El Podcast de Marco Antonio Regil - 019: Sylvia Pasquel su carrera y amor por la vida y los animales

Episode Date: September 8, 2013

Marco Antonio conversa con una de las grandes actrices de México y Latinoamérica: Sylvia Pasquel, quien nos habla sobre sus inicios en el cine mexicano al lado del "Santo". Su gusto por la lucha libre, el personaje que la consagró en teatro, su villana favorita en televisión y nos cuenta cómo nació su producción teatral "Animal Es", en donde al lado de grandes estrellas del entretenimiento, les da voz a historias divertidas y conmovedoras y nos cuenta sobre qué fue lo que la motivó a no ir más a las corridas de toros a pesar de haber crecido en un ambiente taurino. Sylvia también habla con emoción de sus primeros 5 años como vegetariana y activista por los derechos de los animales.

In the episode No. 19 of Regil Radio, one of the great actresses of Mexico, Sylvia Pascal, is with us to us, to tell us not only about how is your career artistic, but what was the episode that took her and he abri-uped this inspiration to look for the rights of the animals. Kedathe with us here in Regil Radio.

Welcome to Regil Radio, the podcast of Marko Antonio Regil. Saludandolos, as every every year. I'm Mark Antonio

Regil and we're going to us after having it's after many years, Sylvia Paskel

came to Los Angeles California and is here with me Hello Sylvia welcome

Thank you Marko for invite me it's a good to be to be your

organization you your your studio is precious and that good you

can be the opportunity to be with with many

Latinos, that live for these rumos that a few times have the opportunity of one, we're not

to be with them to be to be with us. I know, well, and we know it's a podcast, as radio

on internet, we're going to in America, in America. A, sometimes I see the map because there's a map

that's a podcast, we say, where they're back on because all is for internet, and it

is China and Europe, and then I see, Latinos that are redated for all

the world, no? Yeah, well, I mean, I'm scribed of Ukraine and of Russia and Brazil and Brazil and

all the fans that are your programs of television Yes, that's great. For that's why I'm the cybernetic because we

unes with the world, not? It's has been to be about the communication, not?

The radio socials came to have been to revolutionar the form in that we're

in the community. It's in a second you can in any part of

the world. And it is like to have our own our own our own

our own radio, our own our own media. And could not to learn also of what happens in

other parts of the world or also how we're in other parts of the world. I've

known more to Twitter. In the Twitter, I'm all the time I see.

Twitter Animalero. And there have been in contact. This interview, that

we've contacted, we're talking to I'm always I've always

I've had a grand admiration for your career and especially

especially since because it's like Claudia, that was, that was, it was,

it's a last time that I did was in the 2000, 2009, for there. How was the

title of Claudia? Me They want to get a local, in theater. Sylvia

Pascal, in the theater. That was was a great. It was a

work that me made much things, because the fact of that I did it

since 2008 that was the first that was the first a,

well, it was, like, it was a part of in my, in my

story of career, because me he was a person, to be a person,

but, but, but, after to come to come all the projects,

the projects of the actress of the, the first,

I was, I'm seeing, I'm doing that did you a little show,

Chabelo, and she was Momiel Pepep, Estrada, that was a

super good Santa Contra the Antoine. That was the first.

Santa and Blue Demon against and Blue Demon against the monsters. And Chabelo and Peepito and in the 60s. And,

it was like, the salas of art in France. Wow. Because the Santa is considered like a

thing really of art. That is something that's something that's I'm really that people who are

directors, they're directors, the theater, writers, of the theater, people, people,

and they love a life. I'm, to me, yeah. You know, what is

what is what is the life? What is that magic that not only only to

get to the massas but to the people and the people,

the people, that It's a little the paraphernalia too, because, for example, here in

the States if you are in the United, it's there's much production, there's

there's much, there's much, we're much a magic around of the project

of spectacular, no? But, I mean what I like much are all the evolutions,

no, that is people that is people that need to be very trained

to be and resisted and want what they want them, because if they do

some Cat is tremendous, no? But it's bad, no? How do you? How do you do these evolutions, how do you bring

to the chuerdas? And from a bolteretta and the rey mystery is a goodazzo for that

of the, this, to, uh, to, this, to, the, uh, me, me,

I'm, I'm, I'm, I'm, I'm, I'm, I'm sure, it's,

it's, it's very difficult, be a I'm a lot I always I think of I'm going to think of the

world to have to get to be in the other will be there there's a being that you're going to supposedly with a

but if the other is quite and it gets and it can't and it's a no no no no well

well also well also we're going to say a quality that not not a

good like it's a cemento it's up the but when they're they're

they're they're they're they're and they're going to and they're transmitting and

and to and to you're a question. What is your American? Randy Orton. Randy Orton

and the of the Mexicanos I like much the santo definitive Blue Demon. They're of

the more this, the perro but is more rudo, is more this cochinone. You're

just the technicos? Yes, also I mean a sometimes I do

depending it's that are the two bands in the ring or in the real, in the real, Randy Hondo

I like much, Randy Horton me love. I'm a man who's a guy who makes a guy who are those nobos or people? The other people,

have been really, rudders or technicos? But I've applied to Laura Carana. Dimmie, for a woman, to have asked this

many times, but here in this podcast we've talked much of the a pair of this. For a

one woman that so much that much that's a is a myth that is complicated to find someone

a man that's so so sure of it's a person who? No, no, no, it's a myth

desafortunately. It's, almost, all the actress of the those who are those who are some of the

majority are we're only so much, our life is very difficult, Marco,

you know so you know, and if a party and being being of the ambient artistic is

difficult now a person that not a person who is more difficult to understand that, because we're not

we don't have a day in the calendar. Really, we're always when the other can't.

Exactly. And when are vacations, one is in the theater, when you're in the telenovela, you're just

at the time to know what hours, many times you're called the Saturday, or the time, or you

go to do a year or you're going to a little, and you're a lot of a year, then so it

is difficult for a a pair of a time time, time time hours,

not have really a life like, you know, like, to go to your

chava to dinner or a compromise or a family because if has a theater,

because if has a moment in that those pairhs or you paint

the cair or they are being your managers and it I think

those matrimon in that the partner is your manager or time they're in bad.

Because it's the only manner that you have to be able to be able to be that person is an

agotator. And the relation to an artist and a manager they're problems normal. There are

moments of tension and the power of decision so about exactly, what you do you

do you do? And fiatate that, uh, the long I think,

um, I think when someone when a get in your career,

it's difficult, it's difficult, it's difficult, it's difficult, it's difficult, in a moment of what is a manager,

what is being a a moment in that the two things are fosionan and I think there

are the conflict. I don't know of my sposos has been my, my manager.

The but I see I know that a great part of the problematica has been

that's yeah, I imagine because, well, the pair says one of the things

that's important is for example to maintain the sexuality and seducing and coquetteart and try to maintain that

living being being being being new nobios and I imagine if you

if you work to get to get to get to get to get to the house

after a artist, but two people who are two people who are to get a and get a

carriety of the job and say, well, now we're to get chachondeer we're going to

do you. How do you do you do? Or that you get you do you do you do you

because many times you get a time. Because a very example in those not those

not are those times you're not even never you get to you have to

do you do you do you do you the day next then then

less time of quality with your family. You know, I'm... No, and then... No, and then...

You're going... Cackyate. When you're doing a teatro and telenovel at the time. God.

Oh, but at what hours? A. What are you? No, you know, you have more to get to

get to get to do that to get to do you know. And the the day and the two functions. The two functions

and no you really really, really, no, you really, really you know, not you

in the time, in the time, in the time, in the life of your career in that you can't

do your space. I'll say, I'm doing just a project after that after that

I'm two years. I'm going with my partner. But, but only when you

a solvency economic and you have a lot of a lot of your career, I think you can get to

that point. So, so my prima, Monica Sanchez, yeah, he's,

he's, he's, he's very content and he has put pauses to the a car

to the career. But it's It's really, after after years and to start working and that has a husband

also that together together and he's not not quite, and he's doing this time. And it's his time.

Because, I mean, I mean, the last time, it was a little bit, very good, a man, I mean,

I really much his work. I think, I think he did many positive, but but, but, also,

that's, this space, this, he gave that space, because, I think he also,

because he's has lived other things, no? And it's what he was like

mother, to be a mother, and that's kind of that's, I'm doing to have

that's a matter of that person exactly. And defender much what I want to

in the formato of telenovela like you're you're you're a good,

you're the good and the person a person at least from my point of

the public, a the story of the Cenicenta that's repite So the actresses Is it's a Bored to be

a good No? See, because It's not more than you're No

No, no No, no So, no, because me a sometimes

me say, oh, but why is you're this, why is you say, I'm a

bit, if you were your daughter you know, you're you know to get

the one and he's to get a woman and that when I'm

when I'm with my daughter? because because almost the galant has a noviour.

And he a, a princessita and he's a little bit of her and he says, oh, well,

any, well, any kind of to defend a of a little, of a, of a, what is the

villain or the most has done, or the most has enjoyed? No. I don't know that I'm

my peccas the, the and over all the most record to the people, because

after the Fecha, and they're much, that and Juan Karendon they're they're doing

much, the manantial also. But that of Isora, that of Marthe's, my

peccal me can't because that's with Benhamin can, we've made a

person unolvidable. Excellent director. It was the first, the first a

one way a villana comica and my personager was a very cruel

and a sobrina, he had things horrible. So, when

I talked with Benjamin, he said, I mean, I want to make a bit of a person that be a, so repulsive,

that's, but that not not, not say, a repulsive of those that you don't you

want to be a repulsive, but at a certain point, tratable, no, that you

can't, you can't, more more so more, then then. And then, and then,

I said, I said, I said, I said, I gave with Benhamin, and the the proposal

that I did was a woman that has many characteristics very sympathetic. In

first place, the fact of the fact that I painted I was one of those biles

that were one of those things that and that and that the asquit and the repulsion

but no no no no rejectas totally that person

then then. Then all the language socio that had

the the, the Mexicans are very dothed to have a sub-language of chiflidos, no?

Yeah. You chiflas to the little when you're when you're to get us, you know,

or when you want to when you're when you're so far you don't we put us, that language

that's a part of that has a part of the personage, why not, we do it's so I'm

so I'd say the things more grotesques like a chiflido. And then the form of

And I want to do you want to make combinations like a Cajaforte not, you know? That's of those comys

nations of Caja Fort but of a repent for example me put a pantalone red with

a sweater color this ladrillo and one on on cower color so

so yeah so so I'm rare a combination but no not was strident and chocant

so so we create a person And, and you've enjoyed the process of

the character. Because he went into things of what I have lived here of what I've with the

with the I've tried to to the to the whole that's like in a coctelera

it, I, I, I, I, saw it isaura and,

well, even, even, I was even the Ceregap me copyable my chiflidit

and I did, oh, shh. And, it, it was a person

very very good, That interesting. And now has been, well, you're, you're going to Chicago, we're

in New York, and you're in doing a series of television that is going to do a lot of America Latina.

Yes. This is called Mr. Mysterios. Uh-huh. With apostrophes. Mysterios. It's a series.

It's a series of 26 capitulos in the that they talk in things of terror,

of paranormal of mystery. And this is the third chapter that's the series. It's a

in Mexico with actors Mexican, only bring to an actor international in my chapter was Scarlett Ortiz. And the crew,

all is Mexican all the crew, the locations. And it's like with a technique of cinema? It's more like,

like how it's evolutioning the television more, so that there's that's that's a lot that's?

That's good, no, the fact. To me I think. I think a moment that you get a

moment that And it's very Refrescant to be able to see other productions in where they're things more

more more actuales and that's the same the typical because then it's the television

so if you get you get a day of the telenovel at the four and then the of the

seven and then all of the all of the all are in the carcel all are all is

in the hospital then so they repitens much the situations

in the different of the telenovelas and they, not quidant

that not they're in the new block of telenovelas. I think then in two and three

telenovelas the protagonists living the same, the same stories. So, to me

to do things different in those that you can create and in those you can

propose and do and do things and I do it in Mexico in

Mexico, for the no, no, no, no no there,

There's not there. No, there's the same history. Every four, five years they're the same story.

With other reparto and another number, but it's the same. The same history, but in Brazil,

Argentina, Colombia, they're they're proposing things very different. Padrissim, a me,

the work that's in Colombia, me can't. Excellent. The two two caden ,

both R.C. As far, the two are doing things. Well, we've said,

Betty, La Fea. Yeah. Coffee with aroma of a woman or the

capo. The capo, well, all those those those these stories like they're like they're

like in a lot of a woman and they're three versions that's they did. And they

did letty with Angelica Valet also. There's has influenced and that's good,

that's that's a thing to get to yeah, yeah. Well, and apart

Angelica Valet that was excellent. Yeah, to be the of the

it's good that I guess that they had. Very chistos. And they invited to appear in the program American, the version that's a

very good, the version of Salma Hayek, in the television in English. But, well, you, more than the television in the, the panellies,

you did you did get into this last time and there where it was, that was going to get to get into, you,

you've made, to the theater, well, you, have done, you've done, you've done, to a project that was

really in your course, that was the project of the animals. It's a work that are different monologues.

Not all are this, in participative, or so, it's a one single person, there are some there's some

but basically everything, I had a program in Monterey that was the domingos of variety, a program

of a revista in the mornings. And so then I had a segment in the program, well, I was a

conductor in the program, but in the program I paid to have a segment of animals.

I love the animals. I love the animals. And definitely I luched for them because there are things very grave with them and are things that are not

they can't defenders that they're not, they're not they're saying, me are they're molestating, me is I'm doing,

I need, I need, I'm afraid, I mean, they really depend on and exclusively in us

but well with this program I'm, this, in the Redes social

I saw in a program that was going to show a another one of the master's one of the

master's who said my name and all this there was a problem there because one of the other the little of the

petio to the house of the students. Oh no so I remember So then so, well Beto

so put so like loco and he started in the reds to uh uh

that he's expulsar, to pressional to expulsar to this, a little and then so I put in contact with him and I'm

doing I'm, I'm doing you, support you, and to get to a part of there, he started,

and so Beto yeah me about his page, he has a social that the name the Muro.

Ah, he's the he's the thing that he grew the Muro. Right. So,

this association civil is a all what recoudaude is to create material

didactic to fomentar the love and respect to the animals. I'm very to get a

many, to many protectors of animals. And I, I said, when I went to go to

I'm living in Monterey, was I was I'm trying to go, I'm going to know, we're going to

get to we're talking, and then I'm going to get a little bit to do a time of

musical. And, and standing in that I said, oh, is that we have

do I say something. I have a central in where I have various foros little fos or a theater boutique

like who says I'm a fortit for a 150 people in the city of Mexico and I say, hey,

why not we do we do we doves perrones and then we're just we're artists that

are people or that can some that can't work to work to that we're

that they go to that some foundation or some institution of

animals but we we did We just know of the covery

the need to be a foe in a little bit of a time a time a

different was very complicated so I'm so you think you have the idea

to do the same formato of monologos of the vagina but with

stories of animals and then we did a the time

to convoc some some some that are we know

that we're we to give these stories of the

stories so they selected the part the multimedia

that you have Beto in your page of internet. We're fusioned the two

things so they're the first part are we're we're monologos tiernos

then combined with one or two videos then we we're two or three

are comical are very sympathics also combined with multimedia that about the

circos or the experimentation or of the abandon or and then

the two ultimately that are they're of the question and then it's

we're we're we're we're we're to come to come to come

to give more more interest the time because it was it was difficult because

nobody had seen another nobody had never never they're they're

and they're and what you're madras we're We had the bees of animals and not that we narrows

stories of animals. So, we started to invite artists, that was, that was, the participation that I had

in the production was to call it. That's it was like me in Twitter. Camasco, come, come back. For that.

Well, we're going, we're going, it's because you're going to want to be to be a partipar.

The si ya you have to find out of the page. It's all. But, well, fiatte,

we, we, obviously that with those who are they are the casas Susanna Alexander

Lola Cortez and this, and Oracio Villalobos but we're going to to start

the jubes perrones were so they came to a jubes

and this and well it was so it's so that we're we're

we're we're we're we're to be I'm I'm to come

to the I'm there's no betto there's there We're going to to open the

sabbos. So, we're going to the year past, we're on the end of the same time. And so I

started to call to the artistes and I, hey, with a rapid I'm, I got to

the month of October, full of the artist. Every one was a day of every

every week, for example, the two first the first jose was the

last of the lastado was, O'Rasio and the, of us. Sure,

we're always better. We're not, you're in those two characters. And they're in or is,

is the memory? Or is, it's, it's the thing, we've been a lot of that we're

not, but really we're not we're not we just, we're on the

of the dog, that's, I'm that's that's made that's made with furs

that that we're with the animals, no, that we use for example, of,

this, yeah, me that you're going to I'm that's etch

that's the same thing you that's in memory. And the artiste the artiste the time,

but it's much of the work, they're doing, so it's a manned the artist in the

textos that's that's but you do you do you? And then we don't,

we're a director, that's Carlos, he's ran, with, well, it's that's

late. No, no possibility of you've leitho. That's leet that's

I'm in this I'm in I'm done my good pern't even I'm saying I'm sorry

where I'm for being improvising Well if if you're Paskill then you can pass to me

too. But fiatte that the experience is padrissima because independently of that

we're I mean I'm I'm to invite to invite to people that were

a man to the animals because I think that there other people we've been

with a venda in the eyes in relation to what happens with the animals so it's it's not that a person

that's a different to do the work and that be the videos and the media we can't

we can't we're a me, me, me critiqued much for example for having invited Adriana

Rivera Mello because they're they're how is how is how is

how is how you you're in the reds? If she she better that

to see to see to be a to be a and let's I'm going it's like it's like I'm like I'm

parro in the entry of the theater and I'm going to go to the person that's people that are

going to do the do you know ah well you're not so you're to say

to do you to do to the public or to the public or the obviously

definitely there have been a lot of people who not there are a

or more, a more, a part of the work, it's a

little, it's a other perspective, other optica in relation

to the problem, the problemat. Adriana Rivera I really, I

want to and it has a good, well, well, I'm a

little to be to me, I'm to be to I'm,

I'm, I'm going to go to and you yeah, the the environment and for the

community and for being the thing I'm of the of them

and also I get to buy them and I'm not quite, I'm sure, I'm not never,

I'm nother and never never I'm little a little the life was getting to and after you

know what I'm going to the animals that's definitive that even I'm in my abrigos

of the people and I'm like those I'm like, no, well,

how I'm going to give to I'm to the I'm like the

people are the people in the things So all what I have of the whole,

it's got to and there's guard. No, I'm not I'm going, no I'm not the

use. Yes, but we're we're we're not, there's a thing in the eyes.

It's just if we don't know we have the education and the information, we don't

we have the opportunity to react because we're in a society that we're a lot of

a lot of a car. I grew in Tijuana and in the carererer and the people were

people were people did they're doing. The still doing. Well, in

many parts, well, no, no, no, them all those pattean and those apedrean, those viola, those quimans,

those mutilan, those crucifix them, those hercenan, really the poor animals that have to share the

planet with the poor depredator, that is the human. The man. And,

well, so, so, so, so you're also, there's going to,

but it's been, it's, it's, it's, it's of the assassins,

serials, are people that started in their newness or in their youth to to practice with animals.

Yeah, to molest, to maltrater to the animals. Exactly. And that's obviously, it's not

not a cotidian, but it's but when one crees accustomed to that the fiesta brava and the

and the and the and the people, I'm also, I'm never been going to and I'm

still day when I was talking to who's who's a exa, who's an friend, a good coautor

of radio, and Jesse is a manate also of the tauromache and I'm saying, oh, Jesse,

but is that no, it's that me, and I know, it's that I'm doing, me,

I'm saying, me, I'm didn't, I'm sure, I'm sure. You know, even if it was the

tauromachia and so they'd disappeared of the of the lot of the world,

and there and there there's a thing has a thing, but I know

that any Jesse Cervantes, neither Adrieta nor I'm nor Iberto Murrieta or the

any of those people, any of these people, are the people, are the not as people. Oh, I mean,

I, not the bad as people, I'm, I'm, I'm, Rousa, the Rousa,

the Capetillo, the Silvetti, this, uh, all, we know, we know, because,

my abel even my was much to Tekiskiapan, and there was the famous ganadery of Tekiskiapan. So,

then, of all you went, and all all the at the tent, to the tientas

and if it was like part of it's like the it's like you know to get a

thing as a work of a theater like you doing a documental or a book or someone

or something that me I'm I'm I'm I'm a I'm, I'm a

I'm a I'm a little I'm a yeah I'm and I

I'm I'm I had I had a I'm to have a perrita

to that that they'd have your family but I'd get me with with the family I mean to

I'm going to have to be to get a little to get a I'm going to I'm sure I'm a

family perruna so then in my inconsciency still in my in my

in my in my in my lack of information exactly I went to a

expo mascot to to buy a and then so and then so they

they got they got like they got of the time of my hand, of my palm

of my my man. My son, my son, no, well, that's I'm dismayed

of love for the perrita. It was a thing. And so, it was me,

they were in $8,000 pesos. Me, me, me, gave a person to be

a perrita was about to my perrita and the little, let me say, and, let me say, that he

did a dishear the croquettitas in water for that they were to be blooded and at the

6 of the night of the last time Wow Well result that I get to the doctor

and the veterinarian and the perrita had six seven of nascida and she

was and she murgues because never had comeed something he's so I'm

like Carr and me I went to at the Expo Mascotus and there is here.

There's a certificate medical where you say you say it has a year that's a little bit of

a little bit so it's a punchote there and then they said they were that they're but

also the cruda moral that I said I separate that per that perrita and not

that gave to the mother and it had been said for me that's that they

had been to that person yeah and even it would have

been another person but so I did a question

on the Facebook saying not not so much at the

Twitter saying what me had said what I'm that

dishonest and the total that the perrita that me did you

I'm I don't I go to get to come to her

she's my mom and I'm I said the Facebook and I'm how we're so how

we're those protectors of animals of Monterey Luca Prodan

and all those Sets. I said, well, what is this, Sylvia. Oh, because also I'm

that's rare that in Monterey never see people in the carie? What's the case? So,

then they're and they're saying, oh, I think, well, I'd like to know,

I'd like, to come to us, we're a reunioncita in my house. Oh, Mark.

And me started to pass all the videos of what on the antiravikos and how

electrocutt to the animals. And, well, if were depressed for what

had passed by the little I'm a time in my house, I'm in and I'm

and I'm and I'm and then that's, the part emotional that was very very

really, I said, you know, I'm just that I'm I'm a decision and I'm

I'm going to do you want to what I get to be to do

to help to the animals. And a part of there it

is my labor and is my mission in the life and no I'm going to have an alberge, no I'm a little

what I can't with the people to the people to know if I can't my fame or with my person to open

doors to get better the situation of the animals I'm in that just just just

just just just just just just just just just just just the last

the so yes since since since since since I'm dedicated

directly to the animals and we've seen some things. Others, no, we're going

in the luching, but I do what I do it's so, no, I do to all the

honest, to all those who are honest in the work of the animals because also,

you know, there's a much people desonesta that's that's that's they're

to do always. Well, yes, but then, then, so,

so, so, I, I, I'm, I, deputators, I go with senators

or with presidents municipal, or with governors and I'm the lot of the important that is

to assume the responsibility of the problematica of the animals in condition of the county. What so how is

that is all this but, but also I know that you're a citizen, activist, preoccupated and that you're

using your family and your career for this, but what is what you tell your story, Sylvia,

and that you have the humility to to share with this story and say, I'd live a other way, because that's

the theme, of nothing no not serve, satanis to say, ah, no invites to tal, or not you know,

how is that this person is this, or how is this, other. I don't know, in where the portita of

the conscience, you have to talk to me, like I, exactly, I'm exactly, I mean, I'm actually,

I'm the reality of what happens with the animals, that I decision and the

concience to dedicate my life to to make to your life

I'm I'm a other life different. Obviously that a

part of there I don't I'm I'm I'm I'm things

that I'm everything I'm know there there there

there that will be very difficult that that

can eradicate we're, let's eradicate, I mean, the zapatos, you know, not you can't get to be

some of the , there's, there's many other things that are all the things, but, but always,

the way, it's a way, but you have to make your maximum effort, I don't

do you can do it's to do because, to one or another way, all we

do things we're connected with things that are that deteriorer the environment,

but is minimisal it. I remember the first I've been a first I went to a first time I'm in a non from religion

but the Buddhism as a philosophy and said that the Lama that was there the master budist that was I said no

we don't we we don't we can do the night at the minute or but we have to minimize the damage

so if you not you don't you obviously also obviously also the sopats is a

problem now now now I'm finally I'm I'm went to New York to a New York to

a I don't I go in the I'm going to buy I'm going to buy I'm going to buy some I'm going to do you know I'm sure that's a lot

that's a problem that's if they're going to they're doing all right on the carmion of the basura to me that I mean that's no I'm important I have the conscience of that I'm doing And I'll say

a thing of some way, people that has been with me, or that's with me,

it's going going to do some way, they're doing they're doing, for example,

all my most of my students, are the men, are perrero and animalerers, and they

are getting per Rettos and, dandolos in adoption and I am the and I'm

the culpable of that many they're having a regimient of animals,

but I I mean I see how me they've been so this I'm in

this I'm also in a little to get a person to see a that they're also

also they're much their form to live those way to live those see who

not quite people consume in carne and and if if if it's

go to some kind of kind of extend kind of every

we're every we're getting more And no you have to, correct me if I'm sorry, I'm if I'm sorry, I'm

to say it's not, clear, in the media socials we're doing, because, well, for those are, it's to be able to spend it too, simply with being that

that change and be congruent with what you're saying, doing your maximum effort, the people is to get to get to to ask, and

it's like, it's normal, it's normal, we're human, we're doing something, we do it, we need to

The first time that I was a vegetariana yeah. It was in the time in the time in the time you know

that you're not you because no there was pasta and cheese and got that and then

that's and then obviously and then and then and that and that yeah

but we're now to be vegan is the maximum because in all there there are

there there are products there super there there restaurants

and let us we we're we're so In one more

than others there are there are in here in the United like in the United like San Francisco,

New York, Los Angeles that are after this podcast I'm going to get to get to get to

get to be a 100% vegan and there's a thing you have to think to talk to

with the me or you know or you know there's there's there

different levels but you're you're changing so you do you think it is going to

changing. Also, I think we're also we're in a era in the that is

very propitia for that change to change to the spirituality. Every you see

more people more people dedicated to the yoga, to be a being a living,

to have a life much more more more more than the way,

to to what really to what really should be the human,

so his their and so and so the and if I'm

I'm there's I'm not you know you know not not

no and so and so you know you know so my my chica

the little she's she obviously that I mean I know

to make class to do because they're because they are

accustomed as as all guisadito and the rory

and you know the And I'm saying, oh, I did,

I did in my house, the tortitas that of avena that we did you, and all of

them all they all they all they and I'm also, but another I'm doing the right now the

thing, right now the then I'm surprised that I'm going to go to super and

I'm but I don't get more than I'm just I'm more than It's a spadroo.

It's what happens, Sylvia, there's a lot of subsidies to the food chatarra. It's a problem of the governments of Mexico,

of the United. In Europe, is distinct. In Europe, are the most advanced-dits in that. But the

government, particularly in States-un- for example, subsidian the sugar, subsidian the meat

the car molida, subsidian the lacteos, no subsidian the acacates, nor the espinacas,

nor the tomatoes, nor the kinoa or any of these superaliments. Usen the money

and the impuctions of the people to subsidize food that the people literally.

But, I mean, if the fact the third to be the three parts

the three parts of the part of the planet is to sender food

to the the the the the the carne that

the not if that if that if that we we in

cultivar a food to the people there would

there would be more because it Gaster all that

that all the that year is in the food for the bceros

or for the vacas or the for the ganado that we get them they're

so they so so maintaining and also how much of that that

that it's it's it's not all what you see what you

see the super pollos and when it's when it's when it's when it's

a gastator really is is a a disperdice also

when you do it and then when you're all the things they're in not you know

I'm know I'm sure so I'm so much and that they're how they

they're they're they're oh oh no no no no no I mean

I mean I mean I'm I'm I'm because I know see that

like you like you like there's the mariposos but I'm Exactly. No,

not necessarily to start martyizing with the images, because you are you see a

question of, that's how they're those, or they're they're and they're in the

person to do you to get a animalit just to, just we talk about to circus

and the circuses, toros, nothing, zero. Well, the toros has many

years, before before, to, before, to, the reality, yeah,

I was I was, I had had so many years. It was the first that started to go to

and then and then the thing of the thing of the adoptions. But I don't I'm I'm going to

I'm so I'm my tendency was much to the vegetarianism to say my mom

is that the most they're in the reddural so you're so much

your mom my mom my mom that's that's that's that me that me

they're that me that me that you're that My mom is taurina. And I'm, and I've

said to her momita, I'm saying, I think the part the part of the part of the part part of the part of the part of the

people, and not satanisar to nobody, because they love to go to the toros. No, and is that

who are to be to the people that not has learned the election that we know we

have to there's to there's to there can not I'm but there people that creases,

that their parents are that's a thing, it's the way in the way that they're in

the way, they're in the thing that's in the reenol in the we're not learned that

has a lesson, and I'm you know you think you, but I think that the other people learn to

learn to be compasible with the animals, we're we're to be compassionate to be

so people to be to say, I'm going to be to say, I'm going to I'm going to

get a violence that's in in contraught with what I'm with you with your

with you with you know, and also I'm the other that she has

different preferences to the my not I'm to be to have her

I'm not. And not not not to be a not

satan or not I'm not I'm I'm simply

I'm I respect I I'm I don't you

you never to express to you don't do agree with

I'm like if she's like she'll like I defiant the animals exactly. Because she also she

also she she's a she's a idea that is a art and that no, but then so

she's like she's like to be because I think different in relation to the the fiesta

of the circus exactly. The objective is unir to the people and only to

expressing that that love and that we're to be about to do

I'm I'm you I'm for that, because you have the value of C. Of Cere different. Of that,

of change and to take a bandera that in this moment not is the most popular of the world. Well,

no, but I'm not, but I'm, I don't have many, I'm not I'm much followers, I'm almost

40,000, but, but of those 40,000, I'm sure, that 39, 99,000 are perre.

They're are animaleros and perrero. And the The better that we can't say to our

great friends that are in this same way to the same to be the people,

is that we we're we're not we're people, I'm sorry, I'm feel sylvia,

that the world is that the world every more more and we

have many years are people, people, they're men, and the

women not botable and and it was still and it's it's still

like things in the world. And then the rights of the animals. It's a evolution of the

conscience in the universe, in our planet, for the most. But all has a time. And I would like,

I would be a color of a rose and no were a war, and no people were any

perros electrocuted or not any, no, and I'm to live in peace in my

heart of that path is is going to accepting that that every kind of what you

think you but what you, but yes, Marko definitive I absolutely think that it's

very important that the authorities just put in the pile that's a way, it's another

story. Because I mean, the really, they're to have a one side the

thing of the animals, as it not is to pararse the and as

a thing, and it's a problem, because the problem the problemat has been

that's been so oldidate and that done that's been

in a problem of a and of overpopulation because it's impressive enough

how one a pair of animals in seven years can create 60,000 perritos. Because, a couple, one of a pair

in 10, of those 10 each one has and so it's going to the pyramid to be to have to

60,000 animals that are that are from a one one one one single

and those animals, imagine and you imagineate in the car

reproduci and they think the solutions electrocutar those. Because, because it's 60

years that we're combating the rabia the norm the norm permit the electrocution as part

to exterminate to these animals. But now no have rabia in our country. Yeah

really there are some broades for there insignificants of ravia and we we're

trying the problem as 60 years. When we're in the century

21, in the year 2013 and when you No, no is a problem of some animals.

It's a problem of millions of animals, of those who be sacrificed and of those who are produced and of those

and of those who they're and of those that they are they they're must because those that are

those that are those who are they're not those that are those that and those are those who they're reproduces

a perro that's not been a the street has a little life very short,

three, four years. And, and it's not there's not

unutrised, flak, sohors, not, not do you do you don't do so they

don't as those, or like those of those that they are so I'm

that the government, in first place, has to modify the laws and actualizal

to the time that we we're doing, and the problem to

we're in the problem, in second the second place, they're to congelar

the overpopulation with campaigns of sterilization gratuit, massivas systematical

in the that we propose, for the most every every day sterilize to be

a few and then perors. And then then we're the vent of animals, the

reproduction of the most and create the conscience of that there are many

animals that we we could we to take to the case if we

decided to adopt more than to do you know? What do you say? No,

but is that I want to get it because if you know there's the many little bit there's not

there's that they're not done about a specific and that rasa and that that rasa

just that's you're just you're of a race specific? And the you're you're

you're you're you're from because if your mom is of Chihuahuahu

and your father is of Guerrero so So, or if your papa is Spanish and your mom

Mexican, you also, you're also, you're the person who's, yeah, but is that perritte was that he was

he was in the house, he was never so I'm so I'm so I'm so I'm those perrits

that are in those tians, Marko, I'm, I say, I say to the people,

I recommend that you're they're not they're not they're they've been in a haula,

never salen to take the sun, never they they're not they're not they're that not

has been developed normally nor their muscles or their muscles,

and are animals that normally are in animals. For that, I think is very

important. To me would that in the legislation there would have

there just new, norms, and the leyes more strict as

in a the and the and this and

how is called procreation of the animals, but even even even even even an impuesto fiel. In California, it's probably to be able to,

for example, to sell animals in the car, in the event, in fairies, it's prohibited. And various cities, including San Diego,

including West Hollywood, is it's probably to sell them, only the only the creators established are those who can

do that. And do you do it as well, like, with the, with the people, because all the

people, the majority of the perros that are abandoned are big. Labrador, Golden Retriever, Pastoral,

Alemann. Well, or with what with what they're going, because then then they're Pastor

Aleman with Pit Bull or that's mestisos that are of different all are different races,

but if all the of certain races that that's that they're not so not they're

not to be there many so invite a person to that's people to

they're in a animal great they're they're very different if it's in the

way of they're they're they're being in centers of control and

they're in those you could have a an space there also for

the adoption and not just for the electric and it's very important

to when when you when is that, for example, the supermarket, nothing to be with the animals. It's a law of offer. Well, if there are tithers,

that are you doing animals? That's a thing. What do you have to do monotitie in a tent departmental? Imagineate, and there they those vending. $100,000. In where they're going?

In Liverpool. Liverpool. That's also, no, right we're really we're actually doing a movement very important, this, Mascotas and Liverpool.

And not is contra they're doing. It's contra what they're doing. I'm going to go in contra to you, the duke, the company, but in contra

of the comportinginging that's taking with respect. Because Mascota could be They're doing all the

things. An animal not can't be able to get a in a small haula four, five perrits.

In Mascota, the tientas these. Well, a campaign of a prestige enormous in

RETES. But you have been just done a choro of Pruevas and we've

seen videos autographies horrible. Well, what he passed to Consuel Duval that's a

that's a amanta of the animals. That's that's that's and it's that there's

that were going to a house and they had to get to them and we're

we're doing to find a but we don't think we're we're we're we're a

thing of a function of a but there many families many families that have to

but that's proivable the the of animals. Exactly. And they can manage adoptions.

In many places of the United, Canada, Europe, in Colombia, too, those tiendas that were

animals that have animals rescaters. But the same. They're going to put in a haula,

for the carl. But for the ones, well, you'd be a question. You'd say,

that not they'd not even even even even even they're not they're noteportation,

Mark, but of what to do you adopt to adopt a perrito to

a months in a gaula. So your proposal that's a that's not, that's

that they're that's in the same gaul, with your pipi and that's they're doing it.

I'm sorry. So I'm so I'm so I'm so I'm so I'm what you're to get

to get to for a good time to get a lot of the reproduction to the no,

that they're that they're that those but they're those those are the

those those those those vendrials because a a creator responsible that

Steve in his rancho and they're the chachorritos. They're those of mascots they're in craders

that are registered. No, but a creator responsible, I know a creedores never they

would never they'd never ever to make a dogger to goge to the do you.

No, you know, don't you do you doge all the and it's all a process

very special that not but I'm but I'm going to let me say a thing.

Mettettett to the internet to how that's that that's

a market that's, and put this what's, how's Chihuahuas tacita

and all all right I think that's I'm going to say completely piratats

yeah no no that's that's a that's not and they're they put in a cagetia

of cigars and at the pyrrito for that you see that's of the same

time. Imagine how many mutations have that animalit to get that to get a

to get a time. No, definitely. What I told about the perrita that I'm

that I'm rescatada. This was a personer of the secretary of health,

veterinario that was to do do you. To make make more to make more chiquitos

to make sure to the secretary of the secretary of the state of Mexico.

God and this. And he had chihuahuas French Poodle, Fox Terrier, and then then they were

cruising one with to others to make them to make you that's about independently of that, you know,

you had to count that in a hala of pothos had a 50 perrits. A hool of lambre

50 perrits there. The perrita that I adopted, Juanita, has the palad of

the part of under his Sosikito it's a little more more more

more than that's because they've been cross them because they've

done in the family have they've continued cross to the

kids with the kids and then they're to make so

they're so this perrita they have they've sacrificed

for because not not it for the cross and

for the and for the and and my niña, you know,

I know, I mean, I mean, I'm saying, I'm going to I'm going. With the little bit in the

part of the part of the what is the labo. The part of the leg of the little,

it's over the so the so his dintitit of the and the and the

of the and the and the little bit little. Yeah. But moirde the can-

-in-jah but if yeah. But, but, but, but, another,

is an immensely happy, tierna, jugetona. How many? Seven. Seven perros.

I have six Chihuahuas and the foxtair. You know, you're not a time in a group of people, we're doing a

group of television and they said, and you have a problem to travel to other other places

to the world to to produce television? And he says, your response,

what was in the question? Well, if you don't that I know

that I'm with all my family of four patas peluda, that

are seven perritos. I go to wherever and when I can get to my kids.

There are people there are people like people who do you need to get them to get your that you that you can

get to get to my kids. I said, I said, no, always and when me do

in a place in a place in a house in a house. But a carita

so can't have a patio in where not they're in a in this we're in

that we do you what I'm what I'm what I'm very unjust is that it's a

problem created for people are the human definitely. We're a society. We're a society. We're not

a society. The society that's the world is a lot of a lotto with the problem. Or not

not say whey. Yeah. No, you'll be not you. It's a podcast. If it

can't. And me dole much that we do we'll make us a problem created

for a person created for people. Well, so because they're they're

paying with the indifference of those of those, of those, of those, of those,

of those, of those, of those, they're people, and in Facebook, they've said,

for favor, do you a call out of because there's the

morning, saying that not they're not to get to the carheels, because

they're a for, I'm also. Also, also, also,

and I'm, also, and I'm, I'm, they're not they're doing the problem, the problem,

the problem is the problem is the problem is the problem is, problem is the origin. The problem is,

of those perils. That's a perro no, that's a perro not, that's that's a perro caro, he's going to be a perro carheero and I'm

to reproduce me like a potato of the piece. It's that the perrito no has been the company that they're not

because they're not they're they're not it's a disconocement total. We're going to a animalito

or we're we're not we're not we're preoccupied for their race what are the characteristics.

Or so, an abelito go and buy and buy a because a golden retriever is a perrower

that is a very active that needs to get him to get a going to because if the perro

is to be incered the perro and he starts to get to start or he starts or if

you do you do you don't be in the garden only has to live with the family

because the labrador and the garden have to have to be the And,

you're very active. Now, if you are a person sedentary, then you're a shihuahuit, a French

Prudulul, a Maltese, that are men's and chakos. And chak and they're but all the

ways, I'm not I'm going to do you know, and they're like, like, yeah,

like, you know, they're doing, and they're doing, but it's a enormous

fault of education. The other day in Facebook I a, a

a one a one I don't put I'm going to say the tio go to fiestas

that's that's the I'm going to do you know I'm I'm going to I'm a but it's

a husky is an animal that has been created to have been to hang out to

and get and get and carry and that he doesn't do it he has no he

has a not he has literally someone that's literally someone that's a lot of he did a

lot of exercise and I know that family that adopted the husky no no no one is

a one doesn't But, well, to a mother is a good opportunity for to get a

idea. It's a bignific to the opportunity, but what I refuse is that you have to say,

you're going to you're going, oh, yeah, if you see, you know, a newbie, you know,

so you know, so you know, you know, that's a person, but you know that's the thing is

an absurd like, we're, we're, we're, we're, we're, and nobody

he's, a, to do, no? No? And we we're gonna, we're

we're, in the hardin. And the man is to take to the time.

And the lot of the way to be the paul. And we don't know and we're those people

we're not and the and the man's and he took to three years to be

to be a little so. How you ever? You know, a little he has

said a little I'm, the day I'm with Juan to the

house, the first was present to obviously to the family peruna

and And, this, and to leave her until, I mean, I mean, when I percate that she had

made a pee-p-p-p- and pop- so, then he went to the house. She did she-p-p-p-or in the

garden, it did, and then then he was, when he was when he was when he starts, she

gets to going, she's, I'm going, it's the moment, when they're who's-

when they're who's-o- -o-l-o- -l-oh- -l-oh- and you they're looking,

that you're going to do you want to do you're doing, if the perrita, if the perrito you're doing, in that moment

you're back, you know, you know, you know, you know, oh, my life, you know,

you know, you're doing it, now if you get to a carreie, and a boxita that you can

use, it, you can't, like, the last of the want, to get, the, and if you

see, I'm, I'm, I'm, I'm, the first, because, it's

a style of a little a little a little a little a phone, no it's a

phone, it's a little, in the other in the other the other so the person is a little bit of

and you have to planar if I'm to planar, if I'm going to go to go to go to

because I'm a real I'm a not get a no get me to get me and then I gotro a

go to and then they they're they're they'll they'll they'll get a

in the moment that you have to give you you get to you I'll the attention

two minutes after. No, they're going. You know, they're going. You know, that's

talking about. You know, by the tone of the voice, the volume, the force that you imprims to your

words. But, not know why it's because you're saying, but, but,

but, to be very important, to say, if you want to understand to your animal, you have to

think that your animal is like a baby. A baby and a person are exactly

exactly exactly the right. So, so it's very It's very easy, it's very

easy, let us to be able to what you your animal, if you're your animal, if you're

to compare you, when you know, for example, right, I, I, I, I,

I, I, I, I, I went to Tijuana to grab in the

series, and that, I, I, these days, here, to the, I,

I'm, so, I'm, I'm, I'm, to, I'm, to,

they're, they're, they're, Yes, I'm to be to be because if

not I'm going to be not a lot of the whole of the It's like It's like a like a little

Recahn's or you're You know, you know, you know, you know to do you do you

do you know? You know, you know, you know, they're in their absence? Yeah, and they're

to make a and do it doesn't, you know, because where where where I'm where I'm

much traffic and me and me and I prefer I prefer to do

to get to the to No, I, if I'm a garden of a good time. But to the

carl, no more with you. Nothing's with you're responsible of your parrits in the car. Yeah, because

are seven and it's easy, I'm not as you know, I'm going to see your people,

when you know, look, Sylva Pascal with seven peros. Ah, no, yeah I'm parable

that's I'm parros. I'm I'm, I'm, I'm, I'm, I'm,

I'm, oh, you're you passers perros, I'm, but the most those are

Contigo, the the nobio that you have to understand that you get to get to be a manned

of the animals, because if no, but I'll say a thing, even a

sort of filter. Filtro? Yeah. I, I, I'll say, you know,

you have to the proof of Alfi. The proof of Alfie is a perro very,

very intuitive. You know, so they do a when, when, when, when no

doesn't want to to someone is very intuitive and always has been reason. So,

that I'm like you need to get to get to my perro. That is the filter. It has a filter of Alfie

and then we're talking because is very intuitive the animals know much, know much more than

us. Oh, and I don't know you, you know, you know, I don't I'm a better

I'm not, but I think to a person a person amorous with the animals,

normally I think I that is a good human, that has a the people that people that are the

people who have the children, that has the heart with compassion, is someone with who is someone who can

do you can't do that and says the animals no, no, no, no,

no, no, no, I'm no, no, I'm not with that person.

I'm I'm a matter a matter a matter but so to be

relationar me with more, let's, say, we're probably no, but for nothing, eh?

For nothing. Yes, yes, definitely. The, people, the people have been,

they're in other form, can't have mal character and things, but if are the

amants of the animals, if really are people that are more more more comprehensive

or, let's, we're, we're people, there's, there, there,

there, there there a good, a matter prima, not,

to work with that person, to grow with with that person, if you know, if you have a place in your mind, for the

human, for the people, it's okay, if there's compassion there, can extend that compassion to other... And certainly the yeah,

it's developed, yeah. Because one person that has a animal, then you know, he's a mal

person, you know, is a person that, it's like, I don't know, I'm not, you know, I'm to the animals

and you you're not, or so, how? No, I don't understand. If you're if you're an animal, then you know,

I know, I know in the cadena of evolution the animals are part of, no? But I think that's been

used, has abused, of that the chain of the number one is an option. For us,

for us a species, that is an option. It's a so many people are so many,

the the man, the, to take to the land of the

arbores. For that it's an option. What is we can do is a

part of us to start to generate to get to attitudes, costumes,

um, comportamations that are the most proximo to the respect for all

what we know. If we we're we're to understand all what we

know, the plants, the the arbole, the air,

the ozone, well, to make a an ozono, imagineate, what is what has done the other

atmosphere. I mean, I mean, I think, a part of that we're an attitude a little

more conscious of that we're we're just we're doing the planet, but that also we can't we can't

help them. A part of there, then, then, then, recital the basura, to not to buy animals,

to adopt animals, of that if you have an animal little you do you do you

a lot of people, there's there's many many there's many times, so you

see you see that you go to a colony and you you

you you just you know, you know you know, you know,

that the person that's a sterilize a animal to be a

person who the the the the perrito that is in the vicinity

that is of the and he and he and he and he put a with the

animal proper to sterilize he he could during the convocences

that are four or five days and he and he and the pet

the the perro was in the car was but now he's

still he's a person to get a animalito to the car

to that would that would be normally not we're going to

to take to all the perros of the Marco, that is a reality. There's a not. We're going to

not going to get to get but what we do we're going to keep to be reproducing those that are sure that

the mancha urban will grow but if we're if we're we're frenamos or we're we're going to

see we're because the mancha humana will be because the mancha animal no

it's going to get there so we're every less animals in the case. And then

also, many people will be to adopt because at not not have animals in

reproduction in the business, also if they're an animal they're to have

the option to adopt. And of that way we're we're we're a

put a granito of arena to to solve the problem

that we're we're because we're the society abandoning

to the animals that the we've created. We can't start to

start to other options of the food vegetarian, not just not just the chugas

and then a great variety of the food that can consume with those that can do you can

make sure, I'm in my house, I have people who are people who are people

more people cariboros than veganos definitely but they when I do when I

Casa, they like because no, there's more than other than other than

a lot of this, this, of the vegetarianism veganism. Yeah, well, I'm,

I'm, I'm, many many years, and then I went to and then I'm back

more five years. But now you've done with more education, what was the

difference between that intent to be vegetarian? The variety in the food

obviously, because, for example, now, many, many, many,

many, recetas very very simple, very simple, very rapid. What is your recipe

favorite? Of what I do I like much. For example, I go some, the tortitas

of avina I'm really really and I also, I'm a sashimi of calabasa

very so I do, this ceviche of setas. There's many

things, but what most they like to my friends is the cuss

of setas or of vegetables and the baccalao that I do and all of that's

a lot of that's a yeah because well I'm noces also I'm like almonds let me

I'm soya things like so yeah I'm fiat that the bacalau

of yeah I mean I do you do the bacalow just that's the way the person

yeah there has there have there has been this can't this sanaoria

it's of of a saanoria. No, no, no. It's that's the baccalao. I've got to find out of a spina. A bit, see, me the old, it would be the first sanatoria with spina that I knowchew in the life.

It's that the cerebrumano is very powerful to be able to the baccalao, but it's done with sannao. No, no, I'm I'm, I'm sure because if you you're, you know, a, um, a, um, a, um, a cat or a, or carne, since

prepareer, so, the The flavor comes the form that's the way you necessarily of what you

are the you're doing. And for example, the Cetas has a pesk delicious, the setas.

Well, I love, I'm, I'm also. The Portobello, well, I fascin. It's a

sandwich with Portobello, risotto with Portobello, sopa of Portobello, what more? Pasta with

Well, I do, know, you know, I'm, the salcita that's, well,

there's, there's some, there's, many, And I'm, the salsa that of, this,

of this, we're not, we're sorry and we're, yeah, I'm sorry, I, the,

this, the, I, so, I, so, the, I go, the, the,

I'm, so I, I'm, the, the, the, the, the,

the, the, so, so, so, so, so, so,

so, so much, the, the, let's, the, and then, the,

and, no, m' oh, say, delitious, Delicious. Sabe

Rico. Very rich. So, for being not can be the night to the morning to

vegan. So, of that I'm not I'm not I'm not. Because

you have to learn to get a little a lot of because you can

not more puras and purruses and fruit you have to combine them with leguminos

with trigs with some semillas leguminous And to take

your vitamin B-12 and those Omegas 3, 6, and 9

that are basic. And if you don't those don't you do you know, those are the of origin vegetal. That's the

thing, learn to learn to learn to do it. And if not you can do it's to do all

90% to do the 90% to say I prefer that people to do it's a

not. It's very difficult. No, do it. If you do you do it's

exceptions, does your exceptions, no, and then then there's also there's also the

problematica that family want to want to adopt that custom so

also too a little. Oh, a little. A little. Well, I'm in my

time, in the time in the time in the I'm a little, I mean I'm a couple of

that's a time and my husband and my bad the milanesa of the poe.

So, he, he no, he was he was he was not so many years

he came the milanesa of poe thinking that was a ternera. The

Cerebr-E human. The Cerebron has many many he's coming thinking that

turner. Now you're listening to hear of the podcast see it and he's yeah

know, you know. But well so there so there so there so you know I'm going to

I'm I'm I'm going to you know if you want to you're a center

vegetarian that you start classes of cooking vegetarian that you

you can you can put in the internet there many many

you start to learn about so and are the

vegans in the F that's a club that's a club there and they're doing and they're

doing and they're doing activities those have seen you know? I'm in my page I'm

I'm I'm inscrita one that yeah that's veganos in the DF

and I see I I'm much things to the page for example the

properties of the notal or the Zavila or I

I'm part I'm I'm of the about the food food and now and they're

doing they're doing they're doing they're and they're thinking that's a that's because they're

because they're like the those hongos and they're in the actually you come you you're

a portovel is like if you're exactly the texture is like it's and it's

and it and it yeah my great sylvia I'm thank much of

much of time yeah we're we're we're talking we're we're

we're 100% veganito here at Cafe Gratitude Well, what I said is that what would say I'd say

I'm saying that I'd and day and day we'd try we're to be first

felices that is what's difficult we're always we're always it's more

it's more more easy to be the life black than the color of rosa

but also it's more to start to see the things of the part positive

of all the situations and be good with you and with the other. With you and with the

if you start to try to be a lot of the day to be not to be not

not to give to be being in what you do you do the things with

the I think the life can be immediately the life

is it will It will be much more a get a because your attitude can be

to be to part of you, of your attitude to the life, of how

you see the things, of how you know, the opportunities and to do you

do make the good, to do the good to you and to the and the

from a flower to all, not? Because how times

we could help to a someone that's a person to be a long

without, we're to look to look to and there's many ways

of some way with the other and if there's many ways to

help to but to start with one not not,

no, not you know to not, no, to get your

but, uh, try to to change what, what, what

let's to get to your body, for the eye, for the book,

no, for the poros, and the more you to get to, uh, a,

a, uh, a, uh, sure a life, will be more

roadied, and will be a full of, the, of love, of bondage, of the,

of, the, the, the, the, the, the, the,

the, things can can't, So, that's It's a much your

life. So the love and the love and the love and the thing is a

thing you do you do you it's like a muscle a muscle. It's like a muscle

and so a God, now so now if you go to you go

to to Allah Mahah Krishna Buddha Jesus always

always they say in that they have good with

with you and all so so there all

those that we have to be good with one and with the other to be able to get a the plen

felicity. So, then we'll to put a a granite of love every day and we'll

we'll be able to our life. Thank you. Thank you. Much of that thank you. Thank you. Sylvia Paskill

admiredissima. A mess to all. You'd say much success in all the thing. Thank you.

I'm just to try to try to get to to that you're there with us. Oh,

I'm in a in a we're in a time, in a time we're doing it's more,

we're doing this. Oh, yeah, no, but I'd like to do it in Mexico too.

I'd visitart for you Twitter. Twitter. Twitter. It's a Arroba

Sylvia Pascal or Facebook arrova Forop Pascal. Acquare that my name is

Sylvia is the first the first the one. Any any other

other version of Sylvia is a troll. It's a troll- So, Y, L-V-I-I-A, Pascal. Pasquel.

In Facebook and Twitter. Foro-Paskel. In Facebook is Foro-Paskel. also I also also that's called for Amor to Parque

and a X. And you have a site of internet? Or not you're not in that?

Yes. Like your your page of internet? No. No. No, the contrary.

The other is, but I'm I'm but I'm but so I'm like

studying . Silvia Pascal com. But there in the Twitter or on

Facebook I always I'm all my fans. Thank you. Thank you

thank you Marquis. Well,