Everything Everywhere Daily: History, Science, Geography & More - The Wilhelm Scream
Episode Date: October 10, 2025Many filmmakers are known for small signatures that they always put inside their films. Alfred Hitchcock always used himself in a cameo. George Lucas always found a way to integrate the number 1138. Q...uentin Tarrentio almost always mentions the fictional "Big Kahuna Burger." And Stan Lee, of course, has found his way into every Marvel Movie. However, there is one film signature that is shared by a wide range of movie makers and has appeared in hundreds of films. You’ve probably come across it even if you didn’t realize it. Learn more about the Wilhelm Scream, where it came from, and how it spread on this episode of Everything Everywhere Daily. Sponsors Quince Go to quince.com/daily for 365-day returns, plus free shipping on your order! Mint Mobile Get your 3-month Unlimited wireless plan for just 15 bucks a month at mintmobile.com/eed Stash Go to get.stash.com/EVERYTHING to see how you can receive $25 towards your first stock purchase. Newspaper.com Go to Newspapers.com to get a gift subscription for the family historian in your life! Subscribe to the podcast! https://everything-everywhere.com/everything-everywhere-daily-podcast/ -------------------------------- Executive Producer: Charles Daniel Associate Producers: Austin Oetken & Cameron Kieffer Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/ Disce aliquid novi cotidie Learn more about your ad choices. Visit megaphone.fm/adchoices
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Many filmmakers are known for small signatures that they always put inside their films.
Alfred Hitchcock always used himself in a cameo.
George Lucas almost always found a way to integrate the number 1138.
Quentin Tarantino almost always mentions the fictional Big Cahuna Burger.
And Stanley, of course, has found his way into every Marvel movie.
However, there is one film signature that is shared by a wide range of movie makers,
and it's appeared in hundreds of films.
You've probably come across it, even if you didn't realize it.
Learn more about the Wilhelm Scream.
where it came from, and how it spread on this episode of Everything Everywhere Daily.
Did you ever hear about the selfie that solved a murder, or the jury that used a Ouija board to speak to a victim?
If that made you pause, you need to listen to Morning Cup of Murder.
I'm Karina Bimus Durfer, and every single day on Morning Cup of Murder, I tell one chilling true crime story tied to that exact day in history.
With over 2,500 episodes to binge, you'll never run out of dark stories to start your morning.
with. Go listen to Morning Cup of Murder wherever you get your podcasts. And remember, stay safe.
In the course of doing this podcast over the last five years, I've covered many important topics.
I've covered wars, empires, genocides, civilization changing technologies, plagues, and scientific
revolutions. This is not one of those episodes. This episode is about as minor a subject as I think
you could do an episode on, yet still have it be worth doing. The entire episode is about
one second of audio. Whether you know it or not, you have almost certainly heard it. It's estimated
to have appeared in over 400 films at least, and has become an iconic element of movie
making over the last several decades. I am of course talking about the Wilhelm scream.
And if you're not familiar with it, here it is. That's it. That's the entire focus of this
episode. Some of you probably know what it is and recognize it whenever you hear it. And if you
don't recognize it, well, you're going to now, because by the end of this episode, you're going to
have it burned into your head, and you'll start hearing it everywhere. You're welcome. The
scream was originally recorded in 1951 for the film Distant Drums, directed by Raoul Walsh and starring
Gary Cooper. In the movie, the scream is used when a character is dragged underwater by an
alligator in the Florida Everglades. The sound effect was recorded during a session that produced
multiple screams, and it was labeled as man getting bit by an alligator in the Warner Brothers
Sound Effects library. The actual voice actor who performed the scream can't be proven definitively,
although most people believe it was Sheb Woolley, a character actor and singer who had a role in the
film. A Warner Brothers call sheet from the distant drums shoot listed actors who were scheduled to come in to
record additional dialogue after the film was completed. The only person on the list that made any
sense was Sheb Woolley. In the course of researching this episode, I couldn't find a single other
name that was proposed for the voice, so while the proof isn't definitive, all signs point to
Sheb Woolley. His widow later used to joke about how he could scream and die in Westerns really well.
Woolley had a solid career in Hollywood, landing lots of bit roles. He was a regular on the TV series
Raw Hyde, played the assistant coach in the movie Hoosiers with Gene Hackman, appeared in
high noon, and had many bit roles in TV and film during the 1950s. In the film, distant drums,
he had an uncredited role as Private Jessup, the soldier who was dragged underwater by the alligator.
His biggest claim to fame, however, was the fact that in 1958, he released the hit comedy
song, The Purple People Eater, which, believe it or not, hit number one on the Billboard Hot 100.
Just to get even further off topic, because I'll probably never have a chance to address this song again in an episode,
the origin of the song comes from a bad children's joke.
Question, what has one eye, one horn flies and eats people?
Answer, a one-eyed, one-horn flying purple people eater.
And getting even further off topic, the 1970s Minnesota Vikings were also known as the purple people-eaters,
which is apt because they're also a bad joke.
Okay, back to the screen.
movie studios being businesses seek to reduce their costs whenever possible.
So the screams recorded for the movie Distant Drums were put into an audio archive for Warner Brothers Studios.
Over the next 20 years, the screen was used in many films produced by Warner Brothers,
such as A Star is Born, The Command, Them, The Land of the Pharaohs, Helen of Troy,
Sergeant Rutledge, PT109, the Green Berets, and The Wild Bunch.
In the early 1970s, a group of film students at the University of Southern California noticed that this scream was appearing in a lot of different films.
It became a running joke amongst the film students, and they dubbed it the Wilhelm scream, based on its appearance in the 1953 film, The Charge at Feather River.
In it, a minor character named Private Wilhelm screams after taking an arrow to the leg.
And he used to be an adventurer like you before he took an arrow to the knee.
The scream would have probably remained an inside joke, except that one of the students,
Ben Burt, landed a position as the sound designer on a small science fiction film titled
Star Wars.
While combing studio archives for Star Wars in the mid-1970s, Bert found the old scream and dropped
it into a moment where a stormtrooper falls from a ledge.
He liked the throwback nature of it and the private joke of using the same recognizable
screen that his buddies back in film school had made fun of.
This began a tradition of him using it in all the subsequent movies that he worked on as his own personal calling card,
many of which were very high-profile films.
The list included The Empire Strikes Back, Return of the Jedi,
all the Indiana Jones movies, Willow, Gremlins, Anchorman, Die Hard with a Vengeance,
Lethal Weapon Four, and the Fifth Element.
Ben Burt became one of the most accomplished film sound effect editors in Hollywood,
and many others in the field began to study his films.
and they noticed the exact same thing that Bert and his film school contemporaries noticed back in the early 1970s.
The scream seemed to be everywhere.
As other sound designers and filmmakers learned about Bert's running gag,
they began incorporating the Wilhelm scream into their own films as well.
It evolved from a personal Easter egg into an industry-wide inside joke.
Directors like Peter Jackson, Quentin Tarantino, and the Coen brothers began using it.
It began appearing in even more movies.
including Toy Story, Reservoir Dogs, The Lord of the Rings, Transformers, and many, many, many, more films.
With the rise of the internet and film fan culture, the Wilhelm scream transitioned from an insider's joke to public knowledge.
Movie enthusiasts began actively listening for it, websites cataloged its appearances, and it became a pop culture phenomenon in its own right.
By the 2000s, the Wilhelm scream was widely recognized in film culture. The National Science and Media,
Museum in the United Kingdom noted its use in more than 400 different films. At this point,
the sound had crossed into television, animation, and video games, which made the gag even more
familiar to general audiences. Eventually, the scream became so well known that it began to distract
from the films. In 2018, Lucasfilm's supervising sound editor Matthew Wood said that Star Wars
would stop using the Wilhelm scream. The Last Jedi quietly omitted it, and the series
moved to a different signature scream, a way of signaling that the soundscape was evolving.
The choice didn't end the use of the scream elsewhere, but it did pause the very tradition
in Star Wars that had popularized it. In the process of researching this episode, I came across
several mentions of the sound editors of the recent Star Wars films who claimed that they had
created a new scream that they've started using. Supposedly, the voice behind the scream was
none other than George Lucas himself, and it was supposedly recorded for the 1973 film American
Graffiti. They dubbed the new scream, The George. However, despite a great deal of searching on my part,
I was unable to find anyone who had identified the scream or who had come forward with what it
sounds like. So I'm just throwing this out there. If anyone listening can find out what the George
scream is, you would be greatly advancing the cause of scream science.
There is yet another twist to the story. In 2023, preservation work at the USC School of
Cinematic Arts surfaced the complete original recording session of the Wilhelm Scream in high
quality form. Cal Art Sound Professor Craig Smith had been transferring and restoring the sunset
editorial sound effects library, a trove of 35 millimeter magnetic film elements,
donated to the USC School of Cinematic Arts in 1990.
He described how student engineers transferred those elements to quarter-inch tape in 1990,
how the tapes later developed Sticky Shed Syndrome,
and how he stabilized them by baking and then digitized and restored the tracks.
Among the Reels was the complete original session for the now-famous scream
that was recorded for distant drums in 1951.
Smith decided the best way to keep these effects from disappearing was to make them
broadly accessible.
Smith uploaded the Wilhelm session to the freestown.org website in February of
2023 with a Creative Common Zero public domain license, which explicitly allows free reuse
even in commercial work.
The items notes identify it as the original Man Eaton by Alligator Take.
If you're curious, and because it's in the public domain, here is the full recording
of the scream takes from 1951.
It's only 30 seconds, and the history is made.
made in scream number four.
The man getting bit by an alligator and he screamed.
The first one you did up here was much better.
The Wilhelm scream is a miniature history of Hollywood.
It's a one-off recording made for a swamp attack scene in a 1951 film, which became a studio
library asset, then a running joke among sound editors, and then an audience spotted
Easter egg, and finally a piece of film folklore that archivists now preserve and share.
Its endurance rests on two simple facts. First, stock sounds were a practical necessity for decades,
so this particular scream had many chances to reappear. And second, Bert and his peers
turned that practicality into something fun, which proved to be contagious. That is how one
second of audio from the guy who sang, the one-eyed one-horn flying purple people eater,
became cinema's most famous scream.
The executive producer of Everything Everywhere Daily is Charles Daniel.
The associate producers are Austin Otkin and Cameron Kiefer.
Today's review comes from listener Christian Longwolf over on Apple Podcasts in the United States.
They write,
Not all podcasts are created equal.
In the early 21st century, one podcast arose to create a smarter and more advanced civilization,
one that allowed listeners to build their knowledge and become smarter every day.
Learn more in today's review of Everything Eighty.
everywhere daily. This podcast covers broad and diverse topics to help listeners better understand
history, science, and culture and how they come together to shape the world we live in today.
It'll surely inspire listeners to take on the completionist quest, but more on that later.
Suffice to say that this podcast is quite addictive, in the most cognitively healthy way to be
addicted to anything. And podcast addiction will certainly be a future review. To put it succinctly,
you can turn any free moment of your day into a fascinating journey of knowledge. I'm
also proud to report that I have finally completed my quest and have now established the Gainesville
Florida chapter of the Completionist Club. As the first in my town, I will donate a portion of my garage
as the chapter clubhouse, where IPAs and red wine will be served nightly. Thanks, Christian,
congratulations on your completionist club membership. Glad to see that you're donating your
garage space for the clubhouse. We need more people with that sort of gumption. And hopefully your
chapter will soon have a curiosity of members. As always, if you leave a review on any major podcast app,
Facebook or Discord, you too can have it read on the show.
