El Podcast de Marco Antonio Regil - 256 - Amor propio y autoestima ¿Cómo aumentarlos? - Nilda Chiaraviglio

Episode Date: February 6, 2023

¿Has sentido que no eres suficiente?, ¿Has aceptado menos de lo que mereces, porque crees que no eres valios@ a los ojos de los demás? Regresa al podcast nuestra querida Nilda Chiaraviglio, con consejos para amarnos más y aprender a valorarnos.   Tu mente puede hacerte creer que no vales lo suficiente y dañar tu autoestima. Aprende a ganarle la batalla en mi clase gratis 👉: https://marcoantonioregil.com/mente-pod     Sígueme en: Telegram: marcoantonioregil.com/telegram   ¿Quieres llevar del podcast a tu vida lo que aprendiste esta semana? Descarga GRATIS el ebook que te ayudará a lograrlo. Da click en marcoantonioregil.com/aprendamos    Sigue a Nilda Chiaraviglio en: Instagram: @nildachiaraviglio     

FIESTA American A Viaducto Aeropuerto Presenta The people that do you make the maternage and the paternage us say and the kids and the boys and the brothers and those are saying

things. Yes. And one, well, you know, so it's going to when we're in the adolescence, we're looking at

the spejo but not we're with our eyes. we're we're looking with the eyes of the

mother or the life is what you you can't if you want to

if you you want to change because to you you it's your problem

not the problem of the person or the other you're to be

you want to you want to do how to how you

I think I think all the people have done is to have what really we

we're always we're we're not our and we're we're we're we're

we're in some our time that we're not we're we're not we're we're

so we're in capitals very three of our and we're to learn to learn

to learn to learn to what is this of how is this we how how do

we're down when we end up down we're devaluated and how construct that value,

how construct how we're how it, how it's how it and where comes this sense of

evaluation. Well, Nila Charaviglio, one of our of our consentida of the podcast regress

to talk to this theme and to give us and to give us solutions and also a

origin of where came these problems. So, so, the hotel Fiesta

Aaducto Aeropto Airport in the city of Mexico with

our students of our courses in line, that are here in live, very content us all together. To be in community.

Episode 256, we'll start. Podcast of Mark Antonio Regil. It's a production of RGLL Entertainment, and all his

rights are reserved. Nilda Chalaviglio has dedicated years of study, thanks to the

many and many of people to find the way correct in his relations. Psychotheraper

with a mastery in sexology, Maestri in Therapia Family Master in Programmation Neulinguistic Nilda Nilda Scribe, da conferences and,

and, also, is creator of the diplomat The Placer of Amar. Nilda Chalaviglio is in the podcast. It's... Nilda. Nilda.

You've been received as like, as a star, like, as a... Like, as a... No?

I don't... I don't study psychology for this, Digg... You know, Nilda. We're...

We're... because you help us much and thanks for coming another a pleasure.

The very that I'm divirto with you. I'm I'm too. We're too

we're doing. To us have passed. Levanted the man who has lived moments of what commonly

is a low autoestima or a back value. That's we're

we're to get the man. To us have passed. How's of you those of

you have done and the have to have done you're that you abusing of you,

that's they're going to be the tappet but there you can you know, it's a

past, in some moment of our life. That's the is the dolor, Nilda.

That is the dolor and dole much and it's horrible. And there many people that's being

and that can be passing for this could be to be what we do this

to do this and we the title to do you to learn to learn to learn and

we're where we start us well no exists autoestima if no

exists acceptation of the autoimaging no exists autoestime if no

there's acceptance of the autoimaging many many colleagues have

many times trying to do the self without

without not but because never they never they

the autoimaging what is the autoimaging How me I

when me I'm with my my with without

and without and with the eyes of who

I see? I have to know how me my

mom I was what I said you you

are you you're a black a high little

fia tont intelligent this deportita artist a So, the parents, or those who

Cree, no, so that's of the mother and the father, or the people that do you know, the person who are, the personage, and the kids and the boys and the primos and the brothers, we know, we're saying

things, see? Yes. And one, well, they go, so they're going to, no? If so many people you say things, no? So you're going

to think the people say to you. For? that you're you're you're a turn to the

no no no no if you're to the thing so the

human are the individuals social those two things so

so so we so we're we we we we

we we we we we we we're so

so so so so so so so so

what the others don't we we is a kind

of evaluation passion like it's not of what we're not of

our self. Is it the difference? Explika for second occasion for you

are sure that you are sure that's when the other you're saying

ah you're very intelligent or very very very

very sportist or or what that or what so it,

it's it is it is not talking of what we're not of

who we're not of who are not of whom that's very different and that

is so we know to be a real we're we're we're

when in reality the human when the human has to

make so always in the transformation so so

we never we're always, we're going being it's the same to the five

to the 10, the 10, the 10, the 10, to the 20 to the 30 to the So,

so, for example, if I'm good to get to go to go to it's a

badbrero, that's that's a ability, that I'm that I'm that I'm but I'm

think I'm good. To be to carry. And that's is who's is who's is who

is who so it's then it's the drama. Uh-huh. Because then then if

my my frienderito me got in the career of 100 me go to get a

right to get to the 200 because if no, I defrauding my mom.

And no I'm and I'm so I'm so my identity is in the

identity is so the first we have to learn is that all what we say

the people and we're we're we're because we're we're

because it's about how we're No, of who we're doing. And in that moment,

what you're doing, in that moment. In that moment? No, no, no, in a year. And not

because I'm a good tennis to the 15 years, I've got to get to the 50 and be a good

tennis. I mean, a 15 me, I was a 10, but, I know, a those 30

me got to patina and at the 50 me, I'm, to, I'm,

to see, escalar, or, whatever other other other thing. So, So this

This mirada of the other us we're a concept a object

so it's a socify but it's very fete the word is very

Dominguer so so you you are you're if we're if we're we're

we're then it's a haula yeah yeah is a concept

so I'm not I'm not what think of me and I'm not

I think of me. Exactly. All what they say of me is about how I

actu in that moment. In that moment. And yeah. And point. Now we're going to

do a exercise about that. Let us do a exercise. But this is the

first point. Okay. Because if we we're we think that the person

that He says, you are this, this, this, this, and we're and we're trying, and and who is this, this, this, and this, and this, and this, and we're we're this, this, and this. So, when we're getting to the adolescence, and a little more, this, we're looking at the spejo, but no

no, we're not we're not with our eyes. we're we're with the eyes of the mom or the

father if can identify that's yeah no no

it's very clear is it's a is a person and I

see I'm I'm I'm so I'm so I'm

so I'm I'm to that you you are you're

very good you no and then you you

And if I'm a good I'm a good I'm a sure I'm in crisis No Yes, okay But in reality No,

no is a concept elaborated To be responsible of our beingstair But not

for To serve the of the Okay Okay To serve to the

best of But obviously they're They're They're They're They're

They're They're teaching things good for you. If you're they're saying what they're in. I go so you see

a lunar and you say that's, oh, you know? Yeah. Because you see

and you like it and so you're nice, so you're so you're little chico,

you're saying when you're that's it's like it's what they're what they're well. The

thing is no exists in the reality. It's subjective, the reality. It's an appreciation,

it's an opinion, a juicio. Exactly. It's an interpretation. An interpretation. An history that I'm going to. Yes.

How, how it's function the cerebroseance in that's a marvellia? A through the five senses,

the information enter in our Cerebrose, the talamoe, the talampo, the topampo, the hippocampo says,

you've seen these things, it's free, the hippocamp put the content this content is the middle of

where where there all the emotions accumulated in the life in that

in that the memory the memory emotional yeah and when when it and when

it's it's it's it's interpret what I'm a

through my stories of life is it's an interpretation It's an interpretation.

For so when you're talking, I'm with my brothers and I go, oh, you're all right, you know, you're going to, and you know, no, no is certain, that's not so, not so,

that's not so, we can't put it to agree to what what's so many years or 30 years. Some stories different, interpretations different.

Incredible. One of my one of my person, and I present him and then my friends and then my friends let us

your life, no, in the public, and then she's he's He's a mom and

his and when when you're when you know, I'm going to I'm going to you know,

who are your your mom and your because the your not the mine. My

mom was very different, according I of the mom that she had to her for her.

But the person was the same. And that what is because it's because it's

for, it's memory selective no? So, we took we

we're we're the reality and then we'll construct puentes and we're but for what?

For so to survive? Or for our convenience or for what? Soverevibir is an excellent

termino. When we nacemos or we're not we don't no there's

alternative. So if your brother is the intelligent you have to

get to get a place in the family so for that you

care so then the most probably is that you are

the tont If your If your brother is the Deportista You then you're going to So, then you're

So If your brother does a Embo's You have two feet Ish

Right? Why? Because There's to different to the other

To have your own Right No? Really is Sorey

It's So It's for to be different of

other These These Sto Yes investigations in mechisos. And mechisos, in the same fathers,

the same schools, with the same friends, and it seems are radically different. And it's for this,

because every one needs to be different to the other to be made. You're looking your identity. So,

you know, what you come in record to make to make to build that. I don't see is adequate

what I'm going to do, but if you you think you an

an an edge cartesian is an one vertical right

if in these two edges here you put you

you the and here you you have you have

to have with all the conduct that you

have you you so so so so so

so so so you just these edges is your life. When you

me you know when you you know this point to this, with this, with this, with this, with this,

if you you're going to this, you're going this, with this, with this, versions different of the

life? Of the the same life? Because you because you take you different

moments of your life. If you you're in a reunion where all they're

to read you, you're to record all the moments jocosos. So,

so your life is what you can't that is your life.

Yes, not the reality. It's the story that I'm

talking. Of all what is your life, you you

do you a a narrative, a discurs no? Okay.

One a position of the clinic therapeutic is to to

run that narrative. Questioner to break it, to break it, to break it because

the people get preser of their own narrative yeah, you know, you can't

a story and you have been so you and even it's imprecise and even

that you think it's that's that's the and it's one of the stories is,

uh, so so, Yes, yes, your logros. Well, then I'm the college, and many times

the people like a question like very rare. Especially to all the people who suffered of abuse sexual infantil,

to do do you know, is ultimately sanator because not are simply beings

are you're people, if you're invadied invas and mencied those and

that's some, are many other things. So, from the therapy

narrative, that is one of the one of the I use, you do you do you

do so those events that are like a burbou but you,

but you do you to the person, and at what age you know, I'm I remember? Pregunda. And, and

what, you got to go to go to go to? You're going, you're going, where the delicto of

this thing horrible that suffered, that's like a great piadros in the way, but

that is. No, you, and it's your life. No it define to

to you. it's a thing. It's an event. It's an event espantos traumatic,

that is a because the neuroplasticity of the neuroplasticity of the brain does

it's that's any any, but first there first there to

isolate it. So, okay? So, so, we're how we constructs,

we, let us make our history of the Logo let put us

that that that that we our life is one of the stories that we can't

tell of our life, but that we can't tell many other stories of our life.

So the story of the logros is one, the story of, I see,

the studios and the other, the story of your your people,

places, or places or places are other, so you can't

you can many stories different of your life. So, if

the story that you're you're telling, you do you

do in a state as they're in a patchur a

first that's what I'm to be to be to be to be to

be so for what me to do because

at the maybe that that is precisely the

that I have to put resources and abilities

to convert in another history. Transformer to give a sense. Yes.

Okay. And that's an act of love. And that's an act of love to you know.

And to learn to learn to that that that's a little and dolorous that

was the story of your life because you decided to ignore all the other other

to say this is the story of my life to to make

in a story much more more more more more self-estima or your

value, and your own your eyes, is a grow to because you know you're

a poor being a abusated and devaluated that is a exactly for the

life. Exactly. Yes, and this we're remit to the body.

Yes. Many times the body is a too too

too delgado, demasiado gotto, demacled maltratado, with many

many some infermedities that I'm to, like, to,

like, to sanar to any, I'm, I'm, I'm, I'm

know the I'm a little, and then are cronical, et cetera. They're to be

with this, no? So, if I don't, I'm, I prest

attention to is because I'm disconnected. Okay. I'm a head with a narrative that I say I,

but from here to be a catcher of a carnet that I'm going to I'm in my head, in my head, from the

cooeyer up and aferrado of that narrative. Of the story. Of that yeah.

And why we're we're to farra to that narrative? Because it's so seductor to ferrars

a narrative dolorous Because the human only has two ways to

evolution one, you go to the the picture the reflexionas and transform

or you're to doleer so, tant, so, that's to change.

Many a consultor gets a people really destroyed and

Nilda, this is my ultimate opportunity. See? Persone and pairas and families.

See? Yeah, when, when you know want to want you more, or you ask you can't, pathees the tableer, and you're saying, I'll do this, and

me go to the China. So, there are distinct ways of, to get to, of that. But for what is, It's well, precisely

to to ascender the power, to be able transform it. Now there's

people who no is that's all the life with a narrative and they are a narrative. And it's

perfect. Okay. Because the the way of evolution of each is sacred. And there

have to respect that and you have to respect it. Because that can cause

also also can also a nature if a that you want you are in a

narrative negative where you see that the suffering is for that narrative and you

want to you want to see that you're not you don't know you know the problem

he's not the person that's a new American the airport. The best the airport

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because to you get to it's your problem. Not is the problem of the

person. You're molest, you dole or you do you? You're

you're the thing? And no, not, not is so. If you

have to respect to the progim as you. If

to your progimo as you to to be to you

and the respect is love. And the If I want to to go to

the people I mean I'm am distraying of my

proper change occupying to change to another. Okay? So,

so it is great, occupancy to change to the the

father, the the chief, the the company and the

family, the because ah, because so I, I,

I'm to do what I do do I do okay. And it's for

that sometimes correct me if I'm if I'm I'm sorry but the people that live who's using

and you're and opinion very strong about the about the people it's not maybe because

there's a great dolor here and I don't want to I'm going to get to get to

with a passion to use and signar the malice of the can't

and because with that you and you you

see or so the people are going to try to you're to try to because if

you're you're maltreatas with that time so then the other will be the same because if

you're you're because you're because you don't know so I'm too feo

yeah but that's feo but that's but that's but that's but that's that's part of

learn to learn to mind So, here part of the clave is observe if I'm very preoccupied for the being of the

other or for the way of the way, and that would be a signal to make a pause to say, a bit,

is that I'm, that in form inconsient, I'm using this distraction to not see what I me me

to work? It's ultimately probable. Altamente probable. If is that not guaranteed.

It's a highly probable. But, well, So, we're in the And then we're We're going to identify with the

eyes of who I'm and then I'm to get to get a liberty to say, and if I me look with my own own eyes, if I lived

in Marte, I would do what would have the life that I have a other life or would

transformary this pedacito and this and this and this and all other if I like, and I'll still get into. But I can identify with the eyes of who I'm mirro, is a pass important.

And the the body says. Disarrogear the interoception, that is that, to know the language of my body. Interoception.

Yes, so it's also. Also, it's Dombinger. Yeah, no, no, but it's been to learn to to learn to. The The body

The body You know A little A dolorcito Aombo No? Okay No

No No No? That's Oh No? How So,

So, So, then dole in the two Hormro And then It's

Two Hormro The clavicle The Nucco No And then Then

then then before To be to Dole the Cous

contracturates all this and the the the the the and the

first a little a little more and then then you and then you're and then

you're to get a moment that you have to hear see

what I what I'm doing with my life so so yeah

so so to be the body is the base

of the auto-perception or of the auto-image. In a culture where a body

is a person, so we don't we're looking not we're not much people

not see in a culture where to love to make a world you're

you're you about that? What they're what you say that

if if you put you you put a scote, you're, and put a adjective,

that if you put another scote, you're another adjective. Yeah. And that

if you use a faultas short, you're other adjectives, and that if you

only use pantalones, you're other adjective. Yeah. So, like,

in some you're your cabellos, you're, et cetera. No? Yeah.

Depending of the culture, yeah. Depending depending a juice about your

body. Yes. Also, they can make a question of what you have done

to your case, but it's more difficult. Mm-hmm. Because it's not about

not, no, so you're in, it's so much so, so, so,

then it's difficult to give us in the acceptation, the respect, the love to our body, to our image of us ourselves,

where it's the love to me and the progimo. Aprender to my body, there begins. There's my in-bassie.

Here I'm, because it's my embassie. See? Some, some patient me said, no, I know if this

is my a or if I am a I'm a nice a little

metaphor who is who is because one I don't I'm I'm

so I'm so I know I'm not every who but

but if no there there there no there

no there no there no there so And there's the

time of the love and learn to love me. Yes. And how, how I'm

how I'm you know, I'm, you know, to all it's a past, no,

that we're we're doing, we're doing, and we're, we're doing, every day, if you do you know,

front of a spejo, or you can't be to be a repita, and it's like,

hmm, my case, I'm very blank, because never me the sun, then I'm

so I'm I'm bronceado of a grangero. Here, the cooeshoe up right. I'm

a little bit. And I'm a part of my mind that says, you're very blank. And it's,

it's not bad to be black. The cool would be brownie a one example.

Who did? Who did? Who did? Well, Instagram. Tant all those, all those

bronciated. And so then it begins to say, I'd to get me to get me to turn me

to the sun, no I just the thing, the day of doing it's

but you see very blank and it and it and he and he and he's

the and he's the and he's about to accept literally that I'm

put a little bit I'm I'm to get the sun but I'm blankito

and there and no there a part of my mind that no because

the cool is being morenito to be bronciated bronciated

and in other times when I to the when I do Europe and

I go to the museums, the people rich was to the sun, because to start tostadito

was a feo and they were even more black because the more black signific about that was there was a little

and the people poor was out of so I saw, so I'm that I'm so I'm

because no one thing is really and the other is really and it's and it's a lack of

my life. We went to China a one and the the chica that

was done the tours almost feminist, you could say. But one day

there was a hot and a and this woman came with a

sweater this this you've this that has the little

for the little to a so a sweater up like

like so like a parawos a a sombris a sombrill

a sombrilla a no And he said, no, you know, because all had we're doing a lot, no? He says, yeah, yeah. He goes,

why you tapas so, no? He says, ah, because the men, if not, they don't like the women black? No,

they're not. Oh, they're not. Ah, they're not. So, so it'd be tapable all, she'd more yeah,

but for to get to the people. Ah, how many rogues do we're met in the You're in a

country that's in a country back in China. Before to continue with the podcast I'm asking

what is the secret of the people that means that that manifest in all

the aspects of the well the key in our dialogue

internal I I refer to those conversations that we're with

the voice that that's in that they're not

they're good they are start desempowering and, of the

fact, and the fact that you need to be the same. When I was when I did a

point, and I've learned to reprograming my mind, all it started a master class

gratuit in the while I want to share the the secretes that I learned,

so you do you do this your potential. The class is your mind is

your friend is your your enemy. What story you're talking? The class is completely gratis and you can

register you're making click in the league that's here above or visiting Marko Antonioorogil.com diagonalment. Repito, Marko Antonioerjil.com

diagonally. So, we'll see in the class. And now, we're going to the podcast. For example, in countries

Latin American, the people ruby, tiend to give the attention, right? And there's even a

question of that is, of that is a better to be I've had the fortune

to get a Finlandia or to New a New York Caminas. I'm for those countries are more

no, here I'm more blackito and I'm and you look at and they're like that

so, oh, I, that I, I, I'm, I'm, because they

like the skin moreena. Because you know, because no they're not much

skin moreena. And so, and what is really? None is one is

really. Simply we just the different. Uh-huh. Yeah. Yeah.

No? Yeah. Well, then, then you You know, okay. How? Well, first, identify with the

eyes of who me look. Because there starts the liberty. Yes. To electing that I'm

looking to me my eyes. If, if I know with the eyes of who

me look, then I will continue looking with the same reflection. The second

reflection is I have to hear to my body. The The third reflection is, I have to

am to my body. I'm very. To get to I accept my image, the auto-image

that I constructs for me from me from my own my own so then

then the way the way is easy. Because I go about we can't

say a million of things but finally what is the autoestim

is a kind of accumulation in the effect recompensa of the Cerebris

of all your logos. For that that the bad autoestim no exists.

No exists. Because if you say you that you have a autoestim,

it means that there's that is normal and other that is a right? Yeah.

So, no there is, or there autoestima or no there? Everyone

who has the autoestim comes. Okay. Okay. Alt and a A comparison.

A comparison, but with what parameter? Of the new, we're going to the same? No? So,

with who I compare to say that my is a bad? Yes. Yeah, so,

yeah, popularly what is that if I am then I'm going to accept that me my gaugas

and I want to value, and then I'm I'm, me am, and I'm

I'm and I'm so I'm so I'm think I don't value, I'm think I'm

think I'm I'm But that's not Yeah, but that's not a low-stom. What would be the

language correct? So, so to refer to this? I don't I'm

responsible. Well, I'm I'm a good. No, I'm not.

I'm do you want to do what me I'm like, to

build what I do you but but if I'm compare with

that I'm there's a thing very that I'm I'm say. Dila,

Dila. Dila. Dila. Like Villana The Ode I'm going to say with the

one of the Many people Women is Especially but also Men They're

They're With your They're They're They're And they're And And the

Moma Is that you You'd You'd You'd You'd Do you Do you

do the other And do What's And And then in the consultory is that my mom

me says or my papa me say well then then I'm I'm going to give a

response for your mom you're going to say when you do a question

you're going is that this is that this is this not you have to

do you let's say the next My mom If I do If I do I'm going to

I'm going to The life That you have And I'm My life I don't even I can't So I can't

Do you No But it's It's fair It's It's Yeah It's

Yeah But it's But it's It's It's It's Because if If you

If you You're You're You're you're the most results, then you

have to make to make to make a decision. We're to do another thing.

Yeah, just obviously, it's like a really, and mom probably not he's going to understand.

Because it sounds like a juicio. So I'm just going that you don't not,

no, I don't know, it's a feo. Ah, then I'm so I'm so I'm,

oh, and then there's the pacito that there the pacito the pastit no,

you are perfected. You have all the right of the world to have

the you desire and you and act you doas you

want to I want to I want I think I have the my life

my manner so as you do you do you

have the same I have my life my

my manner okay okay no there no Introducing the

Juicy. To introduce the love. The love to that? To be that if we

we're we're we're to adult to a adult to a woman to or of

a man to a woman to men, adult, a child or

a no, no, not the children that want to do the

mother or his mom or so so so so

so so so they if they were so they'd have been so

they'd be able so I would be a child a child no because

their your because their being to be in the pastes in the

moment in the we're we're we're doing to give to make the

right to do do you do you doff or not suffer or not

they're they're they what what what want what they

in the moment that one they give to them the right to make their life

to make because we've acquired the right to make our our life

our manner so so so so so to let's

of the eyes of the is a moment clave of maturity

of of liberty yeah what what what is

what is I the human has a life that is

to choose what you think. And that's love. Darm me my liberty and

your your is give me and give and I do and it I'm not

I'm that I'm my remit no, that's no, that that's

that that that so that so so you know you know

the quantity of that No, it's that my mom no, me he has and they're 25 years.

We'll start for there. No, you don't you have to what? See? Ah, no,

is that I live in the house of her. So, here's the autoestime. Me,

I'm not the time. I'm doing the food, I'm doing, I'm the rent,

no? No? Ah, okay. So, so, so, so,

so, so, and they're the If you're independent economically,

it's in China. There are cases, there's exclusions to the regular.

But it's very difficult that you can't give you can't, is this? Yes,

for the support. It's the thing of the financial, the

business is part of your liberty and it is then then

it's Uh-huh. Yes. And in the matrimonio or in the Parenthood, has a characteristic very beautiful. If I

am independent, economic, of my relation of a relationship, then the other is sure that I'm there

because I want. Exactly. In change, if I, if you, if me have to maintain, and I know that a much

people but it it's it's it's it's that you know that

in a someone me has been to maintain because I don't me

maintain the that the that is that will

be for love or because it depends of me

so are some are what are a what

is to a other a question to be a question to be

a point for example the door and the door in the

in the matrimonies in the relations of a if our partner

is bollante the both seeing us with we're

we're we're we we're we're we're we're that we're

that the door can't go with the I'm going to go, and I'm

while I go my life and I, oh, how little that it's right,

I'm when I'm when I'm in the case, in the case of the

door existential, will be and will and will be response if

we're to go to go to go to when we're very

vulnerable because we're we're we're we're a person someone

has been the embarrasses, the baby recently are the vulnerability, we're we're going to

the door because we need we need a great, we need to much a certainia for the level of

vulnerability but when the door is closed there is another doubt existential

is there is here because it's or because the door is the door

is and also has response. Yes? Okay. We have to identify this

because finally are decisions that we're taking in the life. Right. No? And

each other relationship will, will open or to start the door depending

of how manage those those questions. Yes? And we have to

learn that is part of the life. That's in the life. That

can't And to those two options, I'm I'm going to the door open. Because if

it's because it's because it is, well, or he's here, and so

it's going, but it's more beautiful, but it's more that's going to the autoestime. So, that's

independence economic. But it's applicable to the dependency emotional. You know, the

quantity of people that gets to the consulter they're

they're and they are there's there and they're things

horrible and when I ask and why are you are they're

so because I am or I am I um how

how how how I'm how I'm how how

how you know you know you So, you amas

that you grita and this no, no, so no. Okay, then

am you know, so you, but all the other not you know, you know,

let me. And finally, you know, in what is what that's, that's, that's the

expectation that they have, am the photo. Yes. The Statu,

the comfort, the community. That's what they am. Not to be human. Not the reality that they're living

but the idea see? The I mean, generally not has to have to apego

to the person if it it's like the person but if me I'm there even

I'm there's very difficult that you can't buy the quote

of the I'm or the I'm I'm because because no to be

to love a piece of a person and the other no imagine you get you get to

you know to say Mark Antonio to me your right I'm

so I'm so so so so so so so

so so so so so so so so

so I don't have map so I don't have no I've done not done my mapita if I do you

do you I'm doing I'm I'm doing all the pastes all right that's

that autoimaging that independence blah blah no come back to you want to

you want to you want to for to to share for because

it's more because suming because sum exactly when when

when when when when when it's richly to to share. Super.

Because no he has a pressure, no there's like you get a trap,

no, no. It's, ah, exactly. Exactly. Yes, is right.

Is it? Is it? Is it? I'm not I'm, if I feel I feel like

complete. Completa? Completa, like, I'm saying, is that I'm, or is that

I don't have? Obio that is. Right? That's That's

That's No? No But it's a concept completely different than the

with the with the with the and listening It's difficult It's completely distinct So,

yeah. You want to get the self-estim? Mm-hmm Pontem these chiquititas

Logarlas and augment the autoestim Sure. Sure. If you you say,

you say, in grand, when you're a millionaire, this, any other

can be a millionaire. This, and the most probable, is that is you're planning your

frustration. Yes. An altissima expectation. So, you're to say,

I'm a low autoestime. Culp of the back of

autoestim is that is that I'm when I think that I'm trying to get a question

and I'm a back autoestine what more what's what's yeah it's

we're all how about Mark no no no no I don't

I'm let me let me let's let me let's much much much

thanks thanks for your sadiduria for your love because apart

I'm I feel how a vocation genuine of help. And it's in your

words and in your intention so you thank you we're doing a lot to give us a ralalal

thank you thank you thank you thank you in where we we're to to your courses to

to your diplomat well in one in one of my one of my page

that is nilda dot com mx there many many All a menu.

Yeah, all a menu. Perfect. Yeah. Every one every one what he likes.

And, and also is the who wants, the process of transformation of the man,

or a little, so in prises and paus, where the transformation is individual and blah,

blah, blah, blah, blah, blah, blah. The diplomat. The diplomat. Yes, is a marvell that's a

thing. Yes, yes, yes, yes, yes, yeah. the pendient

you're pending no, it's going to do you know, let's see and your and your your

in all, in all in all, in allas like Nilda Chalavivio yeah, yeah, perfect,

so we're in the notes of the episode and also here in the channel of YouTube

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