. The frigid roar of water from the showerhead was blessedly welcome. I stood there for long minutes, taking deep pools from my drink. Toweling off, redressing, and about 15 beers later, find me in my current position, slouched in my armchair, drunk as hell.
Starting point is 00:57:09 As I sit staring into space and contemplating the pros and cons of another drink, a sharp three wraps issue at the door and caused me to hurriedly lurch to my feet. Oh, shit, shit, shit, that did that thing follow me? I've got to get a gun. No, no, think logically. It wouldn't be knocking. Maybe someone saw the earlier attack. Friends of Tio and Drey, maybe.
Starting point is 00:57:34 Gotta get a gun. No, wait. Could be police canvassing the area. I've never done that here before, even with that murder a couple of months ago. Still, if it's cops, I shouldn't answer the door armed. God, what the hell is going on? Part 5. The friend.
Starting point is 00:58:02 I steadily creep over to my giant slab of a door and stick an eye up to the peephole to find the stony features of Gabe Parr staring back at me. Oh, right. Drinks at nine. Completely forgot. I can't imagine how. Oh, my head. With the little effort, I managed to work the deadbolts and heave the door open enough to admit the school guard.
Starting point is 00:58:27 Yeah, evening, Mike. You bowed ready to... He stopped short on the threshold as he catches sight of my trashed features. Well, happen to you, boy. Look like he either decided to challenge a billy goat to a head button contest or made a pass of my first wife. Same difference. getting a fight or something. You need to go kick some banger ass.
Starting point is 00:58:51 No, Gabe. No fights. Well, I guess it was a fight, but that's not where I got these. The fight came later when I kicked the shit out of those guys. A couple of junkies. Oh, good, but one of the blazes did you do to yourself. It was a pretty nasty gash you got on your noggin there. I was running the trails at school when it started to rain.
Starting point is 00:59:15 Slipped and took ahead of every day. into a tree stump. It's fine. You shouldn't even need stitches. That's like hell, though. Beer's been helping with that. Gabe sets further into the apartment. A single raised eyebrow
Starting point is 00:59:29 the only sign of his disapproval as he sees the heaping remains of tonight's binge littering the ground in my living room. I guess you went and God started without me. Sorry. Totally slipped my mind
Starting point is 00:59:42 that we were going out. What with the head injury and all? Pretty sure I should call off going out for tonight. You're more than welcome to hang here for a bit. Want a beer? There's more in the fridge. I need another one too. Here, I'll go get him.
Starting point is 00:59:57 Ah, hang on there, Mike. Just hang on. I don't want a beer, and you sure don't need any more either. Looks like you already drank enough for both of us tonight anyway. He takes my arm leading me back over towards my easy chair. Why don't you take a seat over here and I'll go and rustle up a pot of coffee right quick? Reagan, help you sober up some. Yeah?
Starting point is 01:00:19 What anger flashes red across my eyes. I hate being patronized. How about screw you instead? What did you think about that, Gabe? I don't want to sober up. It's my house, you piece of... Gabe's grip on my arm becomes suddenly hard and painful. A dull gray steel slides over the normal spark of his eyes.
Starting point is 01:00:40 I'm going to stop you right there. You've obviously been through some stuff tonight And I am to talk you in a bit here And help you work through that But I'm not gonna let you be self-destructive about it Now, you got two options Either take seat nicely and wait for me to make a cup Or I can put you in a seat and do the same
Starting point is 01:01:02 Same result, different way of getting that You're smart enough to know which one will be less grief all around Now Well you start getting ideas about trying to kick my ass to, you should probably consider something. Might be hot stuff with a couple of junkies like the pair you run into tonight. Yeah, even maybe even hang on to me on a good day. Right now, in your condition, you don't really have much of a choice in the matter.
Starting point is 01:01:32 I became aware that Gabe would put himself in a calculated position where he possesses all the leverage to make both of our body weights work in his favor. So, what's it going to be? As he applies the lightest bit of pressure to make sure he gets his point across, I feel how precariously overbalanced I am even without the added effects of the alcohol. There's no doubt in my mind that Gabe could put me into the chair as easily as he says. Fine. I turn and slump into the chair sullenly.
Starting point is 01:02:05 Asshole. Good choice. Ah, won't be a minute. And we can talk about what's got you in this state. You should probably think about what you're going to say, because I'll tell you, boy, I've both seen and participated in enough benders to know it wasn't getting whipped on by a tree throwing down against a couple of punks that said this off. You just sat there and think about it. For the next several minutes, I sit in my chair, glaring venomously towards the kitchen as I hear Gabe clattering about.
Starting point is 01:02:39 Hey, Mike, where did you keep the coffee? The grounds are on the top shelf of the fridge. Filters are in the cabinet above the park, I answer grudgingly. I got it, thanks. Finally, I sigh an inwardly concede defeat. It's obvious that Gabe isn't going anywhere, that I'm in no position to do anything about it. I settle back more comfortably into the chair and close my eyes,
Starting point is 01:03:05 mentally trying to halt the room's slow spin. Think about what I'm going to say. Man makes a good point. I need to figure out how I can successfully appease Gabe's annoyingly friendly concern without coming off sounding like a drug addict or a mental patient. Relating the events as I actually remember them occurring sure isn't going to cut it. I found that out the hard way three years ago. All telling the truth then got me with six months of psychiatric evaluations,
Starting point is 01:03:33 a lifetime's worth of bad dreams and a truckload of self-doubt and loathing. Trying to tell Gabe that I'd disembodied voices in my head, giving me instructions and was subsequently attacked by a giant nightmare creature. A disturbingly creepy old man and a couple of druggies would go over about as well as trying to throw him out, if less physically painful. Best case scenario, he just thinks I'm crazy, tells me to get help, and I lose a perfectly good friend. Worst, he assumes I'm strung out on something and hauls me down to the drunk tank at the
Starting point is 01:04:04 police station to sober up. He abri enters the living room, holding two steaming mugs and hands me one. he pops open the camp chair I keep against the wall for company and positions himself across from me taking a sip he grimaces ah that is some terrible shit now then mike I believe you were going to regale me with the facts
Starting point is 01:04:28 concerning your current disposition I look at the man facing me and an overwhelming feeling of helplessness wells up from deep inside my chest there was a time I would have told Gabe everything but I've been down that row before. Sharing my truth would only cause more pain, and I can't lose one of my only friends I still have. At the same time,
Starting point is 01:04:51 although Gabe may talk like a hazy country boy, he's savvy enough to spot it if I try to outright lie. But maybe a part of the truth will be enough. I stare into the mug cradled in my hands. I, uh, almost killed a boy tonight. I say softly, almost whispering. The punks who jumped me It was 16 if they were a day
Starting point is 01:05:15 I almost killed one of them Hell I wanted to kill him Or at least a part of me did I stopped them easily enough Had him beaten But then My gun was to his head And I thought
Starting point is 01:05:28 Just for a second How easy it would be That I could get away with it That it was maybe even the right thing to do I look up Tears in my eyes What I'm telling Gabe may not be the whole truth, but the emotions are real just the same.
Starting point is 01:05:46 There's a darkness in me, Gabe, a darkness I brought back with me from that shithole in Iraq. At some point it's going to get out. It scares the shit out of me and what might happen when it does. Gabe keeps me fixed in his gaze, a thoughtful look upon his face. Well, you know what your problem is, right? He looks at me expectantly. ETSD, eagit Gabe takes another sip of the horrible coffee and continues Ah shit, Mike, that ain't nothing to be ashamed of
Starting point is 01:06:20 Hell, half of us grunts that come back in one piece on the surface Got some kind of shit rattling loose up there Who wouldn't? Not many folks have seen what we've seen or felt what we've felt That gets my attention Could Gabe possibly have experienced the same horrors as me? And, um, what's that, I ask? He smiles.
Starting point is 01:06:46 Well, combat, of course. Very real notion that another human being is doing their damnedest to make sure you don't come out alive. And on the flip side, that you've snuffed out of the potential of another person, everything they could have ever been gone in an instant by your hand. Mike, remember how I told you about Billy dying? Well, there's a part of that story, I maybe sort of held back at least. old animal. Now, don't be getting all bent out of shape. Didn't really know you as well back then. I do now.
Starting point is 01:07:18 He shifts in the camp chair, pausing as if to collect his thoughts before continuing. I found him, Mike. Found the son of a bitch that killed my boy. Wasn't horrid. Went to a few places. Cops are reluctant to go. Spread a little cash. A few ass-kikings. Those fucking animals will sell out their own for almost nothing. Eventually I talked to the right guy who graciously led me to the Flop House my boy's killer was hold up in.
Starting point is 01:07:48 When I found him, the little bitch was high on something, laying there. He was in no position to do anything to stop what I was about to do to him. Well, he was so far gone, he maybe didn't even know I was there. I had my pistol to his head. Probably pretty similar to how you did tonight. You know what I didn't? I shook my head. Oh, the goddamn thing.
Starting point is 01:08:14 The bastard that killed my boy in my hands and I couldn't do it. I just couldn't, Mike. There are tears welling in the old Encio's eyes, a slight tremor in his voice. I'm going to tell you something. You listen to me good. Wanting to kill someone. Especially some evil mother that would probably do. Same and worse to you, given half a chance.
Starting point is 01:08:38 That doesn't make you evil. Hell Mike, that makes you a human. He wipes the back of his hand across his eyes. Billy Diane had me torn up for a good long time. But maybe his killer getting the same might be what it took to bring me back around. Well, in the end it wasn't. It was facing the anger, Mike, facing the rage and the fear. Then it'd get bottled up inside, only serve to feed it.
Starting point is 01:09:05 Gabe gets to his feet. Now, I don't specifically know what you're darn or seen over there. Don't much care, either. The only thing I know is, you gotta face it. Made what happened to yourself, or it'll destroy you. He moves to the door and opens it, stopping halfway through. I'm gonna go home, Mike. I'm gonna leave you here.
Starting point is 01:09:30 You're a grown-ass man and more incapable of deciding whether you want to keep going down this path. He indicates the pile of bottles or actually try to get better. You're a good man, Mike. I hate to see anything getting the way of that. My friend leaves. I sit there, staring into the space of my almost empty apartment, for what seems like a long time. Finally, I make a decision.
Starting point is 01:09:59 I get up and throw the bolts on the security door and set the alarm. I go to the kitchen, find a trash bag from under the sink, and clean up the remains of my evening. I throw out the sludge in the box. Gabe is a man of many talents But brewing coffee is definitely not one of them Andress get into bed And lay there for a few long moments
Starting point is 01:10:22 Staring at the ceiling If only Gabe If only it was another human being Trying to kill me that I was worried about Art 6 The Tale Three years ago Hey Lieutenant
Starting point is 01:10:49 Tahrir is at the gate to see you Says it's important I look up from my desk at my platoon sergeant. That's what he said last time when he wanted fuel for his truck. And before that, when he wanted plywood for his checkpoints that he ended up selling for a profit, it's always something important with that asshole. Take Lucas down there and get the details. No, I don't need the turb.
Starting point is 01:11:14 Get this. Tahir's speaking English. But he says he'll only talk to you. This was a new development. My platoon and I had been in Iraq for just over six months, manning a tiny outpost on our own. The slice of hell we were responsible for was a small shith heel of a town called Al-Sinia up Route Tampa north of Tikrit. Officially, Tahir al-Kasum was the leader of that town, Sahat, basically a neighborhood watch with guns. Un officially, he ran the place.
Starting point is 01:11:49 Before the war, he worked as an intelligence officer in Saddam's army. He was smart, cunning and extremely dangerous. He was also a necessary evil, keeping order in his kingdom through guile when possible and force when required. I suspected for months that he understood English better than he would admit, but this was the first outward proof of it. For him to wantonly play a card that big, maybe this time what he needed actually was important. Well, Sergeant Troy, guess you'd better bring him in there. I hardly recognize the man escorted into my office.
Starting point is 01:12:28 The brash, confident thug I had grown used to dealing with is gone, and his place is a furtive wreck. Tahir takes a seat across from me and accepts the soda Troy offers him. I notice there are deep circles under his eyes, like he hasn't slept in days. His hands are shaken visibly, and he has trouble working the tab on the can. Tahir is terrified. I can't begin to say how much of that scares me. Thank you for agreeing to see me, Mulazim, Michael. You will of course be realizing that I only come to you this way out of grave necessity.
Starting point is 01:13:07 His accent is noticeable, but doesn't impede his speech in the least. The man is fluent. Well, past experiences aside, it does strike me as pretty odd that you'd suddenly reveal you spoke English, Tahir. especially after all those awkward conversations we had through Lucas about it, how you didn't speak English. So I figured there was at least a chance it might be worth my interest. Let me guess.
Starting point is 01:13:35 Your boys need more plywood at their checkpoints. Oh, would that it was? I suppose I deserve that. I admit I have certainly taken advantage of certain situational realities in the past. His eyes grow hard. but I would ask that you not make jokes at the expense of the dead. I sit up straight, sir. Are you telling me,
Starting point is 01:14:03 all of them save myself and three others two nights ago? Tahir, you had more than fifty men. What the hell happened? The broken man continues to face me, but his gaze is far away. Why, just that, Mullah Zim Michael. Hell happened. It's four hours after my conversation with Tahir, and I'm riding shotgun in my mine-resistant vehicle.
Starting point is 01:14:33 There are three more of my trucks in the convoy following the Sahat leader in his beaten-up pickup. All told, I only have 20 of my men, with the other ten needed back on guard at the outpost. I didn't want to lie to my commander, but I didn't want to get committed either. Telling him I needed reinforcements to go monster hunting just wasn't going to fly.
Starting point is 01:14:53 I can only hope this will be enough. Some of the townspeople had come to Tahir earlier in the week. Kids started going missing. The only signs were strange marks leading off into the desert, like something huge and heavy was dragging itself among the dunes. They pleaded with him to send his men after the kids, and he complied. Maybe he isn't quite the bastard I thought he was. So here I managed to follow the marks to a natural cave dug into the side of a hill.
Starting point is 01:15:23 hill out in the wastes, several miles from even rudimentary civilization. I'm still unsure exactly what to believe of the rest of Tahir's story. I've known the man for long enough to be sure that something happened, but God, I hope he's lying to me, or crazy. Bandits or Bahatist factions are one thing. Living nightmares that slaughter and eat your men in front of you, well, that's something else. It's twilight, the moon just starting to peak up over the horizon. Unfortunately, there's some nasty weather heading in.
Starting point is 01:16:00 Not uncommon as winters the only time it rains here, and the clouds are going to block any illumination. Damn, but I wish we could have done this mission during the daylight. My gut tells me this could go sideways really fast. If I knew exactly what we were going after, the terrorist cell, say, doctrine supports a night strike since our tech is better than theirs. But going in on half-blind intelligence, and with the insane stories Tahir's spouting,
Starting point is 01:16:30 I'm not too keen facing monsters in the dark. My conscience won't let me wait, though. If kids are missing, and I'm sure Tahir's telling the truth about that, it has to be now. A briefed my men exactly what Tahir had told me. It took me a little while to decide whether or not I was going to go, but ultimately, I'd rather they have an idea of what we might be up against. Worst case scenario, I might end up looking like a jackass.
Starting point is 01:16:57 Best case, maybe it eliminates hesitation and saves lives. Like an only hope, we're so lucky. For anyone who's only ever lived in a city, it's almost impossible to appreciate how absolutely empty and dark the desert can be. Night has truly fallen now, and with the clouds totally blanking, in the sky. Only Tahir's headlights ahead offer a faint reminder of day. I've ordered my man to drive blacked out. Convoys at night to pray for even the merely human monsters. We left the road behind 30 minutes ago. Bouncing along, the dunes rise up on either side of us, too high for anyone
Starting point is 01:17:39 but my gunner to see over. It's like traveling down a narrow hallway, walled with sand. Is anyone's guess what's at the other end. A glance over at Robinson, my driver. His face is set, eyes straight ahead, hands tightly gripping the wheel. The banter that would normally accompany one of our missions is nowhere to be found. Abruptly the way opens into a large clear area about 50 yards across and ringed by dunes. The head the far end of the clearing is capped by a large hillock about 30 feet hard. Tahir's headlights are fixed on a yawning hole at its base that seems to bore into the mound. He stops the pickup.
Starting point is 01:18:22 A call over the radio. All right, boys, guess this is the place. Establish a perimeter with the trucks around the clearing, then dismount. Drivers and gunners stay with the vehicles. Everyone else meet me in the center. Checking to make sure my rifle is loaded and my grenades are accessible in their pouches, I shove open the heavy door of the vehicle and step down to the ground. Since we were driving without lights, I'm already wearing my night vision goggles,
Starting point is 01:18:51 and the entire world shows up in my monocular sight as alternating shades of black and green, moved to the middle of the perimeter, and wait for my men to join me. Sergeant Troy is the first one there. Sir, he says, I'm again going to reiterate that you should not be going in on this mission. We don't know what's down there and you're too important to risk. I appreciate you the concern, Sergeant, but you know my philosophy is lead from the front. I can't very well ask you to go down the scary Dag Monster Hole if I'm not willing to and besides, I grimace. Leaving two men per truck out here means we only have 12 trigger pullers, including me.
Starting point is 01:19:34 Whatever's down there killed almost 50 of Tar Hears guys. You don't need all the help you can get. He grabs my vest and pulls me. me in closer. Damn it, sir. Then swap out with one of the drivers. No, Troy. I'm going and that's it.
Starting point is 01:19:52 Now let go and shut up before the rest of the man get here. Fine, but I've got two conditions, sir. Number one, lead from the front or not, you let second squad go first. Fair enough. What's number two? If shit starts going south in there,
Starting point is 01:20:11 we are pulling your ass out of the fire. Sergeant, if things go south, I don't think you'll have the chance. Letting go, my platoon sergeant reluctantly backs off. The men have begun to trickle in, so he makes himself busy doing final checks of weapons and gear. I appreciate his concern, but there's no way I'm sending my men into this situation on their own. If something happens, I need to know about it. The strike team is fully assembled. A light rain has begun to fall
Starting point is 01:20:43 As I turn to find Tahrir standing next to me You see the hole there, Mullah Sim Michael It is the mouth of hell itself I wish you the very best of luck, my friend And for your safe return Asalam alaikum As he turns to go, I grab his arm Oh, I'm sorry Tahrir
Starting point is 01:21:05 I think you have the wrong idea of what's happening here You're coming with us If it weren't impossible, I'd swear I could see him blanched through my goggles. But you surely jest, for it is very dark in the cave, and the last thing I would want to do would be to draw attention to your party with a light. He smiles nervously, and I do not have access to the wonderful equipment you do. Ah, well, lookie here. I hold up a pair of goggles.
Starting point is 01:21:37 I seem to have found a spare set. "'Tahir flies into a rage, arms wide, spit spraying from his mouth. "'No, no, I will not go down there again. "'You cannot make me, you damned American!' "'He tapers off when he fills the barrel of Sergeant Troy's rifle in the small of his bag. "'Please, please!' he pleads. "'Please, my friend, do not make me throw my life away.' "'I leaning close, talking low into the big man's ear.
Starting point is 01:22:10 "'You listen to me, Tahrir. If what you're telling me is really down there, then I'm an even bigger bastard than you for making you go in there again. But here's the thing. I continue. What you're telling me is fucking crazy. For all I know, you sold your ass out to someone, and I'm walking my man into a nice, real ambush. So, I'll give you a choice. Going there with us, and I can promise you at least a chance to survive in.
Starting point is 01:22:38 Or you can die out here right now. I step back, holding the goggles toward him. So, what's it going to be? A look of pure despair passes across the man's face. Shoulder slumped, he takes the goggles from my outstretched hand, completely defeated. Putting them on, he turns away and begins walking toward the looming hole. You are wrong, Mulazim, Michael. He calls back to me.
Starting point is 01:23:09 I am a dead man. Either way. The rain has picked up steadily. Thunder rolls ominously in the distance. God help me, but I hope you're wrong. I say under my breath. All right, boys, let's go. Make sure you have positive ID on any targets.
Starting point is 01:23:29 Remember, there might be kids in there. Second squad, lead out. With that, my men and I slowly move forward. The sinister entryway beckoning, us onward to face what horrors I can only imagine. Part 7. The cave. The hole yawns wide and deep. It's top reaching almost halfway up the mound. Sergeant Brown and the four men comprising second squad cautiously move forward in formation. Still sulking, Tahir joins me a little ways behind them while Sergeant Troy in First Squad bring up the rear.
Starting point is 01:24:18 The rain has continued to fall and, uncharacteristically, should be able to. There is no signs of stopping. If it keeps up like this, we might have issues getting the trucks out of the sand and back to the road. Well, on the bright side, we'll only have to worry about washouts if I get out of this cave alive. About ten feet from the entrance is when a familiar, unmistakable odour hits me. Cave smells of death. Walking through the entryway, the stagnant air intensifies the stench, wielding it like a weapon. Ahead, I hear someone in second squad wrench.
Starting point is 01:24:53 The hole itself is actually more like a semi-circular tunnel, about 15 feet high and 10 feet wide. Pushing forward, the first thing I notice, other than the sickening smell, is that the walls are smooth and unnatural. Throughout 25 feet, the entire expanse from floor to ceiling is covered with strange cave art, fantastic symbols that bear a passing resemblance to ancient Syrian writings I came across during my studies in college. One small section of the tunnel roof appears to have collapsed, disrupting the otherwise unbroken pattern of art. Whatever ink was used to transcribe the symbols glowed with a faint luminescence, giving the passage a disconcertingly eerie feeling. The tunnel seems to be sloping gradually downward. Rather than simply leading into the hill, the whole burrows into the ground itself, how deep I can only guess.
Starting point is 01:25:47 I see movement ahead as specialist barns from second-scarf. or jugs up to me. The kid looks scared. Sir, Sergeant Brown says, you need to come and take a look at what he's got up there. Okay, what is it? He said not to tell you. Said it's something you've got to see for yourself. Why didn't he call me on the radio? Tried, sir, radio's out. A key my hand, Mike, futilely trying to reach the trucks just 50 yards behind me. Damn it. Must be something in these walls. screw him with a signal. Barnes, keep going back to Sergeant Troy and tell him to send a couple guys to let the trucks know they won't be able to talk to us while we're down here. Then meet me up with Sergeant Brown. Come on, Tahir. Let's go see what this fuss is all about.
Starting point is 01:26:38 The Sahu leader sighs residedly. I think you have a very good idea what it is, Mullah Sim, Michael, as I have already told you. We continue forward another 50 hours before I reach second squad and discover the source of the smell. Dozens of bodies cover the floor of the cave, torsosos ripped open and limbs strewn about in a mess of gore. The blood is dried, but based on the smell, the remains haven't been here long. All of the corpses exhibit wounds that appear to have been caused by something incredibly sharp. Holding my breath against the stench, I leaned down to take a closer look at one of the corpses. The body is headless and missing its right arm at the shoulder, where it was messily torn off.
Starting point is 01:27:23 The shredded remains of the clothing left on the body suggests its local. Its stomach has been ripped open and huge chunks of the guts seem to be missing, almost as if, well, something has been eating it. A sharp thrill of fear shoots down my spine as I step back from the thing that used to be a human body. Oh, Tahir, you son of a bitch, I'm starting to think you may have just been telling us the truth. I look around until I find Sergeant Brown, who beckons to me from where he stands a little ways further down the tunnel. As I approach him, there's a look of silent rage etched across his face, one arm outstretched and pointing to a pile of human bones completely pick clean of flesh and tissue. They're so very, very small.
Starting point is 01:28:13 I feel my heart break. Led by specialist Barnes, Sergeant Troy comes hustling up from the rear. He takes in the scene before turning to me and holding out a remote clacker. Barnes filled me in. I took the liberty of prepping the tunnel entrance with C4 before coming down here. I highly recommend we withdraw back to the trucks and seal whatever the fuck is in here to rot. Numbly, I take the trigger from him. Look, there might be more kids down there, Sergeant.
Starting point is 01:28:47 Sir? Before his voice cracks. You know there's not. I think for a long moment. The gibbering caveman part of my brain tells me there's nothing more it wants to do than leave this whole far behind and escape back to the relative sanity of the patrol base. By the rational part, the one I've spent years training to perform under incredibly stressful situations disagrees. What Sergeant Troy says is probably true.
Starting point is 01:29:16 The odds of there being any live kids down here is almost zero. But on the other hand, there's no telling. where this tunnel goes, or if there are other exits the creature could use to escape if we destroy the entrance we came through. If that's the case, there'd be nothing to stop it from killing again, nothing to stop it from feeding. There's only one way to make sure that these bones will be the last. Sorry, Troy, we'll see the entrance as a last resort. We have to make sure we stop this son of a bitch for good. By my estimation, the best way to do that is to shoot the fucker until it's in too many different pieces to be a threat.
Starting point is 01:29:55 We keep going. I pause and turn to the Sahwa leader. To hear, I'm sorry for doubting you earlier, but it looks like you were being honest with me. It doesn't seem right to drag a civilian any further into this mess. You're free to leave. I can't spare an escort,
Starting point is 01:30:13 but you're welcome to keep the goggles on your way out if you promise to pass them to my driver once you reach the trucks. The big man grips my shoulder. A grave look upon his face. You are a good man, Mullahasim Michael, and I think in different circumstances, perhaps a good friend. I shall wait for you at the entrance.
Starting point is 01:30:35 I will pray that if ever Allah watches over the infidel that he do it this night. Moving rapidly, he then disappears toward the entryway. Looking after Tahrir, Sergeant Brown hocks up flam and spits it to the side. What a pussy! This casual bravado makes me smile. Agreed.
Starting point is 01:30:58 But I'll do my best not to judge him too harshly until we find the thing that did this. Your squad okay staying on points? Sir. Rown's voice is cold as ice. It'll be my absolute pleasure. I've got a feeling this tunnel is going to be the start of a honeycomb. Or follow the stench.
Starting point is 01:31:19 Radio's are worthless down here, so don't get ahead further than shouting to, distance. Tell the boys to stay sharp, weapons free. If it moves, shoot it until it stops. No worries there, sir. Let's go, second. He turns and the squad begins making its way deeper down the tunnel. Troy's left standing beside me. I'll keep the rear, but remember what we agreed through, sir. I remember sergeants. Keep them alert and mark the way back to the entrance with I.R. Chemlights. This whole starts to branch off. I don't want to get lost down here, and I really don't want this thing sneaking up behind us. I follow close behind second squad. Just as I suspected,
Starting point is 01:32:07 the tunnel soon begins to break off into multiple forks, sometimes as many as three or four different paths at an intersection. The darkness is now absolute, a strange glowing markings near the entrance of the cave, a distant memory. I reach up and key the Iar flood on the side of my goggles, washing the expanse of the tunnel in a beam of invisible light to help my goggles be more effective. As we move ever deeper into the abyss, I become sharply aware of the crushing weight of the earth around me. I'm not claustrophobic, but down here I may as well be. We travel with what seems like hours, but checking my watch is only about 15 minutes. Brown seems to pick the route at random, right, left, second from the left.
Starting point is 01:32:55 I try to keep track, but after seven or eight turns, I know it'll be impossible to remember them all. Doing some quick mental calculations, I realize if this goes on much longer, we'll have to stop and crossload chemlights back with first to make the route that... Well, they'll be running out. I curse inwardly. It would have made way more sense to have the lead element mark the path, but I hadn't been thinking about it at the time. Now I'll have to hope that Troy keeps close, or we'll risk losing him and the rest of first squad
Starting point is 01:33:24 at one of these intersections. I pick up the pace and train halts Sergeant Brown in order to consolidate and reorganise when the latest tunnel abruptly opened into a large subterranean cavern. I have no idea how the geometry of this tunnel system works, because while it hasn't seemed like we've been going that far down, the hide of the stalactite peppered ceiling, almost lost in the darkness above my head, suggests we must have descended at least a hundred feet.
Starting point is 01:33:54 Brown and Second Squad have stopped up ahead at the foot, of a wide pool that dominates the cavern, reaching as far as I can see in either direction. Despite the size of the cavern, the air is closed and thick, smelling of rot. I look behind me and confirm my fear. Troy and first are nowhere to be seen. This is as far as we can go down this way, sir. Well, she brought a canoe with you. No, I forgot something, Sergeant Brown.
Starting point is 01:34:25 Well, we have to go back anyhow. looks like we lost first somewhere along the way. Are you kidding me? Well, they ever-lovened the... Sergeant! Barnsie shouting. There's something in the water. Brown and I turned simultaneously in time to see a small wave ripple across the pool.
Starting point is 01:34:45 Something huge moves below the surface. There's a brief pause where all time and motion seem to stop before the water explodes. An inhuman roar echo. throughout the cavern. Part 8. The Beast. The creature is woven from pure nightmare. Rearing up out of the pool, the thing's head towers 20 feet above us. It resembles nothing so much as some kind of giant centipede crossed with a sea monster, the segmented sections of its body protected by a shiny carapace. Dozens of squirming legs protrude from its sides, each tipped with serrated
Starting point is 01:35:34 blades. Near the base of its neck, two enormous tentacles like those of a giant squid flail about. The thing's head is the size of a small car. Despite this, its open mouth is simply wrong, too wide, too many shark-like teeth. Its multifaceted eyes stare at us with a keen intelligence and an almost human malevolence. Time stops as I make these observations in the fleeting instant before hell erupts around me. Sergeant Brown acts instantly, raising his carbine to his shoulder and dropping to a knee in one smooth motion,
Starting point is 01:36:14 peppering the creature's face and neck with sharp, controlled bursts. Smitty, put a 203 grenade down that ugly fucker's throat. Quartinas, you have two seconds to get the SAW rocking. Barnes and Cook, alternate your fire and aim for their eyes.
Starting point is 01:36:31 The squad leader's calm control does the trick. The monster roars again, as it is enveloped in a storm of gunfire that goes on for the better part of 30 seconds. At some point, I realize I've gotten down beside Sergeant Brown and added my own instrument to our deadly symphony. I'm mindless of the sharp hisses passing close by as the cave is filled with deadly ricochets from the solid stone walls. Dust from hundreds of impacts fills the air, and through my night vision the beast is lost in a haze of green pounds. At last, the weapons run dry and the firing stops. I dive behind a two-foot-high rock to my right to try and get some kind of cover,
Starting point is 01:37:16 slapping a fresh magazine into my rifle. Around me, I hear the men of second squad quickly and professionally begin to reload their expended weapons. They are nowhere near fast enough. To my left, Cortina's is struggling to load a drum into his SAW. From out of the haze, the creature's tentacles. whip out too quickly to follow. One slaps the machine gun out of his hands
Starting point is 01:37:41 while the other envelops his head and neck. His yell is muffled as he briefly struggles to remove the hideous limb from his face for the second tentacle wraps around his waist and yanks him out of sight into the cloud. Now accompanied by wet ripping sounds, Cortina's screams grow higher in pitch until they were abruptly cut off.
Starting point is 01:38:06 I can see Sergeant Brown and Barnes a few feet to my right, where they've taken cover in a similar position to my own. Barnes jumps to his feet and sprints towards the machine gun lying on the cabin floor. Brown tries to grab him by the back of his body armor but misses. Barnes, don't damn it. Smitty, get another grenade ready. That fuck is still out there. Cook, help me cover that idiot. Barnes slides up to the SAW like a runner stealing second and ratchets the new belt into the weapon. Barnes, get your ass back here behind cover now, screamed Sergeant Brown.
Starting point is 01:38:45 Roger, I'm... Without warning the creature roars out of the cloud, it's more snapping shut around Barnes's head and shoulders. As it lifts him bodily into the air, Barnes squeezes the trigger spasticly. With Barnes being jerked around like a rat caught by a terrier, the SAW in his hand spits death at a rate of 200, bullets a minute. I try to make myself as small as possible behind my rock, fatal hisses and pops
Starting point is 01:39:14 sounding all around me. Sergeant Brown grunts as a wayward round catches him in his lower leg, especially Smith, raising to a knee to fire his grenade, drops without a sound in a spray of blood. From where I lay sprawled, I can see his unmoving form, a dark pool slowly collecting around his head. The firing finally stops. Looking up, I see the creature has tipped its head back and is using its tentacles to push Barnes' still body down its gullet, body armour and all, its neck convulsing like a snake swallowing its prey. I realise we need to get out of here, and fast. Pumped on adrenaline in my own body armour, feels almost weightless. I roll from behind my rock, hop to my feed and take two steps before diving down next to Sergeant Brown.
Starting point is 01:40:08 He's managed to get his combat tourniquet around his leg, but from the blood still pushing out of the wound, it's obviously not tight enough. Right, we're tightening this tourniquet, then we're gone, Sergeant. Dammit, sir, leave me. Get cook out of here. I'm just going to slow you up with this leg. Not a fucking chance, soldier.
Starting point is 01:40:29 Now, try to hold still. This is going to hurt like hell. I grew up the two ends of the... windlass and twist. I hear Brown's breath catching his throat beside me, and his hand gripping my arm contracts hard enough to leave bruises, but to his credit, he doesn't scream. When I can't twist any more, I secure the windlass and throw his arm over my shoulder. Blancing up with the creature, all that is left of barns is from the knees down.
Starting point is 01:40:57 All right, back up to the tunnel before our ugly notices us. Cook, you've got rear security. right, let's move. We stagger to our feet and begin hobbling back the way we came, away from the horrors of the cavern. Cook trails a short way behind us and throws furtive glances over his shoulder. Sergeant Brown tries to help as much as possible,
Starting point is 01:41:22 but he's severely hampered by his wounded leg, and our progress is slow. Far too slow. We've made it perhaps 200 yards when the creature lets out a howl, and I hear the unmistakable sounds of its enormous, as mass exiting the cavern pool. We stumble into the first of the tunnel intersections, and my stomach drops when I realize the path
Starting point is 01:41:43 is unmarked. Three openings beckoned from the far side of the intersection. I set Sergeant Brown to the ground as easily as I can and frantically search for any sign of our previous passage that might suggest which way to take, but find none. Oh, shit cook, this is a terrible plan. But I've got no better ideas. We have to find Sergeant Troy and make sure that. as somebody gets out of here alive so we can alert higher about this thing.
Starting point is 01:42:11 You take the left tunnel. Sergeant Brown and I will take the middle. That gives us a two and three chance of picking the right one. If you find the platoon, Sergeant, priority is making it out to get reinforcements. Then worry about coming back for us, got it? Roger, sir, I won't let you down. Okay, get going. Fast but careful and quiet.
Starting point is 01:42:35 Cook takes off down the left fork. at a jog. I look over to my wounded charge. Well, it looks like it's just you and me, Sergeant Brown. Let's make ugly work for the rest of his dinner. Throw his arm over my shoulder and then we again stagger to our feet. Brown grimaces as we begin to stumble up the middle path. Unfortunately, sir, I don't think he's going to have to work all that hard. The man is shaking. Now that his initial rush of adrenaline has worn off. It's only a matter of time before shock sets him. If I don't get Sergeant Brown out of here quickly,
Starting point is 01:43:17 he's going to be dead whether the monster finds us or not. We haven't gone far when I hear a strange rolling sound, like far off thunder, issuing from back the way we came. It can only be the noise of the creature's passage. I set Sergeant Brown down behind a slight upcropping on the wall and drop to a knee as the sound gets closer. For all the good it will do, I raise my weapon and wait with my finger poised on the trigger.
Starting point is 01:43:47 My hands are shaking, and I realize how terrified I am. The noise grows until it seems that the thing must be right on top of us. Every moment I expect its grotesque more to appear down the tunnel, ready to devour us whole, like barns. Abruptly, the sound begins to diminish. The monster must have chosen a different fork to pursue us. I struggle to get Sergeant Brown back to his feet again, and we continue our slow crawl up the passageway. Each time it's harder to get him up, and each time he's able to help me stagger along a little bit less.
Starting point is 01:44:28 After perhaps two minutes, I hear the unmistakable sound of gunfire issue a few sporadic reports before going silent. The thing must have found Cook. It'll surely be coming for us next, as at the last of the echoes from the gunshots die away. Sergeant Brown's wounded leg buckles and he falls, dragging me to the ground with him. I rest for a brief moment before fighting to my knees and attempting to stand, but I stumble, both of us fall into the ground again. Groaning, Brown struggles to a sitting position. He's back against the wall of the tunnel.
Starting point is 01:45:06 It's no good, sir. Round must have hit a damn artery. Lucky I made you this far. Well, we got a lot further to get it. etch you, Sergeant, so we best be going. He shakes his head. No, sir, I reckon that's not going to happen. We both know I'm not making it out of this cave alive either way.
Starting point is 01:45:27 And Troy told me about the deal he was going to make with you before coming in here. Made me agree to back him up on it. He grips my arm. We need to get you out of here, sir. It's like you told, Cook. This thing needs killing at all costs, and that's more important than you, me or. or anyone else. You're the only one who's seen this thing that even has a shot of making it.
Starting point is 01:45:53 You sure is held the only one that is any kind of chance of convincing hire that it's real. Hey, if I went to the commander with this story, you'd have three MPs caught me off as sampling in the local drug market. There any grimaces. I've caught my rifle and some grenades. I'll keep them off you as long as I can. See if I can't give that son of a bitch to the mother of all indigestion. but you've got to make it out sir
Starting point is 01:46:19 for barnes and cook smitty and cortinez for those local kids someone needs to know we need to stop this godforsaken thing he lets go of my arm and sinks back against the wall for a moment before sitting up and beginning to prepare
Starting point is 01:46:37 his weapons lining up his grenades and taking out a handful of parachute cords from his pocket he starts to jury rig them so that one solid tug will pull the safety pins from all five grenades I stand, unable to speak, knowing that the man is right, but feeling like I need to change that simple fact. There has to be some way I can change it.
Starting point is 01:47:02 Not looking at me, my squad leader ties knots and continues to talk. Part of me dimly registers that the rumbling sound has started again, and it's getting slowly but steadily louder. And one other things, sir, for me, there's a letter in the same. side pouch and my rucksack. It's for my ex-wife and the kids just... If you get out, could you make sure they get it? Don't tell them what happened.
Starting point is 01:47:31 Just that I was thinking about them and I love them. Even that crazy woman, tell her I should have tried harder. He pauses for a moment and looks up. Please? My voice hitches. Yeah, yeah. Absolutely, Sergeant.
Starting point is 01:47:50 He returns to his preparations then. Appreciate it. It's been a pleasure serving with you, sir. Now, no intended disrespect. Get the fuck out of here. I stand there for a moment, unable to move, unable to speak, able only to look at my friend quietly preparing himself for death. Then, before I can change my mind,
Starting point is 01:48:15 before I can truly think about what leaving one of my men says about me as a leader and as a soldier and as a man, I turn and begin making my way up the tunnel. The rumbling sound echoing and making my head pound in time to my racing pulse. All too soon, an explosion rocks the tunnel behind me. The creature's roar of rage so loud it threatens to shatter my eardrumbs. And I run. Part 9.
Starting point is 01:48:49 The relic. My lungs and my legs are burning in concert. The breath heaves in my chest and I feel like I'm going to throw up. The inclined that was so unnoticeable during our descent Now fights me with every step At each intersection I take a path utterly at random Terror has placed my mind on complete autopilot My only thought to try and put as much distance between myself
Starting point is 01:49:16 And the thing as possible And soon I'm hopelessly lost I'm not sure how long I've been going When the rational part of my brain regains control But it can't have been very long even though the entire expanse of the network looks similar I'm completely certain I've been down this pathway previously As I continue forward I slow my flight a little more than a fast wall
Starting point is 01:49:42 The pounding sound of the monster's passage has faded to a distant throbbing And the combat gear I'm wearing isn't designed for long distance running Best to conserve my energy for what I need it Even though I know this isn't the way towards the entrance Something seems to drag me forward It's not anything particular that I can identify, but some kind of sixth sense, or perhaps a slightly less noxious quality to the air. The tunnel begins to gradually narrow until it's little more than five feet wide. There's still plenty of space for me to make my way unimpeded, but the relatively small size of the tunnel may prevent the creature from following me.
Starting point is 01:50:21 Abruptly, the pathway dead ends in a wall of unyielding rock covered by a blanket of lichen. There's no exit this way But I could stay here I could be safe Yeah starving to death might actually be worse Than letting that thing eat me Or on my hands along the wall
Starting point is 01:50:41 searching for any sign of a way through Or around Not really expecting anything When I notice a small alcove Obscured by the vegetation I reach inside And my questing hand grasps something About the size of a half dollar
Starting point is 01:50:56 Removing the object I see it's a perfectly round stone, polished smooth to the touch, except for a second smaller circle, slightly raised in its exact centre. I removed my glove and find the stone to be oddly warm, almost as if it was somehow generating its own heat. The geometry is too perfect to have been formed by nature. It must have been man-made. Whatever it is, someone went to a great deal of trouble to hide it, where it would almost be
Starting point is 01:51:25 impossible to find. my thoughts return to the unnaturally smooth walls of the entrance to the cave and the strange luminousine symbols that covered them as if in response to my thoughts the edge of the stone begins to softly glow upon closer inspection i see that the same type of symbols have been etched along its outer circumference the detail is astounding by my best reckoning the piece is ancient the markings are so finely wrought that it must have been a truly master craftsman to inscribe them, try to put together the messy pile of jigsaw pieces presented to me.
Starting point is 01:52:03 There's obviously a connection between the entrance of the cavern and this stone. Also at some point, someone hid it deep within a twisting subterranean labyrinth and protected it with a giant centipede monster. That means it's somehow important. Unless that monster's not a guard, but a prisoner. Maybe those markings at the entrance were what was keeping it in the cave. There was a break in the pattern where the roof. fill in. Maybe that's what started
Starting point is 01:52:31 this whole mess. No real point in thinking about it too hard since it won't do me any good if I can't get out of you. Out. I hear the word in my head as clearly as if someone has spoken it out loud. It startles me so badly that I almost fall over
Starting point is 01:52:50 backwards, inadvertently dropping the stone which falls to rest upon the tunnel floor. Immediately upon leaving my hand, the markings fade away. The stone laying on the ground like any normal piece of rock. Existently, I reached down and pick it up again.
Starting point is 01:53:07 The markings glowing to life at the touch of my bare hand. Is that you? I speak aloud. Did you say something to me? With all the weird things that have already happened to me today, a magical talking stone barely cracks the top three. Or, you're just losing your damn mind, Landry. The mental shock of giant monsters and having your men eaten in front of you
Starting point is 01:53:32 might be sending you over the edge. You should probably accept the fact that you're going to die down here, you coward, one way or the other, like Barnes and Cortines, ripped apart in the jaws of that thing. Be a man and accept it like Sergeant Brown did. No stone is going to help you find the way out. Out.
Starting point is 01:53:56 The word repeats itself in my head, and this time I managed to keep control enough of myself to avoid dropping the stone. As I stand there, feeling comes over me that urges me to walk back down the tunnel away from the dead end. It's similar to the urge that drew me this way in the first place, but is undoubtedly stronger. With no better options, I start walking, soon realise I know how to get back to the entrance. It's not that I can lay out a specific path, but more resembles how a person walks a familiar route
Starting point is 01:54:28 while thinking of other things. The subconscious mind takes over, as I reached each intersection I know without a doubt which way to take. I move cautiously while listening for any sign of the monster, keeping one hand on the stone and the other on the grip of my weapon. Soon I reach an intersection where five different tunnels converge. An I.R. Chemlight glow softly by one of the forks. Holy shit, sir. Sergeant, he's over here.
Starting point is 01:55:02 Specialist Johnson, one of the members of First Squad, is pulling guard from the marked tunnel. Suddenly my platoon saw him. sergeant is there, followed closely by the squad leader, Sergeant Parks. In his relief, Troy's usual professionalism cracks just a little bit. Jesus, you had me worried, sir. When we got to this fork, I had no idea which way you went, didn't want a risk just randomly wandering off down one way or the other.
Starting point is 01:55:29 Just in case I guess wrong. Figured you'd realize we'd lost you eventually and hopefully just make your way back to us. Then we heard some gunfire a while ago, but couldn't tell where it was coming from. well with how much these things twist and turn but well i was about to say fucking and head out looking for you and Troy pauses his gaze focused down the tunnel behind me as if he's just realized something sir um it's brown and the other squads dead dismembered parts of them roaming around in the belly of the beast they didn't have a magic stone hey inside my head I fight to hold down the part of my brain
Starting point is 01:56:10 that threatens to send me over the edge into blessed madness I grip the stone in my hand tighter they're gone Sergeant Troy and we need to get the hell out of here you're not saying it Tahir was telling the truth about all of it and this thing we can stop it with anything we have on us Sergeant Brown and the others did everything they could
Starting point is 01:56:34 to make sure I made it back We need to leave now. I turn to my squad leader. Sergeant Parks, get us out of here. The levity of the moment is instantly gone. Park snaps into motion. Roger, sir. Cruz and Johnson lead out.
Starting point is 01:56:55 Sir, you and Sergeant Troy right behind so you can figure out the plan on the go. I've got rear security with Pike and Dominguez. Quick and quiet. We begin moving smartly up the tunnel, back towards the entrance, the gentle mental nudges from the stone confirming the road laid out by the chemlights. Troy shadows me.
Starting point is 01:57:17 Sir, what are you thinking? Get out, then blow the entrance. We can't leave it open to allow this thing free rein to come and go as it pleases. There might be other ways out, but they might not be big enough to accommodate it, or at the very least might take it further away from the populated areas. get back to base figure out how I'm going to tell higher what happened here there's no chance that Brown or any of his boys made it
Starting point is 01:57:42 no Cook was the only one I'm not a hundred percent sure of and the risks of leaving the hole open a way too big compared to the odds I'd give him besides we can use that as additional leverage on the old man to make sure we got some reinforcements down here he might not believe in monsters but he's sure going to send us some help
Starting point is 01:58:03 finding a soldier lost and trapped in a cave. Troy nods his head in agreement. Sounds right to me, sir. I'll tell you the truth. I'm hoping we can get it to work as smooth as that. What? Why wouldn't it? Well, while I had the boys hunkered down waiting for you,
Starting point is 01:58:22 I heard some weird noises. It made me think that maybe parts of the tunnel were caving in all on their own. Robinson's a bright kid, though, and I'm sure he'll call for help if we don't show up soon. I grab his arm and hold him up short. Sergeant, what kind of noise is? Ah, hell, sir, some kind of deep thrumming. It sounded like it started out near us
Starting point is 01:58:48 and then was moving back away towards the entrance. Caving was the only thing I could think of that it could be. Shit, Sergeant, we need to stop. Johnson Cruz, hold up. Everyone bring it in. I look around wildly as the squad converges on me. We're standing in the middle of a rather large intersection, about 50 feet across, with four passageways leading into it, including the one we just came from. Danger. That thought flashes through my head as powerful as a bolt of lightning. Apparently the stone is sensitive to certain environmental conditions, and the creature appears to be one of them.
Starting point is 01:59:29 Parks jogs up to me. Sir, what's... It's smart. He didn't know which path we were on, but knew we'd go for the entrance. It's lived down there. It probably knows all the different ways through these tunnels. It's so good around us to set a trap. Troy glances at Sergeant Parks before looking back at me.
Starting point is 01:59:55 You sure, sir? That seems a little more intelligent than I'd expect from some kind of animal. Oh, it's different, Sergeant. It's not just an animal. You didn't see it. Didn't see how it picked us apart. It's waiting for us and we're going to walk right into it if we don't. Danger.
Starting point is 02:00:15 Now the thought slaps me like a physical force, strong enough that I reflexively grab my head with my hands. Why can't they see? Why can't they believe me? We need to set up a defensive position. It's our only chance. Maybe we can get lucky and find a weak spot or... Danger, danger, danger, danger, danger, danger, danger, danger. I scream. the thought is a nail being driven through my head, claxon blaring next to my ear.
Starting point is 02:00:48 The stone still in my hand, I clasped to my knees, and the fall saves my life. From one of the tunnels, the creature's tentacles flash out like spears. If I hadn't been moving, the first would have caught me directly in the back of my head and killed me instantly. At the same moment the second removed Sergeant Parks' head from his body. As it is, the hideous limb only strikes heavily on my right shoulder. In some insidious design of nature, the tentacle is tipped with razor-sharp spikes that furrow deep gouges into my back, through body armour and all.
Starting point is 02:01:25 The force of the blow throws me bodily forward, and I hit the wall face first, before rebounding and crumbling to the tunnel floor. I allow my back, dazed, and feel a cold numbness start to spread from the wound. Whether from the blow or some poison injected by the claws, I can't move. Helpless, I can only lie motionless and listen to the pandemonium unfold around me. Oh, God, damn, what the fuck is... Oh, God, it hurts. Please, don't, no, no! Thar ten.
Starting point is 02:02:03 The fury. As I lie paralysed on the floor of the tunnel, the screams and gunfire seem to extend for an eternity. Where I'd expect my shoulder to be on fire from the gashes gouged into it, I feel only a seeping cold that deadens the feeling in my entire body. I desperately try to move my limbs to no avail. Maybe it's not poison. Maybe when you hit that wall, you just break your damn neck.
Starting point is 02:02:34 Now you wait until your turn on the dinner plate. Suddenly the ceiling starts moving. Sergeant Troy pulling me backwards up the tunnel by my body armor. Come on, sir. Let's go. I told you I'd be pulling your ass out of the fire. If this thing turned sideways, just didn't figure it'd be so damn literal.
Starting point is 02:02:58 I tried to respond, but even my vocal cords won't cooperate. Gotta be poisoned then. Broken neck wouldn't keep me from talking. I wonder if it's fatal, if the effects are just temporary. Wonder if I'll get the chance to find out. God, how terrible.
Starting point is 02:03:15 I might not be able to even scream while and being eaten. We don't make it very far. Troy isn't in bad shape by any means, but trying to drag over 200 pounds of dead weight uphill at any kind of speed is almost impossible under the best of conditions, which these most definitely aren't. After only a few seconds, the last of the gunshots and moans briefly give way to a pregnant silence before the monster lets loose a triumphant roar. Its hunt is at an end. The now familiar sound of the creature's movement starts again. Looking over me back down the tunnel, Troy sees it coming.
Starting point is 02:03:52 Almost gently, he lays me to the ground before raising his weapon and stepping over my body, positioning himself between me and the oncoming horror. The rumbling is impossibly loud. If I weren't completely numb, I could probably feel the very walls of the tunnel shaking. Troy begins firing. Hey, you ugly motherfucker, you want him? You can have to come through me, you're sorry sack of shit. Oh, damn it.
Starting point is 02:04:21 Troy drops his rifle and transitions to his pistol, but the thing is on him, tentacles wrapping around his waist and neck and lifting him into the air towards its slavering jaws. Fuck you! Troy empties the entire magazine to the monster's face at almost point-blank range. It roars in fury and reels back slightly before recovering, whipping my bulletin sergeant like a rag doll and slamming him, first off one wall, then the other, again and again. I can hear bones snapping with every impact.
Starting point is 02:04:55 Finally, it stops and holds Troy's broken body up to its massive head, suspended from his arms and held precariously above its open mall. And then, of all the unbelievable and fantastic happenings of the day, the most astounding occurs. The creature starts to speak. Its voice is harsh like a bandsaw cutting through metal and sounds utterly wrong coming from such a being Despite that I have no problem interpreting its words
Starting point is 02:05:27 Foolish mortal You would stand against the other born of the outer dark We who have ruled this world since time immemorial You throw your shallow life away And fear not Your sacrifice is not in vain indeed this one hungers your misguided courage will be most satisfying your loyalty most savoury take pride little morsel in the sustenance you give your master
Starting point is 02:06:02 with that it begins to slowly lower Troy into its waiting jaws taking obvious pleasure in the anticipation I redouble my mental efforts but my limbs still won't respond Damn it, no. Not like this. Not like this. No, the word is like a gong, filling and reverberating through the air, even though I know it's only in my head. I feel a blinding heat radiating from my hand, pushing back the terrible cold of the creature's poison. I realize that, incredibly, I'm still holding the stone. Somehow the monster hears the pronouncement as well, causing it to pause and shift its gaze to me. Impossible. The light is lost to the sleepers no more. Suddenly I can move again.
Starting point is 02:06:55 I leaped to my feet the paralyzing numbness of a few moments ago already a distant memory. The relic glows with a terrible light, its raised centerpiece and markings burning as brightly as the sun. Whether through some reflex or from mental nudges of the stone, I raised the hand holding it toward the monster. The heat continues to build, till it feels as though my intention. entire being is filled with it. Too much for me to contain. So much, I'll surely burst if I don't release it. So I do. Entirety of the power coalesces into a ball, tiny ball, somewhere deep in my chest before shooting down my arm towards the stone. An enormous wash-of-flame erupts from the centre of the relic and blast the monster full on in its horrific face, its head catching fire.
Starting point is 02:07:45 The thing rears back to its full height. His mouth open wide in a silent scream of agony. The tentacles holding Sergeant Troy are nearly seared off, and it drops bonelessly to the ground in a heap. I rush to my fallen platoon sergeant. There's no time to check and see if he's still alive. We need to get out now before the thing recovers. Remains of the power still sing throughout my body,
Starting point is 02:08:10 and I pick up Troy and throw him across my shoulders as easily as I would a child. I begin running up the tunnel towards the entrance. I just make the section near the entryway marked by the strange runes, when my supernatural strength begins to fade. The open entrance beckons as I struggle towards it, every step harder than the last. Now that the strength of the relic has faded, all that remains is an overwhelming exhaustion, even more so due to the extra energy I've expended already. My limbs are wooden planks that fight against my mental commands, although my night vision goggles were broken when the monster threw at me against the
Starting point is 02:08:48 wall, the flashing lightning from the storm raging outside, and the still-present mental urges of the relic guide my way. The creature screams behind me, this cannot be. The mother will not allow. Impudent child, I will feast on your soul. With a roar it throws itself forward in pursuit. A chance to glance backward and see it coming by the light of the storm and the glowing ruins, as many legs churning terribly. Its eyes are melted and blinded by the fire. It's rage the only thing driving it forward. It's moving far too quickly, gaining ground far too fast.
Starting point is 02:09:33 The last burst of effort sends me through the entrance and out into the howling storm before I stumble and sprawl to the ground, the dead weight of Troy's body pinning me down. Desperately, I tried to roll out from under him, struggling to reach the detonator in my pocket. creature is only 50 feet away down the tunnel when I managed to grasp the device, disarm the safety and squeeze the trigger. Sergeant Troy made his preparations well. Instantly upon activating the detonator, a deep boom emits from inside the entrance and the tunnel collapses upon itself.
Starting point is 02:10:09 The creature issues a final scream echoing over and above the fury of the storm as I watch it buried by tons and tons of unfeeling rock. I have no way of knowing for sure if it's alive or dead. At least for the time being, it won't be able to follow us. It's over. With no time to bask in my victory, I instantly turn my attention to my platoon sergeant. I slip the relic into my pocket before gently rolling him over while supporting his neck. I try to find a pulse.
Starting point is 02:10:41 I feel a great swell of relief when I find one, weak but steady. His breath is shallow when he requires immediate medical attention, but Troy is alive. My driver Robinson comes sprinting out from the truck Oh my god, sir, what the fuck happened in there? Where is everybody? We're the only ones who made it. No time to explain, but we can't stay here. We have to get Sergeant Troy back to the patrol base and get him on a bird to Sveka ASAP. Then we can worry about the others. Help me get him into the truck with Doc.
Starting point is 02:11:15 Then we need to call back and tell third squad to get a Medivac inbound. Roger, sir. I think we might have a problem with that. I've been trying to call back for the last hour or so, but don't get any response. I think the storm might be interfering with the comms. Damn it. Okay. But we have to move.
Starting point is 02:11:35 Now, help me get him up. We managed to wrestle Sergeant Troy's limp body into the truck with my medic who immediately begins working on him. Jesus, he's really bad, sir. If we can get a bird, well, he's got a chance. Might be tricky convincing hire to authorize one in this. storm. I don't give a shit about that. Keep working on him, Doc. Let's go. We're wasting time. Everybody mowed up. White light the whole way back. Convoy speed is as fast as we can go without flipping a vehicle. I'll keep trying to reach the patrol base on camps. Fortunately, my earlier fears
Starting point is 02:12:11 of getting a truck stuck due to the rain were unfounded. Whether by luck or fortune the ground is solid enough that we make it back to the roadway without any issues and as soon speeding along the highway back towards the patrol base. I continue you to try and raise third squad left on guard, but just as Robinson said, the only thing I can get on the radio is static. If we get back and I find they were screwing off, I might just kill the lot of them myself. We make the trip in less than half the time it took to get to the cave. Within 25 minutes, we roll through the gate of the patrol base.
Starting point is 02:12:46 I jumped down and run over to the truck with the medic to help lift Troy down on the stretcher, we begin to carry him inside. I think I got him stabilized, sir. We'll get a medevac in here within the hour. I think he's going to make it. But I'm not as sharp as I usually am. Granted, I'm exhausted, a bit distracted by the events that have unfolded already this evening, and I'm currently preoccupied with trying to save the life of my platoon sergeant.
Starting point is 02:13:15 Nevertheless, I'd like to think that I would have typically noticed how ominously dark and quiet the patrol base was. the telling lack of a guard at the entrance, or of anyone to greet us as we came in. But for some reason, these things don't register. Needless to say, I'm completely surprised when the bomb goes off. Wake up, Mulassim, Michael. A voice urges me out of the blackness. I have no idea how long I've been out. Surrounded by armed militants, I'm tied to a chair.
Starting point is 02:13:46 Looking around, I see I'm inside my command post, the radios and computers stacked in a smoking pile of metal and wires. Across from me, Robinson and Sergeant Troy are tied to chairs in a similar fashion. My platoon sergeant is still unconscious. Next to them stands Tahir al-Kasim. Robinson is awake and has obviously been tortured. Shallow cuts cover his body and he moans to me through a mouth of mush, his teeth unwillingly removed.
Starting point is 02:14:13 "'Kal the other. "'Sad Guth, Gahar.' "'Taya draws his pistol and casually shoots my driver in the head. "'My head is swimming. "'Tahir, you fucking animal, what did you do? "'What the fuck did you do?' "'The thug smiles. "'Ah, Moulassim, Michael,
Starting point is 02:14:41 "'do I really need to explain this to you?' "'Heelians forward stinking of sweat and blood. "'I... hate you. You Americans think you know what is best for my country. You know nothing. I would do anything, anything at all to rid myself of all your kind. I would go so far as to go into the desert,
Starting point is 02:15:05 searching for a beast, a legend, at the barest chance that it might help me drive you out of my home. He then steps away and walks out of behind Troy. Marring the runes, holding it in its position was easy enough. The necessary sacrifices to engage his services were distasteful, I suppose. But I have many more men, and I would offer up a thousand children if it means the power to be done with the American occupation, once and for all. As he's talking, I've started trying to work my hand free into my pocket, where I can feel the relic still sits. God, if only I can get it.
Starting point is 02:15:45 You are supposed to die in that cave, Mullah Sima, Michael. Yet here you are alive and whole. He strokes Troy's head, pulling it back by the hair and bearing his neck. Had the Ifrit managed to end your pathetic existence, I would never have had to resort to these more direct methods. With his other hand, he removes a large kukri knife from his belt. Alas, it was not to be. Fortunately, I have no problem getting my hands dirty from time to time. Al-Hawakbar, death to the infidel.
Starting point is 02:16:20 My squirming hand grasped the relic at the exact moment Tahir plunges the knife into Troy's throat. My vision goes red with rage. The power fills me instantaneously, somewhat even greater than before, a star-gone supernova appearing in the space where my heart should be. An explosion, as closely related to the earlier bomb blast as a hurricane to a raindrop, obliterates the chair I'm strapped to, the room and everyone in it. They have no time to cry out, no time to even realize what is happening. The purifying fire is indiscriminate and complete in its destruction.
Starting point is 02:17:06 I claps to the ground, the ruins of my command post around me. The roof is mostly gone along with the walls. The still falling rain washes over me and begins to put out the smouldering wreckage. Blessed blackness calls, and my mind, exhausted from a night of terror and sorrow, gladly answers. I fall into unconsciousness, uncaring if I will ever wake up. Epilogue. The knock.
Starting point is 02:17:43 I wake up the next morning refreshed, with only the mildest of hangovers from my bend of the previous evening. Since school is off for Thanksgiving, I even take the liberty of staying in bed until late in the morning. This is the first time I can remember since the incident in the cave that I've slept through the night without nightmares. It's still a terrible thing to think about, but maybe Gabe was right.
Starting point is 02:18:06 By facing my fears, I may eventually be able to conquer them and come to grips with what happened. Maybe I'll even be able to attach some kind of meaning or purpose to them. Obviously, I came out of my coma after the destruction of the command post. It was about two weeks later when I woke up screaming in a military hospital in Germany. There was another three days before I was calm enough for the doctors to remove the restraints. I talked to some kind but professional military police. who were hoping to get a few details about the events from me.
Starting point is 02:18:37 They filled me in on what they knew. Basically, once my outpost had missed its second check-in, my commander spun up one of our sister platoons to patrol over and see what was going on. What they found was me lying naked and unconscious in the middle of the destroyed patrol base. By the look of things, a bomb had gone off and destroyed everything for about a quarter mile in every direction,
Starting point is 02:19:01 including ten houses, a mosque, and the local police station. miraculously I was the lone survivor my only injury three deep gashes down my right shoulder blade I told the MPs the whole story of what had happened in the cave about the giant centipede monster the relic half my platoon being devout and the other half being slaughtered during Tahir's betrayal not surprisingly they didn't believe me equally surprising neither did the next group of MPs that talked to me
Starting point is 02:19:30 the Internal Affairs Investigator, my commander, and at least three different psychologists they had analyze me. Everyone's best guest of what actually went down was that Tahir came onto the base, turned his coat, set off a massive suicide bomb, and everyone was vaporized, neat, easy, and much further within the realm of the rational and reasonable. I tried pointing out the inconsistencies with the narrative, at the very least to get someone to go and try and find the cave, to corroborate my story, but ultimately it was just too crazy. No one would listen.
Starting point is 02:20:07 In the end, the doctors and psychologists slapped me with a traumatic brain injury label, and nine months later, I was out of the army with an honorable discharge and 20% disability. Oh, and a crippling self-doubt. Oh, how I question myself. Having a dozen professionals tell you again and again how what you're saying is impossible. And there's no chance on earth that things happen the way you're, think they did. It starts to wear on your resolve after a while. For a time, I managed to convince myself that the whole thing was actually a lie cooked up by my mind from the shock. But I always
Starting point is 02:20:43 came back to the dreams and the screaming and the scars. The one piece of evidence that would have truly helped convince everyone of my story was, of course, the relic itself. But that was never found. I managed to talk to my fellow platoon leader, Lieutenant McCartney, who found me lying in the rubble. He told me truthfully that neither he nor any of his men had seen anything resembling the stone I described. He's a good man and had absolutely no reason to lie about something like that. So again, more questions were raised than answers.
Starting point is 02:21:19 It's possible they simply missed it in the wreckage, or that it was somehow destroyed in the blast. But in my gut I know that's not the case. Somehow someone took the thing out of my unconscious grasp for their own purposes, who and for what I can only imagine. I make a fresh pot of coffee to help deal with the lingering hangover effects and sit down at my kitchen table. The sun is streaming in through the window over the sink and I take a deep breath, drinking in the aromatic smell of the brew and finding myself truly relax
Starting point is 02:21:51 for what seems like the first in a very long time. And there's a knock on my door. I jump up so fast I knock my chair over backwards. I take two steps and dive across. across the hallway into the bedroom, grabbing my glock from the nightstand. Fertively, I creep down through the living room and position myself next to my slab of a door, gun held at the ready. The knock sounds again, this time accompanied by a voice.
Starting point is 02:22:21 Mr. Landry, are you there? The voice speaking is female and sounds tired and more than a little anxious. I move to look through the peephole and see a woman holding a sleeping child standing in front of the entryway. The kid looks to be about six years old. The woman, a brunette, has bags under her eyes, as if she hasn't slept in days. But even those don't keep me from realizing how remarkably attractive she is. I shout through the door. Who are you, lady?
Starting point is 02:22:50 What do you want? My name's Sarah Wilder, and something terrible has happened to my husband. I have reason to believe it's coming for me and my daughter next. Please, Mr. Landry, I was told you could help me. Yeah, who told you that? A woman, some psychic. It sounds crazy, but she contacted me out of the blue before everything started to happen.
Starting point is 02:23:15 She said when I needed help, that you'd be able to give it to me. I don't know any psychics, Mrs. Wilder. You're right, that does sound crazy. Sorry that I'm not about to take you on faith here. She said that you say that. She also said to show you this. A piece of paper slides under the crack of the,
Starting point is 02:23:34 the door. A bend to pick it up. It's a computer printout of a photo of an object lying on a table. It's grainy, but there's no mistaking the round stone about the size of a half dollar, smooth but for the slightly raised bump in its exact centre. The relic. I disengaged the locks and struggle to heave the door open. The woman squeezes through with her child and I close and lock the door again behind her. The kid hasn't stirred throughout all of this and must be completely exhausted. Thank you so much, Mr. Landry. I was afraid you wouldn't believe me.
Starting point is 02:24:13 I sigh. Ma'am, I have a feeling of the fear hasn't even started yet. Let's let you put the kid down and get you a chair and some coffee. Then you can tell me what's happened from the beginning. And so once again, we reach the end of tonight's podcast. My thanks as always to the authors of those wonderful stories, and to you for taking the time to listen. listen. Now, I'd ask one small favour of you. Wherever you get your podcast wrong, please write a few
Starting point is 02:24:58 nice words and leave a five-star review as it really helps the podcast. That's it for this week, but I'll be back again same time, same place, and I do so hope you'll join me once more. Until next time, sweet dreams and bye-bye.

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