Drink Champs - Episode 71 w/ Kid Capri, Tony Touch and A$AP Ferg

Episode Date: March 31, 2017

N.O.R.E. and DJ EFN are the Drink Champs. In this episode the guys sit down with Kid Capri, Tony Touch and A$AP Ferg. They discuss their careers, the mixtape game, some hilarious stories and so much more! --- Support this podcast: https://anchor.fm/drinkchamps/support Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.

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Make some noise! And right now, this is a very special edition. It's like a motherfucking mixtape in here. It's like old school meets new school, new school meets old school. It's like DJs combined with two artists. It's like three DJs and two artists. Y'all jumping us right now. Let's make some noise. It's about time.

We need a DJ episode. So right now, without no further ado, we got hands down an international live DJ. He has this thing called No Panties Sunday. I kid you not. I don't want to. My cleaning lady comes over. I put it on his periscope. And I just act like it's the radio.

This guy has been doing it for years My very first tour I seen him on the tour He brought me to the room Because he knew I can only smoke weed And he said little nigga come to the room And let's smoke some marijuana Let's play some Sega Genesis Then we got

To the right of him We got Harlem's own Person that's been a part of Reshaping Harlem Harlem has been known For Harlem World But this is not Harlem World This is a new era

The new millennium Harlem He's repping His father was a close friend of mine Which is crazy That he's a star now Because I wish his father Was alive to see his daughter We got A$AP Ferg in the motherfucking building.

Hold on. We ain't finished. We got Mr. Capico himself. Mr. Tony Toka, a guy who I've seen him in Dominican Republic, and we've had wonderful nights. That's all you got to say? No, no. I mean, you know, his accolades is crazy.

He's been on Tommy Boy. He's been down since Crazy Legs and, you know, old school to new school. He's still out, still running. Filthy MCs. I've been on like three of them. God damn it. Make some noise for Tony Touch in the building. All right, now my intro wasn't that good because I haven't had a drink.

Let me get a drink. What am I drinking? Super sober right now. What you drinking? You drinking Bel Air? I got? You're super sober right now. What you drinking? You drinking Bel-Air? I got the beat. You got it. Now, that's Kika Pree, y'all.

Kika Pree, let's get this out the way. Now, are you signed to Bel-Air or no? Negative. Negative? I drank that when I'm doing the Periscope shows. I've been drinking it for a while. You want some rosé? I'm going to take some Ciroc.

Oh, Ciroc. Okay, I'm just going to go rosé. I'm going with the Ciroc. Where the regular Ciroc at? Let's get the regular. Now, just for y'all that don't know, we celebrate hip-hop on this show, and we celebrate our legends, you know what I'm saying? And we celebrate the culture of hip-hop.

So starting with you, Kickapree, I remember back in the days, I was a kid from Queens, and you had something called Kickapree Slow Jams Or was it Slow Jams Kickapree? You talking about the mixtapes? The mixtapes Yeah, yeah, yeah Do you know Until I was 21 That's the only thing I fucked to?

Right It was Kickapree Slow Jams That's what I'm worried about You know, for real Like, yo, I kid you not Nah, I said 21 I'm lying Like, I think

The first time I put on R&B Was with my wife Like, and I was like 30 fucking 5 with my wife. And I was like 35 or 30. Yeah, I was like 31. But for real, you fucked up my whole childhood. I fucked a kick. Slow jam takes. Did you know that?

Did you know that? You know there's got to be like 6 million other people like me. For sure, for sure. Yeah, I've heard that a lot. I've heard that a lot. But, you know, that all came from the stardom of the hip-hop tapes, the street tapes I was making. You know, when I came out, I wanted to have different colors

and different joints. So Slow Tape was just one of those joints I was making and it just popped off for me. Same thing like No Panty Sundays right now. No Panty Sundays, man, on Periscope. On Periscope, on IG Live, Sunday night. Was it right on the Saratgo? Okay, here we go.

But that's not the water. Yeah, so now, kid, so back in the days, were you considered the first mixtape DJ? No, not at all. Okay, who was? Well, there was Hollywood before me. There was Brucey B. There was Starchild.

There was Lovebug Starsky. But when I came on the scene, I made it national. I made it big. I did it different. I put aggression to it, and I wanted to be looked at as an artist, not somebody just playing records. So that's why when I got on the stages. Those are the first ones I heard down here in Miami.

When I got on the stages next to that platinum artist, I'm going to leave that scar in that coliseum, you know, just like that platinum artist is, maybe even better. Because that's how I'm going to leave that scar In that coliseum You know just like That platinum artist Is maybe even better Because that's how I wanted to be looked at I didn't want to be looked at As somebody that was

Just playing records You know what I'm saying And you know And that's how All the money came up That's how You know everything Started getting bigger

You know the DJ Became a business now Made it a business It wasn't no more You behind the group It wasn't no more You had to be behind the group To be on and get paid

Now you get paid on your own. You're your own man. You know what I'm saying? And you rock out and travel the world. So that's what it was. Now, A$AP Ferg. Yeah, yeah, come on. You totally took a drink off.

Maybe we're going to take shots too. Now, who was the first DJ to play an A$AP Ferg record? Who was the first DJ to break an A$AP Ferg? Hit the mic right there, Tua. I want to say Self. DJ Self. That was the Self. Yeah to say Self. DJ Self. DJ Self.

It's so long ago. I want to say Self. I can name all the early supporters. How about that? I want to say Self was definitely one advocate that really represented for me. Then I want to say DJ Enough. Always Show Me Love.

Carmelo definitely showed me love Show Me Love, Carmelo, Definitely Show Me Love. Everybody call him Carmelo. Carmelo. You know what it is? All black people, too. I'm thinking some racist shit. Chance of Carmelo, too. DJ Carmelo, Show Me Love, definitely for the Spanish

community. Flex. How can I forget Flex? Definitely. So, you know, shout out to all of the DJs, like, early on, and Bebe out there in, what is it, Dallas? Smokin'? No, I'm straight, bro. You smoked, though?

Yeah. Goddamn it. Yeah. But I want to say, like, Self was definitely, like, one of them, the first one. Well, you guys ASAP Rocky. Well, you guys, ASAP Rocky, ASAP, well, ASAP, period. Excuse me. ASAP Ma. ASAP Ma, that's how I

meant it. Excuse me. You guys represent a new sound of New York, but it's still New York. But how do you like face the criticism when people say, oh, that don't sound like the custom New York? I think we do got certain songs that sound like traditional New York, but I't sound like the custom New York? Oh, I think we do got certain songs

that sound like traditional New York. But I think, like, once the internet came, it's almost like you get to hang out everywhere. So it's like you getting music from kids that make beats in Japan. Or we started linking up with kids that was in Texas. And then, you know, we was traveling. And Rocky went to a school in Mississippi

and was linking up with different people so I was sounds Naturally progressed in that way and it was like I said like the internet kind of like Integrated everything and it made it a melting pot for music Yeah crew was everywhere y'all have people in Miami to hear Miami definitely shout out to lotto Asap lotto and Shout out to Lotto, A$AP Lotto, and shout out to DJ Jay Scott. Wasn't Denzel kind of down with y'all somehow? Nah, but Denzel is definitely cool. Like extended family?

He's cool. He's the homie, yeah. Y'all totally touched. Early on, right, being a Puerto Rican and a DJ, DJing, did that face complications because the traditional DJ was black at that time I mean you know there from the get know and I don't know a lot of Puerto Rican's on a scene before me you know we were just talking about a little Louie Vega before and you know he's one of the first you know doing urban parties in

the city and Capri actually was doing Studio 54 with him back in 87. Studio 54. I forgot all about that, but he took me back with that. But, you know, Louie, you know, Charlie Chase, of course. Charlie Chase? Yeah, we had Puerto Rican presence in there, you know. It wasn't a lot, but, you know. Yeah, you know what I mean?

But do you feel like it was harder being Puerto Rican, or was it like? Nah, because, you know, I was playing dance music too and stuff like that. You know, the dance music. You're still heavy in that too. It was like, you know, predominantly Spanish anyway. So I was in that world as well. But as far as in the hip hop, you know, not really, man. I didn't really feel no resistance or any type of way.

I was born in East New York, so I was just around. It was just part of, you know. That means you got a body. Let's make noise for people in East New I was born in East New York, so I was just around. It was just part of, you know. That means you got a body. Let's make noise for people in East New York. Everybody in East New York got a body. Even the garbage man in East New York got a body, god damn it. So, kick a brief, right? I've been to your parties.

I've been there. I said, come on, open up that bell there, man. You ain't going to get away. You made me cry. Whoa, whoa, whoa, whoa, whoa, whoa. Now I'm drunk. Now I'm drunk. So, I've been to your parties, Kick It Briefly.

Exactly. And you really interact with the crowd. You make sure they participate in. Is that important? Because do you get mad when you see a DJ that just play records? They don't talk to the crowd. They don't hype it up. I don't get mad.

I just stay in my lane and do what I do. But do you judge them? Come on. You're a DJ. Yeah, yeah, yeah. I mean, of course you're going to judge anybody that you go and pay. Well, I don't pay mad. I just stay in my lane and do what I do. But do you judge them? Come on. You're a DJ. Yeah, yeah, yeah. I mean, of course you're going to judge anybody that you go and pay. Well, I don't pay to get in, but when you go to see somebody on the stage, your whole idea is you want to feel better than you did before you got there,

and that's the job to do. And a lot of people, sometimes they get stuck and they suffer and they forget that. They think they're doing the crowd a favor. But really, when them people stop paying for the tickets, you're going to see who's really doing the favor. So my whole thing is it's not just the crowd, it's the promoter. You got to make sure the promoter's

happy, such as let's say when I do a show somewhere and the promoter lives and does everything according to my rider, and something like rain happen and the crowd don't come, I tell him, yo, go set up another show and we'll come and do it for free for you, just so he can get his bread, just so he can never feel like when I'm down, he's going to kick me further.

And a lot of dudes, what they do is I got my bread, I'm here, and that ain't my problem and all that shit. But see what happens is this dude had me come back six more times that year. You see what I'm saying? He see that. I got his back no matter what, so I come back six more times that year, and I ain't got to worry about making a record. I ain't got to worry about being on TV. I ain't got to worry about being on TV.

I ain't got to worry about being on the radio. I conquer all that. Just the name alone, the brand alone keep going because of those things, because of the respect that you give these promoters in the crowd that come and pay you. And that's just it, man. That's why I keep working. Goddamn it. Goddamn it.

Let's make some noise. Let's make some noise for Kiki B being a great nigga. I'm a good nigga. Who's drinking? I am not a great nigga. Give me another cup. Give me an ice cream cup. I'll drink with you.

Can you take a shot? Nah, let's not about that. We're going to take a shot. I got a question for you. Okay, hold on. I'm coming right back to you. Def Comedy Jam. Where was you at when they first gave you that call?

And what did you think? Because you were the first DJ on Def Comedy Jam, Where was you at when they first gave you that call? And what did you think? Because you were the first DJ on Def Comedy Jam, correct? Yeah, I mean, I was the one with them from the start to the time I ended. End of tour. I was doing a show, after show, for LL's show. He was doing The Garden. And they asked me to do the after party. I'm shaking this building up.

Make some noise so we can keep frosting on us. We respect that. Well, anyway, shaking this building up. Make some noise for KKP Frosting on us. We respect that. Well, anyway, shaking the building up. Russell Simmons walk up. Yo, kid. He see the crowd, you know, losing it. Yo, kid, what you think about doing a comedy show? You know? I'm like, comedy show?

What fucking comedy? What do I got to do? DJ with a comedy show? What the hell? I was like, wait a minute. This is Russell. This is HBO. I'm out of questions a minute, this is Russell, this is HBO, who want to question this shit, let me just go do it. So anyway, we ended up doing it, and that shit changed my life. I mean, I was popping in the street, but I thought I was popping in the street, but I wasn't, shit, when I got on that show, I remember the first concert we did, not the television show, the first one.

It went on the road, I saw you on Miami, I saw you on Miami. Yeah, the first show we did, I'm behind stage. It was about maybe 9,000 people in the crowd. I'm behind stage and the crowd, the curtain is down and I'm standing and I'm listening to people clapping. I ain't really thinking nothing of it. As soon as the crowd, as soon as the thing opened, these people were screaming.

It was just like Michael Jackson or some shit. I didn't know what was going on I was just screaming But I'm standing I never got stage fright It's a deaf comedy show But this is the tour

This the tour And when that happened I went to go grab the mic They screaming even more So now what happened was I had a 15 minute set So I had to play records quick And the more records

Shit I played Is the more crazy These people got So I seen what I did In them concerts shit I played, is the more crazy these people got. So I see what I did in them concerts and I applied it to the parties. And that's when the DJs seen me doing it in the parties.

Playing the shit quick and, you know, freaking it out. But a lot of times, a lot of DJs try to do it and they piss people off. Because they don't make sense of what they're doing.

They're just trying to do the shit. But when I started doing it, it was a story I was trying to tell so it worked. And I just took it and brought it to the party and did what I did. Like a number of other things we could get into and talk about, but

we won't even go there. No, we're going there. We're going to take some shots. It's crazy. After the shows, I went to the tour when they came here. It was at the James L. Knight Center. Do you got the ticket? Because I know you got the ticket. You know, I probably do have the ticket. I probably do have the ticket. And yo, after the show, he came off the tables, went into the crowd. That's right. That's what I always do have a ticket I probably do have a ticket And yo After the show

He came off the tables Went into the crowd That's right That's what I always do Always get in the crowd Always get in the crowd Definitely Those are my people man

To this day I do 200 shows a year So to this day You know what I'm saying My engagement is to be with the people You know what I'm saying At all times It's only 365 days of the year

He's busy at 200 God damn it This nigga's out here Touring like a wrestler God damn it You gotta remember I was the first Doing it in hip hop

To own a tour bus Tour I was going there You know what I'm saying I was going there You gotta remember that I was going there Damn

You're fucking up my interview Right now I was going there I was going there Where did you straight own them Own them I owned my first My 40 foot bus

My 40 foot bus My second album came out I owned my first 40-foot bus. My 40-foot bus. My second album came out. I owned my first bus, and then I went and bought a 45-foot. The crazy shit, when I went to go buy my first bus, the people that owned the bus, the company, they were laughing at me. Like, nobody buys buses. Your album come out, you go rent a bus, tour's over, and you send the bus back.

I said, man, give me my bus, man. Came back, bought another one. Gave them their best drivers Drivers Just assimilate cash Money little thing All that So it was happening

They didn't even offer me A million dollars For my company Didn't take it But you know But at the end of the day I was the first one To do that

Because it was so many dates And I'm traveling With 15 crazy records I like my shit To look crazy and bulky So I was on stage Smashing them like that I needed my bus

To roll and take me So that's what I did. Goddamn, make some noise for that, man. Now, A$AP Ferb. He had a question for us. Let him ask his question. I had a question for you

that I wanted you to hit me with a question. When was the moment you knew? Because, you know, y'all was a crew prior to coming out. Yeah.

A$AP gang, but A$AP crew. But when was the moment that, because I understand that Rocky was the first one to coming out. ASAP gang, but ASAP crew. But when was the moment that, because I understand that Rocky was the first one to jump off, but when was the moment you said, I'm here? The moment that I knew that, like, when he was doing his thing and I was playing passenger,

I was, like, I was just basically studying because before I got into the game, I was scared as hell. You know, they always talk about, like, all the people basically studying because before I got into the game, I was scared as hell. You know, they always talk about, like, all the people taking advantage and the record execs and the devils in the game and all of that. And Shani is sold to the devil. But who do you think is going to take advantage? Who do you think that's going to come from? I mean. Who do you thought back then?

Them people you wouldn't expect it. The people that Khaled told them about? The who? The people that Khaled told them about? The who? The day. The day. The day.

Definitely the day. The Khaled. The Khaled. The who? The day. The day. The Khaled. The Khaled. Khaled? DJ Khaled? I'm dyslexic. Relax. No, no. You said the Khaled.

That might be some other crew. The Khaled. The Khaled. You know that Khaled. DJ Khaled? Them guys that have. Day guys. Yeah, day guys that don't have no desire to hang out with you and your friends.

Those guys. And, yeah, I just basically wanted to study the game. And, you know, we all just, like, it was good because I was doing it with my friends. But, like, I was just like, all right, when he drops, I got to be, like, right behind him. You know what I'm saying? Just to be that support. And I know, like, you know, when things slow down for him, you know, I got to be the next one. Just like how Meek did for Ross or, like, you know, I gotta be the next one, just like how Meek did for Raw, so, like, you know,

Drake did for Wayne, I gotta be there to pick up the thing and put it on my back, and I had to figure out, we was, like, really pushing Rockies, like, we was, you know, we all wanted to do Vogue, we all wanted to do GQ, we all wanted, but he did it first, and he

did it, you know, he opened those doors for us, but we was, like, basically putting him on a pedestal opened Those doors for us But we was like Basically putting him On a pedestal To do those things So I was like What can I do To do something different You know what I'm saying

Cause y'all started Hanging downtown Wearing different type of clothes Yeah but we've been Hanging downtown Doing different clothes Like I was hanging out Uptown

I wouldn't wear Different clothes We were just different You know this is the Village of Miami right here I don't think so This is the village Nigga I don't know When village of Miami right here. I don't think so. This is the village, nigga. I don't know. When was this the village

of Miami? I don't think so. It just don't got style. It don't got style like the village. The village got style. This is like the art galleries. Yeah, this is the art gallery. Go to Wimbledon 20 years ago. It's not like that. Yeah, I know. What I was getting to, though, was just like I just basically had to discover

what I was going to bring to the table. Like my sound and basically had to discover what I was going to bring to the table. Like, my sound and what ASAP Ferg is going to be to the group. And I knew that, like, ASAP wasn't really in the clubs like that. You know what I'm saying? Because we was hanging out downtown and we went to house parties and, you know, we was with a bunch of white hippies and shit like that. I want y'all to invite me to these parties. You know, fashion parties and shit like that. So,

but I'm always the hype one. I'm bringing the energy. So like, I'm the one, I was the invitation to the club. And that's when I started doing work and shabba

and like all these things. Whose idea was that? The shabba shit is genius. Oh, that was mine. I like, listen, I didn't even know

what I was doing. It just kind of came to me. And like, I heard the beat and I was just like. Nah, yo, he got fucking shabba on the joint, dog. Shabba, come on, man. Wait, what I want? Oh, he's talking about shabba. kind of came to me and like I heard the beat I did not finish the ranks. You got to finish the ranks.

Shabba, Shabba. Nah, it was my idea. To get the actual Shabba ranks. It was mine. Yeah, but what I'm asking, how old are you? I'm 28. You're 28? How do you appreciate Shabba ranks? I mean, I grew up with Shabba ranks.

But the video was spot on, too. And you had the jewelry on like him. Shabba ranks, I had Shabba in the video dancing. The whole treatment of the video was evolved around Shabba. It was like we had people emulating him. I was emulating him. That's what I'm saying. It was spot on.

Rich, famous. And then like I had, we was like basically loitering in his house. Like, you know, he snuck in his house. He was like, that's when he shows up at the end of the video. He's like, yo Yo get out of my house But he start partying with us Right But like I grew up

Seeing Shabba Like on Rap City And I always remember him Like having mad jewelry Always had mad chicks In the videos So I was like Yo who was cooler

Than Shabba Shabba was cool Yeah Always been cool But I always like Pay homage to like Those before me Like you know I used to shout out Selena Like you know Early in my career That was always been cool. But I always like pay homage to like those before me.

Like, you know, I used to shout out Selena, like, you know, early in my career, 100 Million Roses. And then I put like Onyx and Be Real on the same track on my first album. And then I turned around and put Bone Thugs on a track called Lord on my first album. So that was just always the thing I did. It's like, if you want to make history, you got to literally make yourself a part of history. And that's what I was doing, linking myself with history.

That's one thing I always respected about y'all is that, like, from the beginning, y'all came out, y'all said y'all was raised on Bum B. Y'all said y'all was raised

on Master B. And y'all wasn't afraid to actually big up y'all influences. That's one thing that I always, because it don't matter where your influence come from. I'm from New York City.

I don't give a fuck. But if my fucking influence came from nwa i gotta claim that i gotta say if my influence came from ice tea i gotta claim it and that's one thing that i always you know respected from y'all that y'all stuck with that right yo can i get that rose now tony touch you're a motherfucking genius You sat back And you said I'm gonna make something Called 50 MCs Why? That changed the game

For the mix You fucked us up Yeah, you fucked us up Cause I had to have my verse Every time you would call me For 50 MCs I had to write for like a week I had to be like

Cause I know you might My verse might come on And you might put it on Scarface right after me Then after Scarface It's a Nas Or a Jay You know

Shit like that How did you think Of the 50 MCs What was going Through your head Was you smoking dust It feels like PCP What was it

What was Doo-Wop's Equivalent to that Was it first Doo-Wop Here's what happened Doo-Wop did a mix tape Called 95 Live So he raised the bar.

He raised the bar with the mixtape game with that 95 Live. What was that 95 what? It was called 95 Live, the mixtape. He had like maybe 15 MCs on it. KLS. And he did like this long intro and it changed the game. It was crazy. So a year later, it was my 50th mixtape.

Right. And, you know, I wanted to treat it like an anniversary kind of thing. And so I fed off of what like WAP did. Right. You know, just different influences. Of course, Kid set the whole thing off. Everything. You know what I mean?

Everything. We're products of this. Let me start off by that. Absolutely. Pay homage. For not Capri,, I wouldn't even probably have been doing mixtapes. You know what I'm saying?

I probably wouldn't have babies if it wasn't for Capri. Let's throw that out there. So, you know, so yeah, 50 MCs, the 50th tape, anniversary.

You don't need child support to raise the bar. Throw it out there. Yeah, I'm sorry. No, no, no. That's it. That's what it is. You know what I mean?

Absolute genius at that time. It was something that you had to sharpen your bars for. Like right now, a DJ calls an artist for a mixtape and all they want to do is out-fashion. But back then, it was about bars. Yeah. Now, right now, I don't mind the out-fashion. I don't mind the whatever. Like, I'm into all this new shit.

Are you into it? What's a new record you're into? I mean, you know, I still got the radio show on over there. What's a record Tony Thokai is into? I mean, I like all this shit. I like A$AP Ferg shit. I like West Coast shit. I like South shit.

Name one. I like German shit. I like West Coast, you know. Name one. Name one you want to get in a car to and ride out to right now. Right now, if I walked out the door, probably something like Conway right now is doing it for me. Big up Conway. There's an artist outside of New York.

Right. You know, Currency. You know, stuff like that. You know, all kind of shit. West Coast shit. How about you, Ferb? What's the joint right now you want to jump in the whip? I'm listening to Ross' album.

It kills it. Yeah, we got to get into Ross' album. It kills it. And I like Drake, the shit where he talking his shit on the songs. Oh, okay. He's talking his shit. What's the first song called of the album? Free Smoke. Free Smoke. Free Smoke of the album? Free Smoke.

Free Smoke. Free Smoke, Free Smoke. I'm not a meat now. That boy went in. I felt him. And besides that, I just listen to like a... I'm still stuck on like the old shit. Like, honestly.

Okay, hold on. So, Kid, what's the joint right now? You're going to the car. You want to hear it right now It's kind of hard to ask me that Because I got So much music I'll be playing

I got three different shows Going on right now But just one I mean right now I mean right now I guess Ross album Is banging right now I'm saying that

Trap Trap Ross is crazy There's all that shit Is crazy on that album I was just on the boat The other day We were playing that shit On the album

For the first time. It's the old Bible. Hey, yo, shout out to Bing. Bing did a great job. Bing did a stay. Come over here. Come over here. Come over here.

Come over here. I want to tell y'all what song I want to get in the car right now and listen to. Y'all ready? Y'all ready? Y'all ready? And then the game went ready? And then the Yo, that joint. Now, look, I don't want to blow the guy up, but a legend, super legend in the game.

I'm on the way here. So I'm talking to him on the phone, talking to him about, you know, just regular shit. And the song comes on, and I go, I put the phone down like, yo, this is the hottest joint on the street. Soon as I put it back up, he's like, I fucking hate that joint.

And I'm like, damn. See, the thing about me is, I come from the 90s, but I live in 2017. I choose to appreciate what's happening now. Me too. Like, I can live off the old shit. That's cool, but I actually lived in that era. You know what I'm saying?

Most people who praise that era are people who didn't live in that era. Going down this path again right now? Yeah, no, I'm saying. I'm saying because I actually really dig the new shit And people be looking at me because I'm like a quote unquote You know, what is it? Gangster rapper from then Like I can appreciate everything

I do think that y'all had more fun back in the day No, we definitely had more fun I feel like it's like you really hardly could feel anything nowadays. Okay, now break that down, Ferb. You want to drink some rosé with me, Ferb? I'm drinking. You want some rosé, though? I'm getting lit right now.

Let's get some rosé. Yeah. Let's get some rosé. They told me you wanted rosé. We'll be taking shots of it. Come on. Whatever you want. Can I be your wife?

Okay, I'm in. Let's do it. I'm in. I'm not waking up tomorrow. You might. Whatever you want. Can I be a wife? Okay, I'm in. Let's do it. I'm in. I'm not waking up tomorrow. You might not wake up tonight. Okay. Coyo Taco, I think? Coyo Taco.

I've never been to Coyo Taco before. You were there. I just don't remember you drunk motherfucker. Let's relax. Pretty cold out. Say go ahead, Fer. You were sitting down. Yeah, so basically I felt like.

Yeah, but Fer, hold on. Hold on. hold on. My bad. I want you to finish. But did you see how I opened that up? Did you see a spell drop? No spell. You can tell that's a real champagne popper. Champagne trap.

Popper. Popper. He popped it, put it on the thing, and just looked at my man and it didn't spill. I'm sorry. Continue. Nah, basically it's just like I felt like, you know, back in the days, it was about discovery.

And, like, you know, people interacting with people. Nowadays, I feel like everybody hide behind the computers and everything like that. And I'm not crushing that because it's like, you know, it did open a lot of doors for what's happening now. But, you know, I marvel at what, like Like how y'all Lived y'all lives Back in the days Like hearing the stories From my uncle And my pops

And you know Watching the old movies Like Where's Gino? Gino over there? Is Gino here? Gino's here Gino's here

Get the fuck out of here I think he's still Looking for parking He better not be It's just We need one more Shot glass I'll tell you the crazy shit

Who's not taking a shot? Gino was an intern Right? Here Marco I mean I'll tell you the crazy shit. I'll tell you the crazy shit. Gino was an intern, right? Oh, yeah, I'm in. Gino was an intern, right? And we had just released an album called The War Report, right? Oh, I didn't. All right, well, it's the EFN shit. We got to drink it.

I don't have another shot, though. Listen, if you turn down a Cuban... I got something. I got something right here. Listen, no, no. Listen, Fer, you got to take a shot. If you turn down a Cuban, it's 20 years of bad sex. Fer, you got to take a shot. If you turn down a Cuban, it's 20 years of bad sex.

I'm just throwing it out there. You got it, got it. Take a shot. You going to start getting bad. What do you need in the shot glass? Here, you take mine, and then I'll take yours. I'll drink after you.

How about that? How about that? Salud. Salud. Drink, champ! I'll drink after you. No problem. Go ahead.

Go ahead. That's aguayente. It tastes like trotting. Let's do it. Oh, look at that. I feel like Akineli. I want to rub my nipples. Shit is real. I'm sorry.

This is where we get loose. We haven't recorded a podcast. We haven't recorded a podcast in a long time. We just want to let y'all brothers know And we celebrate One year anniversary One year anniversary Aguayente is in my soul Alright so we're going to drink some rosé

You're not going to mix that I got an extra cup for you Look at that Look at the drink champ Look you got an extra cup for you. Look at that. Look at that. Look at the drink, champ. Look, you got an extra cup for you. Nigga a real nigga. Nigga a real nigga.

And I got a big one. This guy just comes out of nowhere. I got a big one. ASAP Rocky because we had an episode. Listen, we had an episode with ASAP Rocky. Here you go. I gave him a bomb. There you go.

See you later. Lax. Lax. What is that, a candle? Yo, because we had an episode with A$AP Rocky, right? And I gave French a five. And I said, pick up French for fucking a Kardashian. And A$AP, if you look at the footage, A$AP Rocky is like this.

I don't get a five? And I'm like, oh. What, he mess with a Kardashian? Yeah, that's when he fucked a Kardashian. Let's make some noise for the Kardashians? Yeah, that's when he fucked the Kardashians That's when he fucked the Kardashians I really felt like he came into that show Like he was into Dream Channel No, listen

A$AP Rocky This is what happened I'm gonna describe what happened He seemed like he was excited He wanted to go in But T.I. What happened? The lawyer for hip-hop

I blame you I blame you Why? When I walked into the room He was already talking to T.I. And it already looked bad Yeah, yeah, me and T.I. It was cool

That's the homie You know what I'm saying? But you know We've been And he just wasn't having it Like he didn't want He didn't want to play games He didn't want to take shots

He didn't want to do all that So I You know But ASAP Walked in there So T.I. immediately Became his lawyer But Rocky wanted to get wild No, no He wanted to get wild He started asking me If I was drinking or not But ASAP walked in there. So T.I. immediately became his lawyer.

But Rocky wanted to get wild. No, no. He started asking me if I was drinking or not. Like, I'm crazy. Mm-hmm. Mm-hmm. Wow. The American West with Dan Flores is the latest show from the MeatEater Podcast Network,

hosted by me, writer and historian Dan Flores, and brought to you by Velvet Buck. This podcast looks at a West available nowhere else. Each episode, I'll be diving into some of the lesser-known histories of the West. I'll then be joined in conversation by guests such as Western historian Dr. Randall Williams and best-selling author and meat eater founder Stephen Rinella. I'll correct my kids now and then where they'll say when cave people were here and I'll say it seems like the ice age people that were here didn't have a real affinity for caves. So join me starting Tuesday, May 6th, where we'll delve into stories of the West and come to understand how it helps inform the ways in which we experience the region today.

Listen to The American West with Dan Flores on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. I know a lot of cops and they get asked all the time, have you ever had to shoot your gun? Sometimes the answer is yes. But there's a company dedicated to a future where the answer will always be no. Across the country, cops call this taser the revolution. But not everyone was convinced it was that simple.

Cops believed everything that taser told them. From Lava for Good and the team that brought you Bone Valley But not everyone was convinced it was that simple. From Lava for Good and the team that brought you Bone Valley comes a story about what happened when a multi-billion dollar company dedicated itself to one visionary mission. This is Absolute Season 1. Taser Incorporated. I get right back there and it's bad. It's really, really, really bad. Listen to new episodes of Absolute Season 1, Taser Incorporated,

on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Binge episodes 1, 2, and 3 on May 21st and episodes 4, 5, and 6 on June 4th. Add free at Lava for Good Plus on Apple Podcasts. This Pride Month, we are not just celebrating. We're fighting back. I'm George M. Johnson, and my book, All Boys Aren't Blue, was just named the most banned book in America. If the culture wars have taught me anything,

it's that pride is protest. And on my podcast, Fighting Words, we talk to people who use their voices to resist, disrupt, and make our community stronger. This year, we are showing up and showing out. You need people being like, no, you're not going to

tell us what to do. This regime is coming down on us. And I don't want to just survive. I want to thrive. You'll hear from trailblazers like Bob the Drag Queen. To freedom! Angelica Ross. We ready to fight? I'm ready to fight.

And Gabrielle Yoon. Hi, George. And storytellers with wisdom to spare. Listen on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. CEO of Tubi for a conversation that's anything but ordinary. We dive into the competitive world of streaming, how she's turning so-called niche into mainstream gold, connecting audiences with stories that truly make them feel seen. What others dismiss as niche, we embrace as core. It's this idea that there are so many stories out there, and if you can find a way to curate

and help the right person discover the right content, the term that we always hear from our audience is that they feel seen. Get a front row seat to where media, marketing, technology, entertainment, and sports collide. And hear how leaders like Anjali are carving out space and shaking things up a bit in the most crowded of markets. Listen to Good Company on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Welcome to Play It, a new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment, and more. Play it

at play.it. We're back to Drink Champs Radio with rapper N.O.R.E. and DJ EFN. Now, Tony Tuck, you've been in this game for how long? I mean, I started DJing in 86 So I started making money like in 90

91 92 is when I started started making the rent off of it It's been a great run man,. God is good. Everything chilly chill. That's it, you know? Word. And what do you love most about this game? The drink champs. Goddamn.

Goddamn. We're going to make a noise. So you know how I say, Chichi, get the yayo? Yeah. Just off of Scarface? Mm-hmm. So I was working Tommy Boy.

You know, I did the marketing. And we did the didn't work with Tony touch and he had the homie Angel Angel Salazar me, man. Gigi get the yayo. Gigi get the yayo. God damn it. God damn it. God damn it. Let's make some noise. Gigi the yayo. I just came to work. So now, Kikapri, you've been all over the world. You was signed to Trackmasters. Let's talk about that time period.

No, I wasn't signed to Trackmasters. I was signed to Columbia for five years because they lost. You sound like a bitch when you said that. No, because what happened was, you know, at the time, I'm sizzling, sizzling, sizzling because they lost. Sound like a bitch when you said that. No, because what happened was, you know, at the time, I'm sizzling, sizzling, sizzling. They lost. We've been rich for so long. You just seen how he did that? He was like, I did.

That was a rich nigga move. Listen, certain people don't speak rich nigga. Like, every time Hov texts me, I always show it to somebody else that I know is richer than me. Because I don't understand what Ove be talking about. He'll say something and then he'll skip lines. I'm sorry.

But that was a rich nigga suggestion. What are we talking about? Go ahead, continue. What are we talking about? Just make it up. This ain't Columbia. You're out of Columbia, man. Bitch, five years in Columbia.

Right? So I did my album. And I gave it to the head A&R. He lost the shit. What? Oh, shit. So I told him, I said, well, fuck y'all. The whole album?

The whole album. I said, fuck y'all. You didn't have a copy? Listen. I said, fuck y'all. You're doing nothing. Right? Five years later, they said, call me your kid.

Because they were trying for the whole five years. Your kid, come on. Do your thing. Nah, he's doing nothing. So five years later, they called me, yo, we signed. Track kid, come on, let's do that. Nah, he doing nothing. So, five years later, they call me, yo, we signed, track masters,

they coming in with Columbia, they going, you know, straightening out shit. I was like, alright, I know them, maybe I'll fuck with them and see what's going to go on. So, as we started doing that,

I'm a producer, I think track masters did maybe two joints and I did everything else. And, you know, as we going along, I'm seeing certain things that I didn't think should have happened but you know I'm telling them like let's just wait let's

you know they wanted to put it out on November 17th the day of everybody coming out they promoted six months let's wait till the next year turn around and then we put it out then you know whatever happened happened but the bottom line is the album was a classic the album was dope you know I'm saying so that's what happened But as far as it being sold The way it was supposed to be sold And handled It wasn't handled the way I wanted it to handle So from that album

And everybody was on there I won a Grammy from that From that joint with Jay-Z on it But you know I had everybody on there From that album You know it was so much trouble doing it Even though I was on there No one had problems on there

That's right But it just made me feel like I didn't want to do no more records I didn't want to do no more albums You know what I'm saying Because it was just too much clearances Too much shit I'm on the roll heavy

It was just too much shit to deal with So I just said I ain't going to do it But now You know I was with Battle Rap for the last 8, 9 years Like following them and you know being on them And you know just supporting the whole movement Me and Lux we had shot something I was going to bring to HBO

It didn't work out But I ended up starting I started an album on them called Top Tier Got tired of him battle rappers couldn't make good records So I said, you know I'm gonna take the top battle rappers or some new kids put them all together and make some hot shit and Try to prove the world wrong and don't use no mainstream artists on album So I don't have not one mainstream artists on albums all battle rappers. It's called time to The white ones your cup now bro Yeah It's your cup The white one is your cup?

Nah Which one Who cup is that? The white one Mine is empty Empty? Hey, you want some No, I got my

I got my bullshit I'm lit, I got two cups You know, this is how They do it in Paris This is cold No, this is how They do it in Paris That's how they do it in Paris

That's how you do it in Paris No, that's how they do it That's how they do it Yo, shout out to Mr. Cream. We're in Mr. Cream Ice Cream Shop. Shout out. Yeah, big up Mr. Cream. Definitely, man.

Big up 89 as well. We're at Mr. Cream right now. Because the reason why I say that, Capri, is because the people who helped me shape my only platinum album was the Trackmasters. Yeah. And our dad did an album called N.Omasters. Yeah. And I did an album called N.O.R.E. And I remember damn near

almost maybe 60% of the sessions, you were the next star to me. Trackmasters is a beast. Let's just get it straight. You know what I'm saying? And they definitely helped me mold my album the way I wanted to mold it. You know what I'm saying? Sonically and everything. If you listen to the soundtrack to the

Streetsound album, it was incredible. And they did a lot of contributing. Did you come to Bearsville? Huh? Bearsville? A lot of contributing. Let me make sure I say the right words. Did you come to Bearsville?

You don't remember Bearsville? No, I did everything in... Hit Factory? Yeah, everything was in Hit Factory. Hit Factory. So we did that. You remember we used to bowl bottles of Cristal? You don't remember that?

Nah, I wasn't around then. Yo, listen, listen. We used to drink bottles of Cristal? You don't remember that? Nah, I wasn't around then. Yo, listen, listen. We used to drink all the Cristal, right? And then we used to be like, yo, line them up. And we would line them up. Head factory kicked us out, nonetheless. Right, right, right. You remember, it was two head factories.

Yeah. It was the one up the block on 54th, and the one down the block. I was banned for life. Banned for life. And there's one out here, right? Miami. Well, that's, yes. Right, okay. That's jump where that was going.

That was originally Criterion. Okay. It used to be called, I'm old school. Criterion's mad old school. Yeah, I'm mad old school. It was called Criterion. And then Hit Factory bought it. But remember, 54th Street, it was Sony.

Then it was Hit Factory. And then it was the old Hit Factory. I could never get the new Hit Factory. That's why I was at Newark. Cristal was the shit back then, so we used to drink so much bottles of Cristal, we used to line the bottles up. And then whoever was drinking the next bottle, we used to be like, okay, let's go. My whole session, you cannot walk. Because everybody, other sessions, they used to take their socks off, I mean, their shoes off, and just walk around. You know what I mean?

You can never do that in my sessions. My shit is, we bowling crystals. Shit is just crazy. Them niggas say, you're never allowed back. Never. You're going up the block. And then I had to go to the hood factory. That's what they called the hood factory.

It was called the hood factory. You remember? Like, because they had built the hood factory It was called the hood factory You remember? Like because They had built the The new head factory Up the block from Sony Remember Sony was right there? Mm-hmm

But you was Basically in almost Every session of my Most famous album In or out here I got on your album Remember me Fiesta

Fiesta you were Just on your album No no no Trapmaster produced that Oh he's on it You on it I'm on record with you And then we did my joint.

You came and did the joint with me and Park. But do you remember? It was me, you, 50 Cent. Mm-hmm. That little video. That video. It's very, it's viral. Viral.

That was your session, correct? That was my session. That was your session. I gave, matter of fact, I gave 50, I produced Rowdy Rowdy for 50. Maybe a week later after that. Because people don't know you're a producer. Come on, let's produce Madonna, produce a number love for Heavy D,

produce the Slytherin Jane. That's how Boris knows Kid Capri. That he's producing that. The producer. In the real world, I'm going to tell you right, with all the years, with all the accolades and everything I got from this shit, producing as much as I love it, it never been my bread and butter.

My bread and butter always been on those stages and doing what I do. Now I'm taking it real serious. Even though I produced my first and second album, it never really was. One thing I don't like doing, I can't go on motherfucking sessions. Yo, I got beats, yo. Yo, go on Motherfucking sessions Yo I got beats Yo Yo let me get on your arm I got beats Yo I can't

I just can't do that shit It's like So I felt like If I do this top ten album And the shit hot enough Everybody gonna hear it And come to me And say okay this is right

So the people that I brought The companies I brought it to I ain't let it go yet But the ones I brought it to They asking for the shit That I have on there So I know it's gonna work You know what I'm saying

But that's the way of me doing it Cause I don't like I just don't like bothering people You know You get that shit everyday You know what I'm saying You get it everyday So it's like

You don't need You know I just stay out of the way I do my lane That's it You know But yeah I'm taking it serious now though

This year I'm getting on niggas nerves For sure For sure For sure We gotta talk about my man. God bless the dad. You know who I'm talking about first. Yams.

Yams was my age. In here. And in here. I never had a, like, you know how you could have a young homie you have a young nigga conversation with him i never had a young nigga conversation with yams ever he always talked about my era he would call me on the phone and be like yo so you know i mean you were fine and

and then you and this and i'm like i didn't notice i couldn't like I couldn't believe how smart Yams was And I can't What I'm saying about that I'm not even talking about business wise That comes secondary I'm talking about just culture wise Was that the person who helped Shape the ASAP movement

And just said yo look We gotta you know what I'm saying Am I correct? Without a doubt. Okay. DM's definitely was like, he orchestrated a lot. He was like our, basically, he was the,

your shug, your puff. Yeah, he was definitely that. And he weaved us together, because you got a lot of artists, you know what I'm saying, on one label. You know, we was all crew before, like, we even got into the business. So it was just like, you know how everybody got their own individual, like, attitudes. And, you know, he basically found a way to facilitate all of our ideas and weave us all into each other to where the world can digest what we

was doing. You know what I'm saying? And he made us the package. You know what I'm saying? Like, he was basically the Steve Jobs, and he made the iPhone that was easy to work. Right. Yeah. Was it his idea to say everybody is going to be called ASAP?

ASAP and ASAP? I don't know if it was his idea, but he was definitely one of the superiors, one of the originals. It was him. It was my boy ASAP Bari. Shout out to him. He's doing the whole V-Lone thing now.

Clothing line. ASAP. Those are the original guys. ASAP Bari is younger than all of us But he brought me to the crew He brought me like, you know Rocky came to the crew like so it was a crew first And then me and Rocky got introduced to the crew And then we just did like the rapping portion part of it That's great, he joined like a year year and a half later. Yeah, that's crazy. Let's make some noise for that right now.

Now, Tony Tut. Didn't you have a job on Hot 9 7 at one point? Hot 9 7? Wasn't you fucking Hot 9 at one point? I was there for a second. What happened? Let's talk about that. I was, shout out to Mickey Benson.

That's Mickey Benson. That's Ice-T's old man. Yeah, yeah. Mickey Benson. That's an old school gangster. Let's pick him up. And it was Melly Mel and them. Had a radio show called The Mic Check Show. So I got lucky and somehow me and Mickey hooked up. I don't remember how, but yeah, they asked me to provide beats for callers that would call up to rap live on the show. It was like an hour-long show.

They would do their thing, the Furious Five. I think, who else was there? Scorpio. I don't know if Scorpio was there, but you know, it was the Melly Mel show, definitely. And I think his brother was there as well.

What's his name? Kid Creole? Kid Creole? Yeah, Creole, yeah. Kid Creole? Yes, there was a Haitian nigga back then? One of the previous

Haitian niggas was me. Come on, guys. Haitian niggas. That's what that was. Hot 97. It was a quick little run, you know. The Mic Check Show. Melly Mel.

Yeah. That was like, shit. That was like 93 or some shit. 94. Actually, you know what? And that was when Pun, that's when we first heard of Pun. So it was like 94. Because after the Mic Check Show, they would do a lyrical showcase

in the Bronx. Mickey and Melly used to hook up this lyric showcase up in the BX. And that's when... For you, buddy. And that's when they found pun. While I was doing the radio show,

they had this MC showcase in the Bronx. And that's when Mickey and them, they connected this MC showcase in the Bronx. And that's when Mickey and them connected with Pond and everything else history. But that show lasted like eight months. It was a quick little run. Shout out High Night 7, though. So now, what happens when you get

this phone call? Serious Satellite says they want Toka Tuesdays. No, Shay 45. They must have hit you. Wasn't it Serious Satellite first? No, Shea 45. They must have hit you. But it wasn't a serious Saturday night first? No, it was Shea 45. So this is Eminem? So this is Paul.

He had a big part in Eminem's career too. He was on the 50 MCs too. Yeah, yeah. Let's break that down. Come on, you being humble right now. He's super humble right now. Give him another shot. He wants to do Ciroc now. You need a little shot. You're super humble right now. Give him a little shot. Give him a little shot, god damn it.

He wants to do Ciroc now. I'm doing Ciroc. I got to keep it real. Because Ciroc is the best thing on the planet. No, listen to this. Go ahead and get that right here. I didn't know it was going to be this. It's refreshing. Ferg.

It is refreshing. Ferg, you want a shot? Ferg, take a shot of Ciroc. Take a shot of Ciroc. Real quick. It's refreshing. The radio show. It's refreshing. The radio show. That's okay.

Okay. Capri, you got to do it. I ain't nasty. You got to do it. This fucking guy's the worst. I'm sorry. So real quick, the radio show has been running 12 years now on SiriusXM. Shout out to Eminem.

Make some noise for that. God damn it. Joe Got Tuesdays on Shane 45. And you know what's funny is that each and every one of you guys have been to the show one point or another. You always support, man. So it's trippy to see us all together in one room at the same time. That's right, that's right. You're one of the most supportive people, man.

And yo, salute to all you guys here. We're here. It feels like Toka Tuesdays. It is Toka Tuesdays. And listen, let me just tell you something. Out of all the people from the young generation, Ferg is one of the people that we all got to support. Absolutely. He's a real support.

Absolutely. He's a real support. This Pops is mad cool. This Pops made mad calls for me. Yo, yo, where's Geno at? Geno's still in here. Yo, Geno's still in here? Man, this Pops beat was mad because Pops.

Yo, Geno's still in here? We come from the Everett. Yo, I'm about to call him. Yo, I'm from Miami So tell us about his pops man I want to hear about this I want to hear a lot about it Watch this In Harlem

In Harlem right First of all Me and Starchild Had the music Me, Starchild, and Boosie Had the music scene Crazy Right in Harlem

We had that shit lit So at the end of the day You know everyday It's a legend Sports Fashion Music All gonna go together

Right You had your At one time You had your Dapper Dan. Dapper Dan was making shit. Shout out to Dapper. You know what I'm saying? Everybody was going. I couldn't afford it back then.

You know what I'm saying? Ferg, what Ferg would do, he would make, he would make clothes for the street that were classy. Or make something that, he would make stuff that you want, but when you see in his clothes, you would feel fly and stuff. With Dapper Danny, you was more hood fly. He was more, you know what I'm saying? But with Fergie, it was a little different. He had a little twist to his thing. Him and Rashad, he had a little twist to his thing.

Everybody got a shot, though? Fergie was cool, man. They drank their shot already. Where my shot at? Your shot right there, bro. That's Capri's shot. He bopped already. That's Capri's shot. Go ahead,ped already. That's Capri's shot.

Yeah, go. You going? You got to go. You got to go. This is drink champ. You got to go. You got to go. You got to go.

Oh. Oh, that's something. Oh, god damn it. God damn it. I don't want a drink. No, let's big up to Twin being back in our hands. Twin. Twin.

Did you see yourself in the video? Hell yeah, she was my own. He got the illest fucking lap dance. You got a good lap dance. He's more guys that recover, you know what I'm saying? That's right, that's right. You're going to recover, motherfucker. Make noise for Twin.

Free, Greg. What? I don't know. I don't know. Hit that one. I got one. You don't know. Hit that one. I got one. You can't escape your shot, bro. Drink your shot.

You know how I got the foulest partner in the world? Did you notice everybody else's shot was like... I was heavy-handed. I'm not going to lie. But my kid is just so disheveled. You're a drink champ. I was about to say that. Thank you for saying that.

You're a drink champ, my brother. Salute for CBS. I'm releasing the match. I'm taking a shot. This Thank you for saying that. You was drinking, my brother. Salute for CBS releasing the match. This is how I got to get the truth out of people, right? This is how I got to get the truth

out of people. Absolutely. We get the truth out of ourselves. We probably fucking take more shit than anybody else. It's very true.

People think we start having conversations with ourselves and it's terrible. All right, look. But look. I'm going to be honest. No, no. I'm going to be honest. All right, look. But look. I know. I'm going to be honest.

No, no. I'm going to be honest. That's why I want Gino to be here. Gino tell me stories about you and your crew all the time. No, but look. I'm going to tell you something about your pops which is real. We did an album called The War Report. The War Report critically acclaimed our first album, Shit Goes Through the Roof.

We have a person that was an intern at the time called Gino. He was the person at the front. So, the people who did our shirts in the beginning were people from Canal Street. We thought that was a deal. Gino's in the front

answering the phone. Gino turns around And goes Oh Fucking hell Street We can go uptown And we can get our shit right

So everybody's looking like Damn But this is his first task We take it on It's your father He refers us to Your father made the NRE t-shirts The original NRE

The shit that Pun got on his head If you look at it It's a famous Cause I gave Pun a t-shirt And he said what the fuck I can't fit this And I was like damn It's very true

So he just put it on his head. But your father was the person who designed it. Now, first of all, my people from the Bronx, 157 and Gerard, was the first people to refer me to him. But when I brought it to the label, the label said no. But Gino was the guy who actually pushed the whole envelope through. And the person he pushed it through was Foyer Falls. And that's your fucking manager, right?

And that's your fucking manager, right? All right, take your shot. Take your shot. Oh, I didn't take my shot? No, no, no. Can I ask my question? Yeah, because I'm wearing a large. Wait until he takes that shot.

I'm wearing a large right now. Let's go. I'll wait for him. We'll take a shot. Yo, he takes that shot. I win a lot right now. Let's go. I win a good shot. Yo, I love Punn. What was Punn like? He was the best. Worst friend ever.

February 7th. That's horrible. Yes, sir. Let's pick up to the niggas in February. And also, I want to say rest in peace to Capone's wife, mother, passed away today. I got a story about Pun. Oh, let's go on the Pun story. When we did my album, Soundtrack to the Streets, I remember Lost Boys was in the booth, right?

And Lost Boys came to the session. Fuck, shout out to the Lost Boys. Cheese was my dudes. They came to the studio fucked up because of the drunk, right? Which was dope. It was cool. We was having a good time. They was in the booth for a while. Pun came with his family. His whole family.

I stopped the Laws boys. I made them come out. I made Pun get in the booth. Pun sat a chair down. A couch. Not a chair. It was a couch. I wasn't a whole couch. I love seats. It was a couch. Okay, whatever it was. He sat down. He put the mic in front of him. It wasn't a whole couch. A little seat.

He put the mic in front of him. He had his family around him in the booth. He did one take, one ad, and it was out the booth. Ten minutes. The record was done. That's the record we did with you. Wow. I know his style.

Yo. It was the most incredible shit. I'm not sure if I was there, but that was Pun's style. Pun used to take Whatever council was in Like the main room He would be like Yo here have his niggas Come and pick it up

Boom That was the most incredible shit And then he'll pull the mic down And he's He's sitting That's how his breath Show was so incredible It was crazy

Cause he was sick Also he didn't He didn't do like Nah I lied to him Like I'm saying He didn't do like Four bars Four bars

No Nah He did the whole shit. That was a bad thing. And then did the whole ad- First of all, we were on A-Track back then. No, I think- We were on that-

We were on the real. I thought he couldn't have the air capacity. No. No punches. We were on the real back then. That's what I'm saying. He didn't punch. We were on the real.

You were on the real. A real. But the illest shit- Yeah, hold on. Take that in. The illest shit. Iller than that. There was no punches back then.

Iller than that. No, you could punch on the ring Check it right out Yeah And you know how much You know how You know how fucking crazy It was to punch

Like right now When he was rhyming Yeah when Punk was rhyming You can't punch that shit You can't punch You gotta say that shit You gotta say it Alright so that was one thing

That was about my album The second thing that was crazy Was I'm in the studio with Jay Alright Jay Z So I had a beat for Jay Make some noise for that god damn it So I'm in the studio with Jay. All right? Jay-Z. So I had a beat for Jay. Make some noise for that, god damn it. So I'm in the studio with Jay.

I had this beat for him, right? The beat was crazy. So I'm playing beat in there, and I had this other beat that I bought in New Orleans. I couldn't get the shit to lock in the machine for some reason, but I had it looped up on a tape, and I was in the studio just playing it. And Jay walked past the studio.

He said, what's that? I said that's some shit I had looped up I can't get it locked up he was like yo we need to do that shit I had that shit fixed

in five minutes yo we did that shit the record we were supposed to do we didn't do it we changed it to boom boom boom

we did that shit I won a Grammy word yeah I won a Grammy that hard knock life cause what happened was we was on tour Mmm, bird. Yeah! I want a Grammy. That Hard Knock Life, because what happened was,

we was on tour, with the Puff Tour, and 45 King gave me this plate, and it had the Hard Knock Life beat on it. So I was doing my album at the time. I said, yo, I might use this shit for my album. Let me see how it sound in the arena. So I would play it,

I would do my show, then when I come back out the second time, I would start with that. The third show, I played it. Jay rolled up like, what the fuck is that? What's that? I said, that's 45 King beat. Some show on you. I was like, you like it?

He was like, yeah, hell yeah. Wait, wait, wait. Are we talking about the hard knock life? Hard knock life. Were you just using the little sample? You had a beat already. The way the beat is on the record, that's how I had it On the acid tape It was just the beats With the song

It's a hard night With the beat Like a double That's it White people were Walking up to me While I'm playing And saying

Yo kid How you get them Drums behind the Annie beat They was bugging So Jay Rolled up Said yo kid

What's that Wait a minute I said That's too much Hold on Hold on So I said Yo you want it He was-huh. That's too much right there. Uh-huh. Hold on. He's like, uh-huh. So I said, yo, you want it? He was like, yeah.

So I called 45 King right there in the arena, put him on the phone with 45 King, talked to him. Two weeks later, Hard Night Live came out. Five million seller. Woo! Six million seller. Yeah! Biggest record ever.

Wait, wait, wait. Before that. I need to break down the story one more time. How's that record credited, though? How's it credited? 45 King is a producer. Right. Jay-Z is the writer Kid Capri is the link

Woo You the plug God damn The plug The plug You know what I'm saying? That story That's not to say that

All the other shit Jay done did Come on You already know what his career is Nah, nah And me and Jay been cool for years, and what he's done is incredible, but I'm glad to say I was a part of that.

And then on that album, I did this like that, so I won the Grammy because the album went as far as it went. So I won twice, man, it was dope. Beechy, what do you want? Salsa. Oh, yeah, please. I just took a shot of this. It's terrible.

When Madonna called me? Yeah, it was crazy. Okay, hold on. Whoa, whoa, whoa. What the fuck? That's the Madonna speed right now. Let's go. All right.

We ready. You want to go to the Madonna story? And it's Prince in the story, too? Did you smash? That is a story. Nice. I feel like every black nigga in Madonna working with smash.

All right. I feel like every... Yo. I'm going to be real with you, man. A lot of women in the industry, a lot of behind the scenes chicks, a lot of rappers, a lot of actresses, a lot of models, a lot of them try to get at me. And I would never fuck with one

industry chick ever. Why is that? One, a lot of them talk a lot. I'm not saying all of them,, a lot of them talk a lot. I'm not saying all of them, but a lot of them talk a lot. And two, a lot of them fuck with the same circle of everybody. You fuck around, me and you be here

talking next to me. It become that. At the end of the day, I just felt like I ain't want nobody doing what I do. If I'm in this industry and I do what I do here, I already know how gritty this shit can get. So if you in it, I know how gritty it can get for you. And you're going to get offered way more than I'm going to get, just like a chick in a strip club. She's going to get offered way more than a regular chick is going to get.

It ain't just the strip club. It's the ball over here that got the $10,000 for a couple of hours. Come here and let me show you. I'm going to pay it up. And that's what it's going to be. It's going to be more than just what it really is. So that's why I never really even fucked around.

It's an industry strip club. Exactly, pretty much. So I stay away from that. I just do my little thing. What the fuck you want? I don't know what's going on. Relax. Come down, bro. So, Sir, when's the first time you got your dicks up? Let's... Let's keep it real. Let's the first time you got your dicks up?

Let's keep it real. Let's throw it out there. Let's keep it real. Let's throw it out there. I was about... I was about... That's a good question. I've never even been asked that question. I'm sure you've never been asked

that question. None of my chicks ever even been asked that question. You gotta throw it out there. I'm sure you've never been asked that question. None of my chicks ever even asked me that question. You gotta throw it out there. Leave it for drink champs. I had to have been about like 14, 15. And shout out to her for doing that. Shout out to her for doing that. She made it a joke.

I feel like it was a close member of the family No definitely not It wasn't? Like a cousin That was my first Close member of the family That was your first Close member

I'm sorry Relax We need to get into your story No I was going to go into my first rap That's what I meant Like after I Like You had that record

And then bitches just come to you and say I want to suck your dick It's like That's like Oh meant. Like, after I, like, you had that record, and then bitches just come to you and say, I want to suck your dick. It's like, that's like, oh, that's your first time. Like, not in the beginning. Like, after you became Ferg, and the bitches say, I just want to suck your dick. Like, I just want to. You're a little bit more specific. No, it's very, very.

You said in the beginning. Because, I mean, listen. I got a question for you. Okay. Are you going to let Ferg finish? I got a question for you. Okay. Are you going to let Ferg finish? I got a question for you. I'm in. I'm in.

All right. I don't even remember, honestly. You don't want to know what it is right now. Ace that Ferg? It's a lot. I remember a situation. That's like your mathematics, Garth. You got to remember your mathematics.

I remember situations where I've been overseas and had three or four sisters. White girl. You remember situations where, like, I've been overseas and had a threesome with sisters. White girl. You had sisters? White girls? Yeah. I love your story. Let's continue. Let's continue. And I remember having and I remember my first threesome with two

black girls. Yeah, and they was all about having mad fun. And I remember like, not even like, because, you know, black girls is Yeah, and they was like, that's all about it. They was having mad fun. And I remember, like, not even, like, because, you know, black girls is real, like, different. Like, they not lifting a finger if they don't, like, they not making, you know, sandwiches. They not doing

nothing. But they was just catering to me crazy that night. And you knew you made it. Let's make some noise for you. You knew and you made it. You knew and you made it. Yeah, exactly. You made it. Let's make some noise for you. You knew and you made it. Let's make some noise for Mr. Lee buying the worst cigars ever. It's like Mr. Lee went to the store and said, I just want to buy a cigar that's going to make Nori annoyed.

So kick it, Brick. He had a question for him, or no? Let's go. Do you want to go with your question? When's the first time you've seen a porno tape? It's definitely you. All right, you don't want me to break it? This is a classic Dream Champ story. No, no. This is a classic Dreamcast story

No This is a classic Dreamcast story I'm on tour With Akineli Right I think we got like Five or six

Or seven dates With Kid So it takes Kid Probably like One or two dates To look at me And say He's different

So It must have been like The second or the third date one or two dates to look at me and say, he's different. Yeah. That's crazy. It must have been like the second or the third date. The kid said, you know what, because I'm with Akineli. You got to put it in your mouth. I just come home fresh out of jail.

I listened to my rhymes when I was whack. I used to be super whack. I'm going to be honest. I knew I was whack. Like, I knew I was whack. I used to be super whack. I'm going to be honest with you. I knew I was whack. Like, I knew I was whack. And I was calling him like, bitter, shitter, fuck that. Yeah.

And I kept telling him, woo! And this is the man. He's the man on the street. I'm in jail. He's the man on the street. He got this He the man on the street He got this shit called The bomb baby The bomb baby You know If no ass No what's

And no maybe But I know He like yo This is like The young shooter You know Idiot guy From our hood

And I'm calling him from jail He answering So what happened was I came home We do a song Called L.A.L.A. Yo, he answering. So what happened was I came home. We do a song called L.A. L.A. I peep my nigga Chaz from my hood. I'm trying to make this super long story.

Does Ack know that you're doing L.A. L.A.? Does he know that? Does Ack know that? No, absolutely not. Okay. I come home, I do my own thing because I don't want to depend on my nigga. So I come home. We do L.A. L.A. It kind of pops

It kind of pops I didn't want to be a beef nigga type of artist So we also Six months later Threw out a joint called T.O.N.Y Classic Classic hip hop But mind you

Capone gets locked up The album drops Capone gets locked up I don't know how to do a show How do you do a show? Like I'm from the I'm a cracker Seller

So Like I'm that nigga I'm the nigga that I know every white person Because I sell crack to them How do I do a show? The crazy shit Is I comes on my block

Sees me pumping He sees me making a sale I can only put it in your mouth So he sees me make a sale And he pulls over the car And he's like Yo what are you doing right now? But mind you, my album's out.

But I don't know. Because I don't know how to leave my hood. So I don't know what's popping. People are telling me my hood is popping. But they've been telling me that since I start rapping. Ox sees me make a sale. He drops. Comes up

What are you doing? And he says How much you have on you? I have $500 worth on me So he gave me $500 And was like Give me the work And I was like

Alright cool I thought he was smoking I didn't even be honest I'm like fuck it Go ahead Go ahead It's the way out Go ahead

The nigga threw this shit in the sewer And I was pissed But he paid for it But I was like yo what the And he said yo look watch this And he turned me around Like he grabbed me Like how I'm grabbing you right now

But he turned me around And every car that drove through Was playing the war report. And I still didn't know what that meant because I was so much of a hood person. It was like I thought I just made it for my hood. I was like, so what? I made it just for these niggas. These niggas are supposed to play it.

But he was trying to show me that everybody that's driving through is not from left rack. They're just driving through to show that they're playing a War Report. But still, I don't understand. But anyway, after that day, he plays my package. He says, come on tour. This is when I meet the legendary Kid Ripper. This is a porno tape story? So, all right.

Now, Aka's on like a Maybe like a 20-30 day tour But seven days Mind you I used to go uptown To this weed spot He's cracking his knuckles I used to go uptown

To this weed spot called Three Wise Men It was in Harlem Best weed I ever smoked I used to go to Three Wise Men. So they didn't call them. Best weed I ever smoked. We used to go up there, and Three Wise Men had nothing but Kikapri tapes. So that was our thing. Like, a Kikapri tape at this time was like being fly. Like, you ain't actually had to be fly if you had to retake me your sex of fly Saturday

and Sunday thank you this is real shit you actually have to have a first pair of sneakers on if you like what I can't pray six to kick 316 right Oh, what? I'm only on 12. How you not 16? But this is that type of fly shit, right? Now, it takes me on a tour. Kid, it's like three days in.

Kid says, Norm, you gotta relax. He didn't say that, but in my mind, he said that. He said, them niggas ain't smoking. You ain't say that, but in my mind he said that. He said, them niggas ain't smoking. You ain't having no fun with them. And he was right. So I came to the kid room.

We started playing Sega Genesis. Because that was the thing back then. It was like Nintendo, Sega, Genesis era. I'm sitting there, I'm like, I'm sitting there And he's smoking in this room Not only I can't smoke in Ox Van I can't even smoke around it

Because he's like a real Don't smoke type of nigga Like that shit is whack type of nigga So I'm like alright Now I'm with King of Prey. I was afraid this nigga's mixtapes were sitting there playing video games with him.

And he says, you know, you want to see some shit? Ha ha ha! Yeah! You know what I mean? Yeah! I'm like a boss. I think I'm putting a bono for you.

Starring him. Touchdown. Yo, what the fuck? Oh, shit. Oh, shit! Oh shit! Yo, one of you already ready? This industry is very crazy! Yo, I'm kicking for you, you the first nigga!

You want a shot? You want a shot? You want a shot? You're kicking for a shot, You want a shot? You want a shot? Please. Yo, this is so beautiful. I'm sorry. I'm sorry.

I got a shot. I got a camera. Excuse me. I'm sorry. Yo, that's not a shot. That's not a shot'm sorry, I'm sorry. Yo, that's another shot? That's another shot? Come on, give me... Oh, authorized, yeah, yeah.

Authorized you to pull. I'm gonna charge this up a little bit. Come on. All right, let's do it, let's do it. All right, guys. Salud. Salud. Salud.

Salud. Salud. Cheers, fellas. All right, we ready? I know you niggas ain't got shots and that shit. Nah, I definitely don't have a shot, but I got a good drink. Let me tell you something. Let me tell you something, man.

That's hilarious, by the way. No, I'm not. I'm not. I'm not. I'm not. I'm not. I know I was wildin', man. Nah, you was livin' life. You was livin' life. I mean, yeah, but, you know, I was like, you know, I'm talking about this every day. I'm glad no bullshit happened. Like, look, there was chicks sending me keys to their crib. I wasn't even asking for it. Sent me keys to their crib. So I'm thinking, I'm telling my niggas on the road, like, yo, let me tell you something. Y'all niggas don't go in no chick's room, don't go in nobody's house.

Because you never know where the next nigga they send a key to. You up in there and you know. So, you know, I'm saying that. I'm saying it was. We can't really talk because it's not the show for that. But this show. I mean, the shit that was going on at that time. It was like a nigga could have gotten a lot of shit.

You know what I'm saying? So that's why I'm glad it worked out the way it worked out. Now I'm a whole different person. Right. You know what I'm saying? So that's why I'm glad it worked out the way it worked out. Now I'm a whole different person. But, you know, now, you know, sex comes to me now. It's like, whatever. You know what I'm saying?

I know now, but back then... You know what? I had a talk with LL Cool J. You was like the first porn star I ever seen. I said your LL. Shut up.

Shut up. I said the LL. I said your L. I said your L. I said your L. You cheating on your wife? No. He put me on too. I got that also. I said, yo, you cheating on your wife? No, he put me on too. I got that all. I said, yo, you cheating on your wife?

He's like, no. I was like, why not? He said, he said, cause I can't get no money Being pushed around From different women You pull this way You pull this way I agree If you have one woman To satisfy

That's all you have to worry about You can worry about Everything else you gotta do Which is the truth At the time I was doing I was doing Yo I had one woman Walk out one hour

Another one walk out another hour Another one walk out another My man sitting there Looking at this shit You know what I'm saying So it ain't like It's documented. It could happen.

When you're doing it, you think you... It's a trophy. It's like you think you're doing something. That shit ain't bullshit. That's bullshit, B. You know what I'm saying? The real shit is create an opportunity for other niggas to get on. You know what I'm saying? The way you're going to do that is focus on what you're doing.

You know what I'm saying? That's what I'm saying? And the way you're going to do that is focus on what you're doing. You know what I'm saying? That's what I'm doing. You know what I'm saying? That's where I'm going right now. So that's why we started these shows. I got three different shows

going on right now. They all popping. You know what I'm saying? And when I'm doing it, I started this Gmail Black Party Action at gmail.com where I tell people

around the country to send me their music and I play it on my shows because I know what it's like to not get hurt. You ain't got no money for it. You ain't got no outlet, no machine. Nobody know where you at. Nobody trying to help you.

So this is the spot where if it's hot or not, I'm going to let the fans decide that. I'm not going to put my opinion into it. But I'm going to give you an outlet. I gave them an outlet for them to be hurt. So every week when I'm doing the joints, I play a few of the joints. And let the people decide what's going on. That means so much to that person. even if they don't go nowhere. It's just that they know that they have a chance.

You know what I'm saying? And that's all to it, people. The American West with Dan Flores is the latest show from the Meat Eater Podcast Network, hosted by me, writer and historian Dan Flores, and brought to you by Velvet Buck. This podcast looks at a West available nowhere else. Each episode, I'll be diving into some of the lesser-known histories of the West. I'll then be joined in conversation by guests such as Western historian Dr. Randall Williams and best-selling author and meat-eater founder Stephen Ranella. I'll correct my kids now

and then where they'll say when cave people were here and I'll say it seems like the ice age people that were here didn't have a real affinity for caves. So join me starting Tuesday, May 6th where we'll delve into stories of the West and come to understand how it helps inform the ways in which we experience the region today. Listen to The American West with Dan Flores on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. I know a lot of cops, and they get asked all the time, have you ever had to shoot your gun? Sometimes the answer is yes. But there's a company dedicated to a future where the answer will always be no.

Across the country, cops called this taser the revolution. But not everyone was convinced it was that simple. Cops believed everything that Taser told them. From Lava for Good and the team that brought you Bone Valley comes a story about what happened when a multi-billion dollar company dedicated itself to one visionary mission. This is Absolute Season 1. Taser Incorporated.

I get right back there and it's bad. It's really, really, really bad. Listen to new episodes of Absolute Season 1, Taser Incorporated, on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Binge episodes 1, 2, and 3 on May 21st and episodes 4, 5, and 6 on June 4th. Add free at Lava for Good Plus on Apple Podcasts. This Pride Month, we are not just celebrating. We're fighting back.

I'm George M. Johnson, and my book, All Boys Aren't Blue, was just named the most banned book in America. If the culture wars have taught me anything, it's that pride is protest. And on my podcast, Fighting Words, we talk to people who use their voices to resist, disrupt, and make our community stronger. This year, we are showing up and showing out. You need people being like, no, you're not going to tell us what to do. This regime is coming down on us.

And I don't want to just survive. I want to thrive. You'll hear from trailblazers like Bob the Drag Queen. To freedom! Angelica Ross. We ready to fight? I'm ready to fight. And Gabrielle Yoon. Hi, George.

And storytellers with wisdom to spare. Listen on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. I'm Michael Kassin, founder and CEO of 3C Ventures and your guide on Good Company, the podcast where I sit down with the boldest innovators shaping what's next. In this episode, I'm joined by Anjali Sood, CEO of Tubi, for a conversation that's anything but ordinary. We dive into the competitive world of streaming, how she's turning so-called niche into mainstream gold, connecting audiences with stories that truly make them feel seen. What others dismiss as niche, we embrace as core. It's this idea that there's so many stories out there, and if you can find a way to curate and help the right person discover the right content, the term that we always hear from our audience is that they feel seen. Get a front row seat to where media, marketing, technology, entertainment and sports collide.

And hear how leaders like Anjali are carving out space and shaking things up a bit in the most crowded of markets. Listen to Good Company on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Welcome to Play It, a new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment, and more. Play it at play.it. We're back to Drink Champs Radio with rapper N.O.R.E. and DJ EFN. Now, A$AP Ferb, you hear ass, keep it real. I feel like you hear ass.

You got the good questions, my boy. I feel like you hear ass, A$AP Ferb. Why you feel like that? I don't know. I I feel like you He ass Why you feel like that I don't know I just feel like All of them niggas Deep in their Deep in their Like deep in their soul

They he ass It's okay It's okay In this show On this show It's okay I'ma just say I'm a Libra

And I get turned up What's that That's a tiger sign It's not a tiger sign It's's that? That's a tiger sign? That's not a tiger sign. That's a Leo. Oh. That's a lion. So what's Libra?

What month is that? The scales. October. Oh, yeah. Yeah. That's a lion. October. Yeah.

Oh, yeah. Y'all ruthless. Y'all ruthless. Those are ruthless people. Yeah. Kid Capri just bounce off. No, he's using bounce. We're about to do that too right here.

I'm out of here. I can go. I'm staying. That's good for you. I can do whatever I want. You can do it. You're not human. No, I am human.

But I'm having fun. Are you alright, buddy? You were going to... No, I'm out of here. My shit's red. You got pink eye. You got pink eye? No, I don't got pink eye's red. You got pink eye. You got pink eye? No, I don't got pink eye.

Okay. I never got pink eye. Go for it. I got all... Pink taco eye. So listen. First. Where was that?

You don't eat ass. Yeah. You don't eat ass? No. No, I kind of... I think you kind of admitted to it, huh? I'm a Libra. I turn tough.

Listen, you got to eat ass. I know Tony Dolla. Tony Dolla. Give him the mic for a second. It's protein. It's a part of... No, eating pussy is a part of Puerto Rican culture. Listen to me.

My grandfather, the nigga never asked me like, yo. Your Puerto Rican culture Listen to me My grandfather, the nigga never Asked me like, yo Exactly, thank you Thank you for correcting me My black grandfather, he didn't give a fuck But My Puerto Rican grandfather, he never asked me like Yo, you okay, you know how to tie your shoelaces

The nigga just said, you eating pussy yet? I'm like Jesus Like It's a part of Just like I know In Puerto Rican culture Your grandfather

Also gave you a beer At five years old Let's just keep it real Let's just throw that out there Yeah Let's just keep it real Like it's a part of Puerto Rican culture

Yeah They make you drink At like seven years old They don't make you They just No They ask you And then You good? Yeah I They don't make you. They just... No, they ask you and then... You good?

Yeah, I'm straight. You good? And a Cuban to go with it. No, no. I definitely didn't smoke a Cuban at seven years old. I was like, Cuban? What did I do? I asked you to relax.

Tony touched me. What are you talking about? No, no, no. That was my grandfather. Oh, he didn't Cuban at seven? Cuban cigars? No, I'm saying I grew up around cigar smoke. He was a cigar smoker.

So then. Here, some of this is a walk of smoke, nigga. That's about to go. Yeah, it's okay. We got more. We got more. All right. Now kick it.

Kick it free. Kick it. He's befuddled. He's befuddled right now. I'm sorry. We got to go there and kick it free. Listen. Our show is based on ass

eaters, right? We love people eating ass. Where's Eddie the ass eater at? The fans. He's big in the hood. He's very big in the hood. Eddie the ass eater. Big him up. So we got ass eaters. He's big in our show.

Very big. But I felt like in my youth, So we got asses. It's big in our show. In our show. No pun intended. But I felt like in my youth. My youth. I saw you directing someone. It sounds ridiculous. To eat your asses. No. It's crazy.

It's crazy. It's crazy. Oh my God. Yo Back, back, back, back It was real I see Chuck Berry You see Chuck Berry You see Chuck Berry, he got some footage And his legs is in the air He said My legs is in the air on the last show A little bit I was like no, no that's not what happened On the last show Who said that story on our show? You did! It was you? It was on the 50 episode though, right?

I'm sorry, kid. In my mind, that's where I'm going. I'm sorry. That never happened. That's never happened. Shit. Nah, that's never happened. It's very great shit. I think it's definitely happened, that's not what happened. This is very crazy.

I think it definitely happened. It must have happened. Nah, he... Nah, man. I was not... That was filmed. I was not... Oh, shit. Sweet Jasmine.

No. You're making a pretty name again. Let me find out. He said, not hands in the air, legs in the air. Wow. This is a great episode. Oh, my God. Oh, my God.

I'm trying. I got a question for first. Gigi. It's just going to seem crazy. Go ahead. Go first. Okay, man. You want me to try to act normal? crazy. Go ahead. Go first. Okay, man. My condolences.

You want me to try to act normal? Hold on. You look like you just got pepper spray. I do? You look crazy. Kid coming back? Kid never coming back. You look crazy, man.

Nah, we have fun, man. We have fun. Yo You're going crazy Nah we Yeah We have fun man Is his father good? We have Huh? Gino hasn't come back since he left Yo where's Gino man? Yeah I know

He's probably in the car waiting Are we doing more shots? I'm just asking I'm in I'm in I'm in Look look look I got a Dunkin Donuts cup

That's horrible for you I feel bad And it's Mr. Cream Oh no that's good 2400 North Miami Ave. Yo, listen. Hip hop. Yo, you know what's funny?

He's mad guilty. He's mad guilty. He's stupid. guilty Oh fuck! I changed it! You changed it? Yeah! He made it up man! But it's funny! It's funny! He made it up! You made it up!

I'm not gonna make it up! I'm just saying like But this shit was funny! Somebody zoom in on the eyes! Zoom in on the eyes, man! Everyone's crying like they just cut the onions. Take off your glasses. That's a tendency you guys have.

Let me hear this segue. Take a break. You had to be there. You had to be there. It's a beautiful day. Holy shit. It's a beautiful day. We're in hip hop.

That's funny. You guys are horrible, man. Hip hop gotta be celebrated, man. For real. Legs in the air. Yo, I swear, I was looking at that shit. Oh!

Norby, what are you talking about? And at the time, I was there, I had your number, but I would've cut your ass out. Oh, no! You know what I'm saying? This is funny.

Fuck it, it's all right. I'm gonna come back and talk about that shit. Oh, shit. Oh, fuck, man. This is funny. Fuck it. It's all right. I'm going to come back and talk about that shit. Oh, shit. Oh, fuck it. This is funny. Let's drink some more of this rose. Hey.

Wait. This shit works. I got to ask you to relax. You got to relax. Tell everybody here. We did worse. That's why. Because we know you shop in the flea market.

All right. That's it. Woo-wee. Yes, we love it. But listen. Oh, man. All right, we're going to try to get serious right now. Yo, we love it.

What you going to say? Yeah, go. Go. I was going to talk to her, Ferg, about Hollywood. Let's go to the Hollywood. Let's go to Hollywood. It's over. Right.

Oh, shit. 24 to 50. Yeah. Right. There was this guy named Willie. Older dude. He on the SNS Club. You talking about Willie Burgers?

Yeah, he on the SNS Club. I'm never going to go ahead. And he on the SNS club You talking about Willie Burgers Yeah he on the SNS club I'm never gonna go ahead And he on The Zodiac And he on Willie Burgers I'm sure you heard of Willie Burgers Of course you know

Willie Burgers Was right under the SNS club The SNS club Was killers Drug dealers And big niggas Like it was just

It was just It was just If you was in there You felt, it was just, if you was in there, you felt like you was somebody, but really you was nobody, really. So when I was in there, I was just looking at this shit like it was like, wow, this is, this is what goes on.

But, after the party was over, the whole 45th Street should be flooded. You see the biggest dudes driving the craziest cars skidding around the street. The whole street flooded out. And then they'll all go on Wednesday night. They'll leave from there.

And we'll all go to the rink in New Jersey. And the rink, that used to be crazy. Leave the rink, come back to 145th Street to 8th Avenue. That was like base. It was just the place to be. Harlem at that time was just crazy, but there was a lot of killing going on. A lot of different shit going on. Niggas getting killed.

Buggies was like a big deal out there. You see niggas rolling up people in buggies and shit like that. But you came up in a time where there was nothing to add. You came in a good time. You know what I'm saying? But at that time, it was like it was rough at that time. Our pole used to buy tape from me for $500. What? A mixtape? Let me get that time, it was rough at that time. Our Poe used to buy tape from me for $500.

A mixtape? Let me get that tape, kid. Nah, Poe. I'll give you $100. Nah, I'll give you $200. Nah, Poe. I'll give you $300. Keep following it.

All right, Poe. Take this goddamn tape. Yep. It was crazy at that time. Now, back then Cause You Coming from Queens Right

Queens You were You were like the first person Bearing through From the Bronx Harlem Uptown The Uptown area

Bringing to here Then Then it was The Bounce Master DJ Doo-Wop Yeah I had beef What happened? I wasn't from Queens.

No, no, no, I'm saying, I'm telling you, I'm coming from Queens. Oh, you come from Queens. Listen to me. What happened with me and Doo-Wop was, well, Wop was somebody

I was going to school with. And I didn't know he was Wop. Yeah, both of them. We used to go, yeah. We used to go, we used to be in the seat in the morning and all that, puff, all that in the morning.

So what happened was, one day this kid, you know, I'm rocking that in the morning. So, what happened was, one day this kid, you know, I'm rocking with the tape, shit popping, everything's going good. And this is right when I was about to stop, because what happened was I got signed to Columbia, I mean, the Warner Brothers, and Starlight, the A&R, she showed me a bunch of

magazines that said, Kiki Preet, the only DJ in the world to make millions of dollars off of street mixtapes. And I knew that wasn't true. I knew people were selling my tapes. They were buying houses and cars off my joints

from selling them. But I wasn't making that bread. I was making what I was making. So that's when I decided, so you know what? I'm going to leave as the Michael Jordan and shit

and go and take my career a different way. Right. Right? When I decided to do that, some kid that I ain't seen in years rolled up on me with a little bit of a tape

and said, yo, this kid named Doo-Wop about to come at you. And he gave a little bit to me on the tape. So he played it for me. So I'm like, oh, shit, what the fuck is this? And what was it saying on the tape? Some shit.

It was whatever it was. It was some shit, but it was disrespectful. Right. Again, I didn't know it was why. Right. So right away, I made the beat. Did a little four-track. Earth went in five, joint chopped it up. Wrote the rhyme right there. Had to join out the next day. Right. So right away I made the beat Did a little four track Earth, Wind & Fire

Joint chopped it up Wrote the rhyme right there Had to joint out the next day Before he even got a chance To put his joint out I had my shit out So that was the last joint I put out

And that shit was monumental So now he had came out With like 50 joints after Well I ain't gonna call it 50 But he came out With a lot of joints after And that was my only joint You know and that was The beginning of. You know, and that was the beginning

of the me and Wild Beef. Where it got disrespectful is when Wild Pass said something about my moms and my girl. And that's when we had a show. I had a show in Virginia. He had a show in Virginia. And I took my tour bus down there, did my show, and I waited for him

to have his show the next day, and I went to his show. And, you know, I put him out the booth, and, you know, let's go around the corner and you leave our people here and we do what we do. And, you know, it didn't work out like that and I know it wasn't going to be nothing so later on he apologized for what he

said and that's all I really wanted. It was no problem. Later on, me and Watt made records together. We made two or three joints together where we work and right now it is Damien. It's cool cool At the time It was a little tense And we was going to get it on

But later on We seen that It really wasn't nothing It was kind of monumental for us Because it brought A certain bar to the DJ To the rap DJ You know

You remember I got bars too I could get on the mic And I do my thing I do what I do So that's what it was It just brought that level And then it brought dudes like Tony

Touch out and dudes that could rhyme and produce and DJ and all that shit. It shows that you're just not stuck in one spot. So shout out to Rob. Rob was a talented dude. I thought I was going to take an L, but really nobody took an L. It was just a monumental

thing that happened in the mixtape game. It was going to turn nasty because of that, mixtape game. You know what I'm saying? But it was going to turn nasty because of that, but it never really did. So it was all great. And I talked to Robert today. It was all good. Let's make some love.

I'm going to ignore it. Yeah. We got it. So now first, Rocky's popping off. You're doing your thing. You sit back. Now, what is your plans when you say, my first record pops off, what am I going to do?

What was your plans from the original beginning? Go and never stop. Yeah, go and never stop. Never take my foot off the gas. Because I always knew that I had a bunch of people I had to put on as well. Like, you know, me, Rocky, 12E, Addy, because I always knew that I had a bunch of people I had to put on as well. Like, you know, me, Rocky, 12E, Addy, like the whole ASAP mob, just the mob, but I got family outside of the mob as well.

You know what I'm saying? Break that down. You know, I got people I grew up with, kids. You know, Marty Baller, I got, you know, my Uncle T. I got, you know, different people that's in my family, you know, that's a part of my team now that I have to support or I wanted to support. So it's always been not about me. It's about, like, you know, getting this opportunity to put other people on. How old was you, if you don't mind me asking, when your boss passed away?

It was three days before my 17th birthday. Oh. Yeah. And did you know your pops is a legend though oh definitely okay i always think about all the kids that like you know like i always just think about about dame dash son because he was pretty popping back then you know as far as like his pops being like somebody in the industry or like yeah boogie shouts of boogie or like little romeo or like you know these people as far as his pops being somebody in the industry. Or like Lil... Yeah, Boogie, shout out to Boogie. Or like Lil Romeo, or like, you know, these people whose sons, like,

they fathers were somebody, and I always thought, like, damn, my pops is somebody. Because he knew all these people. He introduced me to Puff. It was a bunch of killers I met. It was a bunch of different people that came to that store on the 45th.

So I knew that my pops was powerful. And I knew that I was somebody special because of him. And you said 17. Yeah, 17. So what age did you acknowledge that your pops was powerful? Always. Always knew that. Always knew that. Because he wasn't only only powerful but he was a good name yeah he was incredible and that and you know you know

that's the only thing that i like only thing that i hold on to in life is just being a good right like i don't give a about anything else yeah yeah that's what a think think about me I just Wanna be a good nigga Right And that's what Chip pops Right definitely

He's 100% Yeah A good nigga Yo he's He's like a concert Like everybody was there Everybody was there Puff came by

Puff moms was there Yep Everybody My pops was just like The bridge I like to call him the bridge Because Like I said He was the bridge Between the like to call him the bridge because, like I said,

he was the bridge between the streets and mainstream. You know what I'm saying? He wasn't like one way. And, you know, he always kept like a solid base in Harlem. And he put on for his people. And I got a chance to meet all types of people from all walks of life, from like the superstars to the hood dudes. To like the hood dudes that ran things in the hood. You know, that knew how to talk that politics

and who you had to speak to if you had to come around town and you wanted to make some moves. He knew everybody. So when this rap thing first came to you, was that something you discussed with your pops or not? I was always shy about music with my pops because I was never the music person. And he knew all the giants. Like, you know, he introduced me to Puff.

You know, what is my little raps going to do for him? You know what I'm saying? So, like, you know, when it came to rap music, I was battling under my hood. He didn't even know, you know know I was doing music or writing rhymes. Because I was also designing clothes and drawing at the same time. I was doing what he was doing. So it was just like, you know, my raps I just kind of kept to myself and my friends. So as a person, and I apologize if I'm getting a little deep,

but as a person, I lost my father during the highlight of my career. Wow. My father died July 3rd, 1998. The best year of my life is 1998. Wow. Sorry to hear that. So, as a person, and my father used to look at me like this. I swear to God.

I used to tell my pops, you know I'm rapping. My father was like, yeah, you to God. I used to be like, yo, I used to tell my pops, you know I'm rapping. My father was like, yeah, you're rapping. He's a hood nigga. But Spanish, with a tail, 75 tattoos, earrings in his ear.

You know what I'm saying? He's one of those. He look like Tony Touch. Yeah, straight up. Straight up. Like with green eyes. He's got green eyes. It's in my box, right?

So I tell him I'm rapping. He said, yeah, we rapping. And I'm like, no, I'm really rapping, bro. But, like, the point I'm trying to make is, hey, you smoking Tony Tuss? Yes. You just told me no. Yeah, but now, yes.

Let's go. We got more, right? Come on. So the point I'm trying to make is... Like, you see who your pops is. You've seen it. And now, you're becoming yourself. Are you feeling like you have to

fulfill his legacy, or are you feeling like you can keep it going yourself? I definitely gotta, I'm an extension of him, how I like it or not. Yes, you are. I came out of it. Look just like him. Yeah, exactly. So, you know, definitely gotta keep the name alive,

and what he established, but I'm definitely myself as well. I got my own ideas of how I want to keep the name alive and what he established but I'm definitely myself as well like I got my own ideas of how I want to live the rest of my life for you know mistakes that he made that I could learn from as well so yes sir you know definitely continue with his legacy through doing what I want to do yeah Right. Yeah. Like, the thing about me is, like, he was, my father was the only Puerto Rican nigga in the whole six blocks radius, right? But every black,

my hood is a black hood. Every black nigga loves my father. So me, my whole goal is everybody love me or give you a occupation that you can love me for, for you to

get to your next level. And that's what I'm doing right now. Let's make some noise for me. My guy, hold on, let me, guys. I spoke to some old men. My dad, hold on, let me tell you. My dad,

let me tell you. We're nationalities. I'm going to get into all that right now. I feel like you're like 52 nationalities. I'm half black and half Sicilian. Everybody thought

I was Puerto Rican for years. I knew you was Italian. My dad was the first soul singer with a Latin band. A very known Latin band called the LeBron Brothers. In 68, he was singing soul records with them. They would play the Latin music he was singing in soul. Then he left them and became his own artist.

But before him, his father, my grandfather, used to play trumpet for Dizzy Gilles count miles Davis sitting with all them dudes so the music always been around yeah the music always been around but he was the first one with a Latin band I was crazy back there I play that music right now for certain It happens on Dream Champs. Wait, so your Sicilian father was an Alamban? My dad is black. So where's the Sicilian side? My mom's.

Your mom's Sicilian. Tell you something, you can't understand where Kiki Brie come from. You just got to respect it. I just asked you the question. I understood it. Just tell me. I don't think you understand anything right now. I've been following this nigga for years.

I knew this nigga 17 countries. And see, another thing, I want to make sure, I want to get one thing clear, is that, you know, like I said, you know, we do a lot of dates around the country, and we play for the young and old. I don't want nobody to sit on here and watch and think that, you know, you look at me and think I don't know what all the trap joints is and all the joints is and everything. Like, we do this every year, every week.

Like, we on the road every week for the young and old smashing everywhere we go. But a lot of young'uns may heard the name Kickapree and may not know the Kickapree experience, never been through it, never know what it is until they see it. And when they see it, they know it's a whole other level to what they've probably been used to. But for the ones that didn't see it, that's what it's about. And that goes into saying, like, not everybody that come from my era, which I consider myself

Mr. Every Era, but not everybody that come from my era is stuck in an old school way of thinking. Okay, let's relax for one second. Mr. Every Era? Yeah, absolutely. That's a great name, though. That's a great name. That is hard.

Let's make some noise for Mr. What? Every Era. Say it again. Say it again. Mr. Every Era. Got that. So what I'm saying is that a lot of dudes that come from eras back then, they get stuck in the old school way of thinking.

And what happens is they don't understand what the 17-year-old or the 18-year-old was doing. But you were 17 or 18 at one time and your parents was questioning you. So it's not, when them 17-year-olds and them 18-year-olds and them 21-year-olds make that music, they're not making it for the grown person. They're making it for the person that understand what they're doing. If you happen to be grown and like it, then you like it. Now, I watch 50-year-olds dance to trap music all the time. At the end of the day, a hit is a hit. It doesn't matter

what the age is. And this is why I started the Kick It Pre-Black Party on SiriusXM Fly. I play You'll Hear Young M.A. Like I told you, You'll Hear Young M.A. You'll Hear Al Green. You'll Hear Drum. After that, you'll hear

KRS-One, like, it becomes that, it becomes, putting everything together, bridging the gap, instead of saying, the old is over here, the young is over here,

and nobody, cause at the end of the day, what's good is good, what's good is good, that's the Bible, cause at the end of the day, when you, like I said,

that 50 year old going to that party, when that DJ play that trap, like, your ass is on that dance floor, dancing to it, but then you gonna talk about to talk bad about the youngins about what they're doing. Again, let them do what they're doing.

They ain't doing nothing. If they was tearing shit up in the street, then that would be a problem. They're making music that people understand, like their generation understand. Let them do what they do. Why are you talking bad about it? You don't like it, don't listen to it.

You ain't got to like it. Don't talk bad about it. If anything, you get't listen to it You ain't gotta like it But don't talk bad about it If anything You get a chance to help them out Tell them the right way Tell them You know like Alright you doing this Now try this too

Try this too And put it together And make an album That got colors to it Don't just put something out there Where it's just one thing Cause I get a little fed up with that You hear one album

It's all the same beats All the way through Same speed Same this same I mean okay yeah You wanna hear a little bit Variety and shit And I don't wanna hear An album of all features the same beats all the way through same speed same this same I mean okay yeah you want to hear a little bit of variety and shit

and I don't want to hear an album of all features like I want to hear you you know what I'm saying so everybody got there what they like but at the same time

nobody has the right to tell you what to make you make what you want to make and if they like it they like it who are you to judge it

you know what I'm saying and that's real shit it's real shit make some noise for that You know what I'm saying? And that's real shit. It's real shit. Make some noise for that. You know what I'm saying? Yeah! Play It, a new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment, and more. Play it at play.it. We're back to Drink Champs Radio with rapper N.O.R.E. and DJ EFN.

Now, Tony Toka, what are we doing next for Tony Toka? Of course. 150 MCs. Do you want to have a shot? I feel like you want to say, shot for now. Maybe that. Let's do a shot. Come on.

Yeah, I was checking out the little things. Yeah, I was figuring out, you know. You want to go bomb? No, no, no, no. I was going to see if I could score one of these guys up there. Oh. What is that? What's that I could score one of these guys up there. Oh. What is that? What's that?

The collection they got going on up here. We don't know. You got to relax. You wait to live. You wait to live. That's what happens. You got to smoke. That's decoration talk.

I don't know if they deserve that. When you smoke, you look at these things. That's decoration talk. That's decoration. You can't take the decoration. You got to relax. Well. It's decoration. You can't take the decoration. You got to ride it. Well, in any event, yeah, no, no, I was just admiring

the, you know. So we're not going to have 150 MCs. Are we upgrading from 50 to 150? No, I mean, that would be kind of ill. Actually, we've already recorded, like, over 150. I believe it. You know, so.

But like Ken said, it's a lot of work, man, like getting people to record and paperwork and this and that. But how annoying is it? It's a lot of work. How annoying is it, Thoka, like, when you want to finish something and you're depending on all artists? Is artists really annoying? Let's just throw it out there because I'm not an artist no more. Yes. You can throw us under the bus and I'm going to actually cheer it on.

No, not at all. I say yes. It's all timing, man, you know? That's it. No, it is true. What you said is right. It's all timing man You know That's it It's just Nah it is true What you said is right It's all timing Like everything lined up

Paperwork Vibes Record This that It just goes You know I feel Sometimes

Artists is a piece of shit You can say that Sometimes Sometimes Sometimes I think sometimes Depending on who you are And I'm not speaking

About myself I'm taking myself To the left But depending on who you are, and I'm not speaking by myself. I'm taking myself to the left. But depending on who you are, you get a call faster when you're doing something. You know what I'm saying? Break that down. They can get something out of you. We don't understand anything you just said. Break it down.

Okay, what I'm saying is, like, if you a certain caliber here, you ain't going to get the call as fast as this mogul right here or this dude that sells this amount of records. You know what I'm saying? And again, I'm not speaking for myself because I hardly ask anybody for anything, but I'm speaking in a general term. You know, sometimes

the dude that's down here, I remember one time Eminem said something to me. He said, Eminem said something. He said, don't go and spend A whole bunch of money On the artist That you think

Is going to give you The hit record Because you can go And spend all that money On that artist And he won't give you shit Your record won't go nowhere And now you done spent

All that money On this artist That you think Is going to give you Some money Because he's poppin' And that's the truth Redman said

It's about the producer In your hood That give you that sound That makes you be who you be. Instead of you running to the dude that is popular. You know what I'm saying? Everybody gets caught in what's popular and not what's authentic. You know what I'm saying?

And that's what happens a lot of times. Authentic is the most important word. Authentic is what's the most important because authenticity is going to give you the business. They're going to give you What you pay for When you deal with popularity Okay yeah we don't want to deal with Things that's popular but is the popular Person giving you

Authenticity Are they giving you your money's worth Do you feel good at the end of the night Paying them You see what I'm saying Did they bring a whole bunch of people on stage And that's their show You see what I'm saying? Did they bring a whole bunch of people on stage and that's their show? You know what I'm saying? What are you paying for?

What are you looking for? Are you looking for popularity or are you looking for somebody that's going to get the job done? I don't know. My way of thinking is a little different. Maybe a little different than a lot of people, but the business is the business and people like what they like, but I just think that the smart

thing is, is that you cater to the people that follows what is the real shit. The real shit is paying the people that pay, satisfy them. Satisfy them. Don't get so caught up in popularity. Get caught up in what's going to get the job done. I feel like we got to make noise.

You know what I'm saying? I don't want to sound too preachy But I mean I know y'all So I'm going to be real about it And you know that's just the way I see it If I was a promoter or something like that I would want to promote on the short thing That's going to bring me money later on

You know what I'm saying Not just for the moment I want to go on with it You know what I'm saying So that's what's up Dogga how you feeling about that? It's good. Sticker, give us the thumbs up.

Hey, you know what? I'm in Miami, first of all. You go relax. It's already awesome. Listen, Dogga, you go relax. Yes. It's okay. You're family already.

Love it. And we have Mr. Creams and Wynwood. Mr. Creams. Did you have ice cream? Did you have ice cream? You had ice cream? You had a hot cocoa. I had the chocolate shake. You called him a hot cocoa?

No, I didn't. He had a hot cocoa shake. That's how I knew your old niggas. You both had hot chocolate. I'm an old nigga too. Yeah, we all do. We didn't have hot chocolate. No, in my mind

I had hot chocolate With them niggas When they had it I was like I got hot chocolate too Amazing No I didn't get it Relax

Okay Who's the guy Who was there Ferg is not coming back Ferg is not coming back Let's relax We gotta relax Relax

Ferg is coming back He's right there relax. We got to relax. Relax. Ferg is coming back. He's right there. What is he doing? Is he having a shot? He's eating. Oh. He's relaxing. Relaxing.

What is he? He's back. Ice cream. You got ice cream? I want ice cream too. Hey, how many minutes, bro? Yo, yo. Can I get the non, what's that shit called?

You don't see non-d called? Non-dairy. Non-dairy ice cream. Uh-uh. Come on. I got it. So, kid. Yeah? At the end of the day, we have to please our woman.

Absolutely. Absolutely. A happy woman may not make you happy, boy. You be all right. Trust me. You can get money with her. That's what I'm on. You can get money with her.

You can do a lot of things, man. Yo, Fer, you got to hit one. You should turn bad, too. I don't smoke. Come on, man. If you don't smoke, don't let me smoke. Just one hit. Nah, man.

Don't listen to this guy. For your fans. Just For your fans. Just for your fans. Ain't nothing to do with me. Shout out to all my fans. Pick them up and hit one hit. Alright, just pass it to Tony Toach and smell it.

Tony Toach? Pass it to Tony Toach, please. Yo, kid. Yo, kid. You've been getting a lot of money for a long time. That's all right. Do you... Listen, listen.

At one point, Jay-Z has to say he's the greatest guy of all time. I do. Do you not feel like you're the greatest DJ of all time? I mean, everybody's going to feel like they're the greatest. I ain't say feel like it. I'll tell you what. What I've done

to earn the name the world's greatest DJ, which I didn't give myself, but what I've done, I think pretty great because I was the one that set the bar to let DJs become a business. Now, if I didn't do what I did, where would I have went? You rock on the mic the way you do because Kid Capri did it the way he did it.

You play the records you played the way you play it because Kid Capri set that format. You became a hot party DJ because Kid Capri gave you the blueprint of how to be a hot party DJ Because Kiki Pree gave you the blueprint Of how to be a hot party DJ Let's not get this twisted You see what I'm saying A lot of DJs doing what I do And don't even know they got it from me And I'm happy for that

I'm happy to sit back and say I rocked a whole nation And let a whole nation be able to take care of their family I remember one dude walked in the mall Yo kids, because of you I'm not killing somebody Because of you I'm not robbing somebody's house and let a whole nation be able to take care of their family. I remember one dude walked in the mall. Yo, kids, because of you, I'm not killing somebody. Because of you, I'm not robbing somebody's house. I did what you did.

I followed you, and I'm taking care of my family now. I ain't got to do that crazy shit no more. You know what I'm saying? So knowing all the things that I've done, we can sit here and talk about it all day. We ain't even got enough time. But knowing all the things I've done, sitting back and just realizing when I see somebody on the mic

DJing and they got the setup like me and they all that and they doing saying things I might have said or you know, saying it the way I might say it. It just makes me feel like, yo, you did your thing, kid. You did your thing. You didn't just waste your time. You ain't bullshit. You did something that really moved culture.

You know what I'm saying? And you also went on tour with the locks right i'm gonna talk to everybody right i've been on 25 tours yeah if you want to talk about deaf comedy jam i've been on that tour for nine years 16 years i'm sorry 16 years and then and then who else you ain't going to jay-z r kelly jay-z puff buster Jay-Z, Puff, Busta Usher, Drew Hill Shenyuan, Aaliyah Um Shit Bone Thugs Rock Him We go on and on and on man

We go on and on and on but mostly You know I'd be on the road on my own Doing what I do I've been doing 200 shows since 1991 You know what I'm saying So it's like That's why Like even in New York

Like I love New York I'm from New York But I don't like How New York Is moving a little bit Especially when The promoters acting Like they the stars

And shit Like you push yourself Big on the fly And you got the DJ down here Come on Cut it out B At the end of the day You know

When you come to one of my shows I got My opening is me You ain't gonna hear one record Five times B At the end of the day And you know When you come to one of my shows I got My opening is me You ain't gonna hear one record Five times in my party You know what I'm saying You gonna hear it one time You gonna hear the whole party

Smashing From the beginning To the end Doesn't matter who it is When I step on that stage It's pandemonium Period From the beginning to the end

And ain't no down period It ain't no standing around It ain't nobody thinking they cute It ain't none of that shit It's real business And that's what I do So I don't know I don't know how anybody else doing it

I shout to everybody You get your bread Do it how you do it Come to Kick It Pre-Event You gonna get your business done And that goes for promoters That goes for anybody That paid for a ticket

I think about the people first For years I took an artist A DJ And this is another thing I'm gonna speak about You I think about the people first For years I took An artist A DJ And this is another thing I want to speak about You know Some of the people

Might not understand What's the reason Of bringing a DJ with me Instead of just having DJs just go on I don't like people Not getting their money's worth So when I bring

Somebody with me I'd rather spend the money For that person To come out And make sure That we're not bumping heads So that people That pay their money Is getting a full show Than to have the DJ that want to come in there before me and do what you paid me to do.

You don't need that. You don't need me there. If you want to come in there and do that, then you ain't the type of dude that can rock a party with C&D Records. You would do that depends on the record to be hot. I play those hot records at the end of the night like I don't even need them because it ain't about those records. Anybody can play those records. at the end of the night Like I don't even need them Because it ain't about those records Anybody can play those records It's about you You see what I'm saying

If you can't sell you Then you're just like everybody else And there's nothing different You know what I'm saying That's the difference When you come in there It's about making sure The people that paid their money

Feel better than they did Before they walked in there And when you leave that scar there That promoter knows I don't give a shit when you leave that scar there, that promoter knows. I don't give a shit who you get. Kid Capri, he shook this shit. Let's go get him again. Let's go take him into another city. Yo, my man that you promote, let's go

get Kid. You want to get some bread? Let's go get Kid. Every show I do is swollen. Everywhere. And it's not because of me DJing. It's because of everything else that come with it. It's professional. We on time. The people that work with me make sure your shit's going to be right. We's because everything else that come with it. It's professional. We on time. The people that work with me make sure your shit's going to be right. We're going to make sure everything is together.

You ain't going to throw me in no corner like I'm some neighborhood DJ. You're going to put me on stage like I'm supposed to be. Same way you're going to put Jay-Z on stage. Same way you're going to put the dude with the hit record on stage. And I'm going to sell this shit out the same way he did. And you're going to treat me like you treated him If you ain't going to treat me like that Go get the next dude to do your show Because I don't need it, I do 200 shows a year

So this is the attitude I've been having for years And people may not understand it But I don't want to be looked at as a DJ That just play records You're going to look at me as a force to be reckoned with And if you don't, I don't need you Simple as that I do a show with Fer And if you don't, I don't need you. Simple as that. I do a show with Ferg.

Ferg come on. His record dropped. They're going to go crazy. What I'm going to do after Ferg get off stage? I'm going to do something that's going to make niggas go crazy. You're going to say, yo, Ferg ripped it. Kid ripped it. Whoever came after him, he better be good.

You follow what I'm saying? Because that's what it's about. I'm a DJ. I'm not the dude that make the record. I'm not that. I'm a dude that play your record better than you perform it. Don't play yourself. You see what I'm saying? And that's how we're going.

And this is where we were inspired. This is what inspired us right here. I'm just saying, real shit. I made my first album. I rapped on the whole album. Warner Brothers came at me, I was hot in the street

with the mixtapes. Yo, we need you to rap on the joint set of rhymes that you sent on your mixtapes and I'm in there making the beats in the studio writing the rhymes right there

and I wasn't trying to be no rapper, you know, but that's what they wanted. I couldn't do, I couldn't make hit records being a DJ so I had to do it that way

so I did it that way. When I got a chance to make my second album, then I got a chance to make my second album, then I got a chance to just show the production side and get everybody else. I got Jay, Busta, Lost Boys, Pun, Nori, everybody. Put them all together and made a soundtrack to the streets. Now I got top tier. This is going to be another thing.

And remember, everything I do, no matter how big my name is, has always been from the ground up. I sat on that street corner. I sat on the middle of 145th Street, Nate Favreau, where it was killing, shootings, niggas get robbed, all that. I sat in the middle of that. I didn't know if I was going to get robbed or killed by sitting there, by sitting there, just selling mixtapes. Shits was driving by laughing like I was doing bad. I used to have to put 14 gold chains on my neck just to look like I was doing good.

Sitting there in the middle of the street Selling this shit And the shit took me the way it took me Now at the end of the day I didn't know what was going to happen I knew she was going to blow up the way it blew up But the shit blew up Once it did, I made sense of it

I made it happen And that's it, that just goes to show Anybody, it doesn't matter who it is You put yourself in it Look what y'all You've been making records forever That's right You know what I'm saying

You've been making records Look where you at now Whole different lane It's beautiful Whole different lane Right now Right now You can sit here right now

The way I'm doing on Periscope And on IG Live I sit there It's not just about the music And the way The freaky way I play it It's the lifestyles Everything I say to you.

And you're going to believe it. And the reason why you're going to believe it, because I don't have a credibility of Kid Capri being a shitty nigga. Kid never shitted on nobody. Kid ain't never did. You don't see nothing on the internet with Kid doing foul shit or playing himself or talking crazy. Everything is authentic. So you're going to believe what I tell you. If I say something foul about you, they're going to believe it.

They're going to believe it because they know I don't say nothing. Same thing. You have a lane now that you can tell people, you know, believe me. Believe what I say. This is the truth. This is what's going on. And as long as you stay like that, people are going to follow you. You drink chances to shit.

Let's get it straight. Talk about it. Drink shit. That's why I'm here. Talk about it. Let's get it straight. Drink shit. That's why I'm here. That's why I'm here. Let's get it straight. I'm on vacation. I took a vacation because I've been working my ass off.

I've been offered to do shows and parties and all that shit. He offered me money to do a show. I took nothing. The only thing I took was drink champs. The only thing I took because this is my dude. This is what my wife tells me when I do something

good. Aw. Aw. No, thank you. No doubt, man. I love you, too. I love you, too, man. Same thing.

Right up. Ferb sitting here like, Dad, this is a classic. Listen, Ferb, this is a classic episode. I'm happy to be a part of it. We have it out here, bro.

Now, what are y'all niggas going to do in the ASAP camp to take control of New York? We, depending on you, we, we, depending on you,

Rocky, and all y'all to take over for us because I don't want to rap no more. I'm okay. I'm ready. Man, I think it's bigger

than rap though, man. I think it's, we need y'all niggas to take over. No, we're going to rap. We're going to take over, but I think it's bigger than rap because the last thing we think it's... So we need you niggas to take over. No, we're going to rap. We're going to take over,

but I think it's bigger than rap because the last thing we need... Can I break it down a little bit more so you can hear it? Because you know what? We're from New York. We're all from New York.

All of us. No, I'm from Miami. No, you're from New York. I'm from Miami. You and me, motherfucker. I'm Miami, motherfucker. In your fucking mind, you're from New York.

I'm from Miami. Born in LA. Miami, motherfucker. All right fucking mind, you're from New York. I'm from Miami. Born in LA. Miami, motherfucker. All right. But for New Yorkians, right, we need y'all to step up. Right. Right? Some people look at y'all sounds.

Some people look at the movement and they say, ah, it's different. I'm not one of those guys. I'm one of those guys that... I think different is good. That's what I'm not one of those guys I'm one of those guys I think different is good That's what I think I think different Open up more doors Absolutely

Now Now The torch is really In you guys hands Right Like I mean For real for real Right

Like I mean It doesn't matter How many records Fat Joe will make Busta Rhymes will make Nori will make Ja Rule will make DMX will make

50 Cent will make Right now Y'all the new generation Right It's actually Really in y'all hands Right I'ma slide a beat to them

Yeah We know we can't Something heavy too Can't wait Something heavy But now't wait Something heavy We just gonna keep being us And keep Continuing to

To innovate And push culture forward I think You know I don't I don't like to talk about myself Or what we do As far as a group But

I think that like We We did a lot for the youth the underground internet scene that was trying to break through and um you know Harlem didn't have or New York didn't have a voice in a long time so you know we don't only just speak for New York we speak for the culture period now for New York I have like a whole crazy love about New York. You know what I'm saying? I love Harlem and Def.

I love Brooklyn. I love Queens, the Bronx, Staten Island, Long Island. So it's just like most of my videos are shot in New York. And when I do that, when I bring them cameras around, I'm giving kids the opportunity to jump in front of that camera and do what you do. Show them your talent. Show them what you do because that's what I was doing when them cameras was coming around.

God damn it. And also, and also, I love being in the city. I love being in the city because I love when I see you in the neighborhood or when I see Cam in the neighborhood or when I see Cam in the neighborhood or Jim Jones or

you know, these guys. It was like something to look up to and aspire to be. I just gotta ask that because the legends from y'all hood is Jim Jones and Cam. But it feels like Cam is co-signing

y'all. But it's a certain energy that comes. Am I bugging? What do you mean? It feels like Cameron is signing ASAP. But maybe every time when Jim Jones comes up it's a certain energy that's not good.

Am I bugging? People tell me I'm bugging. Nah, I just shot a video. I mean, I didn't just shoot a video with Jim Jones, but, you know, Jim showed love from jump. He knew my pops and knew my family. Yes, he does. I knew Jim actually before I knew Cam. Wow.

And Jim gave me, and this is when I was designing, and he was actually, like, doing, like, the B.B. Simon belts, and he introduced me to B.B., and, you know, this guy actually, like, doing, like, the B.B. Simon belts. And he introduced me to B.B. And, you know, this guy is, like, meeting up with Stan Lee, the designer of Spider-Man and all of that. And, yeah, like, he just put me in places I wouldn't have been myself. So shout-outs to Jim for that. You know, some people are just, I don't know, like, some people are just more outspoken than others. And, you know, Jim is just, Jim helped me. Shout out to Jim.

But that's what's up. We need to hear that. Exactly. The OGs need to hear that. Yeah. Shout out to Jim. And shout out to Cam as well. Like, you know.

And Jewel Santana, god damn it. Yeah, and Jewel. And everybody from Dip the Mask, god damn it. Everybody from Harlem. Let's make some noise. From New York. Let's make some noise. Yo, everybody smoking. And everybody from Dip the Mask, god damn it. Everybody from Harlem to New York. Let's make some noise.

Yo, everybody smoking. You smoking, man. You got to take one more shot, and then that's it. All right, what shot at? Let's take one more shot. Got more, buddy. Nori, how many blunts you had, Nori? I don't count blunts.

He had about like nine, ten joints. Nineteen hundred 1900 But you know It's the beautiful You think you got How Smoke whiz Well Khalifa He gotta relax So I whiz Khalifa

He's my friend I like him We did have a good show With Snoop And you guys You guys did good Yeah Snoop Had to relax as well

Snoop went in Snoop went in No, no Snoop went in Shout out to me and Snoop We got the as well. Snoop went in. No, Snoop went in. Shout out to me and Snoop. We got the same birthday. It's bigger than the league. Snoop dissed me. Oh, wow.

Snoop dissed me, right? I was doing a record with Snoop and Slick Rick. A record that Dre wanted to do for a long time, but Slick Rick was locked up So when he got out I was doing my album And I ended up getting new So I did Slick Rick in the Bronx And then I went to LA to go do Snoop

Right So me and Snoop in the studio I said I'm going to bring some weed to Snoop It's going to be some green heavy shit Make him comfortable everything going to be alright Pull the bag out confident Yo Snoop. It's going to be some green heavy shit. Make him comfortable. Everything going to be alright. Pull the bag out confident. Yo, Snoop.

Get that bullshit. Nigga pulled out some orange shit from Humboldt County. I was like, what the fuck is that? Yo, this shit was like this shit. This part. Yo, nigga was laughing at me I smoked to put a pole to blokes to pose that shit I ain't smoke no more than night this shit was

poison we got a redeem it right now. I'm straight. All right. You good? This guy is the worst. This one's ever. Good, good. Good brief. So, yeah, that's it. Now we got the peer pressure.

It's the worst. It's the worst. Let me tell y'all something. I'm going to tell y'all something. It might seem like I'm saucy. It might seem like I'm drunk. But let me just tell y'all something. Tell us something. And it might seem like I'm saucy. It might seem like I'm drunk. But let me just tell you something.

Tell us something. Hip-hop is the best thing that we should ever celebrate. Because it's something that we created as black, young Latinos, blacks, whatever. Nationalities doesn't even matter. It's what we created As people We sat back We were poor And we created something And

The crazy shit is The biggest thing I ever Learned From Leo Combs Was when I'm at the polo lounge with this guy. He's like,

I want drink champs. I said, relax. What do you want to do with the drink champs? Relax. Let me finish. And he was like, I want it.

And I said, relax. And he doesn't know why he wants it But the thing about it is What he did tell me why Is he's like I can't believe hip hop celebrates hip hop He's been down since Run DMC

With Sniffin' Coke Angel does He's been down since one DMC Was sniffing coke Angel does Hip hop don't celebrate hip hop The reason why these guys are They running around Because they Back then these niggas really had beef Back then

Back then they would do three shows Because they had to move. So when he sees this and he says you guys are celebrating hip hop and winning it's crazy to him. Just take a hit.

I just did. Fuck you. Let me tell you something though. I just came back from South by Southwest Yes And the range of people The range of people that was fans of Dream Champs It was like 18 year olds to 40 year olds Yeah

And the young kids All the young kids was said, all the young kids was like, thank you for teaching us about your generation. Wow.

Side by side, which was crazy. Me and Buster did a show that Monday. That shit was so loud. That shit was crazy. Can you please stop flossing?

Relax. Yeah, I'm always flossing. Always. Hit that. Hit that. What is that? What do you have in your hand? What is that? What do you have in your hand? What is that twig?

You have a twig in your hand What is that twig? No, it's a bagel Oh Anyway How did you know he performed for Nickelodeon at one point? Nickelodeon? Yeah

You did perform for Nickelodeon I did? You did? Maybe I saw it I did a lot of stuff Nickelodeon Nah, nah

You've been clean for a long time It's a great thing Yeah, I stay clean I'm still clean So, Tony Toka Grab that mic Grab that mic Grab that mic

How was it Being on Tommy Boy Did you love being on Tommy Boy Um I mean You know First and I mean they got a history

You know what I mean Like Stuff that they put out But As far as me being happy with them I mean I did one album with them You know And And I mean, I did one album with them, you know And

I mean, I had no issues There's only one album? There was no Peacemaker 2? No, it was a Peacemaker 2, but not on Tommy I was on your Peacemaker album That was independent, Peacemaker 2? He was on the Peacemaker 1 with the DITC record Yeah, crazy

That shit was crazy So who put up Peacemaker 2? You gotta hit it one time Peacemaker 2 Put a camera Put a camera Just to hit it one time. Peacemaker 2. Put a camera. Put a camera. Just got to hit it one time, pass it to Tony Tuts. Come on, man.

He sniffs heroin. Mad heroin. Mad heroin. Mad heroin. That's the reason why we popping. He sniffs heroin. I smoke weed. Jesus.

Damn. Yeah. Nobody? weed. Jesus. Damn. Yeah. Nobody? Yeah, that shit got me coughing. Actually, there's heroin in that blunt. There's heroin everywhere. Everywhere. Yo, we gotta relax.

Let me find out we're sponsored by heroin. We've been sponsored by heroin for the first show. What show is this? What show is this? 71? We've been heroin-ing out for a long time. Just relax.

Did Mr. Lee just close off? Mr. Lee just cut us off. Mr. Lee, let me find out you work the camera now. Oh, shit. Yo, I get a mocha like this. You sure?

You call them? What the fuck are you guys talking about? I'm just like, I'm just like, I'm just like. He's going to give you new shorts? Nah, nah, calm down. Put your leg down, buddy. Put your leg down, buddy. Hey, buddy, put your leg down, buddy. That's a don't got that. Hey, buddy, put your leg down, buddy.

That's a different type of polo. Niggas don't got that. That's a different type of polo. You got to relax. Okay. You got to relax. Yo, K, you coming out? Huh?

You coming out? Coming out of what? We going out. Oh, we going out. In Miami. In Miami. In Miami. Because, K, you just celebrated your birthday.

You're like 50 now. My shit was crazy. My party, man. You 50 or 51? Let's keep it real. You 50? Let's make some noise for K. Yeah!

Hit that. Real 50-year-olds hit one of these. Real 50-year-olds. Good. these. Real 50-year-olds. There's one. I'm straight. I'm about to cut you off, bro. I see a kid with his legs out and one boy.

Just one boy. Come on, one boy. I'm going to end the show right now. You got to relax. You got to relax. I'm going to end the show. You got to relax. You're fucking two parts. Retard is blood.

Two-barter? You got to relax. Go, start the next part. All right, let's take a shot, me and you. Me and you? I'll take one. What do you want? This shit?

No, yes, that shit. That shit. You do this, I do this? No, yes, that shit. That shit. You do this, I do this. All right, I'm in. Oh, Ferb. Look at Ferb. Ferb, what do you want? I gave you a cover.

You want some rock? No, that was for you. Oh, okay. That was retarded. Wait, I thought that you was getting... I thought you was jamming with us. You're not jamming with us? I was jamming for a long time.

Take one hit, Perk. Perk, take one hit. Nah, I'm just kidding, bro. And you got a party tomorrow, right? Oh, definitely. You and Lil Wayne. Yeah. And this is in, what is it called?

All right, Chico Labarge. Come on. I don't know what I'm drinking. Ciroc. You got Ciroc. I got Cumbia White. I don't believe what I'm drinking. Ciroc. You got Ciroc. I got Columbia White. I don't believe you, but I'm still in. Rock and roll.

Yo, I ain't gonna lie. There's no two parts of this. Keep it 100%. I had to pee for like two hours. So, rock and roll. I've been holding my shit because I'm a warrior. No, you're not. You're not a warrior. I'm a warrior.

With an R. Warrior. That's how you do it. Oh. Take a shot. Take a shot. No, I'm playing. I'm playing.

Take a shot. Take a shot. Take a shot. My kid, give me a real. You're the first nigga that ever showed me a porno flick in my life. That sounds mad crazy. Long video. This is way before Ray J, Kardashians, R. Kelly.

It was just kick a break. Just kick a break. Before Ray J, Kardashians. I don't like it. Kick a break. I don't like it. What do you. I don't like it. Kick him. I don't like it. What do you mean you don't like it? You don't like it.

I got this. I got this. I'm going to get my big ball. Thank you. Thank you. Sorry. This is a slow train crash. Sorry about this, guys. This is a slow train crash. here. Sorry about this, guys.

The kid told me, he said, you got to relax. He told you that, huh? He told me, he said, yo, nigga, you got to relax. I think he was talking to you in the future to now. You got to relax. That's very true. Yes. He told me that then.

And he said, 2017, relax. Now I gotta relax Relax I'm just relaxed For no reason I'm just relaxed Cheers You gotta relax Cheers

With your blunt Or whatever the fuck Heroin you got Yo There's There's a chance To People waiting

For that fee Wait Wait Wait Wait Relax What language Did you just speak There's a chance to people waving their feet. Wave them on feet? Relax. What language did you just speak? Wave them on feet. I said the people waving their feet. Waving their feet?

Like, get you up in the air? Relax. The match, right? Yo, you're talking mad business. I'm going crazy. It's not cool, buddy. You got to relax. It's not cool. All right, I'm sorry. But it's still a win for us. It's a win. It's not cool. I'm going crazy. It's not cool, buddy. You got to relax. It's not cool.

All right, I'm sorry. Got my drink. But it's still a win for us. It's a win. It's a win. It's a win. It's a win. I don't know what you're drinking.

What is that? Bacardi. You want some Bacardi? Here. You got to relax. You got to relax. Oh. Kid, you want a shot of Bacardi?

No. Come on, Tony. Thug out. Thug out. Tell them people where you can catch you every Toga Tell them people We can catch you out Every night Tell them people Shay 45

Tony Toga Tell them people What Talk to them Come on Toga Toga Tuesdays Shit man That's right

Toga Tuesdays New York City Shay 45 That's right That's the radio show And then we got the We got the party On Tuesday nights

Which You know Capri's been Involved And played at our party A few times You know what I'm saying And you know

Like it's family affair You know what I'm saying Talk about Tuesdays Look at that Right now it's at Club Cielo The radio show is on Look at the kid Sirius XM Shape 45

12 years Everybody you know all of us You know that's our home That's our home Talk at Tuesdays Go ahead Talk to them people Hey man y'all can follow me on Instagram

Wait hold on before we keep going, I need to know what kind of sweatsuit is that. Oh, Sergio Chachini. That sounds expensive. You gotta relax. Hold on. I gotta relax? That sounds expensive. No.

You gotta relax to relax me. What? I gotta relax. That's not a bad game. My bad, my bad.? I can't relax. That's not a bad game. My bad, my bad. I don't want to relax, dude. Whoa.

You won. Hey. Oh, so he can relax all the time? Hey. I got it, I got it. I got it, I got it, man. I'm sorry. It's the Ghosted Sergio Chachini sweatsuit, and you can find me

on Twitter, Instagram, ASAPFerg, A-S-A-P-F-E-R-G. I love that. And I got an album coming out, still striving.

It should be out pretty soon. It should be out ASAP. Put it like that. ASAP. No pun intended. Right. No, all pun intended.

Make some noise. Stop that. Yeah! Call him back, man. No, all pun intended. Make some noise. Stop that. Now, kid. What's happening? You got to tell these people you got to eat these bitches' asses. Throw it out there. Anyway, man.

Is he ass good? Come on, give me one. I don't know. I don't know. It's not what I want. Hey, hey, hey, hey. All right. I don't know. I don't know. It's not what I wanted. Hey, hey, hey, hey. I apologize.

Anyway. You got to eat ass. You got to throw that out there for the youngins. For the youngins? They got to be raised right. They eat the booty. They got to eat booty and... What's up?

It wasn't me. I'm sorry. I'm sorry. I'm sorry. You want my information? No You can do whatever you want Alright This is your show

Alright First of all Block Party Live Mixing On Periscope And the IG Live That's Wednesday 8 o'clock Eastern Time

That shit rings off And that I had so many women Watching that Made me create a show Called No Panties Sundays for the ladies. Parasco. Yeah, I play a lot of cool-ass slow music.

I be having little flowers and shit. No, it be fly, man. I be having little flowers and all that right there. And it got so popular that my man Ron Mills from SiriusXM and Dion from SiriusXM. SiriusXM Fly asked me to come And do my thing Because I didn't want to go on the radio And be told what to do

That's why I ain't been on the radio I come and do my little guest appearances On whatever station But I didn't want to be locked in those stations Because I didn't want nobody to tell me how radio should go So I started a show on Sirius XM Because they came to me and said Kid you know what you're doing

This is going to make it happen So I got a six hour show Where I be a personality From four to eight And then from eight o'clock To ten o'clock I play that shit And what I do is

I put new and old together And I make it so fly Y'all got to listen to it Trust what I'm telling y'all If y'all ain't got the app Go get the app I believe you It's real shit

Keep going kid It's real shit And not only that I just finished an album Called Top Tier You know what I'm saying Keep going kid Took all the bad rappers And made only that, I just finished an album called Top Tier. You know what I'm saying? Keep going, kid. Took all the battle rappers and made them.

Put something together, made something hot. Produced our album for them. And also, you can see me in your show, in your city, doing my thing and smashing it down. So if you ever hear me come into your city. Keep going, kid. You know what I'm saying? Come see the kid do what I do. That's it.

Kick it. Hold on, hold on, hold on. Kick it. Kick it. Kick it. 101 on the Twitter and Instagram. And the real kickapree on Facebook Holler at your boy

Let me say an outro real quick As a young, well I'm not young now But when I was a young Miami DJ Inspiring DJ The blueprint was right here Kickapree Was inspiring And as a mixtape DJ, Tony Touch was the blueprint.

So I just want to say thank you, brothers, for everything, man. That's what I'm saying. No, no, I'm sorry. And we don't usually have young brothers here. And when I was in South by Southwest, I saw Fresher. And we had him on the show. We rarely have young, new artists on the show. And he's a good dude.

And I really like your music, brother. And I'm glad you're on the show as well, man. No doubt, bro. Nah, nah, bro. Baby! Baby! Well, the difference between every young new artist, his father actually branded him to be who he is. So as much as I want to celebrate who he is, I acknowledge who the upbringing was before him.

Right. So I knew who he was supposed to I knew who he was supposed to be. He was supposed to be. I know it's kind of like cocky in like a certain way. But it's also like. It's supposed to be what it's supposed to be. It is what it is. It is what it is. How about that?

You got to relax. You got to relax. Come over here. This nigga told me This nigga was $300 You gotta relax We went to the Jordan spot Yo listen We went to the Jordan spot

Exclusive shit They had him on the rack No They did not have him on the rack They had him on the rack See the rack You think about the flea market It's not the flea market They always have it on the rack On the flea market. It's not the flea market.

They always have it on the rack at the flea market. See, you don't understand. In Miami, there's a flea market. Well, no, there's plenty of flea markets. And that's what he thinks is a flea market. Yeah, he goes to a... What flea market do you go to? USA?

I don't go to those fleas. He got to relax. Tell him he got to relax. Why all Haitian people got to go to a flea market. He got to relax. Tell him he got to relax. Why all Haitian people got to go to the flea market? I think he goes to the homestead. He got to relax. Cabrini, can you tell him he got to relax, please? Hey.

Just say he got to relax. Just say relax. Just say relax. He got to relax. He got to relax. He got to relax. Yo, Fer, can you tell him he got to relax? Relax.

He got to relax. Toga. Tranquilo. Tranquilo. Let's take another picture. Let's get out of here, man. I'm not gonna lie. You're not gonna lie.

I've been holding my piss since 4 o'clock. You don't have to no more. 4 o'clock in the afternoon. Let's take a picture. No, we gotta take a picture. I know. Say goodbye to have to. No, we got to take a picture. Say goodbye to the people. No, we're going to take a picture. On the microphone, say goodbye.

Oh, listen. I'm going to be honest. You're so professional. You're going to be honest. Chi-Chi, get the A.O. Yeah, Louie. Listen, I've been honored

to share the stage right now. Puff Daddy said something very crazy to us. He said he wants to go from being on the stage to being the stage. Sure. And Drink Champ,

we have to take that same responsibility, meaning that we're saying we have been on the stage but now we are the stage. So anybody who comes and talks to us and even though in our minds we think like it's between us.

It's really not. There's a lot of people listening. Let's let them listen. 2.5. Let's let them listen. 2.5. Let's let them relax. Two people. Two people point

their friends. And this is what we should be doing. We should be just hanging out. Because this is what hip-hop is. We have to keep hip-hop alive. And how do we keep hip-hop alive? And hip-hop is. We have to keep hip-hop alive. And how do we keep hip-hop alive? And hat-pop.

It could be hat-pop. It doesn't matter. Hat-pop is a new genre. You just made that up. Yo, you should be the leader of hat-pop. Yo, let's start a new rap group. I mean, hat-pop. Sorry, not rap group.

I apologize. Hat-pop is pop. Sorry, not rap group. I apologize. Hat pop is happening right now. It is happening. I think I got in this huge fucking problem. Yo,

you gotta relax. I don't even know what you're saying. But, the point I'm trying to make is, let's have fucking fun.

Yeah. That's a little good. Yeah. If you're live your life having fun And it's fake fun Don't live your life no more Go die Wow That was more bitch

Damn bitch Alright bitch I have fun Every day I wake up I have fun every day I wake up. I have fun. Me too. And you should have fun every day. I have fun in my own damn house.

And so should we. Every day you wake up, you say, fuck, whatever, all right, cool. It's fucked up shit that happens. You know what I'm saying? Look, look. You wake up, boom. And then you're like, ah.

And then he's like, ah. And then he's like, uh. And then. Everybody ever tell you here? Just don't fuck this shit. It happens. Who gives a fuck? You just got to elbow it. Bam.

OK. Walk it. I didn't even. Bing-bong. Let's go. Let's go. Come on. All right.

What do we do? Right here, right here. Drop. Everybody take a flip over here. Drop. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip.

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Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip.

Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip.

Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip.

Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip.

Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Take a flip. Find all your favorite movies and shows back here with Xfinity. Just speak into the X1 voice remote to search across live TV, on demand, even Netflix and Prime Video. Now that's simple, easy, awesome.

Switch to Xfinity today and get a great offer. You'll enjoy Xfinity X1, which gives you access to your favorite streaming apps like Netflix, YouTube, and now Prime Video. Go to Xfinity.com, call 1-800-XFINITY, or visit the store today to learn more. Restrictions apply. Hi, I'm Sarah Spain, host of Good Game with Sarah Spain, and the co-author of the new book, Runs in the Family, an incredible true story of football, fatherhood, and belonging. Written with and about Las Vegas Raiders running backs coach, Dillon McCullough. It's the story of a football coach and father of four who sees his life forever changed by the unsealing of his adoption records. And it's got a twist you won't believe.

Based on the viral ESPN story I did a few years ago, this book will blow your mind and bring you to tears. Buy Runs in the Family wherever books are sold. This Pride Month, we are not just celebrating, we're fighting back. I'm George M. Johnson, author of the most banned book in America. On my podcast, Fighting Words, I sit down with voices that spark resistance and inspire change. This year, we are showing up and showing out. You need people being like, no, you're not what you tell us what to do.

This huge need is coming down on us. And I don't want to just survive. I want to thrive. Fighting Words is where courage meets conversation. Listen on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. Why is a soap opera Western like Yellowstone so wildly successful? Apple Podcasts, or wherever you get your podcasts. stories of the West and come to understand how it helps inform the ways in which we experience the region today. Listen to the American West with Dan Flores on the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts. I'm Michael Kasson, founder and CEO of 3C Ventures

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