Empire: World History - 194. Empire of Numbers: Fibonacci and the Birth of Modern Money
Episode Date: October 14, 2024When King Alfonso VI of León took Toledo from the Arabs in 1085, the history of western christendom changed forever. Within the city existed a number of texts full of the ideas that we would call Ara...bic numerals, but that originated in India. From the libraries of Toledo these were translated and spread through Europe. Enter Fibonacci. A genius Italian mathematician, he instantly recognised the advantages of this number system and so wrote Liber Abaci, distilling these ancient ideas into a Latin text. Once this caught on, it laid the foundation for the modern banking and economic system that underpins the global economy. Listen as William and Anita discuss how numerical ideas that originated in India came to prevail across the world. To buy William's book: https://coles-books.co.uk/the-golden-road-by-william-dalrymple-signed-edition Twitter: @Empirepoduk Email: empirepoduk@gmail.com Goalhangerpodcasts.com Assistant Producer: Tabby Syrett Producer: Callum Hill Exec Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Hello and welcome to Empire with me, Anita Arnan.
And me, William Duremple.
Now on this podcast, hello, dear friends.
You know we talk about a number of empires, but today we're talking about
Empire of Numbers.
We are.
Good in it.
That's quite neat, isn't it?
You came up with that all of your own.
Yes, and I will.
I really didn't, but I just stole it.
Okay, look, in the last episode,
we were following the story of Numbers from India to Baghdad.
Today, we're looking at how these ideas,
these concepts, made their way to Europe.
And it's all based on William's brilliant book, The Golden Road,
which, of course, you've heard about.
It's everywhere.
You're bloody everywhere.
Can't turn on a TV or a radio without hearing you talking about it.
I have been working hard for the last month on all this.
You have been singing for your supper.
But look, let's talk about how these concepts, these ideas, these just simply, you know, number breakthroughs,
change the world that we recognise today.
Exactly.
And the story that we've got to tell today is the story of how these Indian numbers,
which in the last episode, thanks to first,
the Barma Kids, then Al-Qarizmi reached, first of all, Baghdad, and then from there,
filtered out right across the Islamic world as far as Spain, how those numbers came to be adopted
by Europeans. And it happens very, very late. The big surprise, I hadn't really sort of taken
this in. As late as the 1100s, all calculation in Europe was still taking place with sort of
MV-C-M-V-C-M-V-1 times XV-1-XV.
You know, it was those clumsy Roman numerals
that you struggle to understand the date of a BBC series
or something, because they're written in it.
And they were still being used for calculation across Europe.
And 400 years after these numbers have been adopted by the Arabs
and Al-Karizmi's work has been copied and recopied right across the Islamic world,
Europe still hasn't got it.
except Spain, which is part of the Islamic world.
Yeah, I mean, part of the Islamic world, but also a melting pot of ideas, because
as we've talked about, these are places where Arab, Jewish, Christian communities, particularly
in Spain, get together, swap ideas, swap thoughts, and a whole sort of culture comes out
of this melting pot that is new and alien to all, but also familiar to all.
Exactly that. And I think in the Roman Empire, even in a place like British,
you had all sorts of different nationalities mixing together as you do today.
So when you go to those Roman legionary fortresses on Hadrian's wall
or the museums attached to them in Newcastle and around the place there,
you come across letters written by dations from the Balkans
or legionaries writing home for socks from their mothers in Tuscany
or people even from Syria and Palmyra, I mean, distant parts of the empire.
Ancient Persian iconography. We talked about this, you know, winged figures and things, all of that.
Exactly. We even have a Mithraic temple on Hedron's Wall. But by the end of the Roman Empire, that ends again. And you get a kind of solidly monocultural Christian world in Britain and Europe. But in Spain, you've still got living side by side the Spanish Christians who are called the Moz Arabs, who are the descendants of both the Romans and the Visigoths who conquered Spain in the early Middle Ages.
then you have a huge Jewish community who are full of contacts and brilliant intellectual pathways
to other Jewish communities across the Levant and across the Middle East.
And many extraordinary thinkers and mathematicians like Maimonides and so on
are associated with the Jewish communities in Spain.
And then you get the Arabs and you get people coming from across the Arab world.
There's this character called, is it Zeriyab, the Brub?
Blackbird, who is a famous entertainer and singer and fashionista, and all these sort of different
characters all mixing together in what Spanish historians call the convivencia, the living together.
And the place, I think, that we're going to focus in on is a real beautiful exemplar of that.
That's Toledo. Set this in a timeline. Where are we zooming in?
On what point in time are we looking at this place?
So Spain is conquered by the Arabs in the, is it the late 5th, early 7th century?
they cross over from Gibraltar, which is named after an Arab, Jebel Tarah, the hill of Tarah,
and the Arabs get as far as the Pyrenees, and there the advance stops.
There's the famous story of the Song of Roland and the French kicking out the Arab raiding party
that got as far as Tour. I think it's 732. I don't know where that dates come from the back of my mind,
but I think that was the date.
Did you hear you're going all Murray-Pittick on us and just remembering dates? Look, look at you.
Not normally something I do.
But I used to love this period.
Actually, this whole episode today is the stuff that I got so excited about as a schoolboy.
I love this whole world of Islamic Spain and very much my A-level area, which I just adored this stuff.
But by the 11th century, the great centre of Cordoba is no longer quite as influential as it had been.
And a lot of the manuscripts and learning of Cordoba had migrated northwards to the third.
town of Toledo, which is just south of Madrid. I went there earlier this summer,
fun enough, because I had never been there before, and it was the one place in the book that I
hadn't visited. So in May this year, I went Toledo for the first time. And it's just
an hour's drive south of Madrid airport. And it's this beautiful, beautiful hill town with
very steep steps, two rings of walls, dating back beyond the Arabs to the Visigoths.
And the importance of Toledo to our story is that it got caught up in the complicated Christian, Muslim politics of the time during the period of El Cid.
Do you remember the Charlton Heston film?
And he was this character who lived in the borderlands between the Arabs and the Christians, changed sides multiple times.
But he's central to the story.
And in this muddling period when individuals like El Cid are crossing sides and changing their allegiance according to what suits them, you find that the emir in charge of Toledo finally realizes that he cannot resist the Christians and comes to a peaceful transfer of the city.
So that's fascinating because it's normally at force of arms. So how do they accomplish this peaceful handover?
It's a siege. But the king eventually consists.
seeds and there is no looting of the town. Normally what happens, of course, when a town falls to an army,
and particularly if it's an army of a different religion, is they pour in, rape, loot, pillage,
burn everything down and everything's destroyed. What's remarkable about Toledo and why it's
the centre of our story today is two things. First of all, just before the Christian conquest of
Toledo, it had become the main intellectual centre of Spain. And there's this particularly, this
amazing a scholar judge or Kazi called Saeed Al-Dalusi, who is a fantastic writer, who is a historian
of thought and philosophy. And he writes in the 1020s in Toledo, a history of mathematics
and astronomy and a look at the relationship of the Arabs to the Indians. And so he amasses
all these books of Indian learning, which had once been in Baghdad, copies of
of it. He amasses the works of Al Quarizmi and Astrolabes. He has this extraordinary astrolabe maker
who's much younger than him, who lives beyond him to the time of the Christians. And so when in 1085,
the city of Toledo opens its gates to King Alfonso the sixth of Leon, who calls himself the king of
two religions, he marches in with El Cid by his side, with Charlton Heston standing beside him or marching
beside him, or possibly actually on horseback beside him. And he marches in and he declares that
there will be no looting. All the privileges of the Muslims will continue. They'll be allowed to live there.
They don't have to leave. Anyone who wants to leave can leave. Anyone who wants to stay can stay.
And he promises that the main mosque will remain a mosque and no one will be forced to convert to
Christianity. And in actual fact, many of these promises are later revoked by his successors.
and there are some forcible conversions of both individuals and buildings.
But the crucial point is the library of Said Al-Andalusia
and the other scholars of Toledo survives intact.
And I mean, we still call it Andalusia,
but it comes from the Arabic name for the place.
I mean, they held on to that.
So they really didn't sort of fire burn everything,
including the names to the ground.
Can I just give you a little fun fact?
Yes, Toledo, why I'm obsessed with Toledo.
I mean, I've got children who are obsessed with chess.
I think this is right. The first ever book on chess, which is warfare, telescope down to a one board, was produced in Toledo?
Is it Toledo that first does a sort of a rule book on chess?
It is absolutely true. And because of that, I was able to get in the other fun fact that you told us during the summer into the late proofs of my book about how Checkmate is the person, Sharmat, the king is dead.
Charmot. Yes. Can we all recall that time when I was right about the thing?
You were.
You were.
Not only were you right, I actually plagiarised it.
I don't even acknowledge it in the footnotes.
You did?
Did you?
I don't.
I should do.
There is a thank you to you at the beginning, but not specifically for that point.
I just know, but that's outrageous.
But anyway, all the people who listen to Empire will know.
We'll know.
Okay.
So tell me, after the handover, does Toledo maintain its position as the seat of learning and build upon the foundation that's been left?
Exactly that.
So, as I say, some of the promises are not honored.
You do get the mosque turning into the cathedral, which still stands to this day.
It's built over the mosque.
But the libraries are intact, and many of the scholars of Toledo are there still during this Christian period.
So what happens then is fascinating.
A whole series of scholar monks individually from across the Christian world make their way to Toledo, realize that this is the moment of opportunity.
And you get this wonderful group of different people.
And we're going to talk about some of them now.
One is called Gerard of Cremona, who is from the monastery of Bobio, which, again, do you remember the movie The Name of the Rose?
I do.
The name of the rose, where Sean Connery, exactly, in that library.
That library is based on the library at Bobio.
Okay.
So a monk from the name of the rose monastery called Gerrida Cremona turns up.
There's another one from England called Adelaide of Bath.
who's this sort of fashionista who wears these bright capes.
And he goes first of all to Paris,
but he thinks the French are just basically full of shit.
They said they build ropes of intellectual sand,
which is the most lovely thing.
I saw that, fun enough, being tweeted in French,
somebody that had read the book.
Anyway, and then you'll be very pleased to hear, Anita,
that there is a Scotsman who comes into the story.
Always thrilled to hear this a Scotsman.
It's not a derrimple, I'm afraid to say.
He will be glad to you.
Somewhere, if you go back far enough, he will be.
But it is from near our heartlands,
and he is called Michael Scott,
known in the borders as Michael Scott the wizard.
And the stories which I grew up with
was that Michael Scott cleft the Eilden Hills in three.
And he's in Sir Walter Scott's Lay of the Last Minstrel
and Marmy.
And he's this sorcerer who has this book of spells
that he's brought back from far away.
In reality, he's a historical character
who was the Scot who had learnt Arabic
and having taught in Rome and in Italy
finds his way at this period
with all these other extraordinary scholars
to the bridgehead of Toledo
and begins the work of translating
all these libraries full of manuscripts.
I think this is amazing.
So these are sort of, you know,
robed and wizardy people who all come together
and they're like, you know, pigeons, homing pigeons.
They translate into the language that I use.
And then they fly away with all their stuff and spread it.
Can I just say my little Gerard of Cremona memory?
I just remember quoting him to our very good friend Peter Frankapan when we were doing
a Byzantine episode.
And he said, nobody has quoted Gerard of Cremona to me for many years.
And I was like, yes, Frankaphan, that's right.
Take that.
Well, we love Peter Frankapan, as we know, but we also learn a great deal from him.
We learn a great deal, and he took great pleasure in telling us how we were wrong about everything in that episode.
But he welcomed my Cremona quote.
Okay, look, so, I mean, you've mentioned these extraordinary wizardy homing pigeons who come together.
So let's do a deep dive into all of these characters.
So we know where Gerard of Cremona came from, from this amazing library in Bobbio.
But who was he?
What's his origin story?
And what does he then do?
So he is a great scholar.
And like all the others who collect in Toledo, he is desperate.
for it to get his hands on two things. First of all, original Arab texts that advance science
and explain the movement of the stars, allow for predictions, and teach about the movements
of the heavens and mathematics. But he's also after, and this is very, very important,
the Greek classics, lost in the barbarian invasions of the West and the rise of Christianity
and the death of the old learning, but preserved in the libraries of Baghdad,
set up by the Barma Kids, who we had in the last episode.
So he doesn't know what's there.
He's heard there are these amazing libraries in Toledo.
So he makes his way over the Alps by foot.
He turns up in the middle of winter, and he's given the position of canon at the newly built cathedral,
which is occupying the site, and I think probably some of the buildings of the old Jamimazid.
And he begins to learn to read Arabic with the help of his friend who's called Galib the Mozarab.
And Ghalib de Muz Arab is fluent in Arabic.
He's a native Christian Spaniard.
And between them, they have this very sort of strange translating system whereby I think
Ghalib translates the Arabic into 12th century Castilian, the language spoken in Toledo
by people of both faith, all faith.
And it's then Gerrida Cremona's job to translate from Castilian into Latin.
Oh, that's two jumps.
Mistakes could crawl in there, couldn't they?
Absolutely, they could.
And given that some of these texts originated in Persian or Sanskrit or Greek or Syriac,
that's three or four jumps.
That's three or four jumps, each of which could be a Chinese whisper.
And yet, Gerard's translations, and I think he translates in all 88 works of Arabic learning on astronomy, mathematics, medicine, philosophy and logic,
They are regarded as foundational to later medieval thought.
They are the best available translations.
There's a gorgeous little observation about this because you're absolutely right.
It's sort of the foundation of learning elsewhere.
He has in time a student called Daniel Morley or Daniel of Morley.
And it's Daniel of Morley who takes the works, the translated works, to England to what is now the University of Oxford?
That's right, isn't it?
Like the sort of a foundation stone of the seat of learning at Oxford University?
Exactly that.
He literally takes Gerard's translations after Gerard's death, five or six of them end up in the Bodleian Library.
That's great.
And they're still there.
You can actually go and see them.
I mean, it's fantastic.
What do they look like?
What do they look?
Are they bound?
Are they on scrolls?
They are bound.
They're early books.
And he carries them literally in saddlebags of donkeys over the Pyrenees, over the
channel and makes it to the Bodily and today.
and they're some of the very oldest books in the Bodleian in Latin.
And so this becomes something called the 12th century Renaissance,
all this new material, not only out of Arabic,
but out of the Greek classic, things like Euclid on geometry,
Ptolemy, on geography,
a lot of the major works of Roman and Greek history.
All these things are available to scholars in Europe,
in the Christian world, for the first time for 600 years.
And this is this massive excitement,
but there's also all this new learning coming in from the Arab world and ultimately from India.
But he's not the only one. It's not like there's just one donkey route to wisdom coming to England,
because there's also, you mentioned Adelaide of Bath. And was Bath a great place of learning at that time as well?
I mean, why was he headed to Bath or taking these things back to Bath?
So Adelaide is sometimes called the first English scientist. He's born in Bath. His mother is of Anglo-Ean.
Saxon stock and his father is from the new Normans. His uncle, or I think some distant cousin,
is Bishop Gizzo of Wells, who came to Somerset for Lorraine. And Adelard is this fantastic,
sort of dashing character. He's ambitious, adventurous, colourful. He's known for his dandiest dressing
in a green cloak with a kind of lapis blue shirt and a cap striped with red and bordered with
Ermin, and he sports a dazzling emerald ring. He hunts with a hawk. He's known for the sweetness of
his playing on the lute, probably the Ood from the Arab world. And his lively prose is laced with
jokes. And he writes this lovely book explaining complicated physics and mathematics in a conversational
way called Questions from My Nephew. And he writes this book about having to explain to his nephew
all this complicated stuff.
And he's very, very well-traveled.
He's gone to the Crusader states,
what's now Israel-Palestine.
He's gone to Sicily.
He's wandering around southern Turkey in 1114.
We know that date because he mentions an earthquake,
and he's on this bridge,
which is shaken near Mamistra in Adana in Southeast Turkey,
where I went earlier this summer.
And he says the bridge at Mises felt hard.
more secure on earth than you would on water. In other words, the earthquake was making it shake all around. So we actually know the date he was there. But he, like all these others, turns up at Toledo and just dives into the library. And the detail that I love about him is that when he gets round finally in the 1120s to translating Alcarismi into Latin in Wells in Somerset, which is where he settles.
So in Somerset, so not far from Bath. So it is a seat of learning. Or just because,
of him it's a seat of learning. It's just because he takes it back to where he lives.
Yeah, he takes it back home. He's been to all these exotic places and then he comes home and does
all these translations. And part of his translations are what's called the Zidge tables, which are
like tables of signs and cosigns used in astronomy. And he finds that Al-Karizmi is referring to the
meridian that he's using on the Tropic of Cancer, which he translates from the Arabic as Arin,
A-R-I-N.
So you've got this Englishman sitting in Somerset in 1120, writing the letters, A-R-I-N, and wondering where this place could be.
And it is our old friend Ujjjane in Madhya Pradesh, near Bhopal.
So the translation has moved from U-J-N-U-J-N to whatever iteration in these jumps, and it's now Arin.
And it's now become Arin.
And he doesn't know where this is, but we, looking at his text, can understand that it was the great centre of Gupta mathematics.
And this is hand-holding over 600 years.
And you've still got the truth of it.
Maybe the words are morphed, but the truth is still in there.
Exactly that.
And so it goes from Brahmagpta to Al-Qupta to Al-Qaeda to Adelaide Abath,
where it gets translated in Somerset.
It's just wonderful story, isn't it?
Bonkers.
And when Adelaard translates them, is it the case that there will be many copies made
and these will be disseminated to voracious readers who, I mean,
where do his translations go?
these texts end up in court because Adelaide, as I said, this very dashing figure,
ends up, I think, as the tutor to Henry II.
And there's even an attempt which doesn't get very far by Adelaide of Bath to introduce
what we call the Arabic numbers, the Indo-Arabic numbers that originated in India,
onto the English coinage when he's in London.
And it doesn't work.
They say no.
They say no.
Don't want this foreign muck.
Don't want this foreign muck.
On our coins.
So are we overstated?
it when we say this is an epoch-changing intelligence that comes to Britain at this time.
So yes and no. Yes, because it is an astonishing moment, suddenly access to all these Greek,
Roman, the world's learning. Indian, the world's learning. Suddenly is available. And you have these guys
like Daniel of Morley with his donkey bringing these incredibly valuable books to the Bodleon.
But equally, it's only this small scholarly circle. The rest of the world carries on.
and this attempt by Adelaide of Bath to get the Arabic numbers on the coins fails.
So the whole of Europe is still using Latin numerals.
And what we're going to do in the next half is tell the extraordinary story of how these numbers that originate in India have passed through the Arab world,
suddenly ignite and take over Europe.
And the crucial place for this is Pisa.
Welcome back.
Now, in this half, William teasingly told us that we are going to find out how things proliferated, things that were resisted maybe for a while with, you know, having these weird, weirdie foreign numbers on our coins, to suddenly becoming the lingua franco of mathematics throughout the Western world. And the name that will come up is a name that I'm sure many of you are familiar with. And that's Fibonacci of the golden ratio, of the Fibonacci number. It's an amazing man who's had an amazing contribution.
to mathematical learning. So Fibonacci is 1175 to 1250. Those are his dates. How does he get access
to this stuff and convert it into a palatable form that people are going to find yummy and
delicious? So Fibonacci is actually a nickname. His name when he was young was just Leonardo of Pisa.
And his story is that he is the son of a trader who is appointed by the commune of Pisa,
in Tuscany to sail to Algeria to set up a peasant trading house and customs office on the Algerian coast.
And this is the town then known as Pagaya, which is now known as Oran, which is also the place,
and certainly where Camus lived and wrote the plague and all those sort of extraordinary books
before the end of French Algeria.
Wow.
Someone test the water there immediately.
Back to Fibonacci.
So his father is a trader.
his father has been in this extraordinary place
and what is it his father who first crosses paths with these ideas
and does he understand them and say,
son, come and look at this? How does that work?
No, Fibonacci's dad is just a trader who gets on and does his stuff.
But just as a matter of course, without sort of particularly thinking about it,
he puts Fibonacci in the local school.
So just as some of my kids learnt really quite good Hindi at their school,
so Fibonacci learns Arabic.
This is a matter of course, and also as a matter of course,
picks up the Arab mathematics, which is being taught by this stage just to anyone who's at school.
Which is the Indian mathematics.
The rebranded Indian mathematics.
The rebranded Indian mathematics.
And it's important to say that the Arabs know that it's the Indian mathematics, because Al-Qarizmi is very clear.
His title of his book is that it's Hindu mathematics, as he calls it.
And Fibonacci, in all his writings about this, also calls it the method of the Indian
So Fibonacci is a normal kid, just goes to school, studies math, studies Arabic language.
And so by the time that he's 18 and his dad is posted back home to Pisa, he knows all this stuff.
And as you said earlier about how it's often very young people who get mathematics most quickly,
Fibonacci comes back to Pisa, aged, I think only 18 in his case.
And he writes this book called the Liber Abbeke.
Because he finds all his friends back home are still doing,
MCVX divided by MXVVV1.
And he realizes they need help.
So he writes this book called the Liber Abiki, or the book of the abacus or the book
of calculation, as it's usually translated.
And he writes in this of what he calls the modus endorum, the Indian method, which he thinks
is superior even to the methods of the Greek and Pythagoras.
And he makes it his life's work to bring it to his readers, all the details.
all the details of the Indo-Arabic numbering system.
And he writes all this, including the Fibonacci sequence,
which I know many Indians say Ari Bhattah, I think, first came up with.
So for people who don't know Fibnati sequence,
we do learn this at school,
but it is where each number is the sum of the two preceding ones.
There is a beautiful symmetry and progression about it.
And these numbers are always attributed to him,
but you're saying that he got them from India.
They already existed.
Yep.
Ari Butter has the Fibonacci sequence and its Fibonacci merely translates it, I think.
That's certainly the view of many Indian mathematicians, as you can imagine.
Is this controversial or is this just fact?
You should ask your husband that, because I live in India and I've always heard it as fact,
but it's quite possible that Europeans dispute that.
I just, yeah, well, well, that's what our lunchtime conversation will be.
Yeah, I know what we're going to be talking about.
Carry on.
So whether that's true or not, it's certainly true that Fibonacci's whole book, Leibaba Abiki,
is translating Al-Qarizmi, who is translated Brahmagpta.
So it's a relay race of mathematics.
And this book is immediately regarded as a work of genius, as a game changer, but it's very theoretical.
And again, like the works of Gerard of Cremona, it's taken in locally to the scholarly community,
but it absolutely does not spread further than that.
And then something very important happens.
In 1225, Fibonacci is visited by no lesser figure and fanboy than Frederick II, the Holy Roman Emperor, known as Stupor Mundi.
That's not bad, is it.
You know, the Holy Roman Emperor is reading your work and liking it.
And Frederick II is not someone to just sort of, you know, put on a pair of jeans and pop over.
He arrives in Pisa with his entire menagerie.
There's elephants and giraffes and cams and.
camels and what have you. And he also is a great aficionado of falconry. And he's written a book when he's only 18 about the art of falconry.
So he's another boy wonder, but he's also an intellectual. I mean, he speaks many languages. He's into, you know, philosophy.
Doesn't he speak five languages, Greek, Arabic included among them? He's a different cut of Holy Roman Emperor, isn't he?
Different cut of king. Absolutely right. And he is incredibly curious. He writes these letters that we still have.
to all the sultans in North Africa and Egypt, asking about their cosmology, their understanding
of what the world is, where heaven may or may not lie, how do we locate all these places
that we read about in the Holy Scriptures? And he's asking people that, you know, the Pope would
regard as terrible heathens for the answers of these great questions. So eventually he actually
gets excommunicated by the Pope and he dies without the blessing of the church anymore. But,
Anyway, he turns up at Pisa and he challenges Fibonacci to a sort of, remember that TV show Countdown?
It's a maths off, is what it is.
Exactly.
He has a sort of maths contest which your husband and son would excel in.
And in this case, it's the young Fibonacci who just wipes the floor with the other.
With all the other contestants.
That's hilarious.
And so what happens then is that Fibonacci is called to Palermo.
and he's taken into the palace to join Michael Scott, the Scotsman, in the astronomy room.
And there's this wonderful exchange.
Michael Scott is this recognizably pragmatic Scottish figure.
And he reads the Liber Abbeki, and he realizes that it's an astonishing work of genius,
but he also realizes that it's just too theoretical, and it's going over everyone's heads.
and Michael Scott says, look here, pal, this is all very well, but you're not going to have anyone
understand this.
You're losing the audience, Liban Archie.
You're losing the audience.
And so he says what you've got to include in the Gisimelist is accountancy, double bookkeeping,
weights and measures, money conversion, and most important of all, interest rates and how to
calculate them.
So the second edition of the Lieber Abaki, which is dedicated to Michael Scott, is produced,
and it's this text that, like Alcarismi, goes wildfire, is taught in every school.
I just bloody love this.
Isn't it great?
Yeah, it's the collegiate world of mathematics.
It is amazing, actually.
I'm not going to be jealous of your accomplishments.
I'm going to tell you how to make it better.
Even better.
And do something to make more people read it.
I think that's still a thing.
in the world of mathematics today.
It's great.
And so this goes out across Italy, and there's all sorts of results.
First of all, you get the Italian banking revolution.
You get the Medici.
And not only do you get the Medici who patronise all the greatest painters of the Renaissance,
the painters themselves are mathematicians.
At this point, today we think of mathematics and painting as being two completely different worlds.
But the painters of the Renaissance discovered perspective from Indian and Arabians.
mathematics. And also the golden ratio then becomes a real thing, the perfection of painting.
Exactly that. So, Piero della Francesca is fascinating because he owned today as one of the greatest
Renaissance painters, for me, the greatest. I went this summer and saw some of his great
masterpieces in Tuscally. And he's an extraordinary and wonderful painter. And I went and saw
for the first time the flagellation in Urbino, which Kenneth Clark calls the greatest small painting
in the world. But that is itself
an essay on perspective and it
derives from the ideas
of Fibonacci, which, as you say, derives
from Alchristi, which derives from Brabacupta.
So he writes,
Piero himself, the painter,
writes three treatises on
mathematics and perspective. And
after he dies,
his friend, I don't
know whether they were, they lived together, but
they certainly lived in the same town. A friar
called Luca Bacchioli
takes Piero della Francesco,
as three mathematical treatises on perspective and Fibonacci, and he takes it to Milan, where he shares
it with his flatmate. His flatmate is Leonardo da Vinci.
Woo-hoo!
That's very nice.
It's good, isn't it?
It's a collection of very clever people.
I should say, this is not in the book, and I've learned it subsequently for my friend Nick
Booker, who I should call out.
Just like the second edition of the Liber Abakey contained all sorts of stuff, not in the
first edition. I'm definitely wanted to add this with Nick's permission to the second edition.
Feel free to credit me with the Charmoth, Checkmate, facts in your next edition,
won't you? A footnote, we'll be there, Anita. Absolutely.
Very good. Very good. Good. I mean, this is wonderful. But also, what a time where you can
ask your flatmate to have a look at a book, and it blows his mind, and he's Leonardo da Vinci.
And he's painting, at this moment, or he's just about to paint The Last Supper. And that is the result of
this set of treatises. So,
There's an extraordinary watching these great ideas pass, like a relay race from India all the way to Leonardo da Vinci.
It's a wonderful story.
The Leonardo and the Piero things like I say, I owe to Nick Booker, isn't in the book.
And it will have to be in subsequent editions because it's so wonderful and it's such a great part of the story.
Anyway, Fibonacci's work goes all around.
Everyone in Italy uses it.
It's used by bankers.
and his ideas begin to spread north of the Alps.
And you begin to see by the 15th century, for example, Dura gets very excited by the new numerals,
the Indian numerals that are still credited in Renaissance world as being India.
They haven't yet become Arabic numbers that we know them today.
So the year that Fibonacci's work, Piero della Francesca's work,
and Luca Corolli's work gets printed for the first time in Venice,
is 1498, the same year Vasco da Gama crosses the ocean from the African coast, and in
inverted commas, discovers the sea route to India. In fact, it's talked to him by an Indian,
but in all the history books, he's credited with this. And what you can argue, I think,
is that the weapons with which the East India Company ultimately subjects India,
accountancy, double bookkeeping, are weapons that the Europeans have learnt from the Indians.
They use their own weapons against them.
Oh, the irony.
Oh, the humanity.
Oh, the symmetry.
So it brings us back to our old friend, the East India Company again, where we started at the very first episode of Empire.
A very nice circle.
What a lovely circle, stroke, nautilus shell spiral we followed.
Listen, this has been amazing.
Thank you very much for listening.
That's all we've got time for on this episode of Empire.
Until the next time we meet, it's goodbye from me, Anita Arnand.
And goodbye from me, William Drupal, and I should just put out the flag again.
This is all in my new book, The Golden Road.
The Golden Road.
Which if you haven't bought, you should go out immediately and buy it now.
Everyone's bought it already.
God, you've been in the bestsellers list for weeks now.
They've all got it.
Goodbye.
Bye, bye.
