El Podcast de Marco Antonio Regil - 213 - Nunca te des por vencido - Leonel García

Episode Date: April 11, 2022

Todos tenemos sueños pero a veces, cuando el camino para alcanzarlos se pone difícil, queremos tirar la toalla. Por eso, esta semana Leonel García, músico y compositor que ha tocado el alma de miles de personas con sus canciones, nos inspirará para no darnos por vencidos e ir por nuestros sueños.    Que el miedo ¡no te detenga! Regístrate en: https://hotm.art/MC-Miedo-Pod   Sígueme en: Instagram: @marcoantonioregil Facebook: Marco Antonio Regil YouTube: marcoantonioregiltv TikTok: @marcoantonioregil Telegram: marcoantonioregil.com/telegram   Sigue a Leonel García en: Instagram: @leoelleon Facebook: Leonel Garcia Oficial

You've helped to write to write cards of love. Thank you. Lagerieme

and writing and writing and you and you're using one as a lot like, and then

you know to do your effort and your time to do you and probably you're probably you're

to be to be but at you're you're doing what you want to you

of this moment, of a soledadad to invent the guitar and at the camera and say

I'm not want to talk and I don't want to a decision personal

is a decision that sometimes you can to be not

but you decide to be good because you want to be because it's for being a good. If you have your own

your heart, that's not you're still you're not you're saying, you feel like to do you get those

reality, a time, a time, it says that the things are different, you know, because nobody

creen your dreams or even those who are your family maybe you can't even to be

even to even even what we need a bit a bit of inspiration to remember that the

things can do they can do and that is very important never to never to be a

one of the story of success that I'm in the story of your life this is the episode 213 from the studios

rockstar media in the city of Mexico, Leonel Garcia is to us we're going we're going to the podcast of

Antonio Regil is a production of RGL Entertainment and all his rights are reserved author of author of exitsits like

I'm Mientes too and enter in my life Leoneel Garcia has taken millions of

people around the world with his music during more 20 years. Integrante of the exitoso duet of fame international without a single singleist,

Leonel has with numerous premiums of gold and platinum, Gramis Latinos, premiums The Nuestroletor, premiums Oye, and many more.

Between the artists that have interpreted those songs are Cheyann, Alejandro Fernandes, Talia, Anato Roja and Mijaris

and other. So, his story of life, Fuentes of inspiration, and to get a

way in the difficult, it's a way of the other of the other people in the world of the

Spanish. Today, come to tell us that never has done for venced. Leonel, Garcia,

is on the podcast. Leonel, how good to have you on the podcast, welcome. Mark, it's a pleasure

to be here. Hey, man of your music, of your letters, of your songs,

I've said, I've said, I've said, this has a person a man wonderful, because

to write what you write, with the sensibility. Thank you. What we're going to. Well, we're going to let me. Thanks.

As you know, as well, you know, has musicalized the life of much without the world. You know, has been in moments of rompimentos,

of the language, of reconcilations, uh, tall as in some moment the, or those guys grand,

no, in our generation, then in our generation, well, you have been part of my life. Well,

that's part of the life, no, to uspire, and one I'd like that's You know, at least not you know,

sometimes you're trying, until where you're going to be able to find out of information, no, someone's set up, and you say, okay, if you're

going to be, to say, how many, how's more? I think that's very difficult to know, in life, I don't know

to be to talk to be much in life, to how, a, how people are to get to what I do,

and a how people to be causing something, but at least the life to do these little little

times to do I'm saying that's going to say that's all right. If I'm a fan of your music, because my mom me let me learn my mother or because I'm cased with your song, no, because, and that

you do, you know, you've done to write up to write us to writees and scribinging. And I'm just to ask one as an inspiration. But I, I want to,

I'm going to do your life and the intention to invite you this podcast is that you do this podcast, is that partas with us the I'm in the way

because obviously to do you do you know the one and another way or another way,

you have done and you've done in the music, as a human with your husband, now as a

so I'm so that you'd to share you want to you want to you can us can't

help and inspire, to know, if Leonel can, at the more I'm maybe I'm

maybe it's difficult it's no, it's difficult and for it's very very good

it's incredible to know that you can't you can't get you can't get a lot of a little bit of

an illusion now that you that the people, for example the people that the people that is famous

always, this is always, like if it was a line ascendent as always, more more

streams, more fans, always the concerts are more different, and that's a lot of that's a mental

that's a thing, that's a bit, it's a lot. The life like in all,

in the career is a mountain rusa, is a up and a lot of

the music when it's when it's the heart of the person and try to be honest

a a lot of the people that you imagine you know you and it

was a thing and it and a sometimes no a little they're

not pelar on the song or not per and you have to have to that

you have okay this no no not not not

so that's the whole people, to people, to work in the theater,

a person who people who's a lot of the people, you know, because this the book no,

no, my book was a bestseller, no? It's a question of synchrony in

the time, and you have to be to be able to get up to be a time, not, no.

What I always do, is, try to never, try to try to to get to

to get a to get a person that you do you do that you

never to be to be , okay, at the most those back are

going to be so drastic as to like, oh, and other bit more me see

nobody, or other not much not going to not going to be going to go to you're

a group of people that's that's and they like that does it. But it

costs much work. And it has much to be with

the constance I. I'm I'm always I'm thinking

in this aspect of that many of the things because one

one they said I'm not I'm don't They're going to regalia.

All right. But there's this book famous of the tipping point. Uh-huh. Yeah, that's,

I've read other books of the author, but that no. But an friend me comment it or less,

no, a great rascos. And, and I just me this idea of that how,

how sometimes one has things that that doesn't that are nothing that's

that you do not, it's, it's, it's the thing that one put on

and the the things that one has, with all the things, not

they're not in the world real, in your day-a-day, no see any difference. And that's,

um, it's anima much, that's, you're at a point a point of much to try the

to do you, no, not see, I'm not, that the thing is, that you're to be

to your objective, uh, you can, that you, can't even, to, uh,

a signer, this, to say, no, is that I'm to do you, I'm, to do it

to do, I'm, to do a, when when you a, a song,

a a concert to make a to make that the water irvier I was

calentando water for a ramen of my that I like to eat much to eat

and I'm a posillo where he's put the water and I'm really much see the

process of how so it how it because the first three minutes not

not going that's that idea that that comes that comes that I have been

all the time in me many many of the things that we're doing with Billy, that's my

manager that's not quite, are invisible. This, this, this, this, this,

the first minutes figurative, figurative, are invisible. And if not, if not, we're sufficiently constantes,

like to keep applying to the project that we have done, to the time, never will arrive in the

water, no? So, it's, it's, it's very, it's very beautiful

to live so, it's very emosionate, not know when will be to be able to get the

water, but you're neceo with what you and keep it and start to do you know, and it's

and it's and it's really so it and it's not only it's invisible that's to be to

your eyes but what you're doing it's invisible for the world because because it's

not going to it's a way and it's a way so those minutes before that yearbe the

water you can get very very solo And there can be people that you can't

say, what you're doing, you're doing, you're doing the time, why not you're doing this other other thing?

And they're to propose like a story of that's, that maybe not are not in the

mind that's that you're not, or you can distractor. You can make a that you can

think you that's a reason, that you're not to do you can't be to try to try to

try to another thing that's a little bit that's a question that that's what I'm

that's just, you know, Just remember that, as much, like Lynch, fracassar, doing what you do not you doblement.

I mean, you know, to look at something. Invirtle all your your effort and your time to that's, that's what you do you probably

you're going to but at least you're doing what you're doing what you want, because the possibilities of that you do you're doing what

you're not, are the same. So it's an illusion that that, that's doing something like, for example,

a job of a job of in the of the work in the people who are people who are people

you're going to you're going to not necessarily because when you're doing something when you're doing something because you're

good in that yeah. Yes, you know, because normally the talent natural that you have you

do you do you're doing if you're doing so you are in your thing is very important alineated with your

time now that you let me say we're going to talk of some things like

I'm I'm going to I'm going to totally in the direction of opposite to what we're trying to do.

But, but, but if you're what recommendation you'd do that's a time?

A sometimes you're a question, they're in interviews or places. And I always think,

well, first, I'm very objective with if really you really you do you

do this you're doing, because a a Sometimes one also, I mean,

so I'm in the necessity. I mean, I want to do this. And then so, it's, and nobody

you say, oh, hey, well, you're, or wow, if you know, wow, so you know,

I'll say, to your entire, your mom, your friends and your good, because they're

probably meant they're saying that what you're that's what is what you try to try to

in an place where the people not you know, and do you do you, in that's

an total is where there is where they're going to say the truth, the crude of the truth, if you have or not you have a little bit of talent, not always what the people say is what you have to do, but if you have to take signals, because at times

there's to modify things, that you're not doing well, because if you're not going to be getting to the people, if nobody you say, nobody says, if nobody to say, oh, I'm just to do it, do you, probably not go to the way to the way. Retro-alimentation, said, Jack Anfield, of my authors' favorites,

says that the retroalimentation is the disdewo of the champions. Yes, of course. You're seeing what you do the people, you're seeing your numbers. Also, there's to have flexibility.

I remember, for example, when I was a kid, I thought I thought that I was a second I was, but I was I was not I was going to

talk about in public. Okay. But in that moment, I thought that my vocation was a seracete. Sure. Would have been

a terrible sacerdot and one that did know. No, I I think so. But I was it was very coquet.

It's that can be like to be the same to you know, so it's sacerdote is

to be able in public, right? Conducing program of of courses is to talk in public.

It's about in public. Radio, this, to be doing it's about, I mean,

I mean, my talent went to be someone, someone who like that music, but at more, no

could do interpretate, or not can interpretate but can't do you can be a good executive

that does do you, so if you do you like the music, no, it's

necessarily as a star to the reflectors. Definitely that I guess to say is valiosissimo for the people that of

that's battling much in in the in the enter to something, is that probably is distinct

the form in the that has to find out of to find out of a way different. I know

much people that's I know necessarily to can't and they're not necessarily to come

I know, I know, I know I know I know I know much I know that's a thing that has to

have to be to be very poca. I mean the people who know those producers,

managers, stage managers, illuminators, musicians, those I know for 30 years and they're doing

to do it so they're because they're because they're so because they're not those who are the same

in the scenario in the environment, the entorn the vibrator that is what really you know?

No, and it has your one of the more you say well the person is the

the most is the you don't have to be famous and I don't have or do do the show business

and the tour and I'm going and I'm going to have to be famous. Yes. No, and there are

there are managers. Well, there's who are producers. They are very listos and they're going to

do they're to do they're because I manage a five, manhous a seven. So, so I'm the

seven, I'm the 30% of each one of the seven, no. So I'm much more

than each one of of them. Without making music and without the price of

the fame. Also, also, you can even the way to The clientant,

without paying that price. The abogas? Well, the representatives, the abogas, the producers, the designers,

the creatives. So, is that's not it's actually, to be very honest with your talent, that's a very honest,

you know, you know, you think you don't you, think there's a one single possibility for that

there's infinite possibilities. And prove, provar, is super important, not, to get to a person

to get to a person to do a lot, and try to be to be to start

to be I'm going to work in a office in a agency of production, to work in a studio, and start a

feeling the vibra and learn the thing, okay, of all the two or three different forms, I think this is the that's the most

me, I'm not only one. And not to have a time, a sometimes one is that if is you get

that if you think you're you're getting the time and you're going and you're probably not. Probably not.

Probably probably probably have to be able to be to more possibilities and then where your son

can get to materialize more. Now, definitive it's definitely a

identify to get to get more because because you're more time to do you do you

pulle into, what you see the thing you said, you're saying, I'm I'm a

author, I'm a person, in what you can't you know, or you remember

that you have occurred because I know, your not you're, not? No, professionally.

Oh, but if they were. Yes, but, no, professionally but, not professionally, but they were both. And my mom, inclusive, he went to compone some of the songs,

that never nobody heard, but it was very interesting for me to see her in his libretitia with the little that

was going to talk, something new, and that had never had heard this, this sensation

of wow, one can be the only can be the proper a source of your music. One can

inventors a a world personal. I saw in my house with my mother and with my my tia,

that was her her mother, that was a poet also, that was a vena of, to create. Creatives.

To create. I always to do you a level amateur and without much. But so it's for the

natural. Well, it was like something so, and like something, and as it's

very interesting. When when you want to do, I'm know, I'm

to get to they do they do, because then thence is a much more possible. It's like, ah, look, see, see, see how it's

doing. And you can't see the pathos to and you, you know, a way, a place, a

point where start, a point, where you start. And that's, you know, to start to do you to do this,

this, processimient, and he went to this result and he worked, and I'm going to continue that

and then I go, I'm more, I can, I'm more I'm more, I'm

can't, And, and you When did you When did you That's what What I'm doing There's what I'm

There's many There's many There's important That's like I'm going to I'm going to I'm saying My name

You know, I had I was 14, 15 years? To who the Chaitas that I loved them

primordially And then And then you You know And then One way You know One way

I did Yeah One of Two other Chicks More also also

those respective songs. But this was the first first time. And I'm going to go

to a a, a, a, a, we're all in these groups of the

students of the other nights coloniales. In where you're living? In the city of Mexico?

In the Chicago? Of course, I'm just, I'm in this salon. I'm still at, I'm doing to be there

and I'm and I'm and I'm said that you have you novio? Pardon? That's

what? And that, and that's five years more than I'm more. And that's you, or

more, I don't know how many years that we're, I mean, this type now has got to all the

life and it. And no, there's a way to find in us or in me or nobody. But I

did a song, and I'd like that you'd like that a song or no, but you did this

song. So, I'm the song. It's, but, but I, but I,

but I, but I, but I, but I, so, I, I saw see your reaction.

How I saw see your reaction of a surprise combined with a

with an honest gratitude of that someone that was that and the

emotion that something that something that never had heard and something that was

for first in his life he was been written for her

and was being being interpreted for her in that

in that I sent his energy of really

really that was that was a woman. Obviously, no, no, no, no, no, no, no, no, I'd go to do with her, but, but but the simple experience, in that

no, I know, I know, I know, but yeah, but say, oh, yeah, but, yeah, well, yeah, well, yeah, well, yeah, never, you know, no, no, no, no, he did you know, no, no, he did know, no, no, he did you, but, but, but, it's, one of those moments, and you're, oh, alright, and you, what, yeah, yeah, we've, what you, it's, you, what was your, your, your, to, you know, you're, to have a, man, he has much value to do that, to, I mean, to have a

to do you, you want to and you can't you can't do a song? It's that it's

okay, this is more or less or less me sound like so it's, it's an arm that I'm

a way, that's a way that is effective, because I in my house, I was

I was and I'm know that I'm just that it was going to I'm going to say, I'm

going to get to this what I do this context, and I'm to transport to a context,

to here no this she no this she not this is the

real. And I felt I could modify, I'm could change your

life for a moment. I'm took your life in a way way important

for her for a moment. And as a thing I put on a little

in a reunion some some of some people in a little two or

three friends and my people said, ah, he can't he's

he's he's a bit a guitar, I'm Yeah, we're going because we're going to a festival.

It's just to go to the reunion. But, before a child that never in the life had seen,

that never was in the front of the court, he's a circle, he broke this barrera

of not you know, like, like 15, 16, years, and me said, never

me had made done a song, but me made to you're to be sure

with this song. Much thanks. Those moments are are simple, like

even colloquiales, like something, well, that's beautiful, you're to transform in the entire,

because you're if this person that never had seen in my life, that I know I'm not know,

the put to talk, the put to move, and so so that took the value and it's,

it's, he took the time to come to a new to be to say, I'm the

thing, I'm saying, in a plan more grand, this could function. This is the

retro-o- -o-o- -entation of the we're talking. Yeah, that for me has been vital. My life has been always vital. The moment's where they're

to see, and it's a certain, or this song is of my favorite, or with this song, I'm of my father. That restoration for me, as a composer, is what I make the life. It's my life entire.

So, that was gradual, you went to discovering, in form organica, the life was, the life was doing, and it was happening, and to repent, but in what moment

you said, this is, this is my career? The kid you were you grew up in the city Mexico in Takabaya

and he was playing with you know, you know, you know, but in what moment is in serious?

Well, in these groups of the school, curiously, this chica that she was the

last, the other she also she also she also she also she can't for there

and he can't very little he, he said, I think you you think you should

you should know to know a productor that I have the contacto because

I think that would be good that you know, that you hear you know, that's

like, and there's like, okay, I never thought to work with a person and I did my job at

my, and she made me connected with a producer that she that she fell that, that's,

that I remember with much cario was the first producer in the life that that,

that I opened the thing to hear my music to to do my chambah from a

chabito from 17, 18, 18 years in this then this and is the person

that he said, Ben, because it's interesting what you do you do because I need to do cause for projects, I need to be repose to doces probably some of your

songs we can put in some place. And then I opened a point like to, to pass to the amateur, to pass to the

music for the pure gusto to do the music to the possibility of that is a one. You know,

that's a one, a sensation completely new and a beautiful wow, then

I don't have to do that's another thing. Maybe not have to have to have a

on the site, as you know, can do this, my life entire. And I'm all the time

to my life to this is my first checkicciss of that there's there's

a lot of for having done a work, I've done this productor and I know a

other producer that was Carlos Lara. And I I've I've worked various

years with Carlos Lara. In all what he he, you know, I said,

I don't get to a session to do this session of I'm doing the job, I'm, I'm, that's a

man Thank you Memo yes but you know I'm going to get some is that we're going to

get one and I'm in serious so I'm so so it's some of some of the

many some of the first times that I did that didn't without a person

was a person so maybe with a person so this people this person

this person this people you can get in the no without

without without without I said, I said, I said to the favor, I said,

I need I'm going to say, I'm going to be because I like them and because me think they're

going to be very, for the project that's doing. And also there I think,

okay, there's people, no, in this industry there's a there's there's people. There's a

person, that, that's, that's, and it's, were, and it were, and it's,

when, for example, with Rackackacki we put the a song TVC in the disc of Ragazzi and that

the future still on in some in some in the first thanks to the initiative of Memo

so I'm so I started to work with many my initial in the music and I'm really a

music and what year that year that's the second ragazzi that the first ragsy

was of the 90s 90s and then then then the second ragsy and then

in the 99 98 a few a bit of a bit of before. Because you

took a past with a boy band, right? I've I've two coquetos

or three with boybans because it was what in that what in that they were they were in the thing.

Oh, is that we're doing a you want to you want to you want to you want to because me

I'm sorry was the call of New Kids on the block that were a trankation in the States

was and here yeah the backstreet boy Backstreet Boys. Yes, yes, yes. And those generals of these boys,

and we were menace, and we met him to, well, met him to classes of jazz, and, uh, and, uh, and there was, uh, and was, and, Mercurio,

Terra Cere, there was a lot. Yeah, never, and I have to say, that's, you know, you, I'm gonna meet a one? No,

if, I, even did we do some program pilot on television, to see, it was, I don't imagine, no,

I don't know, I don't know, I don't, I don't, but it was what they were what they were like, you're going to You're going to

You have to You know, you have to do you. I did. I did. And I played. I pre-debure and I was there.

And I played and I did all. I did so. I did so, I said, well, but I'm going to get to start

and well, well, I'm going to do this. And then, he was a gym and then all the days

class of of ballet. And the the music no, he didn't even to nobody. A nobody.

No, no. No, no. No, no. No, no,

no, no, No, me contested if you but there were those in some bands neither were even those that were in

those who were, no, no, in some some bands, there's many, there's many, there's, there's,

there's, we had we've, we've been, we're just, and two or three that, and so, and then so, so,

you know, you're going to talk about you, you were the that, I was the, yeah, the,

that's the, the galan of group, you were, you're Alan, the magnet, because Alan, Alan, all,

Saludos, Maury, salutes to do. All those, we're all right. It's all to do. It's all to do. It's all to do. It's all to do.

It's all right. But that's all right. It was the formula. Alan's it was. And the other. And we were the chirogues and did the show

the other gym. It was a formula. It was a formula. And me me they're like of the some of a couple

of boy bands that never coojorn. You know? Do you? Do youel? I'm called of a possible

number. God. So if you don't you know that's what you The group Obsession.

Yeah. Yeah. Yeah. Yeah. But, but all the numbers are horrible

this, even when I was a name of a band that is a name that's a name more feo.

And then then you know, and then you know about a lot of like a manna, for example.

Manah. If you had that manna when nobody you know it was this manna? But now

I'm not a program of television that when me did you did you the title for

the pilot I said, I'm the name more horrible, it's impossible. I'm enogued much.

I'm sure. I'm, what terrible title. What's terrible title? And me he's so

malo that functioned. To all the world's so he got a big. He's very very good.

I'm very very good. In this moment, you know, it's like, you know, it's

never never know. Never never. But the boy band no was the thing you

to do you went to to the thing because it was a carerer ascending

and exit and success and I did. No, I went to work with Carlos Lara,

uh, uh, that's to to work with a brother in Los Angeles. I went to and I'm going to live in those

months in Los Angeles uh, helping them componying songs for projects of these, uh, we're making

songs in discos of boy bands justantly and of other artists more. And, and I'm this idea of

the idea of well, meanwhile, we need to some, we're just to be a like a,

like a possible a possible career solist, no? Uh, Of the where no, where no,

where no no, I was going to, I mean, I did most, I mean, I didn't know, I didn't,

I said, no, those are you to get into, and they're, and you're, you know, you know,

you know, those negotiations, no, you know, the junta where's the music, no,

no, you know, the reaction that were in the things, you're, you're,

just were, just those years of those of those you're doing, where you work, and you,

and you never result. And no, no result after that that's a relation that's a

producer a producer a interesting of the industry he came those those are

those people were to talk about to talk about we said we we're going to do you want to

do you do you to do you do you like voice to men and I'm yeah I don't me say the letters

because no me let's do but you lastarre allas no we're going to get us and the

type said, I'm going to this, we're going to start a and we're

going to do we're going to do you do this we're going to let's we're doing we're doing

David Foster what's David Foster, what's he's going the problem political of the

same know, how you you're going to how I'm to produce you I don't know, not

the ruptura no, no, that always not because David wants and we

not we don't we're going to that's, that's that's the other that's the other side of the show business.

That's the one is the talent, one is the inspiration, all of those are the other are the

other are the the other are the other those legalities that's a thing super interesting, who's

you're getting to who to whom to you're not you're a real or not I'm not I'm a person

really always and I'm really a really that I think you're I think

you're and in a fan of the of trivar you you brinkas

a person or romp the lot of time so will go to come

to be a boomer in everything. All the what you do you get a and it

makes a lookura because in that moment I took the the the

approach I'm saying me I'm I'm this people to the

gomom I want to do I'm the I'm the guam of

this coates I'm go to I'm I'm do you do. Because

those who were they were they were in the thing they were in a lucurial to be doing the opportunity of your life a lot of the

way you're going to do you can't but I don't start a project like that's an idea opted for the lealted for

the lealted and also that he also brought up to the other productors because after that

after that I'm I'm I'm going to be able to be able to have been much time and we've

done to never I can't continue working with you, the whole caused a much enfahed

also in them. And they're very much and were terrible in that moment. But at the

time, I think I think that's the correct. In that moment, it was terrible for me

because I kept without. After after after after and to work and to be

to work. I'm with the other. And with the other, and with nothing.

And I said in zero. So, I'm going to be going to to get to to go to

begin to where I can get in this. Here's the coffee-cito that you're

I'm going to get to do you want to get because because here are those those moments oscourous

that all those we've lived. All of the we've lived moments in where it's just

it's a thing that I'm I'm I'm I'm sure I'm never you're

I'm not I'm good with the other productors what you think you sent you

that you did it did you desvanes that you've committed a

a great error? It's good all. I know. I don't have committed an error or no.

Yes, for a moment you think you have been to have been a bad person and I had to have

been brought to all this opportunity because that's what is what's that's a famous to start to

you, and pass to the other and I thought but then then I don't,

I'm going to be famous because never I will be so. So, this moment

of a doubt, of the soled of to haveventing the guitar and in the camera and say,

I don't want to talk, yeah no want to talk, I don't want to get a little some days, some days,

I'm sorry, I'm thinking, I'm sorry, I'm thinking, that there's many, I'm too, I'm too,

to be going to go directly with the people, I'm saying, my music, but it's, always

there's always there's been in the media. I'm, I'm, I'm, I'm, I'm,

I'm, I'm, I'm, I'm, but I'm the music could more

this always always always always I'm you know you're

in the all this was all the people and then he went to that you know that's the

process because the moments those moments of great great so you you're a person

that you're a person a person profound that's a question that you have

that's something that you have to something something that's that's

that's that that's that's that's that's in those moments I learned

that I loved the music for the over the music me were to do. And I said to my mother

in a moment that was very very because I said that he said, I don't know you know

and I and me I don't want to I don't I think you know I'm

so I'm so I'm saying madres in a bar in a restaurant not to say

Markas but you imagine which you imagineeran which? I'm going to be happy. Because I'm doing music.

No, no, you don't you worry. And I don't you don't you know, because no, I'm going to be doing it. I mean to make sure,

I'm going to end up that's the fact that, even had accepted to grab and me would be excited, if it would have a signal, no? So, remember us

that's what I'm to finish it with clarity, remember us to what is what was what was doing David Foster for that we

understand the level of the door that's et David Foster produced a much people in his moment

to Chicago all the part of Peter Ceter to Cylindion to Whitney Houston to much The Ligias Mayores

And I learned many I learned that I learned that phrase that I had all the discos of platinum

that were in the mesa on the table and so I'm like a commentio pseudo-amable and that

you know you know it's great so many Wow, no? I want one. And your commentio for every one

of these I've got one Wow, that's not that's good and I'm because when that's

that moment because not it's your life, fracasa that project, that moment we're going to

you're saying momentum, in Latin you're all you're you're constructing this momentum

and that and it's and no so it's it's disinfl the moment so

It's just inflate all your life. Well, for some days for some days. Apart, I imagine what he has been a lot of

your mind. Because not only is that a grand producer of Ligas majoring world, you would have

said, I'm at you play with you. In those times, the Latinos not were not.

Someone that is, right, is much more, not I mean to say, it's much to be a

point, to the power of the work in those in those times, in those in those

times, the way, in Mexico, it's not, the romantic but the

people more young we're just we're listening. But you know, you're not

about of someone of the people, you're you're saying that reasonable

because Chicago, Peter Sitteras Indian was your type of music. For the

course. I said, wow, I'm here with the mer, mero, of what

me got to the line, of the voices, of the R&B, of the ballada,

of my line. My line, me I was very very fortunate to

be very fortunate But also I learned, I learned that the things should be the way of the way correct. That's what I felt in that moment. He said,

for more that something is very attractive and marvellouso, and you know, you're there, and I can't be able to talk. If not is the

way correct to get to that, probably you're going to be a lot of all the ways you're going. I'm Mark Antonio Regil

and you have a question. Has said that the need to you normal,

SENTERMEDE, especially when we're on new new, new RETs, changes, situations new,

we're going to a situation un-in-nosed in the job, in our life personal, when we put up

our new year, it's normal, to get to do it, but if we know,

we know, we know, the need, the fear, the need, the need, to be

a new, even before to start, and we do you do this those projects, that we

want to do, is, what we have to do is to learn to the fear, for that the fear not manage to us. And for that I've created a master class gratuit where I want to come to share what I've learned and that has functioned, and you've

done to use the fear, not like a front that detain, but even a vehicle that you help to manifest what what you want in your life. As you know, the fear can't the fear can't use to your favor if you know how to do. This master class is completely

gratis, and you invite to you register here about, here's the information, for that we're we're able to

learn in this new year. You're spiritual, you're in God, what is your

system spiritual of creences? Um, no, that's, it's peculiar. I'm in

school, in a school religious, all my life, and, uh, and I learned,

the Catholicism, no? It was, like, the, all the, my doctrine

where me educarer was Catholic. My fathers not were necessarily very creetent or very strict with the doctrine.

All me, those were they're so, they were so they're doing their communion and the first.

But, but they were, not they're very, this, to force her in the house to the

house, in the school at some point, I think, I think I going to go to see

my route. This was a route personal, that not necessarily a religion specific.

And, I think in this moment what I feel is this, if I get that there's a order, there's

the sensation that I'm, many scientists do you need the design, but it's interesting, I mean,

I'm thinking that's still that's the way, for how some, some, some, some,

some, some, uh, uh, uh, for how can't manifestar many situations

that you can't to be imagining and visualizing and of the problem you see that you're in the reality

so I'm there's a thing there's there's a there's a there's a that you can't actioner

over the design and manifestar things good and badas because I remember the series wits

marvellous this series that's series that's not been where there a person where he

a brander in his Mercedes Venn's the other he says no hey

how you can't no it's no it's he's the secret and if

it's like like, so it's like to not to be with the bad or the bad or

if you're well or the design function for that you can't visualize and materialize

things. Yeah. If you're a good person, well, and if is a

mal, then it's a malas, no? That's a great success. There's a

bigianos in the story that they've made assions indescriptive

being terribly terribly So the universe no reaction to to you're good, you're going to be better, if you're bad or if you're

a better, no, no, it's a not that's actually, you're doing this design. I remember,

from the first time we know, my, my wife, my, my wife, my, my,

not are not not, the year, the year, the year, the year, the year, of the no casasas.

The no casas. Very good, thank you. Thank you. Thank you. Thank you. And we're just, and we're just,

you know, and, because, Hermann Gets, and you like, and Sidarta, and Damian, and Demian,

and all the... Yes, and we're going to, there's a moment, a book marvellousal, of a young that just about

in this busk spiritual, enter an church, and he's in a church a organo there, and

he has a conversation very interesting with the sacerdote that he says, God,

no, not is how we have been the God. God, not is the God, of the

God, God, is the God's the God of the And the God of all the

thing is Abraxas he says in the book. Braxas is a god an god an exeastern of cultures

and other not I'm going to get in that's because this question of Abraxas was very

interesting because it was a concept of that the design not respond to us have said

to be well to be able to be good to be well or you're not or

you're going to be a decision personal is a decision that a sometimes you can

be you can be able to because you want, not because it's for being

for being for being, because it's not necessarily so it's very interesting how you going to

a spirituality around around of this idea of that the design no overpasa. We're like us

we're trying to give an explanation human to the reality but the design not is human

the design is for what we call us a different and it's we can't understand

how it It's When you You know, that connection I'm you're your

system of your system of your spirituality? Because for me my spirituality is a tool

really very powerful very powerful, especially in the moments difficult. And in that moment

difficult that passed, of what you gotrast to getr to get to the before?

Flor came before. Flore me know, from before,

the before of the moments of the those that were talking and and then

we we've we've joined just being I'm in the first and then

then you know in the first of the then you know what you did you get around when you're

when this this moment that's this moment but I'm in a bar but I going to do

but I think you how you how you you're how you you're going to you're

to do you a lot yeah very interesting very interesting I I've

I found the divinia a So, for me, the music is the divinidad. Okay. So, for me is... When you scribes, you know, you're thinking

with something more grand than you? When I'm, I feel what fantastic that is the creation, no? I mean, no, I'm not, I'm,

like, I'm talking, the divinity, the letter, or the musas behind me, no, no. I think the

Cerebron, the mind, are machinaries divinas. So, so are machinaries perfectas

is a is a thing is a thing thing is a thing because we're in

things etereas or mystics in the sense of things that we know,

our mind is divine. And our our our body is divine. We're we're not,

we're not we're not incomprehable so the fact of that I can say in my

mind, you, you, while I want to I'm going to talk a

thing, I mean to say, and I'll say, I need to, I'm going to do a two months. Mente. I'm going to be able to be a two months.

We're doing the music in two months. We're going to prepareing the songs. So, then your mind starts a solo. You let's do you. In automatic. Your mind can do you do you know,

in the school, because there are books of creativity very interesting as respect to the work that does the mind without you're

in being in start all the time there and is there and that's still doing it. Without micro-menexed The marvellousa way of

to describe it. The dejas and your mind accommodates and you a common,

you know, this has to this is this is this capacity of of our computations marvellousas to create

to understand the entomular information to processar the information and then this information regressarser

to the world in a concert for example or in a disc and that the other

humans synchronisen with that information and can can't like synchronize in the

same energy like when when you do you the artist that all the world

to start to start, I'm going to start, and you're to learn, you know,

you know, that your mind to do you do a structure. And then all present.

All right. All right. All so they all get of the famous Maya,

as the culture Hindu, no. The Rue the music,

the the music, the and the mitote. That's that is our

present. The word, the word more magic that there's, no, the present. You're

thank you know, I've been with us. I've done the, I've done, I'm,

I'm, I'm, that, without, that's saying, I'm, I'm,

I'm, you know, that's done, this, without, this, um, the,

come down, what you're doing, where you can't, where you're, well, thank you,

Mark, I've Well, just right, the new of Sin Bandera in Mayo. In May,

so it's a new, 10 songs original. We did we're a little bit of a year of a single year.

Wow. We've been to have been to the 20 years, that's been more than 20 years for the pandemic with this

disc, and we start this in August. What a great you get too to have said to take

to come to get a to come to get a beautiful. We're going to we're going to we're going to

we're going to say this that's not a without, we're going to not going to

do this we're going to we're doing, we're doing, we're doing, we're going to, we're going to, yeah,

and I think it will be fluent, no? and the two we're going to, we're going to, see, so we're,

so may you, so May, so May, and then May, and so, and then we're through the

America, and other places. And they're with some new ones, but also, they're going to

make those, from the, from the, from the, from the from, we're going to do this show

very basing in, I think the people are listening to the people who you're going to that you're

that you're the ones that the people more that's the people more listen and they're not in the show that we've

been doing, we're going to then I'm going to make a new I'm sure in April the first of

April, she and I and you that's other more than more than the exercise to grab

for the first a first one time with my guitar and my voice she is the guitar?

She is the guitar. So, are eight songs, guitar and voice in the studio Sony, a day

a day precious. And, well, there are many things more. I'll get two new as

those videos with their different to come to the time. It's very many of the music,

and for a fortune now, after the pandemic starts a little bit

to cede. It seems to be the light to be the like to to put to do

definitely. You, I'm I'm I'm thank to be to be incer.

Thank you. Thank you. Thank you for your disapegro. You know for the work internal that's

done with every word and every thought of your own time. And you thank you and you do you know

to do that to inspire us to not to let us to be this great and for your energy magnificent.

Thank you. Thank you very thank you very thank you very a pleasure. Thank you. Let's a applause.

Thank you. A leonel Garcia. Oh yeah obviously the Rides of Cimandera or the

your personal. Of the pastes, those we'll put them in the video? For the

course, that's that I'm going. For you them. And you're doing it. You know,

know what like the video. Activen the campanita for the notifications. And also

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