El Podcast de Marco Antonio Regil - 195 - El amor de cuento de hadas es tóxico con la Dra. Nilda Chiaraviglio

Episode Date: December 6, 2021

¿Quieres lograr lo que quieres en todas las áreas de tu vida? Te invito a mi clase GRATIS en: https://hotm.art/masterclass-2021  En las relaciones de pareja, el creer en los cuentos de hadas y el ���vivieron felices para siempre” nos lleva a tener relaciones tóxicas. Esta semana, la Dra. Nilda Chiaraviglio, nos ayuda a descubrir si el amor verdadero existe y cómo tener relaciones más sanas.   Sígueme en: Instagram: @marcoantonioregil Facebook: Marco Antonio Regil YouTube: marcoantonioregiltv TikTok: @marcoantonioregil Telegram: marcoantonioregil.com/telegram   Sigue a la Dra. Nilda Chiaraviglio en: Instagram: @nildachiaraviglio  

Hotels Grand Fiesta American Presented There's more divorce than matrimonies All right Everyone suffers To all around Look,

who's around Who's the past well, Dimmel Differ, I said, I know, 34

years of matrimonial Okay, so then I said, what is your exit Maestro?

Me said, I'm 17 traveling. This, me prestes $5,000 And you you say,

look, Nilda, no, I don't have $5,000 I think so, but I have $1,000 and I can't prester.

Well, I would you would receive you and they'll need to be that's the problem. Ah.

When one one's a necessity, what he caches are limosaches are limosnas. Yeah,

I'm we're doing. I'm include in them, things that don't separate of what

we really we're doing in the life and in special in the time of the parja.

Today with us a doctorer Nilda Kiaraviglio that me regained, me pegs,

me He made questioner what I that was really and I'm sure that the same and I'm going to learn and

continue to get back. Episode 195, we'll start. The podcast of Marko Antonio Regil is a production

of RGL and all their rights and all the Dr. Nila Charyaviglio

is psychotheraper with a masteria orientation and therapy sexual. It's an incansable studiosa

of the performance human and is focused in to come to come to

the Pirejas and their relations to put up their relationship. Nilda has helped to find the

formula of love, basing in the autonomy and liberty of every individual. The doctora Nilea Kereglio is in the podcast.

Mila, what good to have to talk about to talk about things incomododas but very

necessary. We're going to repel the everybody. How so? If what we want is the love

we're trying in form conscientious in a partner Nilda. Look, if you

don't romp what you think you not a lot of the things new to get in

those ideas, romper the because, well, so, so so, think it's,

so things. Here's all in the case. All right, now. To start,

we have we have two formats of the love. One of love is the love is

suffering, the love is sacrifice, and others say, no, the love has to

be a good to be to get to get to get to let's

run us the head. Erison. The two have the right.

Oh, yeah? Yes. The love romantic, the love of Hollywood,

the love of Disney, the love of our television, that's,

that is violent. And then the people suffer. But there other way to

love. And that other way to love if you construct. But are

two concepts of love and the relationship totally different.

And so one? No. Or no? No. No. No. Oh, caray.

All the world to all around. Look, to all around. Look, who, who, who, who, I know, I'm sorry.

I'm not, I'm not going to be. You're a person intelligent. Well, that's another thing that's a little bit of

a force, it's like, it's like, you're like, it's like, when you're going to you're going to get to pass?

And what's so I'm, my hitho. It's horrible. Horrorororoo. Horrooos. The, those soltero are

a kind of, that amazza to the fidelity and to the good and the good and the

institutions. And we're not the institutions. Every way there's more. Yeah. Yeah.

Yeah. Yeah. Yeah. Yeah. And one that you come mrs. It's a

lotteria is nobios with people who live in their house, houses separateas no,

of convivences of that if you or not you do wele or not you're in your house

your house I'm the yeah every every every every we're

in a baniados or we know we're we're we're we're

well there there there there there there there's

cuchycucci and all the thing but yeah he just it's

a cat. Like a little. Yeah you're doing. There's his

his wess, but we're going to. But we're going to, the model of the relations.

I, the most valuable that has learned is that the expectations are the

point of the truth. The the more expectatives I'm in the

I'm going to do the formula or the formula or the

I was, me enamoured, I took the hand, I abhorote, we're happy for ever. Those expectations... Me casse and me joddy. Well.

So, what is the origin of this... You have a model a, this, you have a very much,

and so, here I'm saying, you know, the model, that the problem when, the problem is

the problem, the problem, the problem, the model, the problem is, the model, patriarchal phalocentric of relations

of a pair that don't not us don't make their relations functionales about how do you

the problem the expectations since we're going to we're going to the way to the world

yes yeah look before eight years no me

I'm I'm I'm I'm eight eight years before

oh okay I'm so you a poquet no better no better no better

you're You're going to go to go to the origin of the civilization? I'm going to go to the origin of the property private. Oh,000 years before Christ, it's going to be to agriculture. With that, with that,

the subjectiment of the woman, that had to be to keep to the earth, to be to to give us, to be my

because of there were to be my fruits that me They were going to do to eat to eat and then

I would be a good so the the woman was relegated to the house as a

guardian of the property private and then also I had his children and then

well then there so that so I went to the war the

the sir to go to the he was and how I'm

and how I'm so how So I was interrava. Well, it had to be Confianza with the

couple of we're going to get to get to the woman. That's the problem. The property private,

appeared the baysas, appeared the exercese, the United, and then so, and then it

has a rupture in the roles of gender. Okay. And of the property

private, it's the submet of the woman, and the majority of the

majority of the the control, the fantasy of the security, because it's a fantasy, the security, no exists. It's right. It's right. You know, it's a secure of life, secure of medical, security, security,

of the children, security, and it's sure, and secure. Sure. Because no exists. So what you're saying is that has been 8,000 years, before Christ, when we're we're just going to be nomadas,

And we said, this This is my, that's my, that's our, but we we decided we were and we started and to bring to the animals and

to divide us. So, then the woman enter in the packet of the property private. I thought that had been said,

this is much more back. Muchissimo more at that. Before, after the institutions, religiousies and

civiles that are going to protect the property private. The property private. Yes. And so,

are transforming little the roles of gender until what you like the

60, the end of the 60s 70s there are they start the roles

to be all all they're all content content but but there those

roles of genders were different couplement and the woman

did this indiscuit fundamental two things for that one a woman is a

real woman that has a and that's and that suffer and that suffer. And that has to

a good woman suffer or who knows can't that will that this cochin

yeah? Okay. It's the model Blancanneves, no? She'd in

house, does the can't, can't a, solita without that nobody

visit. Yes, but when someone the visit, yeah so

there's there problem. And, and, and, and, and,

and the woman also, the woman defends this paper. So, the woman, they're in it,

so, acquires value if he does it, it's a thing, but then then it

is the man, the table, the table, the same, the same, so, that's,

and super patriarchal, I'm I'm remember that my abuel, for example,

in the case, he, they prepared a food to him, or the

the best piece of the food was for the Lord. And today in some communities

agricolars if there a box of the not the not the women, not the

women, they're not those children. And celebrate more when they're more when they're

a, that a woman. So the woman is conceived as a property

private. There is the right of with the house He needs his His son,

his chitutes, his chitonet his car, and the suffering The telenovela and the

supermiento because if no it's not it's not okay and the and the

man and he complied roles no provider provider dador yeah

for example for example like as a sexologna no me talk no

not you're not because because dill do it Dill. No,

no, censura. That's the doctor. That's the doctor. That's, the

man, he has to give to do a pleasure in the woman. The woman

is so inferior, so that inferior, that that's a pleasure that

does, or she did the man or he was no, so, but the

woman too, but the woman think the woman believe that the woman is

this type of the that's that has suffering a all,

it has to be with this evolution. But still go more more than

now. Now the, now the times are the men of renacimient that we

are transform but the culture traditional no is that as

that as you need to give pleasure to the culture is you

you you're to do you you're to do to do

pleasure and the on the on the one is that you have your orgasm and that you passes to do and then the necessity of the woman there is a little relegated in the culture of the Occident in Asia if it's different. There are other Let me talk about your

house, the me and the of the bestino. Oh, okay. No, I'm can't go to India. Oriente is too much. And when importamos things of other cultures and the our own our own, like as far as we're doing disasters.

Yeah. Deasctres. Well, of that's not of those desastres. No, of what you want to.

Then we'll then we're so we're a culture patriarchal and where the man think that

he's the point of pleasure for the woman. Okay. And there one thing that's called

a think so much. Pensament monogamical. That's that's structure a through this conformation

of the of the stereotypes of gender. This, the organo. The orgasm is the Ascino of the pleasure

Oh, with the orgasm. Yes, no? Because terminan the festival. Terminal the festival. Oh, we don't want to

that's no. No, but no. But much people think that the orgasm, that the sex is the orgasm.

When the orgasm has demonstrated and from various points of view that it's volatile. It's a maripos.

As a more it's more it's, it's shorty, and it's shortito. And, and it

is very shorty. It's Corti. Why not 15 minutes? It can't. Furtes

declarations of the doctor. Now, so it's a lot of on the podcast, can't. Can't like do you? It can't

do you want to you want. Finally, you're you're all you. And then there's

I want to have that problem. Well, no, don't I want to take out of the because I'm pispireto. Okay. How is that we're

our way to interpretant the reality? We're not we're doing that we're in the mind. Not the reality, neither,

nor the reason. It's subjective. It's individual. Individual, yeah. So, so there are

there are out there are going to go to our social our social our story of life,

our our experiences, ideas, experiences, etc. I'm going to tell you a story and me like I

think it. That is my reality. That is your reality. And the my about the

same, it's different. If we go to see the same we're the same,

we're we're two movies, and the one of the year. Okay. Okay.

So, part we're that the reality no exist, but we're there's a interpretation. Correct. And,

so, are your reasons and my reasons. Correct. And your reasons are perfect.

And the mine are the most part of the people don't think so. But I

agree to the I'm okay. Okay. Why don't think so? There are

three times, in the patriarchal pho-o-o-o- Interpretable four. Four filters, What is a paradigm? A paradigm is a little we use for the interpretation, but we know

that we use. It's a formula that is installed without that we know. Exactly. And functioned automatic or so in that we can't know. Exactly. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. Okay. one dominates and the other is the other so mrs. Who is

the woman the women are the the children and the unciano. And the and the the world is terrible.

The dominion of the man black, no, so that's not only the only the man, but the

woman, the European. Yes, of barbita. The barbita. Rubia. Okay. And if

if you have eyes as soon it's more. More, more. More, more. More. More.

More. Exactly. The Conquistador, the image of the conquistair. Well, yeah. Okay. That's That's... Then, then.

Then, then. The second is the confrontation. It's absolutely frequent that the people play for having the

reason. Okay. I do something. No, so not it is, in the consultory, this is a day. One begins to

talk, no, So, so is. You're exaggerating. They're mittling,

doctor, is it are mingting. So, they're so they're like, like,

like, like, look, my mom, you're just, you're, so,

because, because every who, because everyone, and the reason,

so, so, if you are, my reasons, but the reason,

no, doesn't, so, so, so, so, so, so,

so, so, the to the person and the now we're going to about the vinkul. And the confrontation is all the contrary to

to know, because at confrontal not you're talking, no, I'm trying to understand. Exactly. No, I'm interested to understand that you're trying to to tell you to

talk to be back. As well. Tal quite. Suffer, suffra, and so free, and sofrey. And so,

and so, and so, it's, it's impressionate. It's impressionate. Of course. I was talking

with a party and then he was he put in his point and then she

grittable I said, I go well well, well, so talk,

okay. This is that he's he's well, now you know, now you're

now, now, he's because is there sit down then then you

can't listen. No, but is that never me He says, then he

He says, well, yeah, he said one of the one, you know, you know you've got,

you know, and I'm and she no, and no, because you don't know because you don't know

he doesn't, so he's so-sorto. No, no, he's sort. So, then,

I'll repeat it, then he's to cut the discussion, but then she's he's,

but then she he's, no, no, no, you? No, No, no, I'm

you don't you, no, I'm not the other and the other yeah, it's a bomb to hear the no, so, no,

communication. No, no, communication because, because, nobody is,

what, what does it to say, to hear, or you hear you , and you listen to,

the children when you tell you a quote, when you, yeah, that, oh,

say, and what more, and what is, how, how, how it, how you,

how, I, I'm, I'm, I'm, in what you're saying. No, no, yes,

without no, no, no idea of defender to nobody, because nobody you're

attacking. If you listen with curiosity, you know, you know, the opportunity to know

what has the other inside the head. Because your life will be what you think

you, no, what you said recently. So, so you not you know,

you know you know you know you know knows what you it's if you

know you know you know you and when one is in relation to a marriage

what you have to is to let's all the fulana that all the days

not just not just the casting initial you not you're you're going

you're you're you have to be a role of my no no

it's all the all the days you do you all the days to

so, hold on the head to look at my chrack that you have to see,

I'm going to share my life with you and I'm okay and it could be

that day so, or no, and if no, and I'm and I'm go.

And I do you and I'm and I know, so then so that the relations don't

because part of the expectations and no but the day the next

I'm I understand yeah A day, a day, no, three days, six, no. I go to vacations, the vacations are one of my marvellia. I like, how you think,

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of the bestances in the beautiful. A master that I've had a 40 years

is that I'm 45. Gateaba. Okay. Gatea gotte. Well, he said,

I've I've three four years of matrimonio. So, so he said, and what is

your exit, maestro? Me, he said, I'm I'm just 17

traveling. Oh, and I do you of a problem, but I see know many

many people many of those two, or the two even, even, they were and they were

all over the time, and they were all the days, and they were they're fieles and so, but that's

space, so, to have your spaces, that's what is what is what is doing more

a lot to be a lot of the time, that's that's fixia, asphyxia. And then

then it all the roo of the property private, that's that's in our

culture with the word the problem of the word is that it's

that's to get to use to use or anything anything. If go on

the car imagine we a one of a couple in the

and then the man he looks the chichis or the nalgas

to the other other she pass or station

the carro for the person to make the Adelaide,

of the carto and the time. All the time. All right. All right. Okay.

And the and the man, you know, and the man, you know, he did the,

the, the, the, and I, no. And I mean, no me,

you know, so, so, so, like, like, she, I,

know, not, you, all- , you, to get, with me,

you, you, to be a pass, and she, to, that's ,

Envibia? It's envidia. Okay. No? Envidio, that my quater mir a other a little

like no me. Yeah. So, that has a treatment specific. That has been

with the auto-imaging, the auto-concepto. Okay. But, but as where, as far,

um, cabbe the time of being a respectuoso with your and not to be allas,

although we're doing, because the men, we're not, and so- Alge- Mark,

I mean, I mean, I mean, define, define the respect. No, no, no, help me

to understand it. I'm doing a student. So, if I'm, I'm in a restaurant.

I'm dining with a chikilla. There's we're not. And, and the repente

pass a mecerer or pass to another mess. And I want to look a ptona.

Trare a mini faldita or something. Well, I'm, because to me

to me to come to a more to get to do this to do? To, a

who you are? To, no, nobody. And I went, a nobio Argentina that

I've had I'm saying, I'm going to give a little bit to get a kind of to come on

the idea and I'm I'm saying. Well, the problem is the initial of the phrase.

Okay. You're not, you're not a woman? No, well, it's a no,

no, no, well, I'm not, well, I'm that's not machism. It's machism.

No, like, you're the name, and she's a no, no, no,

a chiquia. No, a okay. Pardon. Well, a woman. Here, I'm going to

all. I'm going to I'm going to my my mind, I'm my instinct masculine,

that all the men, we're just we're doing. Well, the women not only the women,

what you see? Because I see a I'm a good nalga this, like,

that's that's that's not, that's also, also. Also, and because

they're and we're so. Because they're so don't don't know. So, then.

So, an accord Sano said, he said, you want to my love, my love,

you want to see, my love, you want to do it, and I'm doing it's we're doing.

And we're doing it, we're doing even, even a thing, look, look,

what a lot of the lot of, yeah, yeah, that's, well, the beck

and it and there and there problem. And because it has been to be problem.

No, I've seen I'm I've known, I'm that's a question,

he's, that's, Raul Velasco, was a producer of television who was a co-in-so, his wife,

he said, she was a German, he's a German, he said, look a real, that woman, she, she

she was, she was, she was, she was, and I'm that I'm he said, and I'm

he took the brazo and me took the day that you know, you know, I'm got to be

got to I'm still not, so so it's valid to be not to not put

that it doesn't nothing of mal-beer. But, a very, in

what it's based? That mirro a a picture,

a sculpture, yes. But mirate a sculpture not.

So, in what that's that? That that that was

that was that was that that's that's that's

that is where does, domination, gerarchia, confrontation. Confrontation.

The what is the competition. Competition. Yeah. Yeah. Yeah. I'm more,

look, the one of a relation of paris, so in parity, yeah, competition, is romp.

I'm more, I'm more, I'm more, I go more, I go more, this, see? The other

less, don't. Yes? Okay? Okay. The ultimate paradigm is It's a strong of this

circumstance of parity, of being paris, exclusion. Exclusion. Yeah. Another way

it's a rompe. Ah, you know you? You? I'm exclude.

See? To be out. Then, then the next. Now, think in the

love Disney. The love of Disney. Yes. They're Yes. Yes. Since

Frozen, because with Frozen, because you know, Disney is okay. It's goth the end up

the end. Yeah, have been a lot of okay. Okay. And then, no,

no, no, I think you to make, I'm, I'm, I'm, I'm,

because, a bit, little, yeah, still, still, you know, still,

you know, still, yeah, so, but, but, but, but,

but, but, but, but, the other the other her self, she's

a self she's the same she's the the love of hermone to do you know,

I'm deseption, Frozen is like my new Bible. A Pocco no. I thought

that we're going to go ahead. No, I don't want to get to do you know, no, no,

we're going to talk about you want to let's hear let's go let's see what we're

what we're what we we have we have we're we're women, They started to use the stereotypes,

the way of comportarse of the baron. And we have barons that started to comportarse with some of the facets of the stereotype of the woman. So, then we have women affeminades and women amachadas. Okay.

And there'd be... But finally, it's the same. Because are the same stereotype. So, I mean, we're a stereotyp is the

same. Okay. Okay? So, now we're more bodriot than this.

It's very very well that's bad you. If not so, if not they're not

not so, is part of process. It's part of the process. But,

but we don't, no, we don't, we don't, we have to because he la the

plato not is machista. Because she gana money, then is

a little bit more a little bit, a little, we're a little bit, more. Okay. No? So, if we're in the stereotypes

patriarchal, the duality is the that we have to romper. The not is one or another. It's a

one and a young, it can be a great deal with a lot of me. Uh-huh. You know, you know,

that I always do you do something. Dillus. Okay. For that you invite us. Ah!

Okay, okay. It's drama, it's drama. Yeah, we're going to know. To that he's pungoosu, the podcast, nothing. Okay. What, how,

how, how, how, how, how, how, what would, what would be,

what would be in your life, don't Mark, Antonio, what would be to your life? If, in instead of

relationarse, for what he he's between the feet, it's relationar to be

a man to be a man. Ah, more more more than without,

without, without, without, but I'm without those stereotis, but, but,

what's trastes? Those who are, those who come, oh, well,

but, but, but, because no, because I don't know, I'm a

good, so I'm that's a person, if he doesn't, if I'm the last, and I'm

love the that I feel that I'm doing a merit and that I'm the maximum. Exactly. But I like the idea. So, I care here in his talents.

Sure. No, stereotype. If you have a chef in a house, well, I mean, you have to have to use, no?

Sure, so, like, how, because no? No. There's people that, no, that he's that he's just,

that's a lot in the house impeccable, no? More men than women than today, but no,

no, So, to each of his talents, we'll part them and we're in without stereotypes. Okay. And how would be,

to learn, to learn and to be a a relation that's centered in the heart, without stereotypes,

not with what we have to the fears, not with the sex. Developing all your talents and

saying, to be a let me to be to let me be a I'll go. To

To get a Caperusita, no I'll repeat. Reper to the question.

How how is a a relation that not is defined by the sex

or woman or not for the real love that's how that

that I'm back to the realero love now let me

be romantic doctor that that that No, me quitted my instruments.

Now we're going to the realer love. Venga, the true. But the truth is that if you you're based

in the development of your own your own other person is based on the development of the

own own your own your human, the other too you respect to the other

in your way of your respect to your way of your And there is include that

it's worth to take spaces. For sure. It's going to go to ride in bicycle but I want to go to bike I'm only too. Because that's my

space where I need to separate me for extraneart and then then there can medir the issue of the

distance. If the two want spaces, it's a life as a life. If one wants space

and the other wants symbiosis or fusion, then it is like abandono, like

as a suffering as a protection, like, this, no, I don't import more

his friends or his bicycle than I, et cetera, et cetera. But that has to

talk. Exactly. Before to get to. Exactly. Exactly. Exactly. And if

those two want a fusion, well, it's a pass in a bomb. All the day

enredas. So, so it would be in a first a little bit of a

say, oh, you're going to say, chiquita, but I'm going to you're learning.

You want fusion or you're separation? And the other what is? We're

you're like or not you're like? Yes. How you? So,

and so and so. And so. Tampo that's so, Tantto, Tantto. Wow.

That's, Well, okay. So, then we'll see in the love romatic, not in the true love, in the love romatio.

I mean, I mean, I refer to not the love that I'm not the love inconditional, if is that

we can't where I'm important your felicity, where I don't you want to you know

in a frasco that's you're reading to me, the doctora. Mark, Antonio, no,

exist. the love inconditional between adults. Oh, how not if Diosito he's God God's like that

Godot to be, let me, Mark, Don't know. Without, without, you're going to

you're doing. You're going to be a woman. I know, I know, I know, I'm going to be. I'm going to be a woman.

And more and more to be a thing, but one day he says, no, no, I'm

like, how you've seen, and the other day, and the other day he says, no,

that's that I don't get us, you know, to your cellular, block it. No,

I want to you know, no, I want to your mother, other again, your mother,

a mom. Yes. Okay. You're there's there? No, no, it's just

that means that I'm like, I'd say I'm this, this is compatible,

but I'm retiro because I'm or the more more, you're a toxic

that's a time in your but I'm in the time, but the love to be able to that's

we're in it's just you're not, to do you to do you. Perfect. To that I'm,

to do you have to be with the unconstionable. So, you know, you're not going to get them, if

you're, well, I don't see, the things that not you don't know, no, no, no, no, no,

no, but I'm put to retire in a, in a, in a, in a, in a, maybe,

is to say, oh, you, come to me, this, no, not, the,

the, the, the the, the, the, is, and,

so, so, when you, when you do, you, to, you know,

all, all the did you did you in that that, then you can you'll

because there's a idea very rare of the death and the and the and all this that has to

that has that if we're a that you go and so I'm a little me has a

because because it was and all the little that I was a peeler it no

important but all the So, little, so, like if if it

went, I'm a little those are in a bit of because if it was

my experience, it was not nobody in any place. And this

has to be to be the idea of the idea of the

idea of the people that's we're and we're just

in instead, no, no, no, so, no he's

never to do you do to physically but all

what I've lived with that person is here in the little, the regular

the bad and the wonderful, and the nobody is there in any no way.

And if is my and if it's my, then I'm so I'm when I want to

want to I'm whatever, etc. That's that's a more. That's

that's a more propio with you and you that's that that's

that's to be to be to be to be to be so okay

So we're not going to be. We're not in the characteristics. So if you were to describe me a relationship conscious, a relation a mother, a relationship, an relation of,

yeah that we're going to say a real life, how is a relation san? What are the characteristics of that relation san? Okay.

The first is distinguishing the difference between enaboraminto, love, romantic, and the

And the thought magical and love as a word, as a conduct a

one of the enamoramoramient is something that's something that is something that's

what we do that mariposita and all that's and the enaboramoramation has two

two edes two two edes the adolescence and the adolescence and the

40s okay okay Because And because are two moments of much chaos in

the life of the people. In the adolescence says, and what I say with

my life? And when you're going to start the 40s, you'll say,

I'll say feo. Dillow. Okay. Look, you know, and you in the

adolescence how I going to live, with who I'm going to live, where I'm

to be to live, what I'm to be the world? No? At the 40,

the life does the But the world, the questions are the same. But it's

like to go to get to get to get to the man. I'm

rio of the nervous because there I'm there's a witch braga

the yeah. If starts one to see one now you're

to you're that you question you see you have

you did you you're and then you And the Quenetra,

also, is the, the middle time, it's the, the second part. No. And so,

when you were the father, because you're the same, so you're exactly,

because, it's true. Yeah, because if we're not, because if those vegetarians,

so, no, me, they're not, the vegetarians, the those

espinacas no, no. A me permitted a bittern in the veganism.

It's another. They're So, so those two moments that we're that we're in the same thing, we're going to have to the signal interrelation in the head. Exactly. With who I'm going to live and then I'm going to die?

Okay. No. Yes. Okay. So, so we're, let's, let's let's say, if one it's accept, if one can accept, that in the life, no

there's nothing, absolutely nothing secure. Absolutely. So, we're not We're going to be imminently incertes. Yes. And there's, well, it's

you can't demonstrate. And the life is all the uncertainty until we're this is the second

certainty. This is the first certainty. This is the second certesa. Nacemus and we're

the only is true in our life. The only is true. All the other is incierto.

If we're if we learn to live with incertitum then

the present Adquire Valor. If we're to live with

uncertainty, the present adquire quote. It's appearing in the moment see it.

Disfruten it. It's a piece important. No? Because in our

culture in our culture, tomorrow I'm going to be a happy. When me

come in the house, I'm not the caronetta. When in a other

fulano that not so much that's the the day that I'm the day that the day

that I'm going to do you know, but I'm going to the story the sonorrhea

and the manh the salarial and the sure when one when one

in the poor burrito I don't want to do I'm I'm

so I'm want that's that's another but it's But I mean

no I'm like the sonnobri a doctora a

a good some little some those melons some okay okay

why not we're we're we're is a perverse the the certidum

the certainty the okay present no we're we're

not we're we're we so so central of our

conduct, the future no doesn't because I'm I'm the only

that I'm the right, the present. And then I'm to be preoccupied for

the future and then to torment for the past and I think to be

the present. And from there's a person, in the present, and I'm being

much more more more than we're to get the debtors the

money, the bank the Lottery! It's a It's a You can see your

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I'm going to So, I've created this Master Class gratuit for where we're going to help to create your

your What's to learn in this class? What is the mentality that you can get to live in the class media or in the Riquette?

What are the things that are But it's something malo or that is difficult to obtain. How can you start out of that you're doing to work and you and you're just to work to just to work to be able to

to finish. This class is gratis, and the only thing you to do you have to click here and register. Venire this class is a great inversion because it's something

that not us taught you guys click here and you see click here and you see it's great on Marko Antonioorgil com Diagonal 2021. If you're

in YouTube, da click in the description of this video. What is the question that you have to do you

do you I'm when I imagineate that you know you're you know I'm talking about so I'm

going to be to be able to do you not you're very happy what you're you're saying if you're

you're you're happy you're you're you're but the other end the other

thing she's so you're so with the other she wants she wants she wants

she she she wants So, this, we have to give a format to our life knowing what we do, what we do, when we say we're doing, when we say we're different, because each one has a story of life distinct. The first thing is that we're going to love us,

and then you're going to transform that initial in what, of your process of evolution. So, the love is a better of, is the conduct. It's the conduct.

The conduct? Yes. You have to know what are your tabiques of love to pegals every day

to build a relationship amorous. But then you're you amas so you you're so

you're so This is your offer. This is your demand. Okay? And that's to say it. And so I have to say it. And if the other or the other also,

then my demand has to be compatible, not equal, compatible with your offer. And my offerta with your demand. And it's a negotiation

a sane. No, it's a negotiation. Simply, simply, they put in the cards on the mess.

If there are things, we can't care much but we can be incompatible. Sure.

If you you want to be the diva of the world of the postcas and I'm saying diva or it's not a... Or it was an example, no more. An example. Okay, okay.

It was an example, example. And I want to result to go to alphabetize to Chappas. What possibility we have? Well, at least that that me leave the podcast to Chiapas. No, no. But no internet.

No, if there's Like, in the In the In the middle of the Selva? Yeah, no, there's no.

So, we can't care much but that not means that we're not that's not so,

but it's But you to tryver to say that you have to have to because one when

is in a mode conquista then then it comes the tendency to

me make I'm I'm I'm I'm I'm because I'm

I'm I'm I'm I'm I'm I'm I'm I'm

we start, we're, we're, we're the talking about the question. Look, is the word of the war. Of the

war, yeah, yeah, yeah. And, and for what, for you se,

an object of use of my? So the word conquista, to start to start we have,

the word the word I have, the word devos, debo, I should, are,

are the wordia, don't, I, I'd, I'd, the word, the word I,

I'm, to, out, The word I need Okay So are words of the

impotency of the careency, of the necessity of the scarcity, yeah,

of the fear, the when one sembra necessity what what's

what's what's an addiction a dependency I'm always I'm

a little little little you you're my I have many problems economical

the fact, and the really, me prestes $5,000 and you say,

look, Nilda, no, I don't have $5,000, but I think I can't

do you? What do you do you? You're going to get the other $4,000

but there's a But I do you receive or not the I? Well,

I would if they would be able, that that's a problem.

Ah. When one But you always in necessity, what is a lot of quescha are limousnas. Yeah,

I'm and I'm a life made of limosnass is a miserable that only serve to

I'm yeah, I'm that's good the example. Right? Yeah. Tonto,

but util. No, no, the tontor I, that's a thing.

No, it's, it's very very well. So, so all those words, we're

to start to get to let's, and what words we put

in the place? Could. Could. Yeah. I'll elio. Elio.

Decido. Decido. I'm I'm. I'm create. I'm creating.

So, I'm doing. And in the place, it's manifest,

I co-creo. You elico. You do. No, I'm

I'm not you do I. I'm to do so you do you to do

so you do you do even. Even the the vibration of

the words is It's another. It's another. Because it has power, because it has capacity. I can't.

I could. What is the drama? Transforms. The I would probably to make this in my life to I have to make sure this in my life.

Obligation? Fifacte how it's it's another story. So obligation versus possibilities and liberty. Exactly.

One is a carcels and the other is a possibility. Exactly. Now, you have much of the the lives

of the of the That is a A realtor. That's a one Aremient. I always

I'm a number don't for the people who do people so that yeah.

Well, if it's difficult. I'm I'm a question. No. The

the key of the door. Two doors. Yes. First Puerta.

It's a question and no can change never. Of who is the

problem? For that it's a problem? For the a clave. And the

clave is of the question. Okay? Now I'm going to do a example.

Second door. If that door so the second door is who

resolves the problem and the key to the key to be the that is the

thing. Sure. Okay? So, we'll put a example also,

also, but very tonto, but Util. I'm a a site with Mark Antonio,

and it's that he's parro the traffic, and I'm to get to the 9 but no.

The wets says that no is, and so, you're going to change the story.

No, you can't change the question. So, then I'm going to ask you

a question. Okay. Okay. So, I'm, well, this tragic of for

a porqueria, I go porqueria, because the French is, this,

No, no, we know. All we know what you're thinking. Okay. And then I'm put very nervios. And then I'm done a laminor this. And insults to the other. And me go for the carrile of the bus. And, no?

And I go to the site, 20 minutes of time. And I go, Culp of the traffic, I'm late. With the nerves destrosed. Okay.

In that quote, and no you can't change nothing. Where is my your own in my man or in the traffic?

In your hands? You need to have been to have been out if you know, you know, if you're

real, retemprano. I mean, you're so, you're a time? You know, and you

did you to do that the traffic? Yeah. Yeah. Of who is the the

cause? Where is my being to, my beingest, my best, where is, in my

man, in the hands in the hands of no, well, have to have,

a little, Mark, Antonio, ponte serious. Well, the traffic is something that occurs, not it's a little. A bit, the carouson. If,

if no, if no, there's, I'm feeling well. Now, if there's there you

feel a lot. Who? Who? How? How? I'm not. Because you have you

you have, no, don't change the quote. You know, I'm just that I'm put very

nervous. Is that what we're to say, to check to the The fault of the traffic and be victims when we say that the traffic

exists? A little. A bit. No, you can't change the question. No, the reason is. Okay.

Listen with curiosity. Okay. I, listen with curiosity. If, if no, if no, if no, I'm feeling

well. But if if there's traffic, I'm feeling I'm too. Who determines how I'm feel?

The traffic. The traffic. From, so my so, my well, the benefit, the

person, the person he's the thing he the The traffic? Who?

Who? You, he gave a traffic? Exactly. I gave it. So, okay. For what? For what? Well, I imagine

that's a form of being a responsible, to play a victim, to play a, to put a, to put up to someone and live like,

like, like, you know, poor-sito you, or poor-sito you, well, it's the ego,

no, that's not that's a way, much more simple. More simple. Yeah, If I'm

if I've done to do you, I'm going to I'm sorry. Because you're not you're not because you're

not as the traffic was the manifestation So let's So let's tell me for that

you need to change the government the climate, the climate my partner my wife

my my children my nieters my my my patients

my patients what I'm I'm so that's that's of that reality,

no. None. Because depends of the circumstances external, on those those of

those who you have control. Exactly. That's what you have you is one of

the elements central to disolver the conflictos. That I do I do I'm my

good to be my bestor or I'm impotent. The impotency is the

mom of the ira, of the violence and a lot of other perversities destructive.

And so if two persons are in a relation and both of the reality, culpando to all the external

without without, so what they're to do you're going to do you're to belear, to belear, lastimarse, offenderse,

grittarce. Exactly. All that is a And that's a real of the And so that's what happens all the day.

So the the light of the sky would be let's let's put to a

example a more more of a pair okay no this if

if I if you me is so you you make decraceados if you

me violent me lastimes me you're what I'm what I'm saying

my my my my exactly and for what to

I don't to have to have responsibility to to

to to to do to to navigate to Victima?

Victima. No? Povercita, I? That's it. That's not. God, God, God, God, God,

God, why? Why, me mandated this? Oh, and some premium I'll end up the sky. See?

Oh, or, look, exclusion. See, that's the second. If it's so frequent,

and that can't that's so that's a very a man that a man because

had to have to have to have to do to be And the mario he was

I did what I did the I'm going to take. He said, the couple of the

young, the few years after he got with other a barrage. Mism

Inferent Diablo. Exactly. Exactly. Exactly. See? I go, you and

we're we're not really, because the I've been my rachas. No, with

the There was a era that was a reina of Beulness. Oh, God.

All right. He was I'm and was limping coronas and we're going to

let me let me let's put the life of the relationship. Okay. Vena. No?

This, you do something that me disjusted and then this I'm,

I'm, I'm, I recommend to my people, that I'm, I'm

a little of a large of plastic during at least two months or the

of the Tiffany also that's little but but the thing is

that you get in an clach that you remember the the light of the

yeah so so so I'm so I'm so I'm

so I'm so and I get my and I and I think of the

problem of the that's the that you I'm going to.

I mean, I'm saying. So, I'm going to be the problem. In the moment that I go, my or the problem, like if you're in the traffic and I'm, I'm going to call for the telephone to see me re-agendant

or if they're in a way. In other, I'm going to do go crazy in the traffic. Well, the same here. I'm sorry.

Oh, I'm not. In the moment that I think, this problem is my. Sure. You can't the power of my

well to be in you and I have here. When I have the problem in my

hands, you're you're doing the you're doing the you you're

you. No, it's not you. No, so, so, so,

is to say, if I'm my problem, then here I'm, then again,

I'm, the one of how I'll resolve. Who resolves the

problem? The who has the second door. Okay? This is

a tool a tool a thing. I'm to say

a grosery. Dill. This no can't use oh, you know,

you're so stupo. So, so I'm going. So, so is an

tool to do a person? Aggressive? Aggressive? No. no-ethical.

Oh, there's many people that's that's a so. So, so so I'm

so, I'm sorry so I'm so I'm not you're to be able to do you

because you're has resolved things and I'm and I am coming to come to come

to come to come to come me how I'm you can let me we can't I'm

I'm I'm but it's you but it's but it it's too no

it's with no it's it's with no it's but I'm to support. That's

a relation conscious. That's a very. Yeah. I'm trying. So, so I'm

casso. Doctora, in where we can find out of the people that's the doctor is

the maximum. I want therapy with her, I want to get the people who got the

people who said, I want to to be to to live with the life with the world.

Look, I'm doing a diplomat of a year where I don't know,

of the man to the people and those I'm that that they

are transforming their life to their way because the model patriarchal

the model Disney etc is that agonia or you did you so

so you then he he's he for this world that we've

so so so is for is for parages is the diplomat

no no you can screen me doctor I'm going to

Where Where I'm Where I'm I'm I'm This Can't I'm

Can't go My Perrita Yeah A My My Perrita If

My perrita is The The I'm To try You're

How How in the human when you when you every day the more little more

small and the not far it's not it's not barita magic no the

the the thing that is with what is what is so nutre

so consolid the love romantic because what is the love

romantic what you did you did you do I'm I'm expect

to be to be a thing to what I say is a thought

magical, no. In best to love to a person reales and circumstances

reales. And of that the diplomat. And that's that's that's wonderful.

In where? I'm telephone, email, Instagram, Facebook. All

those, there, there is a page, and a sexuality com? Pereja

and sexuality point com? And there's all the information there's there's there's

there's there can't be those is it's digital, is in

line or it in person? It's is all and you can

inscribe in any moment and I do a generation for year. But as

the modules are that they're made any particular model, then it's indistintintint

when you when you do you do you know, tomorrow I don't make a

morning, I'm going to be really would be very interesting because one has to

prepare and sanar the conclusion of this program me it's clear and you

thank you much that's with us. It's that the love is that the that's not

that I'm that I'm and that's that I'm that's a first that's the first that is I'm

and I'm and that I'm trying to a person a son that's if I'm not I'm

so I'm and it so it's so it's so it's so it's perfect if you're

in YouTube let us let us the comments let us what was what was what you

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