Drink Champs - Episode 289 w/ 2nd Round 2021
Episode Date: December 3, 2021N.O.R.E. & DJ EFN are the Drink Champs. In this episode we relive some of our favorite moments in 2021! Grab a drink, take a seat and make some noise!!!💐💐💐🏆🏆🏆Listen and subscrib...e at http://www.drinkchamps.com Follow Drink Champs:http://www.instagram.com/drinkchampshttp://www.twitter.com/drinkchampshttp://www.facebook.com/drinkchamps DJ EFNhttp://www.crazyhood.comhttp://www.instagram.com/whoscrazyhttp://www.twitter.com/djefnhttp://www.facebook.com/crazyhoodproductions N.O.R.E.http://www.instagram.com/therealnoreagahttp://www.twitter.com/noreaga Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.
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This is an iHeart Podcast. to, yeah, banana pudding. If it's happening in business, our new podcast is on it.
I'm Max Chastain.
And I'm Stacey Vanek-Smith.
So listen to Everybody's Business on the iHeartRadio app,
Apple Podcasts, or wherever you get your podcasts.
And it's going to take us to heal us.
It's Mental Health Awareness Month,
and on a recent episode of Just Heal with Dr. J,
the incomparable Taraji P. Henson stopped by to discuss how she's discovered peace on her journey.
I never let that little girl inside of me die.
To hear this and more things on the journey of healing,
you can listen to Just Heal with Dr. J from the Black Effect Podcast Network
on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
AT&T, connecting changes everything.
My name is Brendan Patrick Hughes, host of Divine Intervention.
This is a story about radical nuns in combat boots and wild-haired priests
trading blows with J. Edgar Hoover in a hell-bent effort to sabotage a war.
J. Edgar Hoover was furious.
He was out of his mind,
and he wanted to bring the Catholic left to its knees.
You can now binge all 10 episodes of Divine Intervention
on the iHeartRadio app, Apple Podcasts,
or wherever you get your podcasts.
Why is a soap opera Western like Yellowstone
so wildly successful?
The American West with Dan Flores is the latest show from the Meat Eater Podcast Network.
So join me starting Tuesday, May 6th, where we'll delve into stories of the West
and come to understand how it helps inform the ways in which we experience the region today.
Listen to the American West with Dan Flores on the iHeartRadio
app, Apple Podcasts, or wherever you get your podcasts. Welcome to Drink Champs, a production
of the Black Effect and iHeartRadio. We'll be right back. The most professional, unprofessional podcast. And your number one source for drunk facts.
It's Drink Champs motherfucking podcast.
Where every day is New Year's Eve.
It's time for Drink Champs.
Drink up, motherfuckers.
What it could be.
Hopefully it's what it should be.
This is your boy N-O-R-E.
What up, it's DJ E-F-N.
This is Drink Champs.
Yappy hour.
Make some noise!
All naughty by nature.
I styled them for years.
Yeah.
Run DMC.
For years, people thought that...
Years, Tupac.
Run DMC and naughty by nature
owned Walker Wear.
Yeah.
I was very ambiguous on purpose because I remember having a conversation with my father when I was first deciding I was going to go for it with Walker Wear.
And I was like, I don't know if they'll accept a woman making men's clothes, you know.
And he was like, well, if you got a chance, then don't do it.
Wow, so purposely you stayed in the black box.
I just was like, let the product lead.
Just make dope product, put it out there.
Let that be the star and let people rock it.
Like we never had official ambassadors.
It was just love at that time with hip hop.
Like hip hop was an energy feeds energy and we were all building and growing at that time with hip-hop. Like, hip-hop was energy feeds energy,
and we were all building and growing at that time.
So it was just like, I believe in you,
you believe in me, let's rock.
I kind of know a Blood sign and a Crip sign.
I don't know a Illuminati sign.
What's a Illuminati sign?
Bro, like, honestly.
Bro, honestly, look.
I don't know.
No, no, no.
Bro, this one's crazy, though. Is it horns? So apparently, honestly, look. I don't know. I'm just saying. Bro, this one's crazy, though.
Is he horns?
So apparently, like, it's all this type of shit that I never knew that we were indulged in, bro.
This is what's crazy.
Because if you look at our album covers and shit, if you look at our album covers,
there's always some mystic shit, always some crazy shit.
Talking about both of them.
I never knew what this shit was.
That you was putting out?
No, no.
Our first album...
We getting deep, man.
And then the thunders coming deep.
Illuminati is definitely...
We getting deep, son. Deep.
We gotta watch out, man.
Let's take another shot, Gray. You fucking...
Yo, come on, man.
If James Chan's ends after this, we...
I became Grandmaster. You fucking hell. Come on, man. You know what I'm saying? You know what I'm saying? You know what I'm saying? You know what I'm saying?
You know what I'm saying?
You know what I'm saying?
You know what I'm saying?
You know what I'm saying?
You know what I'm saying?
You know what I'm saying?
You know what I'm saying?
You know what I'm saying?
You know what I'm saying?
You know what I'm saying?
You know what I'm saying?
You know what I'm saying?
You know what I'm saying?
You know what I'm saying?
You know what I'm saying?
You know what I'm saying?
You know what I'm saying?
You know what I'm saying?
You know what I'm saying? You know what I'm saying? You know what I'm saying? You know what I'm saying? Stop. And I'm cutting it back and forth. And tap.
Ka-do-ka-dap-do-do.
Ka-ka-do-dap-do.
And tap.
Ka-do-ka-dap-do-do.
Ah-ah-ah-ah-ah-ah.
And tap.
Ka-do-ka-dap-do-do. And tap.
Ka-do-ka-dap-do-do.
And.
And.
And.
And.
And I just kept catching it.
My man was like, yo, faster.
Faster.
Faster.
Faster.
The crowd was going faster, faster, faster.
Then he started going, Grandmaster, Grandmaster, Grandmaster.
The crowd started going, Grandmaster, Grandmaster.
That's when I became Grandmaster.
Oh, my God.
That was mad vivid.
That was vivid.
I'm still here.
I'm still here. I'm still here.
Oh, yeah.
Yeah.
Yeah.
So did you ever meet Jay after this?
Oh, a ton of times.
Okay.
After Death of a Order 2?
A ton of times.
Okay.
All right.
So.
I love how he laughs at himself.
I'm so fucking awkward, bro.
You know, I love it.
I love it.
I love it. I love it. Not your bro. I love it. I love it. I'm just real awkward.
No, you're normal.
I love it.
So, I saw him and B at a Grammy after party.
I love the floss.
I love the floss.
See how you just put that together?
Him and B at the Grammy after party.
They're going to invite me to Grammys, bro.
That's how the Grammys are.
I had two cups of Hennessy, so I couldn't shake his hand. Hennessy ain't going nowhere, huh? You're gonna invite me to Grammys, bro. Check out the Grammys. Check out the big floors. Go ahead.
I had two cups of Hennessy, so I couldn't shake his hand. Hennessy ain't going nowhere, huh?
Oh, it didn't.
It didn't leave.
Hold on a minute.
Tell me, tell me.
You didn't shake the man's hand?
I couldn't.
I had two cups of Hennessy.
His hand is more important than the Hennessy, man.
You could have put it down.
Put it down.
There's no tables.
There's literally nowhere.
I had to put it on the ground.
It would have been weird, but they were really fucking.
You could have did it like this.
No, no.
They were very full.
Okay.
So I would have had my finger in the hole of one of them.
Okay, yeah, all right.
So two cups of Hennessy.
This shit is so stupid.
Okay.
And I was thinking of what to
say.
I wanted to say
two things, and they
collided. I wanted to say
thank you for everything,
but also sorry for the confusion.
And I fucking said
sorry for everything.
Sorry for everything.
Fuck.
He must have been like, huh?
The nigga,
the nigga,
bro,
he knew I couldn't shake his hand
and the nigga hit me
with one of the,
it's all good, bro.
Little man.
Little man.
Good looking.
On your head?
Damn it.
Wait, wait, on your head?
On my head, bro. Yeah, that was a little, Wait, wait, on your head? On my head, bro.
Yeah, that was some little nigga shit, bro.
OK, bro.
It's all good, little man.
Ah!
What?
Why?
Oh, shit.
And then I tried to, oh, god damn.
I tried to comfort myself a little bit
by doing the elbow to B.
She hit the elbow.
The fucking Hennessy dropped on her white dress.
Oh, my God.
This is getting worse. I was like, you know what?
I'm going to go find the closest gun.
I'm going to just go ahead and just find the closest gun.
This has been great.
I appreciate y'all being here.
I'm going to just go ahead and end it.
I'm going to go ahead and end it now I'ma go ahead and end it now.
I'ma just go find security.
Just come on, man.
You know what this is?
Kick me out, bro.
Somebody come take these.
Somebody.
You didn't even get this out of my hands.
I can't stand this shit.
I don't know what to do with my hands.
Somebody kick me out of this motherfucker, please.
Bro, she hit my elbow in the shit like.
Oh my God. Long ass white dress too. Like elbow in the shit like oh my god long ass white dress
like one of the ones like somebody's supposed to carry behind you and shit yeah it was
i did not do good that day
my block to your block that's yep that's the one that's that's the record with Jay-Z. Okay. How did this happen? So, you know what?
Jay, I mean, so it's funny that Jay is like successful.
But back then, he had the work ethics of...
That's real.
No, no, but I'm saying...
He's like, it's funny.
I'm saying because it's the people who have that kind of determination and drive.
It takes them a while.
But even like going Jadakiss, you say like,
Jadakiss been dope, right?
But I think yesterday proves to everybody else
that who didn't know how dope he was, right?
It shows he's great, actually.
But he's been great, though, honestly, right?
So with Jay, it's like, even from the first time
at Priority, whatever he was doing, whatever,
he's trying to look for a deal, whatever.
When was that part? I already did. I didn was trying to look for a deal whatever he was that quick
but what happened was
this is a funny story
it's like
I wanted Jay
nobody really knew
what Jay was doing
at the time
but I kind of wanted him
before and then
it kind of worked out
we got together
and so I'm like
yo I need this song
and by that time
by the time I actually
got to it
Jay was kind of popping a little more.
And rest in peace to DMX, too.
I think it's supposed to be me, DMX, and Jay on the record.
And DMX was like, I got you.
You know what I'm saying?
Not to say I got you, but I got you.
And I think what happened, I had a...
He's watching us right there.
Look, he's watching.
My guy.
You know what I'm saying?
Absolutely.
But so what happened was my album had,
remember there was a tour that Jay-Z and DMX was on?
Yeah.
No.
It was a Hard Knock Life tour.
That's the one.
So what happened was my album was supposed to be turned in
on a Thursday at 10 a.m. 11 a.m. and I think the tour was over Wednesday night.
Okay.
So Wednesday night and I needed it. I said, I need this thing by Thursday. We're remastering
it, right?
Right.
So.
And y'all in the same session or he had the same thing?
No, no, no. He's in a concert. He's at the concert. And he was like,
I got you,
but, you know,
it's funny
because he
left the show,
I think, immediately,
went back
and knocked it out
like three or four
in the morning
and sent it.
You know what I'm saying?
For you to make the time
in the morning.
For me to make the time.
You know what I'm saying?
And he could have just been,
you know,
and I'm tired,
I just rocked the show. And salute to DMX, too. He didn't really want to do it, but he just probably was like, I'm going the time in the morning. For me to make the time. Wow. You know what I'm saying? And he could have just been, you know, and I'm tired. I just rock the show.
And salute to DMX, too.
He didn't really want to do it,
but he just probably was like,
I'm going to get in the morning.
I didn't have time to do it.
So I just had to go with, boom,
when Jay gave me.
And he came through, man.
And I hit Jay.
I'm like, yo.
Because Jay killed it.
I'm like, yo, how much I owe you?
Jay like, it ain't been nothing.
I was about to give him a hundred.
He was like, nah, we good on the house.
And it's good because he asked me to do something. I did something for him. So it was dope. It was a dope nothing. I was about to give him a hundred. He was like, nah, we good on the house. And it's good because he asked me to do something.
I did something for him, so it was dope.
It was a dope situation.
Jay's solid, man. Jay's always solid.
Let's just be clear. He just said, I was going to give him a hundred.
Let's just be clear.
It ain't a hundred dollars.
It's about a hundred dollars.
Holy guacamole.
Shout out to Jay.
We were meeting these girls and they was like,
well, we don't want anybody to get offended
or think that you're taking shots at them.
They think that deep about it?
I was like, I don't even know nobody in real life,
but Missy Elliott, and I'm not talking about her.
Like, are you kidding me?
So, I did Superwoman Part II.
I was in L.A. with Clue working on a record
because we had did songs with B2K.
Like, Clue and Dura produced.
Yeah.
You heard that, young girl?
We did a song with a girl,
an artist that was on DreamWorks
because they cut checks.
Her name was Kanayla Cox.
DreamWorks, that was Steven on Spielberg record label.
Yes.
And Drano was cutting checks
he was from LA
he was a street nigga
he'd be like
I want 50,000
for a song
and the motherfucker
don't even come out
hey I don't care
day checks
clear
so um
we were doing
the song
and
we were doing
the song
and the session
was over
there was two hours
left
but Clue had to
get back
to the east coast
for his Monday night
mixtape
and I was still in LA and I was like you got two we ain't wasting this two hours and we ain't just to get back to the east coast for his Monday night mixtape and I was
still in LA and I was like you got two we ain't wasting this two hours and we ain't just sitting
up here so I was like hey play me a beat he played me the superwoman beat he was playing beats he was
like I think you should do something like this and I was like I don't like when people tell me
what to do this is Clue he's playing beats so he plays a beat and it was just a
and I was like I want that because that song that sound is so annoying I want to annoy people
but when I put my vocals over it that shit gonna go up he was like I can't
give you that be since that's for MOP oh wait up wait up wait up wait up did MOP
have a version of it already way too fast already with M. You got to slow down. Y'all didn't do a remix already with M.O.P. on in that. I was like, how about some hardcore?
Yeah, we like it raw. This is so
great information. That's crazy. This is stuff
people would never know. We need more of this.
So you're telling me Superwoman,
part two,
original beat for that
song was made for
M.O.P.? For M.O.P.
Whoa. You killed,
like you said, you killed it so much I can't even think about it. And trust me, M.O.P., I'm a big M.O.P.? For M.O.P. Whoa. You killed, like you said, you killed it so much I can't even think about it.
And trust me, M.O.P., I'm a big M.O.P. fan.
But now that I hear what you did to it, I can't even fathom them rhyming on that.
What was crazy was it was literally just a da-da-da-da-da-da-da.
It still stayed Brooklyn, right?
Da-da-da-da-da-da.
And the beat was dum-dum-dum.
But I sang over Soda every day. I sang that. There was no chords and no keys, so I sang over it so that every day,
I sang that there was no chords and no keys,
so I had to sing that, I told them, I said,
drop the music, tell me how many beats per minute,
so I, Duro edited it out, but I would have to,
I was like, every day, I was snapping my fingers,
singing that, and I had to stack my vocals,
so we later had some producers, not producers,
some musicians come in and play the bridge the strings and then
Those keys on so if you hear the original beat to what it became the TV track you'll be like
You could tell I was around Quincy Jones in them because I see the wind the wind from your
applause
nah but it was just
like it was for M.O.P.
so I did the song
and I sent it to
Clue
we had the Delta Dashing
his was the craziest
thing
Delta Dashing
remember those days
yeah I'm showing my age
why would you put
M.O.P. and Fab
on there
okay
so the thing is
was
with Fab
I'm always listening
I used to be a mixtape head and Clue's like who do you want to Okay, so the thing is, was with Fab, I'm always listening.
I used to be a mixtape head.
Right.
And Clue was like, who do you want to get it? Because by that time, I had worked with Missy, Ja, Jay.
Everybody knew my name.
Who do you want to get on it?
I was like.
When you say Jay, you're talking about Jay-Z.
Jay-Z, yeah.
Okay, okay, okay, okay.
I could have had M.O.P. on it or anybody, you know.
And I was with Elektra, so it could have been a check.
But my budget was basically tapped out
Which means that I still have money on a back end, but I didn't want to use all the money because I knew
So I know Jay-z's be like, I know Duros Mixaphy is going to be going to absorb that. So I know Jay-Z is going to charge $100,000.
Missy is going to charge me $200,000.
M.O.T. is going to charge me $400,000 for the disrespect for taking their record.
So wait, they already knew that they had that record?
Or are they going to find out now?
I don't know.
They might be finding out now.
So Clue was like, so who do you want to get on the record?
I think it would be dope with a rap.
I said, the boy that spelled his name on all your records.
He was like, Spizz?
I'm like, yeah.
I'm like, he's dope.
He was like, oh, that's easy.
Text him and Fab.
And he was with, he wasn't with Skank.
He was with Webb and Cheo.
Him and Webb came to the studio with yellow do-rags on chicken boxes at Skytel Pages.
So I'm thinking he's going to come in there being this big old-
I'm sorry, I don't know what chicken boxes is.
Chicken, like it comes in a box with chicken and french fries.
You talking about real, I thought it was a slang.
Oh, what do y'all call them?
Real chicken boxes?
They came in there with food.
Okay, okay, okay.
So me thinking, oh my God, he was all in the mixtapes dancing, rapping, spelling his name.
I think he's going to come in there with all these Slick Rick jewelry on and wailing out.
He came in there with just him.
Yellow do-rags.
Yellow do-rags and chicken box.
And I believe maybe street fam.
It was like, I'm just like, oh, y'all didn't come in here with 100 people?
So I'm just like, so you ready to do your part?
Because I'm going to go out.
I'm going to let you do your thing.
He's like, oh, I'm ready.
Oh, OK.
Let me move out your way.
So we were at right track.
I leave out.
So he comes back like a couple of minutes later.
So I'm like, you finished?
He's like, yeah, so before we push forward,
I hope you don't mind, I did a little something in the intro,
and I did something at the end.
Oh, so you're just working above and beyond.
So soon as I heard da-da-da-da-da,
he was like, do-do, M-O.
I was like, oh, my God, he spelled my name at the beginning. Bam. So he was like little M.O. I was like oh my god he spelled my name at the beginning
so he was like I guess I ain't got soon as I heard his voice and what he said I was like you've got
to be kidding me what was his first couple lines I guess I ain't got no reason to mingle around I
found a superwoman that could leave from the truck in a single bound mommy I'm trying to bling you
down some niggas without shades on can't stand when I bring you round She put her lips on the weed still pull it to work her tongue and make me come faster than the speed and bullet
My love stronger than a locomotive, but only for the F-A-B-O-L-O
You better sing to me ma
Yeah!
I was like how did he know?
So then when he's like oh here go the Empire so I'm like, when is it coming? Then after the bridge, he was like,
the superwoman might have saved my day.
The skios, I would have gained some play.
Now he wouldn't even wave that way.
I understand why the mother chicks behave that way.
They see the icy yes on your chest, engraved in gray.
If you whipped, he might, because usually with them things,
he tight.
But only green he keep from me is kryptonite.
The way the blue and red fitting on your hips so bright,
I be like, da, da, da, da, da, da, da, da, so bright i'd be like damn i was like we're winning
i was so excited i'm like how did you know i didn't even have to say well maybe you should
tighten it up and i was like we out of here electro didn't want to put out the record because
they didn't feel like nobody knew who he was so clue played on his mixtape and then after well
the monday night mixtape on high 97 he just kept on going up to and after that there was oh my god. This record is a smash
so I literally saw him go from them we had a
Spacey you say you put fab on this A lot of times the big economic forces we hear about on the news show up in our lives in small ways.
Three or four days a week, I would buy two cups of banana pudding.
But the price has gone up, so now I only buy one.
The demand curve in action.
And that's just one of the things we'll be covering on Everybody's Business from Bloomberg Businessweek. I'm Max Chavkin. And I'm Stacey Vanek-Smith. Every Friday,
we will be diving into the biggest stories in business, taking a look at what's going on,
why it matters, and how it shows up in our everyday lives. But guests like Businessweek
editor Brad Stone, sports reporter Randall Williams, and consumer spending expert Amanda
Mull will take
you inside the boardrooms, the backrooms, even the signal chats that make our economy tick.
Hey, I want to learn about VeChain. I want to buy some blockchain or whatever it is that
they're doing. So listen to Everybody's Business on the iHeartRadio app,
Apple Podcasts, or wherever you get your podcasts.
The Medal of Honor is the highest military decoration in the United States. or wherever you get your podcasts. I'm J.R. Martinez. I'm a U.S. Army veteran myself, and I'm honored to tell you the stories of these heroes on the new season of Medal of Honor, Stories of Courage from Push have received the Medal of Honor twice. These are stories about
people who have distinguished themselves by acts of valor going above and beyond the call of duty.
You'll hear about what they did, what it meant, and what their stories tell us about the nature
of courage and sacrifice. Listen to Medal of Honor on the iHeartRadio app, Apple Podcasts,
or wherever you get your podcasts. The American West with Dan Flores is the latest show from the
Meat Eater Podcast Network, hosted by me, writer and historian Dan Flores, and brought to you by
Velvet Buck. This podcast looks at a West available nowhere else. Each episode, I'll be diving into some of the lesser-known histories of the West.
I'll then be joined in conversation by guests such as Western historian Dr. Randall Williams
and best-selling author and meat-eater founder Stephen Ranella.
I'll correct my kids now and then where they'll say, when cave people were here.
And I'll say, it seems like the Ice Age people that were here
didn't have a real affinity for caves.
So join me starting Tuesday, May 6th,
where we'll delve into stories of the West
and come to understand how it helps inform the ways
in which we experience the region today.
Listen to The American West with Dan Flores
on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
And it's going to take us to heal us.
It's Mental Health Awareness Month.
And on a recent episode of Just Heal with Dr. J, the incomparable Taraji P. Henson stopped by to discuss how she's discovered peace on her journey.
So what I'm hearing you saying is healing is a part of us also reconnecting
to our childhood in some sort. You said I look how youthful I look because I never let that little
girl inside of me die. I go outside and run outside with the dogs. I still play like a kid.
I laugh. I love jokes. I love funny. I love laughing. I laugh at myself. I don't take myself too seriously.
That's the stuff that keeps you young and stops you from being so hard.
To hear this and more things on the journey of healing, you can listen to Just Heal with Dr. J from the Black Effect Podcast Network on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
AT&T.
Connecting changes
everything.
Yo, is anybody ever going to tell Atlanta
that the Waffle House is trash? It's not that
good. It's not that good, bro.
I'm just being honest.
It's like a 25-year secret I've been keeping.
Nah, that shit feel like roaches
is in there. I feel dirty.
You ever went to court and left court?
Yeah.
And you know how you ever want to take a shower with me?
Like county jail.
I'm just being honest.
Like county jail.
I'm just being honest.
I'm sorry, Atlanta.
Yeah, the Waffle House is the county jail.
The Waffle House is the county jail.
Damn.
I'm so sorry, Atlanta.
So sorry anybody in the South is going to take this walk.
I'm just being honest.
For 25 years, I went, had meetings at the Waffle House.
They got the little tile floor now, motherfucker. I'm just being honest. For 25 years, I went, had meetings at the Waffle House. They got the little tile floor
now, motherfucker.
The top of McDonald's.
They got the McDonald's,
old McDonald's mop in there.
As soon as you take
the shit out like that,
that smell like hamburger,
you know what I'm saying?
And it's just,
it's just not a good scene.
It's really literally
what it's for.
The last meal of the night.
Like, you know,
after the club or all that.
But I be seeing people
wake up in the morning like,
I'm going to the Waffle House. Like, nah, that's not
a thing to do. Like, just stop.
I know people who get dipped to go
to the Waffle House. They go get fresh.
They know somebody that worked there.
Oh, okay. There you go.
But the Waffle House is not that good. You do agree on that.
That shit is trash.
Okay, go ahead.
Look at these South guys.
These South guys looking like that, man.
We lost the Waffle House function.
You like the Waffle House function?
Look, nobody like...
That nigga went to a black college, though.
He went to HBCU.
HBCU, that's what they call?
Okay, holy moly, guacamole, we going there.
All right.
Okay.
What happened to Bush McBride on the cover
of the hospital?
And is that picture real?
Fucking right.
That picture's real.
Really?
Man.
Okay.
You want some real, real shit?
Okay, yeah.
So, we got flowers and shit.
Yeah, we got flowers, man.
Where am I going to put this at?
I don't know.
Fuck it.
Shit. It goes good through TSA. We just wanted to do man. Where the hell am I going to put this at? I don't know. Fuck it.
Shit.
It goes good through TSA.
We just wanted to do our part of the job.
You know what I'm saying? Our part of the job.
I'm going to need some of this motherfucking cake.
Go ahead.
Look, so.
Talk about the cover.
The night before.
The night before
we heard Bill got shot
you know
by his girl
and
they say he got shot in the eye
so I had already you know
I was already in my mind
that was the end of that
you get shot in your fucking eye that's the end of that story
so
I was like, damn.
So we had to go up to the hospital the next day.
And let me tell you...
Let me tell you how...
how much of a thinker James is.
James?
You say James,
you're talking about J. Prince, You say James. Yeah, yeah.
The old man.
He wanted to go to the hospital that
next fucking day
when Bill could have visitors, man,
and shoot the fucking
album cover.
This guy's a genius.
It makes sense now, but back then?
Man, Bill is fucking
dead.
And Bill sit up in the gurney It makes sense now, but back then? Man, Bill is fucking dead. Okay.
And Bill sit up in the gurney,
and Chief push him out in the hallway,
and Bill sitting up on the gurney.
I'm talking about out of there.
On the meds or because of the shot? Yeah, on the meds. He's on the meds.
He's out of there.
And got me and Willie to stand on each side of the gurney, man,
like we was pushing him out the hospital,
saying we can't be stopped and snap a photo
with his eye hanging out, and that was it.
So that's not props?
Fuck no, that's not props.
Oh, you knew that?
Yeah, man.
Oh, I didn't know that.
I didn't know that.
And I was like, shit, Bill finna die, man.
All right.
And he's a small guy, too,
so you're not thinking he got the same strength as everyone else.
Shit.
Jay had that mentality.
I don't give a fuck if he die or not.
We're going to get this picture.
Hold on.
Thanks for the voice for that.
God damn it.
Hey, we're going to get that picture, man.
Holy shit.
All right, so get your drink ready. Meek Mill or Ross? Ha! We don't get that picture man
Meek Mill Ross
Never so I gotta ask you.
So everybody's on the same jump.
You know that.
So I gotta ask quick fast why you take this shot.
You gotta take the whole shot though, sir.
Ah!
Yeah, yeah.
Come on, we know you a drinker.
It was a layup.
It was a layup, but it wasn't a shot.
I just had a layup.
I had a fast break.
This some funny shit.
I got the Delphonics in the shootout on Staten Island.
They in the shootout with me.
The Delphonics.
The Delphonics.
The Delphonics.
Yeah.
Them niggas in the shootout with me.
What the fuck?
Got them niggas in the 15 passes.
What the fuck?
I'm blowing at this kid.
This kid playing games.
I start shooting at this nigga.
Oh my goodness.
These niggas in the back of me in the fucking van.
You know what I mean?
And money hitting back and all this other shit.
So, we riding.
Like, yo, this shit was crazy.
So, by the time I got to say sorry to these niggas and shit.
You know what I mean?
Yo, these niggas was like, yo.
They like, yo, don't worry about it, man.
Something told me to bring my knife and shit.
Remember, these old men now. like, you know what I mean?
But they like mega cool because I'm thinking like,
dang, what the fuck, they got the double phalanx in the shootout.
Like, bro, it was wild.
That's wild.
It's crazy.
I'm like, oh, shit.
This is a fact, bro.
They Philly niggas.
They was on his album.
They Philly niggas.
Yeah, they was on my album.
Yeah.
They might have did that record that night after the smokers clip.
Oh, my God.
I'm like, yo.
After the smokers clip.
Yo, I got to the studio.
I'm like, yo, we in the elevator.
Like, yo, I'm sorry, man.
What's the right word?
Yo, I'm fucking sorry.
Yo, I'm sorry.
Yo, yo, don't worry about it, man.
Something told me to bring my knife.
Something told me to bring my knife and shit.
So I'm like, fuck.
I felt so fucking bad
Like you don't need to shoot out with the Delphi
They need a pack of me
15 passenger they they just see me blowing at this nigga
You know I mean cuz nigga was like in the front of me in the front
Nigga, don't listen right the nigga in the front he playing games and shit
So he see me through the fucking red view so we in the whip and I'm like yo, but he's I see the nigga smiling
Looking through the river
He's smiling at me like that like that like yeah nigga take him real slow real slow They'll find it in the back 15 white dad so I'm like yo this nigga playing games like yo
So I'm like, I don't know the niggas just
Kept on going slow stopping so we got stop behind because we ride behind him
Like yo this nigga doing shit as soon as he turned off the Osgood shit Like that Deloro shit
As soon as he made that turn
Boom boom boom
Windows back
Windows back
So yo I got the fucking
Van doing it
The van following us
Yo check it out
They following us
The other shooting niggas They turned around The Vans following us like in the back. Yo, check it out. They following us.
The other shooting niggas, they turned around.
Now they in back of the big van.
Yo.
Racing through the project down Bay Street doing all this shit.
After a while, they turned off, I guess.
I didn't see them when we got to the studio and shit. but I was like y'all I do that. Yo, that is the best shit I ever heard in my life. The Dells. The Dells Fox, nigga.
The ones, la, la, la, all that shit.
Yo.
Yo.
How did the record go that night?
Can you see him?
Excellent.
Yo.
Was the record good?
Yo.
I think we might have did the record that night.
You know what I mean?
Yo.
Yeah.
You know what I mean? Real street nigga shit, you know what I mean? Yo. You know what I mean?
Real street nigga shit,
you know what I'm saying?
So,
what we were talking about
before that,
I was into it.
The Vessel.
The Vessel?
Oh, yeah,
nah, you know,
we can get off that,
we can go on to something else,
but I was just talking about,
you know,
just art and music and how...
Did you feel
this was like a reintroduction
of yourself to people?
Let me reintroduce myself.
My name is Bro.
Not to me, really.
Like I got to just.
Versus is a heavyweight fight.
And I'm going to say that again.
Because most artists
are not friendly
like me and Crack.
They don't have relationships,
speak on the phone, shit like that.
And so getting in there is
different.
Because now what it's
become, I'm telling you, it's become...
There's no more celebration.
But no, but it's also become...
Let's be clear, it's not a celebration.
It's a celebration.
And now people want to win more than they did before.
Nah, niggas ain't celebrating shit no more.
I'm being honest, I'm inside.
They gonna call me and tell me to relax.
And I'm gonna tell you, there's no more celebration.
Niggas who ain't got guns.
You ain't celebrating, you trying to kill me.
Nah, nigga, hip-hop always wins. You trying to kill me. Nah, man. Hip-hop always wins.
You trying to kill me, nigga.
It's a celebration,
and hip-hop will always win in these battles.
Yeah, that's politically the correct thing to say.
No, no, no.
That's the real thing.
I love that.
It's becoming a showcase of more than just your records,
more than just the music.
When you're performing in front of a crowd,
it's becoming a showcase of your showmanship,
how you command the stage,
who's holding the fucking room.
It becomes all of that, too.
Okay, okay.
Yeah, I want some Japanese music.
Kanye or Just Blaze?
Both.
You don't want to take a shot at this expensive shit, this Japanese music? You take a tiny shot. You taking a shot at that again? Take a sip on that. or just blaze? Both.
You don't want to take a shot of this expensive shit that Japanese whiskey, take a tiny shot.
You taking a shot to that again?
Take a sip on that.
I'm a changed man, I don't drink.
No, it's okay.
No, it's not.
Don't go on us tonight, man.
It's not.
Back, take that shot from me.
Okay, cool.
Oh, man.
Yeah, I owe you, nigga, yo, this is $1,000.
So I look, yeah, come on.
You know what, just call me out. Come on, come on. Cool, that's good. Damn, that's a double for me. Yeah, that's you. Nigga, yo, this is $1,000. Bought it. Yeah, come on. You know what, just call me out.
Come on.
Come on.
Cool, that's good.
Damn, that's a double for me.
That's not a shot.
Yo, we can dance.
Let's go back.
Let's make back.
Make back?
Yeah, this my cousin.
Okay, God damn it.
AKA Teeny C.
Okay, all right.
It's Teeny C.
That's what's up.
That's what's up.
Make some noise for Teeny C, baby.
You can't see it?
Look, look. When I was a fat boy, that was my stunt double.
I just made you famous.
I've been famous.
I've been famous.
Tell him, God damn it.
Yeah.
Fuck that.
Yeah, back.
Yeah, back.
So during the course of time, I started to think of something the other day
Knowing that I had you here
And I just want to be straight up and just ask the question, right?
Like I don't remember seeing you and Swiss
In the same room
In over 10 years
No
The only time I could think of you and Swiss being in the same room
Was like in the 98 era
Of that time
Yeah And I don't know, this is a question I seriously don't know in the same room was like in the 98 era of that time. Yeah.
And I don't know.
This is a question
I seriously don't know.
Right.
I know I'm close to both sides,
so I should know.
Yeah.
But I seriously don't know this.
I swear to God.
I swear to God.
If you want to take my...
No, my finger's not crossed.
None of that.
You know that funny shit
niggas do?
No.
I swear to God,
I don't know the answer to this.
Why is that, though?
Like, you...
Ah, okay. I did realize a little bit, Papa. If you think I'm to God, I don't know the answer to this. Why is that, though? Ah, okay.
I did Real's Love Big Papa.
If you think I'm jiggy,
five cuts on Money Power Respect.
Boom.
I did Get At Me Dog.
Numerous cuts and co-produced on,
like these 13 cuts on
It's All Cahill, It's Hot.
Did With The King,
Time For Flesh of My Flesh.
That's the blood, the blood.
Right.
You know what I'm saying?
I was getting kind of vetoed.
I was getting kind of blocked.
Pushed out of it?
Yeah, I was getting kind of blocked
because Rough Riders was my management.
I wasn't a Rough Rider producer.
You know what I'm saying?
So at the same time,
like my phone call stopped coming through the office on 53rd.
I'm like, yo yo i got just sold
seven million records collectively matter of fact went on yo there's a little big poplar b side of
miss you that's like six million uh money prior respect went 1.5 dog went about three out the gate
five all that under their management under your management you know i'm saying so i'm like at the
beginning of them starting fleshlesh of My Flesh,
this is where it felt vetoed?
I think you said that.
Yeah, like my phone calls wasn't coming through.
From you, the management?
Yeah, so I had to go a little deep cover.
Okay.
You know what I'm saying?
I spoke to, I think I spoke to SoSoDeath.
They was like,
yo, they said you're not doing beats no more.
Hold on, hold up.
Okay, and they're insinuating this is coming from your camp.
Exactly.
Wow, okay.
From my management.
Okay, wow.
You know what I'm saying?
So at the same time, and this actually is written in blood.
Okay.
You know what I'm saying?
At the same time, I'm doing Flesh of Flesh.
If you know the Swiss, the majority of Flesh of My Flesh and different things.
I did one song.
It's called Dogs for Life.
You know what I'm saying?
The same time when Dog was catching the vibes,
he just made the song for me.
I rob a silver with your dog, nigga, what?
Ride till we die, thick like blood.
You know what I'm saying?
So with the one song I did on Flesh, My Flesh, Dog,
just he made it for me.
Okay. You know what I'm saying? Let you know, grease, nigga, I'm here. Right. You know what I'm saying? Besides what the politics is. Right. with the one song I did on Flesh My Flesh Dog just he made it for me okay
you know what I'm saying
let you know
Grease Nick
I'm here
right
you know what I'm saying
besides what the politics is
right
you know what I'm saying
but actually
Swizz is successful too
let's not get it twisted
right right right
no weirdo shit
yeah yeah yeah
actually it was the best thing
to happen to me
that you not being a part
of Flesh My Flesh
as much as you wanted to be
nah just really
it made me to an
individual producer
okay
like it made me to
like going through that
yeah it made me to like iron Grease Okay. Like it made me to... Like going through that.
Yeah, it made me to like iron grease.
Right.
You know what I'm saying?
The different things.
Because LaVon Linney's came after that.
Yeah, LaVon Linney's came after that.
Let's stay focused.
Let's stay over here.
Let's stay over there.
Okay, all right. So, bless my flesh, you're feeling a little crazy, but you don't get word.
You get word from social death.
But did you ever go to your management and say, yo, what's going on here?
Like... Not quite. from social death, but did you ever go to your management and say, yo, what's going on here?
not quite.
Okay.
Not quite.
You took social death work?
No, no, no, no, no, no, no, no, no, no.
I got it from the office downtown.
I'm not going to say specific names,
but the ladies working there,
there's some funny shit going on.
Right.
They sending your phone calls
to another producer,
so I'm like Oh
But
The cap all is up
Right
Pull up the Jay-Z clip
Jay-Z said it all
In one shot
Okay what clip is this
It's a clip that Jay-Z put up
Cause actually
I'm so glad Jay did it
I'm like
Ah shit
I don't have to tell
This fucking story no more
Wow
Damn
But Jay was like
For one of his albums
Like yo
I went to the dude
Who was doing all them records.
Right.
Dame Grease.
That produced The Stalker, Hell or Sight.
Right.
And then, that's just my girl, too.
Right, right, right.
You know what I'm saying?
Right.
It's a super thug OG thing, right?
Yes, yes, continue.
And then Jay was like, you know, I wanted Dame Grease, and then he sent me the nephew.
But now I wanted Grease.
I'm like, nah,
y'all can't be sending me.
What y'all doing?
You know what I'm saying?
So at the same time,
you know what I'm saying?
You know, Jay,
you kept it official.
Like, nah, but me and the nephew,
we did some hits.
You know what I'm saying?
We did some shit.
You know what I'm saying?
But I can't front.
I went to work with
that nigga.
Wow.
So that was one of the phone calls
that got redistributed.
Wow.
Did you ever get a chance to work with the whole?
One song.
Okay.
Freeway, Big Spender.
Oh, wow.
Hey, Big Spender.
You know what I'm saying?
Okay.
That was the only time?
It's the only time, for sure.
But we actually always have great, good dialogue,
especially on the tours with Dog and everything
great dialogue
you always give me
a lot of great insight
so this is for people
that don't know
and obviously me
I'm a part of that
that don't know
so
Flesh of My Flesh
comes out
another successful
he has two
number one albums
in one year
you guys know each other
from back then
you did feel a little veto
like you said
how do you
Black Ball
Black Ball okay so how do you- Black ball.
Black ball, okay.
So how do you and X amend this?
Like how do y'all come back together?
No, Dog never, ever, ever, Dog.
You never saw it as him doing anything?
Dog never, ever, I love my nigga, nigga, nigga,
nigga, nigga, nigga.
He always kept it 2 billion with me, always.
Chris saw a new album,
pull up.
Right.
If nobody else wanted me to.
Right.
His movie scores,
Grease, I'm doing a movie
called Exit Wounds.
Come do the score.
Did the whole score on that.
Yeah.
Grease, I'm doing a movie
called Cradle to the Grave.
Come do the score on that.
Wow.
You know what I'm saying?
Right.
And all the main things and shit.
So he will always keep me involved
with all his projects
Or anything he was doing
But you
But earlier you said
You felt blackballed
You can't feel blackballed
When you're doing scores
Nah
Nah
I was
Blackballed in your own society
In your own camp
You're saying
Nah you know
From the Rough Riders situation
It was a little
Yeah it was a little
Like
I don't know
But from
X There's DMX Let me just ask this question And Rough Riders the situation. It was a little, yeah, it was a little like, I don't know, but from X,
there's DMX.
Let me just ask
this question straight up.
You thought it was
Swiss himself saying?
Nah,
hell no,
never.
Alright,
cool,
cool,
cool.
Nah,
never,
never,
I never,
never,
never,
never,
never.
I'm actually,
actually quite proud of Swiss.
Okay.
But you always had
a beat competition.
That's what everyone
had at that time.
Not quite.
Really?
I didn't always have a beat competition. Oh, okay. I at that time. Not quite. We was having beat competition. I didn't know I was having beat competition.
Oh, okay.
I'm just cranking and doing dope shit.
All right.
I didn't know it was a competition and close the door behind you shit.
It's always competition.
It's always competition.
I didn't know.
I just do dope shit.
Yeah, yeah, yeah.
I didn't know it was like getting the closest door behind you.
Yeah.
Yeah, sometimes.
Sometimes.
Yeah, you know what I'm saying?
Sometimes it happens like that. I don't want to say sometimes it is like that but sometimes it happens like
right right oh wow this is interesting shit this is interesting now it's dope though man it's dope
it's still a movie still filming a lot of times the big economic forces we hear about on the news show up in our lives in small ways.
Three or four days a week, I would buy two cups of banana pudding.
But the price has gone up, so now I only buy one.
The demand curve in action.
And that's just one of the things we'll be covering on Everybody's Business from Bloomberg Businessweek.
I'm Max Chavkin.
And I'm Stacey Vanek-Smith. Every Friday, we will be diving into the biggest stories in business,
taking a look at what's going on, why it matters,
and how it shows up in our everyday lives.
But guests like Businessweek editor Brad Stone,
sports reporter Randall Williams,
and consumer spending expert Amanda Mull
will take you inside the boardrooms, the backrooms,
even the signal chats that make our economy tick.
Hey, I want to learn about VeChain. I want to buy some blockchain or whatever it is that they're doing.
So listen to Everybody's Business on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.
The Medal of Honor is the highest military decoration in the United States.
Recipients have done the improbable, showing
immense bravery and sacrifice in the name of something much bigger than themselves.
This medal is for the men who went down that day. It's for the families of those who didn't make it.
I'm J.R. Martinez. I'm a U.S. Army veteran myself, and I'm honored to tell you the stories of these
heroes on the new season of Medal of Honor,
Stories of Courage from Pushkin Industries and iHeart Podcast. From Robert Blake, the first
black sailor to be awarded the medal, to Daniel Daly, one of only 19 people to have received the
Medal of Honor twice. These are stories about people who have distinguished themselves by acts of valor, going above and beyond the call of duty.
You'll hear about what they did, what it meant, and what their stories tell us about the nature of courage and sacrifice.
Listen to Medal of Honor on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. The American West with Dan Flores is the latest show from the Meat Eater Podcast Network,
hosted by me, writer and historian Dan Flores, and brought to you by Velvet Buck.
This podcast looks at a West available nowhere else.
Each episode, I'll be diving into some of the lesser-known histories of the West. I'll then be joined in conversation by guests such as Western historian Dr. Randall Williams
and best-selling author and meat-eater founder Stephen Rinella.
I'll correct my kids now and then where they'll say, when cave people were here.
And I'll say, it seems like the Ice Age people that were here didn't have a real affinity for caves.
So join me starting Tuesday, May 6th, where we'll delve into stories of the West
and come to understand how it helps inform the ways in which we experience the region today.
Listen to The American West with Dan Flores on the iHeartRadio app,
Apple Podcasts, or wherever you get your podcasts.
And it's going to take us to heal us.
It's Mental Health Awareness Month,
and on a recent episode of Just Heal with Dr. J,
the incomparable Taraji P. Henson stopped by
to discuss how she's discovered peace on her journey.
So what I'm hearing you saying is healing is a part of us
also reconnecting to our childhood in some sort.
You said I look how youthful I look because I never let that little girl inside of me die.
I go outside and run outside with the dogs.
I still play like a kid.
I laugh.
You know, I love jokes.
I love funny.
I love laughing.
I laugh at myself.
I don't take myself too seriously.
That's the stuff that keeps you young and stops you from being so hard.
To hear this and more things
on the journey of healing,
you can listen to Just Heal with Dr. J
from the Black Effect Podcast Network
on the iHeartRadio app,
Apple Podcasts,
or wherever you get your podcasts.
AT&T, connecting changes everything.
So is Eat Booty Gang still in effect? Connecting changes everything. Wait, wait, wait, wait, wait, wait, wait, wait, wait. Who is it? Wait, wait, wait, wait. When you say women's is a 4 to 8 booty game, you saying women is eating the booty? Yeah, women eat the booty, too.
Oh, come on.
Wait, wait, what?
Yeah.
I don't know whether to make noise for that or not.
Yeah, I get ate out.
Yeah, wait, wait, what?
What the shit, man?
I get ate out.
Listen to me.
Listen to me.
All right, Trick, you don't have your legs in the air, though.
It depends.
We don't need to think about it like that, bro.
I see Kika Preet. Listen see Kika Pree, listen.
Kika Pree ruined my childhood.
Listen, I'm on the road.
I'm on the road, Kika Pree told me to come to his room
to watch, to play PlayStation.
At the time, I'm 18 years old.
I'm really thinking we going to go play PlayStation.
I go to this nigga's room, this nigga put on a video.
He got his legs wide the fuck up in the air.
And the bitch just eating it up.
Ruined my childhood.
I was never the same,
never looked at PlayStation the same after that.
So.
Or King Capri.
Or King Capri.
No, King Capri.
My man, I got over that.
But it was the first time I'd never seen that.
I'd never seen that before.
So you started out eating booty,
then what made you say?
No, no, no, no, no, no.
First of all, okay,
first of all, I'm a pleaser first.
I would prefer to eat the girl out before she give me head.
Because I had a lot of terrible head.
There's a lot of non-dick suckers out there.
I'm just going to be straight up with it.
There's a lot.
The majority of the women that suck dick, they think that they're supposed to and that they have to suck dick.
I want me a woman that appreciate and love to suck dick.
Like, you know what I'm saying?
I can guess what you're talking about.
We still looking around like,
what's happenin' with me, what's happenin' with me?
I guess we can talk about that.
So I became a pleaser to the point where,
to the point where she ain't even gotta suck my dick,
just let me eat that pussy. And then after a while, you know, you got the goose, you know, good the women got the goose
What's that
Between the little hallway
So that's when a girl hit my ghost two or three times with the flick of the tongue.
I was like... In a whole different kind of episode.
So I raised the bridge up on her.
Like, hey.
I'm like, hey.
So I raised the bridge up on her.
You let her on it?
Hey, that's it, sir. So I raised my hand Jump on it From You let her on it Hey
It's just
You know
I get mad sometimes
When I go on
Clubhouses
And I go on
You know
Twitter and things like that
And they have trending topics
Like Kevin Hart ain't funny
I can't
I don't understand that
I went into a room
Like that one time
With
They said Tiffany Haddish
Ain't funny
And normally what that is Is trolls So when I went into a room like that one time where they said Tiffany Haddish ain't funny.
And normally what that is is trolls.
So when I went in that room,
she jumped in it too.
Okay.
And she stayed in for about an hour,
but I spent about 10 minutes telling them niggas,
don't do that corny shit.
All right.
You know what I'm saying?
Because no matter if you affect five people.
Why, you knew the people that were running?
I didn't know any of them.
Oh, okay.
I just went in there and started screaming at people.
All right, cool.
I'm just like, look, man.
Cool.
Y'all out here doing this troll shit.
It was like, no, we just wanted to get her in here so we could talk to her about some
issues over in Africa.
All right, cool.
What the fuck?
I get that, right?
But to go and say someone's not funny, to go against, to post something against their
livelihood.
Right.
Black people are always talking about, we don't have enough and we don't have this but we're the first people
to do some dumb shit like that so um moving on how did you start acting what was what was the
acting bug who who told you it was uh the first the first off i got was to be in a uh the friday
movie to be in fridays as the little little kid Chris kicking over the garbage cans.
And I was like, I ain't doing that.
Wait, wait, tell me, tell me, tell me.
So when you said kicking over the garbage cans, you're talking about Friday?
Yeah, they wanted me to kick over.
What's wrong? What are you talking about?
They told you not to do it?
No, I didn't want to do it.
Oh, you didn't want to do it.
Because think about it, right?
During that time, right, we're talking early 90s.
You were the kid Chris in the garbage can.
Oh, that would have been a legend.
This is the early 90s. you was kind of sell out like at that time
it was like yo you got a movie it was a sellout right hold on i remember even the clan this is
no disrespect to anybody but i remember there was a time right because i hung with kane and kane man
that's like that's like that's all that's my heart right and he would always give me these jewels
like never sell your publishing do this and, yo, you need to take your career
to do movies and things like that.
And I would come back home around,
trying to make you a sellout.
Da-da-da-da-da-da-da.
And I'm like, yo.
And then, so I'm like, nah.
My mind was like, I don't want to be a sellout.
You know what I'm saying?
Like, nah, I'm hip-hop all the way.
That was the era.
Being on the radio was selling you out on the radio.
That was true.
If you made it to the radio, you was done.
You ain't radio.
You ain't barbeque throwing stress.
You made it to the radio.
Oh, this nigga's a dub.
You be in a party, nigga be like, nah, he don't rep us no more.
It wasn't to commercials and things and money like that.
And people said, forget all this.
Forget sticking true to the culture.
I'm going to get the bag.
And if I got to do a flip in a Sprite commercial, that's what they did.
And it made, it sells everybody out at the end of the day.
But wait, was the Friday thing before the TLC video?
Yeah, yeah, it was before because it's the same director.
So when that ain't happened for that, he called me back.
He said, all right, it's not acting.
It's just being in a video.
And all you're doing is being yourself.
He said, I said, what is it for?
He said, TLC.
I was like, oh shit, TLC. Yeah, I'm on that. And it was just to be in a video. I didn, what is it for? He said, TLC. I was like, oh shit, TLC.
Yeah, I'm on that.
And it was just to be in a video.
I didn't think of it as acting.
I didn't think of it as acting.
I just thought of it as being in a video.
But Friday, did you know Ice Cube was attached to that?
I didn't really care.
You know what I mean?
I didn't care because for me,
what meant the world was coming to a party
and Rakim giving you a dap
or Chuck D telling me that
I'm the bridge and it's like, no, I'm not, man.
Listen, I want to be accepted.
You know what I'm saying?
On the block.
I don't really care about that other stuff.
You know what I mean?
So that's why.
And I like the fact you're holding a smoke champs joint.
I like that.
If you want to light up, you can light up.
If you want to light up, yeah, you can light up.
It's okay.
Yeah.
No, no, no, no, no, no.
You thinking about it.
You thinking about it.
All right, come on.
You my Joe Rogan.
Let's go.
Let's go.
Hey, man, I'm not a real smoker.
Y'all ain't going to embarrass me.
You got to light it.
I got the gloves.
I'm going to be like.
Yeah, somebody light it for him, please.
So let me ask you. This is this kind of serious question, right?
Yeah.
Because I remember when Nas named his company Elwell, right?
Yeah.
And I believe that he had to change the name of his company
because it's easy to say like, fuck Elwell,
but Elwell is an actual
person. El Will was his actual
best friend.
So was it
ever a time where you said that about naming
your album that because let's suppose somebody
don't like this album and somebody could say
fuck Donald. They're not saying fuck
your mother but they're saying
fuck the actual material. Did you ever
feel any concern about that, naming it
after her?
Not at all, but I have seen them do
these things. When everybody said they liked
Donda way better than
CLB, they had this thing
where they had these football players coming up saying,
would you like better CLB or Donda?
And then they was like, CLB.
And then one of them was like, yeah, fuck Donda. I was like,
bro, that's my mama yeah yeah so
no so you did feel that a certain way like Like, it was a football player saying fuck.
Yeah, but he was saying fuck the album.
There's a lot of us fighting in all kind of different ways.
It's like that 13th Amendment needs to completely be eradicated.
Which is?
The thing is, it's a specific amendment for slavery for black people.
That's in the current Constitution.
When we shut up and dribble and we rap and we do all this, this thing is still in the Constitution.
As famous as black people and as powerful as we are and as influential as we are, there still are pieces of our 2021 Constitution that are only aimed towards the lost hebrew race
known the lost hebrew people pardon me known as black and that is still modern day um
modern day slavery so i'm you got to give collectively that's that's the whole point that's the reason why it talks of me and drake doing a
concert uh to uh to bring life to hoover together and that's i see you with jay prince and and jay
prince obviously is affiliated i see the rapper lot chain jay prince spoke about it here i believe
i'm not wrong yeah yeah you know so for a bigger call for period i love drake anyway you know i'm saying it's just i was just basically i was just telling you like little back for
basketball type of professional rap stuff we was dealing with but on a bigger and also i say
you know those of us that know how to organize are brought to their demise because they do not want us to be organized. They want us to be modern day slaves.
Deep shit, man.
Deep shit.
Deep shit.
Thanks for joining us for another episode of Drink Champs
hosted by yours truly DJ EFN and NORE.
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