Endgame with Gita Wirjawan - Anggia Kharisma: Pengobat Krisis Konten Anak

Episode Date: February 15, 2023

Chief Content Officer Visinema Studios, Anggia Kharisma, membahas peran keluarga dalam memupuk creative dan critical thinking pada anak, bagaimana orang tua harus bersikap di tengah arus konten negatif media sosial, hingga proses di balik mengembangkan konten edutainment Domikado. #Endgame #GitaWirjawan #AnggiaKharisma ------------------------ Magister Kebijakan Publik SGPP Indonesia Pendaftaran Maret 2023 admissions.sgpp.ac.id | [e-mail] | https://wa.me/628111522504 Playlist episode "Endgame" lainnya: https://endgame.id/season2 | https://endgame.id/season1 | https://endgame.id/thetake Kunjungi dan subscribe:  @SGPPIndonesia   @VisinemaPictures 

Hello, my, I'm astrobeck, salem-hagnat. Ah, here we're getting a saabana, my, Bapagita Wiryawah. Ah, Bapagita, let's tell you, the name of our day, last, you.

Bebass, abas, abas. Why there Astrobeck? Pagita, we know-in-it-an-Buriyah, my Gita, this is my name of Amandumikad. Hello. Hello.

Hello, Pagita. Thank you. I, Ashtrabeck, to know go to people, but not that's not yet. Oh, yeah. Astrobeck nomening

Pa Gita dolo at this. Or, yeah, don't, not, they're in Domen, Domen, Duk.

Oh, so, so, so, if, that, Astrobeck, try to- D'O-Tem

help, the acererererer to be-alh-D-Lih too, yeah. This is an gem. TEMAN. This is a bit today.

I'm a good friend of my Angia Karisma, as I'm chief content officer for Visima Studios. Agia. What's about, Thank you, very,

thank you very, so I can come so, so I can come to be in the endgame here. We're going to talk about Domicado,

but, but like, just, tellin, your life. Okay. Lahrir on 3 November. Yeah.

Same with the day of the birth of the Yeah, right, ma'am. Yeah, right. Same, same time of the day of the child, and a moment that's magical, that I was going to get to Opjinn, in a week before they're going to, time doctor said,

like, you, this is, this is, this is the day November, because, it's the tuban it's already men's, oh, wow, same, doc, with the day I'm like, good, if you're like,

so, like a caronita-in-a-inded, because for the journey of process not just not a biter, so it's enough to get regal, so when he hader as a body of our to, like, wow, it's something that's precious, and, yeah, that's,

we're at home, there two Scorpio and one Capricorn. Kassian, yeah, yeah, pa. Tellin, de. school in where, then, and then can't even be seen, ma. Yeah, I'm pasty, I'm living in Bandung.

And then, um, that's, um, that's, I mean, I mean, I've lived 39-year-old-old to be process with dynamics with with the other, that, I mean, I mean, the lesson that I've got in from the two of my own-tow-ku-a-kut-u-tuh,

they're always make-de-depan-academic, which, I appreciate, really, and even, from my dad, and Bunda, to the school Catholic. When I was SMA, I was school at Rwamangamon, Pa, and, and, t-a-line with what, what,

that was, that, there was A. A. A.R. Rahman. Paharh Rhaughan, also percay, that's important, but if you have ability to non-academawed, it's also, it's very important to mingang career your. And, one of myroth I'm important

is what they're what they're what they always said, I think, I don't have anything for you. But what I have some of Bunda is, um, give you model with

the Pendidikin Daser. That's, for you. Pardikasar, it can be able to the bank of school. But there life skills, you that you also also have to

you're process with how you I always be in and be being in part because every you'll be there's always

there's risk for that's that I always always in-a- I'm always I've got to come to where she's meeting

so I'm going to see how this way, how to be a person and being being a baffa and really trying

to work for time for the time for the age? From, I from 4-town to be-a-a-a-a-a-a-jah. Even, can,

I mean, I had to get a job when when I was a week-end, so, if, when we're going to be able to to take the place he's even, even support system that, too, is the other support system, that's really,

so we're not having driver, so, so, where the other, the job of the day with her, and gotraining us to school, and then, dundra get us to

and then, then, come, soarer, we, Profes of your own? Profeshi, um, Ayah, if actually, um, Iyh,

he's still he's doing a DOSEN, and, and, even, I'm, also, because I'm

because basic education that is engineer, and, he's, he's, he's, he also,

he's, he's always with the , he's, He's not, he's not even if he can give him back if he can't give him to. From there, I'm going to beaure things

that I'm very basic and important to be made up to be madele-dashar I'm, that's what I'm going to be able to. So, even, when we're going to be able to with, go with school, and take a P. Even, bickin P.R. even in mobile, while you know,

when I was going to do Pertamina. So, if at Pertamina, so, we're gond in Cantin'an, Then, then, then, then, with my dad my daughter, that's the other, that's the that I'm gonna'n't that I think even to now,

even, even after I'm making the bank of the class they're, they're, so, from the other I always believe

that, you, you, you, you, is, something that's one that can be something that is,

the, if you, if you, That's like, that's not that you have to be it. But, like, I'm just going to do. I'm just going to ask you, you, think, like, and then, when you're done from there,

you want to take whatever, you know, rational and persuasive. Yeah, that's the way. So, he's always like that. So, the intia, the end of the day, you have, you have plan with your life

of your plan is, but this basic-you-a-you-but-you-to. And I was, I was to, Pa. When I was given to, Pa. When I was given to, I'm going to give mealy is designer graphic.

Haraparaping. I'm going to get-ter-rema- so, so, I'm going to take-the-docterine-gigi. When I was told me, it's got-trimmed-a-d-dict-a-dict. Ad-Dun-Bundah, ah, ha, ha, m'-mac-l-l-l-l-cig-a.

You're, you're point-of-no-return. I'm not. I'm just, you're just, I'm just, Bunda. We got to hear of our kids, I said, I'm with my dad, my, but I also have got to be able to. I think, I'm gonna be a peniare,

but is it possible I can't do you in both ways? School, coderan giggi, but also, it's also, it's a peniare, then you can, you can give you back the time. So, I'm full-filled school at the kodotterin gigginess,

but, I'm also, so I'm, I'm from the first of the first, I'm from semester one. GEN. Where? At where? In parambors? Wow.

I'm being parambors, and I've been in there about five years, and I've spent off, because I also have focused to make make make co-decteran givokers. And I was shiaran,

I was in O. So, the first time Oz Jakarta, I'm from here, I'm from here, I'm here, there's, there's an issue when you're taking class

to doctan giggi? P. Because, I'm not, because I'm see, from the camera the basic, the basic,

the most of thinking of the thinking of it, that, not just, just, but, like, process we can

emananysis can some sort of , And then from there, I also, I'm also, I'm like, t'yacta, if we can't diagnose a penit, t'noughty also that's what I'm making so that I'm getting aware

when I'm going to run in process I'm now, so until, we can't really, when we're getting to abate patient, if the prognosis is going to be good or not. So, basic,

from the problem of the thinking I'm making doing, to dolanin the profession of my current. And troubleshooting too, can't be used, can't. It's just, for whatever. To everything, so it's not. So, I'm very sure, that I'm

actually, I'm going to keep in what that I said mentioned, that it's okay, you have to try it, if not so, if not so, even in the obstacles, so, but, but, the ilmune's, it's, it's, but,

and I'm, I was sadar, like, that I was really, I think I'd be specialist orthodontist, when I was, oh, there's a little more than there's a little more than there, there's,

the name, it's, but after I'm going to get in, and I'm going to get to make up and saying, I'ma, and I'm really, I'm serious,

de, I'm going to do you, doing profession in the world, but Bounder the I'm, I'm trying, too,

I'm, I've spent practice about 2 years. Okay. I was practic in Kempang and at Pondok Indah. So I practiced with senior I, I'm at practice that I'm going to philosophy coffee the two in production. So, when I came to the time of the Timur, Beta, Maluku,

that I'm still practic. Masha. I'm not too. I don't know. I'm not, I'm not, I'm, I think you're all-time. But, it's part-time, right-time.

Right. I'm asking how much more than what? What's what? What's the finalities? I got to get him with a pivotal changing, like, I mean, I also, I also, can, I'm just, and my, man, yeah, pa. How long? I'm, I'm, too, eight-torn, Patara from him from him from him from

from him, and I don't know, like, when I do believe he's got something, like, and I don't know. I don't know. I don't know. Yeah, like, okay. And then, and then, I've some of the time, from from the first,

that I think, maybe, I got to, I've heard, what's what's, what's the key in the very first time, we did, and, what we're doing,

and what we're doing. And, like, Anga support I, to do you know-asay-and-ggy, I also, I also, support her,

what, what, what, what, what, what, this is your pathways, and, even from the first, he's really something that he's chasing for, but, actually, that we're really being partner collaborations, and I've got to be able to, like,

what's what you want to pick, are you up to for this, in the vise cinema, we're like, because we see what, because, it's, I think, I said that I think I also have to focus, I'm going to do with what I'll pick.

So, okay, I'm going to focus to be producer, but for step, before being producer, Angu, also many are challenged. From I'm being worded-up stylist, so, he's getting a potency in creativity, and, we get a process to work in the Chahey from the Two, and in that, the process, first time this,

I'm, I'm... I'm not quite as a stylist, wardrobe stylist, also, so, I'm also, I'm also too much, and I'm really into the same, and with project that's, basically, basically, is storytelling. Now, at that, I think,

okay, we have focus, ningu, when you focus, you'll focus, you'll be, you'll be able to what you'll, what you'll, that'sil can, and then, that's what we're gonna do that, that's just, whatever, and that I'm also

that I think that's what I'm gonna make up what that's my name, so, whatever background, the background, the school that's very basic. So that's very basic.

Because that is that is the legacy that's from them to our, and I'ma and I'm sure, I'm saying I'm I'm, I'm,

I'm trying to I'm not democratis, yeah, I mean, I'm used what I'm going to talkin, and I'm also with with Bunda,

And from the first, they're, they're they're just very, pa, buy in my name of my name, I'm like, if I'm gonna'n't if I'm gonna'n't, I don't have, but I have a burb-bush, I don't have,

but, like, the, like, that I'm, that's, that, yeah, that's, that I'm,

that I'm gonna , he, he brought a book from the past Loxanan, and the book of the book of, I really,

because, because, the Japanese, that, I think that I think, why I like to be a story teller? Because with book-buku-buky that, with many visual-notes, I'm, I created my own story,

and that's always, we're all together in a sub-sore that, with alcohol 70% we're, we're saying, debuts-in, in the kirtas, and it's very memorable.

And, and I think, all of the dots, yeah, from, from, you, tape, like, for I, for I'm like to learn to amy the same, and from

from the air, the time for the air, so that's the same, so far as the gawong, and they will appreciate what the a lot of the a lot of, uh,

Rasakin, and penin keepangin, so, so, that's it, that, man, that makes me kind of, yeah, that, I mean, core, memoris, from the mass,

the child, to, for the people, to muck, to grow, the same, when, when the profession, Dr. Gig,

to drop. Kedongerang, like, no, no. At the end up I'm not. Because, because I'm

sure. That's a lot of. Yeah, like, I'm going to kind of, because I've done. Because I've

done, because I'm going to do you know, I'm going to do you, not just as as a guy, but as a

angia, that I have tried, yeah, that I'm not I have to choose, but I have to choose.

But, but, people who's many people ask, profession Dr. Gigi, that's really, and, and, it's not small, yeah.

Yeah, right? Yeah, right? And then, you're alh to profession creative that's not the

not the not it's not it's guts. Yes, no guts, no glory, but,

So, so, so, back to the nilay dasar that's the idea that's really, so I'm back again, like, if you're going to you have to be able to but you manage the risk.

So, from the, that, like, I had been knock on that, so I, like, focused in the bidong entertainment, and then, I'm, yeah, we can,

we can be contributely we can be contributing with a way And I know, we need we need a more of job to make more than content that good to be intimaty all the people who's doing so.

So let's do something. Is it a thing for you to be a point in about storytelling or storyteller? So, um, so everything you're doing like,

bullet, because I'm, I'm sitting with Anga, we're looking vision and possibilities where to where. And in there we're shaping with a different to make a different how to grow the cinema with a different,

and I believe with the the power that's just just that just but I might say the innovators that we also, a dreamer's whether that, and that's something that matters,

that's the basic that that actually, I think, that I think that, this is, I think, because, when you're if you're trying, it's all the way of it, probably, maybe,

the restan, it's just like that. We're going to be able to see the MAH, to the before, especially for content content for the kids, yeah, right? This, can, I can not be different with playbook that we've

seen, is it at Disney, garis miring Pixar, and line, line. Yes. Yeah, can? Ampah Gambaran that's that's been inspiration or driver for you?

One of the one of it, for I, maybe, from little, I've lived with the work of the Walt Disney. We're all. Yes, we are all. And I,

Do you believe they bring the magic insights? And, macken to this, especially in era pandemic, why, actually there's division of the Cinema Studios that's focused on the content of the family so it's so. So, so it's important. Why it's so matters?

Because we're not just content of the family that in Indonesia and we can't make sure that, but also I'mgia who also the other I'm like, and the people who are and the olden moment or golden age from

our kids, our kids, that in this year this, right, but, but, but, and what we can

create, to, at least, to give content that for them. MAKES-NAMAS studios had. So, we leverage

many sectors in the down it, because the output that we that we're actually live action, also animation, and how we can

enhance the technology that's emerging in the so we're we're the number one to provide all the content for kids and family with the ways and output

that's menenang-can and core the core, I really, I think, what, what, what, what, what, what, what, what, what, what I'm not even though to be the person, it's something that's very aligned, because they always say the story is the king itself.

Absolutely. But how it's how we're when we choose the story that's as the foundations, and we also can also that there's relevancy and resonancy not just in the story, but character.

That's it also is important. I think I think that I think of the cinema studios to put up to make up from the current content of the kids and people in Indonesia. I don't remember when Pixar made negotiations with Disney

for films film the film the film, now that, when, was it was probably, it's been said to be

because, because of the profit sharing. It's a little But what I'm not really but what I'm making people at Pixar what was that is said

it's all about the pipeline. Exactly. That's when I've got a book Writer of a Lifetime that's by the Bauer It's a little to I'm not to but that I think

to the end-o-o-to-the-cuitouser to make-negotiation renegotiations with Disney, which finally 50-50, which tally only 5%. Because Pixar, it can can't make uphine that many people, and

not just a story in one film, but quantity. Yeah. That's that's that makes sustain, sir, and I think. And what we try to provide

and we've learned this long this, not just pipeline only, but timeline it's own. Right. And, actually, what's really what we're the question is, is, is, is this is staying?

Mm. Mm. Mm. Right, we're getting up with one IP just. Right. There's there's a lot of IP that we know, that's our process we to learn, and, what, yeah, Pa,

and what you're going to get out of a P, it's out of two questions. What if and why not? It's just matters for us, for us, but we're, so, there's a lot of that I think,

that many people are that a good one that's a good but when I'm working with a team that's a idea that's a true,

when we know fundamental, fundamental, you and I always I say to my team I, like I believe in the

book that, what I believe is my team. Because team team that who is team who not with the dream but

to be injave it, and when we're trying to make a dreamt to, I'm trying to, I've got a team that's also, beresonance. We all have sense of wonders, and that's that's soot to be jag. And Visinema Studios, it's,

not, uh, what, yeah, not a place that when we can't we can create something, Like we're talking target market,

like, target market, audience also, top-sasar, and to create it all, and, what's really what we need to be from, rachick to something that's delicate, but it's so much but it's not so much-acal.

But what we're outing that is the stories that embracing, you know, like, like, to be termed for the children, and it's very challenging for Visinema Studios. But with the, with the

basic foundation, to un-and-a-dication, we're actually, we're getting, yeah, whatever that we're perjewaned at the, at least, and we'll see-as-ya,

and we'll get what we've got to be making the market, because we're doing a research-studies, so, so, so many things we're doing

before we create the IP with market reset the more than we're going to be from there, we know what is the problem that's the problem that by the people and the community and when product is so we can challenge product that also to market it, and that's so I always

said with my team that what we're creating we're not even to be taken because we're not not a manusia that can be mannancan many people But what we've made is matters. And I always say with with

there are 3F, that I always puttie to them focus. The second is freedom, and the last is fun. Because we're offering product for the for the other

three things that should be a pegang for to make or to make out of the idea of the idea that. Yeah, if focus, because we know, what we're doing what,

what, freedom, in the artian, meleburr-in-ide, to be able to a lot of collaborators. And challenge is, our ego, but it also, it's also be challenged with, many studies, many market-reset,

and the other one the last, yeah, let's do it in a very fun way, because, if we're not doing it a very fun way, I think things, wouldn't be so much fun, too, if it would be so much fun,

Yeah, like that. Yeah. I'm going to – … the importance of our to make sure you can can't,

succour, can be able to make it to the how much. How did that? If from

before I'm before I'm one one one of one the new, the judel of domicado, before domicado it's

it's actually process that's because of the era pandemic that, yeah, content and the community that, then,

after, Anga, challenge us to let's a one email on a day day. I'm getting an email like, we need to get a email like, we need, what are you come up with the ideation, and the creator of Rian Adriandi.

Then I said with Rian, one thing I've been from the time that I'd think, really, I'd really really have puppet shows. And Rian, and Rian, and with a-cita,

and he said, yeah, let, we can't, we're making, but first, what's the name? So, so people can, say, and they're gonna hook, like at the top of mind, their. And, what we think is, in core memory,

we, we had a one of a play a domicado. I think, many of the people who, who's now, who's been made with the play domicado, and, and,

malh, makeaer can't and idea, we're gali, we're, what we're we can't Sementarra that we believe in the vision of Studios, there three core that we want to share to

the people of Indonesia, one is resilience that, and the two is diversity, and the last is inclusivity. Three, that's the model we're to balance education and entertainment. So, we're going to do,

sometimes, I'm not too, pa, the, but the card edutemines more than, but the education is less or so-balick. But, actually, we're trying to try what we're what we're, what we're, what we're actually not just the temperament cognitively, but also motoric, sensory,

and also, the most the most of the last, when we're learning, it's the empathy. Because it's the most the most, the the most, the way of it, and that's what the most important, in our own, and,

and emotional well-being it's really matters in this. Emotional well-being, that at the end that's mirroring the success of a person to

not even, we can't, we can't, we don't have emotional caution that's even so how to regulate those things,

we do-s, we do with together, and we're we're, we're, ...etem with a team who mereset modul what we'll use.

Modul that's what how to make a depenka how to learn, but with a way with a certain three of daily activities that's been by the age of pout

and with with usia eight-town, in the ummone, and then, then, and the most important is when we're coming with team that,

This is the bumble, the most important, with my friends is, don't ever look, we also ever be a lot of, because we're too serious to get up to, what we're having, what we have, what, yeah, what we have more matters

to, and the problem of the other than the problem of the other. But, that's also, and I'm nothered, problem is, I'm matters, so, so, that's what we try to saring, we try to make all of those things more balanced, so that's not education more than the education more or the hiburant more than more

take. We're going to let's parquet's that, and character puppets, that's actually, there 15, but I'm going to know it to audience now, and why we're going to

make the characters character, character, yeah, from characters characters, character, hewan, that I always I'm not even with Rian,

all of someone to start with the not even to be with someone that's just to be able and then actually there's a character that's the same simple, because we're being born pagu we always hear of a burrung, okay,

that's the character Bea Beio is but what? But what? We try define, one, one, one, and one is, Beonius.

Then we're trying again character what, who always there is in the next to our own. Cucing, it's always lalonged, far, in the front of the room, so, like, character chis-chis is cuching. And, because, after after astrobeck, we're sure that,

we're between, there's a time we're trying to sort of all information, but character astrobeck, we've made as character that's really, to have science and mathematics, he's so much,

with engineering. Important? Like, we've got a stamp, right? And he's very and he's really with Jagat Raya, because the story, Astrobeck,

to have been clamped to bulan, but no one who's he'd ever been to galactic, and then he'd give back and then he's got to the penelosan it to

so, so the other one. Then the last is cricket, that character Anjing Sitsu who's who's very happy, and very happy, and, really, and, really, personal for me, for me, it's the name of my...

um, the higings my... and, it's the logo of the cinema, like... Oh, my. Like, Pha Gita, yeah. Wow.

That's he, because I'm, that I'm, that if we get-tombs with characters that we're in the next, then we emasas it with the which decreesinged by imagines and Rian, because Rian is creator from character,

it should be something that what, yeah, can be a sub-a-a-kind-baudy for the other and the other in Indonesia, that we're that, we think, that's the Domekadoe, it's, made-depan-rediness

to have kids. Anac, not can't be able to doggarting something in a position that's been and set

from the time there's a time, yeah, yeah, and that we're sure that we're

that's so, so, for domicado it's more, we're also we're also make know-canal

narrator in a set up episode, the bentoked the one, animation 3D, namany, Odi,

and, and, the issue by Putre Saud. And, it's not much, what we're trying, is that every we make have put up post-mortem,

so, so we're getting, we'll back in again to target audienceia, we make market research again, then we're talking to the people, who aren't just

children, but we're also to the parents, we're talking to psycholok, and they're doing to be the parenting. And, Puju-Tuhan,

we've got insight that we're morebias and then actually we're there we're just making thembancan domicado and finally

after season this season there are 24 episodes with various from animation style both 2D

and 3D and there guest star that will be a guy being a can't be a kaka penolong

for people in Taman Domemikado there's and many many times

the theme that we're on-cut, one of the ones is, this is difficult for many of us how how to teach in the way to teach in a lot. In-saint-Natured, we're in a lot of NAD, and tem-tem-tem-tem-in-a-deggering the time, time.

It's like, how, yeah, first, we have to know with nada-nada-dasar-narsar-ness. And it's interesting. And there's one thing that's interesting, and we try to jabar-in, it's about body boundaries and, and, I think, yeah, that's one of the one

that's one, I think, kind of we're not, like, to tell us, to tell us, for them can't be very much more than that, maybe,

this is a good kind of kind of, can't, but I'm looking, but I'm, looking,

I'm, sometimes I'm like, If you want to be able to Natal, we're to do you from the kids, they're from from peluk, but, but ever, not, you know, people, you're not,

ya? If you're not, if you're if you're going to, if you're going to, you can, you'll say, and, and, and, that's also one of the theme

that we put in Domicado, but, yeah, like, we're making to the the Domicado, so they're going to solve the problem itself.

Like that. So, so, so. So, so. So, so. So, yeah, there's something that's hard. But with the way, and the way that's very very hard. And the whole that's

the most important in Domicado, also we want, want to people or people who are involved active when they're to make sure it to do

the room discussion in the family. Actually, durations is not too long. Each episode is 8-10

minute. But I'm I hope that it's after it So, it's a trigger for the people can be able to beware of being mindful, because, if we're in position now, when we're talking with a manet to, while peggang handphone.

Which is it, it, is, I. That I'm being wrong why, the kids'an to make a handphone, is 10-jamp. Oh, yeah. Yeah, and, and, maybe, a little, this,

This is maybe titipan. Because if we look at the kind of of the form of the births before the age. Yeah, in golden age. If you're like I'm like like I, it's, it's, too, too, yeah, right?

I'm too, but just too, I'm looking at what you're creating it, it's, with the importance to make upraiser

of the people of the people. what I'm going to say. The first, this, the score PISA

for the kids of the people is the score of the so it's so, 20,

we're not we're two, if some some in Asia, and the

different of the number 7, 71. And it's, and it's proficionsy the kids

of the age 15-taught and STEM. Singapore is number two in the Tungok number 1.

Yes. Tentruch we have already program this is for but

content that that's using via, this is designed to how much like this. This is the first, if I'm

seeing what I'm going to see copy. The second, you are in the business of not only storytelling, but creating storytellers. Yeah. Pernan, if, I'maam, if there 100,000 people Indonesia, can't bea-a-saintain, like that's a-ang-a-langress?

I'm like, what about. I'm not the kind of the other than Ida. But, but when they're out of the other-negrie, not know how they're... ...a-a-a-a-a-postre? Timit. That's the most brainy to be able to-called, is the people Indian.

Yeah. And if I look parasites, there's a lestinema not can't make telm that's superior. Yeah, right? But, maybe, Korea, in holistic, it's been to do you dolew from huloo

from hilly. This is two, if you're observation or a person, how can be it's sub-bung, that. Yeah, we jade, yeah, Pai. Yeah, we try, yeah. And, yeah, I think that

I've given a case for focus on the Visinamastudius, like, the core-ter-penting is justro from the generation awal, with making content that's the right young,

if from that, I'm from, I see that, not many, that, that, that's to get

to get to get the education from the but it's also, collaboration that

pro-active too, or caretaker. Now, maybe, with the Visinema Studios, can be

and make content content and that's not even to be able to be taken with them, but also appealing for general audience. I think that's can't answer two points that Pagita pertangelo. Because, what I'm afraid is

to be able to be able to be able to be able to how you're going to put the core memory that's good to, they're going to be something for them to bekeembang, although they're not having idealism and integrity and it's something that's something that matters. And visine is, studios, I'm not just

women, um, and, um, but also the important, also the most important,

and creative thinking in a — That's why that's why when we're – when we're

looking what's what see, what's like, if it's being, to be able to make a bit

and that's we're trying to get-d-d-d-d-d-eat- and hopefully, two points from observations Tagita can be able to answer with content content that we'll come out to the different. Because,

but we need a lot of people dewasa serious to make to make up for content for an age dine. Right. Because, that's, the problem is,

is, duration they're looking, but if we can look with a way that we're not we can't we issue with something

that They can't look at H-Pee 10-jamb. Because I can't be able to look at 8-minute. Content that's important. If I'm in fact that I'm not sure, I think the work as a child. Right. The middle.

The class school. Guru, R.T. R.W., chamat. Lurah and, like, and, like. Yeah. That's important to give you, because, because proactive people are people, can be matters, yeah,

in this, especially caretaker. Because, um, all have been and the other things that we have we have to look that Indonesia can sebaran the poloan

poulogna, and not everything is and inclusivity the same so, so, so,

so, so, to be part of the duration screen time, and that that's we're campaigning

with with it, it's, they're with duration, It's that can be from the the environment of the which is, it's the

that's the way that with making regulation in the with the other with the other because it's very it's very much when we can make making

the kids with the usia dine than to because they're because they've already have self-controls and that that's the most

important, but, but, not, and have to be, right, and have to keep even,

even as I'm also, how, yeah, the way that to be able to give there's a

time where you have to be playing with time, so-emort- and that that's challenging. Not-gampen.

Em-monged. I'm more, more, than what, I'm going to think, it's just, it's just, Not just to practice that.

It's challenging, even, even, even with our own with our own to more to more, to give you and make a room and when you're being talking, we have got off

from device our device with, with, with, with, raseh, so, if you're talking,

yeah, I-contact. If you're, if you're, it's, it's, the phone the time, we, we, we're,

we, we're, approval, not to get to-gitung, at a time, at a time of the time, there's approval, there what, there, what, there, what, but, like, when it comes to kids and family, we, we have to learn also,

to learn, too, and, again, that's, yeah, we're, as, as, as, we're campaigning, many of the but if we're

not doing that, that's just, that, that's, pa, that's, how, how we can't love we can,

also challenge, yeah? One other, what's what's to be partaking is, how polarization of the it's correlations with depression, with anxiety, even with

with blooded-dir, suicide. This is impetus in all the world because of what they bach in the H-P. Yeah, and I'm many times that cancer in social-med

is that's one of the is, the top of like, the tomb of retweet, the top of share, that's designed only to create a plurality. But,

without the understanding of the importance of the mental, our kids, yes, that's better. If that we're so that we can

make, content for the people, like that it can't be able to It's been Yeah, because one of one

who's got in Domicado is how to appreciate ourself because we're because we're with uniquing we're making

kind of that that's given in the moment that most at the time in this the understanding

the problem to not to not banding it's something something to be a catalyst when we're going to the world social media. Even the most of the highlight,

rightiness, yeah. So, how much we can make make uplication application, application, to the child of Ushia Dini,

even, there's restrictions, you know, there, on, there restriction on, YouTube, there's restriction

and, and, there's also, in Twitter, there are restrictions, yeah, and conditions that they have

also, we have we have to understand, we're supposed to, And, the Rasa-rasnue, we're who are right to give device in the anacumor for they can't make make it,

if I, if I, juster juster, I'm giving regal device, you know, and, I think, it's important, because to galley potency that he has because, from the first, he's always persistent, and being being engineer and pangent to be architect, that's why

a game this is important in he, it's been building his own country he's made the world

and when we're making something that we can make make the potensiness to be more more than

but, but it has regulation to happen we can games and content that's much but much.

But yeah Sampa, you'll be more much. That's the problem. Problem is that. The problem is that. But, yeah, that's the same. But, you know, puttakers from us content creator or we're who are

to make up and content more better. Because, it's very bad. Because what's the matter, because what's the amount content's the same, but quality from the production value

the, to the back it will be what? I'm just that I'm that I'm alamed, that I'm trying to icon like Sesame Street that I'm I'm gonna'u'rida, that's just that's really, what impact.

And from content that we have we can start behavior, behavior of the other can't when we're making content that like, like, making a lot of time of the time not a little bit more, but if there's a certain there

something that can be resonancy to have the need of the need of children, I'm sure because of the young, because if we talked about brain development, yeah, brain development it's developed

when you're in this day, yeah, and if we look if we look progress of cognitive, the small from pre-operational, then to concrete,

and to formal, and how we can can't get the of the but, but, mental.

Mental, is important. Yeah, can emotional quotient. Emotional quotient, mental wellness being, to be made, how they're going to regulate the feeling itself? So, that's how we're going to regulate the feeling itself? So, that's always there, how we can't get up emotion, can, how we can't see,

we can't, we can know, we can know the rasa, and that's what can be given and to come from from emotion of being that's that's to

I'm notherst up from the cacapapan our own to give can it to make you to make sure to hear this content content philosoph

yeah like like SartGur so kind Rasa it's so it's important and many from the young

young who's young who's aware to had um wellness being itself yeah

because uh... Beban from what what is we're being had to be, it's very, yeah?

True. Bede, that's with the era of my era, so, information did get with very quick, and all information

can be about, but, but, but still, but I'm too, bigsana.

But I'm sure, they're they're self-awareness and self-control, sir, and one

one that can we can can't is literati and how how much them more love to be able to

book. That's maybe medium to be source for them can engage and they can make sure information that more

more than but the but it's important. Oh, how we can make budaica about budaaa

book in a massif? That's right. Try, yeah, think you can't think how so that our kids,

to be buddhaia, there's 100,000 people in Indonesia can't beaasasasian. And they'll, too, about Indonesia, to where. We, too, not too can't be able to be around. Yeah, but,

but I think, you're still and will be perperan to monsong mass of the generation penurs. Amen. Generations.

Domicado, this, evolution is how to the in the moment, in the time, in the middle, and long? If you're what you're going to be able to make the different, we'll have many many times, and content in offline, not just online,

because what we've been actually, actually, actually, engagement, yeah, because they're character character

to be that they also this life and and make up and make up to people and people in Indonesia,

and then the plan of the same is we're really, we're

not just play park that will at the malls in the city but

but also other and Mimpy our Mimpi Part

for IPIP Vee Cinema. To the Dependan it that's really, the activities that, actually,

for community parenting, community education. We want to work with PAUT in Indonesia, one of the part of the part of our our U. because, because we're making

this, the kind of to be given a different for many people for many gurue in Indonesia, so what What we're now we're taking is purity and clarity

from the content domicadoe. That we need to be able to get. And to have content like this, the most important in the dalam it is, we need to be able to sustain. And the heart of the most the time domicado is more than the human creator's. Oh, yeah, like, Mickey Mouse, Donald Duck.

Black Sesame Street, like Blue's Clues, how how how many many people who are that are the characters character that's about and we as a lot of not talk down to them and we know that what they

have been something to be something to beacar again to and to what want what I'ma and community and

and, and, Domicado had with more character who can be with more than family in Indonesia. Like what is the last light year to infinity and beyond. Yes, I believe in that.

So, this, how, I can know to I can't be able to Bea, Beo, Cheez, and Cricket. We'll...

We'll... We'll... I'll go back ...wee together ...with time... ...with... Okay, sir. With a happy.

Let's come. Let's come. Thank you. Thank you. Thank you. Thank you. Thank you. We want to continue

again. We'll talk about. We'll talk again. Yes. Yes. So, this is for the important

people to the and not can't be pinkir to people, people, and who's the same, that in the

there, there's there's there, so the abadian to people, that's

that is that is that if I'm that when I'm young that they

they're more more under-bawy the and the and kind of

for the infestation for the future. Yeah, right? Now, that, how to reconciliae to abadion, to the kind of that can't that can't that can't even even though, but,

the other more more, the more than the neednation not to make intestation for the importance of the future

like, kind of, or, This isinging that, what, this isue that's big. But if, if I'm not how, so that's young and the kids

that more can't be more than things more important for the next if I think, yeah, Pugita, yeah? All of that's about to bequate-can

with many discussion, like, in the other because the value of the people, people people or caretaker can can't make known consens

to be able to be used. And it's not really always be challenged, to mellihara to the kind of with our own own the other thing and we can't

concentrate what we need what we need to manifestisic to and in the and in the part of the to the to make make it

to think we can be something to help me know that so that's the important that in the future that we're in the that we'll investasican, we investasican, not just for our

but it is legacy for the kids in the people, when they can make make make make that they are individual that not only but,

but individuals that will be socialization I feel that is something that but how much because they can make them sader that can't be able to beajaring or to be called things

the same-a-half as-sidhanal, how you try to make upas what you're doing by the time in Domicado. For example, why we can't go out of somepahsbar. HAL-houserhanes that's

that should be able more lebar, like, like, if we talked from the side of Ushadini, to make sure, To be in the world and the environment is to be important. Manage the

and the environment also because, I think, I think, that's the process we're we're learning to be hargay the thing,

if it's if it can manifestis to generation that I'm that I'm more creative, because,

have been a kid, creative thinking, critical thinking. I think they're gonna be there, and there's a lot of concern from the young and, and, now, the young mother is very critical, yeah, Paih. And I'm sure they can really much to understand that, and if we're talking about

how to mehaler the sifat the kind of our own day, that's up to be able to keep and have empathy. And, I mean, that's that that, that, as a human dewasa who, yeah,

sometimes I'm gonna'am if you're gonna be a lot. That's right, that's right. That's, I don't, I'm not, I'm not to, I'm gonna be, and, the, just true,

what, what, yeah, that's, that's always positive thinking. Mm-mm, mm-mm, yeah, and curiosity or, unsure, That's important.

And, yeah, people are always being why, I'm at my why, I'm still just, I'm just, I'm concerned about many things. That's,

I think, my mind that I'm that I've been and I've pupok this and, and we can

make we can make making making making we can make sure to curiosity, So, we're more than we're more about about the next-a-noburn.

Anyway, this, this is, this, what I've heard, this is, that's been around the world to get talent-talentat, yeah, right? But, the end-ug-ugn-to-tet Indonesia. ...and-a. ...theirrita, Anguah.

What's, pa, when I, Rian, like what, like, like Pagetal, be thinking how we can't how we can be in the environment, that's what we're from from the first. Universe what, we're gonna we're gonna to make for IP domicado?

And we're thinking, what if it's a a small, that's a bit of a biter, because the start of the in era, now, who all that's all, are all together in gendongedong, the place that's been puttut. But, like, there's a place

where it's a place that's menenank. Because I, with Rian, I always like with a plazeran in school, that's a plazerat. Because, in our two, that is, the one that's the most we can makey to have curiosity,

can be able to learn with many things. So, we're using the universe TAMAN. that, actually, did revamp with the friends that I'll know about Pagita in the Taman Domicado, and what we're in the town this is a Taman for all of the men. Taman, that's actually a Taman that's an inclusive and is open for

everyone, all of the mhaluc-hidu-hub and be able to learn, be-main, besanty, ber-serite, and, even,

can also, when they have made it even even normal even it's not even the other for many people and people and

and the and I'm and Rian and that is the time Domen Domencoe is not only for for under under

not just for the community but also for each people in the so, so,

so, it's very important to be like, it's in the town, where everyone can be together. That's, part, the way. So, how can't, people who,

people who are people, if you're trying, I've got, like, with Rian, to compare, like, how, if you make papettes? Because, can, not, you can,

we can, this is new things, so, like, anxiety that we've in a good way, like, oh, we're going to get-temed, we're checking, what we're looking at, you know, pa, when we checked in U.S.,

somepac in the U.K. also, but I think I'm with, Rian, I'm making puppets, who must be taken to be maintenance yeah, pa. And then, um, not just cost

from the production too, and we're thinking, but, yeah, quality of the production yeah, QC. It must begung. And, again, Riann't had mentioned in IG,

asked, there community puppets in Indonesia. Then, there's response to many of the ones that is called Papay Tariya. At that we're going to with people from from Papatariha, we've got to be a lot, and then it's one vision. Because that we're the one we're going to if they align with the vision

and, you, we're going to go, we're just with the vision of the basis. When he's with the vision and we'll probably will be something who has a vision of big. Now,

the end up with people, we've got to talk, and all and it's all can't be done in Indonesia just. From design, Rian, we just

wanthackan to into a part-pots. Then, what we try is, production designer. Production designer there is,

there's that name is Tanta Rini. She, who also is a person Indonesia, like, I believe also of Ovisi that we give and we're just a producer of Indonesia, there Novi, producer senior

in the Visini Amos Studios, there's Head of Production, there is M. There, M.C.C. We also, we also, director of the other Indonesian, called Astrodio. He, really, he was back at U.

But he was back because he had character that is like with our character He's like a starbeck, he's like with a whole about science, technology, and everything. And then, we align, we have team creative director, who's been with Marcel Heski, and we also have team development,

how to make a product this more people in marketing, Visinema Studios, and studio. What's the criteria? If you're going to be Asteroback? Kiteria. To make sure. To make sure. When I was the voice cast, like the process casting,

like the IQ's do you're not? Actually, it's more, if I'm just akiy who's not. If I'm just I'm doing, but it's not even but he's nothered, it's been trying to be able to how he can be able to be it. Because soul is from the time of the voice cast that,

so it's only. But but the But it's the only one. But the other. But it's the other, and I'm all of it's important, because I'm with Rian

percaya, character this is not character that we're trying that we're trying to that we're with Pinto, so I think

she's, she has got to he has to come this, and we're, with the team production, and there's

five people, which I think I'm right, and there's one character that's one who's in the other who's the one, by-hatie, and I think, all right, yeah, and then, and, and, and,

and, because, why, we're kind of, this, like, this is like a project that impossible to be happen right now. Dulu, we had, we,

we got, we, we have, we have, we know, There's very, that, but now-day we don't know-unuch, and not there. But how can't, so, that's how to, our career that's also, also,

and challenge is that that. Okay, this for the kids, but appealing for the young-deasas. What's what's disrupting, existence unil? Um, that, when it was, yeah, it was the time also,

to be a lot of many things who are being a little for the children and kind of

yeah and then actually something that's the fact that I think that I'm

kikis by the time with the other change how to how

to show can make um and the person and the word again

with content which the fact not interactive Now, Domicado, do Mikado, to make up interaction in the

of the other that's the other and I think and they're they can be in being inunding and with the kids and the other

and the even in our even, that's, that's, that we're making, back-up-up.

If... If... ...like, ...and if... ...and until this, So this is, don't even if you're just right. But, so we need, but but, actually, we need,

and we still we're trying, because, so they're also get-temed with character-penganti, yeah, because, we have been there many events offline. We're even duplication papettes that,

not just, just, just, and they're just going to go to many places, and, and, the season, In season, we'll

we'll know some characters and then, and then it's going to this. This is, it's the time to what you to have to scale.

Yeah, right? If you're going to scale, there, there not the of the to make up

dexterity so. So, one, it's, maybe, so it's Or we're going to 5 to 10 people that different?

Yeah. Harpani, I think, but, but rare so, rare, that's rare, that can't make gendikin can set up from the

sound that we askelkan. I mean, if we know, character elmuk, can also the voice the sound after half a year, and why,

because we're going to make the sound because, consistency it's if I'm from from from, if we're if we're just a sound of the sound of the sound like that, can't even becah.

So we're trying sustainability too, that's in the middle. And when we try to gissing gap maybe that's just two or three people, because the ability to get in um, they can't make sense papes that's also challenging,

not very, not many in Indonesia. But if it's just got to- Agapal, it's been kind of, this Astrobeck. And in evolution, there's character that better and new. Can't not, the other,

do you upay for to make a character that new? Agha bit, if they're a little frame. So, we still, we'll have casting again. I see. But, not the character that's the other but not to be able to do not. No, but I mean,

I mean, I mean, I mean, I mean, I mean, I mean, I mean, the idea that's the character isy by one person, that's, to make themudacan process, you go, and, and, and, and, even, the other thing is like character Odi,

that we're bent-puted in the output in, in the bentoomation 3D, that's the sounder in the issue. If in the animation that we've done in, it's over it's in-de-de-de-pane. So, the bintook, the mouth's the mouth of the voiceover that

and that's the regimen there's a regimen that's, that's, that's, so that fit and consistent. Because if there

20-an-episode, yeah, 24 episode, like Mika-Doh. Consistency, so... ...so, ...that,

but when they're after after character that they're trans, it's, because they're making-hidupting them, right, So like, what, I'm like, magic happens always on sun.

So when they're getting with character, what else, like, in Taman Domicado, it's just, sir. So, consistency is that we're going to be more than how, how, how, the way, the acting is, bring in. Perlu, there are modules, modul of the latihan,

to to mhmame the character, at the basis, and friends also learn to sing, because they're not just being but they're not just

but they're that that we're up for we're that we're because because there's

there are even more even more even in just in studio, yeah, we're

in the where in the right, where in the class, Or, or, to learn mitig, metig of the coffee in the coffee, like, so they're more and they're also, with universe and themes

and the time we'll pick. In Colam Talenta that's in Indonesia, it's just, to make 20 series, like Domicado? In other, I think, So, there are 20 domicado, not 20 series in one domicado, but there are 20

P-Gid? Challenging. Okay. Because the most hard from IP that itself.

But I'm I'm there's there are more more can be and

more can more can more and more maybe now. Now, and maybe

the more than more to be content that make-depant the way to learn, and men-enan-can how to be-main,

and who also sometimes we'll look, yeah, the side education is more but the entertainment-e entertainment-n-gna-e-e-a-appertainment-in-gut. And that's what, I mean,

core-n-tut-hadir-dard from creator, if you, if you're going to opi or about Rian, that's the scale that the... What's it, what, is?

In five years to the time? What's it is, the Mimpy Bessar our DomeCado is in many of the different because, not only as as a ton-tonan audio-visual,

but they're going to turn in the form of edutois, gamifications, they're going to run in the merchandise that can be not just as a collection, but yeah, in medium and enrared in the family.

Because, the, the, we're also like to chitain right now, that's edutois' that's that should be in interaction in the so it's just to be in-packe but it's just to be playing with the whole family gang. I also, I also, I think,

we're in five years we can be with Domicado in the community in the park. Right. And there are many there are many of the kids that come to us in the cotak surate that this time,

the time Domicado, too, menemone their and it can be memory of their because that we try to in the Visinamastudius is not just the

story, but just the character But the essence that we want to give it's more about having a story with loves and hopes. And that's that that's that can't be the DUMICADU to the future and our careers our next to studios, not just animation, but live action, but, and the nilay, that's what we want to bring so, pa, that's.

Kind of structural, what? Stodal, what? Structural, well, talenta, is, actually, production, yeah, Yeah, because we know that when we make up a character, we can make up a different of art installations, we're looking to

they're able to sustain. Because we can we have to make something that, that's knock down, right? Sustainability is not long, umor. But, to the depottening, if I, and Rian, with the friends in the Vistaehm Studios, the real studios, We can't Anach, and then just to

get to see we're shooting Can't be making techniques and have engagement and more

more than again, that this can be if we can if we have studio shooting Domicado and

so. Okay, in the endgame, we usually we're in Indonesia, 2045. Okay. Visinema Studios,

two, content. Yeah, I'm I'm sure I'm I'm friends in the Visinam Studios we're going to to be the

content that good for and the community not just from from the technology, because we are trying to leverage the emerging technology

for either part, either animation, or production. But we actually can get mucle can get upbucked and all the time we've got done. And,

and all of it's already is there, sir. Because from I've got to because of the work of Indonesia,

there's many that we have appreciate more and many people who are there out of the world that justroar

that's actually animation animation that's great, and story and the word

and 245 has to be a project Leber of Love yeah for the vision of one studios. Because I believe what we're now

we're taking not right, but it's and that's that I said that's what I said that's how we're making for the and to the

and to the kind of it's important to be thinking about not only the fun here just, not the focus here,

not the freedom here just. The three Fs, right? Yeah. But how to the I, if I look at one of the acuant is Pixar. Pixar, to, is that, if I'm nother, amalgamasi,

and technology and creation. Yes. If Anguia, to, the other, focus to creation, or there's also, other than the technology also? Both ways.

Okay. Where's more be bobbed? I think, two-douan. Okay. If we say, we don't knowing technology, but we don't have core value from the story, from the story, from the the spine of the story, spine of the character,

it's not going to enhance the technology. So what's the same is, the same is, from, we're trying to, we're doing a development for the example in animation, that, yeah, Pai. In Jumbo, we're really,

we're really, vegetation, so that it's really in animation. Maybe we're can enhance the same different. And for me,

both of us should be able to be able to be able to be able to the idea of the ideas we're the idea that we're

making the idea that we're seeing, then technology that can help us realisacing ideas our idea our

that's about. That, I think, so, so, I think. Okay, we've got too, we're pretty,

I'm going to, but I'm going to with each with each, I'll know it, I'll know it, I'm calling

Astrobeck. Astrobeck is really, she's really she's the most she's the Puckett. Amin,

this, this Astrobeck. What is Astrobeck? Astrobeck, can't, like, people, Peketowan,

Pekin'an Alam. Oh, this is one one of the Tamuan Astrobe. Astrobeck, help to sing. Oh, yeah?

Great. Patika, can't not? Can't. When Astrobe, can't be can't. If Astrobe, not can't sing, if Astrobeck,

yeah, actually, if Remy, Reefasel, yeah, if it's like, it's like, it's like, how, how, how, how? D'L, Remy,

Rephalsh, Sidi, wow, Bantrombe. Oh, top, top, top, cool, cool, , cool, cool, great. Astrobeck, to beckit-kitts

want to beapeg first who end up in person Amin. Ami. What? What? What? What?

To make what? Stobeck, but still, how much how can can't batminton in the borghumans. Maybe we have tips and saran. Yeah,

shuttle cocking, not back-back-backed, that's how? How can't? How? Okay. Okay. Okay, Astrobeck, I want to know him and people you.

Hey! Okay. Thank you, Astrobec. Eh, same with Pagita. Sip, Sip, Sip, Sip. This, Pah, if we look at but, he's the most critical, he's, he's, the most of empathy

to make up to make up my time. I know Pagita, yeah. With CheeseChii, Hi, Cheese, Coo, I've been. Hello, Pagita. Hey, Cich. Yes.

Yes. The kis-chis is, the kind of on the batal while end up the Pitch-chis. You're Dizan,

yeah, Pagita, but Pagita, also, too, Succa-kut-a-kiss. Succa-a-Megas. What is meditati? Um, can't do you.

What Cic-Cis Lackan, Tidu-A-i-it-a-it-a-i-i-i-i-i-i-i-i-t. Oh, that. C-Ci-Ci-C-C-C-I-C-Lan Yeah. Hello, Bea. Beah, man, yeah?

Ha! Ha! Hi, Pagita. Hey, Beah. Hello. Where the ukuleleleana? Yeah, Uca Yeah, Uculelein'is,

oh, that. Oh, that's, I, have a collection, oh. What? What? I'm a lot of and I'm

my namey myka, all. Beah, this is Gournianna shone Pagita, sobe, Beya,

that, that, that, that's the tanger, Just a bit just. Oh yeah. That's the nanny. That's the nighamian.

Oh, that's okay. Thank you, Be. I've got to be. Can't, you're not long, yeah. Oh, that's. Pagy in

I'm being mending amut amun that turu, yeah. That's Baya,

Gita. Top. The most of what about it is the what about it, with nada and lagu. Okay. Next,

I also have a friend name, Hello, Cricket. Hi-Fi. Hi-Fi. Cricket is the the most curious, at the

Cricket is that always to domy-cado. Okay. In Taman? Yeah, I'm at Okay. Suka.

Succa. Succa. What? Can you can't be renang? Okay. Okay, now. The last, sir. I'm going to get to meet

again to the time Domicado, yeah. As well, Dundang, she, doesn't. Don't look, also, don't'an endgame, yeah, NACISC-Oh,

yeah. Now, we're not at end, yeah? We're not. We're going to. We're going to. This is the time. Domeno Micahoo, Kee.

Thank you very. Thank you very, thank you very, thank you very. It's about the time and can't be known-in'am, with the friends, don't remember to read book, yeah, oh yeah,

I'm the most of the book. I'm like with the book. Tremant, that's Angia Karisma, Chief Content Officer from the Cinema Studios. Thank you, This is Endgame.