Everything Is Content - Scotland's Fyre Festival
Episode Date: March 1, 2024Treat yourself to one jellybean and half a cup of lemonade as we head into the AI Wonka Hellscape - prepare to be captivated by an audio spectacle! This week on the podcast, join Beth, Ruchira and Oen...one as we discuss Reformation’s new supermodel, a bawling Taylor Swift fan and the very sad closure of our beloved Vice. —WILLY’S CHOCOLATE EXPERIENCE (link still live at time of posting) INDEPENDENT: Angry Oompa Loompas and no chocolateROLLING STONE: Huckster Behind ‘Willy Wonka’ Event Also Sells AI-Written Vaccine Conspiracy BooksELLE: Monica Lewinsky on Becoming a Fashion Campaign Star at 50ROLLING STONE: ‘I’m Laughing Along’: Taylor Swift Fan From Viral Exile Video Thinks It’s Funny TooOBSERVER: I used to be ashamed of being a fangirlTIKTOK: IHOP Happy DanceTHE GUARDIAN: Why angry ‘anti-fans’ turn on the influencers they once lovedHANNAH EWENS: Fangirls THE GUARDIAN: Vice’s cunning, irreverent journalism is deadRYAN BRODERICK: Tiktok is for millennials, it turns outVICE: What Your Choice of Crisps Says About You VICE: Ovum Easy, PleaseVICE: Westminster Dog Show… on acid! VICE: How Dublin Celebrated the 48-Hour Legal Ecstasy Loophole—Follow us on Instagram:@everythingiscontentpod @beth_mccoll @ruchira_sharma@oenone ---Everything Is Content is produced by Faye Lawrence for We Are GrapeExec Producer: James Norman-FyfeMusic: James RichardsonPhotography: Rebecca Need-Meenar Artwork: Joe Gardner Hosted on Acast. See acast.com/privacy for more information.
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Discussion (0)
okay great should we podcast?
no
okay then
no
best not
I'm finished
I'm Beth
I'm Ruchira
and I'm Anoni
we live and breathe pop culture
so every week we get together and deep dive into all the top pop culture stories
we are the scented candor in the stinky bathroom of content.
On today's episode,
we'll discuss the closure of Vice, RIP,
and yet another Taylor Swift viral video.
Get over to our Instagram at everythingscontentpod
where we round up what we've spoken about
on each episode there.
We love hearing what you guys think.
So DM, comment, et cetera, et cetera.
Whether you agree, disagree vehementemently we want to hear from
you as always let's start the podcast with our faves from this week what have you been loving
beth i have been loving the willy wonka immersive experience unfolding on the internet do you guys
know what i mean i do i wish i didn't, but I do. Do you and Oney?
I do, but I haven't actually deep dived.
So I've only seen surface levels.
This is such a shame.
This is such a shame because my timeline is so vibrant because it's like global news now.
People from Canada, the Americas, Asia, all talking about Glasgow for quite a stressful
reason for like the Glasgow tourism board the Wonka immersive
exhibit experience was a 35 pound ticketed event where families were encouraged to bring their
children to celebrate the new Wonka film and to kind of get into the world the magical world of
Willy Wonka and what they got what they promised I'm going to open the website because what they
were promised and what they got was very very different it's giving fire festival but yes
it's Scotland's fire festival that's so true it's so interesting to say this because the cut
actually covered this and the title of the cuts article was welcome to fire first one for edition
I'm not joking I genuinely hadn't seen that so you've got your minds alike with the great
journalists of our time what it was promised to be was
an enchanted garden with giant sweets,
an imagination lab.
And this is from the website.
Prepared to be captivated by a visual spectacle,
encounter mind-expanding projections,
optical marvels,
a surreal journey where the boundaries
between reality and fantasy harmoniously merge.
It was a surreal journey, I will say reality and fantasy harmoniously merge now if
you've seen the pictures it is not quite that they've done sweet fa they've got like a couple
of rubbery looking decals on the wall there's some balloons there's like a ball pit did you
see the awful and palumpas that look like they're going through something very very bad in their
lives really sad like this kind of woman at a table which is covered in like shit science experiment stuff she's got this like
little green wig on she is staring into the middle distance like harrowed expression like
she i think she spoke to the press and she was like listen i didn't know it's gonna be this
shit i was humiliated i was talking to these parents being like i'm pretty sorry i'm so sorry
this is happening did you also see i saw oh who
was it i think oh no it was rolling stone revealed today that the mastermind behind all of this
basically he's been putting out like ai conspiracy theory books on like vaccine misinformation
that is so i mean it makes total sense when you see this all these pictures they use ai and all
the promotional experiences and they were like i get even sucked in by those ai images do you never see kind of
like the architectural ones on instagram and you're like oh my god this home in the middle
of the forest is so beautiful and i'll be staring at it and i'm like oh it's the ai like it does
take you a minute to like get that it's not real and it was same with this like the website is
still up and i would recommend we can we can link if it's still up i would recommend looking because
like the pictures there's like a bear with it looks like a normal bear and you're going he's kind of got like a front bum
and like chicken legs and like the language they use so they promise
cartry tons sorry what a pass a dice of sweet teats what what are you saying life performances
that's a real word uh lightning dim tight depractions dim tight dojection so like they've just generated like
words that obviously are fake and you just you don't do that second look and i was like hang on
what is an exadre lollipop i've just seen a piece in the independent that says angry
impalimpa and no chocolate wonka actor breaks his silence on willie's chocolate
i need you guys to know more about this like it's it's so important to me they were saying that the
kids were walking around and it was just so bleak that they were just crying they were allowed like
a small cup of lemonade and a single jelly bean which was it you or someone that quoted someone
that said everyone keeps being like oh my god AI is going to take over the world but it keeps just
making art this is pure art oh it's amazing it makes me so proud for my like scottish heritage um we did
have a message from aditi on instagram who said that this is reminiscent of the 85 pound grinch
we spoke about in like episode one or two it is just chaos on a budget and i'm living for it if i
had kids i've not seen the new wonka but i was obsessed with the old wonka and if there was a
possibility of spending 35 pounds to go into a world do you remember those buttercups on
the wall that you could like bite they were like no daffodils were they do you remember in the
original Wonka yeah they're like flowers and he'd like bite oh I would have paid that and I would
have been scammed stuff like that they were like you go and pick the growing beans no you get one
single jelly bean and then you have to go home also lemonade it's not even very like I don't
get like a little half garb yeah what is go home. Also lemonade. It's not even very like. I don't get like a little half cup.
Yeah.
What is the relevance of the lemonade?
I don't know.
Oh, it's so sad.
But anyway, this has been, I hope this news cycle never ends because it's been like a
bright spot on my whole week.
Oh, speaking of like things that aren't meant to be comedic, but are, can I just talk about
Madame Webb?
Please do.
Yeah.
Because what is going on here?
I mean, I can't tell you that, but I can tell you I watched the film and it's the hardest I've laughed in so long. Can you get, what is going on here i i mean i can't tell you that but i can tell you i watched the
film and it's the hardest i've laughed in so long can you get what is it what is it about i know i
know it's dakota johnson that's about as far as i've got yeah so it's in the spider world universe
what spider-man universe um it's not related to marvel which is something i learned unexpectedly
last week i didn't even realize that.
So basically, Sony owns the Tobey Maguire version of Spider-Man.
They lent Spider-Man to Marvel for the Tom Holland version, which is, you know, the Avengers style version of it all.
This one, I don't want to give an Easter egg away, but basically it is related to the original Spider-Man and like explain some of the story.
It's in that world.
But the whole thing is just mental. The script bizarre all of it is so ridiculous there's a villain who talks like
he's like I will defeat the world I am going to pay you a fortune if you help me
how is the how's Dakota because Florence Pugh my fave's in it as well isn't she no she's not in it
Sydney Sweeney is in it maybe that's who you're thinking of sure Florence Pugh, my fave's in it as well, isn't she? No, she's not in it. Sydney Sweeney is in it.
Maybe that's who you're thinking of.
Sure, Florence Pugh's not in it.
No, Florence Pugh is in it.
Florence Pugh is in The Black Widow?
But yeah, no, the whole thing is mad.
Dakota Johnson is fine.
She is just so sardonic and so sarcastic throughout the whole thing.
The storyline doesn't make sense.
Her second name is Webb and her mum worked on spiders.
Nobody references that once, which i think is insane wouldn't you be like oh haha yeah my mum worked
on spiders what does working with spiders i don't know what working on or working with spiders is
she her mum worked in the amazon with and on spiders that's all i know i have read horrible
reviews of it like really like dog shit which makes me want to go and see
it I honestly think it's gonna be a bit of a cult classic with an online group of people calling it
so bad it's good but I did read something today that said that that hasn't translated into the
box office it has been a massive flop do you think if you were like 16 would you have thought
it was good no I think it's only funny because I went in with a friend
and we were like,
oh, this is going to be a pile of shit.
Right.
Can I kind of sidetrack
and just talk about Dakota Johnson?
Yeah, let's talk about her.
Do you remember,
was it last year or the year before
the cut did the massive Nepo baby?
Yeah.
Beginning of last year,
end of 2022,
I remember because we talked about it separately.
Yes.
It was like a really big...
Mind map.
Mind map of like how
everyone's related like who's who Dakota Johnson kind of comes from a dynasty of actresses actors
her mum is Melanie Griffiths her grandmother was Tippi Hedren so when this whole nepo baby article
came out everyone was kind of scoring the nepo babies on how they were reacting and I think
Lottie Moss came off quite badly in terms of her reaction but everyone really enjoyed Dakota
Johnson's reaction to it.
I think she was kind of joking.
She was retweeting things,
but in this current press junket,
she's,
I don't know if you guys have seen this.
Someone asked her about the baby saga and she's quite sour and a bit kind of
dismissive about it.
And I was like,
Oh,
I thought you got it.
I also saw something where,
so in the film,
there's three younger people and she almost takes them on and like, it's like a mothering I thought you got it. I also saw something where, so in the film, there's three younger people
and she almost takes them on
and like is like a mothering figure and like a mentor.
And in real life, that could be the case
because she's obviously, you know,
like an actor that's been around for a while.
Sydney Sweeney is younger to the game.
The other two actresses are newcomers.
She made a comment about how they were all friends
and she just was on the outs but then somebody
asked sydney sweeney about it sydney sweeney was like oh yeah she just never replies to us and then
the other actress who was in their like younger group was just like oh yeah i think i've been
left on read for a year i i don't know it was kind of just a bit rubbish that she wasn't just
like oh yeah i took them under my wing and like i really wanted them to like you know feel safe
on set and blah blah blah i i get that no one one owes anyone that but I didn't love that I used to really like her but
I feel like she's affecting that kind of like sarcastic don't care a bit too much and I don't
think it's coming across as well as like someone like Aubrey Plaza who I do genuinely just believe
is a little freak yeah in a fab way yeah I mean I feel like she is more of a prestigious like kind
of actor I know that she started out of a prestigious like kind of actor.
I know that she started out doing like Fifty Shades,
but she's done some good projects.
Why did she do this?
Well, this, I was about to say that
because when she did Fifty Shades of Grey,
everyone was a bit like,
oh, come on,
she's just the daughter of Manny Grit.
Like she's not an actor.
And then she went on to have some amazing roles.
Like I love her in A Bigger Smash with Ralph Fiennes.
Have you seen that?
I've not seen that.
It's such a good film.
And so she's done work
and people actually started to really love her.
She became a gay icon
and there was the whole thing
with the limes
the limes
the lie about the limes
peanut butter falcon as well
Ellen DeGeneres
yeah
and I did invite you Ellen
yeah so she has had
some legendary moments
and it's like
oh it's
it's interesting
because maybe she didn't realise
how much in the public favour
she was
yeah and I
it's the cycle
we love them
then we don't like them
and I don't want to feed into that
but I just this whole like press tour I just haven't warmed to her
so I've been loving just thinking about nepo babies this week really as usual
so we asked you on Instagram what you wanted us to discuss on the podcast this week and
caris said monica lewinsky becoming the face of reformation like okay this feels very us
do either of you want to give a brief synopsis of who monica lewinsky is and why she's in the
public consciousness okay i'll do my best here so in the 90s i I think it was 1995, Bill Clinton, who was president at the time and a married man to Hillary Rodham, began a sexual relationship with his, I believe, 22-year-old intern, Monica Lewinsky.
It lasted about 18 months.
The pressure was on him to deny this at several points.
He did.
He said, I did not have sexual relationships or relations with that woman.
I did not have sexual relations with that woman I did not have sexual relations with that woman anyone who used LimeWire to illegally download songs not me will have had this downloaded on their laptop sometime
in the early 2000s anyway it eventually was revealed that he was having this affair she was
smeared up and down the land as I guess she was like in her mid-20s by this point and has remained a like a figure of like fun of like sexual
lasciviousness ever since so that's like 30 years perfect synopsis Beth and and I saw a tweet which
I thought was really true from Aubrey Strobel which said Monica was simply born in the wrong
generation her generation and the one before did her so dirty if she was Gen Z she would have a
podcast a book deal and a makeup line and i think that's so true
but she's having her moment because this week the women's fashion brand reformation personal
favorite of mine released a new workwear campaign which is fronted by her and the campaign tagline
is you got the power and it's also in collaboration with vote.org which is a u.s based non-profit
encouraging people to vote i think this is kind of iconic personally and it's an interesting
direction i like the idea of using non-models i do kind of love the call to action to vote
but it is again like blurring these worlds what do you guys make of the campaign i mean i think
it's a beautiful campaign she looks amazing she makes the dresses look amazing i maybe disagree
with you about whether has she been a Gen Z she would have
fared better there's a case we made that a woman involved in a sex scandal as like the adulterer
maybe wouldn't have done better as a Gen Z I think we are still quite moralistic I think we maybe
would have smeared her even more because of the internet I think she could have easily been
really vilified for that would she been able to pivot that into a like
real like monetized space would she been able to be a girl boss about it i think that i'm not sure
on because i think mona kowinski did actually make a lot of money off this and obviously it's
terrible what happened she did make a lot of money and is still doing very well but i just worry
about like the way that we treat women that we do and don't like.
Had she fallen a little bit foul
of like public image
or Gen Z's, millennials,
she could have easily been black marketed.
Wait, what's it called?
Blacklisted.
She could have easily been blacklisted.
Back to the campaign.
I wanted to bring up a piece in Elle
by Veronique Hyland
where she talks to
the chief creative officer of Reformationation Lauren Karas-Cohen
and they say Lewinsky is someone many Gen X millennial and Gen Z women see as a personal hero
that's quite interesting framing do you think that's just because we have so much nostalgia
for the 90s have we re-notified anything that happened in that era to be iconic I think yes I
think maybe because I don't remember this
but I know like my mum's friends or like people of that generation hated her and still do or felt
very strongly that she had an equal part to play like a bad part to play in this whereas Gen Z can
just go you know she rose from the ashes she's got this like new life she kind of was a victim
and now she's not so I think you're right
I think we've attached maybe a narrative that was never there yeah I think you are right I think it
is just like part of the process of us like mining everything that happened like 10 or 15 years ago
a la Britney Spears one thing that I wanted to ask you about is how do you feel about a fashion
brand bringing in somebody from the politics world from history to kind of front
a campaign and like kind of merging those two worlds together I saw a few people online saying
it was quite bizarre and kind of icky. Icky is the word I was thinking as well in this piece in Elle
Lauren Cohen is quoted as saying the universal jaw drop of her name coming up was why she wanted
her to be the face of the brand and she said I was like whoa this woman's incredibly funny and smart and also a ref babe and I think there's everything is marketing now like everything
is just about selling a product you go on Instagram everything is an ad for a brand is
it's all kind of like merging into one thing it's really weird it's almost like you cannot escape
being sold to and everyone is being tied to a different form of selling so
as much as I do think it's iconic it's interesting I do like the fact that along with the brand with
a really sustainable ethics people might learn something about you know it is an interesting
angle and it's interesting that she's not a model and that she's older and that she's maybe not like
a size zero yeah I like that that is nice and it's kind
of a fascinating collaboration of worlds but zoom out further and we're just always I mean I think
we might be talking about this bit later but it's just attaching a famous name to something else
in order to get more eyeballs on it every industry is merging into one weird pool of
that can be like 30 second clipped
yeah and it's just being sold to you and exactly what she said the universal draw drop of her name
it's everything is about what's going to get the most amount of eyeballs in the least amount of
time i also wonder from her so what i was thinking of is one the beyonce lyric where it talks about
monica lewinsky all on my gown um and then the fact that she's doing like a reformation
collaboration they're well known for like they're amazing dresses the dress that she wore the famous blue
gap dress which had Bill Clinton's fluid on it when you search I mean this is total conjecture
when you search Monica Lewinsky dress half of the results are this bunk dress sorry the semen
covered gown the other the other half is the reformation
collaboration so I'm like this is either fantastic luck and maybe it's her saying do you know what
this was a long long time ago I want my google you know records to be expunged a little bit I mean
if it is good on her but I just thought that was really interesting that you know now when you
search her name she's the face of like the nicest dresses rather than that like grimy bit
of pop culture history i do really love that for her she does i feel like everyone has the right
to kind of wipe their history especially if you go through something as awfully traumatic as she did
it is weird i feel like the combination of like fashion and then like bringing in
like all of this like history and politics is just kind of bizarre in one way i'm happy that
reformation is encouraging more people to vote because by whatever means i don't care at this
point i just need people to vote and get voices heard and hopefully some bad people out of
government i think the only reason that kind of doesn't not that would keep me awake about what
ridiculous thing i was about to say is because reformation is sustainable forward like that kind of thing is the number one sustainable option is being naked we're number two
or something like that so at least they have some kind of political edge if it was pretty little
thing oh god yeah bringing on like monica then i think i would have a real issue but i think at
least there is some form of there is a little bit the venn diagram crosses over enough for me yeah
to be like this is quite
classy collab i like what you did here and i have to say the copywriters at reformation i never read
any emails but the reformation emails are so good i literally have to click on it every time so they
piss me off do they yeah it's like stop making me feel like somebody's about to die unless i click
on this i'm tired of it i do quite like it but i need to know and this is completely off but i need
to know from big busty women not that i'm a big busty woman but i've got a bust you're i need to
know if i can wear a reformation dress i'll tell you you can because they so as a small busted
woman i can wear them but they have a ruched kind of elasticated they do back section so you're
like even though it's linen and lovely fabrics if if you were going to extend forwards. As a bust might do.
As a bust might do.
You have the room to do so.
Brilliant.
And busty, big busty babes are getting those boobies out.
Oh, brilliant.
This is the journalism that I needed.
And also it's inclusive of breast size,
unlike House of CB,
which I simply can't wear
because I have nothing to put in the cups.
Oh, yeah, yeah, yeah.
I hate that.
I'm like that housemate who looks amazing in a CB. Something to fill. Sadly can't relate because I have nothing to put in the cups oh yeah yeah I hate that housemate who looks amazing in a yeah CB something to fill sadly can't relate no I guess we'll see how the collection
does it is fairly corporate look it up some of it is giving Hillary Clinton I have to say there's
like a red two-piece with the boat neck I don't know just interesting choices so we'll see I don't
know interested to hear your thoughts please do uh contact us because it's one to deep dive into I
think thoughts please do uh contact us because it's one to deep dive into i think so we will be putting one pound at least in the private jet fund because i have another taylor swift story that
i want to talk about so this past weekend taylor swift finished the australian leg of her eras tour
and a video has gone quite viral of three fans sitting outside of the sydney venue doing something
that swifties call tailor gating which is where they stand outside listen to the songs in the car park and in one viral video which was captured by a fan who set their own camera up so
this isn't like a creep shot she realizes that Taylor is playing a song called exile and starts
crying in a way that personally I have only ever associated with like deep tragedy like unfathomable loss
like it is really wailing um it's guttural exactly she posted the video as of us recording this now
we can check it's still up on the internet comments are disabled but she's not deleted it
another account has reposted it and kept the comments up and those comments are I think as you might expect
a lot of like judgmental stuff flying around a lot of quite cruel comments a lot of disbelief
that you know why did she record this in the first place and why did she post it why does she feel
this kind of strong emotional connection to this particular Taylor Swift song and Taylor Swift so
have you guys seen it and if so what is your kind
of first reaction I did did you see the caption which was I believe um this is the song that
saved me or something to that effect yeah um but she didn't explain why or what that was but I did
see it did you see it Anoni I think the thing that's most shocking about it is the aware the self-awareness that this was
going to happen to set up the camera so the react I think what's so jarring about it is
she's filming actually we don't I suppose you don't know how long the camera's been there but
it very much felt like she put it there and she was preparing to have this reaction and also it
doesn't let her friends laughing the thing I'm obsessed with I have to say is just like um I
don't know why it just really reminds me of something I would do where it's like she was
almost waiting for it to happen two notes played and she was like and it was like almost like flip
the switch I don't know why I was just obsessed with that and there's another bit where someone
was like she sort of I think she realizes like her foot's in shot so she sort of creeps her
Birkenstocked foot out of the camera which again is something I would do so I saw this and I had
that knee-jerk reaction of maybe I was a bit judgmental as a kind of I feel quite neutral
about Taylor Swift I thought is there really a song even in with the artist I love that would
make me feel that level of emotion and would I ever have and the answer is no would I ever have
the impulse to record it to then post it and to feel kind of
fine about that and I think I think the answer is no so the exact caption is my reaction to Taylor
singing exile in brackets also known as the song that saved my life like I'm not doubting that you
could have I would definitely there's so many songs that I would have a really big emotional
reaction to because I'm basic would probably be like better together by John Johnson if I ever
saw him live which I'm desperate to but like surely she knows that
Taylor's gonna be singing this song it's as if like it's a surprise but wouldn't that be on the
set list I think it is so I think we don't know which is why she's outside and I couldn't tell
whether she was so because she wished she was in there when she was playing it but I think it is a
surprise oh okay well I kind of feel less bad about that I thought she knew she'd like seen it on the set list set the video up and was like
i'm gonna cry oh i think it's all right now i think it's all right i don't have a problem with
it and i feel like i don't know we we know that people have these reactions to their favorite
stars i feel like i don't know at one point in my life i probably could have like collapsed on
the floor been heaving sobbing if lady gaga was playing because
i was obsessed with her at a certain point and had this like giant emotional reaction i actually
wrote about it for the observer once so yeah i think i think it's all right and it's not anything
new is it no it is the beetle mania it is the elvis presley hip thrusting craziness and it is
and it's always obviously we are very like misogynistic about
when women have strong reactions to art. Maybe mine was, I was like, really like get a sense of
proportion. Like it just felt like a global, like reliving times of global terror and like,
is this what we care about? And then I had to check myself and be like, maybe she also cares
about other things. This is just one moment in time. Also, how old is is she is she in her early 20s because i think what's confusing about it is
the fact that it's filmed but i personally being the biggest attention seeker ever in school for
example someone would tell like a minorly funny joke and we would genuinely just fall on the floor
screaming laughter for attention because it was like someone oh my god his chances are too long
we black and then like we would like cause each other to have these
huge fits of laughter but it was it was it was peacocking god i can't think of the word you know
what i mean yeah i think what's so weird about it is like when you're being teenagers or in your
early 20s i don't know how old she is but you do do these things to show off to your friends and
it's all kind of like learning and you're testing the boundaries i think it's the filming thing
that's so strange as we know everything is content it just renders it to me quite inauthentic to have the thought
I'm gonna have an emotion the camera's on there's no way that you don't ham that up it was like the
woman in the restaurant when she orders like pancakes or waffles she's filming herself waiting
for them to arrive they arrive she does a little happy dance and it's like my hangriness goes away
and everyone was also quite sneering at this and I had the same reaction because it's like my hangriness goes away and everyone was also quite staring at this and I
had the same reaction because it's not the little happy dance when you get your food if that's the
authentic reaction it's performance was performing of a feeling and I felt maybe this if this is a
performing of an emotion that's a lot bigger than it would have been if the camera wasn't on
are we just like self-commodifying to a really exhausting degree where like no moment
kind of comes around on its own every moment we just think how is this going to look
on like a six by seven screen does that mean that any emotion caught on camera then is by
virtue just inauthentic because you've propped something up to record it or are we so used to
having these devices all around us that it is just like I don't know like
having having your arm there it could be because you know as a boomer myself I could just not get
it because I haven't I've never done it myself and I would immediately feel really self-conscious
and I would change how I act and I do when I see a camera on me so it could just be a generational
thing completely I'm so uncomfortable as soon as I have a camera on like in front of me I seize up
I look awkward like
there's a reason there's no selfies on my Instagram everyone not to quote myself but I'm going to in
bad influence my debut book I talk about this I don't think you can ever be authentic on anything
you post online when people are like this is for me this is for my memories then you keep it
yourself the minute you know that something's going to be seen you're the way you look you're
really aware of the camera
i don't believe that there is such thing as authenticity online i think authenticity can
really genuinely only exist in a moment as it's happening and the fact that it's fleeting rather
than like edited posted with a caption that may or may not reflect the truth even if you're telling
something which is true to you because obviously also we self-edit all the time in real life as
well but when you're online it's like you're factoring on all these other people and I agree
what you're saying about the woman that doesn't happy dance this is a whole part of TikTok where
people really over exaggerate their reactions to eating food or seeing their friend or buying
something new and it's it's like a sensory overload and people seem to really like it it
doesn't work for me again it might because I'm a boomer but i do think it's problematic in
terms of i do think people are just sitting at home and overreacting and i mean that in the
literal sense not like over like as in over performing for being online but then just not
actually going out into the world yeah i think it does affect how we interact with people yeah
affects everything one thing i was going to say is i feel like the specific subsect of this is just like fan
culture and I feel like the overreaction and kind of putting it online is almost being like I'm
I'm such a big fan I'm this much of a fan that I would have this breakdown yeah I think there is an
element of like that can't be authentic if you've got that in your mind of proving yourself to be a
fan but I also don't think that's necessarily a bad thing if that is the motivation I think it is just like it just reminds me of being at school and being like competitive with
a friend who said that they like the same artist I was like well actually I listen to this and this
and this and this and this and this yeah and I mean this is money to be made as well with like
kind of attention retention on videos so like if you do ham it up and if you do have quite an
extreme reaction
something that other people are going to talk about negatively or positively you keep those
eyes on your video you do stand to make a bit more money and in like quite an uncertain where you
know everything's pivoting to online I can see the motivation also to get eyes on your page there was
a recent piece by Sarah Manavis in the Guardian talking about it's actually talking about anti-fans
but one of the things she writes about is the parasocial relationships we have with celebrities and people online and actually what
you just said richira reminded me of that piece because it made me think you're so right it's kind
of like that person is telling everyone that actually i because i had this experience that
was life-changing for me i'm actually closer to taylor than you even though it's only happened
on their end it's like no one could take that away from them you can't you can't say no that's not true that you know that saved that song saved
your life and so they've created in this parasocial thing a closeness which is more than someone else's
closeness yeah yeah completely um I have to shout out Hannah Ewan's book Fangirls which does such
a good job of talking about how fans you know try and get as close physically
emotionally mentally to the people that they love in various ways it's so good
this isn't the first cringy viral video generating discourse and it won't be the last
and we'll talk about them all okay so I've got a sad one to bring up I'm sure you girls have seen that vice media announced
last week less than a year after filing for bankruptcy is now shuttering its news operations
and flagship site vice.com there's been a load of redundancies it's been really really just fucking awful to be honest vice was founded
30 years ago as a print magazine and expanded digitally it reached the point in the mid-2010s
where it was the major alternative media platform for up-and-coming journalists at one point it was
valued more than the new york times which is incredible and yeah my my personal experiences I interned there in 2018 it's how me and Annie
Lord became besties we met there and I did a little bit of housekeeping I saw that I've written
60 articles for Vice so it's just like honestly so devastating I'm so upset I'm really sad it was
the place I would go for innovative interesting articles there was like fun people I used to love
all of Tom Usher's like really silly like experiments he did I remember those like eating nettles and actually it's what introduced
me to pretty much all of the roster of like young journalists now that I love that have gone on to
work in different publications or still write for Vice and I didn't realize until maybe this week
how many of them had come out of that because they were saying got my start here and it was just like
a complete who's who of the the best like working journalists now and it
just it was such a factory of brilliance yeah yeah there's also a lot of other things of course but
like rutier you got your like it just goes to show that is where so many people like someone gave a
chance they did some batshit stuff and now they're working doing more amazing stuff like you yeah did
you see shrinkale's piece uh for the guardian um
very popular very well-known feature writer for the guardian wrote her an opinion piece
when i was interning there she worked at broadly and she was so nice and continues to be really
supportive and nice and in this piece she just kind of lamented you know the execs who throughout
this whole process were giving themselves bonuses year on year on year whilst they were making redundancies um that was even the case last year i saw recently that yeah as
people getting laid off left right and center they gave themselves a record bonus wow and she said
right at the end the thing that's the saddest about this is all the young writers that possibly
will not be seen or heard because there is nothing like vice anymore and it was just such a it was just such
a incubator for people who wanted to get into the industry and just needed a place of support and
encouragement i also think it's the variety of writing like we've spoken so many times in this
podcast about how everything's kind of curmudgeoned it's probably the wrong word like foisted through
the same very small funnel of information and it's like click and eyes and
stuff whereas vice would have like really interesting takes and like i feel like that's
not something that you get in especially in mainstream big publications and we've also lost
recently galden yeah only last was that last year so many are just shuddering and and you're right
it's like really well reported long reads fewer and fewer places especially like interesting ones
a lot of younger people
will read and write where do you go to read them or to write them where do you pitch those anymore
rather than just like pictures that someone's taken off someone's instagram and written like a
piece about about like microtrends yeah um i think it was jason who said this jason
who said this this week all we do is like we report on microtrends they don't actually go
anywhere it's not useful reporting because they're so shallow and vapid what we need is like proper decent deep
reporting which i think is what vice did and what vice journalists have gone on to do and and
reporting the micro trends thing isn't interesting either because they're generated by us as if we
say we're the readers like journalism is supposed to do the opposite of that it's supposed to dig
deep deep dive figure out you know things rather than all they do is they like cannibalize stuff that is already kind of like
like you said like the algae growing on top of the yeah they just go here's what you've already
been seeing this is what you've all been saying we've collected it together and all the tweets
you've already read and all the posts you've already seen here they are in one article a very
tired staff writer right about this well literally on that note that's like a perfect segue did you see that amazing research that ryan broderick internet culture reporter uncovered
from pew research center which suggests that 40 of people on tiktok are in their 30s and 40s
so all of these micro trends that are like you know this tiktok trend on work culture blah blah
blah blah or this like term for this blah blah blah blah is just like millennials reporting on millennials like it's not even young people in
the way that it's you know reported to be I initially wasn't very shocked about that I was
like yeah obviously but actually the way people talk about the internet is like that's all young
people what they're up to it's just us yeah it's so true it's just us in this room literally just
us yelling into the void and then like somebody hearing it and being like oh yeah
is that is that a gen zed okay yeah let's just report that i know that we talk about the internet
here and that's kind of our bread and butter pop culture but i want to read stuff isn't doesn't
begin and end with dot com yeah i agree i just think where what is the future of journalism
now i think what we're seeing is quite damning i think it's really scary and obviously like
as working freelance writers a lot of my or the budgets of the places I used to write for have been slashed
I kind of have to work under that subscription model just to make rent people don't accept
pitches anymore and I for a long time I thought it was just me I thought I came a shit writer
everyone I talked to the most talented writers I know are saying Beth is across the board so I
think it is a really scary time and
I've been doing this for 10 years I've got other things that you know I could pivot to and it's
fine I'm figuring it out but like this would be so discouraging and actually insurance piece
in the Guardian she says she is going to talk to journalist students at a university and she
genuinely doesn't know what to say to them and I think that is just the scariest bit the voices
lost like what do I look people approach me I'm like I do not have
solid advice for you that isn't like keep your day job and just like hold on fucking tight or
have a side hustle or try to like I'm coming from the other side where I obviously do do
influencing and part of the reason why I got my book deal and I was actually really scared of it
was because publishers look at me and think oh well that's an easy transaction because she's
got this like built-in audience which and I hope that you know I the book is
fine but what I mean is that's not good for incredible writers who are younger more disadvantaged
than me don't have a platform who want to get a book deal who want to write journalism and they're
not given the same platform as someone like me that reminds me of the clip of Sam Thompson from
the June part two press junket don't dislike the guy, but I didn't think necessarily that his question to Timothy
Chalamet and Austin Butler was that enlightening.
I don't know if you guys saw this.
The question was sort of like, how do you, Timothy, like kiss Zendaya, who's your friend
in real life?
And obviously the answer is, well, they're actors.
Move on.
It was just a really shallow question.
And a lot of people were tweeting, I'm a journalist with X amount of years training and practice i wasn't allowed in those rooms they
didn't have time for me they didn't have time for like a letterbox i saw that so someone retweeted
like uh they didn't make time for my publication and then someone else responded underneath like
us neither and they were like they haven't that letterboxed it like i don't really know what's
going on i'm hoping this will come crashing down because like you
said I think what's happening is you're getting these short sharp clicks you're getting eyeballs
there is no retention that people aren't getting interesting insights it is cheap really isn't it
what they're doing it's cheap yeah but it's not translating so yeah I'm in agreement I just think
in the time while these people figure out people are going to just get so discouraged from pursuing
a career which actually is so important just culturally you're not necessarily just asking people questions about
the films but like good reporters honest reporters curious minds this is what we need we don't
necessarily need people that have been you know fucking around in the media space on reality tv
going well i might as well give this a go unless they genuinely have a credible reason to do it
or they're very talented which does exist on the note of what you would recommend to young people getting into the industry
the worst thing is as you're speaking the only thing that's really clear to me apart from you
know like diversifying like everything you can do whether it's editing and stuff is honestly just
like build an online audience and it goes back to what we were saying last week about um you know
this piece about being a sellout
from Rebecca Jennings which is just like the best thing you can do right now is just become kind of
a micro influencer online and leverage that to become anything you actually want to be but as
somebody who doesn't really have you know 10 to 20,000 plus followers I always kind of had this
thought in the back of my mind oh Oh, but my work speaks for itself.
My work speaks for itself.
People think of me because of my pieces
and I feel really comfortable with that.
And that makes me feel good.
And with the Vice stuff,
I just have this pit in my stomach of just realizing
that maybe I should have just like,
instead of focusing on pieces,
built up an audience
because that's all commissioners seem to care about.
That's so bleak to me.
And it's all those times,
like I'm very online and I do often think all that time i've spent fanning around online
i could have been becoming a better writer better like honing my craft so i think none of your time
has been wasted and your work does speak for itself i know what you mean your work does speak
for itself but also like that is this the sad truth i've spoken to so many like friends
journalists models anyone wants any job it's like
great how many followers have they got like and that is a gross place to be in as someone who's
built an audience like I feel like I'm in a bit of a gilded cage where like I'm so lucky because
I do get opportunities but at the same time I'm like I don't freaking want to have to like
show up every day I think the state of it is all wrong even though I benefit from how it's like
working at the minute and I think we spoke about this before maybe in the last episode about how there's like 50 million content creators
at some point it's going to be so oversaturated like everyone does have 10,000 followers everyone
in air quotes so at some point the merit system is going to have to change that isn't going to
be enough it will have to be the caliber of the writing because these people aren't going to read
bad people aren't going to watch people are going to complain about the writing because these people aren't going to read bad people
aren't going to watch people are going to complain about bad press junkets people aren't going to
watch it interviews they're not going to read crap journalism so whilst at the minute people
might be going off this like numerical value I hope I believe that maybe a different arm of
journalism something will come up it has to because it's not working right now I don't think you know what is upsetting to me is just the ephemeral nature of all of the
kind of online media we joke all the time like the internet's forever don't do anything stupid
but actually so much the internet is not forever people advise talking about how do I download
years worth of articles how do I get 60 or so bylines onto you know something that can hold
on to them because actually these places shutter and like whole bodies of work are lost we don't have physical media all of this stuff just
feels like if one company like rests on like some faceless board of people go nah get rid of that
it's not making enough money all of this like creative arts lost and yes so you know people
talking about people that eat poo and like an ode to Doritos Vice's best stuff is lost alongside you know people's bodies of work we've spoken about
it before um actually when it was talking about the New York Times journalist who wrote about
the Gayla Swift theories but Vice's Vice's importance in being able to understand youth
culture and being able to understand the
nuances of the internet and you know society in a way that broadsheet publications just never will
is just like such a massive loss to me. I pitched so many bizarre random articles that they took a
chance on and you know helped craft into something tangible and it helped me understand the ways that I see the internet today there's just nothing else like it oh my god look at your
face just on a hatch for that I'm gonna cry I honestly have been so emotional about it like I
have a pit in my stomach it's so yeah also for like people like Ruchira and like creatives coming
through who are like incredible journalists you really worked hard and just watching all of these
places that potentially would have
been your next step up to your next thing or whatever going away and then seeing someone
like sam thompson and again this isn't personal to him but what is your next move it's it's like
it's so much bigger than it's real people with real like ambitions real families like real bills
to pay and like it's at the whims of like these bosses they didn't build
this the creative minds built this everyone quote unquote below them built this and they have they
see none of the equity whereas these big wigs get all of the profit and it does just make you
furious about everything about capitalism about the state of the media the media death spiral
and it is really personal to us all yeah yeah yeah hell yeah couldn't have put it better myself can i lighten the mood by reading a tweet from erin please r.a.p vice i'll never forget
reading an article by a woman who's had a vaginal discharge reminded her of egg whites so she
so she fried up and ate it and came to the conclusion that it's not the same as egg whites
actually i got my journalism degree after that oh my god um one video that i think i've given
a shout out before but um the guy who took acid and went to crufts oh yes so excellent yeah we
have to link that because it is one of the most like joyful interesting why he's hot why was that
relevant we were like for some reason that was really relevant to something we were talking about
i couldn't possibly work we were not considering taking acid and going to
no but it was like we were like this is it was so good there was one that i read which i think it was like ecstasy or drugs were like
temporarily legalized in dublin and it was how dublin celebrated the 48 hour legal ecstasy
loophole and it was from like nine years ago and it was i found it today when i was looking at like
you know everyone's stories about this and it's just the most it was by rashim kibad and it's
just the most like hilarious piece of writing and i just think it's like vice
is finest vice drugs love introduced me to so many things and so many new ideas to give them
some credit i feel like max daly getting a nomination for the orwell prize for his work on
drugs i feel like broadly sharon carley's work before she moved to the Guardian doing Unfollow Me a massive
campaign on stalking it's just like the way they balance like work that is some of the best
investigative work of our time and then also I Took Acid and Went to Crufts is just it's just
art it's art it's the full human experience it is Boomer Butler with the fish like Joel Golby's like
writes just such moving stuff like about like Doritos and it's just like
these are just some of the best writers yeah if there is a writer that you love from Vice
give them a shout out maybe they're going through you know some emotions about it support their work
give them a follow um I know I've got 1700 that I'm gonna go follow now
next week we'll be discussing the book that you all voted for eliza clark's penance so grab a copy
and get reading you've still got time to finish it and join us i actually also listened to an
audiobook and that's sometimes a more efficient way if you feel worried about squeezing into a
week i did too it's about 12 hours long or shorter if you listen to it on double speed and it's good
i am really enjoying it.
Like, no spoilers, it's kind of true crime-y.
I don't like true crime.
Really enjoying the book.
If you've read Boy Parts or other book,
it's got elements of that style.
Dark.
Hooky.
Very dark.
No, definitely very dark.
I feel like, I feel fear in my heart as I'm reading,
but in a really good way.
So we'll say no more, but join us next Friday, where we're going to be deep diving into it.
Thanks for listening this week.
As always, remember to take a look in the show notes for links if you want to deep dive
into anything we've discussed.
Follow us on Instagram at everythingiscontentpod.
And please do tell a friend about the podcast if you love it.
Word of mouth really helps us out.
We'll see you this time next week bye everything is content is a grape original podcast and we are part of the acas
creator network this podcast was created devised and presented by us beth mccall richira sharma
and anoni the producer is faye lawrence and the executive producer is james norman fife