El Podcast de Marco Antonio Regil - 334 -Disciplina Vs. Talento: ¿Cuál es la Clave del Éxito? - Yokoi Kenji.

Episode Date: August 5, 2024

En este episodio, charlamos con Yokoi Kenji, quien nos comparte la importancia del equilibrio entre talento y disciplina y cómo balancear su parte latina con la japonesa lo ha llevado al éxito.¿Buscas formas de aumentar tus ingresos? Te invito a mi Masterclass ‘Cómo generar más ingresos con menos estrés’.Te ayudaré a transformar tu vida, de pasar de la ansiedad por las deudas y la falta de dinero, a la tranquilidad de saber que el dinero trabaja para ti.Inscríbete aquí: https://almamatters.com/dinero/ ¡Te espero en la clase!Sigue a Yokoi Kenji en Instagram: https://www.instagram.com/yokoikenjidiaz/En mi canal de Telegram, accede a contenido e invitaciones solo para fans. Únete en: marcoantonioregil.com/telegramDescarga GRATIS nuestra revista digital y encuentra información inédita del episodio de la semana. Da click en https://marcoantonioregil.com/aprendamos *Importante: Nuestros invitados son expertos en sus temas y reflejan su conocimiento y su punto de vista, siendo conscientes de que cada una de las opiniones es totalmente personal. La información, datos, comentarios, estadísticas que se presenten en el Podcast de Marco Antonio Regil, son de exclusiva responsabilidad de quienes las emiten y no representan, necesariamente, el pensamiento de Marco Antonio Regil o de la producción del podcast.

San Pablo Natural, No Bages the Guardia, Refuerza Your Defense, present. In Japan, when I came to the school, no there were in Senoras of the Aseo,

and I had to clean the other kids and the banos. We have to learn to be a good to bea

to bea to bea in Japan. They're in not going to do you're going to be a lot.

And one said, and how much is bad. The problem of America has got there is that

there's much impulity. No, there in the regals, every one does what want.

Japan, as a country of a formalism, is so important the space

of the other, the image, the posture, it's could

convert in a life very superficial. The culture Japanese is

would be the same if it had been a great

the war not never happened, but yeah that

the election more for the Japanese is the humiliation

is to do you do the ideas not vales much. I don't know the ideas

valen one dollar. The costoso is the that's the locale work to execute. Well, that's what they've been is just a penas a probative of what they're going to enjoy in this podcast. Because Yoko and Gengi is an appassionado justly of this theme. Talent

or discipline? Of a repental we've constructed as a monument to talent and all the world says, oh, how good you're for that kind of thing? Or, what kind of that's talentos? God you've beengible. But really, peasant so the

talent or get more a person that has a talent promedio but is especially disciplinated

and studies to do your his own well, well, nobody to talk to this

time than this time that our very great-ad my master Jokoi Kenji so that

so that's we're ready to we're we're we're we're three hundred

three hundred four podcast of Mark Antonio Regil is a production

of RGEL Entertainment and all his are reserved. Maestro Keni,

Jokai Keni. Oh, yeah, what's to have to get to and find out of the

podcast we were we're in the pandemic. It's correct. You went to Miami with

your and I was in Austin, Texas. Yes, is correct. Four

years, I think yeah. Yeah, yeah all of a much time.

You know to be with us with you and I just directly to

you I'm I'm what it's a more with a person talentedisim

talentosissima that's a lot of a little a little a person who has a person who has

a great talent very empirical very empiric for my vivences in Japan and Colombia two

two are those both are a problem those two are an infirno really a person

with much talent a person with much discipline. Finally, they're in a life very solitaria

if not have an equilibrium. So, if you say me say what of the two, I depend.

If you is disciplined, pragmatic, needs to develop talent, carism, needs to improvise, uh,

to use, folklor, alias, unirse to someone to be a different, if you is a

person, if you're too that's too, that's not necessarily, prepare Nuka.

All the thing does it is always they're going to do you know to

a fact of a lot if not to be a person to make a not. Because

no, it's not because he does do that but he can be

doing much to a sort of in reality and for that I think I

I'm I'm with the two. The equilibrium. Now, but

I've made a thing I'm appreciate and me honor and I'm

to put in your house, to board with a great carino

me you're this I'm in your own your own. It's correct.

That is my calligraphy well I think it's a reputical for me

is to me, it's very therapeutic that's of the things that's

that yeah, that's that's that's that's when I when I

made to do the Shodo the class of caligraphia

because it was a great dedication to one not

that were that that I didn't but we're one hour to do a

letter and we're not a mind of the postura after to get a good letter

so this is the result of many many, much, many, many, I've

said, well, let him this, one never gets satisfied and this

is discipline. Sufro much with the discipline no is what I do you

do not I don't do but it I'm could have made

a can't But me did you do one of discipline. Yes, so I think I'm glad

to do I'm glad to do I'm so I'm keep with this part of you with

with a great good. But there's the difference know for example we know

we know about of the I'm the equilibrium is the key the the clive

Christian Ronald Messi for about of people very very

very disciplined but very disciplined too so not they don't like

oh God me talent and I'm going to the can't do the cancha. No, no, no, so form, there's a system

specific that they're to train and prepare to, and me refer to not only to the physical, but to the mind.

See, that, always we're that when a person can combine the best of two cultures,

requires, a great effort. If one does any effort, inevitably, then,

then, but to be more fast, no, the force of the gravity

exists. So it's much more easy to take the the worst of Japan and the the worst of Colombia, for example. He has passed to many and his life is a chaotic. How would be this, of the worst of Colombia, the worst of Japan?

It's a lot of a lot of, and a solopado, is to say, lands a pia, and scottes the man, very hypocrita. Japan, as being a country of tantalism, is so important the space

of the other the image, the posture is a bit in a life a bit superficial. Riggia? Yes,

saying it, colloquially, not say the things never of front. Because a Japanese never says,

no, I'm going to go to be that possibility, not going to not go. No,

you're going to say that no, right? Yes, correct. A negative It's a gooderner. So,

combine the worst of two cultures is very easy. It's simply not do nothing.

If one does not not, then it grows also with the world of America,

that we mean we we're not we're we're we're not we're not the

last passed that was a time it was a year not me not me

important is that it was this informality and this informality, and

be objectives. Toma one of the two cultures, the negative without a question. But when one looks to

combine it, the more nace just this theme. There's many things, but one of

those is the discipline and the talent. All have talent, of some way, but also

they can acquire the discipline. Some some it's more more easy being

but when they're doing, I'm, I'm, I'm, I'm, but I

to study something that I'm to learn to improvise to learn to exploit the talentes

that I'm and that my brain says no, no it's going to do you, will suffer. Improvisar

no, better to take note, to have all medied systematically and when also says we're going to

be disciplinados we're going to take not, we're a a planification that's that costs

much for those that improvisable and depends of the culture or it's more

a person than a America Latina we're in America Latina, we're we're just we're just

we're we're we're about it and look what you know that's you're

what you do you know what is talent and it's correct and it's like the formula

that nobody no doesn't but the formula cultural is well that talent

and that God you give and heach he chaleg and he's he's

put a palante and the and the you how you can That is the Japanese.

I don't imagine a house a Japanese that you say, oh, you're good for that

so you're good for that. Yes, the other extremis, they're in the other extreme. They're, the clavent is the most

thing that's the most durable. others, even in the football, literally, the trainers' Brazilian, they were to teach them to give to the footballists to celebrate the goals.

Because they'd a goal and they'd and say, thanks for the pass, no, it was you, no, it's a, no, have to give us a big of the

and say, I'm, and the Japanese were saying, no, no, I'm in the country. Even the tribuna applauded the goal of your team,

and if the other team had a goal, then if it was a good goal, so they said, no, so, so, so,

so it's not, So, so not functioned the football. We have to, they're going to say that the goal of the other was bad. So, if no, no, not it's going to

be to feel. Yeah, out of the football. It was, correct. No, it was only only to teach the culture

of the competition because in Japanese is a much repisputo to, even, but for other side, not not bad,

because, okay, if you have to say, I meted the goal, if you did a pass, so, if there's a

job of so, how, how equiliber those those two things, that's the thing that's perfectly

for the world of the entrepreneur for people, for any people. Yes, really,

I really think that's not not for us, we need to learn that we're not for the Japanese,

because for much time in the football suffered of that passes, passes, and not they were, and notian

because nobody wanted to get to individual and have that protagonism and carry with that,

then they they need to learn of the Latino. What interesting. I mean, to them, to them, to ask learn to, it's the contrary

to what we're, we have to learn the culture of equipment, to be invidios, to be sure, to pass the ballon, to recognize

to the other. And especially to, to understand that we're not we're not generalizing. This is a

phrase mysterious, Maestro, there are Japanese between us and we're like, like, dentro of the Latinos,

there are a group of Cerebrus that are Japanese, pragmatic, systematic. And the tendency is to say, he's quadriculado,

he, no, no, he's, I go to the party, no. All right. And he says, but they're,

they're at the nine, no? Mirren at the hour what is. Then nobody do you know, everybody says, he's been,

but these, these, these latinos are those that we need to, really, for that our talent no

so desboke. We need more to give to these characters, because they are in

the of us without without them to take all the control

because we can't anular our our our our our

people and the there's many Japanese, there's there's Chinese

There's there are Latinos there are there are

so are very not, no, we're we're we're

giving us we're not there doesn't yes there doesn't he's

no Joshki sentio like a will have actually and they're

going to be able to get them to get them and they're in other side and in Japan not because not because

not they're not so the system. So what I said is at principle, for that's the thing that's natural which naturally will be more mental and disciplinada, and specific, and good for numbers.

Here, no, but for there. I'm, I'm doing, I'm doing, and that's the equilibrium in, in a good

group, no? It's correct. It's correct. Has it, a little, a month, I'm, I'm going to

Yokoama, the port of Yokohama, in bicycle, 4808 kilometers in in bicycle, junto to my

mother, that she has 64 years, 4008 kilometers in in a bicycle. In how time?

Oh, no, we're demoram 10 days, but it. But it was so. But it was so. I'm the improvisator.

I'm very Latino. My husband is the Latina, but in reality, Japanese. She's the of, the... Tomar Notas, the ciflas, the numbers. So I said,

we're going to where we're to comecems, and we're going to and we're to do. To the loco. And so it

but really, but really, falling three hours for the place, my wife, I'd ask, I'm a little, I'm looking,

I'm... I'm... I'm... I'm... I'm... I'm... I'm... I'm...

for my lucre improvised and talent but if not it's because I am I'm

a person that he he takes not a not he's and he says no I'm not

I'm not I'm what what are where we going to get to we're

we're we're that's uh I'm I'm not even not

never not it's really really my my Cerebrough

my but my my wife is a couple the last last time

so we're going to let's do we're going to take the things with discipline and the

yari is a Japanese in a debate or discussion to look a point of

a key and there's the time to arm equipes all the those those

things are many many many things that we can't make

people people form equipment and the and the key and the

one of the the thing to learn the people don't even Because a person very disciplined

if not you know to be a going to come to come up a person and not creative.

And at the reverse. Yes, it's like when a Japanese a dance salsa.

It's a way, how it's he's he's a little and the and the

little little the time. No. I don't see. I think it's I think they're in the same.

It's like that's like that's like talent, but it's very very well. It's very good.

The thing of the adversity that obviously in America Latina no sobran the stories of

adversity that's that's not people, you have been they're in the social

and say yeah, God, I'm I'm a got another guerrera, agar

another get a yeah, yeah because he's that God he says that God

he does his good not, I don't want, I don't want, I don't want, yeah,

I'm going, more. In fact, giving the world to the page to the drama, and to the

frustrante that's to get of the trestice in a disgrace and a pre-in- and pre-

the culture Japanese, not would be the same if had passed for the disgrace

historic of having received those bombes in the second war

world and they're and they they're they're they reinvented. From we're

the movies and we we've museums and all, but what was what really

changed? It's a have existed an before a after a after the that's

that's so, well, is that only what it's not, no, is two bombs

atomical, is what it's what so, and for that's not never, and so

are the so, so nobody cared learn, that's, that's, that's,

that's, that's, that's, that's, it's, it's, it's, Now,

yeah when it's really the history of Japan also also not should

pass the arrogancy imperial of Japan sometying the people to what the

said the emperor really influenced by militares to guide the

people to make to make to to to make

to make a honor to feel that their in a

necessary so this that's not it's a little didn't go to

that clostro that's long, Japan dured incered 200, more

than 220 years. It's a island without not to get to get

into the little little little to receive there to receive there to be a, a, a

Japan. And it's when the Commodoro Perry and they say, they're going to or invadimus. And Japan said, well, we're going to open the doors.

But yeah, have been passed 220 years. And there's when that story where Nobunaga see that they're a moreno

of Mozambique of a meter 85. And he thinks that's a lot that's so that's so

that's so he says, no he can't be a lot and he and for that that's

color. Because he is a get a mean, me are these these Jesuitas

and when see that's real and was the first samurai in Japan extraager. It's a

story a beautiful because the first samurai was a moren the first

elado that they were to get there didn't know they're

not them were very very atrasas but that also also also

also a claustro that until he is very is very and he is difficult

to be it's something but he is difficult to be and when he has a man he

the shock is enormous sof because the Latino talk I'm I'm hungry

I'm I'm sorry I'm let's go back here he's he's

he's but he he's addicted that And the Latino also does, something does that I need.

And this interchamble cultural me is fascinating. Just the thing that we we're talking talent and discipline.

And what was what was what was that was that was we're going that are more after

those bombs? Or they were so they were, they were they went

and they went and there were there never Ningen the

The word, Ningen, traduced, humans. They're to be humans. So they're to be the

arrogance. Yes, they're not to be people, and they've been to be the people, but

that's been when they're when they're because the human, he's, that's a person

to be seen to get a power, to be able to be to be a time, until

to get to someone, he puts, so tate-keet quito, so, his, his,

I'm I'm going to I'm I'm going to that's what usually normally in the

companies in the people in the when you get the exit exit, exit, exit, go to the

tendency is the arrogancia and it is you to forget to you it's, it's all

what you did you do you don't you're you can't you you know

and you the car is much more rapid than the subida and dole

especially to us especially to us the parents that we were authoritative, with our

children, trying inconscientently to repeat, no, what they're with us. But at the same time,

at the time, at the time, all get a therapy, then our children, and in

some moment and we say, no, Papa, you're not, you're not, I'm not,

I'm, I'm not, I'm not, my son, my son, is more same,

is more the situations, and now I go behind of him. That's That's been

something very important in my process of to learn to accept that we're humans

and that comes a generation that one has been a temptation that's a thing

they're to say they're more sensibles you're more sensors and are more capable even

even though to say they're much more capable because I think I think I

do I'm a lot a chinkon I'm saying here, no? I'm a man that but my kids say, no, it's necessary

to be chingot. So, you can't do the things without being so brusco. So, can allia, to be able, and to get a places

taking your sabituria, but not your force brutal. And no I have to work from

Monday to domings to do not have to want to be able to have success without that. And the

learning of the new generations, as you do you know about your children, to learn of

your kids, that's that's a really that is the humility. Yes, yes, is.

Be humiliation. Accepting. And not any any that's a humility. Especially when

I get the exited and you feel very very sobergo. I'm I'm

I'm a couple of years I think I'm took the honor to go

to go to go to to the at the conference, to the convention of Toyota, just in Mexico.

That's a world in the world entire, has a respect of all of because, well, that's a

great idea. And who has been there's a company, you know, no, a company, a company,

fabricante of vehicles, is a Toyota. Toyota is other world, is other culture. to continue with humility. But there you see,

there's the intelligence of an company that's not not being in the soberia, but he has a convention and put the

theme in the message of what we're going to continue being humildes. And this, wow,

it's a great lesson. Yes, and I think exactly that's what that's the master is

that the war not never had pass, but yeah what's the lection most important for the Japanese

is the humiliation, is the humility, not to be more beings, not just with being human, because they're not

we're getting the horizon, we're we're doing, in the affand of really to be the human,

we're trying to be like Godes, extraordinary, just being only being the sense common of what

is a human, of what is a example, but hey, someone's we're doing, we're doing,

we're doing, we're doing, and not, only that's important, but when there's a fun of the exit,

we're upholed, and we don't we're doing and it's well, and it's very and it's quite of the life

and when it's just it's simply it's going to we're in it's that the Cerever the Japanese

suffer if something is we're we're we're all controlled, all, all,

all very well, but the life is life. The Japanese, when I do when I say when I'm going to

say, but the Japanese can't know what's going to be going to be a year in three years in

May. And it's something. I said, I'm said, I'm going to get a

time to the time, 15 minutes. The site, what's I'm

a little? The site? The site of that's, oh, pardon, what,

you're it's passed? No, Faltsin 15 days. Ah, they're going to you know, you're how you know

about going to get to get about 15 minutes in the time? No, with reason, you're trying so they're

so-lawful? What is that? How, no? Because I'm looking my agenda. So, let me see

your agenda. Minut to minute, a minute. One thing that's a pathology. Wow,

with reason, the good carterterter, the edificio, this is a success, but also 32,000

suicidies for a This has to be connected with that stress. The lasos familiar are what are in an agenda

the Japanese. Now, the problem of the Japanese is that there is that he can't when it a tsunami.

And he knows that can't get the term. And there, we're doing those Latinos when improvising

when it's done it's done it does it, oh no, preenda this, pong a this,

we're there's the talent of the Latino, that for your formation

is an person is an incredible the Latino. I'm analyze

why the Latino does it. And they in the infancy. A young

Latino says, Papa, let me go to the I'm I'm sure,

I'm I'm sure I'm I'm sure he's a man a time in my

time to make a and I say I I'm sure I'm I'm

I was to record all the life of this day if I get a dark. And the Latino was capable of getting a time.

And to a manasse so, he got to why he got because the kids said, me put three

pantalones for that I would be three pantalones he gave his, she did her his cohetera

with a but no me did you know because I know I put three pantal and the other

and you how how in front that situation to get tired? Look at the

stories. No, I met I met you for the window of the kitchen I was, I was, I was I was in

a postable, I said, what are you do you do you're doing the way, I'm not

no, no I'm just a lot. As far there's there's so. So,

a so you have many of stories that's has a elasticity incredible

that the Japanese no has and that in a university because

to the experience to the when one when you make in a company

a Japanese, if valoring what that has, wow, the company will be to make sure.

What is what is the with Mazda? Mazda are the rebels are the Toyota are the traditional

those who are they're but Mazda are the those locus that are that risked

and always is that is a example that is a little Mazda but

remember that the number one is Toyota if we we are if we are we're

we're It's thanks to the discipline. But that's but that's it's just it's the principle. It's the equilibrium.

I think that's that election is a series and the question that was in essence of that discipline or talent started very

simple, you said equilibrium. But I thank you because you have done with very good examples

the why really the balance between discipline and talent. We're going in a little little

pause. When we're We're going to, we're going to we're going to the value we're going to

talk about the three values that I'm going about the time and that I'm about about this and I'm I'm, I'm

those words that sound marvellous that are the organization, the limpea and also the pointality of the time,

well, you have you about a moment. Pausita and we continue we're with the

podcast. You know, you know, and also abdirted your system immunological? This is

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supplements, remedies, herbolaries, to come to the food and it's a business,

and then we're doing with the podcast. And we're we're doings. The master, Jokon, Genji, is in the podcast. Yeah, more.

More applause. Yeah, was the pause. Yeah, we're the pause. Yeah, I'm back. Yeah, I'm going. Yeah, we're going, when you're going, when you're saying

of the elasticity of the cellar latino, me metto for the ventana, I go, like I was, in Colombia and Mexico have many

many dichos many similar. Here is better to give pardon than to give permission. Oh,

yeah, also, I'm going to do do you know sure, totally. If I'm going to do it.

If I'm going to do it. I'm going to do it. That's the that's just about a Japanese traditional

never would say, the president of Toyota no, I'd say, the president of Sony, the,

yeah, of, then we're done, canon, we know, then we're we're going,

then we're the friends. After we there's a yeah, yeah, like, like Boeing,

that he's he's the three, Max and you have to have to get to get

it's a we're going to go over the but that's the difference but let me let's the other disciplines

me get clear that all in equilibrium that a person that wants that's whatever whatever

whatever thing whatever whatever you can't you can't to be to make to make

and that and that the pragmatic or the Japanese no if you know listen

the Latino and the Latino no is the not he doesn't listen to the Japanese. So it's correct. Equilibre. The humility. The humility to say, I need, is that my

Cerebro no he's not, of the amistades, the people that I need. He always will choose the same type of amistades. When one analyzes, there's a bit of a patron. A patron that me says, this is if he convienes. Because he says what I want. And when

he's appears a personage that me makes feel that I that's that I'm that's the agenda

my brain my cerebrose alerta alexal no it's a person no, it's the

need to really. The incommodidid not makes grow yeah Kyosaki

always says that the intelligence that doesn't and that the

pressure has to have to have to put you no, you know, but pressure

with ethics that's that second part me just that you're you have

you have to you And I'm sure always I'll get to get her, myster

mystrow and I'm when we're going to be yeah more to be 20 years to do the time

I'm I remember that I'm sure I'm not the discipline and the intelligence crees

under pressure and and like a time me a a car

or a little a child that had been there was the he was

he was the man who he's I'm my boy oh you

he was and he was a monsters. No, no, no, no, no. With respect.

With respect. With an ethic. Because it's very easy to get to get the equilibrium one more. And it's correct.

And it's my fear with this thing, because, of some it was put in a scene the discipline

and for so I appreciate so I respect much the discipline. We know,

I know, I know, is of what has done what we have done the life

not is the life, no. No. What has been? It's the the love of Latino.

It's my mom that's my mom has been in the diluvial, no, no,

he's no, he doesn't know to the Japanese, go to go to go to

Colombia. That's that capacity of the Latino, no, to say, there's

many ways to do you know, but if if he can't do you know, man to

other other side and be so that has saved the life. The

sense of the of the moment not in the middle of the disgrace and it's like,

I don't no, no, no, I'm not a problem, but, uh,

that's a little to be what you know, you know, you're you're you're

you're a real, it's a really, really, very, very, very, very durs.

So, when one he's they say, ah, that's not that's not grave.

Let me let's, we're, we're not about the value of the order of because to

the Latinos, if we're a bit a bombardita, a barnisada of order to make a lot of

you know, they're going to not in all America Latina, but there are things good that are going to America

Latin. Mexico has been deced with a situation world of near-sharing where of the right

the people the United and the tension political, he's going to go to see a

back to see a different to be the and I'm producing in China

and the We're not even Chinese, they're doing China. We're doing in China. We're coming to Mexico. So,

right there's a boom economic enormous. But I'm, I'm the good, the privilege of to give to

give to do to do this, and I'm saying, for example, in Guantajato, that's been in

Guantuato so they're in Wachachos, and the Mexicans produce pieces for those cars, but those

pieces for those cars have to be to be precise, and the order no, no,

no, no, No, no. I have to give to the Germans, to the United and the United now to the

Chinese, they're going to them to give in order and specifically what they did it. And I always,

I always in the conference I'm to ask you, what is the the dolor more great that I?

So, if I do a way, oh, that's a great conference. If you do I'm a good,

that would be a lot of there, and in different, discipline, order, because if not we're not we're not

to give to the client what we're asking so if we need a embarradita of order what you

can you you can't you about the order? What does positively the order

to the life, to the people? Yeah, well, no, no,

no, I just only I'm just so I'm like the traductor of two cultures

and when when I'm when I think my Cerebrough suffered

much with of that the Japanese had been a time for all, and they're so,

respecter those times, and from, from his comportments more simple, like the ticket of the train

never was he was, because vautis a bolzio for, for, to,

and, and I was doing so, I was, I, I was, I was

a bit, I was sometimes in the places intelligent where I'd get to

but then I forget about where it's and my father is

miranda and like, why why not doesn't the

order to baptize a a bolsio and put it

and and there and the professors the system educative

the children making to a organization aburried for

me Triste without life without but when one

when one says the The country says, wow, no there's poverty

in Japan. It's a country of a riche a very homogenia. Any

place that's ordered and there is, and there is an envy

terrible like a because I always me, I'm I'm so

I'm this in Colombia. What is what is? A dosis? Yes, it's

the order. It's in a really they're doing they're doing they're

they're respect them and they're they're doing they're doing they don't see those

them are in rojo in Mexico in Mexico in Mexico in Mexico there's a company

that's in a car buchas Mexicans turbines of avion so

something something something so something and they're contracted a CO

of Toyota so he he me invited to a

conference there, but I kept very impression because me

say, we're we're we're we're a culture based in the

philosophy to Toyota. Organization, limpeas, punctuality are three of the five

in reality concepts of Toyota. And this company acquired these concepts

and he he's the people to the people, to the company that was

gigantes had been convert in that culture. So, detentase

before the door, a little before the restere profoundly and say, I'm going to

get to the way, I'm a man, here, there's a new culture and he

had to that culture. And it and it's all, they're all on here, in car

and they can't do they, they're doing they're in the parre,

all they're all Now, one that they'd have that culture,

and they'd and they were to be in their folklore. But little to know, that's

going to be influinging in their lives, because the result is good. But it's

more difficult to create an an company, in a family, the culture. Yes.

And if he has to start from up, but has been to be a because if the

other because if the thing the problem of the way that has that has

much impunity. No, there's order, you're wrong, the rules, every one does the government, the police,

and then there's, and then there's a no, there's a no, there's a real thing, because they're, in this company they're saying

a Mexican, but a Mexican that's like a Japanese. Sure. In our in our environment, a family,

or a basis is the parent, that has the capacity, but I'm the talentos, the,

I think, the, The ideas, yes, but the ideas not value much. I don't know

the ideas value in one dollar. The costos is the that's the work to do you

need to be that's that's the person, the person to have the time, when we're

to get a run, when we want to do you're going to not say more ideas

and not execute these. So, is to give priority and protagonism to the people that are

ordered as because are much those are, involucarles and give their place where it is a place

for that it's a important for the order in our life order, limpea. What is the

difference of a person that has a person that has a person affect in the professional affecta

affect the the The limpeza is, in reality, not is limpeer. It's that in the term in Japanese, no, it's not about to to put a, limpice is depurar.

It's depurar. It's going to say, we're going to do something. What I don't use for out. Yes, and this is what we cost, no, because there are people who are very clean in my house.

Yes, but look, all what you have. All right. So, that's obstructing. If not it's, God, what you say, Maricondo, no? Maricondo. Is the thing that says,

no, I don't know six months, adieu, clothes, what you know, the don't, the regalo, the vending, I'm going to, I'm going to be a

Japanese. If no, I use, if you've, if you've got six months, since you're using, no,

you need to, you need to. And you have to get us topegarns? Yes, that costs. It costs. The latinos.

We're not. We're not. We're not. We want to a car. Yes. A chaqueta. For if a

day, me let do you know. For if a day there's a good, for if

me will be to get to get to when I'm to go to when I'm to go to to go to

to Russia. No. A thing. When I go to the never, I'm going to

go to the new day I'm in the new. That interesting. And the pointality because obviously

the pointuality I look like respect no? So if I'm is a

respect and to me, and my team, and to all the majority of the people that not is imputual no,

no, no percibe like a kind of a way, oh, that's over that's

that's a person in the other day me said, look, I found a new one I'm going to

see, the people imputual is more happy, and I, ah, ha,

I'm a Japanese Japanese interior, ah, but is that the people imputuales, when

they're when they to be to be correct, the pressure, the pressure of,

if not it does you, not you're not not. From there, not they know. From there's

how can we send us to the pointuality for that for that our friends and our friends

Latinos. How convinces, persuades someone to be a person many.

Much professors Japanese they tried that I were a pointual and as the more

more than more rabia me gave and more I'm saying the because I'm a little and I'm to be what

what's me going to I'm going to I'm a I'm a I'm going to let's let's see

if you're going to let's change to the school that would be a maybe

a lot but when when when when when were professors

that me said, Kenji Kuh, my khenji, how has learned

Japanese, you've done this every you know, every way you're these

people, these people were because my brain because my war, I'm with the Japanese.

But when someone came with a more and I said, wow, me

I'm This type of of maestros were now more age, sure they were yeah

abuelos were people who had abandoned the discipline Japanese and had been the love

the affect they were in that they were masters they were to say me

I'm to say this me elogia I'm what you did this

this other another it would it would be it And no

I had to say, no. I mean, I had elogied, me had brought your respect, your admiration.

Now my challenge was to show to show, to you know, that's the that's right.

Because not it's on the humanity, it's doing with my humanity, practically

saying, if no it's not nothing, but what beautiful would be that you

do you do you do you and you know, that I know, that I'm,

that I'm, that is this is he I'm going to to be a there's a other master's much more

more young is simply your concept was in Japan you're in Japan you're not in Colombia

you're in Japan has to be to do or if not he's going to and what is bad

is bad and the playito eternal but but the affect or the

love is so that so for so persuadir is a whole an art and not all the people

the person it's in the same way, in your case, if they're, they're going to they're in your,

to, let's, yes, the latinos, the latinos are very in case. In the other cultures

in where they say something they're like a and they're going to do you're going to do you

go to do you're sure, I'm going to do you're a little pausita when we're going to

you know that you're that's the what's the Felicidad because today today is questioning much this

concept. Before I was a career, exit, or money, is the felicity. And just

the new generations have been to say, no, I don't want to have a house,

I don't have a not want to have a place, I don't have a

more to have children, and no, no, I don't have no, I'm

going and they're defyating the concept of the the, of the the

point of that is for you the Felicity that has learned about about this of the and that's

finales Japanese and we can't make to get to get our our felicit with that the equilibrium

between the discipline and the talent that's that's what we am we know what

we're talking about we're in the podcast. Keep a pause. Vives all day

and with need to get to get yourself and you work and you're and

sometimes you think you you're to you're time to enjoy time to

do you life, to go ahead, to vacations, to have a hobby, and to partying more. The debt's allowed you're going.

I'm a problem perfect because I've been been in that situation. It's a problem very common,

well, not in the school, nor in the house, we're going to make a building our

stability financial. And so, we're much the way we're doing the thing. The good thing is that

enormous richness to have PAS mental, the PAS that comes when we're just to suffer for the money. The clave is to learn how function the

game of the money, because that you can benefit without that you're an entrepreneur or you're part of a team in

where you have a Suelldo. For that Master Class, how create our business financial, a class

gratuita where I I'm part the teachings that I've the great maestros

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of possibilities financials. Inscribett now. It's completely gratis. Commience to co-crear the life of abundance that you

Merecote. Be to Markoanionorrechil.com Diagonal biannestar. Repet, Mark Antonioergill.com diagonal, bienestar, and we'll see in the class.

And now we're going to podcast. And we're we're back with Jo Kengi. The felicity in,

You, do you know, do you know, so how many years have you? 44. 44, yeah, you're more than I'm going to

my go, I'm going to you, I'm going to do you. Oh, that's, in my time. In my time, the felicit was a sacrifice.

It was rompete the car, he's hardissimo, the lunas to the day, so my formula was what

nobody want to do to do you and get to get the post and with the sunor

of my right that was sacrificed for me, I'm I'm sacrifice for her.

And if me amperm in the I'm perfect. I see like Christ. I'm castigating. I'm going to

because the mother is suffre, and do it all for who did all for who did all for me. And if I'm a medial,

because it's a really, just my love. And the felicity was that was that. And the thing, do you

do that's what nobody are doing. And I'm completely different. I'm just re-apprendiento that that is

a formula of the felicity, but that not the for you what is? No,

for that I think myster, no, I'm not I'm for me too.

That is the that is the thing, or the concept of that I errede.

Also, equalito, and me costed just just a much therapy

with very good therapists, I discovered that was a way so it's

not not, and I never that's that We goekes in front, we're where we're going to get us. But there's a day that

says, this is not bad. Because so much success, because tants loggers, and because never me I'm jen. Is that I'm not I'm happy, not I'm conform.

And I'm more, I'm more, I'm more. And now, I'm learning, also, I'm new generations, enviedio very to my kids. I feel it's envisia

to be that Crescern, without Culp. Sin that given that with that tranquillity, I've

learned to I'm my my children. I'm, but my my little bit of because they

have envy. No, he's not because if him it was so too, and the

life was so hard, because to them don't too, we can't complicate

them the life. But it's an issue my. Dissen in Mexico,

a ped It's my problem. It's my therapy. They're doing and they're going to have their own to have their

own. Of course, no, I'm going to liberate of the crises natural and the life.

But, but if I'm in this theme of the busk of not to go in those,

in those wekos in the world of my and I, and I never have

found a solution to fill them not they're not. But I learned, thanks a

good therapists, to put banderas like rojitas there's a way there a wayco that if I go

no no no no I'm I'm here to the world so I'm so now my brainer is

where I'm I'm doing wow I'm I'm associing this situation and for I'm going to

no no I'm not I'm not I'm sure why I'm a event because I do something

I'm also the social I'm a job social, although me like much,

I can do to do do with a way to get to a little, but then then I'm

a view of a deal of so that's in this order of my is to get a equilibrium in my life

and that is a man that is a person a person a person felice, you know,

you know, she's, you know, she does a rabia, if, she, she,

see, yeah, Sient to the other so, oh, so the

machine is a thing, the machine is a question, so I'm so I'm saying,

wow, what, what I'm that's, what I'm so I'm that's a person

a person is a person in equilibrium that a very, a very after a profound,

after of the after the after the love, and it never is

in a only only he has he's up and a high and and

I'm able to get and say, my people, today, I'm not personal. I'm of an humor

terrible. I'm feeling miserable. And so, in some attitudes, I'm going to get to be

a time. But I'm really bad. Now, this is the work, we're going to do it.

It's a person for me, I'm happy. I'm, wow, that's good, wow,

I'm doing this. Now, I'm trying to do to do, to make to my

and say, no, more, I'm a antecedent, I'm going to expletive, and I'm going to do this

things that I'm going to get a repenting and I'm and I'm going to go, we're going to go back, because at the

same time that there's someone, there's a person who's there's a pathological, very pathological.

I'm not more. I'm no more. I'm not. And recognize I'm going to say things stupidas.

I'm going to get to this. This is not going to end. No, and now

But I'm fascinated when the coffee, that's the point, that's a very Japanese, the analysis, of the crisis, of the situation. But the control of the, but never has passed,

because it has to pass now? Oh, is that we've started the program and obviously no, I want any for error manchar this regal so be it

so I'm actually, I saw the coffee, I, and I said, the voice-a-in- my mind, he said, I'm going to

manage it. But I was no, no, no, no, no, no, No, no, they're not trying. I'm a little bit of a bit of a bit of a bit of a bit of a bit of a bit of a bit of a

capacity to say, control them's the cerebr. Oh, my God, is that has suffered one so much, no? And, and it's a lot of therapy that says, hey, oh, wait, something that's me called in the segment anterior, did you say that Toyota had five elements, because we've talked about the order, the limpede's and the pontuality, and did you that, that Toyota had five. We've got two. Those record you?

Cericeton. It's that for me the most important are those most important are those, but the fourth is Camban. Camban is beautiful because it's organization, a piece of a pointuality,

but what I'm, what is Camban? Are you letters. Literally are letterers, are written in sections of the

company or the, of the, that they record on you, what you do So recordatorious. Yes,

all the time. So it's full of written. So, what is not is not used.

For that the calligraphia. Yeah. So when they're a Japanese a mecero, he's

he's able. No, can't have a memory photographic and be a

memory, but no we're not that. Not we contract for that. Contraters

for that a note a one a a beer zero or one

has been to take a note. The tendency of us, the Latino is to say, yeah,

it's all and the Japanese's and the messero's so it's a person and it's

what? And why? And then we go to do you go to all right? Perfect.

Ah, no, he's going to ask a question to the the plate he's

yeah here, he's it's it's but to let me do a

right? And why don't they don't they don't don't they're like a

the challenge of the idea of the talent yeah, the talent. And there's where the

Japanese says it's a Kamban, the other is, well there's there's a culture

Japanese, no, I don't I remember the the quince, but there is

very important to say, is, my father me said, Nond

Dink, Kek, that's not going to do it, I know, because you

forget to be the the of the way. Apag the light of the

ban. Dinkie, that's it's because no signalization. How so? When

apache the the light of the bagh? I'm going the and then the dead.

And now look at those that they're doing the train are all the time

doing so to the relo, to the station, to the light, and so

like that like the like like if they're in Japan they're to

get to see the cellar in the train and then it's I'm going to all the time all the time and they're all right

and when one signaled no it's like a way to use a caro right right or say I'm saying

I'm sorry I'm I'm right I'm the carter correct I'm the passport is correct

things physical like enclh correct like clages it's very I'm

a Japanese a chiropractic a chiropractic he got a year he casto a result and

of sucessions of chiropraxia, what most me impressioned was it's too a mal of the cintura because always cruises the same the other. Now cruce the other

but to tell you to say, I'm sorry, I'm sorry, I'm going to change this hip and now

see the camera. And so if you're like she's like I'm really to change and the brain to

create a new pattern. So, are every that I'm every time that I'm or something something

something that's correct. It's correct. And it's difficult to gain the Cerever. When I go to the same form Antiguaminted,

not? A lot of the same toke the abelawel. A lot of the classic tant, ta, tant, tant.

The door? Canbriar that? That habit is very distinct, difficult. A no, that put a

letterer in the door to say, acuctorate that you're to change the form in that

you'll to help the port. A better. And then change. They're

saying that after 20 days, doing something, the Cerebrose, the Cerebron. But the letterer,

the canban, the written, is essential. It's important, no? Yes, very interesting.

Oye, here I'm, in this investigation, says, here, strategy Japanese for the

discipline. You know, words, all, they're, they're, they're, the

two, the five S's. Ah, you know, no, no, but they're very famous. It's like, five S. I never had heard of that. Yes, are the five Ss? What are the five Ss?

Are you the discipline? No, one of them is the discipline, no. It's the five Ss of, um, to, uh, to, the, of, to, the, of, to, the, of, the, of, the culture, Toyota, when they're in the control of quality, the afloor. The control of quality, no, no, they're generated, the Japanese. But, but, actually the states,

The United S, this no served They're it's they're it's it's because

they're to use to use to the 5 S to control of quality. One of says here

Seiri. Seiri. That's signify. Organization, yeah. Uh-huh. Dice

to try to do that is useful or not so. Oh, okay, okay, yeah.

Yeah. Lipiesta. Leipiesta. Seiton. Seiton, organization. Every thing has

a place a place a place an space exclusive. This is this is this is

here. So, Correct. Okay. Seiso. Every person, including the children,

they're sure to maintain all the spaces, both the spaces, both the public as as well,

I'm in the first. And that's in the Sunni. But the Seiso. Uh-huh. Seizzo.

It's for that word that in Japan, when I came to the school, no, there were

in the seora's and I had to clean the piece with the other children

and the banos. The banos of the school we're we're in the school.

And for me that's like, wow, I'm going to tell to my mom. I'm put them to

do you do you. And more not it's not socio. Yes. And it was a

grotesco for me. But when we said to my father, why they put them to clean

the ban? He said, if something to do you to study to something, is that for favor

that, please, that I'm so I'm that's a very successful. But parallel to that you can't

clean a ban. To be responsible not to be getting to get some people and get to get to get back.

And especially the baio. Yes, because the is the heart of the house and represent the

person. Mm-hmm. Yeah. Also, this is it also the buddhists. It's very

of these cultures. That's the year past that I made a return of silence, of 10 days

of silence. Wow. We used our our can't our our kosos our house, we had this delisio.

One paga millions of dollars to that can't be able to they're going to and then to do you know? Why do you

do you do that why I'm doing my mind? Yeah, so your meditation is limping. It's very very asiatic

this. It's not only only of Japan, it's like something something of the Buddhism

of Hinduism of all these. And is that influence that's tantas don't, of Buddhism. What he says

Seiketsu to have some norms standardized of the rules, reglas, clearas

and understand all the thing is all the part of so it's

and it is a repite and it's right yeah I resumian three for

that because more more more but the and what is the

and what is the shitsuke what How? Shitske. Ah, this. Disciplina.

This term, signify, also, this term, signify, or implying to do you know, so, it's repita discipline and it's repita

limpeas. I think the, I think, the, the audience, or spectators not know, when they're

when they're kate kits, no? Limpia other way, potel again, put it, quit it,

and repeat, repeat, repeat, repeat. It's the exit, repeat, it's the exit of the

discipline. After that That's it convicts in automatic, a pilot automatic. For that's the day, well, not all the world can have a grand talent, but the discipline is just repeat and repeat and repenting, until dominor the technique.

You have your people, you know, people who you're doing with you, for all right you when you contract, preferes someone very talented and more or less disciplined, or someone more disciplined, and more or less or less talented. My cerebrough wants someone like I. My cerebrough, no?

But my cerebrose, less than, is to casado with another Cerebr. And that other Cerebr says, no, no,

we need to get a discipline, then. So, well, the, equilibrium,

but if you have to you need to do one of the other? Depend to the area of this.

We need to a commercial. A commercial that is a person who is creative. It's creative. Yeah.

It's, about Niyokoi like Niyokoi about Because it's a commercial is of your work. But at the

order to execute a contract, a pollis, to look at them, we need to a pragmatic a samurai and a Japanese

that's a clear. Consheos final of I, something that not you want to you want to

give you as a recommendation for being to be for being this equilibrium between the

discipline and the talent and at final in the day to be freees that is

what we are we're we're we're we're I'm going to be these two

events and I'm grateful with Mexico were 3,000 participants and we're all

we're we're we're how can know in a country with a with a

culture and appreciate so we are very very very grateful for that we've

we're we we're we're we we're also also

Monterey I'm with a a good a question that

me did a question in a moment very difficult of my life

where not I was what I saw he was any any

type of success no was what was what I

didn't I not I didn't I was was

really and it was even even gratific to

think in more to a of a ideaation suicide

without without an intention suicidates but there was idea of a

pressure and all me astiabba so then I went to a master that

I know I had a much time and I explained

this situation and he he he said he

said I know he going to get many

going will get people he can be enamor

tranquill, I'm sure that you're going to a person but

also you're going to that's not a person. He's going to get many

things in the life. But you're that's not you can't

do the love to your because that's the

don that God God the we're we we're

we're we and we if a Japanese and you

know you get your energy but not to

get a Latino, Pired the Aligria. In other words,

what I'm saying is, I know a Kenji that's making

shists, rying, improvising, making locus, and we make to do

to all. And now to see, no, that's the

luxury to get some much things, but never his

Yorokovi, his algria. Yes, we have we have met, suen,

objectives to but if the cost is we've done

many things in Latin America but we don't we're our folklore that's

that's that's that's that's I'm doing I'm in the I'm doing. It's a lot. I'm in in alexir., that maybe

me convene this, me it's this, X, blah, blah, all the reasonabing that you want,

but I'm getting my a legion. And I'm going to get me a legion. And that's

a reason sufficient to say, no, I want to do that. Correct. And it's

valid, and reclam to do you. Well, nobody to do you know, nobody to

you know, in a company, even a in a relation. Yes. No. No.

Much of thank you, Maestro, Jokokokok Kenge. Thank you, thank you, thank you.

I'm a lot of the time. I know where you're seeing people, but in where you can see the people that maybe, or some despisting that still

not do you see it, in where you know what you know what you're Kenji? Yo Koi Kenji, so, all this is Shokoy Kenji.

Like that, Shokoy Kenji? In channel of YouTube, in Instagram, and all. Palomita Azul.

Certificated because to me get phrases of Yokoi Kenji that I never did. And I,

and me I have to learn because as they're going to learn. They're going to are very motivational.

I'm not motivated. Some are not some more. Some are more motivational. Others are more spiritual.

But the certifications is, if it's me. I've had been there. There's people that's people

that's a person who are? And I'm like, what do you? What do you? What are you? I'm here?

My name, loco. I'm sorry. Yo Koi Kengi. Yeah, you're just no no not get an

Yokoy Kenji of intelligence artificial, wow, tremendous. Yeah, well, if it's your

and it's to work to work to be in. It's a person more. That's a fear, no. What's a

fear. To where we're going to get. Well, so I'm going to subscribe to podcast. Do you

know what? That's not. It's not so it doesn't know. Copy in the Liga. Recommendal.

Pongelel on Instagram, in Facebook, where so, and that that you get to get to

it. Thank you. Thank you. heart. Thanks to the Hotel Live Aqua in Santa Fe

City of Mexico for receiving us for here. Thanks again to know to Jo Koi Kenji and

your team and so we're doing our next. Thank you Thank you. San Pablo

Natural no back is the guardia refuerza your defuces your