Endgame with Gita Wirjawan - Slamet Rahardjo: Seni, Si Dalang dan Pemeran Perubahan

Episode Date: September 18, 2022

Slamet Rahardjo Djarot atau lebih dikenal dengan Slamet Rahardjo, adalah seorang seniman, aktor, sutradara, penulis skenario, dan produser film Indonesia. Ia mengawali karirnya di bidang teater dengan turut bergabung dalam Teater Populer bersama Teguh Karya di tahun 1968. Sepanjang kariernya, ia telah menerima berbagai penghargaan, dinominasikan untuk Piala Citra Festival Film Indonesia dengan kategori Aktor Terbaik, Aktor Pendukung Terbaik, Penata Musik Terbaik, Penulis Skenario Terbaik dan Sutradara Terbaik.  Pada kesempatan kali ini, Slamet hadir dengan kisah perjalanan hidupnya membangun karir di bidang seni dan perfilman, menjadi saksi beragam peristiwa bersejarah, hingga dinamika yang dialami dalam mempertahankan hidup berbudaya dan bermakna di tengah cepatnya perkembangan teknologi.  #Endgame  #GitaWirjawan #SlametRahardjo --------------------------  Pre-Order merchandise resmi Endgame: https://wa.me/628119182045 Berminat menjadi pemimpin visioner berikutnya? Hubungi SGPP Indonesia di: admissions.sgpp.ac.id [e-mail] https://wa.me/628111522504 Playlist episode "Endgame" lainnya: https://endgame.id/season2 https://endgame.id/season1 https://endgame.id/thetake -------------------------

I must be I'd take it because the there's not there is a a

so you keep not you and you and you do you to work so that

long the time in the time Hamlet Bambh Mbbb

Mabb and full of Dara Ruebett in Julia and Julia What is what is the name? Othello, cumbull,

buta, and out of years, Haril Anwar, a 24-year-old, where's your son, Succarno? This is NGEN. Hello, we're coming

Salmatero, a man, buddhaewan, a goodawan, thank to be here Thank you. Thank you.

still be undone. This I want to ask, many, but I want to ask the perjalan'i life, last year,

in 2009, on 21 January. Tell you, man, man, but I'm going to make, man,

okay. So, I've got patokan, yeah. I have gotatatant, there,

there, peristue, and, in life that's that's that's that's

my life like my life like a first time. The first is a thing that

is very difficult to because when I'm at years, I'm at my two-twe

my people, my might be about, not mamah who ammill,

who am people other, the subpap or another, the

of your Bhaapag. In that I had started to think that, that's actually the love-kassi is important. Cinta-kassi is not can't be to be ru-sacred

because I, as a product of this I'mpelt I'm that there no one who has no

the other So, I'm I'm I'm I'm I'm back

door, open the door, and to put in the so I'm so,

so I'm thank you thank you because it's positive I'm not too to I'm not even I'll all,

I don't. In that I'm inhargay that the love kation is to have to be percueank. So,

I think I, after later, I just know that that percerion that, actually not

they're not they're not much, and they're trying percerion that, because

the parabatant between them, has been we have been a good. Now, tibbut-tiebatshapotan, I've told how much people who

have been making the best of the heart to be able to bea because we're not able to bego-ease. That's the one-paten-partame.

I'm, I'm a bit-pidiam, I was actually the other, because my, at a year 1.5 time. So,

the bandal of the other, not bandal, the first, people usually, per diem, so from, so from many of the

people, so I'm going to so I'm going to be much and that I've got that I've left,

the room living-linkup-idup the name is Cases-Sahang, the two, In factually, the firsthabbatant is important and

that's not be meant to when there's maloericasi-saiang. For that, we're giving, to give, and be,

and be, and receive, and, and, and, say, open the window,

and the , so they're back, so, that's, the first, the Lompatant

the two is, the Lompatant where I, from something, because I don't

have my own more than I'm more more than I'm not quite I'm sorry pindah

Pindah Pindah So, I think I've got I've got I'm not Puckhurt

Puckhurt Puckh so can't I'm not I'm Ikehank Ikeh I'm a

Cogja. Now, Lompatine two that in 2000, I'm in 12th of 12 years to be

into Jokja. Ternata in Jokia, it's in the Basha, Basha asing. The Bajaulae is Bajaewa. Yeah.

The people Padang Mawang, Gawak, all, Ranghawak, also, so. So,

I think, I'm this, I'm, here, I'm getting, people, time,

Then after this we'll go, ya, gild, yeah? Nettul-kul-kul-l-k-l-k-l-l-kul-on. This is what? This is I'm going to ask with Panu. Panu, Panu, pan, pan,ut, you know what? What did you dolewetan-Kulon is what? Oh, that's not the wind, sir.

Mat-an-a-angin? You can't not be a compass? Why can't know this, out of the Uttar-Slatan, from where? Rupania, because of his, They're their Raja

their They're giving the reason to make the plan of

the land with the light the light the tugue

if the south is Kraton If want to Magelang it's to the

barat if want to Solo it's to the north

what this what this it's what it's the three three-bun,

to one, to one, I just know, a person who's who are in people in

the people in the same, he said about, it's a little, if manusia can't

lose the room, and time, and the capital, Lopat,

and Neng Dezokalpatra. That's Javani. So, the way the matter that,

it, it, made we're, it's, it's, It's just, position. Jolase, where? If you're going to where,

to sit, want to, to go to where, to sit, want to go to the, and it's not. Kassihanelahs, and to gethillang of the angina. Now, some other words

of the alasas, that I see that, he, in the performance, that's always, using the pola thinker that has a basicer.

Then I asked, there's a little in a land campung, there'slam, Maestro, I, if I'm if you're not,

from where? This, if you're still, see, if you're still look, look,

my hair, look my and I, see the person, and I'm on the back on my

my back on. So, so, it's so-ke-l- -l-g-gung-gou- what I'm-gou- , what, Angono also, it's like to look at you.

But, if you don't even you don't need to make more than you, but want to make the meaning in balak bayang from there. Not need it, now, now I justin' just

don't'n't think of, not, not, not. Because, you know, watching waya, not really, Oh, that's How did I look How did.

The VIIIinging started termed by my name. Oh, yeah, yeah, yeah. Because Georgia, to the right

there's sangar tarry, to the right there's sangar music, sangar, all, all the

art, the sunian menitari Georgia. So, after I'm saying, thank

Tucka, Because, the art makes the world this because

the man always look from the subdued good and the make a

poissue, fatah making music. So, never ghamu like a person

that never, so I think, okay, okay, okay, okay, life,

it's turned out that's a lot, I'm So I'm going to be a cinema, that's. How much, man, that's it. Isma, yeah,

about 16, 16, 63, I'll make declarations I want to I'm going to be in there. Now, that I, I'm looking and,

as a rematch because I because I don't like film Helvis Presley. It's too entang, that's sombong

and too, too popular, I'm I've known. I'm notting. André Wadsda, the name's, canal.

How much of the GELAPE in life, can't if we can't if we're seeing even the glances of hope,

and still hope, a small, a small, this is a film. Nonton, I'm Kurosawa, that's not, that'sha,

that'sha, that's, that's, that's, Petsley, so, not I, I'm not.

Lever Marston, not I don't know. Come September, not know. Kurosawa, is inspirations George Lucas? And, there's a inspirator. Yeah. Hidden Fortress, Seven Samurai. Yeah.

So, so, I know Andy Wachda. I know, I know, Ingmar Batman, with white strawberry and so many. I'm a little bit. Diselamaping by there, without any facilities

of the publicistats, it's been so, so if every Saturday, because the telephone, it's hard, wakunchar, wajib,

wajib, wuch of pacar, can't, casan, now, now, when I'm, when I'mcuncar,

they'd, give, jeruk-p-pan-and- who who got a jeruk, who mottonged jeruk, my friend's my. The man, myrrace,

my godok, the other, who's my friend who to the cup, the pacar I'm, drink the

of the passion. Casp my son, my pacar's . So,

soce, so I think I, Nile, the life of life, many of the lives. Yeah, right? Yeah, can. He's not told

what alphabets from a race. Yeah. That, that. In fact. Dalem. Yeah. Now, then,

the fourth, yeah? Yeah. The third, yeah. I'm not. Wadduh, I'm going to lookis because I'm a book

because I'm looking, yeah. I'm going to be good, So I'm going to go So, if I was in Catholic, if you're Gambar Jesus, that

is I'm going to Gave to Gambar Jesus, said Pastor, eh, Jesus must you make the color cune-cuning.

I said, I'm not, you know, but a person who brought Petromax, I said, so so, right, now, now,

this, this, this, this, the Pernor, I'm, I'm, I'm like the cautions, bunders, bunder, holo, that. After I've got set out of course, then you're dewsat,

then you'll be a terang of the world. Not gettied, not I'm not I'm not yet, getal the garam in the water. Okay, okay, okay, I'm just all, I'm not, too, too, too little. To understand the light of the world,

that's too little. So, when I'm going to goruan high, I'm not able to not be a turn to because. Why?

I'm, I'm I'm, I'm I'm sorry. The school my academy film national bubara. Academy

Theatternational bubara. So if you ask, what the tanda tanda of academic I? Two,

Ijazah ma'am. One, jacket al-mama mater that. I'm I'm thinking as a child Jawa

this God gives the time this I'm not not

because I'm not should take and I'm must be there no

there's there is a other it's not you're not you

keep not you can't keep you and you can't to

make to Wow, more hysteria. Jobgia is so-ming us as a philosophic. So, soci-philosophis, all of philosophies, right?

Because what? It's a pecc just in Georgia. Hey, hantrin'n' me, if you're going to bea? Ah, I don't want, how much? You can't get to becha? You'd try do with, what are like this?

You'd just to do you, do you're to run. You're not. I'ma-en-lisht. I'ma-en-a-n-l-o-com. Because what you come? Kandangangangang Kambu-Mormego.

Rumma atapu-langit, selimuthu, awan-gem-want. That's, Kuhu-e-Kha-Wat-Hasan. Or Diyahari, that's who's going to be that. And then,

and I'm trying to make, what I'm, I'm a R-Director-Kahn. Yeah. Tuckang, Josh, mas. Motong casso, one,

I'm notonged bamboo one, brook. I'm talking, Kang, how's it, come, this, Kang? That's just. He said, he asked, he asked,

what? What, he's quick, d'epard, bundi, d'n't bundee. Cepart, that,

to go to where, yeah? Yeah, so, I'm, so I'm, the time that is a kind of so it's not ragged,

but it's not a real-a-gawing that's not-rugawing to do you, so, the bettunuching was that is the kind of you. Who's who said, say, you're not-lapar,

if I'm sure to eat, that's all right, this, this, this, so this, so I can't, Tanda from I don't

I don't believe school formal. So, I've got to I didn't need to Dr. Runders, not peru

S-1, not P-S-2, not Purs-D-D-A-S-D-3. I've learned all of all GAYung-Bersambut at the when I'm

saying that all the meniman in Indonesia on the puncak prestations. All right, say it's in the 60s, in the year, all of the first,

all of the point of the prestations. I've got to meet with Avandi, Avandhi just said, "'Withal about Sutra Daramu, yeah, "'that film's a good.'" "'What, Romo? "'Mata, I'm not sick.' "'Cumma, that's just,

"'da', you know, to Joghah, "'Rumbugan, you know? "'Dat'a,' the job only that's just that. "'Matting to God.'" "'Mat my time. with the color there are dimensions. There's

there. I'd just I have to walk. I've got to be. I'm talking with people that

everyone, they're not wadagi. I see see Vylantorra Meningal

Wadu somebody, not be able to come to the room not, the raiat baza,

a little, with the people, but I'm but I'm turtegun, if you're manusia normal and mullia,

if you're in the front, you have be able to be able to if you're man who's normal that

if you're in the time, so you're and for that you, that you have to give them, and giring the other

from behind to make down in garso-sung-tulote, in matio-mangun-karso Tupuri Handhanyi Khajadewantorah. There are people who are doing this

this is the many the other literature barat. Yeah, be like, so, if we're in front it has to be a lot

So, so that's if today young people who want to know, no no no

no and he's not even because inspirator. because the titatat because

because they're and by the and you can and if if it's, battery, the back,

the one, And at what, the time of the of the time of the mother's not to be it. So, this is interesting.

This is the kinian that I was I warnay with becal that. There's a reason why

academy I buber. Because the majority dosain is the person is the time, At that, like, much of Mayoran,

it was a film in Indonesia that's mugged. Well, back to natura. Back to campus, for the people of the samean human that. Illan, all. Academy Theater National, Idemi to be it,

because everyone's work for film seven. Film National Mascope first and beurna. You know, Mas, if I petig, from three episodes or bagian

of evolution, Mas, Slamette, yeah. The first, can, the intinia, and how we're,

more important, be a good, besting, besthapat. Perlihah. Pelhara-ahara- and, the two,

how we can be beseny. And, and the, we can be almu, from anypun, and from

and from, and, in any mannapun. Yeah. And, and when upon-pun. What

what do you need tobhacken? From? To three things. What do you need to addbacked

is, if you know, if I'm Klamat, Kornomak, that's the kind of kutokohan

now. Yeah, we're too medawakkan HAPE our Pita. Yeah. We're

We're not even endewaking the source of semestine? Like what we've sacksiked in the years of course of course. Yeah, without making uphiscite that's a career technology that's great.

Yeah. The people are people, the kind of one. Because the the kind of the

experience it, but it's metal, so, so, said Zenn, glass you

should be It's not need to be issued again hindary it. I'm

still making think I'm think of I'm a glass that's

not full. So, I'm having hadap technology this not

halangang but but people who so us I'm young

technology is bang man, because gaggap technology is

It's, it's moren, carian. Caria, not there nobunation with technology technology that. For me,

for me, who's people who have people who think of technology, they're agate and get back, yeah, and then,

that's the fact that's about being very important because what? There's a bit more. There's a two characters. If we're to Tocpintu,

it's always the dialogue is automatic. Anybody home, right? Talk, talk, talk, talk, anybody home, but from NASCAR, that I've read as a theater, talk, talk, talk, not anybody home. Hello, out there.

Wow, philosophy of French, I don't know, I'm not. Gila, this. Theater this, gila, this. Now, there's, I'm going to be able to be it from theater.

Because theater, because theater, it's not just running the story. Theater that is images. So, that's long of the life of people, in theater only two hours. Hamlet, of the hand of hisri-no. Romeo and Juliet,

what artis a name? Otelo, cembow-butta, and out-buckabutta, who are the last? Haril Anwar, a man, where's your son, Sukarno?

This is a child age 24, I don't know what I'm doing. Hairel Anwar, he died of the 27. So, so I think,

why I have to that's not even if I'm that's what I'm that's it's more just open do we are not finished yet we're still in the process that's why I'm

because I'm agam because you because you're you're giving a upan unkapes with data data that's so that

so so So, so the academician and the authority like I'm like I'm just, the other than other than and I'm

it's different but it's not that's not that so much that so I'm so I'm trying to the

kind of the too banga with what he he's and be and be

there, Try, open a little, knocking the door. This is interesting. This is interesting. Mas Lammat's like to talk about how we have to have to increase capacity of imagination. Yeah.

Yeah, right? This I'm going to go-guming with, the concept or observation that Samat-angat, on the Punguner of P. Generations Muda, which is now, this is a generation that,

that can be said, isu by TikTok and Instagram. Yeah. Because they're looking that's 9-10-jama, a day. And, majority that's that's the TikTok and Instagram.

Maybe, some of the Facebook. And we can't control what what is in the TikTok-in-in-i-i-Stragram, this, is, this is the platform that's by more than 3 million

people, without curation, without editorialization. And if we're baching, bachemajal, it's re-editorialization. This is very

very much I'm not to see this can't make sure to build capacity for imaginations imaginesia

that imagi that bifan to the time. Because, even, they're more more communicates

one and I always I always make that if we can be communication with the people, this is a cumulative

that's over living in the 107 million people. Communication with the pendahulul we are, this is a story.

And we can be better from the history, from the debehan and the lack of them and the

people can be imagine the next the more bigot-sand- how, How do you, Maubatine?

I think if there if there are a lot of Ode there are that they're asocial

pasty but the room is wrong. Yeah. It's is wrong from

I. I have a I'm even though they're apart I'm

Bapa I'm say I'm my My father I always say that

I'm My I'm Mybue Shega Gatheer Wachatheer Rappias

Yeah They're because not because not there's there's because

two two captain B'bigh Why not there's not there. Saling and they're

not so I'm not with the end of the general from

my I'm I'm I'm take to answer this question

I'm I'm by Tamans Siswo because because the

power pola bick Phajade DeWan Toro I'm I'm

resap as begangan Higuan Higuanian Hibu. And I'd I'd be

people So, article is Warrowsows It's made by a person Pribumi

for penjazzed Belanda So, the It's just one. Tau-Dir.

Harga Diri, and the quality DIRy, and, so, so,

so, so, there, there, there, there, there, there,

there, there, the That was mirror my car, if in the front of the car, that's the same in the front. But technology is in the front of my, pa. To control technology, the spion my,

look to the right, look to the right. But not that's not that is something that is something that. For that, for that, when I was in Tokyo, I'm at a hotel tingy, Lanty-Nathe

9, I see salju, one lute, almost one lute. Mobile from right, and the car

from the car, and the two people use buntoe, penguin, turned from

the mobile. And, stood, tegat, and the two-and- this, this is

from man. Yeah, yeah? Yeah, right? Yeah, the Nodra Cats,

the knee-nelled by Salju. But they're not going to beaunee, chieuong. I'm nothered if it's a 5.0. Right? Because 4.0, can only be the one of the manucus. Yeah, it's.

That's just tools. Only tools, only the brand, technolog. Yeah, right? Well, if that's if you're going to be utah can't

be able to if there not the well, that's maybe the because because

people people people people we're not in list again because we don't

not get to four point O, so, people, people, people, We're cutoop south If there's cuto

South, if there's not a cutup south, then the world not be putar. Mackan Lair Peradaband 5.0, that's not.

It's not muck, man, if people not have the same land in the

degree in below no, masy, you are my friend, and I respect you. You can't

I'm sure. that only only people who have been unilings that can be

safe from this America make computer and it's Japan I've 2

time it's a time when it whin it's it's dhut

and it's you know mackan this this is like not people

not people people people computer man right It's not, but...

Ganty what, tucer of makanan? This... This is... That's just, that I mean, who's... ...that's...

...as, Lama, that, it's going to be to be able to see the spion. Spion, to, can, intinia,

be learned from the story, ...belead of what in what we're but I'm sometimes ...and some ...and how

How much information is that's just much more than democratization. But idea not democratization. Amped, right? Right, right. Now, this is

maybe be correlations with many things, is, if that's one of the, we're too too trebek or to belgue by technology,

or even we're to be der-dayakan, terminipulation by technology that's more amplification narrations

narrations and not so much amplification narrations narrations narrations that can't ideo is very

topolarization not democratization now this if we're in a culture we're

we're always with idea we're we're able we're we're able to be there mannationation Well, I think this is, there's people

to see that, there's not a good with the other than the other and there's not have had to have had been with the next, that's a little, that, you know, I can't, I don't, I can't. So, that,

that, that, don't, don't get tocoe to the Don't take care you out. It's more Gleday from the credi bodo.

Don't turn, benderang the technology the result of the result of the world-beasing to be a gampangan.

But what is the fact is not, don't need as I like I'm camera Zeroloj. They have

have a high-strap-up-any- with the Sisi-Brapae it can take me without light. So the problem is for me, the problem for me, the technology is not a pangamongamong. The commoing technology is the meractisan that,

I'd have been blith-belied. I, if I made pilot later on inundarine the aircraft, it's all of the busi, then I'd make 40 layers for optical work, from the human being

to be seen, now just pusbatten. But it's not that it's not not been a value, don't. Now, the value that I think, the power of the room has been very important. School only 30% of our we, we're saying, we're saying,

so, we're saying, so, pa. So, so, so, so, so. So, so, I think, A guy, a gulon pait, yeah, about H-Phe that, yeah, what's what? What's the wrong, what? All right, but,

but, and, but, so, if you look at Heros Jarot, I'm at home of my daughter, sir, but I'm still still siom my leg of my

I, I have to beaer the value that. Good, not, and the aristocrat Bucan.

Without you, I'm nothing. Without you, I'm nothing. That's all over, I'm being actor. Imagine, you know,

you have a 100% dialogue. Teman your not, you know, in the middle. It's dark the world,

pa. Glap, like, want to hank, mud, to, that, the name,

the pangung it, not can't We're going to come up, cut, right. Atteach, yeah. Yeah, mutter, mutter, after to come to that.

I'm going to I'm going to without you, without others, I'm nothing. That's discipline I. Now, I'm not ever

men makechil- things that are being bad, the technology-ma-mach technology-machy-in-a-an-punuched but if you're But if I talk of the millennial, I always

say with the people of the people who are the people who are the men who are the people, what is the person who are the people? If a percentage that's the of the people, yeah, right? One generation that is named millennial

that, be it's by the the the corbans technology. I think that's a corbent technology. I'd like, Blin. I like, like, from the millennial is a episode of episode of a that has a lot of

having to have to be it, yeah, it's, I said, the time I'm baby boomer, that, peace, flower generation. John Lennon. Yeah.

Yeah, yeah, yeah, and, buddha, not there, can, John Lennon, said that, imagine.

Yeah, imagine. So, so, so, so, For me, for me, now, what's what I'm going to say what you're going to be more than you talk, you're talking about a bit of a titic

that you're going to argument with data you. Right, that's not not using data, boss. Banyak, so. So, for I, so for I, I'm making I be learning

Sanislavsky, the more I'm doing Shakespeare, the more I'm doing I learned, Henry Ibson, I'm more I'm more than Rheumboa. Yeah. Yeah.

I'm also, I'm a entrepreneur, Shakespeare, Kurosawa. Kurosawa was a great actor. Wow, that, film, film. And, if I see, this is there three episodes that we're partaking in the thousand,000,

So, long years, the people are through through the spiritual, and therebentook organized

religions. Yeah, and, and the end-ug- it, they're trying can't or salvation.

Or salvation. Or salvation. Even if a person Catholic, it's, we're trying redemption, the penpunan.

Yeah, but, but, But I don't know how it's just there's clisheal because

there's cumulafica that's done by the people people, organized religions in

mancan negar. And, the person can't be alh to the pencarian

for structure social, economic, political, and that's, socialism,

communism, capitalism, liberalism. Now, in the endgame the endgame's that's inclusion. What? What?

Inclosy. How much I'm going to be it'sertak. Yeah, yeah, yeah. So, it's system that's a way to make production

and give-backing the result production. So, if people, if people, if capitalism or liberalism

is a concept that's a concept that liberalization the market, liberalization idea or the idea, so it's

be included support. But, the end up we're seeing there's also there's also there's

because not everyone that's it's part right, right. Yeah, right. Yeah, right. Even,

even, can be able to do it, it's even even if you're going to be able to inclusion to the uwangan is more up but,

but it'senjavan even a new. Aftern't there's a gilisan. Now, this be evolution to the episode

that's this, I think maybe can be able to say as tribalism. So, the manusia

is more tribal. Right. Kuskuan. Yeah. Poconion, I only want to russing R.T.

I don't want to do-urus-er-er-wis- you. Yeah, right? Now, this actually

can, every episode this is there's there's about about and the

capacity human and and I'm and I'm now. Now, now,

now, the big, this, not America just, there's there, Russia,

India, Indonesia, Brazil, Africa South, Russia, and and,

and, and, is more tribal. To make a one, we have to be buduade,

two, have been there's a one, and there's some other. So, if we're

in a way, we're also can't be able to be more and we're other than that's.

That's how, man, man, tribalism that's more than, and if we can't tell people. Tribal is

in the thing, so. I'm not want thinkering about perubani claim. Because what's more relevant

for my RT my is there's a matter. I'maum, sir. Yeah, right? I'm agate if there someone who metaskshire really four-cham, like the first. If I'm

I'm talking, I'm talking context, and I'm saying impact. I'm sure. Only people are who mementaskskskypil four-jam. Content is clear.

from Chicago. Chelsea, from Othello. Yeah. What is in the name that blue, in a rose without that name? It's my name. It's my rose. You are Romeo. You are my Romeo.

So, can be made it so can be made it in 45 minutes. It's just one time. If content you can coasay, context you can quasay, what you're going to say that, that you're not be like that.

Or, It's like that. A man in the father, he's asked with his wife. Dora, how old is 18? Oh, my son-kut-canty-canty-so-cult. Amid massac, hiset he asked, is he asked,

Are you sure he's your son? What? Are you sure he's your son? Mact you? Do you? Eight 18-town-lame-lap in the room. Gila.

The Padre is so gila in the literature that. Rupang, not because of what, because of what, the other than, it's not because he's having a pain of the disease in this. In this,

he only want to say because the people were the people are the people people who are the so, so, that are to beware of naship

women is that were-biasia. But how can can't make the right cat on a hot-in-roof in the termed-khanacan a cat-be-be-purned-parned how could be? That's an idiomatic

that, I'm here, I'm on a hot-in-roof to put-te-a-hout-te-a-tramack, So it's very hot, what I'm on my day. If I'm a petralid, it's a lot of rederoyed, oh,

buy petramac-petralid for the other, that's got a hot tin roof. That's got in a hot tin roof. So, help, get to get in English, don't cut in a day, it's a painer. It's not there's a arty-not-a-acted it.

And then, What, what, what, it's also, to be something that desire under the elms. Nafsu in the elms,

the palm palm, that, what's what, what, what, what, what, what, what, but, after we've got ,

ternata the house that not have no sense motherhood, When Motherhood is from a house,

then, the LAMS that will be able to you. See? The problem long and pendic is just

a problem creativity, most. Content is clear. So, the way out of the

is, it's, you know, I'm going content secumad juan technology this this is to look at a

a tudan the other not not not get got to royong don't

don't that's not that they're more effective more effective more because you're because you're

generation lampu teplo yeah want to use the the back

the in the behind in the picture back it's it's

to make two mucing not Like, like, so much, like, ponackhany of them, four days,

it's, that gotong, rotong, and the other. Now, just, don't look, from you,

only the way, how, you . Now, if there not democratization in the other in the

value of the private, who's who's who's who's got to the room, I'm, my, my sonner, my son,

my son, my why, what? What? What's really? Who? Who?

Who, she said, okay, okay, okay, please, just, I'm, I'm going to

come to come back, back the window, Bucca ordain. If Bibbis don't come,

gnappo, nipel. If there could be able pyrink poter in the way, that's too, that's

that's just. Marra, my mom. Mawks, my being being a actress,

not to be a bach, not to be but I'm 15 days, two two weeks

then, the child that's phone my. Um, I'm I'm a Why?

Why? Why? Taddy, Pappah memuluk me. Why? Oh, Tuhan, thank you have been

from here to my house. You are already understand the step to be an artist. Right. There's. Many artists who

not get to be that if you that's success. ...cindis is important. Hartas, mas, that's now, that's that's

that's because of you you create something important in this life is happiness. That is your stage.

That is your stage. Because Fee's the story of the Shakespeare there, nootation. Romeo to the

to the right, Juliet to the right, not there. So, if you've been making, if you're just around just around just around just, where is your stage? What kind of state you have?

Right, right. Right. Imagination. Yeah. Now, the other, don't say that, said, said,

not be it not going to not here, you're going to be it, you're going to be able to go and Shakespeare, Husnul Hottima, said, That's Worma-piasa

So, for me Just for me It's just He didn't He's a person He's a psychologist Why not be a person Oh

I'm I'm Can't be I can I can't I can't Becaeer Because I

Because I He said by Am Salman Am Salman Am I So then, Om Salmat, so on Salmat, when I'm gonna'ameterraharjo.

I don't know. Where is Tegu Umar? I don't know. When I was playing as Tegu Umar, that's Wartawan Bulae, Tarnat, you, T'Uratero, Mr. Umar. I don't know. And how,

how, this is the tipis of the part, it's, it's, keep, Iling, Lanwasbodo, tipis, Kalimus. Salmat.

And Tukumat. At one, at the time shooting, I'm in ache, I'ma I pegang, I'm taking a pedang, I'm being out of Totsmano, I'm backer, but at 2, I'm having,

I'm having siang, back on, the pomegian, you're doing, where is Tegu Umar, Salat? I don't know. In my pocket, maybe.

Okay, this, we're segue, because Ms. Laman, you know, about Peran Tukwumar in Cudh Ghan, story, de, the, the first, with Steve Lim, Cuanhaw, or Tugurag.

Oh, that's the reaction of A-Hawks, that. Lim, Cuan-Hawk, that's called, A-O-H-Hok, A-Hok, A-H-O. Yeah. Tretan-Gurong, what? I, this, the most jagged in my Gretja, Gwitlop. This is Jakarta? Yeah, that's, it's the Gretra.

If you're Natal, this is the Basha, in the Getsha, in the community of them are they going to be. If you're going to be, if the Aska, just, the Ahok just. Don't the other, but Jesus is not. It's good. Hebat, halle, ahok, that.

Tibba, Tiba, Oh, Kinaoleng, I'm going to have been a bit like that. Waddu, why did gina-kinaing? Lumped, he, he never been baptized, name's Stephanus. Ganti, Steve Lim. Stiff Lim, Stavannho. Still, still, there, limb, yeah.

Bungarno, I said, must be ganty name. Ganty name. Tegu Karea. Paguer, Tegu, Tegu Kareh, is in Semarang, toco-Bet Ski. Let him. Semarang, I don't want to know. I want to be able to be able to be able to do.

Coolew in work. Cumpuried, one that I've got to be it. As a person, he has had to say, Karno, because the passport has been the word

Dilarang Bikarna. Kyrno. Kyrna, Kyr, Kino, we don't not even say that back as a mungkir with a way that's wrong. Because if Kyrno,

so if Kyrno, so jude by Kodra, that he's not, Puck, Pagou, you've said, you're saying you're Cina, I'm not perccia. You can't not China-Kaya, you're not a Chinese that, you're the hair that long, that and the tukang-koyu,

even brought bini, cag. Cuman, but with a pentungan doa with people of the persisir, and with people of the beaughan, that's a person, so you're not. You've got to China-assi,

you've got, you've got to China-cumpurant. So, no, so you're not so, so it's not so, it's not. If he's hebrae, it's the Gengu Karea. Makein Salim Suhanov.

Ahdh. So, that's when I'm I'm taking with Tegu Kareya acting, best actor, d'ajuring, best director, and, didajari,

best writer. Just one of the minta I'malou yamette, you're kawin'a'am, you're kawin'a'n't not until two years you have a son, my friends

I'm 15 years, you have been 15 years, you have a lot. Then, imagine, now, if you're not solace,

you're in the lewaten, but from the hebat you, best this, and this, and that,

and, it's a two years, but, but, it's, until you've got to you can't

you can't me, I'm having what I'm what I'm you? You've never been

China. So on marginal this this all the about marginalism how much

how the people that people I'm at I was in Paris. I was at the ghostrope. In the 2008?

That's the Christian Wittornawibisono that's making cacao that. Telephone, the Kriantrishina Wibisono. Steve, man this, Steve, yeah? Steve. My, and I'm, I'm mad,

they, don't be China, I've said, I've been said, China, gombed and I'mmauged, no, no one who's not in Jakarta. Strupp. Kata,

people, Tegu, that's not can't be able to not be able to get from Paris, I'm going to RSCM, I asked with Dr.

Tegouh, a he interdice. How many? I'm, senenangin'a. What, yeah? It's,

no, When you come in the room? Waddu, when you're going to come? You're saying, Cadele. Why not? When you're coming?

Not enough, no, no, no, no. There, no. No, no. No, I don't know. I'm not going to roboc. I've got to do. I'm going to go.

I'm going to one slope. That's the name of the Kuhkaaer. I see you. Roku. Adhue, yeah, just, no, one just, yeah, Pat Tugus. Besso, awabwe.

You'd at all ancara. You'd come, yeah? If I'm sorry I'm saying, oh, tibati, I've got to come, ma'am. To get in the room, not the next to,

that's where, I'm thinking. Well, I'm thinking. Well, Patsuah, why I'm not, I'mampu, I'ma. Kata,

"'Mat, "'Mat, "'Mati, it, has have a reason that's a lot. If you're not asking Tegu Karena, why? Kareh, I don't know, it's just just not-eanat.

If you're not enough, if you're not as well, I'm going to have a lot of. Wow, gaggahkhaven, I'mampus, I. All hafek, I'm full. Yeah, who'd be able to kill the Kareh turned out of you. So, it's in the other way,

this, the other, that's a new but who who's I'm who's you

have you have your and I and I have to I've

I've I've made festival at Frankfurt with Gunnawan work

on the time and I'm from I'm Mr. I'm, Bapa, you know, sir, yeah. Don't work, bea-brat, yeah. Atty-a-a-te-a-a-shaga-shaqa-sacet.

Don't, yeah, sir, yeah, but, I'm going to beaumong-kong-kou, yeah. Okay. Thank you, darling. But, for you know, I'm not to do this. This is my life. How could be?

I'm sorry. This is my life. I'm going to bea-taught. I'm not to know how to be it in here. But if I'm I'm tired But because I'm because this is

I'm in my life Thank you You've got to love you and my back Myclaiming Bapakini Bapa if you're going to

I'm thinking that So, so Keehkaa Yeah and make Ajerkahe to be professional

Tepat Waktu Don't never Menerah Because in China Yeah

Mulotin' Yeah So So, so I just think that, I just think that, that, without disadarer a person intellectual like Tegu, it's just, can't be hangue the way. How can't have the other than,

the education that's good? So I'm, I'm looking at Tegu that as as a person who who, who gave me, I'm going to look at my eyes from it's not-bizabeth I'm going to get to understand and how to express my feeling with

with, with the way to make puttuncant. He's the one of the So, so, so, now I'm at thebant pulung this,

the Gaguerre's a sonymand, I don't get to payer pachachmany. That's, that's not I was going to be. That's,

that's a big, boss. And he's if I'm at what I'm at the road in Surabaya. Buy a poce. He's, he's back,

the abu'n's what? Why, if I'm when I'm, if I'm when I'm, if I'm, you're to take the bottom to

the side of my, That's, now there, in Sangatu, there's, there's a cubsuragued. Then, when upacara, with sobbing, let's talk, three meters, I will turn to,

and I'm gonna go, but I'mabas, I'm abyss, but. It's, but it's, because, it. Why, five meters? No, not three meters? No, not, five meters.

And then, I'm, then, I'm, and I'm, But like this, the neuron of the person who's didn't get in the hands. So I asked him, I asked him, I asked him, I'm going to do this. This, who's who in here? Yeah, the tucang, see.

Atta'sURU-SEN-SI-SA-U-ROT-PATU. What the reason? What's the reason? What's the reason? Begony-you-hmm, if I'm not can't take, not-biked, not-biky-cicicenariot. Then, the pala-nugue nundle,

if I'm, if I'm a lot of it, the child of the job. He's just, he's just. So, so it's about so. For the other

with with the I'm want to ask. The film first with him with him

one one one yeah. Yeah. The experience in film that how much

it's the Kuhumar Rituiddh Oh, all, started from from the way to be god.

Rima Melati acting with me on the scene part of the shooting first.

Camera is all together. Tegu Gareya okay, we'll be coming bunei,

eh, camera you can't go on, that's what's saying? There's not

there's no one to say to me came to Kegu Paguergak in

Gamba You must be say, ex-camera. Tregor not gung not gomomom camera

and didn't say, action. So, not know when it's not

when it was a big, that, from that did it. And it's not

ajarner during film was dhabing, mas. Tegu Kariah was, you can't

Kermermann, not Kerm. So I'm like to back in the back in the lampu too, this, like, back in TBC, almost,

he's almost, Matu Kareh, Mettet Lyrick, the right You look, Marmer, the motif of

Bunga. Marner, after you play, I'll say, cut, you, I'm going to jacket, to marmer to jacket, to. I brought back.

That's, I'm taking, boss. He's making. He's going to be able to make that. Yeah, right? Now, marmer, that... This is not the bagel of the nasker. Now, I'm going to be in gougarance. Marmer, I was in the gulombedo.

That's a paro nolong, really. That's, in, that, in the, that, that's, not, that? No. Yeah, no, no, there's no one's surumann. Nasscahs only, what, what, hauntled my heart because, what,

my, uh, my, my, my, not there, marmer, that, no, so, so, so, C, c'c-c-cran. C-cran. And, I'm gonna, Proprietman,

and I'd put in the mobile, so. So, I, it, did, not like, ah, I, no, I'm making film, it's good. I know, I'm like, Ma Biba, with Bobbiz.

Brees, be dialogue, I'm a class semester one, so, so. So, you know, 546, huh, 3,55, 4. This, yeah, why,

whoroof, I'm confused, I, I'm sorry, I'm tatate, as a student, tat, but, this,

why that? What did you? Mibba, Biba, 3, 5, 6, Yeah, 8374, the answer to tangbock, that. What's it? I asked with the Southeran.

Yeah, Ina can't sore, it's a deaden, same. 3, 45,6, same, the word. So I've, I've been made, script, with dialogue, with a word, not with the anger. That, Garin, not percaya, Garin, not percaya. Why, so, be that?

Oh, yeah, God. From that I've got started, Karin. Now, I'm Tan Cengbok. O'Am Tan, how, ente-can-dew, pa-a-te-a-taheater, too, boya-a-pang-a-pang-a-pang-a-tank-a-a-tank. To, you know,

the other, young man, man, I'm going to say, Yung-A-Mack. If you're acting, don't even the people-ton-mac-cac-u-ud. It's,

If it's if you've got to eat quacket, acting you're jeleck. It's just to be taken to make it. So, I'm really, I thank you very with the condition, I'm,

I've got to be four layers in a far-the-fil-you- Now, that's Vivi-ung, Kaki-ne-mig-many playing macho, that,

the cardo-cina from bat-butt. T'OVee, Vyvich. I'm here. You're here. I'm not, I'm not going to come from here. Mahjong, I'm going to call. No, telephone, there's no,

Apotech. No, I'm going to call, Samhurtig. Tantovie, you're going to be playing Mayong, me. How? I'll get it, that's one, that's the Tegu.

Then I've got, T'OVi, there's in chim-cim-tooa-l-l-l-l-like, no? You want to do. Awas. What's the who's the other than to be able to-re? Here, do you.

He'll be able to be told me. Kalap, there. I said, jump up Viviom, ma. So, he's going to be able to bea-old. So, because when I don't want to play I'm playing, I'm not, ma'am. I'm,

"'sha, ma'am.' "'I'm going to, "'we' we're going to, "'we' we're at one. "'In, what, in, something that's like, okay, that I'm not you know you, you know what? You, what's on?

You know, what's on, so, I think, Anga, first time, to ask, I, and I'm, and I just, and I just,

when I came to meet small, gondong, that, you, the film you, I'm, I'm really, you

want to you know you're you're newtradarin me? So, you know, I'm going to be

good, I'm interested, I'm interested like, okay, okay, I'm going to man you why,

you're too, I'm mad with the person, man, because I'm because I'm

because I'm like that the way of film that I've I've done I'm going to with, not a kind of a so, so for I, so,

for Gita, long-lang-lankhack I'm going to make a majolice that's a one that I'm

making . How, so, we can we can't we can't weuaghan buddhaean like Selmaterharjo and playing

Christine Hartley I'm... I don't know, so, actually, I can be I'm, I'm,

sad. Film that, the film that, the same dramaturgie and cinematography and cinematography. Dramaturgi,

ahdh, I'ddykhan. Haryl, in the in the pussi'stick you want to me, only for me. Because I know

you're not putik sariang you're different if you're going to come back to me. T'ap mytack. because with a mirror I'm not.

I know that now, I'm going to beckon if you want to be it if you want to be it. So, I think, so, that's, that's, you've been,

he's going to with a person, people who are people who are making, she's, too, and I'm going to

say, I'm going to say, of them orang Christian, I'm not a person, I'm not sure. One, I'm not a lot of year. One day, one. One, that's on the end up.

And then, nancy. Why, you're going to that. Why, you know, the story, um, Malam Lebaran. Bulan, atas, Koubara, man,

that's a twasawal, oh, one, one shawal, no, bough, no, bula, he said, Matt, you know,

Pion, and the point don't not. The that

is the big the I'm I'm not even I'm

not much I'm there one on people so much so on

so on so long so long now now now who's more than more than more than people film that's

there's a story of people who are men who non-chuttoned and I'm not I'm thinking so I'm going to

say that you, why why when it said it's setan mou mongeddonishal you good and good

and good and good like that in the television that I'm not I'm not too, you're not

you're a person I'm a person I'm a lot if you want to be good hindery all of

if you you're making to I'm I'm cuted the door and I'm

I'm touch up you from upbush The language is good. Begutupegian that's good, man. Why do you go ahead and go out of the city, I've been wrong,

this, this to the Ute, this, hebeu, that's, so. When Susana, down, the kids, assrosaan, you know,

the way, the word, the word, with Mr. Fuad, I'd be given Piala, film,

like that, so, yeah, so, so that film with a English that's better, so we're thinking, but minimum Susanna

I'm not saying because he's a little because he's a little now I've been flinged and it's in the and it's a good. Why? Every that has brought

to the sanian, there's satan. I'm as a human I'm, I'm saying that. But what I'm going to what, The name is well design, right?

This well design. By design, yeah, the power people, the power, the role, the boss in the the can'tor,

the of the community, and everything, that's important. Okay, this at the end we're talking about about 2045.

How many? How many? Oh, 100,000. Oh, 100,000. How much, from the side of the buddhia or the scene? I'm a

museum, in museum there's a percikapan. So, that's just to be perdidigigued to beerdiguan I? I'll answer

like you. But Buhori said one abat before me. Because, I'm not sure Pramudhianantatur, a person that's

well, to be true from from the mind. There process to bea boro-budur, not the people, to make a

place Suci, with many of the of the world. So, Boro Boudur, not be able-stir-can precisely in that but it's one abat before so that the other

so that's been and then you. Now, the Pertanam in 2004-5, the question of my question I. So,

not just to go-jow-jave I, I'm with Anis, Hanis to Finlandia, he's agate. Why Finlandia is why Finlandia is the country of liberation number one in the world? Hecate, he,

more than when he gives a book that by the people of Finlandia. Tamanciswo. Wow. In Garsos-Sung-Lotu, in Matyo Mangon Karso, Tutu Ryandhyaani. And why we don't come

come from, can't answer your because we only take the one that's who's and give

themerdayak not ever think our guru our pedagog not demagog not

we're our our we're not a demagok but not our our

our community who have with and give and give

and give that and that's not just to gumpurin the people only to be able to give you. So if, if we're not able to answer your, it's not as well.

Because where indication that there have a momentum that I can make a cilic to answer 2005?

Revolution is pergantion and evolution is the Peruban, peruban that's long. Reformation, still,

be thinking, not-enac-meat-temann. And, what? After, this, reformation, don't be a result. KKN, many,

and alligarchy, also, I've been done. Now, I've, made a vehicle from Yuluk, from Petisabun,

Now, what's What? What? Why? Why not to buy just? Now,

tolerancy and made, it's did padamkan with the technology.

So, the good- to be-de- -ac-a- and-gampang-an. So, if a

person-a- -l-a-l- not-sal- now. Because, we're-sured- she-massac, to eat the food that we have

loved it. It's a lot of so there's a friend I'd ask, you've got to be around where? Yeah, the food is because of

because of what? Didiop, d'bub the burrne, did jillat d'u, pantat the shendok ah, plus

now. No, no. So, so I'm not so I'm an like I'm an actor, I have to know 360 ethnic group and I have to learn minimum

100 BASA Daer because I'm an actor Indonesian actor not American actor or not monogenious Japanese actor. So I'm a character. So I'm a good Kumar, I'm

I'm a dukun Arab, I'm, I'm with accent and character that's different. So, if in Jawa, menerot,

with, battery, center, that's, too, too, but first time I was to Aceh, I was just,

from New York, I'm still to America and America, I'm going to go to Jakarta, I'm going to Malabu. I said to Meros, I'm going to sit here just, a room, panung, and upon the window, it's a place tekeumar, he's gone, he said, but

Eras is a real, he knows, you know, he's also, he's not, but I'm I'm living there, but I'm living there, but I'm back on, there's one, there's one. That's It's so And I just I just

I'm Not one meter even No, no I'm I'm Because it's

Because of I'm Tartes Pague Pague My eyes There's What I'm

Myatt's Myatt's With dialogue Nakhupi Now, coffee, oh, this coffee, now, there, oh, nah, cupi, nah, nah, I say that, nah, ha, kupi, say.

That's the first time I'm I'm gonna'u'aaccah from a person who are the man. And I didn't live in hotel, I think of the top of the hutan to learn BASC. So, when eras is 6-bun, I've been 2-bun in there,

I've got to be Bacceh, because he's long, loan, drone, U, so I, so I, so, so I, so, so, I, so, so, I'm going to be so, so I'm going, I'm going, I'm proud, I'm, I'm not, I'm not, I'm not, I'm not just a

waccana. I'm I'm I'm I'm I'm can't when I'm

think that's that's that's two again this question bachabucous

is important can? Very. How we can how we can abutaiat it?

So, the actually that should be able to use kias.

Yeah? For, kias that has been as a child Jawa with the lago the other so that

the slu-s-luku-batok that is we're at we're at abetit-n-l-l-l-l-l-l-l. So, batok, it's a-a-lapal, and when

when it's not be able to make her own, she'somo, Menyangorra, Shiramono, Menyang Sola, to, Sala, too. That's a book in a bent of a lago. Book, it's not a raviaketas, to.

Right, right? So, so, so when Dahlang, saying to say, Suru Pesang Yankarot, the Wai-Sanning, the U.S.S.o. Tumasang d'allu. In such Jornin, Rutan,

can't Riton. That's jahui's a kind of, kind of, that's kind of, Prado. That's a book, Maas. He's been saying that there was anything in the land, that there's only the

blackan. And the story from when it was from Chandra out from Pratala. Arsomot, Bhaanig, under the United States.

There's a certain that's being bethung gung gansing. Tibertibbe I didn't see that gonzang ghani. I'm really the epauchina. I didn't look at night. That is a laxon that has been lacon. So, if book,

so what I do. Yeah. What I do? Frankfurt? To go there, to the past Senem. But beyond the book. That's what's not

be given to us. Beyond the book. Not the book fell. Yeah, not the book fair. That's just the only cartes in the essence and beyond. Beyond.

And I'd say, I'm going to say with Gunawand. If you don't want to come around the book, I don't want to include. But if, if you're going to Mangayu Bagu, Indonesia, for almost 70 years, I go ahead.

They just want to gilangka, change with Dangut. I just want with Jaddukeparienta. There is no more samba. We can't ganty. The same song that, all boulets

had done to do. It's been a result. Why? Because what? Danudu is a real name of the Dasher, man. TANC-T-T-T-T-T-T-T. Ilama DASAR,

SANGER-S. We're just from there. Sedang-kang-Kang-Kan-Sampah, now, it's not, it's a book. So, the book, is not a rapier, lembaran-Ketas,

that. Okay, this is the last, who in the people in the actors or actress who's, Muddha,

who can keep in jacquitin maselamut to dunditati the dunya,

mendundutkan I'm I'm I'm I'm I'm I'm not because

because I'm I'm I'm I'm film that Salmata Arjo Partelak

I'm I should not be able to end up film. All the film always have to be in playing.

Yeah, but why I didn't mind the film? I mean, I said that I said,

I mean, I'm, I'm, I'm, I, every day I'm, I'm,

I'm using, gentong for Udu. I'm that I'm Ramadan, puasa,

not not, that's not going to be on. I'm not going to be able to eat. But, but, at 6, there's

control I'm I'm across the now 17 production, 17,

it's too, don't, it's not for them so. So, if they're

I'm going to what? The people are like to do what do you do? When I said, don't, don't, that, not, can't. But, yeah, sometimes I want to be it too. But, sometimes, they're looking to pay it, but I'm going to be it again.

I'm going to live again film Indonesia. They said, Nan Agnes, all, you know, but no honor it, and then. And then, and then, Dept of the plane, hotel,

we're shooting at Bromo. Yeah. Then, yeah, the whole thing, not californ, no, not to-wejanan. Okay.

But, Santi Harman, all, and megeng janj when it was baysic, and get back

money many. I'm I'm, I'm my honor my. But Nen also

is quite open. You're being a man, you're doing what about? And that's

it's a place. You know, Nen gives you a place. A meter Kliuze Meter Kli-a-Meter. In

Pungung Bukit Salanginjek the land I'd jato, right? You know.

You know. You know. You're playing wayang. playing playing like, and you're thinking,

the way, it's important and I'm and I'm making the I'm making my hand my,

so this and get to and it's actually I can't make sure I can't I'm

being a guy, this is a I'm back, I'm going to be able to Petit and Mas Lamut, I'll not I'm going to say? What, Nan?

I want to sell Dian Sastra as a placur. But, Maslammat, but Mr. Lammat, Diyat, Macalar. How much how to sell Dian Sastra not with dialogue, but where, acting, where, location?

You know what, location what, ma'am? I was just in cacaque, sepion. In cacin, I have acting, I'm doing sastro. But, untung the player's

my opponent of myn's people who are people who are people who are people people, use, use this, use shulan, how this.

So I'm going to see that, Dian Saksar, there's a bayangana. How? How do you? That's not to pot. That's not to be able.

When I go to Iran, Sutra Darra-Dewa-Chewee, to anywhere I go. She always want to sit with me. Why do you keep me, I see? I look at acting on, on the cacaspion.

It's, that's, that's, if I'm not doctored with beyond, beyond, beyond, I always have.

He was in the Baccavi. It's always ragui, but never menack essensi. So, if you're if I can't, I can't, I can't,

not be, I can't. I can't. Fair. Because that is a a choice. Yep. So, don't tell you,

don't tell you, it's come, so, so. But there's if, but not, no, there's not.

But when he called Dian Shastal that, when I was myah, ah, ah, and then, the man, men,

people are not un-dyeh, know, you know, and I'm, have got about, like that.

That's, I'm, because, because, I'm a person, I'm a person who,

because for I, if I, if I, with people, not more than three mingue. After three weeks, but be inmate again, I'm tired,

you're, becklema, you're, get married, I'm going to befriend again. That's, you know, man. The most, you know, the most of three days. The most of the last, three weeks.

Wow. Wow. So, so, and, and, and, and,

elit, evolution, Ms. But, the, Ustat, Kampung, my,

Yeah, the is amal, yeah? Mm. But, amal it

has the I'm learned to do that that that I'm

that that amal is amal is amal, yeah, but the knowledge

job. Okay, boss. Thank you. So, that's that's the guywant on the other, thank you. Thank you.

Thank you. This is end game.