Endless Thread - Excrement of the Stars
Episode Date: April 1, 2022Thousands of years ago, a massive meteoroid seared through the Earth’s atmosphere and split into fragments over Greenland. Its pieces were later used for toolmaking by the Inughuit that inhabited no...rthwestern Greenland. In other words: Inughuit people used space knives. This fact, featured in a viral Reddit post on r/todayilearned, spurred an Endless Thread deep dive into a forgotten history of American exploration and exploitation abroad.
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This is a story about the ancient, the present, and about learning to forget the difference
between the two. But it starts and ends with this man.
I was born in a little village, the last village you meet before the North Pole.
There used to be about 70 people.
When I grew up, the time didn't exist.
The distance didn't exist.
Everything was harmonized.
This man is a shaman.
If you can find this shaman, after searching for a long time, he will meet you on Zoom.
Can you tell me what's on the wall behind you?
Drums.
What kind of drums?
They are in with drums, all of them.
This shaman.
Talking to us on Zoom wasn't always a shaman.
I used to be a hunter at home among my people in Huit.
And there I got the stories and songs from the elders.
Hunter, Shaman, Singer, who goes by Hifshu, but...
Oh, it's not that important who I am.
I cannot even mention my own name, because if I do that,
then the demons will attack me.
Let the others mention your name, because you are not that important to mention your own name.
Just be part of everything. Be invisible. Just do your work.
This work for Hivshu today is maybe helping us understand the work of an Inhuic shaman
and the way of life of his people from Northern Greenland, a nation not officially recognized
by the Greenlandic government, but Hivshu says a nation nonetheless.
hunt in wintertime, in dark time. And then we go further out where the walruses are leaving.
There we hunt them in traditional ways with hapoon. Because if you use the rifle, they sink like a
stone. Hifshu's describing a way of life that's pretty ancient and different in how people
think about some basic concepts we often don't really consider in the supermodern world.
There were no distances.
There were no time existing.
Because we are living very far north,
we have a different language than Greenland.
And different culture, if you may say that,
the culture is man-made.
That's why we don't call our way of life culture.
We call it life within nature.
Hifshu describes the purpose of Shaman Inhuitz this way.
They were put by our ancestors to the earth.
to serve the grandmothers and grandfathers,
which means the people who are living in this.
You call heaven.
Hifshu says the grandmothers and grandfathers are what we call gods,
ancestors living outside our world.
And when we die, we join them.
And then we view our way of life on the earth
to understand what we were doing wrong.
And we can come back to try again.
Could be the same time or in a different time.
Shaman's are go-betweens, sent back from that world to our world to help us understand and remember.
Because we are living the life on the earth with this physical body with no memory, in amnesia.
So we forgot everything.
One of the things we forgot?
These are our ancestors who were actually, we don't call it, created,
the earth. But they
fixed the earth so
it could be habitable.
And they
made a kind of a garden
so we could take care of the garden.
From when he was born until
he was nine years old, Hifshu was
taking care of the garden, the cold
part in northwestern Greenland,
in a village whose name translates
to little sand.
Because it has a little sand on the beach
in summertime. You see it.
Usually it's not like that all over.
Because mostly there are stones and rocks.
So they call it Heurabaluk.
Hura Paluk.
This is a place that in the winter has no sun for almost three months straight.
A place Hivshu knows well, even in the dark.
The stories and songs of Hivshu's elders carry all kinds of information,
where things are, what they mean, how they're used.
There's one place way up here in the Arctic that Hifshu knows well.
a place known even by his great-grandfather,
a place with some unusual-looking residence,
massive alien residence, sticking out from the ice and snow.
It was our ancestors who left us the excrement of the stars.
You call it the excrement of the stars? Is that what you said?
Yes.
Is there an Inuit word for that?
Yes.
Udosah anah.
Udorsep anah.
Meteorite fragments, huge, exploded car-sized chunks of alien rock that broke up in the atmosphere
and embedded themselves into the frozen coastline of northern Greenland thousands, maybe 10,000 years ago.
Strange-looking metallic hulks that Hivshu's earth ancestors encountered in their nomadic travels
across thousands of miles of tundra and were compelled to set up camp nearby.
to harvest by hand in 40 degree below weather,
cracking it in the cold with stones,
fashioning it into knives, lances, arrowheads of meteoric iron
that would travel trade routes of the Inuits and the Vikings,
from northern Canada to a Norse farm.
Meteorites that would go all the way to New York City in Copenhagen
and tell a story of exploration, exploitation, and extract.
I'm Amory Siebertson. I'm Ben Brock Johnson, and you're listening to Endless Thread.
We're coming to you from WBUR, Boston's NPR Station. Today's episode, The Excrement of the Stars.
Ben, this story came from you. It's one of those stories that I've been telling people over and over since I found a Today I learned post on Reddit in late 2020.
There are all these comments on the post talking about the story and about how Egyptians used meteoric iron.
and I've just been obsessed with this idea.
And, you know, the way I've been telling this story is like,
ancient people used space rocks from space, like stuck in the planet.
And then, like, these people found this stuff.
And they were like, these are crazy alien-looking rocks from space.
Maybe we can, like, make something out of it.
And then they, like, made tools out of this alien rock.
And then for some reason, this story is like, I don't know.
It's just awesome to me.
I don't know why I've been obsessed with it.
Does that make sense?
It's very Ben, which is, you know, appropriate because we're going to dig more into this.
But back to that today I learned, that TIL did not have quite the same zest that your delivery just had.
It said, today I learned that Inuit in Northern Greenland were using iron blades for centuries without knowledge of metallurgy.
They made them by breaking pieces off of a huge iron meteorite and shaping them with heavy stones.
They built their settlements close to the meteorite and used its iron for generations.
Metallurgy.
I have issues with the word metallurgy.
Really?
It's just I prefer your...
Space rocks.
Guad de V for space rocks.
Yeah.
Yeah, that's fair.
But we did want to learn more beyond just me yelling space rocks over and over.
So we got some help from our crack production team in learning more about this space rock history.
and it turns out this is a really complicated story.
One that goes way beyond a paragraph posted on the Internet.
So we're going to get more help in telling it.
So I'm Minique Orting, and I work at the University of Copenhagen.
I come originally from Greenland.
Monique has a relationship with our Greenland meteorites
that, like Hivshus, transcends the kind of time and space scales
that a lot of us are dealing with in our day-to-day.
I'm a geologist and I work on my main research topic is the origin of life,
and that's where meteorites come into the picture because they are really important for our understanding of Earth.
Important, not just because some scientists think that meteorites actually brought the essential ingredients for life to Earth,
but because the way that we know how old our planet and the rest of our solar system is,
is by looking at radioactive isotopes inside of meteorites.
Meteorites are a key part of how we measure the passage of time, on Earth and in space,
because this excrement of the stars has been around for a while.
They were shooting stars in one part of the life.
They have been sitting between Mars and Jupiter doing nothing for more than 4.5 billion years,
and some perturbation in the solar system made them start travel towards Earth.
Monique says this solar system perturbation, or disturbance or whatever it was,
happened recently.
They fell to Earth within the past few thousand years,
these bits, but they represent the period from the infancy of Earth.
So you can say they are both representing the beginning of the history of Earth
and, if not the end, at least the most recent development.
Ancient travelers, but recent arrivals to our planet,
a swarm of them that exploded in our sky
and got their odd exterior shape,
a smooth, scalloped, almost liquefewafed,
looking surface by burning up in our atmosphere.
A few of the big chunks, thousands of pounds, lodged themselves in northern Greenland.
Researchers don't actually know how long they've been there.
The best guesses are that they arrived somewhere between a few and 10,000 years ago.
Yeah, it would have been quite similar to now.
You know, the past 10,000 years is the past the period of Earth history where we actually have had a very stable,
climate in which we are now about to upset.
But there were no humans there.
Humans reached Greenland about, say, four and a half thousand years ago.
So it was a world with no humans, seals, walruses, novels, maybe the occasional musk ox and
reindeer.
When the Inuit arrived, they came across the ice from what is now northern Canada.
There's something interesting.
the Inuit language doesn't have the concept of migration or immigration anyway.
So when they arrived to Greenland, it was no different from any other place of the Canadian Arctic.
They had already been to.
So they came into Greenland and spread along the coast, the east and the west coast of Greenland.
And this is how Inhuit people became distinct from Inuit people.
Inuits were Arctic Highlanders in a specific area of northern northern.
Greenland, as opposed to the larger population of Inuits, whose population stretches from northern
Canada to Alaska and Greenland. Recent population estimates of Inhuits put them at about
800 total. They had their own dialect. We can't know when for sure people discovered the
meteorite, but it would have been very strange looking, different from most any other kind of
rocks or stone in the landscape. On the outside, it would have looked rusty.
because it was full of meteoric iron.
Iron does not exist as a metal in nature.
So does that mean that iron is effectively like an alien material?
Absolutely, yeah. I never say...
We don't know how the Inuit communities near the meteorite knew it was useful.
Maybe they'd seen it before.
Maybe Hivshu would say a shaman helped someone break through their amnesia.
But Inuits started to engage in what is called cold forging.
hitting the massive meteorite with more common rocks and breaking into it.
It was difficult because the iron, while breakable in cold temperatures,
was the hardest metal around.
You take a big rock and you do a lot of sweating for many, many hours.
I was going to say, that sounds like a lot of work.
It's a terrible amount of work.
So it must have been very precious for anyone to invest this amount of effort.
If it looked like a weird, smooth pile of rusty junk on the outside,
But on the inside, the meteorite looked precious for sure, full of beautiful geometric patterns.
It was the stuff on the ground, though, the broken off stuff, that was really useful.
The place where the meteorite was found is called Savisivik, which means the place where there's knife material.
Wow.
So they've probably been pretty happy and said, wow, there's this big bounty of metal here that we can start to exploit.
The communities of Inuit that found this bounty set up shop, literally.
Wood was extremely scarce, and iron was basically unheard of.
You could use it to kill animals faster.
It would stay sharp.
It cut pelts faster.
The space rocks embedded in the earth along the northwestern coastline became a regular stop in their patterns of life.
So it's a little bit like, you know, if you go...
To the grocery store.
Yeah, exactly.
Yeah, you know where the gas station is in the grocery store and...
and all that.
So is this like the hardware store?
Yeah, you could say so.
Yeah, okay, you know, I need to make a new harpoon head.
Let's go over and knock off some bits here.
Wow.
Over time, these cold-forged chunks of meteoric iron went into tools,
and those tools became part of trades with other nearby communities,
who in turn traded to others still across a staggering distance.
A blade folded into a narwhal tus.
to make a lance for hunting,
an arrowhead found in a Norse farm excavation site
dating as far back as the 11th century,
which seems to be part of the proof of Viking travel to Greenland.
Well, I think that from archaeological finds,
it looks as though they have known it for centuries.
And we know that it was still in use
when Robert Perry arrived in his pursuit
of being the first person to reach the North Pole.
Robert Peery, as it's more commonly pronounced, was an American whose complicated story
is part of a longer, larger story of a changing Greenland, one that Monique, who himself has Inuit
ancestors, knows pretty well.
Yeah, I think there's some level of both exploration and exploitation in his past,
and he brought back...
More on explorers and exploitation in a minute.
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As Monique says, for centuries, Inuits traveled thousands of miles with no word in their language for migration or immigration.
By the 17th century, the Inuit and Northwestern Greenland were coming into contact with a culture that was very different from their life with nature.
For instance, men who made a point to call themselves Arctic explorers.
The Greenland residents told the white explorers about the store of iron, but British, Swedish, and,
and Danish explorers repeatedly failed to make it to this place that, for the Inuit, was a regular stop.
In 1894, came Robert Peiry, an explorer from the United States Navy.
By all accounts, Peiry was a little bit different than his predecessors.
He brought more useful tools for trading, hired Inuit people to help them.
Over a decade of exploring the area, Peary would hire the people who lived there, not treat them as servants.
Something that at the time would have been pretty progressive.
Peary broke his leg twice, explored the northern reaches of Greenland, and failed to reach many destinations.
He overwintered there, far from home.
And he learned a ton from the locals.
He would eventually be most recognized for leading an expedition that claimed to be the first to reach the geographic North Pole.
Though his navigator, a black man named Matthew Henson, may have reached the location first.
Peary's other claim to fame, being the first West.
an explorer to actually reach the meteorite, which would eventually be called by non-native
Greenlanders the Cape York meteorite.
Peary's story and some of the meteorite can be found at the Peary McMillan Arctic Museum at Bowdoin College
in Maine.
Oh, hey, how's it going?
Good, thanks.
How are you?
Nice to meet you.
Nice to meet you, too.
This is a cool space.
Yes, it's an amazing space for...
I'm lucky to be here.
Genevieve Lemoyne is the curator and registrar.
I get excited when standing in a space like this because I'm like, okay, there's paintings of people of old fancy people.
Yeah.
And there's that looks like an admiral over there.
That's Donald McMillan.
Okay.
Yeah.
And but also there's like cool rocks and crazy photographs of the Arctic.
Yeah.
And then there's like a full on sledge.
Yeah.
Believe it or not, further inside, there's even more stuff for Ben to get excited about.
massive polar bears in various poses.
We got a huge...
Is that a sea lion?
It's a walrus.
Walrus.
My bad.
Puffins.
Different seals, caribou.
Peary caribou?
The smaller one is a Peary caribou
and the bigger one is a baron grounds caribou.
Wow.
So he has a species of caribou named after him?
Yes.
Wow.
Jenny gave us all the Peary history.
Well, ultimately, the North
Pole is what he was looking for. Right, but he failed.
It depends on who you ask. He certainly thought he made it to the North Pole. Right.
And what do you think? I think he got pretty close and it's impossible to know, because it's on water.
Right. It's impossible to know whether he ever got there because whatever stick he put in the ground to say, I was here, which he did, you know, they put up a flag and took photographs.
Yeah. You know, within minutes, it drifted away from wherever it had been. And what was his work?
relationship or otherwise with the Inuit people there.
So it depends on who you ask and when you ask them, I suspect.
He thought he was their great benefactor and gave them so many wonderful things.
And I don't think you would say people, he developed friendships with people.
He obviously, he had an Inuit wife, just very well documented and children.
And he, by his own account, loved her at the same time as loving his.
American wife. So, you know, his relationship was mixed. But he did, he poured in a lot of material
goods into that community, a lot of iron, wood, needles, dishes, whatever, you know, all kinds of stuff,
firearms, ammunition lamps, kerosene to burn the lamp. Piri may have poured a lot of material goods
into the community. But what did he pull out? After bringing in engineers, building
a railroad and a whole new pier to get it onto a ship? Yep, the meteorite. Three chunks of it,
actually. This excrement of the stars believed to be dropped from the sky by the Inuit ancestors
to be used as a source for meteoric iron for hundreds of years, Piri planned to bring it by ship
all the way back to America and sell it. The three large pieces, which would later be named
tent, woman, and dog would all travel to the U.S.
He poured some resources into the community, but did he pay for the meteorite?
Not that we know of, at least not that I know of.
He just saw it as, you know, like something on the land that he could just pick.
Obviously, he paid the men who were working to dig it out.
Right.
But I don't think he saw it as something that somebody owned.
Yeah.
And so he didn't purchase it in that sense, yeah.
According to Jenny, Piri needed the cash.
Exploring was expensive.
Polar explorers in the 17th century often were only able to do their work if they could convince the government or some other wealthy benefactors to bankroll them.
Often the support came from those who would find material benefit from a new shipping passage, for instance.
While Robert Piri was overwintering in Northern Greenland, taking a second Inhuite wife, a lecozina, and starting a second family.
his first wife, Josephine, was looking for cash.
Josephine, when he was in the Arctic,
was doing a lot of fundraising to charter ships to go bring him home.
So it was, you know, it was money that she viewed it as money
to continue his exploration career.
Yeah, it wasn't, they weren't really enriching themselves all that much.
But Peary had some people who might help him bankroll his exploring in the Arctic.
The American Museum of Natural History,
in New York was interested in the meteorite and also the Inhuitz. So when Peary finally succeeded
in getting the massive rock onto a ship, he brought it to New York City and was paid $40,000,
the equivalent of $1.2 million today. The meteorite weighed about the same as a herd of elephants,
34 tons or 68,000 pounds. It was so heavy that to display it, the museum's foundations had to be
reformed onto the bedrock beneath New York City.
Piri also brought six Inhuits with him, including a father and his son, a seven-year-old boy named Minnick.
The museum was interested in both the meteorites and the Inuits, and Piri delivered both to the museum.
So the six of them came down.
Piri took them over to, well, first they exhibited them, then they took them to the American Museum,
where they were, in a sense, on public view to some extent.
But very quickly, of course, it's New York in the 19th century,
and they started getting various respiratory ailments.
And so most of them died.
One of them, who had been living in the basement of the museum
with the others, didn't die.
Minnick.
No known relation to our geologist in Denmark,
though he is the current Minique's namesake.
The boy's life story is quite a journey.
He lived in New York City for a while, taken in by someone connected to the museum.
But like so much of the trade-offs between the Inuits and people of European descent,
the boy would eventually discover that this kind of support wasn't well balanced with what was taken from him.
The funeral that they'd held for his father had been fake,
and that in fact they had not buried him.
they had processed his body for the skeleton
and the skeleton was at the museum.
The museum kept the bones of his father.
He got very upset and tried and tried and tried to get,
he tried to get Puri to do something,
Peary didn't pay any attention to him.
He eventually, he couldn't get the bones back.
The museum in those days would never have done anything like that
to give them a proper burial.
Reporting on his predicament,
suggests Minnick never really found resolution for being taken away from Greenland as a child.
But he did travel north to northern New Hampshire to work in a logging camp.
He died of the 1918 flu.
Eventually, after public pressure, the Museum of Natural History would repatriate his father's bones to Northern Greenland in the 1990s.
We reached out to the American Museum of Natural History, but they wouldn't make anyone available for an interview.
they did send back a statement
acknowledging that the museum's past actions
quote, raise complicated ethical questions.
In the episode with Minnick Wallace
was particularly egregious.
About returning the meteorite,
they said they were not aware of any requests to do so.
The museum in Maine doesn't have any huge meteorite fragments,
but it has collected a few items over the years.
This knife, this light,
colored. It's made out of antler, this knife. And it's a little hard to see. If you squat down,
maybe a little bit, bend down a little bit, you can see. It's got little sort of semi-luner
blades set into it that are the cutting edge. And those are little chips of iron from the meteorites
that fell at Cape York. Wait, sorry. Okay, I see. The white knife? Whoa, no, if you, if you,
yeah, squat down a little bit, amory, and it's got teeth in it. I see. Yeah.
that are metal.
Whoa.
So it's like a caribou horn that they slid some chunks of metal into.
The meteorite's older travels along trade routes and tools were repeated thanks to Peary,
but also archaeologists, geologists, and others.
Another large piece is on display at the Geological Museum in Copenhagen,
where our new friend, Monique, works.
And along with the caribou horn knife,
Jenny has some more precious pieces, wrapped in yellow paper,
gently filed in a small box with a whole mess of labels and stickers on it.
I haven't actually opened this in quite a few years now.
Okay.
Little plastic case and cotton balls.
It says piece in a beautiful script.
This looks like a set designer made this.
It's a old writing.
It says piece of the meteor that Piri brought from the Arctic region.
And then I can't read that.
On his something.
Voyage? First?
First, maybe? No.
Look, we can admit
these little rusty chips
are not exactly
space rocks, mind-blowing.
But when you know
how far they've traveled,
not just across the face of our planet,
but how far they've traveled to get
to our planet. It's exciting
to watch Jenny poke at them with her
rubber gloves. It's also
a mixed feeling. If you take the
galactic view of this traveler,
it's hard to pinpoint a home,
per se. But Hifshu described to us how sacred this stuff was for hundreds of years.
Every time you should cut it, the shamans was doing a ritual or they do a ceremony before you do it.
To give ourselves the access to that we are going to use this stone.
We understand that there are some Inuit people, or at least descendants, that say the meteorite fragments should come home.
Yeah, well.
What do you think of?
about that? Well, that's, I mean, that's a really, really big and important question, particularly
right now in archaeology. And what's becoming and has become crystal clear over the last
few decades, really, is that you need to work with the community. Today, if you dig something up,
it usually remains the property of the nation where you did the digging. Rare minerals, by the way,
are still a hot commodity in Greenland today.
Not for museum display, but again, for technology, tools, electric cars, wind turbines,
and getting those minerals is, again, neither easy nor always in keeping with the natural landscape or history.
So we raised this with Monique, a guy who has Inuit ancestors and works at a museum displaying pieces of the meteorite,
and who, by the way, is currently doing work on how to more carefully and sensibly extract minerals
from Greenland for agricultural use.
So on the meteorite, it's a complicated question.
I don't have a strong opinion,
but I think that as long as the history is transparent
about, you know, how did it get there,
where did it come from, who did this and that and the other.
So it's a very tricky thing.
I don't think that's a simple answer.
It may be that a geologist looking at the origin of life
is going to take a longer view.
But of everyone we talked to,
I think the person whose opinion
on the meteorite's fate
and Piri's actions
we ended up most interested in
was Hifshu.
Piri was just a part of that generation
at the time of the system
from where he came from.
And that's the only way he could do
for his country by stealing,
just like the others were stealing
artifacts.
from the natives, for their own sake, to their own benefit.
So everybody did that.
It was not different from the others.
Hifshu himself is also a person with a story of traveling,
of leaving Greenland and returning,
and all of the complexities that come with that kind of story.
When I was nine years old, the school system came into all place
and took me away from my eldest.
and from my hometown
because I thought I was clever enough
to learn the other languages
and I could return to my people
to re-educate them
that the way they live is wrong
and I've been to school
about 10 years
when I understood this was the manipulation of the mind
to believe
their system is the most
beautiful life so I decided to return I was 19 years old when I come back and I saw we
were not a lot no longer allowed to build our own houses I have forgotten
everything I was distracted by this education books material and all this
manipulation in my mind was just like a dirt was very
very difficult to get off. So it took me many years to understand again my life. So that's my life.
The full name that Hivshu won't say, because of his belief that others should say your name,
is Hivshu Robert Piri II.
And so was he your great-great-grandfather? Is that?
Oh, my great-grandfather. Your great-grandfather?
Yes.
meteorite have any meaning to the Inhuid people beyond practical?
Was there a spiritual significance to, or no?
We don't call them tools. We call them our partners.
Everything is life. Life is everything.
So this meteorite was a gift from our ancestors that should be respected.
It has its own life, their own spirit.
Do you think it should come back?
Do you think it should be returned?
We have problems.
We have social problems making us frustrated.
It's like our life was taking away.
Only the ancestors who brought this to us, the spirit of that
will be able to harmonize us again.
Because the meteorite has a vibrations.
They will clean our life and remind us who we are.
Remind us our ordin life.
And remind us why we are here on the earth and they will be peace.
Maybe Hivshu takes a long view too about how whether we're breaking chunks of meteoric iron to create tools
or harvesting minerals for car batteries or even talking about,
in the future mining asteroids.
We should try to resist our amnesia
and remember what we're doing and why.
It's not about being smart,
being beautiful,
being rich, being powerful,
have a big curse.
It's not about the American dream.
The American dream is actually the work of a demon.
We are consumers
that will never before.
We've got everything, but we are not satisfied.
It's about helping each other, supporting each other, surviving together,
to be able to live on their earth peacefully.
Hushu, thank you very much.
This has been, it's been wonderful to listen and learn from you.
My pleasure, young man.
I am very, very grateful that the ancestors was bringing you to me,
so I could speak all my bullshit.
Well, it didn't sound like bullshit to me, but I appreciate the sentiment.
Never forget that.
You are the tools of our ancestors to bring the truth.
Thank you for being born.
Endlessylai, I hakiyai,
Endless thread is a production of WBUR in Boston.
Want early tickets to events, swag, bonus content.
you can join our email list, and you can find it at WBUR.org.org slash endless thread.
This episode was written by yours truly and produced by Dean Russell.
It is hosted by us, Ben Brat Johnson.
And Amory Severson.
Mix and sound design by Emily Jankowski with a last-minute assist from Paul Vicus.
Editing help from Maureen McMurray.
Our web producer is Megan Cattel.
The rest of our team is Norrisax, Quincy Walters, and Grace Tatter.
Endless Thread is a show about the blurred lines,
between digital communities and swords made from space rocks with metallurgy.
If you've got an untold history, an unsolved mystery,
or a wild story from the internet that you want us to tell,
hit us up, will you?
Email endless thread at wbUR.org.
