El Podcast de Marco Antonio Regil - 158: Mujeres poderosas - Karina Velasco

Episode Date: March 22, 2021

Ser exitosa en lo profesional no está peleado con el rol tradicional de la mujer en la sociedad y quizá es hora de que tomes acción y rompas el molde para cumplir eso que tanto anhelas. Esta semana, regresa al podcast una mujer que ha logrado el éxito personal y profesional, atreviéndose a salir de lo tradicional: ella es Karina Velasco, quien nos comparte su camino de transformación y cómo ha logrado romper paradigmas para triunfar. ¿Cómo romper el molde en tus relaciones y amar mejor y en mayor plenitud? ¿Cómo ser una mujer poderosa e independiente en el dinero y en los negocios?  ¿Cuáles son los hábitos y costumbres que como mujer te conviene adoptar para llegar a donde tú quieres?  Sigue a Karina Velasco en sus redes sociales: Instagram: @karivelasco                    @los.codigosfemeninos Web: www.karinavelasco.com

There's a molde that exists since many years where still it's been to put to all the women in this role or paper traditional.

And if you many women have the practice and they have the right to live it, many others not they like.

And that is the case of this woman that we have this time in the podcast because she has rote

has decided to live a way and and today and we know, it's the success

but also the difficulties and the and the difficulties and the in what is, a woman power.

Karina Velasco is with us on us on the episode 158. We'll start. The podcast of Mark

Antonio Regil is a production of RGL and all their own their own their time.

My great her little Marisa from San Diego I'm I'm

so much the great, thank you very good very much very very much

my great Marko and so over this year in this

special of the woman. I think to let's enter us a little bit in this thing that you know is that

for me in particular is super special and and so on you, that's been here you that's respected and

celebrated to the women, it's just to be there. Thank you. I'm learning because all the

men have much much to learn. And you have roto the moldy. I remember I was in

my boda in Acapulco when you were still trying to enter in a molde in a

more traditional that not has absolutely nothing of the mal. But you discovered that

that's like it's like it's not your divorce and your reinvention. And I'm that we'll let me get to

this episode to inspire to all the people who want to want to be the role traditional.

Simply the the thing is that they know that is that you know you know that you can

do you know what is a that's a so I'm so I think all the role in

this world no? There's the women who live in a life much more traditional, because, we're going to

their gifts and their attributes, those are in other side, how to make, to do you, to change how can't make a

home, or so, each one, we have a thing, in specific, since, since,

when it's very little, was to do this disruptor, no, romper these moldes, to,

to, the, the, the, that have limited, that they have programmed,

and not simply, solve those creences and not to romper those creencers but it requires of

much much work personal and for so, because since that I've two years and over

those the last 25 years, you could say that I'm a devote, no,

of my work personal, because I much more away to the transformation,

but really, to romper these moldes, to create a new form of your

feminidid in this world, and, this is easy, but I think my work will

help to many to go to make to build a life that they're in any way

or not conventional. For you, I want to ask what you want to be a woman powerosa,

because even in your podcast, you dedicated all a time a time, uh,

using other another word that you decided. And so you're women chingas.

But for you, but for you is a woman power or a woman

Well, a woman Powerosa is that's a person that is a responsible and assume both your

past, his present, and the future. What does this, that I have the ability

and the capacity, the capacity to be a creator of a life, that I

make responsible of the situations in my life, you you,

you, you, you, in other occasions of the fracason, that I

know like a opportunity of an opportunity, or a

but assume and to make me the responsible, not only culp to all the other. So, for me, this moment of to feel me powerousa is that

I'm this capacity, that assume my things positive, like the not so that's not positive, I know that

I can learn, how I'm accept, and from this space and this place and I start, I'm to build the

world in the world in the world I'm going to do you to act to do a with a

conciency much more more profound. So we'd say that a woman powerful is that she's

that she's that he's that he's that he's not he's to go to the way of more and

that's the way that's the option that the way a role traditional like Susanita the Mapalda

that was her mother and sell the support the column vertebral of a little

of a home and that's a thing your mom was so Doreley justly justly just over

the role traditional Or, well, you can be a woman in the politics, an leader, that no's a, that no has a, that no has a and that's true, the role traditional.

The power is not in one or other, but in, in, in, in, to be the option. Saber that you have the possibility, that you have the clarity, and that you understand that no,

that's not bad or that your heart to guide, that your intuition and that, and that no important what you do, say,

something new or something, it's this devotion, from this receptivity, from this gratitude, that you're doing what you're destined to to do,

that's this purpose that we're that you're you've, you've beenies a world, curiously, with the two

sides, no? I, I, that I've had the enormous honor to know,

to do you in my career, Don Raul Velasco, that in peace, that was for me a, in the television,

and Dorley, no, that we, we still we've, we're in this world in this world physical

so on the world of your father and the work of your father in the TV knowing a cantantees

a musicos a philosophers a and producers to the theater cinema to the

world that your father was put in that there was there was a world

there but but for other other doorly your mommy

that her family and her she was she also

she had she many she had she So, so I've lived I, I'm like, you from you're in

a mix of two worlds very interesting. Yes, like the India Maria, neither here, and then it was a bit confused.

No, because, I go, from the question cultural, no, I'm from a mom, a lot more more aborted in

some things that's, but it's very interesting, because it does curiosity that my father,

like my of mind open and my mom traditional but my papa

also was a very much not in a question of a not because it was

very very aborted but it's my little not you don't do you

do you do you don't do you know this you know that all the other

other form we have we have this role with the parents

to the kids and what what I was that a day I

cance to be good. Sure. To complete with with the role traditional.

But you, you complied initially. You came with a good little bit of a single in a ceremony

spiritual, but you castes with a man also something, according, second, I'm a

musical, but at the same time traditional. And, and you did that you, intentsate

to be the woman traditional. And, also, you could have been there,

because many from many from many, we'd have said, you, well,

Karina had the terrain padimented her. I mean, the one of the producers and

conductors of television more exitos in the story of the television in the world entire, a child of

a marvellousa woman and I'm a good man, and then you could have there's

in the world traditional without problems, but you've decided

to change and revolution your life? Well, you know I did

that, me the that for me, the that's the in this mold, more traditional,

you have to stir much the league to see how to get to get to get to grow. Because

you're still with the same family, the same routine. I, I'm, I'm,

I need to the newbeddard, I need the incertitumbr, oh, I'm in Cable, and in

four days, I don't know where I'm going to be a so. So, for me, this incertitumbrate

to discover more of me, to be to be able, but that's my point of inspiration.

So what What's what So what happened I'm in this moldy and I'm

going to because I'm going to be the woman that's the woman that's

not bring a lot of the woman that's a woman that is a little more more calli

that's there to play her that's designed for having children and when

I feel I so I'm so I'm so, I mean I'm

I'm I was I'm going to say what I'm doing with my I feel that I'm

doing all my abilities to satisfy to the other but this is really what I'm really two years in

divorce me, to give me to take that that's a value, because to give it's a know what

know what I'm going to do you know what is known, never see what will be a

never say so I'm in this uncertainty I'm I'm very accustomed I'm

there is where I love to to live. That's much, there's a language in English that is the edge

in the edge, in the edge, in the or the end of the world where you know you to know what

is to be a new new there's a transformation. But the, the women who do you know to do it

still in cultures Latinas, not only Mexico, in America, Latina, are very justgated

still. No, there'd say, oh, poor-sita, Karina, no,

is a catara, oh, poor-sita carina, no has my love, right?

That's, my my amor, my love, if you're, you're so, you're so, you're so,

why not you're that's a lot? I mean, that's, what's, that's bad in you, that's got in

what you think that's the meta for all the women. Is that you know, I think,

that's just that is very easy when you don't have no, you know, so it's very easy

to say, oh, well, I've done done kids, but, but,

you've never has the senior or the biuda that per die of his marido, if you never has lived, and you say, ah, yeah,

back, he's five years year and you're so it's very easy to use when you're when it's something so disconocid and

so radical like practicate the not having children or the practice of the polyamor, the relations abirtas,

that also has been been for that the place, and I think that many many times we're just

we're because we not we atrevement to do to tell you to talk this

story. I said the method orgasmic and a child a child to get a time, and when

we were in the whole people, it's a lot of a little and I was and it was my school, it's my

alum, but what you to do the other that's the I'm in contact with her and he's has done to

start to create that so. So for me many, much the judge is,

I want that I'm don't know I'm so I'm think you know, I'm

talking about the decision, so two years, so two things, what I'm, two questions

in one, what was the moment in that did you, so when was where when it,

because obviously, like a much people, who certainly can be being or listening

this podcast, not at But no, I can't go out. I have kids or I have to be casted or with whatever

I'm going to have done to be and they're going to be going to be going to be to not encahed, what was the moment in that you

you know I'm going to this, I'm going to have to do you know, what you're to the people that

are going to this crisis that I'm not I'm trying to get to I'm sorry. I'm going to

one that's something that is something that practice all. I'm going to see to be that was

a lot in the world in this case, what is what he was doing

that he was to make to make to make to get to him and that's what we

do that's what we're doing. And the other part is starting me to do that was

doing this I'm to make to do a day a day that's the master

cleanse that's the day and the day 14 me I'm

I'm I was with with a clarity and he

I think it's time to separate us. No, me question why, it's time to separate us. And it was when

I got my my next and I went to live to New York. What he said? What did you? He said, well,

he said, it's the same thing that we've been about a year and a year because he did he

took his responsibility in the matrimonio, but many times I think we need

to get to get to something, like if we're just we're not more

in the air between the columpio and columpio, we, we're we're

quite, we're quite, I'm got to be going to work to do you because I'm going to do

I'm going to I'm going to you know, I've done results of something that I'm I'm going.

When you when you got your and you said, now I'm going, no, you

know, you know, the voicecite in the and if me I'm going to and is a

good man, and how it I'm going to do you know? I'm not a little

no you know, because I, from very chiquita me enfocco in the

future and in the future and in the possibilities and not me aferro much to I'm in the angle of

I never going to find to me someone who never I'm going to find that never going to

find that and for that's for me it's very easy to do because I think

that much sometimes when it's that I'm getting something, it's because we

are more focused on what I'm to learn and not the new experience. What was the obstacle

more than you did it? Once, one of the decision and you bentast what was the the retort,

the obstacle more grand? Well, the RETO and the obstacle, I think for me

was that that it was, that it was, that it would be a good and something

and something and something, that was a person that was my better my best

my best my year, I'm a year, and one every time, but, understand it's

I think that many times when we're enojointed, and more when we're when we're front us, when we've seen a many, they've seen, say, because there's

so enojo that I want that the other person pay for all the years that paid for what he did. And I

I, he, he, when he started to act, to this inoge, to say, you want to

you, my only that was incredible in my relation, or as the child, that me quited all, that she pele, that he left all, that he left impossible. And is what I said, no, if I'm to be your only husband, I want to be able to with much love. And for me, that was the

the retort. It was like, to leave at last the disillusion, the enojo, the problematica, and from the love, get to this separation conscient, where until the fecha, the only that I'm going

to do it. And what you do you're going to not we're doing not we're doing not just going, to the divorce, to do you know,

and they're trying trying to run the mold, yeah, or simply within their same matrimonial to take a

role different, because not you you have to get to the matrimonial to play a role distinct.

To that I refer to, to the women that are making the molde and they're

the fear, the the thing, the actionar my my husband,

my family, what would you say that that's a woman, you're

not going to be in a haulita? I think we're we're much more to make

us to make this connotation and this narrative of that there's a lot in me

when I want to want to explore something, I want to get out of the traditional,

of the area of the area of what I'm what I want to and if you're in a context familiar, invite to your family

to this new discovery. So, we're going to a woman that no, he doesn't go to be a because he

like the area of comfort, and when is he's to be to get to get to be the table and

get to be so, so how I can't communicatesel or a form compasive,

of a form amoros and invite to this new discovery. And I think that

there is where there is where where it's also this communication between parishes in the family to communicate your desires, no, and to not sent you to juggled, and

to learn to hear, if I'm on the other side, and say, okay, you want to venting paracayadas? To me no me interest, but we're all the family and we're chas. So, so there's a form when there communication, because I what I did count and is what I want to

all right to all right to all these is that the rebelia, the enojo, the enganyo, the asserl, sentientot you mal, with

a culp, with strategy, at final and at the end and you will to do you do it but if you

do this change, you can't do you, you can't you can't to give to give

to who's in your life, to help to to get to

to discover to and who in your life and who say, not you don't you

get to not you get to see you not you don't know that much those are

the people who is the sisaa is the chism is the person

that the person who you know that's so that you're being clear in

principle and with this communication to make part to your

community in this case to my family I

do a person a exercise very practical and we're going to like role play,

not? Like roles for applicar so you're going to put there, I'm going to be in front of military.

No, no, no, no, no, no, no, no, no, no, no, no, no, do what's to

do you know, and you are you're living in a relation that not you're not

that's a role that's you're doing, is a traditional and not you're

you're in the molde. How would you you'd you'd for that who

is that how I'm how I'm I'm going to how I'm about this with my pariah?

Nothing more at a level basic. How would you about you want to not antagonize

and that you know that I want to say the Guacal as we don't

to be like a a menace and that I can be a able to make sure

to renegoti the roles that we in the in the family three two

Q Mark I want to say what I've seen what I've seen ultimately. Me Siento a little bit too aburried, like dis-gannada and

demotivated and like, there are some times that I'm and I remember those moments where all were adventure and we'll discover things new.

And I think we are going to a new step in the life where I'd like to invite you to see, between the

two that we can't do this for to get us a little to this routine and

podern us then we're like noviors, create more intimacy. And many times I

feel like I'm, I'm, you're going to you're a little occupied, but I

would like to give the time to give me this space and that there many that I

do things because I need to me, that honres those spaces as I

ownro those spaces. Wow. It's very different to to get,

culpard and say, our matrimonial is too a lot of the routine, you know, you're going

to do you, because I'm going to get, because I'm going, me aburres. So, from there, the form

in that I communicate is very distinct. Now, to communicate to this form, they have to

pass two things. One, that not is in the emotional about because when

we're in the emotional about what we What's what's what's our mind critical is

our mind. And here, to communicate us I'm passively, I'm using my mind critical with the force of the heart of

the heart. And as you the tone is very distinct. No, there's a very good

no, no your responsibility. I'm assuming that's our responsibility. I'm doing my feeling and

from that this space, I'm doing a bit to be that we you know you're just you're

you're you're not me you're you're you're you're not you're

you're not you're you're saying me's talking with a more and responsibility and genuinely

about that you're you're you used much that we're we're we're

we're we're we're how we're we're this and then then you

then you then you ownr's your that's the communication conscientient and

not it's a part is a theme of development personal. But that's

because there there's a lot of it's that it's that it's it's a lot of it's going to talk about to a course that

we're going to get to be a time where you can learn a pause. When we're we're going to we're going to

we're going to look at a point of view to a woman when we're another thing in that Karina has rote

is the thing of the money and the paper traditional of a woman and we we're going to we can't

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Karina Belasco, Mugres Powerosas every, that's all in the pariah, we're doing, of what you're to do you

a woman, has all the direct to say to her wife, oh, disfrasate of a police or

or of a uniform of the chivas or of... Pilot Aviator. Of what? The pilot aviator. What is,

you, you know, you have, that's, that's a very sane to assume the fantasies, because what we love and the

fantasies and the desires and the things, what we're simply imagine us this. This is not means that it

going to get to give to this imagination. Yeah, right, yeah me made me made me

and it's really, and I'm made me so relax me. So, no, it's not

to take us the fantasies so in certain. And in when you're you're the problems

eligered a little, because even you can't even you can't be more easily,

and if there this complicity and this Juegito. What's to your lovers

that's that's a dress or to do you? Do you know that's that you've

never has played to have never never never never never

you've never to be in a place and they're to be and they

know that's that's not not done not not done so

so so so they're so they're when they

still when I need to start to to start

to sonar my relation yeah yeah because you to say, we're going to

to doleum, or in Cancun, or in Capulco, in the play, where you're, and that you were the me and you're trying

a co-o, and I'd do you get a not, I've played, not had not used to because, I

see, also, I'm not, the mold traditional. For me, the sexuality in these

years, has a context so supermement spiritual and medicinal, that I'm more clavable

in that in that. So I think you know, you know, I'm going to Disfrasar to Brad Pitt I'm going to

but if you're Brad Pitt I'm going to do you know, I'm not but when you are very

in the theme spiritual at the more for you something something something

more more that's a moment it's a moment it's a music

sacred incinso a a massage but but again is the

the it's the but in the in the way that's the it's a well,

but well the fantasy are deliciousas and so I'm fantasies are what the past is that I'm know the

I'm saying yeah I'm imagine okay, well, changing the thing, let me talk

the woman and the role in the molde traditional the woman is a administer the

money to do the man and to administer well it's a labor super important no there

no any a little that he wants to do do so, so it's the other

type of a woman like Karina where a carina not a manned a woman she's

and she only said oh, oh, what I have had had my papito

and my momite and I do with this I'm going to do do you

you're a business you've created products has created education you're you're

you're this this mentality of this mentality of an lineada with your

car so what is the relation that a person can a to have to be with the

money. Ablam us this thing. This is very interesting because, fiftate, that's a

thing that I think we all we have to work to work to do a or other form. And if you what you've

talked about, we're talking about the sexuality, the relations and the money, that all is,

in this first center of the human, that's the first chakra. And are things that

are the first seven years. So, for me was important first, to revisit, what creencies

limitants, I have in torno to the money. And for me, one of the pieces claves, and I talk a little this in my course, the

Codigues Feminino's, is valorar my job. Valor my job and not regateer. Because what

what happened? Before, they were getting paid less because you were a woman. But now

you're a person and if you do you do you think it's something is a philanthropic

and you can't regate. And I I mean, I've 30 years of of the

work in internal, I'm 30 years of courses, even I'm actually I'm

actually, I'm still like, I'm in the time, I'm going to my

education. My time, my expertise, my value, it costs a lot.

And much times, to be a good on, like women, we're,

or not we know, we know we valoramos the sufficient. So,

we're we're to getteer. You, when you see a man that regatea,

there are cultures that they're going to go to the but there's in the

in Mexico, in Mexico, in a other form. But when you see a man you're

a guy, you're you, you're you're not a man, that's so I'm

there's there much of the value, my time has been value, what I

know, I know, the things the the people, it's a value my time,

that I'm the best ingredients, and the hours that me the hours that I'm the time, why I'm

to re-bacherals? And it's something that does the woman also in the money. Consientiment it's re-bacher

because we've made this creency limitant that we don't have the possibility or our

time, and our time of the time of a man. And I think that for me

this has been my secret to create this liberty financial, because it's very beautiful, to say, I'm my colchon, my security, I can do with my

money what I need. And in my case, not are the things, wow, the ones that I need a lot-key, that I mean, I mean, I'm

saying, me, I'm, with the things basic, not I'm not so I'm extravagant. So,

also, also, to say, for what I want this money? I want to create, I want to prepare courses. If you're in your house, I want this money because I want to go to the super and buy them the

best species that my marido me says that for what I've got $150 pesos in a pimpia, but I want the best the best pimpia because I know that my plate you will give more punch.

So, for me, is, from having clarity for what you want the money and give to your value and to regateer to other

women. So we can start this change. If we're this equality, we have to respect the

experience of the other, the time of the other and the value of the other and I think we

we're just starting this process in the area of the economy. And to have your money

to do that because when you have to pay money for all, you have to be

just to be just to my mom when I interned to his young at their in ventas

my jita visualize imagineate you know you're not to pay a permission to give a

money and you do you do do you do you an old and a man from the point of you know

you can you can't you can't a an active a asset a productor of an

a abundancy or you can't or to pair with a woman that is a barril

sin fond that is gasts and gast gasts and not administer and chup then there are there are women productive there are women productive

and at the other so I personally I'm always like I'm sure what is the relation that this chick that I'm like with her relation with the

question with the money is someone that's someone that's going to do or is someone that even to be to be able to me to be more responsible financially

and that and for that and for so me seems that is very good and very important that the woman

has this side this side, this side enterprise, this side of generator

and multiplicator. That's, for me it makes more more valuable to the woman and he does more liberty

to the woman. And, and, and, also, we see, we know,

and that is an interchamio, we're seeing, what are my relations

with the other and not with the control, because we have used much

the money with the control. No, if they they're they're

they're something, a if you don't me done the coach, and no I a seconded way, and it's a lot of time. And it's an interchamble. And we're going to be, that allot, and we're going to be that allot, a lot of money, a lot is the value, a reason, the form in that's educamos financially and you

I remember that many years that you you're in your transition to begano you to get a

friend to me for the coaching and I me to get to for the role financial and that you recommend you

your book and your course because you're too you're very clavated and I said,

that what's the lack of education we're about the finances and

not signify that I mean I at the computer having how is the

stocks but I need to know what basic. Because if I want I be creator of my own own destiny and I have this liberty financial, also imagineate

what good to say, this to me the time I'm I'm sure, I'm feeling and not as to, the mariddle, how you say,

you're saying your father. We're not, we're both, we're, we're not, we're not, we're not

the time. And the thing is that when you don't understand how function the money,

you know you can't even even even even, even even even when you're doing a

work you're doing on things that you're because if you have to work for someone more

not even not much. But try in something that you know, I'm, I'm, I'm, you do you know,

some time you took to work for necessity economic in something that you're not you're

to do you do you're to do you tell me how you you're the difference of getting

money doing what you're versus to get money because I need

to work to this lanita. When a couple of years I started, I'm I'm very gastated and I'm to do many courses

for necessity and no me functioned. The energy no's so much. Because I said it's a necessity. I'm getting to a space where I'm going to do a service from the necessity. So, I need to

something alternative. So what I did is, me I was engineered with my company of Rocketto and me the adere to Amor Coqueto, for that of there were a

fund of ingressos and that my courses, even when they're all the income, is

an interchamio. Because if I do I was just about I'm frustrated of how they've been inscrited,

who not, who had and it was a stress and it was a stress that I don't do you

so. So, for me it's like interesting to say to learn to

learn of finances is a summently important because I'm going to see my economy as

things passivas a lot of a co-creation with people that manage in this case my my soce

manage the company. So I don't have that stress but I'm getting and I

am doing and I'm that's my courses there that there that not be that not

be for necessity be because if not it can be the story.

So for me is see that as as we have possibilities of to romper the moldes,

invite to your partner to discover things new, that always, and it was my papa,

not you don't put all the eggs in the same canaster. So, then two,

three fountes of the and at a little, I had my phone of the thing,

I had my purserita from my little and was my little the school,

but, but, I was to go to the me to sell some

what was your first impendiment? What was the first, first, first,

first, so yeah, not of a new more in serious. Oh, well,

I'm that I'm when I'm my company Rocketto, that was a Rofood and a

year, where my socio, me said, Karina, , I think it's time, that's, I'm, and, and, and, and, and, and, and, and, and, and, and, working, but yeah from other

space, and in this project I went to because it's an idea that I said, this is spectacular, I want to say that I'm part of this. So, so

there's, there's to, with what social you're the energy, no, that not you see in the car, that

also me have seen the car, what, what was the worst error that's committed? Tell us a anecdote,

because we have to understand that when we're going to financially I don't want to desiretel.

But no no, no, no, he's not paid a personist, that no has paid a

discalabro, count us an anecdote of a miscalabro of a real. Let's go.

Let's go. Let's go. Let's go. Okay. No, you know, to your friends or

to the family. It can destroy. One person that I know me, he gave money for

his company, that, tal, tal, tell the time, not me

has paid. And then he was another coate, also with a

project of a startup, the internet, that I'm because I

am a because I got to a lot of and the repented, it was he did

the backations for all the world, and then I had

had made to the 15 persons and that the company not

a price, that's a For me, the apprenticeship is not prestes for help.

Because the people not appreciate. And, and over all people that we have that's

a lot of a lot of and I'm gave much courage because I think I know I've I've been

15 years working this money and I thought that was an investment and I'm going to get

to be and the other was and the other was, back to your

idealism and first, question who knows this quater, be with the abogados

that check well, to check in your contract, to see there's there's

not. Because when one when one starts, then the question of the

business, as you you're of a good and you think, you're

the people, then you have been those two discalabros. One

was very very very was a person, but I'm still still

I'm in after to find a form of recuperate my money, although not see in the

time that I wanted. So, we're part of this these discalabros, but with this

type of podcast, information, at the one of the is, and I know I'm going to

get to pay a money, that's a money, or the man, or the

new, or the new year? Yeah, and that's the part of the lack of education

financial, that when you prestes money. If you go to the bank, if you go to the bank and you ask a person to pay someone, a prestamist professional,

you will be a plan of your business, he will be to your plan and you'll say, this, no, I see, I'll see what future, not you'll present. Or if you be a future, it's interesting. If you presto and you

preest, I'm, you've asked even, under certain regals and all. But when you don't have education financial, not even can't know, you can't know how much

the plan of the business. So, for that the people more, the people are more, the people are of the education. And me, me and I thank you. I thank you.

I appreciate that you guys. Because part of the empowerment of the woman is to understand the numbers and to get a little.

Not we can't not we can't anybody. But as I'm the way to get to the numbers. Because many women don't get

in nothing, in nothing of numbers. And God not want to we have a problemita, yeah,

there's a divorce or there and you get a, and so in America Latina, the women the women

are in the people. a divorce. Mark, if, if we're regressamos to the Codicemenine, that is the receptivity and this capacity that we have women, that the woman

gets with the semilla and you it's, you the contests, how can we're going to be good administrators, not only of this resource external, that no, it's a time, but of our own resources,

of the resources of our family, if no cede, so there is where, if you want to empower you as a woman, to fight for this equality of your own,

learn, is like I'm, if you want to learn a man, learn to be a man, if you want to learn to be

money, if you want to do it attractive, learn of you myself, learn of your body.

Nothing gets a let us. Let's do a pause when we continue us, I want that Karina

us platique more just about these habits femininines of the women

power of these codigos feminine, that's that's the time and that the women

it's it's it's not to find out of the most good of all the people.

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carinoel belasco women's there's a lot of power that occurs when no there

when the woman is a man in a energy masculine inconsient is installed in the

macho macho macho and when the woman also is installed in the

trucos that has been to develop to do also of the power

and of movement like for above of the water, no? If I don't

go to go over and then the repents or amistades that are in a, in a competition

and in a lot of the power and that you do you do you about the the codes

feminines and about the this that you mention or this tension and the power and of

how to do you do that how you know, I think in principle about

to do the acceptation for you myself and I'm talking in feminine

in particular in this podcast, of your acceptation, of your don't, of your acceptation, and responsibility of what is your power. When I'm that I'm a woman

unica, I'm just to compare me. Dejo to start playing for this power. And this game of the power, I think

externally is so the mode and like we seduce the idea of this game, because we say,

the more things external has, the more control has over others, I'm going to

have more power and will be to be these vacions that I'm this

this is this this person, of my essence, of my self,

and precisely is what I know, and for me, I always I'm much

emphasis in that the codes femininine not only is a

course in line, it's a community of women

that learn to relationarse in a level of collaboration and co-creation where I

say I'm the facilitator not I'm the master I'm facilitating a experience with the

things that me have helped to get to come that I've transformed that simply

I want to share and in this retroalimentation of the community that we

we're to do work in groups in line there is where you

you you know, you know, you know, that all we're masters, that we're going to do you know, that we're going to to learn, and you know, like, demitifical this rolloo of that be powerful, I'm the woman

alpha, or be the maestra and the that I know, and, I mean, me pass in my courses, I do in my courses, I do a circle, and me sit in the circle, no me sit in a podium more. I don't know. I'm superior. I know no say more.

Simply, I'm expert and I have this experience in the arraimientas, like when I want to learn of finances, I'm with the expert in finances. So, for me, these Codigues Feminino are these seven modules that you can't do during a year with instruments that I'm using, to give up to your ser and be, what are your

creencers limitants, to be what is what is what you want to do you're with a

good, your don't, your attributes, and start from there and start to experimenter is a

course where I mean, the blah, blah, it's important. We're going to understand the

things. But this is a second of the experience. And at the

more you just, you know, just just just just just

just, yes, but you have put to that if you're doing one

a year one one a one of the time you you're

going in your life in your in your personal in having

clarity of what you and how to do and

to act because we we're we're we we're we

we're we and it's time to not what

that are emporated and growing, not competing and controlling, but they're really, desalrojating

that are in the divin'n't with the universe, with their essence feminine, also with his energy

masculine, with this manifestation and co-creation, what habits you could give as like a

little more than you know, you can't you can't find your course? I'm

going to do you want to do you because I'm a golosa. Colosa.

The vocadillo number one, learn to relaxate. Because if I'm a relaxar me, I'm receptive. If I'm receptive, my intelligence is preended and I

know my mind and I'm absorb more. Two, divirtete. The pleasure of the life. All those days

do you do something that you make a good, that you nutra, because one of the Codigues Feminine, is the nutrition.

The mother, Tierra, us does all to nourn't you. How do you do you? What do you

do? Three, no, don't you do a clavado. That's very important.

So how we can start this? Do something that's something that do you do

do you? It's to, oh, oh, my, my chock the

avocado. Comet a bit a bit of a cat. Oh,

no my no my fear, I'm going to go to

my time to do you to get to your husband. That's there's

there's there there has a there have there with the

light on the right right a bell let's let the

door of the doorcese of the baron about

the beginning it a of a little. Exactly. Well, number four,

questionate, who is I, and what you do you know, and what you do you know, what I did

this is this isempower totally. And five, do you do you do you do something

something that you want to okay, I'm to give a example. My

life social ultimately has been to go to the super. Okay? And you know, and in pandemic,

all the world and in chancla, so in California, no, the chancla, the tight, not you do you,

do you have a week, I said, I'm going to get to be a new, I'm going to get,

me, I'm, I'm, I'm over, and I'm to get a super, and there was a

person, and me fiat super to try to ligar. And ligated something? No,

but me regal a hugo. Ah. Siguently Pazuelo, the juggero

sure my. The juggeros be my. So, these are five things that we can do

all the days. Independientiment of what you do you do you can't do you

go to the codigos Feminininons com. You inscribes so with your 20% of discount. Also, I'm going to

give a 10 meditations gratis, of 5 minutes every days, for that you put to dance, you relaxes, respirates, that you can't do do you can't do a while. I'll give a meditation of respiration and you're going to

have the access to one year, seven modules, three videos of seven minutes, two practices of meditation conscientious, and uniting with me to this club of women to empower us to learn of

the one of the others and eventually I'm going to do a retiro so I'm very emocionate to do this. It's good.

Theodigos Femininos.com and also in Instagram I'm going to do you to start those codeos femeninos

com because there other the codes feminines that I'm not I'm access repasamos the five habits number one

Apprende a relashartee number two Divirt. Dutrette. Date nutrition. Has something Dirtive.

Number three, that not you do a mind to let me ask to say, atreve it. Then number

four, ask you questionate who's you. Dehs to ask that's

bad in you, that I'm equivocated or so discover your essence who,

who is you. And the number five, do you do you do all the every

like you and care in the super and and get a

huge so are the so are the five. And more information in the Codigosfemininos com,

Karina Belasco, thanks for having been with us you want to love from San Diego California

to the Hermos the Havos Baja California. I'm I'm I'm

love to to be to be to be my dearer Regil you're a bonbon

you're a bombon a bonbon thank those those are the Codigues Feminine. It has been a bonbonazo

of pleasure to be on you guys. If you're on any of the applications of podcast, subscribe to you get automatically every week.

Five starletes and some reseeing. And if you're super good, and if you're on YouTube, and give a campanita and

give a like to this video. And here about, in YouTube, here about, we know what you've learned

to Karina, did us what are your reflections? Compart, because I want to learn the comments

and me We love to how we'll learn of the people that we know or we hear of the so thank

and after the next to the next. We're going to