El Podcast de Marco Antonio Regil - 103: Cómo enfrentar la muerte de un ser querido, con Farid Dieck

Episode Date: October 27, 2019

La pérdida de un ser querido, a pesar de ser algo “normal” nadie nos enseña a lidiar con ello. ¿Qué podemos hacer para reconfortar a alguien que atraviesa por un duelo? ¿O qué podemos hacer nosotros mismos para seguir adelante con nuestras vidas y no quedarnos estancados en los recuerdos y en lo que pudo haber sido? Me acompaña Farid Dieck, joven regiomontano, autor del libro “Para ti: Las cosas no pasan por algo, pasan para algo”.  Nos comparte sus reflexiones de cómo por medio de la aceptación y el propósito podemos continuar con nuestras vidas, transformando el dolor en algo positivo y hermoso.

Episode 103. The podcast of Marko Antonio Regil is a production of RGL Entertainment, and all his rights are reserved. Welcome, friends, to an episode more of the podcast. I'm especially content for two motives. One, because it's a person to whom I admire much for all what he does, because it's a human, very, very, very conscientious, is an empresist, is a businessman, is a sabio. It's of these

people young who were born with a spirit sabio. Those who are in the reencarnation would you're

an spirit and that's a whole person, because I've been the passion and the love to do you do that he dedic to the

people to help to the people, to do you know of what he has learned and is that he's with us

a friend and he's very good very good to be here and thanks for that this is a

first for the introduction to it's a I don't, I don't say that I say, I'm not even, but I think to see, I'm a good person, a good man, and I see, the love, the love

that you put to your stories, to your videos, to your poems, to do you, a all of what you do in, in the reds social, and I know that's very you're very compromised with this, and,

and, also, I see that this comes to a place where you're transforminging a fact in your life in love and empowerment for you, for the

people, for the I'm not you're not so much as I think that I think that many of the works or projects, great, films or have written to a reason of a situation

adverse. And today we're just about a time that I'm also in the personal like you know you know, me pega much

that is the how to the murder of a person that is a time of which is like a taboo nobody

who wants to nobody want to in a party, in a reunion, in a community, if at a case

is the thing and someone felles you say you're saying you're saying they're

so much and they're they're I'm I'm sure I'm my mom and someone

more the family or someone or someone who was I was I'm I'm saying

what I do? How do I think I even even I think I was to say

something something to help you or solution the problem I said what I'm

I'm I'm even even To get to someone who had Perked to a friend or go or go to

To get a Fulneral and say What I'm Even, even of I'm going to I'm not to call to a

person to I'm about because I'm did you? You said it? You said it? Fiatie that never had

seen that form. I mean, in the personal when I was a person who a,

a, a, a, not me not really the thing, what I said,

simply, I'd say, I'm just, I'm I don't know the place of the I'm the I'm the

I'm a I'm a I'm not I'm not no I'm so I'm like I'm like my

I'm focused much in the words no I think know the power of you know and like

for me the saying I'm like putting me on the other side it's like really

really no I mean I'm I mean you know the person or the it's like

it's like you're like you you're probably you don't you know you're

I'm I'm I'm I'm different to say At the final of your connection

with the other is mediante the person with the person with the person with the person with you're in

a little to to me me make a feel like I'm feeling connected with the person to the person to the

for the family, I'm going to adopt your proposal, I like the idea. Now,

what I said at the beginning, while I'm present to the podcast is right,

you're a man obviously, but when you're talking, you've like if you have been

in this planet or in this life 40 years more of those that you you know this this is this

love for the creation for the personal for the heart for the spiritual for the question me tell me of your initial and of

who came to the inspiration for dedicating to your life to this well I'm I'm a sure a specific that I'm

the first day of my life and it's like a tonant that practically constructed the that today

I'm trying to satisfy to do that's and it's was the My brother. My

brother was a great guide for us for all of his brothers. We were five men. I'm sorry.

I'm the young. Gracie, was the major. And for consequence, well,

a final of the human discover the world for me of the imitation. I mean, I was, I

discovered the world and my identity conform to what I was. And what they were to my

brothers. And Gracie was the guy. He was he was his brothers to

his little little those shows the games, the activities

and and more. and, in a certain form, I could say that I'm, I'm always always been very elanted

in my activities. Because, imagineate, me had a year of a minute of a little of five years

that his brother-major and he leigh the knight, I'm aneur of that's like, it was like a figure

paternal. Uh, practically, no? And even when he went, he went to a mestriah to Sueia

and posteriorly a doctorate Hong Kong, and even when he never never was a reference for us.

but any work that I did it and I wanted to make a certain way

his opinion or his opinion or and then he had a accident in Hong Kong living there

in where tragically die. And it was a record I remember perfectly the scene

in the case I know I know that I was going to my house and I

had a studio of a time when I was coming to the

house and me he was one of my my my brother, Samuel. And as

I grew in a family of pure men, but the fact was I took to see to cry to any of my brothers or my papa. Like, you do you know, that rigidess, you know, that

maybe can characterize to me receive my brother and immediately to think, something, something, something bad. Something bad. Very very, very, very, sure,

never had seen something like. In that me, he'd he up to my parents for, that something had passed, and when I went to the

to the fourth of my papas, I mean grabed that scene like a photographia permanent and that will be to be done, I know, the rest of my life. And like, all the rest of my life, and I remember that my

my mom was waiting a call, but yeah I was sentia something, yeah, I was sentia a, a truth of the telephone, and my mom contested the callada, and no bastar any five seconds for that you'd just let's turn to let me call in the mind of the soil or in a state of a more profound

of a tristence, well, was the news of that Gracie had died, had felled is that the fathers not are designed to say to his kids. Aftererment

to that's I'm going to question many things I'm going to completely the perspective of what is the life what is the

what you said? What did you did you want to what you did you want to what you're or you're about your mom?

First, to be sure to be sure to make much ideas in the head in the case like no, I was

not was consolidated like a state of corduera I mean, I'm like, I mean, I had Tried all the Cray's, that my

my life should be in the carrer, I mean, a lot of things, but what primordial always was my mother.

For me, the most important, I know if it's like this instinct masculine, of protect her and apart,

it's the only, it's the only woman in the family. So, so, always it was,

like this idea, to be there to be, because, naturally she, she, she,

he, he's, and it still, and it still, so, and it's

very profound, no? And also, I think my papa, I mean my papa, I mean I'm very because I think we know to us

a lot of our fours a force to put to them front to, because never, I said, I've seen, I've seen

two times in my life, and you tell us, two times in my life, I've seen, and one of them was there,

because no, it was able to contain it, and that's that never year in public, so, never year on,

in the office, never wore, with the person, never wore, even in the moment of the notice. He always

agarrow his role of being a lot of a lot of that's not a bit of I remember

that I'm in my court, I'm in the time while the time you're to go to get to come and they're going to

be back and I was just to be in my car and so my papa and he's got to because he's all right

and it's solted and I never imagine you you never have seen you've never seen to worry to

your father and that that was the first and as And as we're, as we're as a lot of the language,

and we're subject to always significing all what that's really, when there's that's, that's,

when it's, when it's a very much, you know? And as well, you know, you know, never nobody

to teach to to deal with that, no, then then, so, as something, it's something

that's been outravised by the language, when it's inevitably, deviant, and it's

so it's so it's so it's so so, so, tan, so, and that

all is going to do you do with and there's no there's zero preparation for this.

So, so you think you felt like you took for surprise to some this

what I'm going to be going to me, I imagine that a pain to get a

but what that's something in the mind, the the holes of the

ideas, I don't, I don't do you don't know definitely definitely not was

not something. It was a that could be a travest to the word. Because never, as well,

you know, you know, you know, you know, nobody to do you. Let us get the point in

that there's a adjective to describe the murder of a child. Existe the adjective of the biudo or

of an unerfano, but no even there's a one word that describes a

father that does a idea of that's a idea of that that that's not can't be that's a

word, not can't have a word, it's not quite, there's a time, there's, there's a

time for a little bit more that's a little bit more. So here, what I'm, what I'm what I'm

a double dolor, no? He'd a manor but, but also I'm doing the suffering

of the mother of my mom. So, and just that was like the one second

realization that I'm after the first question about the question about the word is this concept

that we know but that we know we're not we're going to because we're we're going to but we're not going to do it.

Exactly. So, for that I'm just to call it to that form. But really it's something that all we're going to

do it. And all the people who are to die from and that that's the realization, that is,

maybe the life is dolor. The life congeva much suffering. And it's something that that's

never being never being different doctrines and philosophies and the long of the history millerer

and the human has coincididid in the of the Christianism is Jesus Claude on the cross, the first real double

the Buddhism is the life of suffering. All the doctrines coincide in this point and maybe our problem is precisely that we're trying to do evitable,

the inevitable, the inevitable. Exactly. Trapard to to be inevitable and actual as if not a suede,

that is a consequence of the same. To me not be a way, I don't want to think in that, I do you, I

do it, I'm actu, I'm, I'm doing, this the end of the time we're

doing, we're doing the end of the time of the one of the last time of the

that's a I was, I was the song, the music, the colors, it was a almost, almost like a

balsam to be able to put them to all the spirits and that are in contact, it was like to feel,

it's like there, not it was a completely, no? You've got the, that's a

movie, a piece of a piece and, and I do you, I used to use that

same for the altar, for the altar, no? I mean, exactly. Always. We're always

always we're always. We're just all the person who are we put them the song because it's a

beautiful. Oh, yeah, we're obviously we're going to do you know before that's to make a pause to be inevitable

to ask you you're in depression? What was your depression? What was the most that was the more than you

after this? Something that I've learned to know is that I'm a person very sensible until the

other person I always try to interpon the dolor of the other than the other. My focus always was like

my father so, so all my focus was in them, I wanted that they're not sufferer

or that of any other other form, of any of the form, and for a moment,

I thought, one of the things that I could do do you to be to suffer

is to make the is to make the so to give us to give us

to give us to then so I I mean, I mean, all the focus always was in the other.

That's clear that in my moments of solitude, I was rompia when nobody me be I. You've seen you're not,

you've got to you're not, so, you've got to the, what was the fund? What was the,

the moment that you did you, wow, I, I need to do I, I need to

do. At the beginning, or more in a crisis existential, no, of, I,

I, I think there there's many lessons in this success that I think they're redefine my life for complete

but while you have to live the world you have to you have to and you think I think something

was in the endro of my process personal was that rapidly I'm not superar it

because not so not so per not to be to live with it but it's different

but rapidly I'm quickly but like to find the world the budists do the to transform the venison in medicine,

no, it's a situation difficult. It's a situation difficult. It's the only form of to be able to supportable the tragedy. I mean, I mean, never is unseportable for what you live.

But it's not even unsupportable for the fault that's significate to what we've. We'll be able to get a subject by the language

and you're used to signify to mean, you know, you're used the the man in buska. It's a

phrase of Victor Frank. Of course. Right, right. Now, I'm in the museum of memory and tolerances in the city

of Mexico. Yeah, has been? No, I've had taken the opportunity to do that. You know, I'm super recommend,

and to all I'm sure. And it's about the holocaust about the genocosidious. I don't know that there

had been a genocide in Guatemala, hundreds of millions of mayas. I don't have, there's,

there's, that's, yeah, we know, we know, we know, we're not, we're not,

we're, in front, not only only only only about about the the holocaust that,

obviously is the, in numbers, the, the, the most And there, justly, me I agree with this

book, no, of Victor Frankel, that we recommend us, right? That's what he said he was in the Holocaust and he's overreviewed because he

has said to all this chaos, a total that cruelty. And, you know, you know, the part of the part of the

says, me can't get all, my rope, my things, but you, you know, you know,

that's what you know, I don't know, recall, me? Those, those pensations. Oh,

those, those, the dialogue internal, no, no, so, so,

so, those are exactly the words, but is what you're thinking to you about what's going to you're doing, nobody to do you

can't get the car, they can't get the rope, you can't do get to eat, even the course, can do you. They can do

do what they're doing to your body, they have been to be for those people that have been to the kids, to the boys,

to get to, the problem that you and you live with the murder with a normal, or something accidental

or for the case of my mom, imagine what is the people that in a man in a matance in a injustice

what was in what happened in a car in a trifulka of this or in an act of injustice social you

you're like that was that was that me can't put all but what is in my mind

and the mind is mine and he and he decided to do an experiment as a psychiatrist

decided to do a experiment to him to give to give a sense to do something to do

I'm want to I don't document and I'm know some papelitos and

he and he he makes like I'm doing a study a scientific because I'm going to

be able to do you know and there's so when we'll come a pause I'm going to ask you know

you're to do you you're where you gotrastic and how you're to find out

the murder of a and what is this is this to confront because not is not it

not it's what you do you what did you how did you the what did you in this process that for me

is sacred, is sacred, is spiritual, is precious, is dolorous, it's a grottorough, but it's a beautiful.

So when we'll go back us, Farid I, that's going to us to be to share this. How Enfronted the Muerre

of a man. I'm going to talk about from the United, but very happy because we're going to see in the

Cumbre, in the 25 years in this grand testego of a young UDin, in a company with a product

also of the first-a- level that I've been the best to try and prove that they're excellent

and they're not even the date 7-8-9 of November the company the country Latino-American festehating

25 years I'm going to share your story where I'll tell how when you're how to learn

our emotions we can't make much more more success and much more felicity not only

in the business but in the family in our lives because that it

It's just to grow integrally. When you creases, we're all we'resemen, when you learnes,

we're all we've been when you know how you know how much, and that is the magic of Young Living and

to be a family of Young Living or if you want to know more of the company, be a

Markoentonionion com and get your boletos with a 15% of discount using the coupon Regil

YL15 and we see in this Cumbre Latin American Unity 7, 8,

9th of November, City of Mexico with Young Living. Your mind can be your your better friend or your enemy.

And one of the forms in that he's in telling us what would have passed if there. If would have

taken to that job, if he would have done to my papas, if me had gone to

if me would have casted, if not me would have casted, and I would have studied.

The list is interminable, but the is that the is something we can't

do you do you can't do you what is what is what is what

is what is what in the present. Cangia your story is a conference interactive where,

together in the Tech of Monterey this 20 of November we're going to explore how to give

to make to your mind, and not you stay sabotage all the time. Compa your

your boleton online or call 800 044 39496 840434 3949

46 Apte approach the price of the code 8F 30 to 6.

We're we're to learn together 20th November Tech of Monterey.

You're you're doing the podcast of Mark Antonio Regil. And we're going to

the podcast Farid Veek and Infreserer Conferensistic with millions of people who

social doing shows, conferences poetic where where he all Mexico

we're going to talk about that's about that we're going to we're

we're going to we're going to this where I think there there

there there is a my to whom we we send us, all of our love our

our love. We know that there in the mass there's, we can't fantasize this 20,000

things, but where it's we're we're madame much love. I feel that's

because every every time you're and you talk about you're right? But how

how you managed this? How managed this? Okay. What I'm what I'm with this with this

fallisimient and the and experimented with the pain? What I'm what I'm

with the I'm what I'm what I'm in the I'm in the first thing I'm partying of the premise that

we're trying to try to avoid the inevitable I'm resigne to try to wier and from my point of my story personal

the first thing was an acceptation but an acceptation of a form sincere and not it's

not a certain that the life pesta no, but it's it's just to accept it to do that

the life not always not ever to do you that's ever that you're the only person

because we're very good always say, like, because to me, like if we're specials

in this sense, when really is that if you're going to be doing the more even even, even. And I think

when you see that way, the suffering is a problem, the way we can't make a little of the

excedent of the suffering. And yeah, when in the personal you get a special acceptation,

in where you're disposed to give, because that's acceptation, is I'm to give us

a different to give a opportunity to whatever whatever that's that's

when when you've really you've done to you've that's you're in that's a

way of the way of the way to be before I'm but first of what's in accept that not is

not, not, not. Not. Not yet to say, oh, well, this is the better

that's the better than, or because a lot of people that people that you say with very

good intentions, you know, you know, don't you don't you don't you are better,

is a a godosito, now you have an angelito, that will be start with you. And I said, thanks, that's what I'm so, I'm

so, I'm dole, so. So, so, accepting, not is, not not so it's not,

in that, that's a good on the way. No, no, no, no, that's, acceptation is the

fact of that there, that there's suffering in the life, that the life can't that you can't

that you're that's always that all that's that's, that's, that's, that's,

acceptation that malabolence in the existence, that you can't do do you know, for more that's all the

life is the way you're going to when she wants. And I'm a little bit more that's acceptation of that reality has that

the suffering has been less personal. Because, I'm cause something when the person says, is that

why I'm, I'm what I did, like, I'm, like, why you're like you

like you were like you like you want to like the way, you know, oh,

you know, you know, say, Mark, oh, you know, Like if God Like if God were

the guarura Of a, To you, To be a-to- To-you-to- To-you-Ress-T-No? A-T-Yo? Yeah.

You restate I'm going to You know? And not is So, you know, It's like. So, you know, So that's the

Opposition or that Resistence That's that That's That's, and for that That's, I

put to me in a better platform for now to now to frontar. I mean, I'm just to

make a analogy of a focus. If I'm a focus the light the day, not will

bright. The focus the light in proportion to the sky the same the amount of the amount of

light that one does give up to be able to front to confront the more enfrents, more creases. You know

you repeat because it's very beautiful the reflection. The quantity of light that one

discover in your life is proportional to the amount of that you is a

not. That's the is obscurity that, you know, the security, that's different of the acceptation,

to say, accept I that my brother or my mom or my my son is going. Accepted

that this me is getting things terrible in my mind. I'm are destroying

even more than the more than the death of this is that I'm that I'm I'm in the

real thing to be to be front and that is to that's that's to say

to say to the world, what I can do you what I'm not for

what? Why? Why? Why? Why? Exactly. And I think just you just

you, in the personal I, I did it for entreatable. I think the best arm for example to mention a

Victor Frank is the spade the purpose. It's the part of the sense. It's the only way

to be able supportable in the tragedy. And something into the purpose of the significate is that

existen n quantities of possible propositions that you can't do a person to be a

person for a person can significate submergis in a state of excessive and that's a lot of stress a lot of things negative.

As a very that's the same processo can mean a tracendence in the life. I was personally

I decided to construct because I don't think is something that's something that's something that's

that's that's and day-and-day and that every thing you do a narrative

different to the success but the narrative depends of things that you want to

like a like a a or a word like a a word of a and I'm

in the personal I instrument of changes positive I think I think it is the

reason or the way to I'm in my existence and that me makes to keep living and that

you're to give being a way to a very way to give a bit of my

brother. Because I know that he's that I'm like we remember in the

movie of the movie of the second that's the last is the last time is that

someone no no no no no so so I mean I'm so I'm so I

I said, Mientras I think a voice, I'm going to give a minute and my brother. Because of that he's still

living. His existence no way. He's a way through the life. He's aught of me. His life

transcending the life. And of that way I then he construed a sense because if I live, he's living.

He live. He live. In some way, to rendil him to do you're doing it. And more than you that's talking

in public, you know, that you're partying that's great part of your inspiration. To some way, I'm going to me,

me do curiosity if it's going to when you're doing a conference, grabbing a video, writing a little, where you connectas really with your

essence, with the love, with your and you transformas and you do this to be an instrument of changes

positive that you've been to mentionar, the other form you, you know, when you're

when you're doing this, you're like, you're not you you've you feel in this moment

that I'm you're doing you're doing this you're going to you're going to no no no no no no no no

it's something you know it's something it's something that the word not does that it's a what I'm not

what I'm like I'm when I'm when I'm in a show and I'm even more the catarsis that I feel when the

people the applauded to the life of my brother because I know after after after after

to mention it and give to make and to recital a poem dedicated to him, I'll tell the

people that I'm in my brother. And that's a moment catartical of realisation indescriptible.

So, no, there's a way to express the sense of the and it's a form of

my sense, to say, oh, you know, I say, I'm going to say, I'm and I'm and there's a

third murder of Coco. Exactly. So, because you're always ever and you're always you're going to

talk to your kids, the Tio Chano, no? And he's that's true. Just so. Simply.

So, so the tools that you're not going to accept. Accepting the reality,

what is. The other is what I said Victor Franklin, not to give a world, find a

way, be an instrument of the things, inspire you, inspire to inspire to

in this partida dolorosa. And I don't have necessarily a, like we

just being saying, a single a purpose, to be instrument of instruments,

No, but just simply to say or construct a to you as a way to do you know, to give a

certain to do a question. If that's, if that's, you know, that's done a sense. Like the

people who get a a child, or for a discapacety, or the Alzheimer's, a, a moma,

that's a mother, and they're a fundation just to help to help us and that

will give much the heart. Not. It's that So you go to the dollar.

It's signific. It's it's a level sacred. That's when you know,

God, I'm, you know, I'm, so I'm God, God, but also,

God, God, God, but you have to take that initiative to say, okay, all serve

to the other people, it's a through that God can make that you can make sure

that you can't be that you that's that that's that has that has, that has,

that has, that has a that has a I have to take that you have to you have to be to make magicam, God, God, not is a titare. You know, you're not to put it to

your part, and elevate it, an experience to elevate a level of a level sacred, no? Exactly, just. Of what other way, it was, there's a lot more that you're going to be... I think that were the three mainstermintas, with those which I'm confronted

the adversity. Three? So, I'm doing one, then, or no, no, put it. You're doing my tariff. Acceptation, to confront the proposite is the

tool of the of the battle. Ah, me felt it to confront to confront, to confront,

and then it was it's saying, dare the to do that the car to what's

going to and find out of a but who who's who's been who has been a

person and has that we're talking. Now, for who for who have already

have already have been a person more or have been more or more because I

didn't you, but I'm were my my much. It's my a tia.

Me dole much. It was a manita that we had me dole much, it was there

me were people who were many my but there's not there when I'm my mom

that's what I'm doing what I'm what you do you accept it? Obviously you're not

you're not no, it's there's a realty that's not in that depression to say

to care to do like to do and it's not you do you do you

And then, then you say, okay, well, go, I'm going to do, and then you're going to, and then you're going to a negation. It's like a mountaina rusa. So, this, of what is talking, Farid, to accept, confrontal, and control the purpose, no is something, or correct me, Farid, if, if you, if you think is different,

no, it's something that, and yeah, I'm going to do a day, or I've seen, like the gymnasium, like, those are the exercises that constantly you're going to be, maybe for the rest of your life, but especially in the first few times or months of the,

Sure, no. That's a lot of a reason. It's an exercise constant of construction. And I'd agree to say

that are the fundamentals, not necessarily for this type of adversity, but in general. So, if you put to

to be, in retrospective to your time, in those what you did you have to be

to get a present those three fundamentals. There's the acceptation, is the end frontamient

and the construction of the purpose. And of the form, was how you're

so how you let's get to the people to be The posterior fundaments have been always present in your life.

But now, standing conscientious of it, we're going to give a better a better better than a question.

And in the episode 100 that we're about the power of the gratitude, originally, not you could, you were doing

other city, but you're invited to celebrate with us the episode 100, because I know that is

a, one word that in your life, you know, you know, the time of the

gratitude. With Clarita Naum, we're, we're not that the like what what's

what's what's not that's the woman, this chica that's a question about, that's the

little bit he said, how do you do you know, how do you do this process? And Clara,

he said, no, no, it's, that it doesn't, that you don't know, that's

that will be to be able to do that person, and you're, no, no, no, no,

it's nothing, it's simply to appreciate the lessons and the opportunity of the opportunity of

the that's presenta as consequence of that of that so I'm because that's a process

and it's, no, it's, no, it's, how did you parted of the world physical Graciano? Seven years.

Seven years, okay. Has yet got to get a gratitude, not because he's had gone, but the

consequence of what has succeeded with the partida of an brother, that in a world,

between comillas, ideal, from the point of of the person not of the universe, not of the more good, would have

been to be the that's been for the same? You know, you've got to like to say, some of the consequences of that

the, of the question of, yeah, and I understand what you're saying, and I'm, for that's a

sucese's paradoxical because at the same time it's the thing that's the time the time the more.

A be that's very valioso. Because I'm because I'm because I'm the way my and of

my life and of my and of my but at the same time it's a little bit a little bit a little

that's what that's what he has a sense to the life of my brother. That's

what he did a a purpose to the life. The fact of the

having been the example that was for us for us for the people who were the

people who we're that's that's a awesome that's something that's

that's I'm that's kind of sometimes many you're like

like like to like it's like it's like you learn from that perspective, I think that

rather, it's not rare. It's more. I think he's even is onrying in this moment, me explain. And it's something that, I know what you think is you, but that not's entient, de first with the mind. This level

of reflection, of introspection, of conscience, is it when you put a mind in peace and when you're and when you're and you're, to say, to see, to be,

what's going to do? And you're going to see all the things, You're creating with the DOLOR of the part of the part of the

part of the Grasiano and there's where you wow, brother, thank you because at the

more, a more is to be in a greatal spiritual. A the more if not you

would have doing, I would be not going the life of the people that I'm

thank you for having you know, thanks for having me facilitated or the opportunity to have you

have been physically and to bring my heart to be a other

There are, there are mysters spiritual. I don't say. I don't know. I don't know. But there's

ideas that I'm like, I'm really. If this were a certain, it would be very good. And when I

studied psychology spiritual at the University of Santa Monica, one of the possibilities, no, they were

possibilities that were, what did you were, what did you don't know, how much, if, for example,

Graciano and you like, you, as far of the physical, they put to do a level

very, very, before, before to come. The life is a

school, we're going to do you, we're going to make to be a lot of the time of the time and you're

going to be a lot of the opportunity to create a something, to uniting more to me, to God,

to the love, to the universe, to the service, to the gratitude, but I have to

do for you to Farrid can't build, and I know there's not a fact,

but I see me I imagine. You do right with your brother and those visualize

those two. I obviously I'm really with my mom and all. I know, well, I don't know

if it's a real bad or if it's but I'm like that would be. It would be very beautiful.

There are stories that destroy. There are stories that you talk and that you talk about it.

This is one of those stories that even even that's a possibility, no say it's really.

But me me, me, my, my, my, you're, well,

yeah, a more we we've we just we put us to agree with for that this story in your

mind, what you feel is in your question? Well, if it would be something, something, it's a very, very, really, really,

it's a master of more divine, that if that story was real and the fact that my brother would say me,

I'm going to sacrifice for you for you for you, so it's, then it's a matter of a mind,

not a true, a love, really, really, really, really, even,

not sacrificial, because also, he's learning something that's part of the

part of that not a sacrifice is an act of a lot with a great good with a

great good yeah it's it's a great it's a great you do a thing or other

you're doing your career, I want to you know that you know that's in the world material in

you're doing you're you're doing the music that you're the work in the on the networks of where you can

find out of the people just to connect to connect us with to connect us with we're doing with Parit Dieck that's with us in this episode 103 how to confront

the murder of a great-to-your- your mind your best your your best friend or your peor enemy and one of the forms in that

he's just in saying us what would have passed if there had taken that job, if he would have done to my

father, if me had gone to be a if I had casted, if no me had casado. If you'd

studied. The list is interminable, but the fact is that it would be a little bit of a lot of

what we can't do you know what is what is the conference interactive where together, once in the Tech of Monterey

this 20 of November, we're going to explore how to make a mind, for that your mind is

your aliaeating and you're sabotageing all the time. Compa your boleto in line,

visit Mark Antonio Regil dot com diagonal Tech or 8404

394946. 8044. 3946. Approvece the price of the madrugator with the code 8F.

30 to 6. We're going to 20th of Monterey. Fex, DeCeree to Emprez The event

academic more complete of the year. In November for first in Latakunga the coaches emperational

most recognized of the Spanish. Marko Antonio Regil of

the Reconos program 100 Latinos said, Sergio Bruno,

Eduardo Cacha and in combination of discipline Japanese and charisma Latino, Joko and Kenji. In the sering

more complete of planification and strategy and registrate in www. www.fexecuador.com. Not you keeps further.

Organizan Universities of the Forces Armed of the Kanton Latakunga and Ecuador Conventions OPC. You're going

the podcast of Marko Antonio Regil. We're going to the recta final of the podcast celebrating this end of

week when we're doing the program of the Day of Murtos, but obviously the podcast can be used to any time,

a year in you're listening. We're going to give to all the people that's listening to and that really the

partida of a person of a day of Murtos or in any moment he's unrown to their people, we

send us, we send us we're just our our profound recognition for having the valentia

just to try to try to to continue these steps that Farid us recommend that he has functioned to

him and I think are very, very, very, very, very very, very very valios and sabious that are

the acceptance, the, the, the, the, the, construction of the purpose. And the

question, what, Farid, what you're doing, I'm, I'm going to go,

I want to go to see a show, I'm going to go to see you, I'm going to videos and

but you're doing, but what is the purpose of what is the Well, actually, so publicly, I've created content in social media social is precisely this type of themes, that have to be with, with

with, with development, and in a formato-estrito and also poetic. I'm also much the poetry and the music. So, I try to do it, there are some videos with music original and the poetry, and also, and also, that's what can find in my social. And, also, I've also, with a format of similar,

in where, I'm, my testimony, my experiences have been used to be the poem and music original.

It's like a show. So, no, it's a combination. It's a combination. It's a combination. I mean, you know,

and so, you know, and then you connect you connect with a theme, and there's like, the performance,

exactly. If it's a combination of conference with performance. That's precious. Because it's images,

it's music. Exactly. No, the people always always it's always with a retramentation very, very, very, very beautiful.

Because the music is a message is a message is another complement to the words that they're even to get to the word, no? No,

and that's and that makes that people, a lot of times have a catarsis, no, yore, and when you

you're, when you you're, when you to see a person that comes to your events, you're, what means for you that, what's

what's said in your that energy that that also that's a real thing. It's a question,

I've repeated much the word but it's important, but are moments when the when the pain in the

last time, the time, what do you what you think you're that you're that you think you're

a, like what we know, I know, I'm so I'm, you're just you you're just you're just

you're just a kind of a manifestation in the which I think that's a whole for view of

you, for view of me and when we're in that level of connection is when

I mean, this is the Prove-D. And it's, insist, and I think I also think I think I'm also,

but there's certain things that the word can't get to crosser. And that's one of them. Do you

when you're, you're, when you're when you're? Sure, definitely. I think finally, the,

the, the sentir is encryptated, no, and if you do it's, you're in the

little bit of the little of the way, and I think a way, it's by the

when we're talking when we're of the suffering. For some for some cause I've been going to

this too passed six months, this rach was made after four seven and I could I'm

I'm a my mom so the last time when it was and then they were going and going

but of but of the repent I'm just the three more years and I'm the

because I'm the I'm the door but my emotions so I'm like my a month, I'm going to

I'm going to right. You've seen. Yeah, I'm a few of two years. But it's an alibi

enormous. And I'm saying, what me is to do you know and not is that you can't try and you

but when they're going to these legions of the energy. I'm going this because we've been

in a society that sometimes has been that I'm that's we're saying or even

or even. Oh, yeah, I'm that I'm sorry, I'm but it's

good. The people that are the It's good to have the words. We'll have the words. It's just, when you pass

something adverse, what you want to you want to be a person that's what you're when you're when desawgas the situation

adverse with the while you're the same form, the language has the same function than the word.

I mean a fact that a lot of a can, a psychoanalyst very recognized that says

the word that says, because precisely is, the feeling, we'll live to the thing,

we'll be And if not you know it's to do you go to get to it's like to do you

get to go and then. So, what are the forms for the where's the way

the word, the different emotions and that's the form in the way that that's the

way that's why we're going to get them a poem a song paint

a picture, they're they're they're they're they're a book of a

book of a job of a film and you And it's you're when you're

when you're when you're when you're after a work of where the

problem the angstia the problem the same it's not you're doing those are those are the

those are there's because there a realisation of a sense you know you know

you're you know you're you're and you and for those are the more

you know you know you know when you know when it's made with

with with with vulnerability exactly and the The people is a

when it's a conference where the expositor is vulnerable. Right. No?

Or where the author of the book is vulnerable. Diggate in Europe still is much more

present this this veneration, this love to the artes because it's this we're talking. In the

society in that we've we're not I'm not I'm not we're not Americanized more with

the influence of the United of producing money and be financially living, that are things that we're

a favor you're I'm not in that's important right we're talking about to know that we're going to

understand that's not all right we're going to we're incompletes if not we do not our emotions

in form a in form a way in form in front of in the Rosa of Guadalupe or in the novelas

not so in form a concept and the art justly is one of that's one of definitely

it's just it's something it's something is something super important, because we'll go back us to the same. Cirto

a certain you canalize to a state to do a stress and start in life practically like that's the same same

sense canalize to do a work transcendent. Sure. So that's something very important and I think the

response finally, well, you the question. And help to the when you when you

when you have a when you're doing that you're doing in that you're doing it

that's also, it canalize that that's a don't know so it's it's a

kind of a exactly exactly the fact of the fact that you you're feeling

that you're doing you're to do to do you know that's exactly in the

fundamental give us give us some that's what you of what you

you're you're in your things that you have passed or that

that happen in that there's there's there someone who is

doing this of the, of a level one, a level 10, for the

per D. For the murder of someone kind of even could be for the perdick of

a time, or of a circumstance, of a dream, or of your money, or of stability,

or of their people, because there's a person, to be a person that's in this

moment, suffering and that the universe he put you put this podcast in your

case, like, like, like, like, the, the, you,

the What do you do you do you do? First, I would say that maybe some things that

not are in your fault. It's not not you're not going to be responsible, how you're what you

do you see. So I recommenderia that you do you know, with, with friends, with family

or with a therapist no, it's not, because many times just not you can't sometimes,

but it's not it's self-sufficient. No, it's a fact that, it's, it's like,

that's that's all that's all that's It's a little. I'd say, I'd I'd say, if you start in a situation

in where, in where not only, not you can't get to find out, you know, support, count them,

you know, you'll support of family and a family, and a professional of the health. Yeah, so

if not sufficient with your family, you know, it's sufficient, no, it's a fact that you can

solo, no, you need to do you. Apart, it's a part, it's dangerous,

sometimes sometimes try, because when the emotions are the intelligence is

where they're the intelligence is where these are the suicidies and these auto sabotos. I never, years,

years, since having a accident and after the fallacyment of my mom, I've got two accidents of car

to car, or that were in the first six months of the family and other two that me,

a car me, a car me pego to me that's not my distraction, but casually happened, and the

other time passed going from Monterey to Austin he pegged a bathe and I was tired in the carretta

and I'm so I'm okay not there's but my statistics me say that's that they're

going to every way but I'm said things that in 15 years no have been pasted

and the first two I can't say that it was I'm so new that was

in my mind the little present that was in two moments in two moments

so it's very So, I was, I was, after the second shock, that the two were my fault, thank you God, no

passed to it was, it was just a second of distraction, of that my mind was to think to think in the

pain, in the mother, or in my kind of, you can't commit errors terrible. Then I,

I was a lot of that I was really, I was to be used to get to things that in

other moments, of my work, in negotiations, of people, And then, you start one to mendigar a more, yeah,

uh, it's, it's, it's, it's, it's, it's really very car.

Sure. No, not being, I think, I'm pretty much and that's super astut.

And that revela the real importance because it's, it's, it's urgent that, that's,

that's, of another form, no, no, no, you need to do it,

you know, you're self-s, not, not you're, not, not you're not so,

far, Farrida, is Like in this podcast. So, so to start you, Farid, yeah, to start

the program, and desperings. In Instagram, you're doing? Farid Ike. Faridic. As it's like. As far as far as

Fy-Dek with CEC al-Finnal. Seca at final. Facebook, you're there. All those. Instagram. And Twitter.

Twitter. Twitter. Twitter. Twitter. But there's also. But there's too. Yeah.

YouTube. YouTube. And your website and the people say, oh, where do you? Where does

Farid? I want to see where one of where's where it. I'm all the time I'm all the time. I mean,

and also, and also on my page internet, that's Fariddyek.com and there same I'm my book.

You can't pay it. It's been for all to Mexico in my page of internet.

How's your name? For you? For you, the things, not it. Oh,

well, justly. So, it's a book to find the life? Compartee my story.

It's a story. It's a story where's my story, that's present to the three fundamentals, no, so,

I can't the idea of every story, how they were summing to be the other. So,

good, so good. Well, so I'm in all heart of the whole of your heart.

I'm saying, the namaste famous, and I'm know, I know you need you know, you know,

you know, a circle of people that you love, but as your friend,

you know, you know, I'm sorry, see the world, because the world needs to make us

you're doing much said, you're doing much is, seele, because it's

good for all. So, in the moments most flakos that you can't never you because it's good for you,

it's good for me as your and the world we need to more to do that. So, so givele of all the

heart. That God you know, God, thank you. Thank you, thank you, Mark,

of the question is a honor, to be here. Thank you for everyone to be your last time.

That's the first of the first of many. No, for suppose that Yes, and well, the podcast You know, you're going to

find out on Mark Antonioorahil.com, in Spotify, in IHeard Radio, in Apple Podcast, in Google Play, and all the applications that have podcasts. And are there

with the time of giving us a reseeing, put us the five stars, and say, because they just the podcast for that more people,

it's good, that's good to continue to continue to so. So, thanks to all, Coursone.

Thank you, thank you, your story, and learnamamous together, and learnable We're together.