Everything Everywhere Daily: History, Science, Geography & More - All About ePaper
Episode Date: July 18, 2026For centuries, the printed page was one of the most efficient ways to preserve and share information. In the digital age, engineers sought to reproduce the best qualities of paper without sacri...ficing many of the benefits of a screen. The result was a technology that uses remarkably little power, remains readable in bright sunlight, and can hold an image even when the electricity is turned off. Learn more about the history and technology of e-ink and electronic paper on this episode of Everything Everywhere Daily. Shop the store at Shop.Everything-Everywhere.com Sponsors Hexclad Get 10% off your order at hexclad.com/DAILY Mint Mobile Save 50% on Unlimited premium wireless plans starting at $15/month at MintMobile.com/EED Quince Go to quince.com/daily for 365-day returns, plus free shipping on your order! DripDrop Go to dripdrop.com and use promo code EVERYTHING for 20% off your first order! Subscribe to the podcast! https://everything-everywhere.com/everything-everywhere-daily-podcast/ -------------------------------- Executive Producer: Charles Daniel Associate Producers: Austin Oetken & Cameron Kieffer Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Discord Server: https://discord.gg/Ds7Rx7jvPJ Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/ Disce aliquid novi cotidie Learn more about your ad choices. Visit megaphone.fm/adchoices
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For centuries, the printed page was one of the most effective ways to preserve and share information.
In the digital age, engineers sought to reproduce the best qualities of paper without sacrificing
many of the benefits of an electronic screen. The result was a technology that uses remarkably
little power, remains readable in bright sunlight, and can hold an image even when the electricity
is turned off. Learn more about the history and technology of e-ink and electronic paper. On this episode,
of everything everywhere daily.
This episode is sponsored by What Could Go Right?
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Cup launch edition now, only on Netflix. Before I start, I should make a note about the terminology
used in this episode. The terms E-Aink and E-Paper are used interchangeably. However, E-Aink is actually
the name of a company and is a trademark, while electronic paper or e-paper is the broader
category of display technologies. E-Inc Holdings has become so dominant in the market that its brand name
is often used generically, much like Kleenex is sometimes used for facial tissue or Google is used
for doing an internet search. Also, just to put E-paper into context, I'll briefly describe how
LCD displays, which are used in most devices today, work. An LCD or liquid crystal display
uses a back light that shines through a layer of liquid crystals. Each pixel contains red, green,
and blue sub-pixels. Electrical singles change the alignment of the liquid crystals,
controlling how much light passes through each colored sub-pixel. By combining different amounts
of red, green, and blue light, the screen produces millions of different colors. There are other
similar technologies and variations of LCD, but for the purpose of this episode, they all have in common
the fact that they actively emit light and require continuous power to produce an image.
If your battery dies or your power goes out, the screen will go blank.
Researchers wondered if it was possible to create a display that had some of the best features
of a screen, in that it could be updated and refreshed, but also share some of the best features
of good old-fashioned paper. The fundamental idea behind electronic paper emerged from display
research in the 1960s and 70s, when cathode ray tubes or CRTs were still the dominant form of display
technology. Engineers were trying to create screens that would be thin, portable, readable,
readable and ordinary light, and capable of rendering an image without constantly drawing power.
One of the first important technologies in this field was developed at the Xerox Palo Alto Research Center,
better known as Xerox Park. During the 1970s, researcher Nicholas Shepard,
Bairdon created a system called Giraqon, a name derived from the Greek words associated with
rotation and images. Jiricon consisted of millions of tiny plastic spheres embedded in a flexible
transparent sheet. Each sphere was black on one side and white on the other. The two sides also
carried different electrical charges, positive or negative. When an electrical field was applied,
the spheres rotated so that either the black or white side,
face the viewer. What was genius about this system is that once the spheres had turned,
they stayed in position without requiring continuous power. In principle, a gyrocon sheet
could display text or images and retain them indefinitely and then be rewritten. Sheridan constructed
an early prototype in 1975 and patented the twisting ball display concept in 1978.
Xerox eventually created a subsidiary to commercialize.
Jayrakhan, particularly for reusable signs, but the company struggled to produce displays that
were cheap enough. Xerox closed the subsidiary in 2005, although the work established many of the
principles later associated with electronic paper. The direct ancestor of modern E-Inc was developed at
the MIT Media Lab during the 1990s. Physicist Joseph Jacobson imagined an electronic book
that could store many titles while retaining the physical qualities of paper.
Working with several MIT students, Jacobson's group developed a new form of what was called
micro-encapsulated electrophoretic ink.
And that's a mouthful, but the technology is conceptually pretty easy to understand.
Rather than attempting to manufacture perfectly divided black and white microspheres,
the researchers suspended electrically charged pigment particles in a fluid.
They then enclosed the fluid in microscopic capsules.
Instead of half a sphere having to have an electrical charge in a different color,
a whole sphere had its own charge in its own color.
When the electrical charge in the device was changed,
the spheres would rise or fall inside the microcapsule.
The movement of fluids due to an electrical charge is known as electrophoresis.
This breakthrough was important because micro-oenactylase.
encapsulation made electrophoretic displays more durable and easier to manufacture.
Each capsule served as a tiny controlled container, preventing particles from spreading across
a screen, reducing leakage, and uneven movement. The team published its work in the scientific journal
Nature in July of 1998. The paper described an electrophoretic ink that combined low power
consumption, high reflectivity, wide viewing angles, and the ability to manufacture displays via
printing and coding processes. The research team founded E-Inc Corporation in 1997 to commercialize
the technology. The company emerged from the MIT Media Lab and initially experimented with
signs and other large displays before focusing on high-resolution panels for handheld devices.
A modern black and white, electroferetic display contains several levels.
layers. On the top is a transparent protective surface. Beneath that is the electrophoretic material
made up of millions of microscopic capsules or small compartments. And behind this is an array
of electrodes controlled by thin film transistors. Each microscopic capsule contains a clear
fluid and two types of pigment particles. In a common arrangement, the white particles
have one electrical charge and the black particles have the opposite charge.
When a voltage is applied across a capsule, the electric field attracts one group of particles
towards the front and pushes the other group towards the back.
When white particles move towards the viewing surface, that area appears white.
When black particles move towards the surface, it appears black.
Intermediate shades of gray can be created by combining particle positions, pulse sequences,
or spatial dithering.
The E-Incorporation describes its capsules as being approximately the diameter
of a human hair.
One of the defining properties of electrophoretic displays is called bi-stability.
As I mentioned earlier, a conventional display requires electrical power to maintain or illuminate
the image.
In an e-ink display, the pigment particles tend to remain where they have been placed after the
electric field is removed.
As a result, an e-ink screen generally uses most of its display-related power only when the
image changes. Once a page, price, or sign has been drawn, the screen can retain it for days,
months, or even years, without consuming any power to keep the image visible. The electronic
ink is only one part of the display. A practical screen also requires a backplane capable of controlling
the individual pixels. Each pixel is connected to a thin film transistor. The transistor applies
carefully timed positive and negative voltage pulses that move the pigments.
And these sequences are called waveforms.
Changing a pixel is not always as simple as applying one voltage.
The particles inside the microcapsils have inertia.
They interact with fluid and may retain some memory of their previous position.
The controller may move through several intermediate stages before finally setting on the intended shade.
E-Ink's first commercial demonstrations involved large signs rather than books.
Its first prototype signs were shown in 1999 and could be updated electronically while retaining
their information without continuous power.
The company also worked with Lucent Technologies on flexible display prototypes around 2000.
The first widely recognized consumer e-reader using E-Eng technology was Sony's Libri,
introduced in Japan in 2004.
It demonstrated that electrophoretic displays could support a viable consumer device.
But the E-ink product that many of you are probably best familiar with is the Amazon Kindle.
Amazon introduced the original Kindle on November 19, 2007.
It combined an E-ink screen with wireless book purchasing and delivery.
Earlier e-readers often required users to connect the device to a computer and manually transfer files.
The Kindle allowed readers to browse, purchase, and download books directly in the device.
The Kindle did not invent electronic reading, and it was not the first e-reader.
Its importance came from integrating the screen, bookstore, wireless network, and publishing
ecosystem in one product.
The success of the Kindle greatly increased production volumes for electrophoretic displays.
Competing products from Sony, Barnes & Noble, Cobo, Pocketbook, and many others,
expanded the market. And here I want to interject my own personal experience with the Kindle.
The Kindle was released about six months after I began traveling around the world. And when you
travel, you have a lot of downtime. I would always have a book with me. The problem was that
books are heavy and finding English language books in a non-English speaking country is usually
both difficult and expensive. And they're also heavy, and I found myself carrying several books
around because I couldn't bring myself to get rid of them. After a few years, I purchased a Kindle for
myself, and it was literally a game changer. I now had something lightweight with access to the
world's biggest bookstore right at my fingertips. The power of the Kindle became evident to me
in 2014 when I was boarding a ship in Cape Town bound for the island of St. Helena. I was on the ship
and realized that I had nothing to read for almost a month without internet access.
So I ran up to the top deck of the ship,
downloaded the entire Game of Thrones series via 3G in just a few minutes,
and was set for the rest of the voyage.
Black and white E-ink displays have been appearing in stores recently
because they can automatically display and update prices.
But one of the biggest advances in E-Aink has been the development of color E-ink displays.
And one of the most popular technologies was developed,
by the E-N Corporation as advanced color e-paper.
In a multi-pigment system, particles of different colors exhibit distinct electrical properties.
Carefully designed voltage sequences separate and position the desired pigments at the viewing surface.
A full color system might use cyan, magenta, yellow, and white particles.
By placing different combinations near the surface, it can reproduce a broad range of colors.
The colors are not as vibrant or bright as they are in a normal LCD monitor,
but the quality is surprisingly good.
There are now products on the market that are color eing displays to hang on the wall
that are the size of a frame picture or a poster.
And the brilliant thing about them is that they use little electricity
and you can change the image to whatever you want at any time.
Another advantage of e-paper over LCD monitors is that it can be used,
used in full sunlight. If you've ever tried to view the screen on your smartphone on a sunny day,
you've probably experienced the problem. They work better without direct light on the screen.
E-paper works well in the sun because there's no backlight. There are e-paper signs that are being
installed for outdoor use, which require a low-power solution that can easily be read during the day.
One of the biggest weaknesses of e-paper devices has been the refresh rate of the screen. Some of the first
generation devices took a noticeably long time to refresh the screen with new content.
But some of the newest generation of e-paper screens have gotten remarkably better.
I recently saw a YouTube video of someone who had hacked an e-paper device and managed to get
a 60-hertz refresh rate on it. With it, he was able to get it to function as a reasonably good
laptop monitor, albeit in black and white. I can safely say that you will probably never have
a television made out of e-paper. The image quality just can't match what a high-end LCD monitor
can produce. But that being said, there are e-paper smartphones on the market today. But high-end televisions
and monitors was never the purpose of this technology. E-paper serves a very definite niche.
Any signage or device that doesn't need to be refreshed constantly is a perfect candidate for an
e-paper screen. So, if you haven't seen them out in the wild or
you'll probably start seeing more of them in the years to come.
The executive producer of Everything Everywhere Daily is Charles Daniel.
The associate producers are Austin Otkin and Cameron Kiefer.
My big thanks go to everyone who supports the show over on Patreon.
Your support helps make this podcast possible.
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That's where everything happens that's outside the podcast.
And links to those are available in the show notes.
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