Drink Champs - #Throwback Episode - w/ Kid Capri, Tony Touch and A$AP Ferg | (Ep.71)

Episode Date: March 4, 2026

N.O.R.E. & DJ EFN are the Drink Champs and we're taking it back to some of the most legendary moments in Drink Champs history. Classic interviews, unforgettable stories, and iconic guests who shaped the culture.In this classic throwback episode of Drink Champs, N.O.R.E. and DJ EFN chop it up with the legendary Kid Capri, Tony Touch and A$AP Ferg!This episode is pure New York energy as Kid Capri, Tony Touch, and A$AP Ferg pull up to chop it up with N.O.R.E. and DJ EFN. This episode is a full-blown celebration of hip hop culture — from the DJ booth to the stage, from mixtape eras to festival crowds.Kid Capri and Tony Touch, two mixtape pioneers who helped break records and artists worldwide, reflect on the grind of carrying crates, rocking packed clubs, and setting the tone for generations. They drop gems about the golden era, industry politics, and the importance of authenticity in a culture built on respect.Meanwhile, A$AP Ferg represents the new school with Harlem pride, speaking on his evolution, the A$AP Mob movement, and balancing artistry with longevity. The chemistry between legends and the new guard makes for powerful storytelling, hilarious moments, and classic Drink Champs chaos.This episode isn’t just an interview — it’s a bridge between eras, proving that whether you’re spinning vinyl or headlining tours, hip hop’s foundation always comes back to the DJs and the culture they built.Make some noise for Kid Capri, Tony Touch and A$AP Ferg!!! 💐💐💐🏆🏆🏆-Originally published on March 30th, 2017*Listen and subscribe at https://www.drinkchamps.comFollow:Drink Champshttps://www.drinkchamps.comhttps://www.instagram.com/drinkchampshttps://www.twitter.com/drinkchampshttps://www.facebook.com/drinkchampsDJ EFNhttps://www.crazyhood.comhttps://www.instagram.com/whoscrazyhttps://www.twitter.com/djefnhttps://www.facebook.com/crazyhoodproductionsN.O.R.E.https://www.instagram.com/therealnoreagahttps://www.twitter.com/noreagaSee omnystudio.com/listener for privacy information.

This is an I-Heart podcast. Guaranteed Human. I'm Amanda Knox, and in the new podcast, Doubt, the case of Lucy Letby, we unpack the story of an unimaginable tragedy that gripped the UK in 2023. But what if we didn't get the whole story? Evidence has been made to fit. The moment you look at the whole picture, the case collapsed. What if the truth was disguised by a story we chose to believe?

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Listen to Burden of Guilt Season 2 on the iHeart radio app, Apple Podcasts, or wherever you get your podcasts. Hey, I'm Jay Shetty, host of the on-purpose podcast. I'm joined by Luke Combs, award-winning country music artist, and one of the most authentic voices in music today. The guy that says he's always going to be there and that will do anything to be there is the only guy that's not there. No matter what, I'm going to prioritize my wife and my children.

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It took the 20 years. To hear this in more, listen to Keep It Positive, sweetie, on the I-Heart Radio app, Apple Podcast, or wherever you get your podcast. Yeah, what's up? Y'all, what's going on,

brother? He's a legendary Queen's rapper. Hey, Hank, Sagreita's your boy, N-O-R-E. He's a Miami hip-hip-hop pioneer. What up is DJEFN? Together they drink. Hit up with some of the biggest players in music and sports. You know what I mean?

The most professional, unprofessional podcast and your number one source for drunk fact. This is drinks champ, and radio where every day is New Year's Eve. Let's go! Hey, Nick's that green home you're Saivia. It's your boy, N-O-R-E. What up is DJE-Set? And this is a very special edition. It's like a motherfuckuckettling mix type in here.

It's like old school meets new school, new school meets old school. It's like DJs combined with two or two. It's like three DJs and two artists. Y'all's jumping us right now. Let's make some of our good. It's about time. We need a DJ episode. So right now, without no further ado, we got hands down.

An international live DJ. He has this thing called No Panty Sunday. I kid you not, I don't want to, my cleaning lady comes over. I put it on his pariscope and I just act like, it's the radio. This guy has been doing it for years. of my very first tour, I seen him on the tour. He brought me to the room because he knew Oconelli didn't smoke weed. And he said, little nigger, come to the room and then smokes some marijuana.

I got a different story. There's some Sega Genesis. All right. Then we got to left of him, to right of him, excuse me. We got Harlem's own person that's been a part of reshaping Harlem. Harlem has been known for Harlem World, but this is not Harlem World. This is a new era, the new millennium Harlem. He's repping.

his father was a close friend of mine which is crazy that he's a star now because I wish his father was alive to see his son of him. We got Asa Ferg in the motherfucker building. We got Mr. Capico himself. Mr. Tony Toka, a guy who's who I've seen him in Dominican Republic

and we've had them wonderful nights. That's all you got to say. No, no, I mean, you know, his accolades is crazy. He's been on Tommy Boy. He's been down since crazy legs and, you know, old school to New School. He's still out, still relevant. Filty MCs. I've been on, like, three of them. God damn it.

Makes a noise for Tony Touch in the building! Now, my intro wasn't that good because I haven't had a drink. Let me get a drink. What am I drinking? What's you drinking? You're drinking Bel-Air. I got to be. You got now, that's Kickapri, y'all. Um, Kickapri, let's get this out of the way. Now, are you signed to Bel-Eil or no? Negative. Negative? I drink that one. I drink that one. I'm doing the Pelisco. Mm-hmm.

I'm drinking it, boy. You want, you want, you want some rosette? I'm gonna take some Taran. Oh, Sarat. Okay. Hampton is going to go Rosetta. I'm on with the regular Saracac at. Let's get the record.

Now, just for y'all that don't know, we celebrate hip-hop on this show, and we celebrate our legends, you know what I'm saying? And we celebrate the culture of hip-hop. So starting with you, Kick-A-Pree. I remember back in the days, I was a kid from Queens,

and you had something called Kick-C-C-C-C-C-C-a-Lam? Or was the Slow Jams, Kik-A-Pree? Two about the mixtapes? The mixtapes. Yeah, yeah, yeah. Do you know until I was 21, that's the only thing I fucked to?

Right. It was kick and free slow jam tics. That's my word, my dick. I'm like, yo, for real. Like, yo, I kid you nothing. I said 21. I'm lying. Like, I think the first time I put on R&B was with my wife.

And I was like 30 fucking five or, 30. What is what I'm on? Yeah, I was like 31. But for real, the whole chat, you fucked up my whole slow jam taste. Did you know that? I mean, I know that. That you know that. I mean, like, six million other people were like me.

For sure. Yeah, I've heard that a lot. I've heard that a lot. But you know, that all came from the start of the hip-hop tapes. Street tapes I was making, you know, whenever I came out, I wanted to have different colors and different joints. So slow tape was just one of the joints I was making. It just popped off for him.

Same thing like no panty Sundays right now. No panty Sundays, man. On Parasco. On Periscope. On Parasco. Did that rid of a sorriac? Yeah. Was it right on Sarago?

Okay. Okay, here we go. But that stuff's a water. Yeah, so, so, now, kid, so back in the days, Were you considered the first mixtape DJ? No, not at all. Okay, who was?

Well, there was Hollywood before me. There was Bruce B. There was Star Child. There was Lovebug Starsky. But when I came on the scene, I made it national. I made it big. I did it different. I put aggression to it,

and I wanted to be looked at as an artist, not somebody just playing records. So that's why when I got on the stages. Those are the first ones I heard down here in Miami. When I got on the stages, next to that platinum artist, I'm going to leave that scar and that coliseum, you know, just like that platinum

artists is maybe even better because that's how I wanted to be looked at. I didn't want to be looked at as somebody was just playing records, you know what I'm saying? And, you know, and that's how all the money came up. That's all, you know, everything started getting bigger. You know, the first, the DJ became, it became a business now. I made it a business. It wasn't no more you behind a group. Showmanship. Yeah, you wasn't no more. You had to be behind the group to be on and get paid. Now you get paid on your own, you need the own man. You know what I'm saying. And you rock out and travel the world. So that's what it was. Now, A, A, Sack. Yeah, come on. You totally took a drink up. Maybe we're going to take a shot.

Who was the first DJ to play an ASAP for a record? Who was the first DJ to break ASAP for a hit the mic right there. I want to say self. DJ self. All right. I want to say, but I don't, it's so long ago. I want to say self, I can name all the early supporters. How about that?

I want to say self was definitely one advocate that really represented for me. And then I want to say DJ enough, always show me love. Carmelo definitely showed me love For him Carmelo Come on this man Camelho yeah I'm like I'm like

I need some racist shit Chad's to Carmelo too DJ Camillo Show me love Definitely for the Spanish community Yeah Yeah Yeah

Flex How can I forget flex Definitely so So you know Shout out of the DJs Like early on And Bebe Out there

What is it Dallas Smoggy? Nah straight bro You're supposed to know? Goddabby. Yeah. But I want to say, like, self is definitely, like, one of them, the first ones. Well, you guys, A-Sat Rocky. A-Sat, well, A-Sap, period.

Excuse me. A-Sat Marr. Excuse me. You guys represent a new sound of New York, but it's still New York. But how do you, like, face the criticism when people say, ah, that don't sound like the custom New York? I think we do got certain songs that sound like. traditional New York, but I think

once the internet came, it's almost like you get to hang out everywhere. So it's like you getting music from kids that make beats in Japan or we started linking up with kids that was in Texas and then we was traveling and Rocky went to school in Mississippi

and was linking up with different people. So our sounds naturally progressed in that way. And it was like I said, like the internet kind of like integrated everything and it made it a melting pot for music. And your crew was everywhere. Y'all had people in Miami too. Yeah, Miami, definitely. Shout out to Lotto, A.S.A. Lado, and shout out to DJJ. Scott.

Was it Denzel kind of down with y'all somehow? No, but Denzel is definitely cool. Like extended family. He's cool. He's the homie, yeah. You got totally touched early on, right, being a Puerto Rican in the DJ and, was that, did that face complications because the traditional DJ was black at that time? I mean, you know, I think we was out there from the get. No, no, there was a lot of Puerto Ricas on the scene before me, you know. We were just talking about Little Louis Vega before. And, you know, he was one of the first, you know, doing urban parties in the city.

And Capri actually was doing Studio 54 with him back in 87, which Studio 54. I forgot all about that, but he took me back with that. But, you know, Louis, you know, Charlie Chase, of course. Charlie Chase. Yeah, we had Puerto Rico. presence in there, you know. It wasn't a lot, but, you know, yeah, you know what I mean? But do you feel like it was harder being Puerto Weekend or was it like?

No, because, you know, I was playing dance music too and stuff like that, you know, the dance music. He's still heavy in that too. It was like, you know, predominantly Spanish anyway, so I was in that world as well. But as far as in the hip-hop, you know, not really, man. I didn't really feel no resistance or any type of way. I was just born in East New York, so I was just around it. part of them, you know.

That means you got a body. Let's make noise for people. Everybody needs you don't have a body. You don't got a body. So, kick a breed, right? I've been to your parties. I've been there. Come on, open up that bell there.

Man, you ain't going to get away. You make it. They're into your parties, kicka brief. And you really interact with the crowd. You make sure they participate in. Is that important? Because do you get mad when you see a DJ to just play records? They don't talk to the crowd.

They don't hype it up. I don't get mad. I just stay in my lane to do it. But do you judge them? Come on. No, I mean, yeah, yeah, yeah. I mean, of course you're going to judge anybody that you go and pay. Well, I don't pay to get in.

But when you go to see somebody on the stage, your whole idea is you want to feel better than you did before you got there. And that's the job of doing. A lot of people sometimes, they get stuck and they suffer and they forget that. They think they're doing the crowd a favor. When them people stop paying them for the tickets, you're going to see who's really doing the favor. So my whole thing is it's not just the crowd. It's the promoter. You got to make sure the promoters happy, such as the same.

when I do a show somewhere in the promoter lives and does everything according to my rider and something like rain happened and the crowd don't come. I tell him, go set up another show and I'm going to come and do it for free for you just so he can get his bread, just so he can never feel like

when I'm down and you're going to kick me further. A lot of dudes, what they do is I got my bread, I'm here, and that ain't my problem and all that shit, but see what happens. That's definitely me. This dude has me come back six more times that year. You see what? He see that. I got his back no matter what,

so I'll come back six more times that year And I ain't got to worry about making a record I ain't got to worry about being on TV I ain't got worried about being on the radio I conquer all that Just the name alone The brand alone keep going Because of those things

Because of the respect That you give these promoters In the crowd that come and pay And that's just it man That's why I keep on it God damn It's so noise With a great nigga

I'm a good nigga I am not a great nigga Nah give me another cup Give me an ice cream cup I drink with you Can you take a shot? Nah that's shot about that We go take a shot

I got a question. Okay, hold on. I'm coming right back to you. Deaf Comedy Jam. Where was you at when they first gave you that call? And what did you think? Because you were the first DJ on Deaf Comedy Jam, correct? Yeah, I mean, I was the one with them from the time to start at the time I ended.

And at all. I was doing a show, after show, for LL show. He was doing the garden. And they asked me to do the after party. I'm shaking this building up. Make a noise to get him frost on us. shaking the building up Russell Simmons walk up

You kid He see the crowd You know losing Your kid what you think about Doing the comedy show You know I'm like comedy show What I got to do

DJ with a comedy show Whatever I was like wait a minute This is Russell His HBO About a question this shit Let me just go do it So anyway

We end up doing it And that shit changed my life I mean I was popping in the street But I thought I was popping In the street That was his shit When I got on that show, I remember the first concert we did, not the television show, the first one.

It went on the road. I saw you on Miami. Yeah, the first show we did. I'm behind stage. It was about maybe 9,000 people in the crowd. I'm behind stage, and the crowd, the curtain is down. And I'm standing, I'm listening to people, you know, clapping on, but I ain't really thinking nothing of it.

As soon as the crowd, soon as the thing opened, these people were screaming. Like, it was just, like, I ain't, Michael Jackson, the sushi, I ain't know what it was going on, just screaming, but I'm just screaming, but I'm standing. I never got a deaf comedy jammer or the kid.

This is the tour. This is the tour. And when that happened, I went to go grab the mic. They screaming even more. So now what happened was I had a 15-minute set. So I had to play records quick. And the more records I should I play is the more crazy these people got. So I see what I did in them concerts and I applauded to the parties.

And that's when the DJs seen me doing the parties. Playing the shit quick and, you know, freaking it out. But a lot of times a lot of DJs try to do it. and they piss people off because they don't make sense of what they're doing they're just trying to do the shit but when I started doing it

it was a story I was trying to tell so it worked and I just took it and brought it to the party and did what I did like a number of other things we can get into and talk about but we won't even go on there we're going to take a shot

it's crazy after the shows because I went to the tour when they came here it was at the James L. Knight Center do you got the ticket because I know you got the ticket I thought you know like I came off the tables

went into the crowd that's right That's what I always do. Always getting in the crowd. Always getting with the crowd. Definitely, those are my people, man. To this day, I do two on the shows a year. So to this day, you know what I'm saying?

My engagement is to be with the people. You know what I'm saying? At all times. It's only 365 days of the year. He's busy and two on that. God damn. You got to remember. I was the first doing in hip hop to own the tour bus tour.

I was going there. You got to get, I was going there. You got to remember that. I was going there. I was going to hit in hip hop. Damn. So I'm going to six. I'm going on there.

I was going to get to it. I was going to trade. Where are it to straight? Own them. I own my first and my 40 foot, my 40 foot, but my second album came out. I won't own my first bus, and then I went and bought it to 45 foot. The crazy shit, when I went to go buy my first bus, the people that own the bus, the company, they were laughing at me.

Like, we nobody buy buses. I'm going to come out and go rent a bus. To us over, and you send the bus back. I said, man, give my bus, man. Came back and bought another one. Getting their best drivers, drivers, drivers, just assimilate cash, money, all that. So it was happening. It didn't even offer me a million dollars for my company.

I didn't take it, but, you know. But at the end of the day, I was the first one to do that because it was so many dates, and I'm traveling with 15 crazy records. I like my shit to look crazy and bulky. So I was on stage smashing them like that. I needed my bus to roll and take me. So that's what I did.

God damn make some noise for that. He had a question for us. Let him ask this question. I had a question for you, then I wanted you to hit you with that question. When was the moment you knew? Because, you know, y'all was a crew prior to coming out. Yeah.

A-Sap gang, but A-Sap crew. But when was the moment that, because I understand that Rocky was the first one to jump off, but when was the moment you said, I'm here? The moment that I knew that when he was doing his thing and I was playing passenger, I was like, I was just basically studying because before I got into the game,

I was scared as hell. You know, they always talk about, like, all the people taking advantage and the record execs and the devils in the game and all of that and your soul to the devil. But who you think is going to take advantage? Who do you think that's going to come from? Who you thought back then?

Them people you wouldn't expect it. The people that Colin talked about? The who? The people that Colin talked about? They're gay. They're gay. They're gay. The college.

The college? I say, all right? DJ Callet? I'm dyslexic. The Collins. The college. You know that college. DJ Callins.

Them guys that have. Day guys. Yeah, they guys. They guys that don't have no desire to hang out with you and your friends. those guys and yeah I just basically wanted to study the game

and you know we all just like it was good because I was doing it with my friends but like I was just like all right when he drops I gotta be like right behind him you know what I'm saying

just to be that support and I know like you know when things slow down for him you know I gotta be the next one just like how Meek did for Ross so like you know Drake did for Wayne

I gotta be there to pick up the thing to put it on my back and I had to figure out we was like really pushing rockets. Like we was you know, we all wanted to do Vogue. We all wanted to do GQ. We all wanted, but he did it first and he did it. You know, he opened those doors

for us, but we was like basically putting him on a pedestal to do those things. So I was like, what can I do to do something different? You know what I'm saying? Because y'all started hanging downtown wearing different type of clothes. Yeah, but we been hanging downtown and doing a different clothes. Like I was hanging out uptown, I wouldn't

wear different clothes. We were just different. You know, this is the village of Miami right here. I don't think so. This is the village, nigga. I don't know. When was the new, it's the village of Miami. I don't think so. It just don't got style.

It just doesn't sound like the village. The village got style. We have like the art galleries. Yeah, this is our gallery. Yeah, man. Yeah, so. Go to win with 20 years ago. It's not like that.

Yeah, I know. What I was getting to, though, was just like, I just basically had to discover what I was going to bring to the table. Like, my sound and what A-Sat Ferg is going to be to the group. And I knew that, like, ASAT wasn't really in the clubs like that. You know what I'm saying? Because we was hanging out downtown And we went to house parties

And you know We was with a bunch of white hippies and shit like that I want y'all to advise me to this party You know fashion parties And shit like that So but I'm always the hype one I'm bringing the energy So like I'm the one

I was the invitation to the club And that's when I started doing work And shab and like all of these things Whose idea was that? The shabba shit is a genius Oh that was mine Like listen I didn't even know what I was doing

And just kind of came to me And like I heard the beat at it Yeah, he's like, no, that, yo, he's got fucking Shaba. I know what I'm doing, though. Come on, man. Oh, you're talking about Shaba. Shabaw, I did not know what language you're talking about. You said shah.

Wait, yeah. The race. You got to get the race. Shabawbaw. Nah, it was mine. To get the actual shop. It was mine. Yeah, but what I'm asking, how old are you?

Because how old are you? I'm 28. You're 28. How do you appreciate shop of rinks? I mean, I grew up with Shabba. But the video was spot on, too. And you had to have the, you had the, Sure we all like him.

Shaba Ranks. I had Shaba in the video dancing. The whole treatment of the video was evolved around Shaba. It was like we had people emulating him. I was emulating him. That's what I'm saying. It was spot on. And then like I had, we was like basically laudering in his house.

Like, you know, he snuck in his house. He was like, that's when he shows up at the end of the video. He's like, yo, get out of my house. But he started partying with us. But like I grew up seeing Shaba like going rap city. and I always remember him having mad jury. I always had mad chicks in the videos. So I was

like, yo, who was cool? That shit was cool, man. Always been cool. But I always like paid homage to like those before me like, you know, I used to shout out Selena, like, you know, early in my career, 100 million roses.

And then I put like onyx and Be Real on the same track on my first album. And then I turned around and put bone thugs on a track called Lord on my first album. album. So that was just always the thing I did. It's like, if you want to make history, you got to literally make yourself a part of history. That's what I was doing, linking myself with history. That's one thing I always respected about y'all,

is that, like, from the beginning y'all came out, y'all said y'all was raised on B. I said y' y'r was raised on B. And y'all wasn't afraid to actually big up y'all influences. That's one thing that I always, because it don't matter where your influence come from. I'm from New York City. I don't get a fuck. But if my fucking influence came from NWA, I got to claim that. I got to say it. If my influence came from iced tea, I got to claim it, and that's one thing that I always, you know, respected from y'all. That y'all stuck with that.

Right. Yo, can I get that, Rose? Now, Tony Touch, you're a motherfucking genius. You sat back, and you said, I'm going to make something called 50 MCs. Why? That changed the game for the mix. You fucked us up. Yeah, you fucked us up. Because I had to have my verse.

Every time you go call me for 50 MCs, I had to write for like a week. I had to be like Because I know you might My verse might come on You might put it on Scarface right after me Didn't have the Scarface It's a Naz or a J

You know Shit like that Like how did you think of the 50 MCs What was going through your head What was smoking dust? It feels like PCP What was it Was it

What was the CB's equivalent to that Was it first doo-Off Here's what having DoWI did a mix tape Call 95 Live Right So he raised the bar Oh remember that

And he raised the ball With the mix tape game With that 95 live, you know. What was that? 95 what? It was called 95 live, the mix tape that Okay.

He had like maybe 15 MCs on. KMS and he did like this long intro and it changed the game. It was crazy. So a year later it was my 50th mix tape. And, you know, I wanted to treat it like an anniversary kind of thing and so I fed off of what like Wob did.

You know, it's just different influences. Of course kids set the whole thing off. Everything. You know what I mean? Everything. We're products of this. Let me start off by that. Absolutely.

Pay homage. For not Capri, like, I wouldn't even probably been doing makes tapes, you know what I'm saying? I probably wouldn't have babies involved in Capri. Let's throw that out there. So, you know, so yeah, it was 50MC is the 50th date anniversary. You don't be child support. You want to raise the bar. No, no, no.

That's true. That's what it is. You know what I mean? Absolute genius at that time. it was something that you had to sharpen your bars for. Like right now a DJ calls an artist for a mixtape and all they want to do is outfash.

But back then it was about bars. Now, right now, I don't mind the outfashion. I don't mind whatever. Like, I'm into all this new shit. Are you into? What's a new record you into? I mean, you know, I still got the radio show on over there. What's a record Tony Tholka is into?

I mean, I like all of this shit. I like A.S.F. Ferg shit. I like West Coast. shit. I like Zab shit. But name one. I like German shit. I like West... Name one. Name one. You want to get in the car to and ride out to right now. Right now. If I walked

out the door, probably something like Conway right now is like doing it for me. Big up Conway. It's an artist outside of New York. Right. You know, currency. You know, stuff like that. You know, all kind of shit. West Coast shit. How about you, Virp? What's the

joint right now? You want to be jumping in the whip. I'm listening to Russ album. It kills it. Yeah, we've got to get it to Ross album. We can't get it. And I like Drake, the shit where he's talking his shit on

the songs. Oh, okay. He's talking his shit. What is it? It's the first song called of the album? That's free smoke. Free smoke. Free smoke.

Yeah. Free smoke. Free smoke. Nah, no, me, no. I felt them. And besides that, I just listen to like a, I'm still stuck on like the old shit.

Like, honestly. Okay, okay, hold on. So, kid, what's the joint right now? You're going to the car. You want to hear it right now. It's kind of hard to ask me that because I got so much music. I'll be playing.

I got three different shows going on right now. But just one. I mean, right now, I mean, right now, I guess Ross album is banging right now. I'm saying? That trap, trap is crazy. It's all that shit's crazy on that album. I figured I was just on the boat the other day.

We were playing that shit on that. I heard it for the first time. No Bible. Hey, yo, shout out to Bing. Bank did his thing. great job. What you want to stay? Come over here, come over here, come over here, come over here.

Because I want to tell y'all, I want to tell y'all what song I'm, what's what's what what's what song? I want to get in the car right now and listen to you're ready? You're ready? And then the game. Legend, super legend in the game. I'm on the way here. So I'm talking to him on the phone, talking to about, you know, just a regular shit.

And the song comes on and I go, I put the phone down like, like, yo, this is the hottest joint on the street. As soon as I put it back up, he's like, I fucking hate that choice. And I'm like, damn. See, the thing about me is I come from the 90s. But I live in 2017. I choose to appreciate what's happening now. Me too.

Like, I can live off the old shit. That's cool, but I actually lived in that era. You know what I'm saying? Most people who praised that era are people who didn't live in that era. Going down this path again right now? Yeah, no, I'm saying. I'm saying because I actually really did the new shit. And people will be looking at me because I'm like a quote-unquote, you know,

what is it, gangster rapper from then. Like, I can appreciate everything. Look, I do think that you have more fun back in the day. No, we definitely had more fun to you. I feel like it's like you really hardly could feel anything nowadays. Okay, now break that down, Firk. You're going to drink some rosé with me, Fur? I'm drinking.

You want to rosé right now Look at some rosette They told me you want to rosette They're taking shot for Come on, whatever you pour Okay, I'm in Let's do it I'm in

I'm not waking up tomorrow I'm not wake up tonight Okay Coyocco after this I've never been to Quayataco for a while You were there You just don't remember you drunk You're drunk on the fuck

That's relax Free cold out It's like I go ahead for you for a time Yeah so basically I feel like... Hold on, hold on. My back. I want you to finish.

But did you see how I opened that up? Did you see a spell drop? No spell. You can tell that's a real champagne. You're a popera. Champa. Champa. He popped it, put it on the thing,

and just looked at my man and it didn't spill. I'm sorry. Kinski. No, basically it's just like I felt like, you know, back in the days it was about discovery and like, you know, people interacting with people. Nowadays, I feel like everybody hide behind the computer and everything like that.

And I'm not crushing that because it's like, you know, they're open a lot of doors for what's happening now, but, you know, I marveled at what, like, how y'all live y'all lives back in the days. Like, he and the stories from my uncle and my pops and, you know, watching the old movies. Like, what's Gino?

Gino over there? Is Gino here? Gino's here. Get the fuck out of here. I think he's still looking for parking. He better not be. It's not a super parking. I'll tell you the crazy shit.

I'm not taking a shot. Gino was an intern, right? Oh, yeah, I mean. Gino was an intern, right? And we had just released the album called The War Report, right? Oh, I didn't. Agway, it's the EFN shit. We got to drink.

I don't have another shot, though. Listen, if you turn down the Cuban, you got to take a shot. Listen, no, listen, Furry, you got to take a shot. If you turn down the Cuban, it's 20 years of bad sex. I'm just throwing it out there. You got it, got it, take a shot. You're going to start getting bad for you.

We need a shot glass. Here, you take mines and then I'll take yours. I'll drink after you. How about that? How about that? Salute. Salute. Cilu.

It tastes like trotting. Let's do it. Oh, look at it. Mm. Mm. Mm. I'm like Akheneli. I'm whatever.

I'm sorry. This is when we get loose. We haven't recorded the podcast in a long time. We just want to let your brothers know that. And we celebrate. We celebrate. One year anniversary. Well, one year anniversary.

One year anniversary. He's in my soul right now. Oh, man. I got new chest hair. Alright, so we're going to drink some rosette. You're not going to mix that. I got an extra cup for you. Look at that.

Look at the drink, champ. Look, you got an extra cup for you. Nick are a real name. And I got a big of... We've got to get a lot of nowhere. I got to make up A-Sat Rocky because... We had an episode with A-Sat-Rockew. Here you go.

Like, he'll. Bam. There you go. See you later. Is that a candle? Rocky, right? And I gave French or five. And I said, big a French for fucking a Kardashian.

And A-Sat. If you look at the footage, A-Sack Rocky is like this. I don't get a five. And I'm like, oh, I told me. Why, you mess with a Kardashian? Yeah, that's when he's fucking the Cardassian. That's why he was into Drink Channel. No, listen, A-Sack Rocky.

This is what happened. I'm going to describe what happened. He seemed like he was excited. He was ready to go in. But Tiya, what happened? The lawyer for hip-hop. I blame you. I blame you.

Why? When I walked into the room, he was already talking to Tia, it already looked like. Oh, yeah, me and Tia. I mean, it was cool. That's the homie, you know what I'm saying? But, you know, we've been there. And he just wasn't having it.

Like, he didn't want to play games. He didn't want to take shots. He didn't want to do all that. So I, you know, but Aesat walked in there. So Tia immediately became his lawyer. But Rocky wanted to get wild. No, no. He wanted to get wild.

He started asking me if I was drinking or not. I'm crazy. Mm-hmm. Mm-hmm. Mm-hmm. Wow. In 2023, a story gripped the UK, evoking horror and disbelief. The nurse who was a nurse who,

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Apple Podcasts or wherever you get your podcasts Hey, I'm Jay Shetty, host of the On Purpose Podcast I'm joined by Luke Combs, award-winning country music artist and one of the most authentic voices in music today. Luke opens up about success, self-doubt, mental health, and what it really takes to stay true to who you are when your life changes overnight. I hate fame, I hate the word celebrity, I hate those words,

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I went and sat on the little ottoman in front of him. Hi, Dad. And just what I said, said that my mom comes out of the kitchen and she says, I have some cookies and milk. This is a badass convict. Right. Just finished five years. I'm going to have cookies and milk at mom.

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I'm an alcoholic. And without this trouble, I'm going to die. Open your free I-Heart radio app. Search the Cito Show and listen now. I've told me that. You've been in this game for how long? I mean, I started DJ. I started making money like in 91, 92 is when I started paying the rent off of it, you know.

I was selling crack, guys. He's been coming to Miami forever too. It's been a great run, man, God is good, everything chilly chill, that's it, you know. What? And what do you love most about this game? Mm. The drink champs. God damn.

We're gonna get them right. So you know how I say, Chichin'a de Yeo? Yeah. Just off a scarface. So I was working Tommy boy. You know, I did the marketing. And we did the venue shoot with Tony Touch,

and he had the homie. Chi Chi Chi in the video. You had Chi Chi get the Leo? Chichie get the Leo? Chi Chi in the motherfucking video. Angel, Salazar. He's a comedian, right? Comedy.

Yeah, yeah. That's the homie, man. Chi Chi Chi Chi get the Yale. Goddad is official. God damn. Let's make some words, Gigi's the Yale. I just kind of So now, kick it pre.

You've been all over the world. You, you was signed a trackmaster. Let's talk about that time, period. No, I wasn't signed to track masters. I was signed to Columbia for five years because they lost... Sound like a bit when you said that.

No, because what happened was, you know, Tom, I'm sizzling, sizzling, sizzling. They lost... We've been rich for so long. You just seen how he did that? He was like... I did. That was a rich... That was a rich, niggum.

Listen, certain people don't speak rich nigger Like, every time Hove text me, I always I always show it to somebody else that I know it's richer than me Because I don't understand what Hove be talking about He'll say something and then he'll skip lines I'm sorry, but that was a rich nigger suggestion What we're talking about?

What we're talking about? You're speaking out! So I did my album And I gave it to the head A and all, he lost the shit What? Yes, I told us to the fuck y'all. The whole house. The whole house?

The whole house. I said, fuck y'all. You didn't have a copy? Listen. Oh, fuck, you all you doing nothing. Right? Five years later, they said they called me your kid because they were trying for the whole five years. Your kid.

Come on. No, he's doing nothing. So five years later, they called me your. We signed track masters. They're coming in Columbia. They're going, you know, straightened out shit. I was like, all right, I know them. Maybe I'll fuck with them and see what's going to go on.

So as we started. doing I'm my produced all album. I think Traffmasters did maybe two joints and I'm doing everything else. And you know as we're going along, I'm seeing certain things that I didn't think should have happened. But you know, I'm telling them like, let's just wait. You know, they wanted to put it

out on November 17th, the day of everybody coming out, they promoted six months. I'm like, you just wait until the next year turn around and then we put it out then. You know, whatever happened, but the bottom line is the album was a classic. The album was dope. You know what I'm saying? So that's what happened. But as far as it being sold the way it was supposed to be sold,

Handle? It wasn't handled the way I wanted it to handle So from that album, and everybody was on that, I wanted to grab me from that, from that Jay-Z on it, but, you know, I had everybody on that album. From that album, you know, it was so much struggle doing it, even though he was on it, no way it was on it. That's right. But it just made me feel like I didn't want to do no more records. I didn't want to do

no more albums. You know what I'm saying? Because it was just too much clearances, too much shit. I'm on the roll heavy. It was just too much shit to deal with. So I just say I'm going to do it. But now now, you know, I was with that rap for the last eight, nine years, like following them and, you know, being on them and, you know, just supporting the whole movement.

Me and Lux, we had shot some. I was going to bring to HBO and it worked out, but I ended up I started an album on them called Top Tilly. Got tired of him, battle rappers couldn't make good records. So I said, you know, I'm going to take the top battle rappers and some new kids, put them all together and make some hot shit and try to prove the world wrong and don't use no mainstream artists on albums. So I don't have not one mainstream artists on albums.

All battle rappers is called Top Tid. So it's called Tom. So it's a cup? The white one is your cup? No. For, which one, who covers that? The white man? Mine, it's empty.

Empty? Hey, you want some? No, I got my, got my bullshit. I'm lit. I got two cups. You know, this is how they do it in Paris. This is cold. No, he does it.

I'm in Paris. That's how you do it in Paris. No, that's how they do it. Yo, shout out to Mr. Cream. We in Mr. Cream. Shout out. Yeah, big up Mr. Cream. Definitely, man.

And, Mr. Cream. It big up. And we're at 8 and 9 right now. Because the reason why I say that, Capri, is because the people who helped me shape my only platinum album was the trackmasters. And I did an album called N-O-R-E.

And I remember damn there almost maybe 60% of the sessions you were the next story to me. Trackmaster is a beast. Let's just get it straight. You know what I'm saying? And they definitely helped me mold my album the way I wanted to mold it.

You know what I'm saying? Sonically and everything, if you listen to the soundtrack to the street sound album, was incredible and it was they did a lot of contributing. Did you come to Bersville? Huh?

Bersville? A lot of contributor to me. Shall I say the right words? Did you come to Bersville? You don't remember Bersville? No, I did everything in, uh, in, uh... Hiff factory? Yeah, everything was in Hiff factory.

So we did that. You remember we used to bowl bottles of crystal? You don't remember that? I wasn't around here. Yo, listen, listen. We used to drink all the crystal, right? And then we used to be like, yo, line them up. And we would line them up.

Take Factor, we kicked us out. none of that less. You remember, it was two hit factories. Yeah. It was the one up the block on 54 and the one down the block. I was banned for life. Band for life. And there's one out here right in Miami. Well, that's, uh, yes. Right, okay. That's jump where that was going

that was originally criteria. Okay. They used to be called. The Miami. I'm old school. Criteria is mad. Is it? Yeah, I'm mad old school. It was called criteria and the hit factory boarded. But remember, 54th Street, it was Sony

then it was hit factory and then it was the old hit factory I could never get the new head factory because I was that new one I had we used to Christ out was the shit back then so we used to drink so much bottles of crystal we still line the bottles up

and then whoever was drinking the next bottle we just be like okay let's go my whole session you cannot walk because everybody other sessions they should take their socks off their shoes off and just walk around you know what I mean you can never do that in my sessions my shit is we both

Colin Cristowl. Shit is just crazy. The niggas said you're never allowed back. Never. You go up the block. And then I had to go to the hood factory. That's what they called the hood factory. It was called the hood factory.

You remember? Because they had built the new hit factory up the block from Sony. Remember Sony was right there? But you was basically in almost every session of my most famous album, N-R-E-R-E-I. Remember, B? Fiesta. Fiesta, you were just on your album? No, no.

No, Tramask producer. Oh, he's on it. I'm not ready with you. And then we did my join. You came and did the joint with me apart. But do you remember, it was me, you, 50 cent. That little video.

That video is very, it's viral. Rival. That was your session, correct? That was your session. I gave, matter of fact, I gave 50, I produced Routy Routy for 50. Maybe a week later after that. Because people don't know you a producer.

Come on, let's produce Madonna, produce a number of love for heavy deed. produced us like that, Jay. Boris brought that up to me. That's how Boris knows kid Capri. That he produced a night by love. The producer.

In the real, in the real I'm gonna tell you right. He's 12 years old. With all the years with all the accolades and everything I got from this shit, like producing, like as much as I love it, it never been my bread and butter.

My brand and butter always been on them stages and doing what I do. Now I'm taking it real serious. Like, you know what I'm saying? Even though I produced my first and second album, it never really was. One thing I was, one thing don't like doing. I can't go on motherfuck

a session. Yo, I got beats, yo. Yo, let me get on your arm. I got beat. I can't I just can't do that shit. It's like so I felt like if I do this top 10 album and it's shit hot enough, everybody going to hear and they come to me and say, okay, this is right. So the people that I brought, the companies I brought it to, I ain't let it go yet, but the ones I brought

it to, they're asking for the shit that I have on there, so I know it's going to work. You know what I'm saying? But that's the way of me doing it because I don't like, I just don't like bothering people, you know? You get that shit every day. You know what I'm saying? You get it every day. So it's like, you don't need, you know, I just, I just stare at the way I do my lane, that's it.

You know, but yeah, I'm taking the serious now, though. This year I'm getting on niggins nerves. Sure. Go ahead. It's sure. Now, for sure. We got to talk about my man. God bless the day.

You know what I'm talking about, first. Yes. Yams was my age. In here. And in here. I never had a Like you know how you could have a young Homie

You have a young nigga conversation with him I never had a young nigga conversation with Yams ever He always talked about my era He would call me on the phone And be like yo So you know what I mean You're on this and I'm like I didn't notice

I couldn't be I couldn't believe how smart Yams was And I can't What I'm saying about that I'm not even talking about business wise that comes secondary. I'm talking about just a culture-wide. Was that the person who helped

shape the ASAP movement and just said, yo, look, we got a, you know what I'm saying? Am I correct? Without a doubt. Gams definitely was like he orchestrated a lot. He was like our,

basically, he was the... Your shill, your puff. Yeah, he was definitely that. And he weaved us together because you got a lot of artists. you know what I'm saying on one label and um you know we was all crude before

like we even got into the business so it's just like you know how everybody got their own individual like attitudes and you know he he basically found a way to facilitate all of our ideas

and we've us all into each other to where as the world can digest what we was doing you know what I'm saying and he made us the package you know what I'm saying Like he was basically the Steve Jobs And he made the iPhone

That was easy to work Right Was it his idea to say Everybody is going to be called ASAP I don't know if it was his idea But he was definitely Like one of the superiors One of the originals

It was him It was my boy ASAP Barre shout out to him He's doing like the whole V-Lone thing now Clothing line Asap It was like those are the original guys And A's Abari is younger than all of us.

But he brought me to the crew. He brought me, like, you know, Rocky came to the crew. Like, so it was a crew first, and then me and Rocky got introduced to the crew. You know what I'm saying? Then we just did, like, the rapping portion part of it. Oh, shit. I didn't know that. That's great.

We joined, like, a year, a year and a half later. Yeah, that's great. Let's make some noise to that, right? Now, Tony Tucker. Didn't you have a job on a half now, I'm saying? at one point. Hot-knob southern? What are you talking about that?

What happened? Let's talk about that. I was, shout out to Mickey Benson. That's Mickey Benson. That's Ice T's old man. Yeah, yeah, Mickey Vincent. That's an old-school gangsters.

Let's pick him on. And it was Melly Mel and had a radio show called the Mike Check show. So I got lucky. You know, somehow Mickey and me and Mickey hooked up. remember how but um yeah you know they asked me to provide uh you know beats for the you know callers

that will call up to rap live on the show it's like an hour long show and you know they would do their thing you know the you know the furious five i think um who else was there scorpio i don't know scorpio was there but you know it was the meli meli show definitely and i think uh his brother was there as well what's the name um kit creole kik kreo yeah kreo yeah so it was a hathian nigga back then? Come on the previous I'm

come on guys that was that was a lot of that was a quick little wrong

you know the mic check show Melly Mel yeah I was like shit I was like

90 I was like 93 or some shit 94 actually you know what and that was when pun

that's when we first heard a pun so it was like 94 because after the mic check show

they would do a lyrical showcase in the Bronx. Mickey and Melly used to hook up this lyric showcase up in the BX. And that's when

for you, buddy. And that's when they found pun. While I was doing the radio show, they had this MC showcase in the Bronx. And that's when Mickey and them, like, they're connected with pun and everything else history.

But that show lasted like eight months. It was a quick little run. Shut out, 9-7, though. Big up, Hot 97. So now, what happens? happens, you get this phone call. Sirius satellite says they want Toka Tuesdays. No, Shay 4-5, they must have hit you.

But it wasn't a serious satellite first? No, I was... It was Shade 45? It was like Paul. So this is M&M? So this is Paul. Because he got a big part of M&M's career too. Come on. Well, I mean, he was on the 50 MCs too. Yeah, yeah, come on. Let's bring that down.

Let's break that down. Come on, you be a humble right now. You're super humble right now. Give another shot. Give another shot. Godamette is what you want to do Aradena I'm doing Sarak I'm I got to keep it real because Syrac is the best thing on the planet Refresion Furr is refreshing Furr you want a shot of Syracian take a shot of Syracian

So real quick this refreshing the radio show That's okay okay you got to do it I know I'm gonna do it Fucking guys are sorry so real quick the radio show We've been running 12 years now on Sirius XM. Let's make some noise for that. God damn it. Today's on Shane 45.

And you know what's funny is that each and every one of you guys have been to the show one or another. You always support, man. So it's trippy to see us all together in one room at the same time. That's right. That's right. You're on the most important people, man. And yo, salute to all you guys here. We're here.

It feels like, talk a Tuesdays. It is. It is. And listen, let me just tell you something. Out of all the people from the young generation, Ferg is one of the people that we all got to support. for it. Absolutely. He's a real support.

He's a real support. He's a real support. He's mad cool. Let's get into it. You know, yo, it's Gino. Yeah. Speak about that. You know, still in here?

Me was mad because Pops, like, Yo, you know, still in here? We come from the L'Wardt, Pooley. Yeah, but tell you. You're from Miami, so tell us about this Pots, man. I want to hear about this,

like, in Harlem. In Harlem, in Harlem, right? First of all, me and Star Child had the music, had the music scene crazy in Harlem. Right, in Harlem. We had that shit. So at the end of the day You know, every day

It's a legend Fashion music all going to go together Right You had your At one time you had your da-padan Dapper Dan was making shit Shout out of Dats You know what I couldn't afford it back there

You know what Ferdg would do He would make He would make clothes for the street That were classy Or make something that he would make Stuff that you want But when you're seeing his clothes You would feel flying and stuff

Like with Dapper Dane was more, you was more hood fly. He was more, you know what I'm saying? But with Ferger was a little different, he had a little twist his thing. Like him, he was shot, they had a little twist of his thing. And Ferg was cool, man. Everybody got a shot. They drank his shot already. Where am I?

Your shot right there, bro. That's Caprician. He bopped already. That's capricia. Yeah, go. You got to go. You got to go. You got to go.

You got to go. You got to go. Oh, God damn it. God damn. Let's drink. No, let's big up the twin being back in our hands. Did you see yourself in the video? Hell, yeah, that's not all.

He got the ill is fucking, you got a good lap dance. He's more than to recover, you know what I'm saying? That's right, that's right. You're gonna recover, motherfucker. Make noise for twin recovery. McQueen. What? I don't know.

I don't know. I don't know. Hit that, brother. I got one. You can't escape your shut, bro. Brick your shot. You know how I had the foulest part in the world? You know what is actually.

You know what is actually. everybody else shot was like I was heavy-handed I'm not going to lie but my kid is just so dishing you're a drink chance I'm about to say that thank you for saying that you're a drink chair my brother salute for CBS on releasing the match this is I got to get the truth by the people

right this I got to get the truth out of people absolutely we get the truth out of ourselves we probably fucking say more shit than anything but it's very true people who think we start having conversations with ourselves and it's terrible All right, look, but look I'm gonna be honest

No, no, I'm gonna be honest That's where I want Gino to be here Gino tell me stories about you and your crew all the time No, but let me tell you something about something about your pops which is real We did an album called The War Report The War Report clearly acclaimed our first album Shit goes through the roof

We have a person that was an intern at the time called Gino He was the person at the front So the people who did our shirts in the beginning were people from Canal Street. We thought that was a deal. Gino's in the front, you know, answering phone. Gino turns around and goes,

oh, the Canal Street, we can go uptown. And we're going to get our shit right. So everybody's looking like that. But this is his first tag. We take it on It's your father he refers this to Your father made the N-R-E T-shirts Oh wow

The original N-R-E The shit that Pung got on his head If you look at it, it's a famous Because I gave pun the T-shirt And he said, What the fuck, I can't fit this? And I was like, damn, it's very true So he just put it on his head But your father

was the person who designed. Now, first of all, my people from the Bronx, 157 and Girard was the first people to refer me to home. But when I brought it to the label, the label said no. But Gino was the guy who actually pushed the whole envelope through, and the person he pushed it through was for your father. And that's your fucking manager, right? And that's the fucking manager.

Why are you taking my share? No, that's right. Can I ask my question? Yeah, because I'm wearing a lot. Wait, wait until he takes that shot. We're in a large right now. Let's go. We're in a shot.

Yo, I love pun. What was pun like? He was the best. Worst friend. Oh, wow. February 7th. That's horrible. Yes, sir.

Let's pick up to the niggas in February. And also, I want to say rest in peace to Capone's wife's mother, passed away today. I got a story about pun. Oh, let's go on the pun story. When we did. My album, soundtrack to the streets. I remember Lost Boys was in the booth, right?

And Laws Boys came to the session. Shout to the Lord's Boys' cheeks. It was my dudes. They came to the studio, fucked up. They were drunk, right? Which was dope. It was cool. We was having a good time, right?

And they was in the booth for a while. And Pun came with his family, his whole family. Right. So I stopped. The Laws Boys, I made him come out. And I made Pung getting in the booth. Punt sat a chair down. A couch.

Not a chair. It was a couch. Okay, whatever it was. He put the mic in front of him. He put the mic in front of him. He had his family around him in the booth. He did one take, one ad of it was out of the booth. Ten minutes.

The record was done. That's the record we did with you. Wow. No, but I know his style. Yo, it was the most incredible shit. But that was pun style. Pun used to take, whatever couch was in, like, the main room, he was like, you'll have his niggas come and pick it up.

Boom. That was the most incredible. And then he'll pull the mic down and he's, he's sitting. That's how his bro was so incredible. It was crazy. Because he was sick. Oh, so he didn't, he didn't do like. Not a lot of them.

Like I'm saying, he didn't do like four bars, four bars. No. Nah. He did the whole shit. That was a bad. And then did the whole ad. First of all, we don't know a track back then. No punch.

We're on up. Take that in. The ill is ill of the knack. There was no punches back. Ill of the net. No, you could punch on a wrist. Check it right. Yeah.

And you know how much, you know, you know how fucking crazy it was the punch. Like right now When he was rhyming, yeah When punk was right You can't punch that You can't punch that shit You gotta say that shit You gotta say it

Go ahead All right So that was one thing That was about my album The second thing that was Crazy was I'm in the studio With Jay All right

Jay Z So I had a beat for Jay So I'm in the studio With Jay I had this beat for him Right The beat was crazy So I'm playing beat

In there And I had this other beat That I bought in New Orleans I couldn't get the shit The Locking the machine For some reason But I had it Looped up on a tape

And I was in the studio Just playing it and Jay walked past the studio he said, what's that? I said, that's some shit I had loosed up, I can't get it locked up. He was like, yo, we need to do that shit. I had that shit fixed in five minutes.

Yo, we did that shit. The record we were supposed to do it, we changed it to boom, boom, boom. We did that shit? I want a Grammy. Mm, word. Yeah. I want a Grammy. Hard-knock life, because what happened was

we was on tour with the Puff Tour and 45 King gave me this plate. and it had the hard knock life beat on it so I was doing my album at the time I said I might use this shit for my album let me see how it sound in the arena so I would play it I would do my show then when I come back out the second time I would start

with that the third show I played it Jay rolled up like What the fuck is that what's that what's that? I said that's 45 king be some show I don't use I was like you like you like yeah hell yeah wait wait wait so I'm talking about the hard knock Are you just using the little sample

You had a beat already He had the way the beat is on the record That's how I had it on the acid tape It was just the beats with the song It's a hard now With the beat Like a double? That's it

White people were walking up to me While I'm playing And saying okay How you get them drums behind the ante beat They didn't They was bugging So Jay rolled up Say yo kid

What's that? Wait a way I said That's too much right now Hold on He's like So I said You want it

He was like yeah So I called 45 can Right there in the arena Put him on the phone A 45 can Talk to him Two weeks later and our life came out. Five million seller.

Six million seller. Yeah. Biggest record of his career. I need, oh. Wait, wait, wait, before that. I need to break that one of the time. How's that record credited, though? How is it credited? 45 can't as a reducer. Right. Jay Z is the writer.

Kick and Pri's the link. Woo. You the plug. Goddain. The plug. That's what I'm saying? That's story. That's not to say that all the other shit Jay done dead.

Come on, you already know where his career is. No, no. And me and Jay been cool, you know, for years. and what he's done is incredible. But I'm glad to say I was a part of that. That's an incredible record. And then on that album, I did this like that. So I won the Grammy because the album went as far as it went.

So I won't twice. Me too. Beech it, what do you want? Salsa. Oh. Yeah, please. I just took a sign of this. It's terrible.

When Madonna called me? That was crazy. Okay, hold on. What the fuck? That did Madonna. Speeding right now. Let's go. We ready.

You want to go to the Madonna story? And it's writing this story, too? Did you, I think it's a story nice. I feel like every black nigga a man I'm gonna be real with you,

man. Like, a lot of women in the industry, a lot of us a hundred scenes, chicks, a lot of rappers, a lot of actresses,

a lot of models. A lot of them try to get at me. And I would never fuck with one industry chick ever. Why is that? One,

a lot of them talk a lot. I'm not saying all of them, but a lot of them talk a lot. And two, a lot of them fuck with the same circle of everybody. You fuck around me and you be here fucking next. You know what I'm saying? Like, it becomes that, you know what I'm saying?

And at the end of the day, it's just, I just felt like I ain't want nobody doing what I do. If I'm in this industry that I do what I do here, I already know how how gritty this shit can get. So if you win it, I know how gritty can get for you. And you're going to get off with way more than I'm going to get just like a chick in the strip club. She's going to get off with way more than a regular chick going to get. It ain't just the strip club. It's the ball over here. It got the $10,000 for a couple of hours.

Come here, and I'm going to be sure I'm going to pay it up. And that's what it's going to be. It's going to be more than just what it really is. So that's why I never really even fucked around. It's an industry strip club. Yeah, exactly, pretty much. So I stay away from that. I just, you know, did my little name.

What the fuck do you want on here? I don't know what's going to relax. Come down. Bro. See, it was so fur. When the first time you get your dicks up? Let's let's stop. I was right.

Let's keep it real. Let's throw it out there. All right to say. Let's keep it real. Let's keep it real. Throw it out. I was about. I was about. That's a good question.

That's the wonder years. I never even been asked that question. You got to throw it out of it. I'm sure you've never been asked that. None of my chicks ever even asked me that question. You got to throw it out there. Living for drink champs. I had to been about like 14 and 15.

And shout out to. her for doing that. Shut out! I feel like she made it a... I feel like it was a close member of the family. No, definitely not. It was it?

Like a cousin? That's my friend. It was a close to a member event. That was your first name. Close me on. I'm sorry. Relax. We need to get it to your story.

No, I was going to go into my first rap. That's what I meant. Like, like, after I, like, you had that wrecked and then the bitch is just coming to you and say, I want to suck your dick. It's like, that's like, oh. That's your first time. Like, not in the beginning.

Like, I was going on, after you became Ferg and the bitch just say, I don't want to say your dick. Like, I just want to, you know, you have to be a little more specific. No, it's very, it's very. You said, in the beginning. Because, I mean, listen, I left.

I got a question for you. Okay. And you're going to let Ferg finish? And I got a question. I'm in. I'm in. All right. I don't, um, I don't even remember,

honestly. You know, I don't know. What is right now? It's a lot. I remember a situation. That's like a matter of situation. You got to remember your mathematics. I remember situations where, like, I've been overseas and had a three-summer sisters.

White girl. You're sisters? White girls? Yeah. I love your story. Let's continue. And I remember having, and I remember my first three-song with two black girls. Yeah, and they was like, that's all about it.

They was having mad fun. And I remember, like, not even, like, because, you know, black. That girls is real, like, different. Like, they're not lifting a finger if they don't, like, they're not making you no sandwiches. They're not doing nothing. But they were just catering to me crazy that night. And you knew you made.

Yeah, exactly. Let's make some noise for you knew what you made. Let's talk about us too. Let's make some noise for Mr. Lee buying the worst cigars ever. It's like Mr. Lee went to the store and said, I just want to buy a cigar. It's going to make Norrie a noise. It's not.

So kick and brick He had a question for him or no Let's go with your question When's the first time you've seen Porn or date? It's definitely you. Classic Green Chan's story I'm on tour with Aconnelli, right?

I think we got like five or six or seven dates with kids So it takes kid Like one or two dates To look at me and say He's different It must have been like the second or the third day The kid said

No, because I'm with Akelella You got to put it in your mouth I just come home fresh out of jail I listened to my rhymes When I was whacked I used to be super Whacked I knew I was whacked Like I knew I was rag And I was calling him like

Bitter, sit up, fuck that Yeah And I kept telling me, who! I'm in jail. He's a man on the street. He got this shit called The Bomb Baby, the Bomb Baby, you know, if no, and there's no buts and no maybe. But I know, he's like, yo, this is like the young shooter, you know, idiot guy from our hood.

And I'm calling him from jail, he answering. So what happened was I came home. We do a song called. L.A. L.A. I Peep my nigga Chaz from my hood. I'm trying to make this This is just a long story. Does Act know that you're doing L.A. Does he know that?

Does I know that? No. Absolutely not. Okay. I come home. I do my own things. I don't want to depend on my name. So I come home. We do L.A. It kind of pops. It kind of pops. It definitely pops. But we didn't want to, I didn't want to be a

beef nigger type of artist. So we also six months later threw out of a drink called T-O-N-Y. Classic. Classic hip-hop. But mind you,

Capone gets locked up. The album drops. Pone gets locked up. I don't know how to do a show. How do you do a show? Like, I'm from the, I'm a cracker seller.

So, like, I'm that I know every white person because I sell crack to them. How do I do a show? The great thing. Crazy shit is Ark comes on my block sees me pumping.

He sees me making a cell. A can only put it in you, man. So he sees me make a cell and he pulls over the car. And he's like, yo, what are you doing right now? But mind you, my album's out. Well, I don't know

because I don't know how to leave my hood. So I don't know what's popping. People are telling me in my hood is popping, but they've been telling me that since I started. start rapping. Ox sees me make a sell.

He drops and comes up. What are you doing? And he says, how much you have on you? I had $500 worth for me. So he gave me $500. It was like, give me the work. And I was like, all right, cool. I thought he was smoking.

I didn't be honest. Fucker, right. Go ahead. Go ahead. This way out. I threw this shit in the sewer, and I was pissed. It was like, you know,

but he paid for it. He paid you for it. I was like, yo, what the... And he said, you look, watch this. And he turned me around. Like, he grabbed me, like, I'm grabbing you right now,

but he turned me around, and every car that drove through was playing the war report. And I still didn't know what that meant because I was so much of a hood person. It was like, I thought I just made it for my hood. I was like, so what?

I made it just for these niggas. These niggas are supposed to play it. But he was trying to show me that everybody that's driving through is not from left rack. They just driving through the show that they're playing a war report, but still I don't understand. But anyway, after that day, he plays my package, and he says, come me on tour.

This is when I meet the legendary kid me, right? This is a porno tape story? So, right? Now, Ak is on like a, maybe like a 20, 30-day tour, but seven days is what kid was pretty. mind you I used to go up town

to this wee spot He's cracking his knuckles Write with three wise men I just went to this Wee spot called three wise men So then Call him Best weed that I ever smoked

He used to go up there And three wise men had Nothing but King of Pre-tapers So That was our thing Like a Kikip at this time It was like being fly like you ain't actually

had to be fly if you had to retaping in your pocket except fly Saturday and Sunday there's going no no no this is real shit

this is real shit like you ain't actually had to have a first pair of sneakers on if you were like what I got to you pray

16 right it's like what oh what I'm only on 12 but this is that type of fly shit

right takes me on tall kid it's like three days in. The kid says, No, man.

You got to relax. He didn't say that, but in my mind, he said that. He said, them niggas ain't smoking. You ain't having no pharma though.

And he was right. So I came to kid, you know, he started playing Sega Genesis. Because that, that was a thing back then. It was like the Nintendo

Sega Genesis. I'm sitting there. I'm like, I love this. And he's smoking in this room, though. Not only I can't smoke in an ox. Van, I can't even smoke around it. Because he's like a real, like,

you know, don't smoke type of nigger. Like, that shit is whack type of nigger. So I'm like, all right, now I'm with kick a prey. I'm afraid this niggas mix tapes are sitting there playing video games with him. Yeah, he says, I'm sorry. He wants to see some shit. I'm sorry

I'm sorry Let's just up Come on Alright, let's do it Alright guys Alright guys Alright, we ready I know your niggas ain't got shots

Yeah, I definitely know I was shot But I got a good drink So let me tell you something That's hilarious, right away No it was, you know It was, listen You had to He was mad, yo

He was young He was young And I was in the middle of just, I was wilder, man. You were living life. I mean, yeah, but, you know, I was like, you know, I'm talking about this thing with that. I'm glad no bullshit happened.

Like, something like, look, there was chicks sending me keys that they crib. I wasn't even asking for it. Send me keys of their crib. So I'm thinking, I'm talking, I'm talking my niggas on the road. Like, yo, let me tell you that son. Your nigg's going, no chick's room, don't go to nobody's house.

Because you never know the next nigga. They send them the key to you up in there. who you will. So, you know, but I'm saying that. I'm saying, it was, we can't really talk

because it's not the show for that. But this show, I mean, the shit that was going on at that time, it was like, a ninn could have gotten

a lot of shit. Right. You know what I'm saying? So that's why I'm glad it worked out the way it worked out. Now I'm a whole different person. But, but, you know,

now, you know, six comes to me now. It's like, whatever. I know what? Back then. You know what?

I had to talk with L.L. Kool-J. You was like the first point. I said your LL. Shut out. Shut out. I said, yo, I said, yo, you're cute on your wife? No, he put me on, too.

I got that all. I said, yo, you shit on your wife? He was like, no. I was like, why not? He said, he said, because I can't get no money being pushed around from different women. You pull this way, pull this way. I agree.

If you have one woman to satisfy, that's all you have to worry about. You can worry about everything else you got to do Which is the truth At the time I was doing I was doing I had one one walk out one hour Another one walk out one walk out another one walk out My man sitting there looking at this shit

You know what I'm saying So it's documented like it can happen But And when you do it you think you It's a trophy It's like you think you doing something That shit ain't bullshit That's bullshit be

You know what I'm saying Like the real shit is The real shit is Create an opportunity for all the niggas to get on You know what I'm saying And the way you're going to do that is focus on what you do. You know what I'm saying? That's the new thing.

Right now. So that's why we started these shows. I got three different shows going on right now. They're all popping. You know what I'm saying? And when I'm doing it, I started this Gmail Black Party action at gmail.com. You know, where I tell people around the country to send me their music and they get, and I play it on my shows.

Because I know what it's like to not get hurt. You ain't got no money for it. You ain't got no money for it. You ain't got no machine. Nobody knows where you're at. Nobody's trying to help you. So this is a spot whether it's hot or not, I'm going to let the fans decide that. I'm not going to put my opinion to it, but I'm going to give you an outlet.

I gave him an outlet for them to be heard. So every week where I'm doing the joints, I play a few of the joints and let the people decide what's going on. That means so much to that person, even if they don't go nowhere. It's just that they have a chance. You know what I'm saying? That's on to it, people. In 2023, a story gripped the UK, evoking horror and disbelief. The nurse who should have been in charge of caring for tiny babies is now the most prolific child killer.

in modern British history. Everyone thought they knew how it ended. A verdict? A villain. A nurse named Lucy Lettby. Lucy Lettby has been found guilty. But what if we didn't get the whole story? The moment you look at the whole picture, the case collapses. I'm Amanda Knox, and in the new podcast,

doubt the case of Lucy Lettby, we follow the evidence and hear from the people that lived it to ask what really happened when the world decided who Lucy Lettby was. No voicing of any skepticism or doubt. It'll cause so much harm at every single level of the British establishment of this is wrong. Listen to Doubt, The Case of Lucy Letby on the IHeartRadio app, Apple Podcasts, or wherever you get your podcasts. I'm Nancy Glass, host of the Burden of Guilt Season 2 podcast. This is a story about a horrendous lie that destroyed two families.

Late one night, Bobby Gumpright became the very big. victim of a random crime. He pulls the gun, tells me to lie down on the ground. He identified Tremaine Hudson as the perpetrator. Germain was sentenced to 99 years. I'm like, Lord, this can't be real. I thought it was a mistaken identity. The best lie is partial truth.

For 22 years, only two people knew the truth. until a confession changed everything. I was a monster. Listen to Burden of Guilt Season 2 on the IHeart Radio app, Apple Podcasts, or wherever you get your podcasts. Hey, I'm Jay Shetty, host of the on-purpose podcast. I'm joined by Luke Combs, award-winning country music artist, and one of the most authentic voices in music today.

Luke opens up about success, self-doubt, mental health, and what it really takes to stay true to who you are when your life changes overnight. I hate fame. I hate the word celebrity. I hate those words. They made me uncomfortable. But I think when you get to a certain point, the fame or the success or the influence, it just accentuates and exacerbates the inherent person that you are. The guy that says he's always going to be there and that will do anything to be there is the only guy that's not there. I'm in Australia when Beau is born. My whole identity is that no man. matter what, I'm going to prioritize

my wife and my children over my job. I dread the conversation with my son. What do you think you'd say? Listen to On Purpose with Jay Chetty on the Iheart Radio app, Apple podcasts, or wherever you get your podcasts. I went and sat on

the little ottoman in front of him, and I said, hi, dad. And just when I said that, my mom comes out of the kitchen, she says, I have some cookies and milk. Bad-ass convict just finished five years. I'm going to have cookies and milk them all.

Yeah. On the Ceno Show podcast, each episode invites you into a raw, unfiltered conversations about recovery, resilience, and redemption. On a recent episode, I sit down with actor, cultural icon, Danny Trail, talk about addiction, transformation, and the power of second chances. The entire season two is now available to bench, featuring powerful conversation with the guests like Tiffany Addish, Johnny Knoxville, and more.

I'm an alcoholic. And without this trouble, I'm going to die. Open your free I-Heart radio app. Search the Cito Show. And listen now. Now, A-Sat first, you, keep a rips. You got the good questions, my brother. I feel like you're he-ass, exactly.

Why do you feel like that? I don't know. I just feel like all of them niggas deep in it. Deep in their soul, they ass. It's okay. It's okay. On this show, it's okay. I'm gonna just say I'm a Libra, and I get turned up.

What's that? That's the Tiger sign. It's not the Tiger sign. It's a Leo. Oh. So what's Libra? What more of is that? The scales.

October. Oh, yeah. That's a line. October, yeah. Oh, yeah. Y'all ruthless. You're ruthless. Those are root for his people.

Yeah, the Kit Kapir's just bounce out? No, he's using it back. We're about to do that too right here. Mm-mm. Yeah, I'm out of here. I can go. Yeah. I'm staying.

That's good for you. I can do whatever I was out there. You can do it. You're not human. No, I am human. But I'm having fun. Are you right, buddy? You were going to, no, wow, my shit's bread.

You got pink guy? No, I don't got pink guy. Okay. I never got pingo. Go for it. I got all. Pink taco eye. So listen, first, where was that?

You don't eat ass. You don't eat ass? No. No, I kind of, I think you kind of admit it to it, don't? I'm not a little bit. I turned, I turned up. Listen, you got to eat ass. I know Tony Toga.

Tony Togo, give him the mic for a second. It's brooching. It's protein. It's a part of, no. He even puts. He's a part of Puerto Rican culture. Like, listen to me. My grandfather, the nigger never asked me like, yo.

Your Puerto Rican grandfather. Exactly. Thank you. Thank you for correcting me. My black grandfather, he didn't give me a father. My Puerto Rican grandfather, he never asked me like, yo, you're okay? You know how to tie your shoelaces?

The niggins just said, you eat pussy yet? I'm like, Jesus. Like, it's a part of the... Just like I know... Puerto Rican culture, your grandfather also gave you a beer at five years old. Let's keep it real. Let's just throw it out there. Yeah. Let's keep it real.

Like, it's a part of Puerto Rican culture. Yeah, they make you drink. They're like seven years old. They don't make you. They just... No, they ask you, and then... You good? You're good?

And a Cuban to go with it. No, no, I definitely spoke with Cuban in seven years old. I got you to relax. Tony Touch. What are you talking about? No, no, no. That was my grandfather. Oh, he gave a Cuban.

Seven? Two with cigars? No, I'm saying I grew up around, you know, cigar smoke. I'm saying, like, he was a cigar smoke. So that. Here, some of this is a while smoke, niggas. That's about to go. Yeah, that's okay.

We got more. We got more. All right. Now, King of it. He's been funneled. He's been funneled right now. I'm sorry, we got to go there, King of Prie. Listen, we, our show is based on ass eaters, right?

we love people where's Eddie the ass eater at the ass eater at he's big in the hood he's very big in him up Eddie the ass eater big him up so we got ass it's big in our show

on our show but I felt like in my youth my youth I saw you directing someone that sounds ridiculous treat your ass

Action. You know? Back, back, back, back. You see Chuck Barry? You see Chuck Barry? You see Chuck Barry? You see Chuck Barry? You got some footage and his legs is in there.

He said, my leg is in the air on the last show. A little bit. I was like, no. I'm sorry, kid. There's no one happened again. Oh, shit. This is very... This is very...

No, that's not what happened. Very great shit. I think it's definitely that. It's not happened. Nah, he... Nah, man. I was not... I was not...

I'm not in the... Great episode. Oh my God. Oh my God. I'm trying... I got a question first. Shee. Yeah, you know.

It's just gonna seem crazy. Go ahead. Go ahead. Go first, okay, man. My condone. You want me to try to, like, act normal? No. You look like you got to Scott Pepper's spray.

I do. You're crazy. The kid coming back? Yeah. Kid's never coming back. You know, I'm crazy, man. No, we have fun, man. Is his father, good?

We have, uh? Gino hasn't come back since you left. Yeah, where's Gino, man? Yeah, I know. You're probably in a car. Are we doing more shots? I'm just asking that. I'm in, I'm in.

I'm in. Look, look, I got a ducked a donut cup. That's horrible for you. I feel bad. And it's Mr. Cream. Oh, no, that's good. 2400 North Miami ad. Yo, listen, hip-hop.

I wasn't supposed to see the game. Hey. I'm just, change, so. Chains him. It's a beautiful. It's a beautiful. Big pop. That's funny.

You guys are horrible, man. Hip-up got to be celebrated, man. Legs in the air. Y'all swear, I was looking at that shit. It's all right. This is good. I'm going to come back and talk about that shit. Oh, shit.

Oh, fun. That's funny. Let's drink some more, this rose. I got to ask you to relax You gotta relax You got to relax Everybody here We did worse

Because we know You shop in the flea market Oh Yes We love it But listen We're gonna try to get serious Right now

No We love it We love it What you're saying I was gonna talk To her Firk about Halloween It's good in the hall

It's good at all It's old Right It's a lot Hey 40-50 Yeah Right This guy named Willie

Older dude He on the S&S Club We're talking about Willie Burgas Yeah he on the S&S Club I'm never good ahead And he owned the Zodiac And he owned Willie Burgers I'm sure you heard of Willie Burgers

Of course you know Willie Burgers Was right under the S&S Club The S&S Club The S&S Club was killers, drug dealers, and big niggas. Like, it was just, it was just, it was just,

if you was in there, you felt like you was somebody, but really you was nobody, really? So when I was in there, I was just looking at this shit like it was like, wow, this is what goes on. But after the party was over, the whole 45th Street, it should be flooded.

You see the biggest dudes driving, the craziest car. skinning around the street. The whole street flooded out. And then they all go on Wednesday night. They'll leave from there. We'll all go to the rink in New Jersey. And the rink, that used to be crazy.

Leave the rink come back to 145th Street to A-Fad. That was like base. Like, it was just the place to be. Like, Harlem at that time was just crazy. But there was a lot of killing going on. A lot of different shit going on. When niggas getting killed, boy, day, like, buggies was like a big deal out there.

See, niggas rolling up, shooting in buggies and shit like that. But you came in up in the time. where there was none of that you came in a good time you know what I'm saying but at that time it was like it was rough at that time Paul used to buy, our poll used to buy a tape for me for $500. What a mistake?

Let me get that tape kid Nah Paul I'll give you a hundred. No, he'd $200 Nah Paul, he'll get $300 He fired it Alright, Paul, take you got a day Yeah, it was crazy at that time Now back then

Because you coming from Queens, right? Queens, you were like the first person bearing through from the Bronx, Harlem, uptown, the uptown area, bringing to here. Then it was the bounce master, DJ Duwop. Yeah, I had beef. What happened?

I was it for Queens. No, no, no, I'm saying. I'm telling you, I'm coming from. Oh, you come from Queens. What happened with me and Duwop was what was somebody I was going to school with. And I didn't know he was going. Wow.

You got both in the bra. We used to go, yeah, we've been to see each other in the morning and all that, puff, all that in the morning. So what happened was, one day this kid, you know, I'm rocking with the tape, shit popping, everything's going good. This is right when I was about to stop, because what happened was I got signed to Columbia, I mean, the Warner Brothers. And Starlight, the A&R, she showed me a bunch of magazines that said, Kikip, the only DJ in the world to sell millions and make millions of dollars off the street mixtapes. And I knew that wasn't true. I knew people were selling my tapes. They were buying houses and cars off my joints from some of them.

But I wasn't making that bread. I was making what I was making. So that's when I decided. So you know what? I'm going to leave it's the Michael Jordan and this shit and going to take my career a different way. Right. Right? When I decided to do that, some kid that I ain't seen years rolled up on me with a little bit of a tape

and said, yo, this kid named Dew I'm about to come at you. And he gave a little bit to me on the tape. So he played it for me. So I'm like, oh, shit, the fuck is good. And what was it saying on the tape? Some shit. It was just, it was whatever it was, some shit, but it was disrespectful. Right.

Again, I didn't know it was wild. So, right away, I made the beat, and them little four-track, Earth-win-five joint chopped it up, wrote the rhyme right there, had to join out the next day. Before he even got a chance to put his joint out, I had my shit out. So that was the last joint I put out, and that shit was monumental. So now he had came out with like 50 joints after,

I ain't going to call it 50, but he came out with a lot of joints after, and that was my only joint. You know, and that was the beginning of me and Y'Bee, where it got disrespectful is when YP has said something about my moms and my girl. And that's when we had a show. I had a show in Virginia. He had a show in Virginia, and I took my tour bus down there, did my show, and I waited for him to have his show the next day, and I went to his show. And, you know, I put him out to booth me, you know, let's go around the corner of me, and you leave our people here, and we do what we do. And, you know, it didn't work out like that.

And I know it wasn't going to be nothing, so later on the apartment. for what he said, and that's all I really wanted. There's no, it was no problem. Later on, me and Watt made records together. We made two or three joints together where we work. And right now, it is Damien. It was cool. At the time, it was little tense, and we was going to get it on.

But later on, we seen that it really wasn't nothing. It was kind of monumental for us because it brought a certain bar to the DJ, to the rap DJ. You know, you remember, I got bars, too. I could get on the mic, and I do my thing. I do what I do. So that's what it was It just brought that level And then it brought dudes like Tony Touchout

And dudes that could rhyme And producing DJ and all that shit It shows that you just not stuck in one spot You know what I'm saying So shout to why Was talented, talented dude I thought it was gonna take an L But really nobody took an L

It was just a monumental thing that happened In the mixtape game You know what I'm saying But it was going to turn nasty Because of that But it never really did So it was all great And I talked to why I talked to

day. It's all good. Let's make some love. I'm really good. It's popping off. You doing your thing. You sit back. Now, what is your plans when you're saying? My first record pops off. What am I going to do? What was your plans from the original beginning?

Go and never stop. Yeah, go and never stop. Never take my foot off the gas. Because I always knew that I had a bunch of people I had to put on as well. Like, you know, me, Rocky, 12ie, Addy, like the whole A-Sat Maw, just the mall,

but I got family outside of the mall as well. You know, I got people I grew up with kids. You know, Marty Bala, I got, you know, my Uncle T, I got, you know, different people that's in my family, you know, that's a part of my

team now that I have to support or I wanted to support, so it's always been not about me, it's about, like, you know, getting this opportunity to put other people on. How old was you put on my mind me asking when your father's passed away? It was three days before my 17th birthday. Oh, yeah.

And did you know your pops is a legend, though? Oh, definitely. Okay. I always think about all the kids that, like, you know, like, I always just think about Dame Dash, son, because he was pretty popping back then, you know, as far as, like, his pops being, like, somebody in the industry. Somebody like, boogie? Yeah, boogie. Shout to boogie.

Or, like, Lil Roe. Romeo or like, you know, these people whose sons, like, they fathers with somebody. And I always thought like, damn, like, my pops is somebody. Because he knew all these people. He introduced me to Puff. You know, it was a bunch of killers I met. You know, it was a bunch of, like, different people that came to that storm on 145th. So, you know, it was, I knew that my Pops was powerful.

And I knew that I was somebody special because of him. And you said 17. 17. So what age you thought you'd like acknowledge that your father's proud? Always Always knew that. Always knew that. Because he wasn't only powerful

But he was a good man. He was incredible. And that's the only thing that I, like the only thing that I Hold on to in life is just being a good nigga. Right. Like I don't give a fuck about anything else. Yeah, yeah. That's what a nigga

think about me. I just want to be a good nigga. And that's what's your pops. Right, definitely. He's 100% the good nigga. He's a student. He didn't kids.

He did. Everybody was there. Everybody came by. Puff moms was there. Everybody. My father was just like the bridge. I like to call him the bridge because, like I said,

he was the bridge between the streets and mainstream. You know what I'm saying? He wasn't like one way. And, you know, he always kept like a solid basin hall of and he put on for his people and I got a chance to meet

all types of people from all walks of life from like the superstars to the hood dudes that ran things in the hood that knew how to talk that politics and who you had to speak to if you had to come around town and he wanted to make some moves

he knew everybody so when this rap thing first came to you was that something you discussed with your pops or not I was always shy about music with my pops because I was never I feel that way I was never the music person and he knew all

the giants like you know he introduced to puff and you know what is my little rap's going to do for him I understand so like you know when it came to rap music I was just I was battling under my hood he didn't even know you know I was doing music or writing rhymes because I was

I was also designed a clothes and drawing at the same time I was doing what he was doing so it was just like you know my rap I just kind of kept to myself and my friends. So, as a person who, and I apologize about getting a little deep, but

as a person, I lost my father during the highlight of my career. Wow. My father died July 3rd, 1998. Best year of my life is 1998. Wow. Sorry to hear that. So, as a person, and my father used to look at me like this.

I swear to gone. I was like, yo, I said, tell my father, you know, I'm rapping. I'm far as like, yeah. He's a hood, nigga, like, but Spanish with a tail, 75 tattoos, earrings in his ear. Like, you know what I'm saying? Like, he's one of the old. He looked like Tony Touch.

Yeah, right. Like, like, like, with green eyes. He's got green eyes in my box, right? So I told him on rapping, he used to go, like, yeah, we rap it. And I'm like, no, I'm really rapping, bro. But, like, what I'm. The point I'm trying to make is, Hey, you smoke a ton of this?

Yes. You just told me no, you. Yeah, but now, yes. Let's go. We got more, right? Come on. So the point I'm trying to make is, like, you see who your pops is,

you've seen it. And now you're becoming yourself. Are you feeling like you have to fulfill his legacy, or you feel like you can keep it going yourself? I definitely got a... I'm an extension of him how I liked it or not. Like, you know, I came out of it.

Look just like the name. Yeah, exactly. So, you know, definitely got to keep the name alive and what he established. But I'm definitely myself as well. Like, I got my own ideas of how I want to live the rest of my life or, you know, mistakes that he made that I could learn from as well.

So, you know, definitely continue with his legacy through doing what I want to do. Right. Yeah. Like, the thing about me is, like, he was, my father was the only Puerto Rican nigger in the whole six-glox radius, right? But every black, my hood is a black hood. Every black nigga loves my father. So me, my whole goal is, everybody loves me. or give you an occupation that you could love me for

for you to get to your next level and that's what I'm doing right now I'll face a noise for me my guy hold on let me tell you my dad let me let's get to all that right now I feel like you're like 52

nationalities I'm half black and half Sicilian Everybody thought I was Puerto Rican for years My dad was the son of My dad was the first soul singer With a Latin band A very known Latin band Called a LeBron brothers

In 68 he was singing Soul records with them They would play the Latin music He was singing so and you know So said then he left him And he became his own artist But before him, his father My grandfather used to play trumpet for Disney

Gillespie, Calaisie, Miles Davis, David was sitting with all them dudes So the music always been around. Yeah, the music always been around. But he was the first one with a Latin band. I was crazy back there. I play that music right now for certain people. Berg, where you go?

What's got into the bathroom? All right, guys. It happens on three champs. Wait, so your Sicilian father was in a Latin band? My dad is black. So where's the Sicilian side? My mom's. You can't understand where he can come from.

You just got to respect it. I just asked the question. I didn't understand. I just tell me, I've been following this nigger for years. I knew this nigger's 17 countries. And see, another thing, I want to make sure I want to get one thing clear is that, you know, like I said, you know, we do a lot of days around the country. And we play for the young and old. I want nobody to sit on here and watch and think that, you know, you look at me and think I don't know what all the trap joints is and all the joints and everything.

Like, we do this every year, every week. Like, we're on the road every week for the young and old smash. and everywhere we go. But a lot of youngers may heard a name, Kid Capri, and may not know the Kid Capri

experience, never been through it, never know what it is until they see it, and when they see it, they know it's a whole other level into what they're probably been used to, but for the ones that didn't see it, that's what it's about.

And, you know, and that goes into saying, like, not everybody that come from my ever, which I consider myself, Mr. Every ever, but not everybody that come from my ever is stuck in an old-school way of thinking.

Okay, that's a relaxing for us. You know what I'm saying? Mr. Every Era? Yeah, absolutely. That's a great name, though. That is hard. That is hard. Let's make some noise to Mr. What?

Every error. Say it again. Say it again. Mr. Every error. God damn. The main thing is that a lot of dudes that come from errors back then to get stuck in the old school way of thinking and what happens that they don't understand what the 17-year-old or the 18-year-old was doing,

but you were 17- and 18-year-olds at one time when your parents was questioning you. So it's not. When them 17-year-olds and them 18-olds and them 21-year-olds make that music, they're not making it for the grown person. They're making it for the person that understand what they're doing. If you happen to be grown and like it, then you like it. Now, I watch 50-year-olds dance the trap music every, you know what I'm saying, all the time. At the end of the day, I hear it's a hit.

It doesn't matter what the age is. And this is why I started to kick a pre-blot party on Sirius X and Fly. I play, you hear Young & May. Like I told you hear Young & May. You'll hear Al Green. You'll hear you hear, you'll hear, um, drama after that you'll hear KRS 1.

It becomes that. It becomes putting everything together, bridging the gap instead of saying the old is over here, the young is over here, and nobody. What's good is good is good is good. That's what it is. That's good is bad. Because at the end of the day, like I said, that 50-year-old going to that party when that DJ

play that trapmecky, your ass is on that dance store dancing to it. But then you're going to talk bad about the youngers about what they're doing. Again, let them do what they're doing. They're doing nothing. If they were tearing shit up in the street, then that would be a problem. They're making music that people understand. Like, their generation understand.

Let them do what they do. Why are you talking bad about it? You don't like it and don't listen to it. You ain't got to like it. Don't talk bad about it. If anything, you get a chance to help them out. Tell them the right way. Tell them, you know, like, all you doing this.

Now, try this suit. Try this to put it together and make an album that got colors to it. Don't just put something out there where it's just one thing. I get a little fed up with that. You hear one album is all the same beats. All the way through same speed, same to say. I mean, okay, yeah. You want to hear a little bit of variety and shit.

And I don't want to hear an album of all features. Like, I want to hear you, you know what I'm saying? So everybody got there what they like. But at the same time, nobody has the right to tell you what to make. You make what you want to make. And if they like it, they like it. Who are you to judge it? You know what I'm saying?

You know, and that's real shit. It's real shit. Make some noise for that. You know what I'm saying? In 2020, a story gripped the UK, evoking horror and disbelief. The nurse who should have been in charge of caring for tiny babies is now the most prolific child killer in modern British history.

Everyone thought they knew how it ended. A verdict, a villain, a nurse named Lucy Letby. Lucy Letby has been found guilty. But what if we didn't get the whole story? The moment you look at the whole picture, the case collapses. I'm Amanda Knox, and in the new podcast, doubt the case of Lucy Letby, we've found. follow the evidence and hear from the people that lived it to ask what really happened when the world decided who Lucy Lettby was. No voicing of any skepticism or doubt. It'll cause so much

harm at every single level of the British establishment of this is wrong. Listen to doubt the case of Lucy Letby on the Iheart radio app, Apple Podcasts, or wherever you get your podcasts. I'm Nancy Glass, host of the Burden of Guilt Season 2 podcast. This is a story about a horrendous lie that destroyed two families. Late one night, Bobby Gumpbright became the victim of a random crime. He pulls the gun. Tells me to lie down on the ground. He identified Tremaine Hudson as the perpetrator.

Termaine was sentenced to 99 years. I'm like, Lord, this can't be real. I thought it was a mistaken identity. The best lie is partial truth. For 22 years, only two people knew the truth until a confession changed everything. I was a monster. Listen to Burden of Guilt Season 2 on the IHeart Radio app,

Apple Podcasts, or wherever you get your podcasts. Hey, I'm Jay Shetty, host of the on-purpose podcast. I'm joined by Luke Combs, award-winning country. music artist and one of the most authentic voices in music today. Luke opens up about success, self-doubt, mental health, and what it really takes to stay true to who you are when your life changes overnight. I hate fame, I hate the word celebrity, I hate those words, that you make me uncomfortable. But I think when you get to a certain point, the fame or the success or the influence, it just accentuates and exacerbates the inherent person that you are. The guy that says he's always

going to be there and that will do anything to be there is the only guy that's not there. I'm in Australia when Bo is born. My whole identity is that no matter what, I'm going to prioritize my wife and my children over my job. I dread the conversation with my son. What do you think you'd say? Listen to On Purpose with Jay Chetty on the IHeart Radio app, Apple Podcasts, or wherever you get your podcasts. I wouldn't sat on the little ottoman in front of him. I was, hi, Dad.

And just when I said that, my mom comes out of the kitchen, and she says, I have some cookies and milk. This is this badass convict. Right. Just finished five years. I'm going to have cookies and milk at my mom. Yeah. On the Seno Show podcast, each episode invites you into a raw, unfiltered conversations

about recovery, resilience, and redemption. On a recent episode, I sit down with actor, cultural icon, Danny Trail to talk about addiction, transformation, and the power of second chances. The entire season two is now available to binge, featuring powerful conversations with the guests like Tiffany Addish, Johnny Knoxville, and more. I'm an alcoholic. And without this trouble, I'm going to die. Open your free I-Heart radio app. Search the Cito Show and listen now.

Now, Tony Toka. What are we doing next for Tony Toka? 150 MCs Oh, do you want to have a shot? I feel like you want to say, shot for now. Maybe that. You know, let's do a shot.

Come on. Yeah, I was checking out the little things. Yeah, I was figuring out, you know, what I was going to go bomb? No, no, no, no. I was going to see if I could score one of these guys up there. Oh, what is that? What's that?

The collection they got going on up here. You got to relax. You wait to live. You went to him, but. What happens? You got to smoke. I don't know if they're... You smoke.

You look at these things. It's decorations, though. It's decoration. You can't take the decoration. You got a rat. Well, in any event, yeah, no, no, I was just admiring the... So we're not going to have 150 MCs. Are we upgrading from 50 to 150?

No, I mean... That would be kind of... Actually, we've already recorded, like, over 150. I believe it. You know, so. But like, like it said, it's a lot of work, man, like getting people to record and paperwork and this and that and this. But how annoying is it? How annoying is it, doga?

Like, when you want to finish something and you're depending on all artists. Is artists really annoying? Let's just throw it out there because I'm not an artist no more. Yes. So you throw us under the bus And I'm going to actually cheer it on No, not at all It's all time

It's all timing, man, you know? That's it. It's just so... No, it is true. What you said is right. It's all timing. Like, everything line up, paperwork, whatever, record, this, that,

it just goes, you know. I feel sometimes artist is a piece of shit. You can say that. Sometimes. Sometimes, yeah, sometimes. I think sometime depending on who you are,

And I'm not speaking about myself. I'm taking myself to the left. But depending on who you are, you get a call faster when you're doing something. You know what I'm saying? Break that down. We don't understand anything you just said. Break it down. Okay.

What I'm saying is like if you're a certain caliber here, you ain't going to get the call as fast as this mogul right here. Or this dude that sells this amount of records. You know what I'm saying? And, like, again, I'm not speaking for myself because I hardly ask anybody for anything, but I'm speaking in the general term you know sometime the dude that's down here I remember one time Eminem said something to me

he said Eminem said Eminem said something he said don't go and spend a whole bunch of money on the artist that you think is going to give you the hit record because you can go and spend all that money on that artist and he won't give you shit your record won't go nowhere and now he'll spent all that money on this artist that you think is going to give you somewhere because he's popping

and that's the truth Red Man said it's about to produce in your hood that give you that sound that makes you be who you be. Instead of you run into the dude that is popular. You know what I'm saying? Everybody gets caught and what's popular and not what's authentic. You know what I'm saying?

And that's what happens a lot of times. Authentic is the most important work. Authentic is what's the most important because authenticity is going to give you the business. They're going to give you what you pay for. When you deal with popularity, okay, yeah, we don't want to deal with things

that's popular. But is the popular person giving you authenticity. Are they giving you your money's worth? Are they, are you, do you feel good at the end of the night paying them? You see what I'm saying? Did they bring a whole bunch of people on stage and that's their show? You know what I'm saying? Like, what are you paying for? What are you looking for? Are you looking for popularity or you looking for somebody who's going to get the job done? You know what I'm saying? So I don't know. My way of thinking is a little different

maybe a little different than a lot of people, but the business is the business that people like what they like. But I just think that the smart thing is is that you cater to the people that follows what is the real shit. The real shit is, the people that pay,

satisfy them. Satisfy them. Don't get so caught up in popularity. Get caught up in what's going to get the job done. I feel like we got to make noise. You know what I mean, I'm going to sound too appreciate, but I mean, I know y'all expect to tell you all the real shit. So I'm going to be real about it.

You know, that's just the way I see it. If I was a promoter or something like that, I would want to promote on the short thing that's going to bring me money later on. You know what I'm saying? Not just for the moment. I want to go on with it, you know what I'm saying? So that's what's up.

Douga, how do you feel about that? It's good. You know what? I'm in Miami, first of all. You go relax. It's already awesome. Listen, doga, you go relax. Yes.

It's okay. You're family, all right. Love it. And we're in Mr. Creams and Winwood. Mr. Chris, did you have some ice cream? Your next has ice cream? You have ice cream? You have hot cocoa.

I had the chocolate shit. You called them a hot cocoa? No, I have it. He had a hot cocoa. And you, you have both, that's how you know, your old niggas. You both have hot chocolate. I'm an old nigga, too. Yeah, we all.

We didn't have hot chocolates. No, in my mind, I have hot chocolate. In your mind. In your mind. When they have a hot chocolate. I was like, I got out of y'allel. It too. Amazing.

And what I was? No, I didn't get it. Relax. Okay. Who's the guy who was doing? Ferg is not coming back. Perg's not coming back. It's a relax.

We got to relax. Relax. Perth's coming back? What is he doing? Is that in a shot? He didn't. Oh. It's relaxing.

What is he? He's not. Ice cream. You got ice cream? I want ice cream too Oh, how many Broder? Yo, can I get on

the non- What's that shit for? We don't see Non-dairy Ice cream now. Uh-uh. Come on. I got it.

So, at the end of the day We have to please our women. Absolutely. I hope so. happy woman, may I make you happy, boy. You'd be all right. Trust me. You get money with her?

That's what I'm on. He can get money where you can do a lot of things, man. Yo, Fur, you got to hit one. You should have to turn bad, too. Come on, man. You don't know what I'm going to smoke. Just one hit. No, man.

It's for your fans. Just for your fans. Ain't nothing to do with me. Shout out of my fans. Big them up and hit one hit. All right. Just pass a thing. Tony Toch and smell it.

Tony Tox. You know, please. Yo, your kid, you're getting a lot of money for a long time. That's all right. Do you play? Listen, listen. At one point, Jay-Z

has to say he's the greatest guy of all time. Maddo. Do you not feel like you're the greatest DJ at all the time? I mean, everybody's going to feel like they're the greatest I just, bro. I say, feel like it. I'll tell you what.

What I've done to earn a name the world's greatest DJ, which I didn't give myself, but what I've done, I think pretty great because I was the one that set the bar to let DJs become a business now. If I didn't do what I did, where would that have went? You rock on the mic the way you do

because Kit Capri did it the way he did it. You play the records, you play. the way you play it because Kikipree set that form. You became a hot party DJ because Kikipri gave me the bluefin of how to be a hot party DJ. Let's not get this twisted. You see what I'm saying? A lot of DJs are doing what I do and don't even know they got it from me.

And I'm happy for that. I'm happy to sit back and say, I rocked a whole nation and let a whole nation be able to take care of their family. I remember one dude walked in the mall, your kids, because of you, I'm not killing someone. Because of you, I'm not robbed in somebody's house. I did what you did. I followed you, and I'm taking care of my family now. I ain't got to do that crazy shit no more. You know what I'm saying?

So knowing all the things that I've done, we can sit here and talk about it all day. We even got enough time. But knowing all the things I've done, sitting back, sitting back, and just realize when I see somebody on a mic, DJing, and they got to set up like me and they all that, and they're doing saying things I might have said or, you know, saying it the way I might say it. It just makes me feel like, yo, you did.

did your thing, kid. You did your thing. You didn't just waste your time. You ain't bullshit. You did something that really moved culture. You know what I'm saying? And you also went on tour with the lots, right? I went to tour everybody. I've been on 25 tours. If you want to talk about Deaf Comedy Jam, I've been on that tour for nine years. 16 years. I'm sorry, 16 years.

And then who else? You ain't going on tour with Jay Z? R. Kelly, Jayzee, Puff, Buster, Usher, Drew Hill, Genuine, Leah. shit. Bon thugs. Rock him. We go on and on and on, man. We go on and on and on. But mostly, you know, I'd be on the road on my own doing what I do.

I've been doing 200 shows since 1991. You know what I'm saying? So it's like, that's why, like, even in New York, like I love New York or from New York, but I don't like how New York is moving a little bit, especially when the promoters acting like they're the stars and shit. You push it so big on the fly You got the DJ down here

Come on, cut it out, beat At the end of the day You know, when you come to one of my shows I got my opening is me You ain't gonna hear one record Five times in my party You know what I'm saying You're gonna hear one time

You're gonna hear the whole party smashing From the beginning to the end Doesn't matter who it is When I step on that stage It's pandemonium, period From the beginning to the end And ain't no down period It ain't no standing around

It ain't nobody thinking they cute It ain't none of that shit. It's real business, and that's what I do. So I don't know how anybody else doing. I shout to everybody. You get your bread, do it. You come to kick your pre-event, you're going to get your business done. And that goes for promoters.

That goes for anybody that paid for a ticket. I think about the people first. For years, I took an artist, a DJ, and this is another thing I'm going to speak about. You know, some of the people might not understand what's the reason of bringing a DJ with me instead of just having DJs that's going on. I don't like people who not getting their money. worth. So when I bring somebody with me, I'd rather spend the money for that

person to come out and make sure that we're not bump in heads so that people that pay their money is getting a full show and to have the DJ that want to come in there before me and do what you paid me to do. You don't need that. He don't need me there. If you want to come in there and do that, then you ain't the type of dude that can rock a party

with C&D records. You would do that depends on the record to be hot. I play those hot records at the end of the night like I don't even need them because it ain't about those records. Anybody can play those records. It's about you. You see what I'm saying? If you can't sell you, then you're just like everybody else.

There's nothing different. You know what I'm saying? That's the difference. When you come in there, it's about making sure the people that paid their money feel better than they did before they walked in there. And when you leave that scar there, that promoter knows. I don't give a shit who you get. Kid Capri, he shook this shit. Let's go get him again.

Let's go take him into another city. Yo, my man, that you promote, let's go get kid. You want to get some bread? let's go get kid. Every show I do swollen, everywhere. And it's not because of me, DJ and it's because

everything else that come with it. It's professional. We are on time. The people that work with me make sure your shit's going to be right. We're going to make sure everything is together. You ain't going to throw me in no corner

like I'm some neighborhood DJ. You're going to put me on stage like I'm supposed to be the same way you're going to put Jay Z on stage. Same way you're going to put the dude with the hit record on stage. And I'm going to sell this shit out

the same way he did and you're going to treat me like you treated him. If you ain't going to treat me like that, go get the next dude to do your show because I don't need it. I do 20 shows a year. So this is the attitude I've been having for years, and people may not understand it. But I don't want to be looked at as a DJ that just play records. You're going to look at me as a force to be wrecking with it.

And if you don't, I don't need you. Simple as that. I do a show with Ferrug come on. His record drop. They're going to go crazy. What I'm going to do after Furr to get off stage. I'm going to do something that's going to make niggas go crazy. to say, yo, that the first ripped it, kid ripped it,

whoever came after, he better be good. You know what I'm saying? Because that's what it's about. I'm a DJ. I'm not the dude that made the record. I'm not that. I'm a dude that I'm going to play your record better than you perform it. Don't play yourself. You see what I'm saying? And that's how we're going on.

This is what inspired us right here. I'm just saying, real shit, you know, and again, I made my first album. I rapped on the whole album. One of the brothers came out of me. I was hot in the street with the mix tapes. Yo, we need you to rap on the joint set the rhymes that you sit on your mix tapes. And I'm in there making the beats in the studio writing the rhymes right there. And I was

trying to be no rapper. You know, but all right, this is what they want. I couldn't do I couldn't make hit records being a DJ. So I had to do it that way. So I did it that way. When I got a chance to make my second album, then I got a chance to just show the production side and get everybody else. I got Jay Buster, Lost Boys, Pund,

Norrie, everybody put them all together and make soundtrack to the streets. Now I got top tier. This is going to be another thing. And remember, everything I do, no matter how big my name, it's always been ground from the ground up. I sat on that street corner. I sat on the middle of 145th Street, Nate Favner where it was killing, shootings,

niggas get robbed, all that. I sat in the middle of that. I didn't know if I was going to get robbed and killed by sitting there by sitting there just selling mixtape. Shicks were driving by laughing like I was doing bad. I used to have to put 14 gold chains on my neck just to look like I was doing good. Sitting there in the middle of the street,

selling this shit. and the shit took me the way it took me. Now, at the end of the day, you know, I didn't know what was going to happen. I know she was going to blow up the way it blew up, but the shit blew up. Once it did, I made sense of it. I made it happen.

You know what I'm saying? And that's it. That just goes to show anybody. It doesn't matter who it is. You put yourself in it. Look at you're going to show. You've been making records forever. That's right.

You've been making, look at what you were at now. Whole different lane. It's beautiful. Whole different lane. Right now, right now, you can sit here right now, the way I'm doing on a periscope. And on IG Live, I sit there It's not just about the music

And the freaky way I play it It's the lifestyle Everything I say to you And you're gonna believe it And the reason why you're gonna believe it Because I don't have a credibility Of King Capri being a shitty nigga Kid never shitted on nobody

Kid they never did You don't see nothing on the internet With kids doing foul shit Or playing and stuff Or fucking crazy Everything is authentic So you're gonna believe what I tell you If I say something foul about you

They're gonna believe it They're gonna believe it Because they know I don't say nothing Same thing. You have a lane now that you could tell people, you know, believe me. Believe what I say. This is the truth. This is what's going on.

And as long as you stay like that, people are going to follow you. You drink champ is the shit. Let's get it straight. Drink shit. That's vacation. I took a vacation because I've been working my ass on. I've been offered to do shows and parties and all that shit. He offered me money to do a show.

I took nothing. The only thing I took was drink champs. The only thing I took because this one wife tell me when I do something good. Aw. No doubt, man. I'm going to. Nah, but you're saying. Yes.

So, babe. Right up. Furb sitting here like, Dad, it's a classic. Listen, Ferg, it's a classic episode. I'm happy to be a part of it. Class of it. We have it out of here, bro. Now, what are y'all niggas going to do?

and come on, come on, and the ASAP can to take control over New York. We, we, depending on you, Rocky, and all y'all to take over for us because I don't want to rap no more. I'm okay already. Man, I think it's bigger than rap, though, man.

I think it's... So what we need your niggas to take over? No, we're going to rap. We're going to take over, but I think it's big and then rap. Because the last thing we need... Can I bring it down a little bit more so you're right? Because you know why?

We're from New York. Right. We're all from New York. All of us. No, I'm from Miami. No, you're from New York. I'm Miami, motherfucker. And your fucking mind, you're from New York.

I'm not going to have it. But for New York is, right? We need y'all to step up. Right. Some people look at your sound. Some people look at the movement, and they say, ah,

it's different. I'm not one of those guys. I'm one of those guys. I think different is good. That's what I think. I think different open up more doors. Absolutely.

Now, now the torch is really in you guys' hands. Right. Like, I mean, for real, for real. Right. Like, I mean,

it doesn't matter how many records Fat Joe will make, bust the rounds to make, Nori will make, Jaru, will make DMX and make 50 cent make right now

y'all the new generation right it's actually really in your hand right I'm a slot to beat them yeah we know we can't be heavy too can't wait something heavy we're just going to keep being us and keep

continue to to innovate and push culture forward I think you know I don't I don't like to talk with myself or what we do is as far as a group, but I think that, like, we did a lot for the youth, the underground internet scene that was trying to break through and, you know, Harlem didn't have, or New York didn't have a voice in a long time.

So, you know, we don't only just speak for New York. We speak for the culture, period. No culture. Now for New York, I have, like, a whole crazy love about New York. Like, you know what I'm saying? Like, I love Harlem and death. I love Brooklyn. little Queens, the Bronx, Staten Island, Long Island.

So it's just like, most of my videos are shot in New York. And when I do that, when I bring them cameras around, I'm giving kids an opportunity to jump in front of that camera and do what you do. Show them, show them your talent, show them what you do, because that's what I was doing when those cameras was coming around. God damn. And also, and also, I love being in the city. I love being in the city because

I love when I seen you in the neighborhood or when I see Cam in the neighborhood or Jim Jones or, you know, these guys it was like something to look up to, inspire to be, so. No, I just got to ask that because the legends

from y'all heard is Jim Jones Cam. But it feels like Cam is co-signing y'all. But it's a certain energy that comes. Am I bugging? What do you mean? It feels like

Cameron is signed at ASAP But maybe every time when Jim Jones comes up It's a certain energy that's not good Am I bugging? People tell me I'm bugging No, I just shot a video I mean I didn't just shoot a video with Jim Jones But you know Jim show love from He knew my pops and knew my family

And he was he does I knew Jim actually before I knew Cam And Jim gave him And this is when I was designing, and he was actually, like, doing, like, the B.B. Simon belts, and he introduced me to Bibi. And, you know, this guy's, like, meeting up with Stan Lee, the designer of Spider-Man and all of that, yeah. And, yeah, like, he just put me in places I wouldn't have been myself. So shout out to Jim for that. You know, some people are just, I don't know, like, some people are just more outspoken to others.

And, you know, Jim is just, Jim helped me. Shout out to Jim. But that's what's up. We need to hear that. See, OGs need to hear that. Yeah, shout out to Jim. And shout out to Cam as well, like, you know. And Jewel Santana, goddamn.

Yeah, and Jewel. And everybody from Dip the Mask, goddamn. Everybody from Hall from New York. Let's make some noise. Yo, everybody's smoking. You're smoking, man. You got to take one more shot, and then that's it. All right, let's try that.

Let's take one more shot. Got bored, buddy. Norrie. How many blush you had, Norrie? I don't count, but. He had about like nine, ten joints. But you know what the beautiful? You got outsmoke Wizz?

Oh, Khalifa, he got to relax. He's my friend. I like him. We did have a good show with Snoop and you guys did good. Yeah, Snoop had to relax as well. Snoop went in. No, no, Snoop went in. Shout to me and Snoot.

We got the same birthday. We got the same birthday. It's big, it's big of the league. Snoop disney. But listen. Oh, wow. The Snoop disney. Right?

I was doing a record with Snoop and Slick Rick. A record that Dre wanted to do for a long time, but Slick Rick was locked up. So when he got out, I was doing my album, and I ended up getting new. So I did Slick Rick in the Bronx, and then I went to L.A. to go do Snoop, right? So me and Snoop in the studio. I said, I'm going to bring some weed to Snoop. It's gonna be some green heavy shit Make them comfortable everything gonna be all right

Pull the bag out confident Yo Snoop You said get that bullshit I didn't pull out some orange shit You know this shit This shit like This shit like this is part Yo a nigga was laughing at me

I smoked two I pulled two blunks Two poles of that shit I ain't smoked no more that night This shit was poison I don't know anything shit was poisonous more this night

we gotta redeem it we got to redeem it right to We got to redeem it right now I'm straight All right You good Good Good

So yeah That's it You know we got the pair pressure It's the worst Let me tell you something I'm gonna tell you something It might seem like I'm

saucy It might seem like I'm drunk. But let me just tell you that something. Tell us something. Hip-hop is the best thing that we should ever celebrate. Because it's something that we created as black, young, Latinos, blacks, whatever. Nationalities doesn't even matter.

It's what we created as people. We sat back. We were poor, and we created something. and the crazy shit is the biggest thing I ever learned from Leol Kohn's was when I'm at the polo lounge with this guy he's like I want drink champs I say relax what do you want to bring chance. Relax. Let me finish.

And he was like, I want it. And I said, relax. And he doesn't know why he wants it. But the thing about it is, what he did tell me why is he's like,

I can't believe hip hop celebrates hip hop. He's been down since one DMC was sniffing coke. Angel does. hip hop don't celebrate hip hop the reason why these guys are

they're running around because they back then these niggas really had beef back then back then they do three shows because they had to move so when he sees this and he says you guys are celebrating hip hop

and winning it's crazy to Just like a hate I just did Fuck you Let me tell you something though I just came back from South by Southwest Yes

And the range of people The range of people That was fans and dream teams It was like 18 year old to 40 year olds Yeah And the young kids All you gotta hit that All the young kids was like

Thank you for teaching us about your generation. South by South West was crazy. Me and Bustle did the show that Monday. That she was so last. Can you free stop flossing? Relax. Yeah, I'm always forced to.

Always. Hit that. I got to, what is that? What is that? What is that twig? What is that twig? You have a twig in your hand.

What is that twitting? Anyway. You know, he performed for Nickelodeon at one point. Nickelodeon? Yeah. You did You did? Maybe I did a lot of stuff

Nickelode No, no, no You'd be clean for a long time This is a great thing Yeah, I'm stay clean I'm probably born I'm still clean Like, you know, you're all man

So, Tony Tocca Grab that mic Grab that mic How Grab that mic, Grab that mic, Tony Tudor for that one In 2023, a story gripped the UK, evoking horror and disbelief.

The nurse who should have been in charge of caring for tiny babies is now the most prolific child killer in modern British history. Everyone thought they knew how it ended. A verdict, a villain, a nurse named Lucy Letby. Lucy Letby has been found guilty. But what if we didn't get the whole story? The moment you look at the whole picture, the case collapses. I'm Amanda Knox, and in the new podcast, Doubt the case of Lucy Letby, we follow the evidence and hear from the people that lived in.

To ask what really happened when the world decided who Lucy Lettby was. No voicing of any skepticism or doubt. It'll cause so much harm at every single level of the British establishment of this is wrong. Listen to Doubt, The Case of Lucy Letby on the IHeart Radio app, Apple Podcasts, or wherever you get your podcasts. I'm Nancy Glass, host of the Burden of Guilt Season 2 podcast. This is a story about a horrendous lie that destroyed two families. Late one night, Bobby Gumpright became the victim of a random crime.

He pulls the gun. Tells me to lie down on the ground. He identified Tremaine Hudson as the perpetrator. Termaine was sentenced to 99 years. I'm like, Lord, this. This can't be real. I thought it was a mistaken identity. The best lie is partial truth.

For 22 years, only two people knew the truth until a confession changed everything. I was a monster. Listen to Burden of Guilt Season 2 on the IHeart Radio app, Apple Podcasts, or wherever you get your podcasts. Hey, I'm Jay Shetty, host of the on-purpose podcast. I'm joined by Luke Combs, award-winning country music artist and one of the most authentic voices in music today.

Luke opens up about success, self-doubt, mental health, and what it really takes to stay true to who you are when your life changes overnight. I hate fame, I hate the word celebrity, I hate those words, that you made me uncomfortable. But I think when you get to a certain point, the fame or the success or the influence, it just accentuates and exacerbates the inherent person that you are.

The guy that says he's always going to be there and that will do anything to be there is the only guy that's not there. I'm in Australia when Beau is born. My whole identity is that no matter what, I'm going to prioritize my wife and my children over my job. I dread the

conversation with my son. What do you think you'd say? Listen to On Purpose with Jay Chetty on the IHeart Radio app, Apple Podcasts, or wherever you get your podcasts. I wouldn't stand on the little automobile in front of him. I was, hi, dad.

And just when I said that, my mom comes out of the kitchen, and she says, I have some cookies and milk. This is a badass convict. Right. Just finished five years. I'm going to have cookies and milk at my mom.

Yeah. On the senior show podcast, each episode invites you into a raw, unfiltered conversations about recovery, resilience, and redemption. On a recent episode, I sit down with actor,

cultural icon Danny Trail to talk about addiction, transformation, and the power of second chances. The entire season two is now available to binge featuring powerful conversations with the guests like Tiffany Addish, Johnny Knoxville, and more. I'm an alcoholic.

And without this trouble, I'm going to die. Open your free I-Heart radio app. Search the Cito Show. And listen now. How was it being on time, you boy? Did you love being on time, boy? I mean, they, you know, first and, I mean, they got a history, you know what I mean? Like, stuff that they put out.

But as far as me being happy with them, I mean, I did one album with them, you know? And, I mean, I had no issues. There's only one album? There was no Peacemaker, too? No, it was a peacemaker, too, but not on top you. I was on your peacemaker album? That was independent, Peacemaker II? He was on the Peacemaker one with the DITC record.

Yeah, crazy. That shit was crazy. So who put up Peacemaker to? You got hit it one time. He's got hit it one time. He's going to hit it one time and pass his Tony Touch.

Come on, man. He sniffed heroin. Mad heroin. You don't know. Mad heroin. That's the reason why we poppy. He's sniff heroin. I smoke weed.

Jesus. Yeah. Nobody? That shit, let me cough. Actually, this heroin in that blood. There's heroin everywhere. Everywhere. You know, we got to relax.

Let me find that we're sponsored by heroin. We've been sponsored by heroin for the first show. What show is this? What show is this? 71? We don't have. We've been herein it out for a long time. It's relaxed.

Did Mr. D. D.G. Mr. Lee just cut us off. Mr. Lee. Let me find out you work the camera now. Oh, shit. You get a more car like this. You're sure? You called them?

Yeah. What are you guys talking about? Is he going to get you any shorts? Let's look. Come down. Put your leg down, buddy. Hey, buddy. Put your leg down, buddy. Niggins don't got that.

Hey, buddy, put your leg down, buddy. That's a different type of polo. Niggas don't got that. You got to relax. You got to relax. You're okay. You're coming out? Huh?

You're coming out? Come out of what? We're going out. Oh, we're going out. In Miami. In Miami. In Miami. Because, Kay, you just celebrated, like, your birthday.

Like, you're like 50 now. Yeah, my shit was crazy. To my party, man. You're 50 or 51? 51? You're 50? 50. Let's make some noise

for kids. Yeah. Real 50 years. Real 50-year-olds hit one of these. Real 50-year-old. There's one. I'm straight. I'm going to cut you off, bro.

About to cut you off, man. I see a kid with legs up at one boy. Just one ball. Come on, one ball. I'm going to end the show right now. You got to relax. I'm going to end the show. You gotta relax.

You're gonna relax. You're fucking in two parts. It's a two-bar. It's a two-bar. Two-barter. You gotta relax. Go, start the next part. All right, just take a shot.

Me and you. I'll take a phone. This shit? Um, no, yes, that's shit. You do this, I do this. All right, I'm in. Oh, Fur, look at Fur. Fur.

What do you want? I gave you a cover. You want Sir Rock? No, that was for you. Oh, okay. That was a harder. I thought you were jamming with us. You're not jamming with us?

I was jamming in one time. Perk, take the more head. And you're going to party tomorrow, right? Oh, definitely. You're a little wing. Yeah. And this is in, what is it called? All right, chico la barge, come on.

I don't know what I'm drinking. Syrac. You got sarah. You got some rock. I got Columbia white. I don't believe you, but I'm still in. Rock and Roy. You know, I ain't gonna lie.

There's no two parts of this. Keep it 100%. I had to pee for like two hours. So rock and roll. I've been holding my shit, because I'm a roarier. No, you're not. You're not a rorier.

I'm a warrior. With a R. Roarier. That's how you know. Take a shot. Take a shot. Not playing, play, I'm playing, play. But kid, you're the first think of the ever showing me a porn flick in my life

That sounds mad crazy This is way before AJ, Kardashians R. Kelly It was just kick up free Kick a break You got to laugh But you're laughing Sorry about it.

He told me, said you gotta relax. He told you that, huh? He told me, he said, yo, nigga, you gotta relax. I think he was talking to you in the future to now. You gotta relax. That's very true. Yes. He told me that then, and then now, 2017, relax.

Now I gotta relax. Relax. I'm just relaxed. For no reason, kid. I'm just relaxed. Cheers. You gotta relax. Cheers.

With your blunt or whatever the fuck heroin you got. Jesus. Yo, there's a chance to people waving that feet. Way one, one, one feet? Relax. What language did you just speak? One-won-won-won feet. I said the people waving that feet?

The match right. The match right? Relax. The match right. Yo, you're talking mad business. I'm going to. It's not cool, buddy. You got to relax.

It's not cool. Alright, I'm sorry. But it's still a win for it. It's a win. That's a win. I don't know what you're drinking. What is that? Picardy, you want some of McCarty?

Here. You got to relax. Kit, you want to shot up a car? No. Come on, Tony. Thoga. Toga. Tell them people where you can catch you out every night.

Tell them people. Straight four, five. Tony Toga. Tell him. What? You talk to him. Come on, Toka. Talk on Tuesday.

Shit, man. That's right. Toka Tuesdays, New York City. Say 45. That's right. That's the radio show. And then we got the party on Tuesday nights, which, you know, Capri's been involved

and played at our party a few times, you know what I'm saying? And, you know, like it's a family affair, you know what I'm saying? Talk our Tuesdays. Right now, it's at Club Cielo. The radio show is on... Three kids. serious xm chate 45 by the being

12 years everybody you know all of us you know that's always support all of us that's what that's our home that's my nigga don't touch talk at Tuesdays go ahead for talk to them people please

hey man you can follow me on Instagram wait hold on before we keep you going I need to know what kind of sweatsuit is that oh Sergio Chachini that sounds expensive but is us you gotta relax I got to relax it sounds expensive.

No. You gotta relax to relax me. What? Uh, Kana relax. What? What? The Gautia, Sergio, Tachini, sweatsuit, and you can find me on Twitter, Instagram, ASAP,

FERG, ASAP, F-E-R-G. And I got an album coming out, stills driving. It should be out pretty soon, and it should be out ASAP. Put it like that. No pun intended. Right. No, all pun intended. Making some noise, got that.

Now, kid. What's happening? Got to tell these people, you got to eat these bitches' asses. Stupid. Go on, kid. Throw it out. Anyway, man. Is he your ass good?

Come on, give it. I apologize. Anyway. You got to eat asses. You got to throw that out there for the youngs. They got to be raised right. They need the booty. They got to eat booty.

And, you want my information? No, no. You do it every one. All right. This is your show. First of all, Blop Party Live Mix-A on Periscope and the IG Live. That's Wednesday, 8 o'clock.

Easter time, that shit rings off. And that, I had so many women watching that. Made me create a show called No Panty Sundays for the ladies. Parasco. Yeah, I play a lot of cool, cool, slow music. I mean, have little flowers and shit. shit. No, it'd be fly, man. I'd be having little flying battles and all that right there. And it got

so popular that my man Ron Mills from Sirius XM and Dion for Syri's XM. Series XM Fly asked me to come and do my thing because I ain't want to go on the radio and be told what to do. You know, that's why I ain't been on the radio. I come and do my own guest appearances on whatever station, but I didn't want to be locked in those stations. I didn't want nobody telling me how radio should go. So I started a show on serious sex singles they came to me and said,

kid, you know what you're doing, this is going to make it happen. So I got a six-hour show where I'd be a personality from 48, and then from 8 o'clock to 10 o'clock, I play that shit. And what I do is I put new and O together, and I make it so fly. Y'all got to listen to it. Trust what I'm telling you, if y'all ain't got the app, go get the app. I believe you, kid.

It's real shit. Keep going, kid. Real shit. And not only that, I just finished an album called Top Tier, you know what I'm saying? You go, took all the batter rappers and made them. Put something together, made something hot, produced our album for them. And also, You can see me in your show In your city

Doing my thing And smashing it down So if you ever hear me Coming to your city You know what I'm saying Come to see the kid Do what I do That's what

Kiki Pee Hold on Kikip 101 on the Twitter Instagram And the real kicker On the Facebook Highl at your boy Let me say

Outro real quick As a young Well, I'm not young now But when I was a young Miami DJ Aspiring DJ The blueprint was right here Kickapree

Was inspiring And as a mixtape DJ, Tony Touch, was the blueprint. So I just want to say thank you, brothers, for everything, man. When I was in South by Southwest, I saw fresher. And we had him on the show. We rarely have, like, young, you know, new artists on the show, and he's a good dude. And I really like your music, brother.

And I'm saying, I'm glad you're on the show as well, man. No doubt, bro. Nah, no, bro. Baby! Well, the difference between, you know, Like every young, new artist, his father actually branded him to be who he is. So as much as I want to celebrate who he is, I acknowledge who the upbringing was before him. Right.

So I knew he was supposed to be. He was supposed to be. I know it's kind of like cocky in like a certain way. But it's also like it's supposed to be what it's supposed to be. Like it is what it is. Like it is what it is. How about that? You got to relax.

Come over here. This nigga, too many. Come over here. Three hundred dollars. You got to relax. You just see it. You're into the Jordan spot. Yo, listen, we were to the Jordan spot.

Exclusive shit. They had them on the rack. No, they did not have it on the rack. They had them on the rack. You think about the flea market. I'm gonna take the flea market. They always have it on the rack of the flea market. See, you don't understand.

In Miami, there's a flea market. Well, no, there's plenty of flea markets. And that's what he thinks is in a flea market. Yeah, he goes to. What flea market do you go to? I don't want to go, please. He got to relax. Tell him he got to relax.

Why all Haitian people got out of flea market? I think he goes to the homesteads. He got to relax. You got to relax. Capri, can you tell him he? You gotta relax, please. Hey. You just say you're gonna relax.

You just say you're gonna relax. You got to relax. You know, Ferri, can you tell me to get to relax? Relax. You got to relax. T'a. Tranquino. I'm not gonna lie.

You're not gonna lie. I've been holding my piss. Yes. You don't have to know more. Four glass in the afternoon. Let's take a picture. No, we gotta take a picture. I know.

Say goodbye to the people. No, we're gonna take a picture. No. Oh, I got to say, oh, listen. I'm going to be honest. You're going to be honest. Chi Chi, get the air. Yeah, Louis.

Listen, I've been honored to share the stage right now. Puff Daddy says something very crazy to us. He said he wants to go from being on the stage to be in the stage. And drink chance. that same responsibility meaning that we're saying we have been on the stage but now we are the stage

so anybody comes and talks to us and even though in our minds we think like it's between us it's really not there's a lot of people listening let them listen

and let's let them relax two people two people point their friends and this is what we should be doing we should be just hanging out because this is what hip hop is

we have to keep hip hop alive and how do we keep hip hop alive and hapops it can be hapoth it doesn't matter hatpaw is a new driver you just made that up yo you should be the leader of hat pop

Yo, if you You know, this is our new rap group. I mean, Hapop's true. Sorry, not rap group.

I apologize. I thought I was, my hat pop is happening right now. It is fine. I think I got in this huge, fucking, yo. You got to relax.

I don't even know what you're saying. But the point of trying to make it. Can have pop. Let's have fucking fun. If you live in. If you live in your life, having fun and it's fake fun, don't live your life

no more. Go die. Wow. That was that, man. I have fun. Every day I wake up, I have fun. Me too. And you should. I have fun every day.

I have fun at my own. And so should we. Every day you wake up, you say, what fuck, whatever. All right, cool. Listen, it's fucked up shit that happens. You know what I'm saying?

Look, look. He wakes up, boom. And then he's it. And then. Everybody ever turn here? Some fuck this shit. That happened. What's the fuck?

You just got an elbowing. Bob. Okay. Bing bomb. Let's go. Let's go. Come on. I'm Amanda Knox, and in the new podcast,

doubt the case of Lucy Letby, we unpack the story of an unimaginable tragedy that gripped the UK in 2023. But what if we didn't get the whole story? This has been made to fit. The moment you look at the whole picture, the case collapsed. What if the truth was disguised by a story we chose to believe? Oh my God, I think she might be innocent.

Listen to Doubt, the case of Lucy Lettby on the IHeartRadio app, Apple Podcasts, or wherever you get your podcasts. I'm Nancy Glass, host of the Burden of Guilt Season 2 podcast. This is a story about a horrendous lie that destroyed two families. Late one night, Bobby Gumpride became the victim of a. random crime. The perpetrator was sentenced to 99 years until a confession changed everything. I was a monster. Listen to Burden of Guilt Season 2 on the IHeart Radio app, Apple Podcasts, or wherever you get your podcasts. Hey, I'm Jay Shetty, host of the on-purpose podcast. I'm joined by Luke Combs, award-winning country music artist and one of the most authentic voices in music today.

The guy that says he's always going to be there and that will do anything to be there is the only guy that's not there. No matter what, I'm going to prioritize my wife and my children. I dread the conversation with my son. Listen to On Purpose with Jay Chetty on the IHeart Radio app, Apple Podcasts, or wherever you get your podcasts. This Woman's History Month, the podcast, Keep It Posit, Sweetie, celebrates the power of women choosing healing, purpose and faith, even when life gets messy. Love is not a destination. You have to work on it every day. Keep it positive, sweetie creates space for honest conversations on self-worth, love, growth,

and navigating life with grace and grid led by women who uplift, inspire, and tell the truth out loud. I have several conversations with God, and I know why it took the 20 years. To hear this and more, listen to Keep It Posit, Sweetie, on the IHeart Radio app, Apple Podcast, or wherever you get your podcast. This is an IHeart podcast. Guaranteed human.