EXTRA ANORMAL - 113 | Por ver esta PELÍCULA amanecía con moretones | películas MALDITAS
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Transcript
Discussion (0)
I
I get to
sonar
with Freddy
and a
sometimes
I'm
really is
a product
of my
imagination
because
I'm
because
me spanted
or really
I'm
being attacked
by him
like that
like that
this
movie and
I
this
this
has been
it's
it has
the
first
the first
the one
the one
the one
the one
of the
one of
the
Super, super father.
The truth is that
my years
back, I
I'd
like, I
didn't know
a lot of
but I
had been
with many
moretones.
Hello, what
How much?
Beemned
to a little
more of podcast
Extra Anormal.
My name is
Paco Arias
and I'm very
content to
be in a
episode that
really
to get to
until the final.
Today me
my friend
Kike Wuerda.
How is
Kike?
How is my
kind, my
Krived?
Thank you,
thank you.
I'm
with a group
of
personalities
incredible.
Vennie
Come.
My
Saludos to all the family of poker.
Salos.
And I said with me
my friend
Jaira, how are you?
Oh, very
great.
Thanks for the
invitation
to Meno
club that arm
here.
Vena.
And no
could I
could be able to
Uri.
How is you?
Hello,
my friend.
Well,
my friend,
and content to
be able to
start
passing this
good
night with
you know,
I'm sure
I'm very
very content
family,
no,
don't see
until
until.
It's the
first chapter
that we
do we're
four
people where
we're
to talk
of things
that I
know
that you
are
going to
like
much
so
because we
to talk
the theme
of movies
of the
story.
I think it's
a time
that much
me have
been
been
so much
so
we're
we're
we're
we're
to talk
about this
super
theme
we're
to start
but
I'm
I'm
to
make you
this moment
for
if you
don't
know
you're
to
subscribe
you
to be
the
campaign
for
that the
platform
to
when
we
we're
we
of podcast, Spotify.
No forgets
calificarned
with five
stars,
yeah that
that's
help to continue
to grow
this project.
And,
well,
family,
yeah,
that you
subscribe,
and yeah,
you said
for there
the buttoncito
of the
question,
you
I'm
here,
I'm
to talk,
I think
the great
majority
is the
day.
They're in
a
podcast
of terror,
and I
think it's
of the
day that
you've
seen
in some
moment
a
movie
a
movie
What has been
your
movie
favorite?
Why?
What are you
like
so?
And over the
what you're
going to get
to get to
start with you?
I'm going to
I think it's
the most
easy with me
because
yeah the
flotta
that I
really really
like many
like many
like many
movies
of the
but I
think you
think I
have impacted
the other
with Nikol
the other
the other
not so
I'm
I'm
I'm
know the
I'm
know the
I'm going to
grab
in your podcast, and me
I took to me,
yeah,
that's
that's
that's
I'm in
you know, the thing,
you're going,
I'm going,
so I'm,
I'm sure,
I'm sure,
I'm sure,
who's,
who's the
story of the
man,
boy?
Awas,
Tigre,
because I've been
with all,
but the
others,
the other,
the other,
okay,
and that
that's the
thing,
why you
did you know,
because it's
got into your
top three
more
favorite,
or the
most that have
been used.
If some
of you
you know, I'm going to try to
to talk it
so, I'm going to try to talk it
since,
since,
so how
it's, how it's
spoiler?
Spoilers.
Of what?
Sorry, sorry, my friend.
No, no
see.
Actualize.
But you is
a baby?
No, yeah.
Yeah, yeah.
Yeah, yeah.
Yeah.
And all right.
And if not
go, and see,
I don't, no,
I don't remember the
year, but the
really, one of the
thing that most
me impactos is
is the
is the hero that
is the
thing that
because they're
in this
house, no,
where they live
the mom
with the mom
with these, with the chavitos and
and, of the repent, they're like
waiting to the papa that
they're like in, like, in the
war, or not where they're, this.
But the thing is that
they're going to have
like, like,
kind of Poltergeist, no?
It's a very suave,
the theme of the
movie, they're,
they're going to
move some of the
house and, and
it begins to be
apparitions.
So, the
person of Nicole Kidman
starts to tryer
to a kind of
a kind of a
spiritist, no?
Because he
starts to put
very pesed
the environment
into the
house.
And it
a moment
where it's
so insustainable
yeah,
the presence,
the things
that are
to get to
move,
they're going to
get to
the children,
a lot of
a series of
things impressive
Cairn.
But there
a moment
where the
history
does a
turn of
180
degrees,
and you
you're just
you're
really the
people are
those people
are the
so much
so that
so imagine
that in
this moment
we're
here to do that. And, and
it's, outside of camera,
you guys,
maybe not you know,
and there's a,
and there's a,
how do you know,
my channel?
No,
I'm going to,
oh, no,
you know,
I'm going.
It was up,
because we're going to
a lampra,
we. And we're
saying, ah,
it's a,
it's a,
but if really
those who are
the phantasm
are we're not,
very good.
For that's,
so it's called
the other,
the movie.
I'm impressioned
much, you know,
you question to
your own
Existence.
I mean, a
ver,
you know,
to see
a bit of
things in
internet,
I don't
remember if
was a
movie or
was a
movie or I
remember if
was a
chapter,
no,
I don't know
any in
what I
know, but,
the only
that's
a scene
where was
a mom
and her
and her
in a
house,
and they
had,
like you
did,
like you
did the
activity
Poltergay
and the
things,
but
then in
other
scene
are in
the
same
case but
in a different
year and
there are some
people
and they're in
they're going to
move the
things.
It's like if
one
would be the
other person
but without
the other person
or so they're
like they're
in different
lines of the
different lines of
dimension.
We're in
this mess
the four.
Exactly.
No, yeah.
Haura and
Paco Kik.
And we
we're we're
we're not
those we're
those who
we're talking about
podcast extra normal.
But of
we're just
to happen
to do
1920, where there
a spiritist
in the middle
there of a group
of people that
are in this
same place
that is this
building where
we're not a
house of
a house of
a cabna in
a middle of
the nada
no, and
there are
some belitts
here in
the end up
and they're
to start
and you
know,
we're actually
we're the
we're the
people.
And every
we know
we're doing
something?
Oh,
oh!
All you're
they're
saying
they're talking
of you.
Sure.
Ah.
You know,
I remember
much, I go
that's a
story, but
it's also
I'm going to
I'm going to
I'm going to
I'm going to
I'm going to
think it's
not so it's
not a
monfal,
the
movie, where
I'm
that's,
how is,
tell us that.
Yeah,
is that
when they're
in this show
of,
you know,
no see
you can't
spoilier,
well,
the people
that's been
to know,
the movie.
Well,
alert
of spoiler.
Yeah,
yeah.
Well,
the astronaut
the
person
of Mafio,
was going
when you
it's
when you
it's
the
aghero
so he
he's
he can't
and see
clearly
at that
that's
how it's
the
house
of your
so you
see that
that
you know
because at
you see
you see
things
that you
see
who's
who you're
saying
is a
phantom
the
the
relog
no
the
relog
there
he has
the
there's
the
that he's
in
code
Morse
no
in
It's incredible.
It's that this
shock of dimensions,
boy,
or so at least
what you said
we're saying,
we know,
we know we're going to
see in the
things,
but we know
we're going to
we're going to
we're going to
we're not
the time
paranormal.
But well,
we're going,
we're going,
you see,
you're doing
a chino of
a chinole of
pun,
you know,
oh,
what's going to
think to
see a audience
that I'm
satanical
that I'm
no,
no,
so I'm,
I'm,
I'm,
what I'm,
what's
what I'm,
No, no, no.
Oh, no, no.
Oh, no, no.
Oh, no, I'm super fan of the
movies of terror.
Me incant.
Me fascinant all the type of terror
that there.
But in special,
well, I grew up with
the theme of Jippers'Crippers.
Yeah.
That's, that in Mexico is the demonio.
Yeah.
The demonio, one,
and the demonio two,
were, so my
movies,
those are my favorites,
that even,
including me did much,
much, much,
me.
Why?
I'll say,
because one,
because one,
was a little,
I was,
like seven, eight
years.
And yeah
my first
movie of
the terror that
I mean,
that I'm
remember, it's
I don't know
if you know.
I don't know.
My favorite
until the day
of today.
We can't
talk about that
it's a
movie of cult or,
ah, or a
classic?
A classic.
A classic.
A classic.
A part of
that is a
part of a
movie with
that I think
that I always
I always
I think it's
because it was
very real,
because it was
it was very real,
because they
were a
of, I think the production
costed
800 dollars
Yeah, it was a
very low.
Very low.
And cost,
and really
it was a boom,
so it was,
it was,
it was made
so it was,
it was very viral and
irredituable.
So when I
see that
that movie,
obviously,
yeah,
I grew,
I,
and I,
I,
well,
that's,
that's real,
but I'm,
and I'm,
really, the
Bruch of Lerer
is exist
in that
in that place
of the
United.
The
actually,
it was when,
one
in some
capitol
we'll talk about
this
and I think
it's a
great
raskos
was when
this
brother was in
a part
and of the
people,
I think it was
a part
very little
and the
children
and they
gave them
to say to
those parents
and they were
not it's
we're going
but
it's like
me make
little
and the
she makes
so it
was when
in that time
the time
of the
thing of
the
carceria of
and they
they're
to
relate to
with the
thing
of
and
many
they had
marcus
and
this
he said
a little
time
after this
she was a
manned
doing this
after a
good
but
supposedly
that people
I don't
mean
it was
maldito
no see
if it
is real
because
the
she's
like the
disvive
in a
form
very cruel
but
before
that she
partier
of this
world
he lanse
a maldison
to
the
person
I don't
know how
many
for the
people
the people
other
again
to
begin
to
it's a certain.
They're real,
that is a strategy
of marketing
for that the
place has more
visit than what I
want to be.
But the
Brueha
to Bluerre,
I mean
I was too.
A me
I'm
really.
It's one of my
movies
favorite.
You know,
that and the
demonio,
the one and
the two,
Gippers, Crippers.
I recommend.
Beannals,
for favor.
The third
and the
fourth that
came,
no,
they're going to
be.
They're doing
in the
in production,
in that they're
no fear
or nothing.
And super chaffas.
Super, super.
Is it so bad that
is good?
No, no, no.
It's very calm.
It's that
is legendary.
It's so
a mal that is
good.
Oh, yeah,
but parentices
referent to the
Bruja
of Brayer,
actually
actually,
actually,
it's,
the witch.
Oh,
way.
Way.
I'm going to
that movie
since I don't
know how many
those times
after.
That movie
was the
last that
me trauma,
with the
thing of
the cabra.
And the
The theme of the baby.
When I was, when I spoke to that
episode, many people
me said,
Hey, Paco, what is?
Because they're
to look at.
And there are much
films that
they're called
The Witch.
The Witch.
The witch.
But of different
years.
The year.
I think it's
2018.
No,
2015.
Or, if no,
I'm going to
be 15.
Yeah.
But here.
See,
see.
No.
I'm going to
do.
The cabra
is Philip.
Ah,
black,
Philip.
Black,
exactly.
Ah, Black.
I.
Black.
No.
Black.
Of black.
The black.
No.
In the moment
of that
there's where
I'm sure
I'm sure
I'm saying
a thing
that never
I'm saying
that's the
second
time that's
that's
I'm sure
I'm sure
I'm not
obviously
berriard
but
but that
me do
so much
I'm
a lot of
a bit of
my
yeah
and it's
and it's
and it's
that the cabra
you're
being
the
the scene
that's
that's
that
that sequence
like that
kind of
like
it's
like the
kind of
That movie, you know,
you know, and
here I'm a little bit
infraske me in terms of
Christians, but it's that
the movie, it's because
they're saying. No, way.
What I mean, you know,
what I mean, you know,
what I'm impressioned much
to the movie, and when
I saw the oration
of faith, what many Christians
call when you accept a Jesus
like your God and
unico-savowed sufficient.
And, despite of what
does this,
his body, for over
of God, or the Spirit
So, Santo, the
young,
vomita the
burghiria.
Fugate,
I think I'm
going to be
a little bit.
I said,
the little
he was able to
do you know,
but when
we've been to
say the
oration
complete and
the suspiro
and trac,
no,
he's mure.
The fact,
the fact,
the fact,
the type
parted of
this world,
but yeah
without
the effect
of the
burghiria.
Exactly.
So,
then from
where it's
was where it
was interesting
because
that if they took really
data that
have to be
with the
credency Christian
and the
second,
boy,
obviously when
the black
philic
about,
so that's,
that's,
that's
no,
I mean,
but I said,
you know,
the movie,
the nia
got to
his family,
but when
what,
what,
I'm,
I'm,
I'm,
it's,
that's,
what,
what,
what,
and is that
in theory
it's been
when the
cabra pass
after
of her,
but in
a part
not is a
car,
name, with
botas,
like a type
of cap,
or something.
And it's,
you know,
a metamorphosis
there's a
exactly.
It's a
movie of
2015,
protagonized by
Anna Taylor
Joy.
That,
that's
that's ambientated
in 1630.
It's a
family
Christian,
very Christian,
that reside
in this
area of
the new
colonies,
in specific
in New
Inglaterra,
and there
is going
all the
that's all
what you
what you
what you
do?
what you're
what
the family
has the
suspicion of
that his
his wife
is a
practice
the brugheria
because there
a thing
with the
baby that
has got
and the
and the
causeaches
not
so that's
there is
where it
starts
all the
history
and
he came
to
to terminate
with
these
remates
grandios
no
incredible
a
movie
a
one of
one of
the
one of the
one of
the
what
I'm
that's
two
seconds. Gratis. Recien googled. That's all.
It was chida. The net,
a me perturbed much, the
really, when they're going to the part
of the sacrifice to the baby. I mean,
the, that's a part that
not up for people sensible.
I'm honest. No
it's explicit, but
if it does much to
ballar the imagination. But, well,
your movie, your
film is a lot. That's very good.
It's a good. I'd like. I'd like to
be a porting
much
over that
hashtag
matam
staya
yeah
oh well
well I'm
yeah I'm
yeah
I'm in the nostalgia
of the
infancy
I'd say
I'm
the first
movie I'm
my father
in VHC
in the
nerves of the
first
this was the
exorcista
the exorcista
yeah I
had 11
years when
they were
here's the
movie
that's
that is of
that's iconic
for the
new generations
no see
the
people
the people
the
people know
the
new generations
for the
series
free d'ammer.
Yes,
that's the
thing is to
have to be this.
But the
fact it's
iconical
to me impact
much the
a new year
to see a
mom,
is of my
age,
because this
is like
this time
of the
always
of the
time of the
because
it's for
a game,
no,
the whiffa.
The
famous wika.
Oh,
no,
that's the
thing,
my mom
I don't.
I'm saying
I'm saying,
I'm
no,
no.
I'm too.
I'm
Yeah.
Sackal,
Adelante.
Oh,
my mom,
no,
you know,
do you guys
because
this are toxic
us are seeing
more than
more than I'm
so I'm going to
do you know that
no way to be.
No, well,
this,
it's like that
not was like
a wheyha
but we've been
in secondary
so,
then what
you had
to the
so you
didn't,
we did,
we did,
we did we need,
we did it
we're acedary
so,
see,
in circle,
and he,
and he's
and he,
and he
and he drens
the energy
I know
I don't believe in that, but
we did we
did we ask
questions very
and to us
contested.
A bit,
in what grade?
In second.
In secondaria.
I said that
the exorcist
me said,
12, 14
years, 15 or?
Yeah, no,
like 14
years, I
think.
So,
yes,
that's the
spina with
the exorcist
but,
well, I'm okay.
That's actually,
that's actually
the exorcista
I don't see
if you're
in some
moment,
it's investigated
but
but into the
filmations
the people,
the people,
the actors
started to
live many
things
paranormal
very,
so very
very fertes
so.
So,
something,
one has
that one of the
is, like,
the question
of what is
your
favorite or
the most
the most
he's
traumatist
occuped the
top three
is in the
top three of the
one of the
top three of the
two of the
thing.
It's impressive
one.
I mean
me would
more
more fear
to
know what
happened
during the
filmation.
Exactly.
Because
you know,
because you know,
we're
in a
movie that
I'm
not able to say
a matter of
but right
there's a
very famous
that's
on the internet
in TikTok
in a chino
of platforms
that's,
here I have
a name
it.
It's
a malficio.
No,
so if you
see,
yeah.
Yeah,
I'm not
I mean,
I'm saying.
Well,
I'm,
I'll
get to the
guy,
I'm,
I don't
see
not many
so
many
movies
now,
today
of terror
that involve
in
ritual
because a
sometimes
we're in
something
we're saying
that many
people
recurrents
to practice
reales
to get more
more the
adrenaline,
the
and that
movie is
a problem
of it.
Oh,
then the
people
say,
no,
I'm
to beas,
you know,
the better
that you can
say is
no beas
this
because you
go to
go.
I'm
one
I'm
I'm
I'm
the
three
Rely
and
I said, no,
you know,
I did more
as a mode
informative, and the
people started
to say,
oh, yeah,
it's like,
thank you,
now I'm going to,
there's a,
there's a,
there's a,
there's a,
help me.
Really,
yeah,
a person,
said,
is that's,
he said,
I'm going,
I said,
no,
you know,
so,
you know,
I'm,
sure,
out of the
,
I'm,
not you know,
I'm,
so, I'm,
I'm,
I'm,
but that
the movie,
well,
you've seen
the movie,
You can't tell us to
Grand Rassos?
It's that
My mind
It's like
It's a blocker
Because at
At least
It's like a
Like a legend
So,
it's put the
Pantaya in
Negro and
Let's make
some symbols
No see the
The movie is
Vietnam
The Kamboyna
Taiwanese
It's as
Asiatica
Yeah
Exactly
But you
But you
But you
Obligate
To memorize
To memorize
Palabras
and
Symbols
Exactly
And well
This is
other
Spoiler
But at
final
of the
movie
After this
situation, you
say,
well,
you know,
you know,
because
now you're
not going to
be able to.
So,
and fiat
that much
people,
no see,
if it's
suggestion,
if it's
the
good, but
much
people,
you know,
you know,
because it's
a, because
it's a
protection.
You know,
you have to
say this
because it's
a protection
for you.
So,
the people,
we,
so much
to memorize the
symbols and
in the
words,
the letters,
and at
the final
when you
know,
well,
is that
now,
it's
is that, but
still
panicky.
I mean,
I think
the interesting
the movie is
that you
make a person
more way,
no?
I go,
I think to
see it's a
manner.
If,
if you
want to be
so,
like,
like,
you want to
get much
in that role,
no?
Yeah.
In a
kind of
a kind of
where you
think you
think you
have to be
careful,
I mean,
I think,
I'm,
I'm,
it's,
it's,
in, in
he's real
and much
people
through the
has
manifested that
there have been
situations that
have been
presented in
the moment
in the moment
in that they
are being
they're doing
or after
where the
social are you
are doing
a little
for that
so that's
sort of psychosis
or marketing
also.
And so I
do you know
so the fan
to promote
the,
now
see that the
people
do you know
no,
do you know
let us
howla
ohala
exactly.
When do you
they're
when they're
not doing
here
a pure
coffee
pinch Pacuela
If you super,
I don't know,
I don't know,
I don't know,
I don't know,
I don't say
that's a...
No, no, no,
it's a
Cofo Caffe,
poor Cefo,
but really
yeah,
but really,
yeah,
but we're gonna
pass to the
thing to,
okay,
you know,
you know,
what is the
movie that
you've got
for the
story.
Now,
apart of this,
some,
that has
marked us
so,
so that you
say,
that you say,
this movie,
the net,
the net,
the net,
no,
I don't like because
me provoked
a chingo
of things.
I want
to start with
one way.
And I don't
think they're
in me,
way.
No, no, no.
Respect.
I'm going to
do.
I'm going to
I'm going to
do you.
The
Santa.
The saint
contra
the
Bruchnerner.
No.
No.
No.
Pedito
Fernand.
Ah,
no.
The
tawial of
the mojado.
No,
no, but
the netta
to the
crom-cromo
dude.
Freddy Krueber.
Ah,
well-y-
Krueger
in stress.
The ultimate
of the
Call and I
said, I
said,
I mean,
I'm sure
I'm trying
in design
in production
what you
want to
but the
net of
those
that's
that I'm
was the
caron.
I get to
sonnard
with with
Fredi
and a
sometimes
I get to
ask me
really
is a
product
of my
imagination
because
I'm
because I
spant
or really
I'm
being
being
attacked
for him
and
to
see
I'm
forget
the
thing
I
I found a note in internet
where a person
that was
tormented by
the spirit of
Freddy Krueger
and this
like the
type
had these
famous arrawnes
in the
and he said
that in the
dream he saw
he was attacking
he was
he was
he waspirtable
with these
rastroes
in arms
in hispald
in the
and I said
okay
what's
what's just
you know
this is
what you
think you
you think
you think
me trombed a chingo
from the moment
where the
people were
to be in the
people were in
the time when
I was in the
lot of people
when I'm
a lot of
really that's
you've got to
when I'm
but I don't
see you know
I don't know
manches
manches way
between
10, 12
years a
little less
a little bit
but I'm
too much
yeah
but you're
also you
sometimes you're
well you're
no I'm
I'm gonna say
the net
I think
there's
there are things
look,
another
ever
we're
a lot of
we.
One person
that was
a sonnating
that was
like in a
tortilleria
and then
he was
um,
but he said
that she
was that she
was gonna
that was made
mixed with
with crystal
so they
they were
and they're
and they're
they're saying
prove it
is that
it's a
good, it's
no, it's
that it's
it's not
it's that
I'm going to
try
how I'm
it's
then they
Toman for the
brazo,
no,
but I'm gonna
go to say
Crestomatia.
Yeah,
they're talking
for the
arm so forth
and they
say,
prove it's,
so the person
in his
life you
the person in the
thing you,
she'll be.
No?
The force are.
Yeah,
sure.
The man
marked,
moretones
in all the
brother and
a lot
very intense
no, and
I was
so I'm
how,
how you
how you're
so you
don't know
I'm
over my
barso
me lastime
me lastime
me
I'm
I don't know
But when
Yeah, when you
Mark,
Ojo,
the mind
is it
has a
way of
recreaters
in your
mind
while you
are doing
physically
a example.
A example
very clear.
There are
people and
I'm sure
that a
ching of
people will
concoral
with this.
You are
so you
are the
most you
lastimates
the foot
and in the
life
real,
at the
life you
patiasted
something
and you
lastimates
the
thing,
the
kind of
how
generate
or
say to
you
you
you lastimates
for
a reason. But there
a line very delgada
that pass
of the normal to the extra,
at normal.
Hey, the commercial.
That's...
But no.
I copied.
You know, because I...
No, you're...
There's...
There's...
There's a per cent.
There's a per cent.
There's a person in
a letter. There's a... No, I remember...
Because, yeah, I've told...
Disculpe, me I've told
infinite of relato. But the
only that I remember is that
I said that in his
dreams,
a person
he wanted
to give
a brujeria.
So,
he was
doing a
bottle, and
he was
a person
had to
put a
bottle and he
had been
to pinnard
the bottle.
So, in
his
son.
In his
his
dream, and
that he
had a
book,
but I
felt that
the liquid
of the
bottle
was
and he
resbalable
for the
but
he had
he had
the
mark of
a
bottle.
That's
that is,
we're
we're
we're
we
I mean, because
you know, because
you know,
we're not
we're
about,
and it's
for that much
people
say that you
there's a
where your spirit is the
that's the
alert and
a lot of
this type of
entities,
while you
are in this
part,
well, you
have been the
reposos,
you're having
dreams?
Yes,
like one,
so I'm
so, I'm
like, I'm
saying the
you know,
I see,
I see,
I've seen
I've seen
I'm,
I'm,
I'm sure
much,
this,
that was,
like,
that was,
like,
and the
repent
um
entrava
a person
but it was a
very rare
very rare very
very atemorizant
but also
I don't know
I mean
so I can't
describe it
are things
that one
really I never
I've
never had seen
a fear
in the
real
yeah it's a
so it's a
so
so it's a
type
he's met to
the house
I'm just
just with
him in the
comedor
of the
house and
I remember
clear that
the first
that I'm
the first
is a
libretta is
of pasta
Dura,
like
a type
Italian, but
of pasta
Dara.
So I
remember
that I'm
I'm a
little to
do I'm
to do
is go to
the lom
of the lom
of the
libretta
and I
remember
but I
got it
with an
arm
so that
I'm gonna
smadrar
no,
I'm gonna
get to
get a
furtement
so
then so
then
then so I
don't
and I
remember
how
this person
this type
in the
person, this type
in the
but it was like
you've got
much valor in
that moment,
no?
You do you
do that's
the force
to do.
But that's
I'm a lot
because I
remember that
in that
then my
parents
about to
put a
a reja
between the
and the
door and the
part of the
door
principal
like a
little
a reja.
So I know
I'm
kind of
that I'm
thinking in
the theme
of the
reason,
because they're
for that
we're
that we're
like the
air and
takataka
takaka
like
like
something.
Something for me
something
had there. So, I, so
I took, like,
that's
where I was a
way, like
if I was trying to
me, boy,
like a, boy,
like a,
personal,
that's, so,
yeah.
No, it was,
like, oh,
it was like,
oh, it's,
it was like,
for me, it was,
for me,
that I was,
with who,
with whom I was
was a person,
was a, way,
yeah.
So, for me,
for me, it was
very, very,
very clear,
boy, no?
And,
what, and,
yeah,
I was,
I,
nine,
between
nine and one
that's the,
that's the question
that's the question
that's,
many,
so,
so there's really
there really
there's a
thing, that's the
great incognity.
And so
that's not
me too.
I'm 40 years
and I'm
40 years and
that's the question,
boy,
hashtag,
Aguant
Kiki,
hang,
Kiki.
Uh,
Uri.
What,
your son?
No,
well,
no,
but right
that I'm
talking,
this,
here my
companyero
did,
Kikikis,
no?
But no
I don't have
a dream
like that
the fact that
I have said
no,
but I'm
a dream
but I'm
a new time
to the day
of today
that I've
had been
all my
life.
It's a
repeat.
It's been
that I'm
until right
that's
I'm getting
to the
vacuio.
Yeah.
Always.
Yes.
Desperters
with a
but
but a
yeah
I don't know
where it's
if it's of
a business
a few of
the next
piece of
a house
but
A lot of a mountaine, but I go.
You know, that's a sensation one
I mean, oh,
despirtes, I imagine.
Desperts, I imagine.
Or with a respiration.
Well, supposedly,
I've been said,
supposedly I've been able to
that.
That's because you,
your body,
but the brain of the
dream.
Then the same
Cerebrose
to make a signals
for that you
can't.
But all the life
from the new?
It's that is the
question.
In theory,
I had leased
that.
I mean.
So,
so those
those impulses
you generate
like the
and a
sometimes you
do you
do this
because
you're
and I'm
and I'm
so I'm
I'm
so I'm
so I'm
exactly exactly
that's
that's always
but you
never you
like this
this is this
this
I'm sorry
I'm
I'm
yeah
my
my
my son
I've passed
two
so that
that says
that says
that's
that's
that's
it's common
in me
no it
no it
never you
never you
I mean
I mean
never
never
has
subbed
the
murder.
No.
No.
I'm not.
No.
I don't know.
I don't.
If you
pass it,
so I'm,
no.
All, I
want to
let you get in
your turn,
for a minute.
Right.
I'm going to
get to get to
me, it's
that we're
that we're
that is constant
that she
is a day.
Diary.
Yeah.
It's pretext.
Yeah.
So, yeah.
So, yeah.
So,
so, so.
So,
so, for me
is a
really,
but a
I was a dream that I remember
and I
did much
and I did much
a lot of
is that I'm
on the same
of me
like those
those,
those,
those,
those,
but the
I don't know
a little
of that time
but I
did much
fear because I
was, I
was looking
and I
was going to
and I
see clearly
how they were
all my
things in
the
room, in
the same
moment,
the same
hour,
I had
a little
and I
had like 11,
5, no?
I'm
I was so, and I'm from
from the other
and I saw
like a little
like a little
a little
she was up
so I'm going
so I'm
so you're
like so much
because you're
totally in
trance in shock
no say
and I'm like
God
help me please
and the
cause is
oh my god
do you speak in
yeah
here we're
we're
we're not
much
and that's
and he says
what
what do you say
no but
the cause
that me
respira
and it says
Jairahina
miram
And boom, me
I'm despierto
And see,
it's real world, and see, they're
at the day
of the day of
I'm explaining
if it's a
really, it's a
man,
I'm not,
I'm not,
I'm going to
I'm going to
be a suave
the episode.
No,
no, no,
no,
no, no,
no, no,
no,
yeah, it's a
yeah,
because I'm
making this
way, it's a
question,
it's a
you're really,
you have to
do you,
you know,
you know,
so,
I never had experimented
that that's
to see the
stuff of the
actually I always
I was of
the people who are of
the people
that were of
the world,
no manches
that's a
that's a
a tonteria
but
well,
but I
fell the
the o'coy
in real
I'm really
I'm clear
that I'm
really,
I think
that was
100% real
I was
I was a
dream
but I
remember
so perfect
of that situation
that I
feel that
I'm sure
I don't see if
has
happened
that
sometimes if
it was a
dream
if it's a
yeah,
so it's
because it's
very vivid.
Very.
A
pen is that
I'm
that I'm
that I'm
like I'm
so.
Ah,
yeah.
But well,
see,
let's see,
let's see.
No,
but I'm
to tell you.
It's interesting.
So, I'm
I'm
actually
just that
time,
no see
that you
then you
then you're
in the
different form
because I'm
at this.
Ah,
at this
now I'm
now I'm
to put
to put
on the
That night,
pardon,
that day,
I got her,
and I commode
my camera,
a,
to other
to the
normal.
So,
but I'm
saying a
thing.
Before the
the
camera,
I had the
feet,
down to the
door.
And this
this time,
it's,
I'm going to,
it's,
my camera
was so,
my camera
was so,
to respond to,
to the
part, and
my feet
down to
the door,
not?
Oh,
but this
this time
was,
it was
my
feet
down
to
other
and my
head
and my
head
was really,
the door.
The door.
Well,
it was
so I don't
I remember
what I'm
doing,
I got me
and I'm
and I'm
and I'm
and I'm
and I'm
just a minute,
no,
no,
no,
when of
a repent
I'm the
time, and
I'm like
of silence
absolute,
but
was the
tele-prendida
but the
tele-prendida
was like
when you
a channel
with a
So I'm already.
So I guess.
So I'm
so.
I'm going to
I'm going to
my head,
and I'm
so per tithe,
super tyson,
super tyson,
so per tithe,
and I'm
and I'm
and I'm
to sud,
to sud, to
and I'd
and I'd
express,
and I'd
make any
sound with my
boca and no
could.
And the
the moment
of that I
want to
someone
was
a parted
in the
door.
But I
just said
that's
I'm
so I'm
so
I'm just
I'm just
I'm just
I'm
just I'm
but I
can't
boltier
because I
could move
me
if you
don't
have you
don't even
let us
goannus to
listen
the voice
of Uri
and so
it's
no it's
that I'm
that I'm
I'm talking
because I
don't know
I'm
because I'm going to revivir and what
my intrigue is, what was what was
what was atemorizing,
because he not could have bolted the
head and see what was there for,
I've seen that sensation when
someone was mirro, when there's,
that's feeling that presence.
The pesadies of the mirada.
And that's what I felt.
And, thanks a God, I think.
No, I did that it was,
but it was the first and the last
time that happened.
But there is where the
The fact is that this person or this
Cere or demon or what it is. I feel
how it's going to be
on my camera.
Sient is how it's under.
Yes, I feel like it's, but not
to talk.
As a time, seeing a presence
in me.
Yeah.
The pesvety, yes.
Yeah.
Some of it.
Yeah, but,
without to touch your
body, your body, and you
without, I, I, you,
I'd, I'd, you, I'd
jorrable, but with
the lorrives, scurriedom
and, and,
and, of,
So, I don't know, I started to orar, and puk, me
I waspid, and I was in-paped.
Sudd-sud-sid.
Like if they'd have put a ball of
water in all my body.
No, it's that I don't know, I don't see,
when we come in a dream so profound,
our body gets a weco, for so
to say it, and our arm is wagging,
and that that's, so,
it's like an entry,
for that,
could make contact with us,
no, this...
It's...
It's...
people who practice
much the
desoblament
the form
in how your
spirit, not
your soul,
your spirit
out of your
body,
say that really
all the
people do you
do not
that's the
not that's
not that's
not that's
affirming
is that
these people
that have
people who
have a
knowledge
a lot of
the matter
they say
that a
sometimes
people
remember
have been
in
there's
there's
in the
they've stood
because
standing in
that plan
you move
or so the
time is relative
if you
to get to
you're in
this plan
you're at
the velocity
of your
thoughts
you're in
fracions of
seconds in
that place
and you
get a
bagar we
but I
have a
I think
I think
I think
I think
I think
I don't
the first
the first
I'm
I was
I don't
I don't
I can't
say if it's
the ditch
or the
disditch
or the
maldition
of presenciar
chaneques
Oh, no,
me did you
know, me did you
know, I'm saying
those chankees
and much people
say,
Pac, or are,
or are,
but is that really
is what here
in the city
is a chenka,
is what there,
is what there.
In the quenka
that's all
and chamekees
and the cochin
with soos.
In the
cochin
with soxer
but that
this time
you're going to
you're very
chikos,
but
you're really
just you
yeah,
yeah
me
well.
Just is the only
cochinida
that I've been
managing.
I'm trying.
I don't.
No, no.
No, no.
No, no.
Those are chichinitas.
It's another
thing.
But,
well,
this
this is a
Kike, Kike.
Kike,
yeah,
he's all
the ballando.
Yeah,
the tach.
The disobleamient.
Yeah,
they did,
you know,
the effect
the six tases
of the coffee.
No, no,
no, no.
And spumoso.
Spumoso.
No,
don't want
to put in
in my cup
things that
I don't,
in my
in my
book
things that
not are
going to say
the people
what I'm
what I'm
what I'm
my intrigue
me intrigue
me intrigue
this
this I don't
remember
I remember
I don't know
I'm
the people
but the
people who
still
see in the
podcast
know that
I'm
with my
old little
years in
my life
my mom
was my
mother
and then
then you
know
foreignio
and then
I'm
had to
get to
my
senior
abuela
that
in
peace
very
great.
It was a
three
pieces.
In the
second
there were
many
fours.
I,
and I
do you know
obviously
without I'm
not even
even having
two years.
So,
then a
sometimes, there
there was a
point where
I'm accustomed
to be
to be with
her, but
more
more than
more than
was, it
was because
I always
said,
my
abelita
is that
my abelita
if something
is that
she was
that she
I don't
I don't
arrive and
something
I'm going to
know.
So,
it was
just to
care of
but I'm
going to
the moment
in the
moment in the
I'm
going to
do you.
Many
they were
to read.
I was
really, I
really, I
really, I
felt much
of the
obscurity,
but
going to
the time
of the
house,
there
a quarter
of
that house
where
I was
always that I
had
always had
pesadillas.
And my
pesidia
recurrent
was of
that I
saw a
a little
that's
like a
kind of
a type
closet.
So,
that was
my
all the
time
I thought,
but it's
that in this
point,
I don't
I think,
I think
I'm a
point where
we're
to get
that you
are the
eyes
in my
dreams,
oho,
I'm
I suffer
of paralysis
of the
three
years.
Okay.
From
the
the first
my,
I'm
doing
the
first
once I remember, and
I said one
once I mojed the
camera,
me did the
paralysis
dormiening
with my
old.
So,
so I'm sorry.
Pardon me
my ignoracy
what is?
Like, in
what is?
The paralysis
of the
death is that.
Oh, okay.
Is that
that's not
that's a
scientifically, well,
I don't know
if scientifically,
but it's the
name
more formal
that's a
medical,
the same.
The case.
The case
is that I
the few
times that I
get to
do you get to
get to
sleep in
the
I mean, I'd say, I'd open the
eyes, I'd have the window,
I'd, I'd, see a poca-lust that
was out of the water, so,
for me it was a dream, but
always of that closet,
I'd see that someone
little,
was he awesomable,
but in the
life real,
is all the closet.
So,
all what is in
my dream,
is in the reality,
or was in the
reality, but
one of once,
I, I remember
that was a
26th of
December,
because,
gave Santa Claus,
and what you
want,
I put to
to play in that
quarter
with my
regal or
that was a
carrito
of those
of the control
remote.
My mom
was in
other
court and
I was
going to
what I'm
what I'm
I'm going
with the
car and the
car
and the
car in the
way
so
I'm going to
make a
because
I was
not put
to make it
so
so you're
me they're
me they're
I'm
no manches
that
that I'm
no
I'm
no prete
any
button
but
but not
me
it's like if
they were to
like, for
example,
I'm going
going to get back.
I mean, that's,
so, me
they're going to
that's,
that's what
to me
I said, okay,
and that's
what you're
like, like,
at the
time, so,
no, it's
not for the
night,
so much to
say, and
that's, but
I'm, but I
connect to
the son
that I had,
the little
the little
little bit of
the closet.
So,
I,
today, I,
say,
Cheneke's,
because is
what there
here in the
Cuenca,
no,
I can,
Yeah, yeah, yeah, yeah, so. For the description, that was a person
a little, uh, his
brasos, his hands very delgated, or so, really
I consider that that was, no see, you know,
so you're saying that? Well, well, this, probably
it's, you know, right? There was, like, me presento, and
you know, well, you know, so, well, yeah, I've been the essence in
your house, no? So, my abuel, well,
when, I, talking to abelos, well, those that
we know
the
legends of
of his
times,
not me
have
also,
he has
also,
he says,
he says,
he said
and he
he said a
he was a
he was his
brother,
to the
age of
eight years
they were,
then in
those times,
then they
were
camppesinous
so the
children
had to
have to
work,
and he
said that
he was
he was
he was very
too
he was
he's
a little
a little
but
like a
rugadito
bigito,
so
very flaquito and, this, and socio,
with many harapos, and a sombrero
grand, like, of the revolution.
So, it's like, for something.
So, then, then, he said,
come, we're going to play,
you're going to invite, dulces, no,
then my old-to-you-a-cansed,
and so, well, let's.
And so, it's for,
it was going to,
then, as you,
for us, perhaps, in that,
in that line,
passed
a half hour
but
said my
abolito
that
he's
even in the
night,
no?
That's
hours?
Hours.
A ele and his
his
brother.
Yeah, that's
his brother.
That's the
time.
The time
and that
they only
they were
and he
he said
that he
he saw
more chanekito
in an
armol
in an arbole
so.
It's that
are the
things of
the we've been
going to
talk about
us
good.
Yes.
And there are the bellows
Cheneckes.
Because there come,
there are you
and they're trying
to the children.
No, I don't know
if they're
malos or where
they're going.
But,
well,
but it's the
creencia, no,
no, no.
It's that
is that you're
like that.
It's like
a lot of
a bit of,
it's like,
and a person
to know,
is that you're
not going to say,
I'm going to say,
I'm going to say,
I don't say,
no, no,
no, no,
because you
try you're trying to
say that's
no, no,
no, it's
no, it's
that's, you know, because
this person
me said,
is that really
not that's
not that's your
naturalness.
So,
a tiger,
not for
casas, and we've
seen all the
scenes
fortes, no for
that's a
naturalness.
So,
it's being
being being
the same.
It's a
natural.
That's the
thing,
and as you
do you say,
exactly,
they're
really,
they're actually,
they're
because I think
for them
their essence
is,
are, they're
they're like
are still and they want to
and they're
to get to
live for
you know, I'm
like,
like they're
of their same
stature.
Exactly,
they're in
exactly, they're
and they can't
and they can't.
And the need to
more in prejuice
more in
fear.
I think
there's a
age, I
see it's
that the
that the
people have more
that's an
amicentia, no?
My, my
amygote,
that's very common.
That's,
that you say,
to say,
I'm talking
to my
friend,
this, pedita
of five
years.
He,
that's
he,
he, who
Oh, I've got a few, amigos imaginaries, actually.
Yeah, you, the
really, this...
Yeah, yeah, yeah, here.
Yeah, yeah, here, I'm gonna...
No, wait, no, I'll say
a lot of... The six tases of coffee is...
The six tusses, yeah.
I'm sorry, I'm sorry.
Oh, I mean, I'm gonna say
something, this. There's a
movie, there's a little bit...
But, that...
I retumbed in the head
a phrase, and since
a much time that I...
The movie is Hellboy.
there's a part
I don't know
of the
hell boy
but hell boy
I'm accorded
of a chagot
of a chagher in
the head in the
head in the
like he said
And precisely
for that
here is the
discargo
of responsibility
as Celia Cruz
my English
is not very
good looking
Don't worry
Thank you very much
everybody
Salus to
all the Union
American
but what I
want to
I was
I was that
I'm
saying
is that I'm
going to
some people
like very blankitos
of the
pale and
I don't
know what
number of
hell boy is
The two.
Well, in this
movie
of Hellboy
when
when he's
when he's
the
brother that
were the
no-se
of no-se
what kind
and there's
a phrase
that I
me,
me,
me,
I'm,
no?
Dice
this type
we're going
to record
or we
we're going
to remember
because
they're
they're
to the
darks
okay
I'm
I'm thinking
there
there's
interesting
there
There is a situation, well,
we're silvestre,
salvage, of instinct in the animals
that they have
to get a certain things, no?
The famous elephant,
because he has made
of the raton,
or, for example,
the elephant can't
without problems in front of the tiger
because, well,
there's no, there's
there, there, there's a theme of instinct.
When you're
about this and that I
were very chavito and
I had to know of the
obscurity. But why we
we have to the
obscurity
instinctively?
Yes, it's
true.
What of our
DNA
makes that we
have to be
to the
obscurity?
And here
this phrase
of this
movie that
says,
we're going to
remember why
they're having
fear of
the obscurity?
There's
where I
never ever
I've asked
I've asked.
Well,
I'm not
people of
podcast
extra normal,
I'm
you let's
put in
those
comments
if you
saw the
and why
they're
that's,
and also
we're
we're
I have to
say to
something.
I'm
a record.
Me,
I've got to
interrupt me.
You have
been able to
do you?
That's right.
Yeah,
yeah.
I'm not
alterated.
The Flot
knows that
I'm a
Castrozo.
But,
well,
a levito
alteration.
Figginsse
that,
well,
the people
know,
that I'm,
I know,
he has a
time, and
he's a
case,
and then,
I mean,
to get to
his stances,
and
want to
start in
the
quarter of the
Quartet.
Then
one of the
one, then I'm
to make a
case, boy.
He's
the door and
I'm at the
door and I'm
kept me looking.
He's got a
my wife.
Oh, how is
that no
is that I'm
not that's
not that's
not that's
a reason?
The innocence.
My son
can be in
a quarter
sumament
oscuro?
No
they know
they?
No
they know
the problem
is when
the problem is when
the
people
start
to try in mind.
I remember
of a phrase
that's
your
pener are
for you.
But
you're going to
remember the
malddad
that exists.
The maldard
that you
you know
you know
experiences,
and you
see that
you're in
that you
are in the
worst is that
you don't
you can't
but you
you feel
you're seeing
that you
like you
like when
you're
like you
and so you
see you
and you're
a lot of
passed.
Yes.
Yeah.
Well, I think
after that
that's all
that's all right.
To us
that's all
I'm going to say
I'm saying
I don't
I'm not.
No?
No.
Oh,
what's
what I mean?
No.
What do you
don't see
to pass
to the lance
in the
commentaries?
I don't
see the
movie of
Eat, it.
And I
also I'm
like that
so put so much
of that's put
bad, no?
Exactly, because
no.
And I'm erred
the eyes
but I'm
just I'm
like,
like,
like,
like,
like if the
The people of this moment
has to
get to get into
the rest of the
because they
do you know
because they're
like,
and they're like
and comment to
know to know
to know what
to us have passed.
But, well,
what is the
origin of our
fears of our
people?
What is the
origin, Kiki?
Why is it
has a
fear of the
obscurity to
the people?
Well,
I, for me
is like
I don't
know what I
know, to
know what
I'm going
to find the
obscurity.
Yeah.
That's.
I'm the
exact,
of,
like,
not you can't be in a
place in a little
in a little
we're in a
place we're doing
the light,
but I see
what there's
what I'm
never,
I'm gonna
but if I'm
to enter a
a quarter
of a quarter
or I know
what is what
is what I'm
a fear of me
fear of the
know, to
know, to
the obscured
to the obscured
to the
and you
and you
do you're
I'm sorry
I'm sorry
I'm
Francisco
man,
that's
well,
the neta
nobody
you had
franciskeated
no
you're
the first
man
that's the
but the
net
yes
I mean
I'm
to be
honest
when
you're
you're
you're
you're
you're
you're
you're
you're
where
you're
to talk
to learn
and
in the
process
of
a
a person
me
said
Paco
a
a
sometimes
you
don't
that you
that's
you
and so that
you're
so you
don't you
feel you
you
you
you're
you
you need
something
there's
there
there
sometimes there
So, is
a
repercussion
for
us.
Because,
because
we know
some
some things
that
can't
have
certain
precaution
or
care of
certain
questions.
For example,
if,
as I
say, I
know,
I'm in
a
dark,
if I
think one
that there,
who are,
who are
who did
have,
they're
an
portal,
I mean,
even
it's
that's
sangron,
but that
I'm,
even before
to start
to grab
to
regal,
those
food,
I mean,
I'm,
I'm,
I'm,
they're saying
with the
best of the
most
intention, but
very few
times I
accept.
Sure,
no,
and I
think that
is valid
referent
to,
if you
come
someone
and me
and I
know the
know,
you know,
in that
aspect,
then one is
kind of
not is
simply
simply
simply is
that if
came a
person and
you give
a meal
and you
a regala,
a polcerer,
a plenna,
you really
know you
know,
you know,
if it's,
if you're,
if you're,
uh,
if you're,
you're saying,
you know,
exactly, no
you know,
you know,
you're doing,
it's a good
way, but
you never
know, and
you know,
you know,
you know, it's
normal.
The people
that they did
do you know,
was for the
same, the
people, the person
with the
people who have
talked about,
but obviously,
if I'm
a friend,
if I'm talking
with someone,
I mean,
if you know,
I know, I know. It's like, Kike,
oh, yeah, no, Kike, no,
if you accept, the idea of the tacos.
Exactly.
Yeah, is that is another
thing.
We're going to be there in the most
beautiful.
No, no, no, no.
We're going to.
We're going to.
It's that
this theme, this
thing, this time,
this time, this,
of what they're talking,
yeah,
I'm perished,
the food,
the alimentation,
all,
this,
well,
the,
the people,
they're really,
they're,
they're not,
because they're
being
being the
worse and
they're
like,
oh, my
am I'm
my friend,
or the
spirit that
and there
is for
that's in the
people who are
those people
is the most
vulnerable.
But well,
going to
the theme
of the
movie,
because if we
did we're
we're doing.
It's
it was good
so.
It's true.
The desviated.
It's all.
Really,
okay.
Yeah, in
that moment,
yeah,
we're about
the movies
that they
liked.
The movies
that they
caused
a need,
a little
a little
a particular
that
has
occasioned
problems
after
after this
I'm referring
a pesadies
not only
pesadies
but get to
a level
of suggestion
where you
really to
ask you
what I say
this other
word but
what is
what is
what is
more than
the
movie
like that
I was
that movie
and I
this
me passed
this has
it has
it was
the conjure
the first
the one
the one of
the
one of the
Warren.
Super, super,
the truth is
that I'm
years back,
I'd
like I'm,
I don't
I'm a
rare, but
I'd
with much moretons
and raspadas
and all.
Inclusive my
papas me
moved to
your court
to be
monitoringing
that,
that not
wasn't,
uh,
so,
so much
conducts that
I presented
in that
then after
after after
to huger the
Uigha,
this,
the question
with the conjure
with the
conjuro,
no?
Who?
Who?
No, well,
that's,
that's,
that's,
that's,
that's,
yeah,
that she,
that's,
she,
that's a
presence of
a woman and
all,
Batshiva,
no?
Yeah,
Bachiva,
that's,
that's,
those things
like,
which,
um,
and they're
in this family,
that,
in this
movie,
in this movie,
it's made,
no,
when they're
they're doing
a lot,
they're,
they're,
but no,
they're
they're done
10 years
more
living
with the house.
Yeah.
With that
and they're in
a book,
the kids.
Yeah.
Yeah.
Exactly.
So,
for if you can't
say,
so, no,
that's,
no,
no,
I know, Rick,
the theme of
Batshiva.
Because was,
what is that?
Bachiva was a
woman,
that lived in that
the family
Peron or Peron?
You know?
You know,
so,
no, that's, so.
Put the Conjuro 1
The Brue 1
But,
so, as I mean
No, it's a spoiler
Yeah, it's a
movie,
Yeah,
yeah, we're
to come to the
same,
they're in
a place where
they're
not quite
what had
succeeded there.
Well,
what was
her suor
a house
maldita for
a braoha
or maldecated
for a
witch.
In this
case, this
woman,
is that there
is that
in that
story,
because they're
one,
that she has
self-desvive
and other
They're saying that
his
husband
and see
that she
was sacrificing
to her
in the
name of
Lucifer,
he was
the situation
is that
before she
after she
part of
this
world,
she'll
launch a
maldition
so for
all those
who were
for the
property
saying
that in the
moment
in the
that she
partier
the people
that would
be
maldecida
then
so it
is like
a circle
because
Yeah, Batshiva posse to the mother,
the mother, desivio to the
children, and the mother
die. Passed another family, Batsi...
It's like, so, it's like his spirit
posseal always to the mom.
Exactly. And it was what happened in the story
of the Conjurun, or that, I mean, really
that's possessed by this witch, and
it's when they intervene
Ed and the Royne Warren, for
to try to, well, liberate a little bit
of the maldition, but to me, of actually,
was of my movies favorite. The final...
The final, yes, it's so...
fictitious.
Yeah, like
they metier
so much
for that
the public
is over
intrigated.
But it's
very good
the history.
What do you
can't
decide of your
investigation
of the
camp?
No,
no,
and you
Google's
to the
Brauha
not going to
Google
and Google
Googleed.
How?
Googleed?
Googleed?
Googleed?
To Googleia.
A
Bruchia
Bachiva
comes
of a
name
Bichiva
that's all.
It's all.
It's all.
biblical, that is Betzabe.
Whoa.
Yes, Betzabe.
Is that the
Kinehsemejahel?
No.
No, no, no.
It's another
totally different.
Betzabe
was a
person who
was a birer
that was born
to get to
get an adulterio.
And,
and all
enterer of this,
David, the
rey,
he tried to
to occulted
his peccat
and finally
dispone that
Urias,
the married
Betsabe
were a
matter in
battle.
So,
there is a
there's
a transfond.
Yeah,
yes,
Yes, but me intrigue
because
I had I heard
the name
anteriorment
Fichth,
but I know
know that I'm
about about
data cultural
is in Necessaries
with your
friend Kike Wirt
here in this
capsule of
podcasts
extraanormal
but the
but the
truth is
that no,
I still
without
to be able
to be
to be
a bit of
but
if I'm
to say
to say
today
a
one
a
movie
that I
have
made
like
something
after
after
but
it's
called
Stigma or Stigmata
was the
name
Yeah,
look, this
really that
me caused
much impact
some of the
phrases that
about this
movie because
one of
one of them
about the
evangelio
I'm going to
talk to a
thing
very sensible
to do
do you
don't me
to
not me going to
misinterpreted
my
my
people
people
know
that I
know
I'm a
person
of
a man
a
not you have metido,
but,
but this
this movie
about about
the evangelist
the evangelist
written by Jesus.
Okay.
So,
not the evangelio
according San Lucas,
San Marcos.
No,
no, no.
The Evangelio
of Pune
and letter
of Jesus.
Oh,
no, I want
to interrupt
you,
Quake.
That is a
point very
sensible,
very interesting,
and very
mysterious.
I consider
that Jesus
did have
to have taken
his own
his own
his own
and not only
just Jesus.
the same Judas Iscariote.
But the Evangelio is we're going to do so.
I'm going to talk about it.
Yeah, well, is that we're going to be the evangelion of
the Apostoles.
Look, the truth is that we're trying
in a very little bit.
And as you know,
we're talking with much
respect.
But at the final,
well,
you'll be
to teller the final
of how I lived the
movie.
I was a
Catholic looking the
movie.
And we're
we're going to
the door of the
movie and the
person with the
person with I was
he said,
father, how
he,
his,
point number one
and point
final.
That no
we don't
we'll forget
that's a
movie.
He was
he was
he,
he,
but I
think the
intention of
the art
to final
of the
question is
the
curiosity.
Not only
the
curiosity
if a
series of
things,
of experiences
sensoriales
spirituales
visuales
even
physical,
the art
is that
is that
practically
So when
your presence is
a movie
of this
type that's
super-cargated
of things
religious and
of things
paranormal
and for those
who know
are the stigmas
I'm going
to give
a little
class master
in that
has been
a cost of
$5,000
but
I'm going
to do
get
gratis.
The
stigmas
are
heriders
that
are
that are
in
some
people
and there
much
content
about this
of the
most
famous
that
I knew
in his moment
George Bon Jovani
who was a
person that
in the 90s
80s
a few of
those 2,000
was doing
a series
of interviews
with these
stigmas
that are the
markers
of the
Jesus
in the
front
provocated
for
her passion
that are
the legas
of his
hands of
the
feet of
the
the area of
the
costado
the
the
spina
in the
the
head
for the
lotigasos
are
there
there
And these stigmas
are appearing in the persons
in the manner gradual,
not all of a moment
there are people who only
only can't
the yagas of the hands
with a species
of cruces,
no, the truth
is that is very
impressionate.
And over that
the film,
it's about
about that.
There's a
sacerdote
that interviene
and it's
and they're
to make a situation
of these
that's that
is a person
that's a
other,
that consume substances
psychotropical
and a series
of situations
there is a
child of
a dutosal
reputation
et cetera
so then
then they're
to this
sacerdote
because
yeah
he's
to present
a series
of stigmas
and
it's
like
it's
scandalosa
the
way in
that they
start
I'm
not
I'm
I'm
I'm
I'm
I'm
I'm
I'm
I'm
I'm
I'm
I'm
So,
but,
oh,
when we're
listening,
we're not?
We're talking.
Ah, okay.
Okay, okay,
okay,
yeah.
So,
so,
we.
Confirmamos
spiritos
out of the studio,
well?
No,
whew.
Spritus
afloor
of the studio.
Thank you,
thank you.
Yeah,
U.
No,
I said,
when I saw,
when I saw,
like,
I'm like,
I'm not I'm
the only,
I'm,
I'm,
I'm,
I'm,
like,
the chabron-
that's transmitting,
and in
that's temlan,
No, it's crestomatia,
put it,
for that I'm going to
in this moment
it's temlando,
we're going to,
we're going to,
we're going to
we're going to.
And you're going.
Wey,
those vatos
don't see,
well,
like this medical,
I'm going to say,
I'm disbue,
we,
of the theme.
But this
medical famousissimo
that,
in the,
the last
timblers that
was in September
of those years,
that was over
and he,
no,
he,
No, is that's a tremendous master of hero in
Machina.
If you're seeing,
you're doing, you know,
I'm all my admiration,
our admiration.
Regresso.
We're talking about stigma in this moment.
So,
yeah,
they were to present some
stigmas to the chava
and mann this sacerdote
and, well,
it's made a particular
and one of the phrases
is that me caused impact
because I'm doing
very long the phrase,
the history,
is this phrase
where,
where to the chava
like,
the way of
the person
like the
posse
something,
and he
he starts to
talk to
and he
says,
but you
who who
is?
And he
he says,
the
important
not is
the messenger
but the
manse
and a
perro.
And why
I'm
I'm
I'm a
question of this
because
was a
lot of
a catholic
not a
religious,
I lived
totally
totally
stigmas,
it's
super
the on
wuid.
And I said,
what's
what I'm
saying,
but if
I don't
think on
this,
this,
what is?
There's
there.
There's
I'm not
if I'm
the only
but
I think
but a
but at
the time
religious
me
a lot of
in what
sense?
There
a
a little
I'm sorry
here
I'm going
to talk
a little
about
a
Catholicism
and
I'm
do
I'm
there
some
some
when I was veed, no, they could,
I mean, not could be able to,
because really me provocated,
more than to provoke me a sentiment
of faith or something,
you know, so, they provoked terror,
whewen.
And when they started to
get to move to,
the investigations of
that such an image,
or that image
moves the eyes,
or so,
I mean, and I do
with much respect,
I, I'll repit,
they say,
it's a miracle,
so,
is a thing that,
I,
I'm espantable a chingo.
So, I'm going to be
I'm a little, I grew in a
church in a church
in a church in a little bit of
10 of the 12
all the time
me dike to the
thing, the church
I felt that
I felt that
I was just
with that type of
images.
I know, I don't know
if I'm the only
I'm more
but I always
I sentia
something like
something
like a little
I don't know
because
but
but there
in a ching
of relato
of persons, and I go, there's evidences
of images that have moved,
that's moved in the eyes,
that yoreen, the osia
sangrient, that we've talked about
with the senior Antonio Samudio,
but I don't
they're not to be
activities paranormal, because
they're from what normal.
I'll share with a commentary
just, I'm in a place
that's called, the Dorado,
is a center of retiro
of the legionaries of Christ,
this is in Toluca,
Salle
Stove
For azares
of the Destino
is a little
very beautiful
in the oria
in the area of
the casetas
of the salida
to Toulouca
to the zone
if no
mal record
the Lorado
is that
I said
I said no
but well
I don't know
I'm not
I'm able
susceptibilities
I'm not
I'm going to
other
other thing
more than
more than the
thing of the
images
that you
there's
there
there's a
image of the
Virgin
Maria
that is
very
characteristic
in
these centers of this group
Catholic
all in
black in a
material
in a material
between
porcelana and
marfil,
very characteristic
it has
many of their
centers of
the retiro.
This is the
Dorado in
Toluca.
That the
way if you
cause an
impression
different
generally
I'm like
that maybe
you know,
like you
grew in a
family
Catholic,
I'm
developed in
this theme
in this
time, there
I saw
in the
videos of
15
years and
bodes of a ton of
a lot of people
because I
did the
chorus
because I'm
you can't
very
thank you
thank you
take you
don't know
this I'm
what I'm saying
well
it's that
I'm interrupted
yeah
yeah
so I'm
so I'm
so I'm
so I'm
so I'm
it's a
beautiful
caron
it's like
a
kind of a
kind of
kind of
the frio
arboles
of manson
and be
the mansan
all
manzions
very padriced. But when you
see that image in one of
the cruises of the passages of the
main of the hardines of the
Dorado,
me record
immediately to the virgins
that you're in
that you're in
so, so
all black,
hermosa,
a figure very
beautiful,
the factistically
about.
But spiritually
also of that
me caused
well,
well,
sort of
a veneration,
no, this.
For other
side, also, I said, no, I see
I go see, I'm caused a certain
conflict. Yes. Respectosoment.
Yes. But you generate a
fear. Yes. Yes. Yes. I think I'm
to confess. Yeah. No. I mean, I'm. I think.
I'm not. I mean, I'm. I know. I'm sure. I'm sure. I'm
sure. I'm sure. I'm not sure. I'm not sure. I'm
much fear. No. No, I don't remember the
name of the
image
because
every
exception
has a
name.
But the
Christ
that's
they're in
Semana
Santa
that they're
on
that they're
panico.
Also
to me.
The Christo
Negro?
No,
no,
no.
The Christo
is the
that's the
sanctuary.
That's
that's
that's,
that's,
that's,
that's,
in a
part of
Mexico.
Yes,
I don't
see,
it was,
oh,
how it's
palapapap.
Istapalapa.
I don't
I'm
but I'm
going to
look,
but they
they were in the part, I said, he,
his rostro, so, so,
so, it's, no, it's
a, no, it's a figure articulated. And so,
no, if it's articulated, there's,
there's, there, there's, of the, of
the same place, I mean, so, confirm,
no, it's a, figure
articulated, that you can't
move, coo, moose, or, no.
And, if she was, how it was, and
precisely, I think, is the Christe this,
that's, like, the vestido,
in morado, so, is a,
so, it's a, so, it's a
true, but, but, so,
And also that, oh, and the
when I was, but, about
of the movies, and
about, we're getting
in religion, cabal.
And we're going to get us
in religion.
No.
I don't know how many
of you've seen.
The exorcist
of the Papa.
Ah, so is that
we're going to
talk about the
thing of religion.
It's that,
we don't we
know, we
don't we
don't we
don't even.
But what
how,
how can't
qualify in
that movie?
I,
I,
I'd like,
without
mammonial
or not
an 8
Uri
An 8
An 8
An 8.
I think
I'm
an 8.5
8.5
So if
you had
the
minute
boy
But to
where I
got to
I'm
for me is
like
a 9
boy
but I
but I
don't
I'm
a good
point
of
reference
I
know
I
really
the part
obviously
obviously
they
basically
in this
man
that was
the
sacerdote
exorcista
Gabriel Amor.
I don't know.
No, I don't know, but they say
they're saying that they're very
good.
This, ah,
but really,
but really is a person
with a much of
experience.
It's a person
that's a person
in this
amitum
much years,
more of 50,
70,000
exorcisms.
But the
question that
that me
impact a much
is a part
that I've
criticed much
of the
church
Catholic,
and is
that's
many years
talking to
with the
clero and
all this,
really
they were chakable to
that
many methods
of torture
were taken
to cause
of the
church.
So,
if you
negabas
the faith
or simply
not concordas
record us
that in those
years the
people,
the Catholicism
was a
supermently
fortism
in many
states,
places,
or so
they were
like a
government
more,
then
so you
not
you were
like
100
of
with
their
ideas
because
you
took
to
suffer
one
of
the
castigos
more
fervantes
doloros
of the
time
so when
I'm
intero
for that
movie
or how
they're
in the
drama
that
because
a
not is
belial
how
she
called
that
smoteo
that
he
he
he
he
and
he
has
kind of
he
infiltra
this
entity
posse
to
more
people
of
people
and
they
start
all
this
disaster. Like,
I think, okay,
it's a
bad, it's
great, how
they're in
this, they're
like they
want to repeat
that they're
again,
this spirit,
this demonio,
to be able to
to see the
exorcist
more poweros,
for that
can't be
exorcised,
and could
another time
to do that
other way,
but X.
What I
consider is,
I think,
that's so
he's a
little bit
that it's
the fact
that I think
that it was
so.
So,
because,
because,
because,
and they've
started,
yeah
I get to
the family
and the
kid
is inmediate
I'm in
the time
the time
is a
time where
they're
so they're
a lot
a lot of
a lot of
exorcism
and make
a lot of
movies
but
so that
maintain
that that
that's essence
that
take
in their
time
is that
I personally
I personally
sent me
that was
really
so that
went
with much
prisa
the
final
like
yeah
too fictitious.
So,
really
they've
made to
exploit them.
Explot it.
Explotar
very well
because
they were
based on
in the
reales.
So,
in
someone
really that
was my
consideration, is my
point of
view of
my point of
view.
There are people
who don't
do it.
I go,
it's an
humilded
opinion.
Fifate
that,
well,
yeah
about,
yeah,
I'm
of the
people who
are the
time of
extraterrestes.
And of
all
Because all
what
is the
thing
of the
other
and the
I'm
like a
but a
film
that I'm
very much
it's
called the
fourth
contact.
I'm
I'm
recommended.
I don't
see if
not
she not
is the
actress
this of
the Niveville
Mila
Hobovitch
in
really
in reality
in
really
because it's
because they're
because
they're
the actual
that Mila
Hobovitch
how
the
thing
how is
how
it's
when the extraterrestrests
you take and it
get a abduce.
Ah,
an adduce.
Okay.
So,
this,
it's,
it's,
the fact of
that they
pass a,
a one
it's supposed
that is like
the real
and the
actuado.
So,
so is what
me gave
a lot,
because you
make sure
that you're
real.
You know,
I don't know
I'm not,
but it's
a movie
that's a
movie that
all those
that you
like the
thing of
the topic
of the
thing of
you cause
scalofrills,
terror,
fear,
because it's
something that
is real.
All the
world has
seen the
thing of the
omnisterterrestrial
and over
all right
that it's
that's supposed
that's
the military and
the police
of the
United and
all that
you're doing
that's
that's
all.
So,
more me
makes
think that
I'm
I mean,
I'm
obviously,
I'm
also with
the theme
of phantasm
of what you
want to
do you
think you
doas
because
really
is something
that's
But at the moment
that you
see that you
see that
there are
presentations,
that there are
videos,
that there are
certain
levels of
government
are they're
accepting
that is real
then that's
what most
me cause
conflict, no?
That ojo
that would
be a very
good
thing for
for a
panel with
us
to talk
to talk
to talk
to do that
because I
know
I think
that
I think
I think
I think
that
I'd
I'd
the theme, Alin, is
the media
of communication,
projects
classificated,
BluVing,
Hombes in
Negro,
a barack really
much of what
we can't
make, but
I always
said something,
the media
the media
control all.
And they're
going to
say what they
want to
say.
And obviously
the information
occulta
still
occulted.
Exactly.
Yeah,
right.
We're going
to be
a probatita,
like we
to entertainer. The point of
of the lightser. Exactly.
A movie that
not is of terror, but we're
talking about. Don't look up.
No. I don't see if I did
well. The
of Leonardo DiCaprio?
Yeah, with my
Noviour. Jennifer
Lavren.
Goods. Goods.
Jennifer, if you're
seeing this, me be
me, I'm.
One, excuse me
my love, if you're doing
this, it was a
brakeed.
Me hackiared.
Me hackiared.
No, I'm hakechered.
Don't look up, no?
this, no,
this, no,
I'm going to
say,
you know,
the media
are you're
doing this,
I'm talking about
and I'm,
I think,
I think,
I think
the, I'm,
a little
like,
like,
we're going to
give a
little bit
for that
that is what
we're doing,
no,
I think all
the movies
have a
little of
reality,
and also
I think,
I'm,
I'm,
they're,
they're
they're
much of
what they
want to
know,
we're not
We don't know.
Exactly.
The government historically
are you
are in
in arras
of maybe
not sembrate
the panico
the,
no,
the people is
very local.
Johnny.
The people are
really like.
Imagineate the
the
sakeos that
was in
Veracruz
because
what was the
gasoline
and I don't
remember
and the
also.
The paper
of the
paper of
the bano.
But you
are
but you
are
to talk
a little
to talk
to be
a good
My second name is Omni.
Let me.
Let me, let's put a
let me.
Let me go to me.
With me,
we're going to put a minute.
I mean, the people,
if they'd like
that, between us
four,
trygames the
theme alienigen,
abarca.
Ombres of Nekro,
we'll submit a
little, because
that's it
we're going to
bring with the doc,
which is a
case real,
real,
real, of
the HOMres
of Negro in
Mexico.
In serious.
That's impressive.
I'm really
I said the type
Oh, you
the net.
He said
Paco,
the gombers
not the
United
are in
all parts
where there
there are
people who
have people
and really
they're always
to call
to the
people.
That's the
thing we
going to
get to
get to
the dog.
Interesting.
But we
we're
about the
disclassification
Omnis,
medios
of communication,
all what
has to be
with the
classificated
theories
conspiratives
that come
of the
because
many
say
that we're
doing the
project that
we're going to
the project
Bluvi,
that is the
rayo
that's the rayo
where they're
controlling.
So we're
to put a
meta.
Let's
it would be
15,000
likes
for that
we're done.
15,000
likes,
guys,
in that moment
we're
we're going to
like,
and start
to reventing
the
me-gust,
we get them
to the
we're
we're doing
and we're
we're
we're up
that one
try that
we'll be
about,
we'll be
about this
and over
to hear
for your opinion,
that is what
most
us important.
Recurts
that we're
not we're
absolutely.
We're only
we're talking about
stories,
we're not
our experiences,
every
who's
basically the
person who
he wants to
give to be
very well.
How's
it's all
to do you?
Excellent.
Oh,
very well.
But I'm
for the time
past.
I'm like
I'm going to
talk about.
We're going
to continue and
continue and
yeah.
A bit,
let us
about some
that you
you got them, that
traumatum.
Now,
I don't
one.
Babah.
Filicles of
MEDOGO
that did
Risa.
A-ha
scary movie.
I'm sorry.
I'll say
one, for
example,
this of
both,
both in the
in the
in the
life.
You know,
but horrible,
because
it's all
all right
all you're all
there's all in the
these
it's so
so, it's
so much
it's so
how it's
called?
Yeah,
well,
so,
salen in
the
things these
of
these of
the Earth, how
they call
Catacumbas?
Oh, no,
I don't
remember, no?
And of a
so, and
it's a
kind of,
and he's
like, oh,
he's,
he's,
he's,
he's,
he's,
he's,
so that's
something that
would be in America
Latina,
no,
in France.
Okay,
we're going to
say the
movie, that
no, that
was a comedy,
but that's
it was a
thing, so,
so,
so,
so,
A disculpita.
Yes.
Oh, thank you.
Thank you.
This, Laro, 4.
And I'm sorry.
Discule, yeah.
No, the Laro 4.
I'll have to go to see.
I'm going to go one.
Yes, well, yeah,
but this is Japanese.
You did a rizza?
Me gave a much risa.
Of really,
this chica of Laro
that's out of,
because now is a
through a video viral,
because,
well,
we're just in the
2023, no?
Yeah.
This, yeah is different.
And she
She's out of the posse, no,
she does a machin'weepas.
She's a, she's going to be the most
disposed to get me to the
man.
Yeah, a machin'web,
apart,
she's, dobbled?
Doblada?
No, that's, no,
that I'm saying,
no, no.
Doblada?
But I,
you know, for it?
You know, it's the
people,
whew, and then.
No,
then the voices
malisimimis.
I think the
movie does
the doblage,
I say,
you say,
you're doing.
Because,
You're you.
You know, you're
I'm going to
I'm going to
yeah, more than
it's a cinema
that's in
another level
and no.
I'm going to
say it, I'm
going to say,
I went to
see to be at the
cinema.
No,
to be able to
80 pesos,
yeah.
Yeah,
you know,
you know,
you know,
I don't think.
I'm the,
the demonio
four, three,
I think the
four,
the four,
the four,
the four,
the four,
the four,
the four,
because,
obviously,
like you said
the chipper's,
the demonio,
I'm,
I'm a
I'm a movie, I can't ever
Is fan of the demon?
Yes.
No.
Or the
movie?
Oh yeah.
No, no.
No, no.
No, no.
Like you're.
Because you
don't know.
You know,
I'm a fan.
Why?
Because I said,
well, I
see the one,
yeah, I
see the one.
The three, but
this four
is a,
it's a,
is a,
is a,
it's a, it's a
momadissim,
I mean,
is that you know,
that's a
excuse,
that's a
excuse, you
make a
a woman,
and it's
a mukeke
of a
trapo,
I mean,
and apart
there's a
another
where it's
a second
where it's
supposed.
It's
like the
demon
is like
in a
room escape,
no
see you're
seen as
those
stuff.
Uh,
and you
have to
get back
and you're
getting to
get to the
rice, I'm
and I'm
my brother,
boy,
yeah,
we're gonna,
we're gonna
we're gonna
yeah,
we're,
we're just,
I'm just,
no maches,
how we're
gonna be
gonna be able
to be
yeah,
but you?
And you,
me,
a movie,
that I really, I see me
do a chino, but when I did a kid,
she made a chink of fear,
the movies of Chokie,
my, my,
my little, my choky.
That, the net,
boy, and the nio,
and I'm traumated,
but, you know,
the other things,
and then.
And then,
the new,
the kids,
the children,
the new,
the series,
yeah.
Well,
in me in particular,
never,
I've never.
I'm,
I'm,
I'm,
I'm,
so, I'm,
Yeah, I don't know.
I don't know.
Yeah, I mean, do you think of great, if I
do they're in Risa, the comments
machista, dude.
Ah, yeah, yeah, yeah, so, yeah,
so, yeah.
Imagineate in the,
the feminism in that
time, if would have been
been like that already?
Oh, your life, no,
it would be a lot of,
yeah, it's a story.
Yeah, some pelicans.
Because is, is it,
is very, eh, the machismo in that...
Yeah, way,
yeah, so many chocky.
No, embecese
in that movie, eh?
Yeah, people
sensible and,
they're going to cancelar a chocky
,
after this podcast.
One and a culpita.
A no.
A discuspulpa for the...
Sorry, Chucky.
But, well,
no, Max, Vanda,
me it was I
totally, mad.
But why in time
past,
I mean,
you can't
you?
You want to see?
You know,
you know,
more coffee, right?
Yeah,
definitely.
Wait.
Is that,
I mean,
I, you,
I want to
want to pay
a little,
boy.
One thing is,
this,
this,
to be,
to be invited
to talk,
and this,
and start
about allos
like here
you and you,
but you're
when you're
Oh, so I'm doing
Yeah, I'm trying.
Ah, I'm gonna,
I'm gonna hear of
Oh, I'm gonna
listen.
Oh, boy,
what,
what,
what,
that's good,
so,
that's interesting,
and start
being,
you know,
is beautiful,
is beautiful,
is a beautiful,
I mean,
I'm gonna be
pretty much
I'm gonna be
that's a little
more, I'm
with a little bit more.
With a good
that's a good.
Ah,
I'd like,
I'd like,
I'd like,
yeah,
yeah,
yeah,
yeah,
yeah.
Comentario,
so
if you
want
start in the podcast
extra normal
with Paco Arias
obviously
well you know
you'll be
you're going to
be in the
country and
certainly when
Paco with the
people
really tremendous
a brando
a brando
you present it
but I don't
do you know
yeah the
people have
been in other
my good
friend
Hasiel
that all of
all of
all right
good
my name
is my
my brother
is my brother
no
it's the
zero
zero
but whatever
but if
you want
be able to be in post. I'm
here in my house.
Yeah, I'm super-commodo.
I'm going to get it.
I'm going to get it in sport,
we.
Super shilky.
Well, that you're
that's put it. You're
to put it. You know, that's
to say, well, you know, no, no, no, no.
No, no. No. No. No.
In what's the way?
Controlens it.
That's not that if
somebody wants to be here.
If you want
to be in the podcast
ExtraNormal,
for favor,
leave your
message.
But you're
to be in the
Kuanca of the
Papalopan or
to be able to
your city.
Recently,
Paco
was too in
the city of
Mexico.
The fact,
I was talking to
we're talking about
here with the
band.
Paco is a
talent 100
Tuxtepecano
that's a
respect,
admiration.
Yes, of course.
Excealente.
Etcettel, etc.
Etcetepega
up up,
100.
We're trying
to keep
Mexico,
man,
That's excellent.
That's a year
2024.
Ah!
No, the actual,
the actual, the
actually, no,
it's mammy.
We're going to
let me.
We're going to
do that.
No, I'm
invited.
No, I'm sorry.
Wait,
wait a.
Wait,
but really,
but really
I want to
do that
maybe for
finales of this
year,
for the other,
for the
people, I think
if you want to
be being
being welcome
to be welcome
to actually,
to me,
I'd like,
I'd like,
I'd like,
I guess
imagine,
public,
we.
So we're
doing this.
We're doing.
In fact
yeah.
But,
yeah.
But if it's
very
so, we're
very
atentos
in Instagram
because
that's where
we're
going to
the information
too.
There,
so you know,
we're going to
start
doing in the
stories,
in the
publications,
well,
what we're
what we're
to do it
for the
podcast,
for that
they're in
the family
extraanormal
of Wesso
Colorado,
for that
they're
being,
but they're
all the,
but really
it's good.
this episode.
Let me
a good
a great
brazo.
A lot of
a lot of
a family
extra an normal.
Adelante
I'm.
Oh,
uh,
pardon me
Paco,
I'm here
want to give
salutes.
It's that
there's a
one of a
a chica
that's your
second and
me said,
before before.
So, before
to me
forget,
I'm saying,
she's of
Montereyry
to Lourdes
Velaxkes and
Regina,
that's your
his wife,
let us
send him
to get
to Montereyrey
Saludos
that's
that's
synony
and me
he's
for Instagram.
Vanga!
Family,
good.
Thank you.
Thanks to all those
who were here.
Thanks to those
who
were to get
until the final.
And super
mega-grace
to those
who did you
like,
commented because
that does
help to
keep to continue
to grow
all the
days.
We'll
see.
We're
a new
chapter.
I hope
the new chapter.
I hope.
The past