El Podcast de Marco Antonio Regil - 185 - ¿El amor es para siempre? - Mauricio Barcelata

Episode Date: September 26, 2021

¿Quieres tener más amor, salud y dinero en tu vida? Te invito a mis clases GRATIS en:  https://hotm.art/masterclass-2021  https://hotm.art/plataformas-bienestar    La gratitud te conecta con el amor incondicional. Únete a mis 21 Días de Gratitud en:  https://hotm.art/Sp-Gratitud  ¿Será que el amor realmente dura para siempre?, ¿Será más fuerte la costumbre que el amor? Hay parejas que sí han logrado amar para siempre a la misma persona. Mi amigo Mauricio Barcelata lo ha vivido y esta semana en el podcast nos comparte su experiencia, que puede ser inspiración para muchas parejas que se preguntan si el amor es para toda la vida.   ¿Qué puedes aprender? Cuál es el secreto para que una relación de pareja sea duradera. Cómo lograr que el amor dure para siempre Cómo afrontar los momentos tristes o difíciles que se viven en una relación y seguir juntos. Sígueme en: Instagram: @marcoantonioregil Facebook: Marco Antonio Regil YouTube: marcoantonioregiltv TikTok: @marcoantonioregil Telegram: marcoantonioregil.com/telegram Sigue a Mauricio Barcelata en sus redes sociales:  Instagram: @mbarcelata Twitter: Mauricio Barcelata  Facebook: Mauricio Barcelata

What romantic is that someone is that someone is that we're going to love for ever, we're going or we're

to want to make for ever to that person. But really, this is possible? So,

can live eternally ever never enabored and amending always a same a same

person? The science says that this is possible, but there people who has decided to

live so and then we've just to ask to a person that is a man,

and that is a person, it has been has many years with her same a marriage,

a more very, very beautiful Marcio Barcelona, that only us accompany in the podcast to say he

he's true this of that the love is for ever. Episode 185, we'll start. The podcast

of Mark Antonio Regil is a production of RGL Entertainment, and all his rights are reserved.

Mauricio Barcelona is one of the great conductors and actors Mexican who has done

telenovelas, conduced numerous programs of television and we've seen in theater in videos

and even he's he's his career in 1989 being part of the group

pop infantil called Cometa and then he was to the

city of Mexico to study to study in the center of education artistic

of television she is married and and and

they're both two men's Matthew and and Valentin grand professionalist,

excellent friend, enormous, as a man, he declares profoundly enamorado. Mauricio Barcelona,

is there in the podcast. My dear Marcio Marcius to say, I'm sure, the child,

the Afto Veracruz is present. How is your friend? The Alvarado for the world,

very good Mark, anorme great, but I'm a good, pleasure, to be

to talk to, because at the final of the day these these manners to

communicate us also have made to change in all the time and so the time

the rapacho, the best but the most of the one of the strange generation where we could be able to

and we're we're trying that I see, but well the advantage that's good that we

gotro with technology because we could have gotrado without the technology

and there if and there if we not we we're we're I want

to ask you think, because that is the theme, you're a person, you're a person who has

got a little common in the world of the entertainment that is having a relationship

of much years, you know you know so I'm so you don't, so I'm

so you're more, is for ever or is more more the custom the love

the love is for the love is for generalize the because we tend we have to get to the

general of the particular, I think you. The love is, is, and is for ever in

any of the other of the things that we can't be, eventually can be, no,

so, so, of a repent is it and the love in the love in

the power and it is going and it is a final of the day, the

love that I feel is the same the same more that I thought

for another person some other moment, in some other circumstance. Today, more amarrated, today more

concrete, today more firm, today more maduro. But that sense of love,

I think is exactly the same, you've been and extrapolated today with my spouse at maximum.

Tampoco I don't know. And so, the two we have very clear, if it's a

point of, of, the, of the base principal life in a life in a

that is another story, I different to the love. Obviously, to me it's quite that we're

that we're with a mom, the boy, those abelos, with the family, that circle there's

there's your school of love. The relation that you have been those first amores

is the relationship and if you is dramatic then then then you duplicates the drama

more more. If it's violent duplicates the love because that is

a more but duplicates that relation violent. If it's of chantages, or you'll explicate the chantages. If it's a sound and harmonious, then you're supplicas the health and the harmony. So,

there are the first amours that that we mark. In that time, you know, that an amor that has done, that has deceptionated, that you have taken

the first markers of the life that have repercussions for always. I remember that was so ridiculous, Mark, in that so

I made some pened as so nondon. I made some things like to like to

do you like a little a little to say you I'm sure that was a thing or like that

you're going you're you're looking simply identity and and reinvent

you're so you this carnal to this carnal to this carnal that was back

there's they're they're very very hard I'm I'm I'm

to do you you're you you're to create this this

careta that is what less it's your essence, with that

not to do you lastimen another way. Sure. Forms to protect to,

to, you're to be a identity, be more cool, to be more accepted, and they're

on the recasasos. Yes, we're we're going, we're there, but for

there's to the city of Mexico, yeah, to prove that you know, that's

in the forums of Teleriza. You kept by there, because you didn't

where you went to where you went, to the center of you didn't need any where you you know, you said,

you went to the supervince, my, because I don't have to go I'm, I don't have to in nothing.

Yeah, in nothing. So, you know, you go, you go, and you go. And I'm

regress. And, not, you know, you know, you know, you're going to do you're

to get to the casting and you're back and then then you're and then we're then we're chaito,

and to be how pregats to do you to come to get to say, and you they're

you're accepted in the school. And you you're in the school of television. Yeah, it's in the sea. And then there's where you're going to get in the forums, in the passillos, you're in, where you're in. In the edificio, production, you'll

you'll record. And for the people that not know, in television, there's in the office, there's, there's an building. And up there's an eliporto. Yes, yes, yes, I, so, I know. Juno to the heliport, that now are the offices of Louis DeLano,

well, that you know, the Lyddeyano, Rocio, Campo. etc. There was a salon that was the Salon, that was the studio of television

chiquet and then the studio of television. I was I was in this salon but I

put a colchoneta and some cubos that were like, like, like, and after

of the cubos I was and I was and I was you'd be and I'm and there and I'm

and there and there and I'm what what are the things of the what is the

love of the The ambr, no, but, yes, it's the right, the ambris, but the amor to

say, you, I have to say, you know, I have to go to work. To be a little bit more. I don't have, no, I didn't need to get me.

Wow. I'm like in the Milusos. No, there's to, for the most to be the most to get me

because the day that I need to something, I need to get a little because any money to get because I don't get a beka

there in the school. Cas and all my companies that I don't know how they'd they'd do they're doing. But all they'd say,

how's it? How? When I get to give a beka, Ogenio Cove, I'd say, I don't have in all the other?

And me said, O'Geney Cove, because never have you asked I said. I mean, so. Vavaso,

the that no pite, well, God no he'll hear. That's not the word, he's the

thing, no. Sure. Oye, and And yeah, standing in the city of Mexico,

in what moment, because I want to go to do you know, to your life, to do you know that you know

because you know the sea, this, then you know, you know, the success in your career, but in

what you know, you know, to do you to know, to do you, a lot of fitness,

leader of fitness. In where the one of my loquita favorite, the loquita, I know, I know.

I know. in the, that has been 2007, there's been, in where I get a Capulco, and I get only, in theory I had to get to get a little bit more, I'm trying to get a for a pair of.

And his abuelo had to complete years. She was in Acapulco, because there was his abuel, and then he had a, an, an, an, an, a, an, a,

a, an, an, an, an, And I, and she said, Hey, I'm going to be in Acapulco. You want to get, me sobara a for the event, for tal, tal, tal, no, what I'm, when I'm the

encounter, she was, with the st. Kappa, with Jose Ramos, St. Christoban. Yes. That's of his best of the life.

So I was, arincmoned, Mark, in an alberka with my soundophonos, no had airpots, but they had my my phone with my apparelitito.

And a book, in, in, uh, me not, the time of the photos and to acerkeh where there's a camera and,

I'm going to put me to move photos, no, I don't see me had done. I think has been one of the great errors in this career, but

so, so, I'm, I'm, I'm, they're down a palmera, and me, they're,

a oomro, a seora, a seigne, a dama, a dama, a dama, a dama, a dama.

A dama. A dama. A dama. A dama. me to the umbrough I

went to interrupt me I'm going to my song reading my

book precious I'm remember of the book I'm reading

paula of Isabella and and in that me to

I'm I'm I'm I'm so I'm I cut out of

my I'm I'm I'm I'm said you you

don't bronceador or blocki a And I said, no, no, I I don't have. And he's me, I'm scannea, complete.

Uh-huh. If you, it's not for the color of the pitt of perroth that's and he's, he goes! Oh, that's what? I'm sorry. No me, me, you know, that's that was her, that was

that was made her to be that was Maria Jose? Yeah, it was Maria Jose. How you think? That year, that that's a guy, is that I don't know how liga, I don't know what I'm,

to do you no have a filter of the I don't see what I said and I said you know what I'm you know

no no no no I said I'm just he he's just he's right I'm sorry no no I'm

I'm sorry me come and I'm sorry no he's not she's he's got

or not she's not I'm not I'm I'm a woman but obviously but with what

me did because why this this girl this girl this girl this girl I was going to. I

went and I and I see in the my sure. It was as well no view

absolutely nothing and at a rata I'm after I get to get to the year and she

did it she pego to the talk to her and I said her and she my wife

the girl the she was the I'm sure for God for God and she she can

tell that this story that romantic history I'm which I'm what bitch

romance and that Yeah, I go. And at a rato, other me say, pardon me, just I want to

ask you a favor. Now, what? No, I don't think broncator, you've seen my color,

you've seen, I said, I've seen, to see, to be the father of my kids, me help

to look because yeah, he's a Italian, that comes with his he's,

he's, he's he's, he's he's, and I know, I'm,

I'm, okay, I, okay, if I'm I'm you know I'm saying,

I'm saying, I'm saying, I'm saying, I'm saying, you know, I'm trying to be able to talk to

a guy to he had liked. Yeah, he's a local, that's a local.

I mean, to know to know me to know to me to do you to get to me,

you know, okay, if you make you you know, I'm going to do you know, I'm

going to go and go and I'm to do you go and he was that the final of

the day he went the father of his kids. Ah, uh,

a long, because you're saying, for you, because I'm going to and I'm

no, no, you know, you know, you're not, you're not the

and I'm going to and she went to the place, and we don't we'll

see in all the day. At the night, when it was the event, no, yeah,

the, the night fastuosos and all, the Prime TV and novels. In the

those preemues, I get me sent, the ...untto my vacill, because I no I'd have a companion.

No me say, ...to be she was her. I mean, and he says, Amigo, how is you? Oh, yeah, no, there's over a place for me? It's that, fift,

that an amiga... Ah! ...andah for here. ...hegiana. She's a... ...heena, she's... ...untal me in the place that he corresponded

to my accompanie a companion, and... ...and... ...and... ...and... ...the... Maria Jose. And he says,

hello, I'm gonna say, that's that's, that's, that's, that's, that's

he's, and he's, he's, he's, he's, he's, he's, and he

and says, hello, how you're, you know, I'm gonna go, I'm gonna, how I'm

how to be, how I'm, how I, I can, I, So we started to We go-ho, so the fact that's a woman

very differentied Very entertaining And he started And we started And we started We came to get Jessica Diaz delon Also, they were

They're just Ivana Maria Jose and Jessica And platicando So I'm I was very during all the night, the

And in that they started to parr Marko to To all to all those started To start

To you know that a repent They're You know that when when when he came the premiered, Mark,

Antonio Regil, he'll call them at one of the extras, Mark, Antonio Regil, he gets,

he gets, and he gets, and he gets, he gets a preemio, and he's back and they're going

to sit to the extra. Sure, yes, is the way in the way to the production.

So, I did get from the principal, and I didn't know to premears and I

never, but I got from the beginning and she sent to one of the

places of the premiumed and they started to do a all.

And the other she had corrobor and said you know I'm put in

what they want to that you see you so is a pelionerita is

it's feisty it's it's it's it's parable to

all but in good on and and to she and

she didn't absolutely nothing she was she I'm starting all the event, and when it's

when it's just a question of attitude. Okay. No, they're going to paramed. All crisis has an opportunity. You know, that many of the companies that are super-exitosa, over-told in the world digital, have created in times of crisis?

It's hour to get us and down that, even in the time of difficult, we can construct our business financial and pass to the super-evidency and the angustia to the stability and to the cresmient. I know that the doubt, the incertituburn, the fear, the fear, can't get in what I'm saying,

but I'm asking you, because it's a very time when you take the decision to change the stories that you're telling in your mind, because here begins to all. The bien-estar financials, it's here in the mind. Today, I tell you can't, but only if you take action

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master class gratuita, where I'm shared the secretos that I've learned of my most great masters and that I've served. I want to be that

you're also to you're doing to make it. And you're doing it and you're doing what you're doing. Mark, and how I can assiste

to the class? The response is very easy. Da click in the in the ininace. Registerate and you're in the rest.

Also, you can't start to start a autododododododicic that will to help to evaluate how and do

your relation with your for the class. Annoten your agenda, the day and the hour, and we'll see in the class. I'm all ready. So, you know, inscribettet gratis in Marko-Eugil.com diagonal 221.

If you're on YouTube, da click in the description of this video. There you started with admiration to her. In what moment? Because I know we

could we're talking about hours of her, but in what moment you feel this is the woman of my life? When I'm in the airport, after many stories that we've passed

and that me ohio with all his because me got a carmionetta to go to go to the

baby because she had to the event and all we've got to get to get to she's she's too

but that's because the I see because we we've got to find out the hotel two for

no I don't know and I'm saying I'm going to get a car back,

me go to let me do the back the she's she gets to the car she gets to

the carmionette a suburb padrissima I get And at the hour that I'm going on the elevator, I'm going to meeter, and I'd make,

Mark, it was six mrs. And they're going because we're going to give us, we're going to be, and so I'm saying, Maria Jose,

I'm going to do you. And I'm going to do. And I'm going to get us. And then we're the six mises. And they're six to the

carmionette. Six reigns of beauty. Yeah. Six reigns great. And Maria Jose, not he came

very well, that's a no. And not, and not I did in all the

night. Okay. You know, how many wows you like to go to the regress, those that want. I'm in my in my,

in my, and I'm saying one, I'm, I'm just, I'm just, this is the 6B,

and me he's got a very much. Ha! We, me, he, me sent the

bullet, the 6B to me. I said, this is not of God, boy. This is

a lot. She kept to me because she had just that balletto and we're talking in all the

flighting in all the world. It result is that we're great friends in common that we we've been

to talk incredible. Yeah, to do you do it not normal. Wey, you know,

the miarcoless I have a reunion with a friend with me I don't have to give back?

He's come with me we, we're coming and that day we've got to separate. we then we came to

that I was, I'm in your house and we don't we'll go back to separate almost during five months

wow of not separate us a one just an only instant we're just we're talking for a

project where the producer no said we're we're just we're just we're just we're it's that

even if even if they separated the life was to talk and to to count and to join and

in some moment us would know, and we're going to say, oh, how,

how's, how's, how many years, how many years have passed of this? Of that's three years.

13 years. And you, you, you know, you're just, we've got to, we've got, we've got,

we've got, 10 years of difference. 10 years of I'm, to questioner the difference of age, because I

always talk to people to live many years. But you I'm going to because the people

you know, it's a effected the difference of the age, has been a little the difference

of the age. It's been the better. It's been the end of the day, and this I don't know if it's a

cliche or no, but always say the woman madura much more more

than the man, the men we're we're thinking in what you when they

are in the they're doing, to do you, to do you, where they're At the contrary, I think we've done a click phenomenal.

It has been wonderful to have this difference of the age, because we've compagined perfectly well. Hey, he said Hector Suarez,

Hector Suarez, Padres, he said, the man has the age of the skin, of the woman

that caricia. And I'm saying, Marejo, yes, with reason, me has chuped all my youths you're all

a chabrook if you've maintained very good my dear my dear my yeah I'm

yeah we're in exactly the same age and we're really and I'm done very well

the is that the age finally we're all the chaborukes that's there's a

thing of attitude and me I've passed very well and I'm continuing

things that I like me that I have been the thing I think

the more important as as a a couple, we do we do not what we

do the people of our age and that's that's a mark to the two. That's in what your time

you're doing? 5th on the year I'm 10th no? Of the 70 yeah

I'm I'm in 6th December of 69 Capricornio also nasisit not

but notis but but moving the time of your party what is what is

what what you do you the because the communication because have existed

many problems. The life is so, and the life has done a lot of surprises.

Crisis. I've been to separate us eventually for crisis of not understand us or to know

what to know what and I was a person that negative or the 100% to the

thing of the therapy. She no, she met to this world and when

me see with our therapist what I'm that's that I know to know

what you can't get to and I said that Thank you. So,

you know, he's a man, you know, he's a conscious, you know, that you

know, that's to learn, you know, because he to observe us to be able to work in, in,

in our problems. Of course. And in the media, I, I'm, I'm, my,

my, my, my, base, you have to learn the psychology of each one of

the personages, and you have to learn a part of, in general, then, so,

know, what means, love with your word. Okay. And you

have to learn to the past of the years. I can say, you know, and at the

more she not means nothing. A she means that he says, that he does a gesture,

or he to take the earjita or something. And for it's the way, that's

wow, how me he has. But we have been to discover to the past of

the time. Discovering us as human and as personalities independent that we

keep us that's the communication has been has been clave and what I'm

think she in the more she in the form in the form in she she's like not I don't

I don't say aggressive but it's very very that maybe that that force is a form

to protect or that force is a form of connect us and with others Ryan in the

ragged in the agressivity yeah has been a woman that has

been a person has been and a spada of many things, of many situations and it's a, it's a inconditional

to love, to his, uh, a, uh, his, uh, his, uh, his, to their owners, to say, to those, cairnsia.

And, and when you enteres, who is this woman, you know, you know, it's, you never let's, you know, I've said, I've said, you're a woman very amable and no

I'm about about. I'm a woman easy to love. It's a woman amable. You see and I need to love you.

And so I see it after a time. When I'm to discover all these great virtues

amorososos that have your life, you know, you know, that this powerleza that has

one more what we have we about us these these great masks that less

are not their essence, for fear to be not being

those those things, because always all the pair has

had been retos durissimos durisimus and unesperated what are

the those are the most of the moments where you have got to get to get

to be dismornando and we're going to get to get to there.

When we we're the moment more the time

that we took as as a couple and

that separate. To us to to stop us, to nothing, to nothing.

And when I think nothing, it's, um, miraculously we've said in therapy.

The first that we asked the, the therapist was, to be, what the only

that I'm a thing. Mauricio, the am, he says, yeah, Maria Jose,

he's, okay, we're, okay, we're doing, we're doing, the other

no, no important. If the base is you know and me a more, we're not

we're going to the part of the if we're not we're going to us and we're going to be

a job, there's there to have to keep it and we know that we're

these perid that have been the more complicated that we have been that we're

the only that we did you do not I was I'm talking with Ernesto

Surita in an over the theater we we did we in a time we went to

tijuana just to think we're in a carthews in a little bit of and I'm

talking about to the stories that he had with Christian and he said that in the

poor moment of his lives he said he I don't remember

exactly how umberto surita umberto sure uh yeah

I think you sure that you sure that I'm sure umberto umberto surr

umberto surita umberto surita umberto surita umberto surita Christian, he was my director in the work of the theater and that he said, no me soltes. And I don't you don't do. And he's, oh, I still. And so

I'm, oh, still. And so they're to take me the man and he said, and never more no soltamos. And so I told in that moment of Maria Jose and I said, I'm, I'm going to maintain this. No, me soelt. And she, and she said, I I don't do you let's do.

And it was exactly the same anecdote, the same. And I said, here I'm, impossible to let's start me. And I shattgeo much,

well, in my redds, that I always put I, I don't do you, and I don't say,

for who I do, for who you pass, a moment complicated, difficult, difficult in

your life, here I'm, here no, I don't do you do and

always that we have been in the moment, we're going to we're doing, we know, we're saying, I don't

you know, I'm not the I'm, and that's and there, it's like this,

or this is this is the, or this, the, he's been that's strange,

that we're that we've separated, or we've, we've separated before of

know but the life was going to and we see

to see to see it's it it is it's

like this this Marko when is the the

guy in the island and he I want I

want I know that he and get a

carnal in a bals chiqu he he's no

I'm I don't the grand book that a and he says, Submete,

I'm a grand laddor. Vent. No, no, no. I'm hoping to the grand booker that get the other

in a salvavit there, a penos and he says, subete, yeah, we're going, we, we're going,

we're going to get us to get a little, and he says, God, no, you know,

you know, I've said so much you know, because, no, no, you know,

I'm, he's, I'm going, he's, he's, he's, he's, he's,

he's, to get to you to get to wow what's amazing what's amazing what you're and know

that's that you're that you're that's you're in a form different to how you know

to let you the appell to what you create you in the mind I said to be this

this I'm I'm I'm much years after I'm I'm I'm

to go to Chivalal Carmen in a carmion and and then go to go to

an adventon and then go to and then go to go to and then do not

to drink or not to tryg or to eat and and say ah for something

they're doing this succession of events for that in this moment to which

I don't still still has yet yet has come or no because at the final

of the day you you're luching for obtaining how it's and

from the money, from the liberty financial not, to say, I want

to do do you want to do that to do to do to do do so

what I am. I'm I'm doing so what I'm but you need

you need the land remunerate and and more because there to do

do to do at final of the day we we're

we I was a little with a little with a friend. I said, you, how you you're going to

you go, well, if I'm going to I'm a little I'm not a

time. I want to for my hours, but no I want to much time.

The difference is that my day is a bit more more more than you.

We're we're a employee of a time, no, we not,

we don't not we have able to do do because

that doesn't we don't we we need to learn and we

I still studying and that I still metying but never you know what is that the way where you're going to get to get. So, so I'm

my opportunity to get to get to get to get in. And I know that the book is close.

I'm and so he's. And at the more I don't know I can't I'm going to

the way, so I'm been so so much, so entertaining, so

that's so much that's the more that's the way. The book is

the way but the way has been the way and the and to

find me with this woman that me has got to my few

moments I about of Mary Jose obviously I say

thank God for having me put in the moment

that I needed to the years, Mark, you also also, I mean, you know, I mean,

that we've confesseded the one to the one to the other, that we have found many times, and no we've had

done a question. Maria Jose, I went to a chabha and I went to

a churrery that had Evelio with Bechica, no, see, you do you know,

the comedian. Yes, yeah, yeah, yeah, I, yeah, it,

Maria Jose, Vivian, the Condessa. I came with this chava in the motor. And the first thing when I went to the churreria was to bolted and I'd see a woman gawapisima, inolvidable for me,

you know, for God, and for my kids. And one day, I said, pause, it. I'm frened the disc, the acetato.

And he said, I'm going, I'm going to I'm going to a event in the life, that you me you have to

you have to get to get to you're in a day with three chabos Italianos

sent out of a churreria of ta tas tas tas tas tast and he he says

mom me you get you got in a motor with a chava whera

that no I go I go I'm he said I was and I was I was

I said that chaba that chava so chava so I said what

but I was with my novio. I thought the same but I was saying the life. That was the

only, that was the only we've passed many times Mark. It's that is the the law

is a that has has been like teaching, cocied together together that

to another or other way it had to be and at the more you're

in the book I mean you see you know you you're this is

the this is the this is the book This is the buke, or so, yeah, it's a

little bit. This is a buke. Sure, and then we don't know we're and we're looking to

in the external. In something. Or in what always us were to see them to find. But not

we said, in the land. In the land, yeah. When you're with

this liberty of land and the liberty financial, then you put to put to

to look to the other things. When what does that

I'm going to, like you said in the buke with my captaina but apart with a tripulation included.

What a great story. I thank you much, much, that you know, put your

manita so, like, put the five hands for the hand for those

that are listening the podcast Maris is putting, is the opening,

to be able to the five of your life, the five most great the time

the you have had to give five if you are in those

five. Maria Jose The husband Mateo Barcelata Your son And I'm just Ponged another

more in order of apparition Uh huh Valentino Barcelona Your other Yeah Uh huh

Maria Eugenia Pinedo Berros My mother Your Mami Four Maria Maria

De Las Mercedes Berros My Abuela Your Abel Your Abelita My

Five Five Grand Amores Maria de las Mercedes Maria Eugenia My mom I'm

I'm From back to the last Valentino Barcelona Mateo and Maria Jose Three Marias And the women Three Marias

Three Marias Yes See My three marias Myra My name What I've No you've

No you've No you've I've Has The three Marias In your Never

Yeah Yeah And I'm And I And I I'm And I'm

And I'm Maria here in my quarter also there's except for

Valentino the M would say you know it's mark the because Matté and you

you know your name your name you know Valentin Valentino you can change the

name to put it Valentino so like you like you could catar

Malintino very well let me think I have I'm a

tattooage here one of my tattooage a but it's the reverse. It's like a, it's like a

casita. It's correct. It's a casita with three gyros. It's this. Theos really, uh, are a,

it's a. It's a M. It's a M. And this raya has three As okay. In the middle of the M

for those who are listening to the podcast have to come to watch the YouTube for you can't get the tattooage of Mory's in Lata.

is a M is just of Maria the Mauricio Mateo until he's when we we're in this great crisis

because we've the three perjas that we told of the three babies that we're in in a crisis were three

babies and we've we've been and the third was the most complicated because apart of all

all then was yeah was I was formed practically yeah we're in a process

final the end barasso and we were still in the corpecetal of the baby. Oh, that's what that's a lot. So, I'm sorry. So, so, so. So, so. That's so, that's traumatic,

totally. Because at, at, at, all, the end barrage, and not to have, palpably, not to have your hands, is distinct.

I think it was much more simple to, to, to, to get a But as a Yeah, But, it's

It's And now What I'm What is What is And then Then you You get to the

A la A capilla A capilla Bacia Because apart Decidemus That's It's

Bacier With a With Ataud Ataud Pecanito way, the

movie of terror. Where we're we're in the grand moment of the depression

that when we're not the decision that if we we're impossible to get more to get more

in the depression. No, there was we're saying, we're saying the we're in the

phone. And the only that you can't do you're to go to go right.

And we do you we did and we we're we're just we're just we're

we're a he said, and he goes Valentino. And in the tattooage, for those that no they're not, they're seeing, that's a B, that that's just has to stay a to all the other, that they're in a moment of crisis total, and that, all

there, he gets and he gets and no support. And, and we, and it's, and, it's a force for to get a deland. Wow. And as, how much. you know,

you know, one day, we'll we'll know that that was our house. That was your

house. That's beautiful. And there are all. There's all. In some, in

some rations, in a simple traceo, all a story of love and a story

of life. And we we're that story and Matthew, for example,

when he went to the school, he said, me present a plumbon, yes,

me to go to the school with a tattooage. And we painted him and he went to the school and she went to because Maria Jose

and I don't see that that's the chameco to the 18 they're going to to make a make a tattooage and it's

the school but it's a school it's a scud of love it's a school of unidad what life

that's that so how beautiful you can have created you has co-create and you I've co-created

and you like to up and other once with your and you're and you're for the love

or for love or for or for a mannice or for you know or for being a typical capricornianian

that I'm there you go to work you're happy I'm sorry you're the same the same days

of the seven days of the time and you know you can't because you're stanked in the theme

of your business this history not has been to be so can change and is in your hands.

What you have to do you? What do you do you know? The education financial. Is that's the money is a

little bit of a new thing. But it's time to learn to transform our life and get to learn our life

financially and stable that you get to come to the life with security and with tranquillity

to make to make this master class gratuit that I've created for you in the way, in the

way we're to learn what is the difference of the mentality that you give to manifest our abundance versus the mentality that

you maintain in a poverty. But it's a poverty mental and that you can't get to make a class and make it and get to

get to learn to how manifest our business our business we're doing. Inscribett gratis on Marko

onioregil com 2,021 if you you're just in YouTube do click in the

description of this video and before before you I can't to let me go to the podcast

without something that me to make to do this a good my good Lord

let us let us let us go to we'll invite we're going to we're going to we're going to

get to you're going to you because we're notc we're we're not we're we're not

we're the glorious decade of the 80 the decade of the the decade of the Michael

Jackson of the Pacman of the disco of the Rubik's Cube of the SIDDA when we're

in the coaches in the conturons of security and we had been in bicycle was when the VH is the CIDA

CIDA that's started to know in the people and the people to create more

more conscience so for some that was that was that was exactly in pro of the

yeah of all the thing it was a whole thing it was a so we're so we're

so that we're going to do five questions with three corrects you're a winner. No me

you're a winner. But you're a manor of an auto-abraso because I'm the other than the internet. But the game

is called, Atinale to the 80s, my dear Mauricio. So, so, put a much

attention because is a question and responses, there are options and you can reasonar in voice

after, before, before, before, before, so, okay, okay,

well, then, so, so, there, there, many taquillers

not was launched in the 80 not was launched in the 80 a

beetle juice B Grease or Vaseline C Scarface or car cuted

I don't I remember how it called in Spanish which of these three

play taquillers not was launched of the 80 I've seen

the three obviously and the and the and the that did you have

been out of the Epoca, now I think Chris is a response

final. Let's a question final. A question. My dear

Mauricio, Gris is a response correct. Very perfect. Perfect. First

point. Gris 1, 1978 John Trobota and you confi Olivia Newton

John. That has been my crush when I was to the time

still I'm still on the period of Sandy was the

person of the movie Newton John. And you you know? And you know,

it was a like a little bit a little negro, negro. Negro. A manned

a patelone peggatito pegatito. The anecdote is that when they were filmed that filmed that

the pantaloncito all he was all right and she was so she'd be so her her with her

she was a man ago no. No. So it was part of

so it was super delgata was Delgadoita. One a certain. The second,

the second of 80, it's a old year. In the years Oda Estereo, was a phenomenon of a

great man, a great Gustavo Cerati, Z, and Charlie Albert. What of those three

exitos, figate, what of those three things? Exitos no pertinacy

to Zod Estereo. One of those three not was of Sode Stereo. A, of music

Ligerer, B, for the rest, C, in the the The city of the Furia.

For the rest, it's very clear. It's very clear, Marco. No, I don't any to think. You're not.

It's, like, no. It was the genanos. It was the of the Renanero.

Resposed final. No. Respusted final. For the rest. Sure. For the

rest, it's a correct. Very good. Amago I Marciano also.

Exactly. For the There was an opportunity on a day o'yeye to know to know never could

know a ferrati and I'm my great great illusions musicals and joys musicals

those I know you know this I'm a musical details interesting of so

of stereo the success persian American just percian American in the discussions

most famous or maybe the favorite not was of Czrati was

of Antonio Dufu PNki participant and ganador, figgat, did you

did a concert with the fans of Sode stereo, for that someone to get a song

to do you, and that song, it's a fan. And that was Perciana American,

see it. That's interesting, no? Correct. Well, we're in the 80, Mauricio,

he's two of two. And the third is this this. Fidate, what of

these three series of animation was launched to the 80 in the television of the United?

A, the pitufos or the Smurfs, B, Simpsons, The Simpsons, and say Thundercats. I'd be Thunder Cat, I don't think

that's, but and the Simpsons should have to more time. The Simpsons, that's that never was fan of the Simpsons,

then, so, I could have this data initial, but the first that me said, what was? Ah, Smurfs.

I think that's Smurfs. You go to Smurfs? A. Respustusts? Yes. That is a response is incorrect. I'm sorry,

Maurice. No, no, no. No, no. No, not are the Smurbs or the pitubes. They're the Simpsons, justly. 17th of December, 1999,

so, almost finalizing the 80, so, and the answer, and the data curious of this series is that, if you think,

they're in the pale, the maria, no, are all, and they're so those, and those created,

for a technique, for the televident were changing you'd be it as some moukees and you'd

say that you're just what's this what's let's get you don't make I'm equivocal those first

or the first or of the first caricatures in doing things grotesques and things and the caricatures

were like little more more more and the simsons were a propositions

and yeah Remy yeah things that were little little

little oho oh oh and so yeah so of two of

three don't No, no more for the Triumph, nothing more. Okay? I think it

perfect. Vena, let's make me. The question number four, with one of Ganas. Dice,

Super Mario Bros. or Mario Brothers is one of the videohue most famous of the years 80. It's launched

in 1,085 produced by the company Nintendo and are the adventures of the brothers Mario

and Luigi that want to to the Rein-Rino Champinion. No? So,

Mr. Green. Well, the question is, what is the name of that princess? A, the princessa, B, the princesses, B, the princesses, Pitch, or C, the princesses penelope? No, wait.

Penelope was of the osos, of the, of the, of the, of the carerers these, of, how's called? The Carrera of Locos, that was the caricatur, also, that was 70, more than 80.

Where, there was a pyrroo. Pulgoso. Pulgoso. of Piero Yuna. Piero yuna, yeah. Now, now I'm, now I'm, now, you're the protagonist of this platica.

I'm going to get to say, that's that I'm going to say, that's to say, to you. A Marko. Oh, Maria Jose. Yeah, you see in Instagram. Yeah, we're, yeah, we're,

yeah, we're, yeah, we're seeing, yeah, we're seeing, Instagram. The loca, I go to see Arraspera, and I'm going to see a lot of yeah,

well, your marino is in a middle of a point of a point to get a question to get the

a response to a question. I think, repeat me just, I think Penelope no is.

A, Princess Prilla, B, Princess Peach, C, Princess Penelope.

I think I'm going to be pitch. Pitch. Just, pitch Duranna?

Yes, pitch of Durasno? Yeah, I think is pitch. The Princess Peach. And if it's a response

correct, then, Mauricio will have won't with three acyertos of five.

And that is the, no me soltes, don't me you, no me soltes. hashtag,

hashtag, hashtag, hashtag, hashtag, no me sueltes. It's a great. We're not.

We're a grader. We're a lot. Very well. We're not. We've got us. We've got. Very,

You know, but you know, but you know, but you're to do a hand of the time of the

true, exactly, exactly. Like it's like it's like it. Felicits, I'm sorry to the whole

to be the whole Maria Jose, you've but just a time because we have been

talking about the story of love and simply to start this podcast I'm I'm just

I'm here now that's there's there's and I ask you to tell us to our

public, to me, a person to the person who is listening and being

this podcast a A good for a love a more

beautiful, and that dure like the of you're a good a second you

could say you're saying to say you say all the you know you're getting nothing

you're to find the happiness because who will be to be to be

to be you to be you so be you and say you know

to be me know to be me not you know I said my my kids, me

you know, the last time to do the way to let me be to get me to get me to get to you know,

so you know you're not you're not you're not very well mauriceo the final of the

love of the love final. I'm sorry I'm in the certain you and in the and not

to get you never to get you never for this opinion of the people

that you always that you're always that you get to desire not be able

that you that's that you that's that's a reverend and sovereign peppino

absolutely everything it's all the life in the moment like you have to

because the opportunities so they can't and if you know you see you

go to get to that we're a good an animator of television

and the concurs I always I always when I had

an opportunity to say a person a beautiful

and say Bezo! Bezo! Vesa! Vena, be. Bezo. That's beautiful.

Thank you. Thank you, Mark. Thank you, Mark. Thank you, really, for this platic. I think the only that there was honesty

and to get the things and say them, without masks, and without nothing nothing. It's good to be and,

what good to hear you, and nothing, we'll, we'll get us and we're not we're going to you know much

and you know more now that I'm about your story. Thank you for sharing for being

your question and talk about this of this story of love. Much of thanks to

you. This has been a podcast and I hope that you know you have

you've done and as you remember that the really that you

do you do you do you you know you but

maurice has done reflections and lections very, very important. I want to

always that the love eternal is that he not ever to never a change. It's a thing that's

a decision to be a decision to love in the good and the badas and the other person

is reciprocal with you. The love of the word of the reallyally without the

other person have to participate or you never to give that

Amor Inconditional. Amate so always to you for that you to learn to love to the way in that you knowres

to love to you. Thanks of all the music you know if you're on the applications of podcasts million,

million, thank you a reason positive. It's a great much and share this episode and

if you're on YouTube, give like the video, activate the campaignita for

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Thanks. We'll be and we'll hear and we'll