DRINNIES - Der Parkplatzchor

Episode Date: April 14, 2025

Gute Nachrichten: Der universelle Wann-den-Mund-auf-beim-Zahnarzt-Code wurde geknackt! Dafür sollte Chris mit nicht weniger als dem SPA Award 2026 rechnen. Außerdem: Ein One Man Skigebiet, das einsame Thermomix-Archipel und die Ohrringe von Morgan Freeman. Kann man nicht meckern.Besuche Giulia und Chris auf Instagram: @giuliabeckerdasoriginal und @chris.sommerHier findest du alle Infos und Rabatte unserer Werbepartner: linktr.ee/drinnies Hosted on Acast. See acast.com/privacy for more information.

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A new episode of Drinn's is like a new life. What kind of life? You can choose that for yourself. We hope you're doing well, and if not, it's okay. It's time again. Drini Tuesday. Hello Chris. Hello Julia. I greet you and I want to start with a doubtful compliment. What I've picked up, I'm a docuseries, you know? There's one docus after another, I'm a docuseries, you know? One docuseries after another, I'm gone. And I saw something in a NDR docuseries,

a docuseries about bar owners. And one of them, he was a very funny guy, he had a guest, they were always very funny, and then he said, nice hair, well combed. How do you think, when I go in as an icebreaker to you? To me, I'll start with the compliment, but I have to say, oh, I'm going back. Sounds ironic, because nice hair, well-camped.

I don't know, is that meant ironically, or is it not necessarily nice? I thought it was funny somehow. The woman also found it very funny. I don't know, she wasn't uncomfortable, they knew each other well. I wrote it down for my active words, so I can put it into my everyday life more often.

It's the opposite of, did your hairdresser die? Did your hairdresser die? I can accept the compliment, but I'm coming with a flaw in this episode. I lost a piece of my body. It's gone, it's over, I said goodbye. A piece of my tooth broke off, you got it. And I want to start with a new topic in this week. The topic of the week is lying to dentist.

It's absolutely great, I'll go with it. That's the topic of the week and I encourage everyone to lie to the dentist of this world. You know what happened? You made one of your well-known salad sauces, with creme fraiche, a light sauce. Mmm, delicious, that tastes good. Then I ate it the day after. It's not the Sylt dressing,

it's a wish-ordered Sylt dressing, it's more like a Wangeroo dressing. Pearlworm dressing. That's good. And you did it, and then always make a nice shaker. A shaker, and it's in the fridge. And it's very nice that you do that. Because I can profit from it and then, for example,

the day after you left, I was preparing a salad from the sauce that was left over from you. And then I thought, hmm, I'm missing a little bit. I have to say, Wangerooge is good, but I'm missing the butt a little bit. I'm missing a little bit of Mallorca Ibiza, Santiago de Cobos, no, Santo Domingo, I'm missing that a little bit. I think you missed the Italian all-rounder. Yes, exactly, a little salsa.

I missed the salsa in the hip, and what am I taking there? Of course, pepper. I grab the pepper. You're so cheeky and fussy. He grabs the pepper. I grab the pepper mill. And you know the pepper mill, the verb. I get rid of it. Since the first moment you put it in the house.

It's beautiful. It has to disappear from the house, it has to leave the kitchen. And this week I can also say for medical reasons why it has to go away. You know, hardly anything comes out. No. I dropped all these things apart, this whole mill, because I turned it too hard. A spring fell in there, a nut, a screw felt, a plastic thing. An engine. I had to take that out of my prepared salad, where the Wangeroga dressing was.

Yes. I pulled it out, sat on the couch and looked at point 12. I ate my salad hastily, because I only had a short lunch break then I sat on the couch and looked at point 12 and ate my salad. Because I only took a short lunch break. I ate pretty badly. And that's the problem. I still have different things in the salad. It was a potpourri made of cheeses, I would say. Not a dressing, that was good. I ate it and suddenly, oh, I bite on something hard. What is it?

I obviously forgot to wipe the core of the pepper mill from the salad. The bright paintwork, the solid part, the stone of the paintwork, the mill of the pepper mill. I bit on it, spat it out, thought, man, that's stupid what I'm doing here, nobody can tell that. Eat more, my salad is over, the burkard keeps talking. Swedish researchers have found out, etc. And suddenly I notice with my tongue on the lower jaw, left, oh, there's a bigger piece of my tooth broken away. Oh.

That's pretty sharp-edged. And then I googled, if a piece of tooth breaks away, do you have to go to the dentist? Yes, you should do that. In any case, it could have later long-term consequences. For example, the tongue slit when you drive over it. I had to call there.

And with the dentist, where I understand people very, very badly. Because they, I don't know, have a telephone from the 50s. No idea. But I got an appointment. I don't know, they have a phone number from the 50s. I don't know, but I got an appointment. I was happy because I was afraid that maybe my whole jaw would fall apart now because of the pepper mill.

And then I finally get to the end of the week. The dentist asked me, what's up Mr. Sommer, how are you? I said, yes, I lost a tooth. Then he said, how did that happen? Then I said, there was a little stone in the salad. And I was too embarrassed to tell this whole mess with the pepper mill that I've been shying away from for more than ever this week. And that's why in the week, lies, lies, lies

like printed, like there's no tomorrow. But that really does, that doesn't bother a big ghost to lie there. So it doesn't matter to you now if you bit on a nut or on a piece of dead stinking animal peel. That doesn doesn't matter to you if you've bitten a nut or a piece of dead stinking animal skull. That doesn't really matter, you know? And you know what I have to say? Then first of all, of course, put your mouth on the dentist's mouth. I always find it interesting. I never know exactly when the right time is to open your mouth.

Then suddenly I came into a spiral, a thought spiral. Now stop it, please, stop it. I was lying there and didn't know when it was going to start. When do I have to open the hatch? I thought, if he says, like me as a child, the dentist used to say to me, my awesome dentist, I've already told you, the surfer guy, he said, now you can open it. I wanted to prevent that, because I'm an adult now,

I don't think you have to tell an adult man that he has to open it. But I also wanted to prevent that I was lying an adult now, I don't think you have to tell an adult man to open his mouth. But I wanted to prevent that I was there for two minutes with my mouth open. I mean, as long as you don't open your mouth, everything is fine. And I've got a point now. And I can give you the tip now, and the entire German public, also internationally, also to all people in this world.

And that is, when the doctor rolls up and grabs the light with his hand to set it up. And then you have to open it. That's the signal. You have to stand in front of the net with the stick and be in the pole position and then open the hatch. That's not necessary. He doesn't need the light. It's just a signal that he gives indirectly.

It's like a light at the stage that says, now comes your performance, and now you get the spotlight and off you go. That's Howard Carpendale when he comes back after the fifth farewell tour, the sixth comeback. And I noticed, the light blinded me very much. I don't know what they did there, maybe a new halogen tube.

I noticed, I think it blinded me a little extra because it's unpleasant when you have eye contact with the dentist. It's relatively close, depending on the angle. I think he had me blinded so I could close my eyes and not look into his eyes while he's kissing me. Something is slipping away. And then I have to say, he said, oh, I see it right away. Then came a sentence that went through my head and my leg. I said, but that happened very little, right?

And in the sense of almost like, Mr. Sommer, why did you even come? And that's why you're here on a Friday afternoon, seriously, here, I could be in the country club again. I could improve my handicap again. And you're here because of this little tooth. That's exactly how it was, Julia. Oh, that's a good example.

One defeat after the other. Peppermint, teeth bitten, blunted, hatch too early, opened. It's actually a big defeat. Yes, a week of disaster would have been with you. We were in the cinema yesterday, we have a movie recommendation. We watch a lot of good movies. Is that a recommendation?

For me it is. Okay. I went to the movies without any expectations, so I was positively surprised. I went off the worst. But the positive thing was for me, so I want to recommend the film. I think many people don't even know the name of the film.

Yes, in German, Vigarten Eden. Yes, but Eden. Hugo Eden Balder. Hugo Eden Balder. Daniel Brühl plays with it, it's a Hollywood production where he plays with it. I also heard Kölsch Jung. I even think Irrefelder Jung.

I mean Irre Felder Jung. Ich meine Ihre Felder Jung. Ja, Ihre Felder Jung. Und im Großen und Ganzen geht es darum, dass Menschen auf einer einsamen Insel leben, drei verschiedene Parteien, und es untereinander Krieg und Intrigen gibt. Und es ist sehr unterhaltsam. Nach einer wahren Geschichte, was dann erst mir am Schluss bewusst wurde,

weil wir da irgendwie ein bisschen reingestolpert sind in den Filmen, wir haben den Trailer angeguckt, aber natürlich nach 30 Sekunden ausgemacht, den Trailer, weil mittlerweile weiß man, Trailer, da werden eigentlich after 30 seconds we turned it off. Because now you know, trailers, the plots are being torn off. If you don't catch the moment, like with the dentist, with the mouth open, if you don't get the right statement in the trailer, you can also save the course into the cinema. In my opinion, the cinemas are to blame for their own downfall. If you publish such trailers, I'm sorry, but I have no more pity.

I have to say that the film reminded me of my biography. Can I tell you again what the film is about? It's actually a small star-release. So Daniel Brühl, but also Jude Law, Sidney Sweeney, Anna de Amas. And that's a true story. Basically a philosopher. In the interwar period after the First World War,

he's walking out into a, I think, Pacific island and writes about a new philosophy and attracts people who want to start a new life there. Yes. And under harsh conditions, it's lies and intrigues. It reminds me a little bit of the Summer House of the Stars, but really on an island with some sort of existentialist philosophers.

Yes, but what I wanted to say, why I'm being biographied, is that my great-grandfather, named Tugentolt, the name alone is really Tugentolt, my great-grandfather Tugentolt. What's next? My great-grandfather Tugentolt is also, after the First World War, with the ship,

I don't know how long they were on the road, they were on the road for months, off to Brazil. That's not a joke. And in the jungle, they wanted to build a new civilization. But after the first world war, not after the second. After the first. Okay, are we politically safe or are you making a big question mark? No, wait, let me tell you more.

It's like this. They went there and they really had nothing to eat at first. They ate monkeys. Oh, stop it! That's nonsense! Yes, yes, there is that. My grandpa wrote it all down, what he experienced. In the diary or what? Yes, exactly.

Oh, that's Carl May, right? Stop it, it really happened like that. And now, look, and then suddenly everyone got sick. Surprise! There are other diseases on other continents that they didn't understand at all. And there were several. It wasn't just my grandfather. There were other families. Did he bite his teeth off because of the pepper mill?

Maybe also from the monkeys they ate. Oh, stop it! That doesn't make sense! That's right! And what happened? They all went back. They all came back. The project was cancelled. And that's why I had to go to this island, Floriana, where the Germans suddenly arrived with Tuval Colose. I had to think of my great-grandfather Tugendolt.

This is not a joke, this is a story that exists in your family. At least that's how he said it happened. I'm basically Brazilian, Chris. But Julia, why don't you have... There must be a script. Why do you have to give the film an edem before you tell me the story? And why didn't you write a script for so long? No joke, I have to get these scripts

that my grandpa wrote. I'll get them and I'll make a really cool three-hour film. Julia, that's written by yourself. Piano girl, main role, split. Double role, they split. Christoph Maria Herbst and piano Piano, girl, one person. Lars Eidinger plays the monkey brain. Or a coconut. Can he choose?

Exactly. But we definitely have to play Heiner Lauterbach. That's for sure. He could be a very philosophical fisherman. I think Heiner Lauterbach has the urge to play the simple man very deeply. And that he's the one who's lonely and silent with a boat as a fisherman.

That's good, we don't have to give him that much text. And we could film it in a hall bath in Kreilheim. We don't have to go to the sea with Heiner Lauterbach. It would be good for us if he doesn't have a lot of text and we go to the swimming pool with him or in a leisure park. And then he's the angler around this island where your great-grandfather is. And he's the outside view, you know?

He's the outside view, the third eye. That's me. He has the outside view with which we go along. Heiner Lauterbach is the angler with whom we can identify ourselves. The little, poor fisherman, who is so rich inside,

because he is so rich in knowledge and doesn't need all that they want to build up on civilization and progress. He only needs his boat and the eight fishes he catches a a day and he's satisfied. I told you, he would put everything in it. Everything. And Axel Prahl would be there too.

We have to somehow bring him down. Maybe a funny sidekick that is a little bit punchy. Yes, yes, who then somehow steps on a treadmill on the island. And then he has to somehow complain so that it doesn't up, and then he puts his shoe on it and builds stone mountains on it. And then it's mega exciting and he also makes jokes and such and shivers a little. But it would be important if now Bjarne Mädel and Christoph Marie Herbst share the role of your great-grandfather, then they would of course have to do a Siegerlander Platt coaching. That would be important to me, because otherwise I don't buy the story.

So Bjarne Mädel can play a lot and well, but if he doesn't have the Siegerlander Platt on it, then I'm not buying the story otherwise. So, Bjarne Mälde can play a lot and well, but if he doesn't have the Siga line on him, I'm out. That would be so cool if you really sent him to the Siga for method acting reasons. You know, many actors go to the limit for roles. They take 50 kilos to, 50 kilos off. Schurkin, Phoenix, for example. They learn Krav Maga, they do things

they didn't have the courage to do before. For this role. And I expect from Bjarne Mädel that Siegel in a flat 1-1. That you live there, that you go to Kreuzteil Kronenbach. And that Siegel in a flat speaks for a year. You can also say that if Bjarne M a year in the City Gallery in Siegen, that's something we live on a lonely island. He can prepare the method acting for that.

And that would be awesome if we had one superstar from Hollywood. Yes. We would have to think about who. Udo Kiel? No. No, really big. Really big. Where you ask yourself how that comes about? That suddenly an English-speaking person...

Denzel Washington. Denzel Washington comes and he plays... My great-grandfather. No, that's what Christoph Marijaps and Bjarnemeggen do. Denzel Washington could play a police officer from Cologne. But he speaks English. But you have to make sure that I noticed... I started a Scandinavian crime series again. And you have to make sure that I noticed, I started a Scandinavian crime series again,

and I noticed that in crime movies, when police officers investigate, they're always under the influence. They write to each other. Their whole life belongs to the investigation. They sacrifice themselves completely for their private life, and I mean, they're the best police officers. That's how they're portrayed in crime movies.

The best thing that the human being has to offer best police officers in the world. That's how they're portrayed in crime scenes. The best thing the police has to offer is... And they're always so intelligent. They're all academics. ...in a medium-sized small town in Sweden. They're all the best people in our world. And what I noticed is that they write their investigations so crassly that they don't even have time to park. In crime scenes, they park massively badly.

Did you notice that? They just drive over the lines, where you say, hey, if you park like that in the Rewe Center in Cologne, you don't have to be surprised if your car is suddenly stolen afterwards. Watch out for insurance fraud. Where then it's said, you drove into someone's car while parking, and he wants a new car. And the police feel too safe.

They can park however they want. Who wants to blackmail them, you know? And I just want you to look at it when you're a showrunner of the project with Bjarne Mädel, Christoph Marier and Dancel Washington, Axel Prahl, that it's parked well. I don't know if cars play a big role on a lonely island, but I also want to say something that I thought about in the movie.

There are states that let islands fill up in the sea. Artistic islands. Not the islands that exist, but new ones. Like the palm trees in Dubai. Exactly. I think that's a good thing. Because the sea level is still sinking due to climate disaster. If we say that there's still a lot of space in the Pacific and we bring for example elbisandstone from the Dresden area to the Pacific and there we make new islands, then the sea level will rise again, you know?

If we just add more chains, then the sea level will rise level rises and we all benefit from it. So basically we could just pour everything we have on the water surface. Then there would be no sea level at all. Exactly, then we would have solved the problem. Then nobody would be flooded. Yes, right. We just have to make sure that we can just throw the sandstone directly over the Pacific with big heavy airbus and then fly back and forth. It costs something, but I think that's worth it. Or ship it directly with the Queen Mary or my ship 2 or something.

Or you can just let the ships go there and build an island on the old ships. I read that Morgan Freeman, where we are with ships, always wears earrings that are so valuable that he could pay his debt with them. What? If he dies in an unusual place, because that's an old seaman tradition. That's nonsense. No, that's true. That's true. He always has earrings and they are so valuable. If he dies somewhere, unharmed, and is found on an isolated island, on our isolated island with Opa Tugentolt,

then you could pay your I only have the cheap earrings from Bichou Brigitte. That's not even the cheapest one. I don't think there's any express in there yet. Just take me to the forest, near the orange in Mönchengladbach. It doesn't really stand out, it smells good. It takes a few years to stand out. But we can definitely say that the film Eden is well done. It really caught me. And where I also want to say, but not spoiled,

it's finally worth looking at the credits at the end, where you always somehow, at least me, sneak out of the cinema, because the most passionate stay there and want to respect the setrunner because they wait until the credits are over. Although they can't read a little bit of it because it's in font size 4 on a canvas, and they've been lying to themselves for a long time

by saying they don't need glasses. But the credits paid off. I'd like to say that, but not more than that. Good film, and I have to read it on Wikipedia how it really was. The story is based on a true story. Yes. Pretty sad, but...

Pretty hard. But in between I've seen myself after a lonely island. Yes, totally. But I'm missing the climate. I have to say that I should be in the Mediterranean, in the Mediterranean, although I think that all islands have been discovered and all the settlements that exist.

I would definitely have taken my Thermomix with me. They took things with them, where I asked myself, okay, they couldn't have made it. They suddenly had windows in their house. They must have brought that with them. Then I asked myself, what would I take with me now? Thermomix at the top with it. If I need anything on the lonely island,

then that's the curry date dip. Yes. And I saw something else, not in the cinema, but on TV. I don't think it was at Punkt 12. It was at another top show by RTL, I think. I think it was at the magazine Gala that I watched. Oh yes.

What I also like to watch, it was about the spa awards. And I think we had already talked about the spa awards. Because every time I hear, it was the spa awards again. The spa awards were lost. I always think, it's about who has the best relaxed was the spa awards again, the spa awards were lost, I think to myself, it's about who has the best relaxation at the spa awards. Or what was it about? Individuals are awarded

who have the best relaxation in the spa area in the past calendar year. No, it's not. It's just about hotels that have good spa areas or hotels. I looked at the winner hotels. There must have been 100 hotels that won. I thought, how long does this event have to last? It wasn't very relaxing. No, and I have to say, that made me a little sad

that only hotels were selected. Because theoretically, individual performances could be awarded there. Yes. Like with Oscar, where the best main actress, best film composer, etc. Best carrot juice. Exactly.

That you say, for example, who has the best time in the steam sauna, or who has the least time in the sauna for his own body. So. And there it is. Rüdiger Hoffmann has won. Random name. Nothing against the real Rüdiger Hoffmann has won. Random name. Nothing against the real Rüdiger Hoffmann. You really don't know anyone anymore.

I just wanted to say a name, Julia. I'm missing names. I have Krallsheim, I have Quickborn, I have Hückelhoven and Iserlohn, but I'm missing the names. I always need go-to names like Rüdiger Hoffmann. Lars Eidinger is always good. He must also like to go on a The winner is Lars Adinger! He just cried some stupid tears. But he was also preparing for his next role. He already felt it.

I'll write my thanks speech now. Thank you very much for the honor. It's a great moment for me to stand here. Thank you to all my masseurs, who pushed me for years to go on. The Lumi Lumi massage. At the end there were four people, eight feet on my back,

and I can't feel anything anymore. Thank you, thank you mom, thank you dad, thank you God that I can stand here. I really want to win a spa award now. Now I'm completely pissed. Do you have to be in a hotel or could we take some measures as a podcast that we might be nominated? I mean, we know from the feedback from our listeners

that we help many people. I mean, we know from the feedback from our listeners that we help many people to fall asleep and relax. So without us, podcasts wouldn't be hotels, right? Yes, that's true. You think we could open up a new category, right? Help them fall asleep? Relax. Relax audio, relaxing or something.

And you know, we're not only awarded with a podcast prize, but also with the SPA Awards. The first podcast to be awarded with the spa awards. I also want to be invited to such an open prize show, where you can just watch and see what's going on. I would go to a spa awards, but only if I have to do advertising on Instagram for such a hotel with a discount code. Yes, exactly. And of course only for Stanglwirt. Yes, exactly. You know what I think? I think one person really deserves a spa award. And that is for the collective well-being. There is a guy in Switzerland who has his own little ski area because he owns a country

where a ski lift is on it, which he once built. And he's somewhere at the foot of the Genfersee. And it offers that you can ski there for free. You can use the ski lift for free. You can go up and down there for free. He does everything on his own. He takes care of the thing, he controls the lift. And if someone gets hurt, he drives the person into the valley.

He does it on a voluntary basis, not only on a voluntary basis, but he pays 30,000 francs every year just for the maintenance. So he does a big minus business. And he does it only because he said he just wants to make people able to ski for free and that children can learn to ski for free. That's a hero for me. He deserves the Spa Award. If there's something like a ski lift award, he deserves it too.

And we have to award him. Was that a documentary? No, it was an interview in the Zeitmagazin. Oh, okay. And I really want to put the spotlight on this person. And I would like to thank you very fact that people can ski there for free. I would never go skiing anyway, not even there. This one week where I should have learned how to snowboard, that would have been enough for me.

I told you, never again. Snow is not my medium. What I wonder is, the guy really does everything himself, so ski lift and transport etc. Does he also do abbre ski himself? Does he do it upstairs, when you arrive upstairs, does he do drum songs that he produced himself? Does he sell the Aperol and Kaiserschmarrn? Does he cook himself? Or is it really just so basic that you can say,

okay, you can go up and down here, but there's no cocoa here? It's like a free-bath where there are no safety measures. Swim at your own risk. If you go under, you go under. I have nothing to do with it. No arrest. But on the top there's a selector machine. Where you can buy a coke for 12 francs. And condoms, individually packed.

But now, Chris, it's time for something serious. We haven't discussed a section yet, it's on time, I have something with me. Drinsider, oven fresh, is coming out now. I'm begging you, shoot the bird. I'd love to. Drinsider, hotly requested. But one more question about the ski area. He doesn't even make snow cannons. That's probably already so easily opened when there's snow. I'm going with that. He doesn't even make snow cannons. That's probably already so easily opened when there's snow. I agree. Where you have to say that there are maybe two days off a year.

So he probably didn't have that much to do. Probably it's never open at all because there's not enough snow. But he wanted to get the heroes' story. But I didn't want to interrupt you, Prince Eider. The really urgent questions. What kind of question are you serving today? Danny wrote us. Danny wrote us an email at info.drenys.de, da könnt ihr uns natürlich alles schicken.

Vor allem mit dem Betreff DrinSider, wenn ihr eine DrinSider-Frage habt. Und Dani hat uns geschrieben, liebe Julia, lieber Chris, ich bin vor kurzem einem Gospelchor beigetreten. So fangen wirklich die besten Geschichten an. Eine Freundin fragte, ob ich mitkommen möchte und versicherte mir, dass man dort nicht vorsingen muss. Also sagte ich zu. Alle empfingen uns sehr herzlich und das Singen machte mir Spaß. A friend asked if I wanted to come along and assured me that I didn't have to sing in front of her, so I said yes. Everyone received us very warmly and singing was fun for me, so I said yes. But in the next rehearsal, the shock. It was announced who had a birthday last week. The person got a little stick on it and then everyone got into a line to hug the child. No. The basket consists of about 50 members, so statistically speaking, I have to hug a relatively strange person every week.

In addition, I am hugged back by about 50 people after my birthday and am at the center of the event. Already thinking about it, I'm sweating. Since I had entered a list with my birthday date, I had naively thought of nothing. Does the choir leader know when I have a birthday? What should I do? Dive in several weeks after my birthday?

Or prevent a chronic, contagious skin disease? Maybe you have better ideas for me. Greetings, Dani. What I like is the vehemence to say, we are standing in a line, in a line. Like Spalier standing, like Morgan Appel in the Bundeswehr, in the barracks. Horror.

First of all, I would like to say, not all people like physical contact with other people, especially with strangers. You just have to consider that. And then I want to raise the man's index finger in the direction of the gospel core industry. That's the serious thing. It's very serious to me. And the second thing is, if you...

Let's start at the back. The radical ideas are probably not accepted. But we can come to them in a moment. If you want to find a compromise, we could say we hug each other once a year. Because everyone has a birthday at some point. Sometimes you have a weekend or a holiday birthday. And then it's not a choir rehearsal.

So just embrace everyone. But that's not an obligatory appointment, but that's voluntary and that's an extra appointment. Not in a regular rehearsal, but there is an extra arm-to-arm appointment. And everyone who wants that, who stands on it, will get there. Yes, I think so too. And please don't do another rehearsal where the arm-to-arm is practiced.

The back door, we'll close it, we'll leave it closed, we won't open it. And now the question is, how do you get out of it? Do you think you should do something something that's close to it? Skin disease is difficult, there are questions. I would take something close to it. I would say that you have to work with your shoulder when you hug. I know the problem of the tongue in saxophone playing,

if you play too much, if you rattle too much. Now I know the stringed cloths from the choir. The stringed cloth performance, where you're in the air in the third chorus of Toto Africa waddling wildly with a stringed cloth, that you say, I've got it in my shoulder. From the choir where I was before. And there I am excluded because of exactly this problem.

They said, Rüdiger, Rüdiger Hoffmann, if you don't waddle with a stringed, then you won't have any place in the choir anymore. And that's why I'm here with you now. But hugging, that's not possible with my silk cloth shoulder. Yes, the silk cloth shoulder. Or, for me, it would be clear, I couldn't stay in the choir. Now I can understand, there may be no alternative, or you like to sing, you still want to sing along.

There must be ways to sing along without you being an active part of the choir. Maybe sing along secretly. And I imagine that you open the window in the choir rehearsal room and then maybe place yourself in the parking lot, in a dead angle, so that you are not seen. And then you can secretly sing the tenor voice from the parking lot. That's how you can sing. You can hear the others. You have the choir feeling.

But you don't have to hug Herbert a little too tight. Exactly, and you have to watch out on the parking lot that a Swedish criminal police officer doesn't come. The bad park. You have to watch out. I parking lot that a Swedish criminal police officer doesn't come. The bad parker. You have to be careful. I remember the Taylor Swift concert in Munich where the people were on the hill who didn't make it to the concert. So basically Taylor Swift, the little man.

You stay on the parking lot in front of the choir, rehearsing, wedding. And that's the bigger party. And maybe over time more people will come who don't want the hug. And so the choir is slowly but surely divided. And at some point, the Parkplatz Choir is the better choir. And then there's a sing-off,

where they sing to each other on the wall. And then we want to see if the people who don't hug or the people who hug each other all the time sing better. I think the people who don't hug, because they have more time to practice singing. They don't have to stand in a line all the time and embrace each other. They practice their vocal technique. I know people from my family who say

that when they have a birthday, they say actually I'm never on holiday, but in the time frame of my birthday I'm suddenly three weeks on Crete. Yes, exactly. And maybe Dani just has to do that and say, I'm sorry, but a month before and after my birthday I'm gone.

And hope that it was forgotten. Yes. But now we still have the problem that she has to hug other people. Maybe just two or three times whine or hoarse before it comes to hugging. Then the problem may be solved by itself. I would say we actually gave Dani enough to the hand, Chris. I would like to answer another Tr from the Trinseiter, if you have the need for it.

Gladly. And that is from the professional environment. So choir is a hobby, choir can also be professional, but here it's really straight professional. Here it's also about cases of power, here a lot of things are going on. Problems that you might have on a lonely island,

which Daniel Brühl might not have with Schutler, but maybe exactly like that. Maybe. We'll find out soon. Maybe many problems would have been solved if they had founded a gospel choir together. I mean, enough voices for all, for Tenor, Alt and Sopran, they would have had.

I think so. You could have at least made a quartet, maybe a barbershop quartet with funny myths. With what? Where you snort on 2 and 4. Yes, something fun. Nobody would have come around, but I don't want to spoil it. You can see it in the trailer in the first 30 seconds.

So that's not spoiled. An anonymous listener writes, we have to think of a short name. What's her name? Rüdiger Hoffmann. Rüdiger wrote. Rüdigine. Rüdiger wrote, Rüdiger wrote, My boss had a birthday and I brought her some little flowers from the garden for this occasion. So that they don't dry out, I put them in a little vase that I brought from home.

When she saw this little surprise, the intended effect, in quotation marks, great joy, also came in. But what came in unintentionally was a was a huge thank you for the sweet vase that I wanted to take home with me. In my shock about this development, I couldn't react well and clear up the misunderstanding, but just laughed and said something like, yes, right, then you can always put new flowers in it. My question to you, do I have to live with it? Is the vase a perdu or can I still do something to get it back?

Somehow my heart is stuck on this vase. I learned my lesson anyway. In the future, either use a giftable, painful vase in the same way or react on time. Alternatively, also a sticker on the vase property of XY. Here I have to say, it shows again that bosses often live by the life.

Yes. You know what? That's the Tupperware problem for me. If someone comes to the party with a big bowl of Tupperware, with a noodle salad, that doesn't mean you get the bowl plus the salad as a gift. That means I leave it here and as soon as it turns out that the bowl is empty, I clean it in the sink with sink and put it in my car

before someone steals it. Exactly. But if you bring something, in a stupid can, to a party, to a birthday party, a tiramisu, for example, and I've already experienced it. People bring something, a little pair brings something. Yes. It's eaten and washed, and the dessert is just too much. The tiramisu is not stirred. A couple brings something. Yes. They eat and throw it away. And the dessert is simply too much.

The tiramisu is not stirred. Then the couple said, oh, that wasn't eaten at all. Then we take it again. If you bring something in a tupperware, the tupperware is not a gift. It must be returned. But the content, the fresalas that are brought,

they are always in a gift. whether they are touched or not, they stay there. Yes, they stay there, you have to refill. Exactly. I just wanted to clarify that, I also have a certain personal motivation to spread this here again. But the vase problem is different. The vase problem is different and my problem starts there, that a boss doesn't have to get a vase as a gift.

Yes. That is absolutely not necessary, she has enough money for 48,000 vases. and my problem starts with the fact that a boss doesn't have to get a vase as a gift. That's absolutely not necessary. She has enough money for 48,000 vases. That doesn't have to be. And I think the vase has to be taken back. Yes. Clearly, employee-to-assist ratio. The person, you, the vase is more to than the boss.

My opinion. That's a nice gesture. Actually, the boss has to be careful when giving something to the boss. It quickly becomes a habit that you are given as a boss. And then you put the vase in there, which is the pure evil, the pure intention of the boss. Because she has already earned a higher salary. She doesn't have to play for the employees. I would, honestly, I would take a football

and kick it against it, I would bring the vase to the ground. If I can't have it, nobody should have it. Not even my boss. Adios. Exactly, destroy it from the eyes, from the senses. Eliminate. But you have to have a reason why you play football in the office. You could say, team building, dear boss, is in my happy. It's about time to do a little office Olympics.

We do different games, among other things, a round run, there's a ball being played and it flies against the vase. Then you just have to hear the anonymity, really go over it. It flies first against the vase and then against the boss's head. You have to say, theft at the workplace is forbidden. That's a reason for resignation, a limitless resignation, I mean. I've never that theft at the workplace is forbidden. That's a reason for resignation, a timeless resignation, I think.

I've never stolen anything at the workplace. I don't know what that is. And now the question is... I call that abcatering. I don't even call that stealing. Now the question is at the anonymous hearing, at Rüdiger. Rüdiger was actually robbed. Couldn't she theoretically...

No, that's not possible. The boss can't be fired. No, that's not possible. But what if Rüdiger holds back his vases from the boss? So is that theft? Because strictly speaking, the vases were given to the bosses.

But you have to say, the boss has already adapted a bit. Almost like the people in the 20s on the island of Floriana. They go there and say, we're done, we're done, we're done, we're done. We're spreading out here. We're building the German potato here.

Yes, that's a question. Honestly, I think you can't argue with morality here anyway. Because as I said, tearing the vase under the nail is not embarrassing. To steal back is the least. I would even put one on top and steal something else from the boss, so that you are still being harmed for your own loss. I have an idea how to put the boss's craft in front of everyone.

I know for example that it is partly a problem when you load the cell phone at the workplace, the private cell phone. What then? The power thief. that it's partly a problem when you charge your phone at work. That's then... ...the electricity theft. But now it's like this. Is the water that the boss needs for the flowers, for the flower bouquet, isn't that strictly speaking also theft? The theft of Mother Nature or what?

The employer has to pay a fee for the water after all. So for me it's clear, the boss has to be fired. Well, then we've all been with a cauliflower in the back. He made me an application. We're in the Herzblatt helicopter to South Tyrol. And now he's sending me the most beautiful roses. Exactly. And then just such a big bouquet that the boss can't say otherwise than, oh, you need a vase. Otherwise the 120 euro bouquet will break.

Can I borrow the vase? Maybe ask and then steal back. Then the problem is maybe. Or she overcomes herself into the vase, then nobody wants to have them anymore. Or even better, there are these viral videos by Cake or Real, where people bake cake that is so hyper-realistic that you can't distinguish it from a real object.

And that's what she could do with the vase. She could bake a cake that looks exactly like the vase, put it next to it, then take the vase home with her. And the cake would unfortunately have to stand there forever. That means it would have to be pretty durable. Yeah, I mean... Otherwise it would smell. But you can still push it back.

That was part of the gift. It was a cake. It was a double gift. My dear boss, I would have to be your favorite employee. Maybe we can get Heiner Lauterbach, who plays the vase. And take our seat with Heiner Lauterbach, and he can play the vase. So, now done.

Meet your master, I'd say. We solved several problems today. Wonderful. I feel completely, despite the split-tongue. I feel one again. I feel one with nature, like Daniel Brühl. Nature is healing, guys. Wonderful feelings that flow out of me, Julia. I'm in love. Okay, guys, that has to be cut off now.

That's too much for me. So I have to go to Floriana now. My boat is just being finished, my arse. And then it's off, off to the south. And I would say we'll hear from you next Tuesday, when we're back on Tuesday. See you and bye. Bye. My boat is still being finished, my arse. And then it's off, off to the south. And I would say we'll hear from you next Tuesday, when it's Drinni Tuesday again.

See you then, bye. Bye. Drainys. The podcast from the comfort zone.