Everyday AI Podcast – An AI and ChatGPT Podcast - EP 28: Reimagining Media Creativity Through AI
Episode Date: June 1, 2023Will AI end up being more creative than humans? With new advancements like Dall-E and Midjourney, AI is setting a new standard for media creativity. Travis Hawkes, Director and Co-founder of Lunar Spe...edboat Productions, joins us to discuss how to use AI tools for your creative advantage and finding ways to stay unique in a world of robots. Time Stamps:[00:00:52] AI21 Labs Study Shows One-Third Can't Identify Bots from Humans[00:04:32] Google invests heavily in AI company Runway[00:06:43] Creating Imagery with Midjourney and Dall-E[00:12:11] Unleashing Your Creative Potential: The Power of Runway[00:16:53] Can AI create chatbot movies with celebrities?[00:20:22] Finding Your Creative Focus and Joining the Conversation[00:23:35] The Future of AI-Generated Content: Blessing or Curse?For full show notes, head to YourEverydayAI.comSend Everyday AI and Jordan a text message. (We can't reply back unless you leave contact info) Start Here ▶️Not sure where to start when it comes to AI? Start with our Start Here Series. You can listen to the first drop -- Episode 691 -- or get free access to our Inner Cricle community and all episodes: StartHereSeries.com Also, here's a link to the entire series on a Spotify playlist.
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Will AI end up being more creative than humans?
That's one of the things that we're going to talk about today on Everyday Eye.
This is your daily live stream, podcast, and newsletter where we help everyday people like you
and me not just understand all that's going on in the world of AI, but how to actually use
it.
And Travis, our guest today is going to be talking about that as well.
Travis Hawks, he is the director and co-founder of Lunar Speedboat Productions.
Travis, thanks for jumping on the show.
Good to be a part of it, man.
It's good to see you again.
I'm excited.
Let's do us.
All right.
Let's do it.
So before we talk about just how creative humans can be, or sorry, AI can be, let's just
remind everyone, this is a live stream here.
So Stephen joining us.
But if you have a question for Travis or myself, feel free to leave a comment.
we'll do our best to get to it.
But let's first talk about what's happening in the world of AI news.
So AI21 Labs, they just released a study saying 32% of people can't tell the difference
between a human and a bot.
So they have this little game.
It takes two minutes and you chat with what you don't know is on the other end.
It's either a human or bot.
32% of people failed.
Myself included, I'm going to share my example in the newsletter today.
But Travis, like, what do you think of this?
It's 32%. Are you surprised by that figure?
That's actually a lot, man.
When you think about it, that's a decent amount.
I'm curious to see how you panned out.
I'm curious to try it myself, just because I feel like that's one thing where like everybody comes in thinking they got it.
Everybody thinks they come in smart.
And yeah, 32% is not small.
Oh, I failed.
I failed terribly.
Yeah.
So we'll include that in the newsletter.
Cool.
So the NVIDIA CEO obviously made a lot of headlines when he,
He publicly spoke at a graduation recently.
But one of the things that he said is talking about the future of work and saying that AI won't steal jobs,
but someone who's an expert at AI will.
Travis, what's your take on that?
Is AI itself going to steal our jobs?
I really don't.
I mean, in the near future, I don't think so.
I think a fellow Chicago and Michael Wolbon always says on PTI, if you're scared, get a dog.
Dude, like, I'm not trying to lose out to a machine like, you know, like I remember like in
the office episode with Dwight Trute where he takes on the, the program and outsells it.
Like, I see it as a tool.
I really do see the AI right now as a tool.
Who knows where it's going to go.
But for right now, I definitely see it as, you know, a different kind of a hammer.
And I also know that, you know, it can't, it can't influence empathy.
can't influence, like, taste, like what I like. I mean, it can predict, but, you know,
anyways, I don't, I don't say to take it my job anytime. All right. We'll see. I think I'm
going to save all my hot takes for when I finally start posting on Twitter after being a user for
16 years. All right. So moving, moving on another, getting into video, so a pretty large
company called StoryKit. They just announced a new tool that's going to allow text to video,
but specifically for SEO ready video campaigns
where you type in a text prompt
and it spits out a video that is SEO optimized.
Thoughts, Travis?
Text of video is really fascinating
because on one hand, you can give one sentence
and it'll just run with it.
I've been really trying with prompts lately
to try to really figure out, like,
if I type in this like Leviathan type prompt, I wonder what that's going to spit out.
So I think that the more that you throw in, like I'm, I'm curious to see what happens
with regards to just prompts in general.
The more you throw in, what do you get out of it, whether or not it like really drills down
or whether it skews off or whether it only reads like the first three sentences and then
ignores the next six paragraphs, that kind of a thing.
That's where I, that's where I land with prompting and that kind of thing.
Yeah, cool.
Kind of kind of one of the last stories as we get into.
Your background here a little bit more, Travis's runway, which is one of the leaders in kind of this generative AI space for video.
So it was just announced that Google as part of a $100 million funding round has invested heavily into runway.
But it wasn't, I mean, yes, it was for the company, but it also seemed like it was a shot at Amazon in their web service, so AWS.
kind of Amazon had really been marketing that Runway was one of its customers for its cloud computing AWS.
Google invested a lot of money.
So before we talk about Runway, Travis, what do you kind of think of just that battle of these huge companies saying like, no, use our service and we'll invest in you so you do?
Yeah, I was about to say that's one of those good problems, getting too much money thrown at you.
Yeah, I'm not, I think the more money and the more attention,
that gets put into things like runway like it will just i think it's just going to get better
i don't know if anybody else that that's listening has dove in on runway and their like whole
youtube channel but their tutorials are fantastic and that's how i came up man i came up i didn't go to
film school to do uh what i do i'm with the law school for a little while and dropped out like i like i
so i've had to learn online how to do what i do and runway's been a fantastic way to do it so i'm i'm for
one, I'm glad that they're just getting cloud thrown at them, whether it's money or hits or
likes or whatever. But I, I, I, you know, that's, it's one of those things where if you see
companies competing, there's noise being made. Yeah. That's pretty good. Absolutely. So let's,
let's talk a little bit, Travis. So, you know, how, how has, you know, AI and in all of these different
tools that are out there specifically to help creatives, right? Because that's kind of the first
space that a lot of these tools are kind of splashing in is to help with creatives, write content,
better visuals, better video. How has that played a role in kind of your career specifically of
recently? Yeah. So I jumped in on mid-Journey and Dolly to, after a great friend and a great architect
named Steve Corliss. I think he just jumped on here. After he put me on to it, I figured out like,
oh man, you can start, you can just make stuff up.
And I think the first, I just got back from Spain.
And the first picture I made was the Sagrada la Familia.
And I made it on a Saur Patch kids.
Like, you know, like you can just kind of create and you can just sort of have fun.
And I think that there's a really fascinating way of like, this can't imagine what isn't.
You know, and that's, that's beautiful.
But I think that how I, so, so, so, all right, let me reverse a little bit, the way
that I have utilized it is trying to more like I'm not going to use that picture.
There's no way I'm going to like I'm not going to be able to apply that.
So but I can, you know, sort of drill down and figure out what I need it for.
Like how can I once again?
Like it's a, I saw somebody post in the comments that's a different kind of hammer.
I saw somebody on another one of your podcast say, um, uh, it's a springboard, man.
It's a wrench.
It's not a rembrandt.
It's, it's a definite tool.
So I have needed certain things that, like, didn't exist.
So that's one way that I've used Mid Journey and Daly, too.
I had to use.
So right now I'm a video producer at an American Stage Theater down in St. Petersburg, Florida.
And it's a nice regional theater.
And they're really letting me run with regards to video production and social media stuff, man.
It's fascinating to be involved in, like, a really visual art.
But understand that they don't usually utilize video the way that somebody,
on, and with like, even like a restaurant, you know, like restaurant, social media accounts are blown up.
But anyway, so this theater, man, we needed to utilize, like, bringing from the past and throwing and bringing it to now.
So I've had to make up images or, like, go get stuff that I might have to, like, pay for, like, certain things like, like, if I wanted to get, like, a pixel art shot or if I wanted to go and get, like, a stock image, something like that, man, I can kind of just go make that stuff.
And that's one way that I've been able to utilize it.
Yeah.
So Travis, you actually, I'm going to share this on the screen now.
So you sent me a photo that you kind of created.
So just talk about kind of, first of all, what this photo is.
And then just let's talk about what it means just for the average everyday person that
they can go in and create things like this.
Yeah.
I try to zoom in here.
Oh, so this Jordan photo.
So this is back to Lunar Speedball production.
So I'm a sneaker head.
and I'm a big fan of basketball.
I don't know if anybody can see behind me,
but I was able to use runway and key out
and knock out the background of a lot of Jordan highlights.
I was able to kind of like dig in on stuff.
And the reason why I wanted to share this is that
although there are certain aspects of runway
that aren't like, you know, elite yet, man,
there are certain stuff.
The first day I tried runway, I was.
able to key out, then bring in text behind somebody and then overlap that.
So now it looks like there's text between me and my background.
Like runway is so fascinating to me.
And then I've also seen, just to kind of like go off on a quick tangent, I've seen a lot of
like this kind of stuff where it's just an amalgamation of really cool shots.
Like there's, it's just fun screensaver stuff to put in the background while you're working
while you're sending emails.
Like there's a lot of really.
great ways that, you know, people can just sort of, like, I'm just like, go on a tangent and just make stuff up, man.
Yeah.
Yeah.
So, yeah.
So it's fascinating.
And then, and then once you drill down and get into prompts, which I'm getting more and more into, I was about to say, this thing's only what, like six months old?
You know, like, it's, I've been, like, there's a lot to do.
And it's, I really haven't even, like, scratch the surface.
At least that's how I feel.
I don't know how you feel.
Yeah.
I mean, you deal with this stuff, like, hourly.
So I can't imagine how overwhelmed you get then.
Yeah.
So Travis, you mentioned like just being able to create something, right, from nothing and how
valuable that is for people in a variety of roles, right?
So you were saying like, hey, even at the theater I worked with, you know, with your company.
So right now, you know, I'm kind of sharing on the screen runway, which is something that
we talked about in the news today.
And then, you know, Travis, you know, you said that you're also using this as well.
So kind of on the screen, if you're listening on the podcast, there's examples of different
videos. And if you wouldn't know any better, you would think these are animations, something that
teams, that teams had to create, you know, things that visuals that in the past would have been
either extremely expensive, would have taken people weeks, or large, or large teams. But these are all
things that you can push out in a matter of seconds or minutes just using text prompts to get these
videos that we're sharing on the screen now. So Travis, talk a little bit just about how you're even using
runway because I think we do on the show talk a lot about chat gpt and we talk about the image generators
that you know mid-jorney but runway is is really pushing i think in terms of just creativity in
general what are some ways that you've been using runway and how do you think the everyday person
maybe even if they're not in video production can use something like this i think if you want to
get your idea across if you just write it out if you're just kind of like you have to be kind of brave
You have to be sort of like, let's just see what happens here.
And then if you, like, for instance, I've used, I've seen people use it to portray their ideas and like in a like storyboard format.
So obviously if it's going to be in a storyboard, man, that's PowerPoint.
You can use that in any sort of like a presentation for anything that you need.
You can just make like, just flex, just like say whatever you want.
It's, it's interesting to just like verbalize.
Talk about it, man, because you can make stuff up, man.
And that's a really fascinating part to me that you can sort of, you know, go in and just build a house.
My buddy, Steve Corliss, he's an architect, and that's how he sort of came to it.
And he has built cathedrals that are, like, really don't have any right angles, man.
And it's like, oh, well, I guess that kind of looks like it could be built.
Anyways, man, there's a whole, there are, I'm sure there are just an a litany of,
industries that, you know, might only need like a microcosm of creativity, but if somebody,
you know, in their team needs it, you can just sort of like pull on this lever.
It's a fascinating thing, man.
And what's fun for me anyways with regards to runway is that there's a lot of cool effects
that you can use and then bring out what you've exported.
Now you can bring that back into your video editing system like Premiere or Final
Cut Pro, you can once again use it as a tool and sort of shave off an edge or knock out of background
or color correct or I've seen stuff slowed down.
And that's utilizing an effect called optical flow where it's sort of like bridges one frame
to the next.
You know about optical flow.
That's awesome.
So anyways, yeah.
So, okay.
Yeah.
So real quick, Travis, because you mentioned.
So sorry, you mentioned Stephen and we actually have a comment from Steven.
So and a lot of comments.
So we're going to go through these rapid fire.
And if you do have any questions for Travis,
please, please go ahead and drop them in the comments here.
So Stephen asked, curious, if the different kind of hammer will make users build different products.
How are these new tools making filmmakers, rethink plots, stories, effects, and workflow to create films and movies?
So Travis, what's your quick, quick hot take on that?
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Rethink plots.
Sometimes if you type in a prompt in Dolly 2 or Mid Journey, it'll go off the deep end.
And like that's not anywhere near what I want to, man.
It takes a lot of, you need some wrench time.
I don't know if you dove in on those, but you need some real wrench time to like sort
of like nail something down.
So sometimes that's good.
Sometimes I can take you on a tangent where.
it'll lead you down to a really cool idea for a story, man.
But sometimes, you know, it's like I said, man, it's not 100% yet.
It is still a little clunky.
You can't tell that when you type in photorealistic, ah, man, it's soft edges.
It's kind of clunky.
Does that person have another limb, whatever, you know?
Yeah.
The sixth finger always pops up.
Yeah.
Jolene asked if we can share a link to the theater.
We absolutely will.
We'll make sure that in the newsletter.
so make sure you're signed up.
Go to Your EverydayAI.com.
Every day we send out a newsletter
kind of recapping what we talked about
on the podcast with not just things
that Travis is speaking about.
So yes, we'll have a link,
but also just other techniques
and how the everyday person
can learn from the show today.
So Jolene, we will definitely have that in there.
Lillian with a great question for Travis.
Travis, have you used Photoshop generative AI feature?
Lillian's staying on top of this.
Shout out Lillian.
She told me she was telling people
about the show. Thanks for that. But Travis, this new Photoshop generative AI feature.
Brand new, it's been out for like five days. Have you toyed around with that yet? I did it in
preparation of this, man. I used it. I wiped away up here and a pen of photo. And yeah, it's cool. It's
cool. The thing is that you need to like once again, it's a tool. But it's not like an end all
be on man. You can't just like stamp it and run away. Like you need to sort of sharpen things up.
So for instance, with this, if I were to go out and generate,
the yellow submarine in this really cool shot,
you might need to go in and then and like tweak the submarine
because it might have like, I don't know,
something coming off of like a spire or like an extra,
you know, like flange or something like that.
Like you can you can use it and it's really like that's such a,
I wonder what they,
I wonder what Paul McCartney thinks of this photo.
Yeah.
So if you're listening on the podcast,
I just shared a,
oh, so yeah, no, no, it's all good.
I just shared a photo.
this kind of went, you know, Lillian's question about, you know, Photoshop generative AI feature.
What that means is you can expand, you know, you can expand on a photo and reimagine what the rest of the photo is or what Travis is saying, you know, very, very easily, you know, delete something in a photo, but have it do a fantastic job.
So there's actually a lot of viral Twitter threads when this first came out.
So this is, you know, imagining what's happening outside of that famous Beatles, you know, album cover where they're walking.
you know, on that famous road.
Abby Road. Yeah, Abby Road there.
So, yeah, we'll share a lot more of those.
But great, great question, Lillian.
So we have another one here from Professor Muhammad,
always coming up with great questions for us.
So thanks for tuning in every day.
So asking, do you think it'll be possible to create chat GPT movies by script,
mixed with existing characters, actors, and scenes just by sitting on a computer?
Oh, that's a great question.
Travis, you're doing this stuff daily.
What do you think?
Yeah, I, but my fiancé did this, man.
She, she, well, because her brother, her brother Ray, shout out to Ray.
He's a coder and he, he's neck deep in this, man.
He's on, he's on your level.
And he showed her chat, DPT.
So she made a story.
She'd like, hey, write a script about, I think it was a rose.
Anyways, man, long story short, it made a script and there are some really cool parts.
But also, it's predicting off of what's already been created.
created. So there is something that's sort of rudimentary and not necessarily grandiose,
not necessarily like emotional, although like it taps into certain aspects, man. It does sort
of like get parabolically close to it where it might not intersect, but bro, that's close.
So I definitely think it's possible. But once again, there is a human element that is necessary.
So yeah, you know, yeah. You definitely can. My fiance did. And by the way, she's like the co-founder
our lunar speedboat. So we both are sort of in on trying to produce. And that's what's real fun
about, you know, obviously staying creative with your better half. But then once again, man,
like once, like even if somebody who doesn't, like I'm, I would say I'm more on the creative
side of our company. She's definitely the more logistical side. It handles the stuff, you know,
to keep the lights on, man, which is so great. But I think that even somebody that might not have
as much of a creative input on something can saddle up and ride, man. Runway, mid-journey,
do you have chat, GPT, those are the apps that I use a lot. And it's a blast to just be able to
create. So, Travis, you're obviously, you know, knees deep in, you know, media and creativity
on a day-to-day basis. For someone who's not, or maybe they, they wear more hats. And, you know,
they're handling a lot of everything, say maybe a marketer or a small business owner,
entrepreneur.
What's the most practical and easy advice that you can give to someone and how they can start
using some of these tools to really push and enhance their creativity?
If you just had to say, hey, start here and do this, what would you recommend or suggest?
I would start on
like figuring out like taking a second
and figuring on what you actually want
because I think that a lot of people
are drawn in by these hyper neon self-portraits
you know like the Abbey Road shot
where you can sort of like you know
build an entire galaxy behind them that kind of thing
it's really cool but then again
it's also kind of like intimidating man
you run up and you see people that have made
entire fields of flowers
and it's like, oh, that's what I'm sort of like dealing with or maybe even competing with.
And I would hope that people wouldn't do that.
I would hope they would just like think, what do I like, what do I need to do here?
So I think that's one aspect.
And then secondly, I think joining in on the conversation.
Once again, man, the human element, you got to be able to talk to people about this stuff.
I think that there's a lot of great discords and Reddit threads and message boards,
which I'm sure you're all plugged in on, man.
like there's a lot of ways to find there's a lot of pathways towards getting what you want to do that
you didn't know that you wanted to do and that's just because other people have done it before
and it's not like they did it three years ago they probably did it three weeks ago or three months ago
at the most man like this stuff is evolving so fast i think that everybody that's in on this sort
of ground floor with regards to AI uh we're i i just dig it i just i also think that you need to
know what you're trying to do if you're just
going to like, you know, if you're just going to jump in, that's, that's cool too.
But I think if somebody that doesn't necessarily know like what foot to plant first, just
understand that, yeah, man, you can create text.
You can create photos.
But you sort of need to know, you need to have a target.
Yeah.
No, that's, that's great advice.
That makes sense.
That's great advice.
I'm glad that made sense.
All right.
So I never like to leave a question hanging.
So real quick before we wrap up the show, Travis, another great question from Stephen.
So saying, is there a possibility that we enter an era of AI generated feedback loops where the content created is used as data for new content generation?
And if so, will future generations lose innovation?
This is such a great question from Steven.
And just real quick, before you answer that, Travis, I just want to give the everyday person some quick context.
So all of these generative AI tools, so chat GPT, you know, the mid journeys that create images.
dolly that creates images. Everything is trained off of something that humans originally created
in these learning models, learn it and ingest it, right? So it's kind of Steven's question that
now Travis you can get to is what happens when now what the machines are learning off of are from
AI generated content. So what's your thoughts? Man, my thoughts of that that makes perfect sense,
but I'm more curious about what you think, man, you're so plugged into this. I'm more curious
about feedback loops and sort of what starts them.
I'm like what I'm like what do you know about feedback loops man?
Because I feel like there's certain aspects that I can understand.
But man, I just create cool stuff.
Dude, I just try to get the shot, you know.
I feel like you're really way more plugged in than I am with regards to this.
Yeah, I'll I'll give my my hot take.
Please, man.
So my hot take on this is the what we're getting now.
in terms of output from all of these tools, these chat GPs, you know, mid-jury for images.
I'm not saying this is the height of it, but it's hard for me to imagine in five years from now
that the output is going to be that much better, just from what kind of Stephen said,
just because there will be less and less original content out there for these machine learning
models to be trained on.
Not only this, but we're going to have to have a whole podcast separately in a deep dive on this one,
but what this also means for the consumer.
Because I think when a lot of this AI content first hits, we're blown away because it's,
you know, oh, like the Beatles album covers.
It's pretty.
It's cool.
And by the way, they made it in six seconds.
What?
Yeah.
Yeah.
But I do think that as consumers, we're going to be hit with so much amazing written content,
so many stunning visuals.
over the next coming months that it's it's really going to be hard for us as consumers
to continue to really be attracted to new content, to new visuals, to new creative ideas,
just because they're going to be coming at us so quickly.
But that's another conversation for another day.
Yeah, because then there's rights and there's like copyrights.
Yeah, man.
Yeah, it's crazy.
Travis, thank you so much for joining the show today.
Really appreciate your time and tackling all these great questions that came along.
So thank you for coming on the show.
Dude, it's been a blast, man.
It's great to see you and hope you're on again soon.
Yeah, all right.
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