EXTRA ANORMAL - 128 | Sesión OUIJA, Pasaron Cosas Extrañas

Episode Date: November 2, 2023

128 | Sesión OUIJA, Pasaron Cosas Extrañas PARA ENVIAR RELATOS Y COLABORACIONES AL SIGUIENTE CORREO: [e-mail] .......................................................................................................................................................... No se te olvide seguirnos en nuestras redes, aquí te las comparto: YOUTUBE: https://www.youtube.com/@extraanormalpodcast FACEBOOK: https://www.facebook.com/podcastExtraAnormal INSTAGRAM: https://www.instagram.com/extra.anormal.podcast/ TIKTOK: https://www.tiktok.com/@extra.anormal.podcast ......................................................................................................................................................... Redes sociales de nuestro invitado: YouTube: https://youtube.com/@agentesdenegro Facebook: https://www.facebook.com/AMIParanormal Instagram: https://www.instagram.com/amiparanormal_/ Instagram: https://www.instagram.com/tourinsolito/

The entities spiritual that we contact us are in an entity that are in a time and time an entity

that's passing by the world is very difficult and it's impossible if this has the

intention to make to communicate is different okay so if that is that is a

part of the transition of the power to be communicating with a human

in plan terrenal if it has the when when I'm when I'm when I'm

about the Voluntat if is a psychology if the psychology of that

spirit says, okay, I want to pass the veal of the

world spiritual to enter to do you can do

but always when a entity advanced a an

an entity when is a present Paco is

rotunda is direct and get to turn per

when knows that you you at you at

you you at you Moriste here? Yes or no? No way.

No way. Hello, Hello, how much to be a podcast Extra Anormal? My name is Pacuarias and I'm very happy to be

here with all of you. This occasion, as you can be is a occasion a special. Not only because it's, not only because

is with me the investigator, Antonio Samudio, but because it's the first podcast that we're we're doing the 3.30 of the madrugat

us we're in the city of Mexico Samudio did come with us to this hour to do

this this chapter but more than a chapter is a retto he put Samudio

me reto me said cabron we're we're going to do weha let's

okay I'm you let's you're many times that I'm going to I'm

I said, no, I don't go to go to my because I don't know about these things but here we're talking with the expert. Samudy. What you can say? Amigo,

before that nothing, thank you. Thank you. It's an honor to be here with Paco. The truth is that, this, if they're done

the things for something, so at the final of the day, I always I've said, if you no do you

do you do it but with much care and with experts, you can know,

you can't talk about about this in a way, in instead of it's like,

okay, no, no, see if it's or not or it's a fatidico.

Well, there are many cliches there in turn to the element

experimentation Uiha. So, so Samudio for the cases that not have been

not said, and we've related, we've related, no-se-

-quant stories of chavito, especially chavos, adolescents, 15 years. Is that I'm

there. Something that has to be the public is that it's a game. No, so,

no is a game. No, you can take in account that the commercial

of Monopoly, that's the mark that's that's, uh, for there the 70s

finales of the 70s, almost 80s, they're they're with chavitos

of six years in the Ujah. That's what I said my mom, Samudio. Yes, that's not, that's not,

you know, it's satanic. No, before you know, but I said in the paper areas. In the pharmacies. In the pharmacies. So it was

something... Well, the commercial was too. I think even you can't get a commercial of Uiha

of Monopoly and the commercial is very sinister because they're chavito of five or six years. No, manch,

Samudio. And the commercial had been like, while your papas are in

the theater, you can't contact with him and you say,

well, the proper speech of the commercial you get into

something to, like, to discover something to something, that

maybe you know, with the sensation to say, wow, if, if I

want, Corte to three chavitos, a chavit a chavit a six years,

approximately to the I'm sure. And he said the chavita more or less in the translation

Chichimeca English, no he's the chavita what we do you do you do you

do you contact us the man he his life the commercials not

not not textual but it's like I say it's more or less or where

they're so they they're a table And the chavitos they put in his dedits and they

start to contact and the and the narrator says he says pass your nights of how

I said well the idea is that you know you contact with a beast so way so you

imagine imagineate so say today people are because they're because they're

new new books of text came occultism for the no it's a

tonteria put to read. Well, talking of that you're going to let's a little of the text before to ideologize

to you know maman. Pardon. Well, the point of all this of the question of the Uiha

has a has a fact a fact of the first the first operantes of a session not Uiha

because the word Uiha are two words that is Ui in French and yeah is in And the

context is just to this, a kind of an expression kind of of the affirmation

of the CISI No? Okay. UiShah. And it's turned in

the current spirit principally by the principles of the century 19

finales of 1,800 approximately and he started kind of this current in other occasions

of the The Theory Cardiana and Alan Cardi and the father of the spirits and everything you want you. But the elements of the Uiha no, not functioned specifically for to make them like a table of a game of mess.

Okay. That is the malapata that took monopoly to explotar a thing that was very delicate. What they did are like to do more inoffensive? More than it, more than they're

like they're subestimated. Yeah. And, you know, you've been, you've, is mal-givated a session Uiha mal

connoted with the perspective of a chavito that says we'll to contact

with someone how they did the chavito in the commercial

then you define the that combined with that no

there no there was a question you put to your

hand your hand your plach and ask to the spirit

no wow but there the first operators of

a a species of Uyha, a element of communication for a point of a point

and to make a series of questions that were guided basically in the desenlaces of the

empenances in what was, for example, the princesses things, so I you talk

of the antivis Okay. The antivisios put them a species of a

pendulo, of a kind of a species of two bars colocas so that

they had a pendulum and there a period specific that they were in the sacsacet

had been and there were a tablias of hieroglyphicos and at the moment that they

they were Anubis the the cuididator of the in the

culture Egyptian then they they're they're they're a pass to these

spirits that have transcended of his descendants of what took this

and the sacerds and the what on with the empire? How I was,

what they had to do you know when when they were when it was when I'm like questions

more specific and more intelligent. It was a form very very antique to contact

this type entities. They don't look like we know, as we're like it's

it's like to recurring to someone that can do you could give an oracul

exactly you have to affirm to specific. It's an oraculo. In other epochs, they

called to those those, adivinators, pardon, the future, the pitoniza or the pitonizo. In a context of the culture, it's a little more advanced, but if at the end of the day, an oracul, that it determined, to

a certain point, a possible future present, and a possible future future. Okay. Ogo with that. The present future is what is what is what is what we're going to be going to be

at the 3.5 the morning we're going to make the video of the Uyha our present future is what is

what is what is what is two hours that we're doing or not what I do what I do that is the

present future Samudio yeah I'm I'm trying on you I don't

don't you don't you don't think the future is usually usually usually

what is what is what is what is what years of years but not but not

but not those were adivinations of things future future always

always in when I was going to do the solstice of the solstitio

of springver they were like things more things more

combined to the abundance to the Cosechas and all that type of things That are of interest Evidently important for those cultures Because they were their sustento

No Today he's a friend My partner is infiel That's the type of That's the type of Those are those They're going to Desafiaeer

A own entity Spiritual Yeah, there When we're talking The session Whihapako We're talking We're talking

We're talking of an instrument of communication Directo And it's an element of communication That makes

a suggestion Okay. When I talk about a suggestion, Paco, I'm talking that the entity

when you start in an evocation by the session Uyha, you know you're not

you're you're you're you're you're you're you're you're

that's that we're that we're usually usually grab a Paco and

it's that we're around 30 40 spirits already and not

necessarily they'd have to be trapped in a space and time in this place of the space of time of

the spirit is totally adverse to the space of time of us exactly relative totally relative a

sometimes get the synchrony of parallelism between the space terranal of us and

the space spiritual of them and is when they can pass that space to the

plan of the plan and can but in the plan spiritual they're doing

like their way so you want to do you want to do you're

doing so they're doing so but those that not in the plan

spiritual and they are in the plan that are those

that we are those usually we're we're in this register

videoc photograph the evidence so exactly are entities

spiritual that are in space time at certain

Terranal, he's Alan Cardiff. What is the apeo terranal? A murder

tragic? A murder subita. Apego with a emotional emotional and motive

that those interlaces an annoyance, the cario for some

person, all this type of things. Vienes also. Yes, obviously

the attesoramient of those that Alan Cardick, example, the person that

guard or that doesn't that person she died of a form natural,

not tragic but I the transition between the life and the person was in the basing

of the money's of gold that's in a little in that palmer

that he he found in the buske adentrandos and it is perfectly

the way and know that you know that he did the time

the life to to get that that that's that's

a way to to that is a peggot renal and that's probably would

have to be a really to be that's a what's that's what I'm I'm

I'm going to give my money and I want that nobody so I'm that that

when I make the transition between the life and the more in

that that that is that that is that will give to a evolution

with the land card the the entities that are in the

side spiritual that are evolutioning are going passing like certain missions.

That's to be to the entire by the mediums. But if that is

that's entirate or is that person not because it's a reager

a a pego tarrenal and instead to get arraigated

in space of time. Okay. So that entity will go to

go to the palmer where he is going to get there. It's

like a bookle. And it will be a repetition to go and

try to to and let's try to scarvar and you'll be able to say that in a cycle in a boule will be the gracia of yenna of monies of gold and he will be able to grab her

and as it's material he, he, in the entity he will be ragged more there. So the day that someone at level terranal and he begins to scarvary

in that place for some reason cements of a property or because simply is to clean the terrain and let's see the

the famous flamita exactly and he he's and he doesn't that's

the gas that's that's propaga by the order so that the

lot has certain certain properties that it's when

it's when it starts old the but no no

don't it's property but they're so so that's

of combustion so even men so that in the

moment that I'm going to suffurar that gas of the fact there many

many how you explain reportages that the maldiction of the tuchemone

not not exactly because the momia had a maldiction but because

they were sarcophos of ore and things of the gas then it

was to make to the explorators to the explorators and the excav

so it was that they said they were they're they're they're not

precisely it was because Tutankamon they've done, they've done, the cabins that perfanen

that if is a problem of the profanation of tumas. But they're not they're not

for the mansion. Yeah. So, they were in and they were they were.

A point. Well, a little cotation scientific. But the point is

that the entity will be that that person or that person who he took to get a

sustrae the vasica will try to get in their basica. So, then

they're phenomenos to turners aggressive yeah no well with

how they're in space time then so to retom

and the thing the the the entities spiritual that

we contact we are not not are in space

time an entity that is a very difficult is

very difficult is impossible if this has the

intention to make the is different okay So, if that entity

that's a path, in their transition of power to be communicars with a

human in plan terrenal, if has the voluntary, if it's, when I

talk about the voluntat if when the psychology of that spirit

says, okay, I want to pass the velo of the world

spiritual to enter to the world to do you can

do but always when a entity advanced an

spirit that has evolutioned that not have preternals that no they don't link them an issue

or even his descendency familiar that he took to live in other lives and that

has a line direct with those people is indifference okay because

yeah no there's a risk of a unnerances me explain yeah

so the limpio basically the the entity spiritual still still

is the community that no important how many families that have

had However, there are entities that are very elevated or that are very advanced and say, okay, I want to communicate with a human. And, list. Passing to the plan of terranal. You know, and to enter to the plaza-terrenal? Okay. And to go to the planet spiritual.

In that context, only and exclusively for this type of entities, no is necessary, and neither can't even be able to make a decision with a decision Uiha. No, they interest. Sure. because not to their to be able to

know that they're in a moment of communication. Yes. So, in an entity spiritual

that is in space and time, for an thing that's ragged in the pranterrenal, for the supposed that

you can't be a but in a session is of that they're doing a session boy.

You know? So, is more well, it's more it, imagine it, an entity

derrante that goes from front in front of a spego, possibly that's auto-recognoske

for his reflex. We don't we know but the entity spiritual is seen

but in this session can get to get to our eyes

in the space we have front it's it is just to where

I want to get to the session Weija what weha we use

we even we even we do the experimentation in turn

insolite that that's that experimentation we momentum because It's a context of the

Ventana of the Mass Alleyer. Yes. It's a lot of because you can't see or divisar what there in the world spiritual. You have to

plan to a entity spiritual, a ragged in a space or time in this area, can be going to this moment

front of us. We don't we don't know. We don't the perception is the sensorial or the psychosuroy more advanced

or simply we're concerned in the podcast, point. Sure. No, not we we're also

emphatizing on it. So, however, when we've a session Uyha, I can

indicate to the entity spiritual that they're in the spirit. So, so I can do it.

Why do it do? Because I do it do you put to do do the session

Uiha you're talking. It's been to be and it can be the attention of

how see in the entity. But in the world, a bit,

a plan terranal but there's a world spiritual, not precisely that are evidented

to your eyes, but they're simply they're going to be a session Wihha, in best of that pass that

if you're in the space in the space Waiha, it's like a kind of a kind of a

kind of because there's much care, because there's it's a very easy, I do you

do you have a session Uiha and you're you're fallacies that's

so because the really I'm I don't know, if the entity spiritual yeah,

you know, let us go in the context. You just you just a entity spiritual. You've got

you're just with your quats and you say we're we'll see what we're we've been what we're

so the entity you just you just you not it's a question of Ben, I'm

you're not I'm I'm in the banquio of the accusation that is the tabla

whica and I don't I don't I'm etchand, you, so, like, with the dead on the planch, and you say, ah, no, well, yeah,

I've been, no, no, no, it's all right, oh, no, no, so it's, all right, there's, oh, pardon. Quitas the dead, and they're saying, yeah, guard the tar, but there is. That entity spiritual,

he's liberer of that suggestion, because you know, the session. Yeah. What would a Paco, what would think to Paco, if And, of a repent,

somebody to say, some policies, you confunding and they say, A be, Pinch, Paquito, come here.

We're going to have to have to have to ask us. We're going, we, we're to get in

those three hours of interrogation where nobody they're there, where they don't,

so on the banquito that's on the interrogatorio, and no they're not to ask

nobody. Nothing. Okay. And at final, they say, I'm the

Hey, palotra. No, well, What, what you do? What, what you do? What, you know? Putta, boy, for what, what, chingas me

got around? Yeah. Me quixion interrogar and not me asked me, and they said, and apart, neither disculpals,

cah. And is when they're not, then what would I mean, I'm gonna, oh, okay, go,

car, go, go. I, go, I'm, go, go, I'm, so,

so, would be sad to say these these were to optar like abuse of authority to chenna

you're you're like like any you're like that should be but

imagine if you you have the virtue between commies of

being invisible of being and being strong at

level energetic and between those those concursants or

participants like with those people detect or one that is a mirrooos

and you you'd do you do you don't now go I'm not asked

more said that not I don't no me no me didn't

know not they're they're they're they're they're they're

they're they're and but look I'm here I'm

I'm I'm I'm I'm Sway Feo, perfect I know for where

you get to get me And is when it's when it's When I'm done in possession?

No terminate in possession because that is a critchet also very absurd

of a but there's many people that if obviously it's

manipulate by a session Uih that he gets to

think Paco that the Wih he will say he will say

he's example. This is classic because they're to discover that in the letter of the words that emit the whiha, they're to say, I'm a demonio, this, I'm belial,

and I'm going to get it. And, oh, you're going to be able to your mind. But what you don't see a point to the person is that the entity you. Yeah, you scanio. All.

And so. And so. And between his there's a somber in serious Net? You know I'm sure

for a manned yeah in the yeah we're gonna in the gravation

yeah because if is the angle to be yeah yeah yeah

I'm my attention well this oh no I'm not I'm not

I'm I'm that I'm when I'm when I did I'm

I'm and it's you know in the rabbi of the eye so

yeah well no no no But, a see,

it's cool, it's a cool, it's if it's if it's that I'm quite, well,

it's part of that I'm, I'm a light of this side, and I

see like a space of the eye, for that I'm the attention. Yeah.

But, but be the reaction, so, no, no, it's like, oh,

it's like, so, that's a reverend, man. It's a man, present,

Paco, is rotunda, it's direct. And it gets to turn dangerous when you

you're you're you're that's that's manipula your manipula

pardon, not your your debility, your fear. When we're talking

of the scane as you mean, it says that you know,

we're our newness, our youth our our what are our

debilities in the sense social, all. So, an entity that's

that's that's not inconsient of your murder, it can't be the suggestion and

of the moment and see to your transition, your way. But if is an

entity that is a conscious of your state, agarate. Sabe

the power that has totally. And does say, and say to

be a pa. Well, when when a session when they're saying, ah,

if we're to play and at the hour of the madrasos, you know they're not

what's because the entity will be in all the things, moving, objectos,

making us present, impugating, metient in your dreams, it's more put to

make messages more rotundus and grotes in the dreams, pesidias, terror nocturn,

a lot, a lot, infinity of the things. Yeah. But that's what is

an entity enojada after after the a session Uyha and why

I'm going to the session in suggestion because it practically the base of the occultism what I mean

what I mean did say this before the necromantes or nicromant they used this type

of methods to know even even the future not even they were not they were

they're because they were they were they did the cultures okay

so but they they're they're they're they And why did it in cemeteries? Because the form of

like represent the world of the mortals was in a place where there were in a place. But not only only that

there were some some, there were some some of tombs and they were not they're that the

concept of having a cranium, for example in the tour insolid we have a cronial

that has a but it's a cranium of resin there is a grand or real but

it represents what we don't we're doing in a panteon a sum amenta

represents the state where you you're going to do you want to contact the intention

the intention of the the intention of the death in state murder so for

so that's so they put on mentas wheses of more there who

there people who says is that is part of the symbolism of

a religion. That's all right in those contexts but usually in the necromancy was realized in pantions and it was approximately

at 12 at the night at the 3 of the morning. And the sessions were based in I evoke an entity

spiritual for that entity spiritual me reveles and usually evocated spirits not precisely those

that were inthered but they had kind of identified certain spirits. The example, the loco of the

people, that's a manned in some accident, the borrach of the people,

that maybe died of Dicicic, no see, the assicions, the assigne, that you

had six persons and the policeia. Yeah. Like, they had identified to who

they were to contact them. The representation of the cemented was simply to sell it in a

terrain where had been mortals. Okay. But no evocabant to contact a spirit of there the pantean. Yeah. Yeah. Yeah. So, you know,

about who they went. Okay? For so much. Yeah. Now. Yeah. Tend the context of the, because of the session, Wich. You know, and what good that we're into

a spejo. Enorme, for sure. Yeah. It's interesting. So, yeah. It's interesting because this spejo us will help to make a

momentum Shepakol it's my first Samudio he does like the like the

vistecitos how does when the dishes let's get the acid it's it's like

it's like a preparation it's the first that I do you I'm to ask

Samudio no weh weha has to officially with a tabla Uiha

for that me entient and for the major part of those who are in the

time of the table is recognized for a tableau of madera that has that has

that you letters a sillo no and a dieos usually is usually is the session

well the tabler huiha before before it's stillable to

do it with these elements basic a a and a and a

no. For so they're two papers. No represent an something

or something mystic or nothing that's it represents my and

it's your intention more more to the intention is to give

a context to the entity when I go to let me a

a communication that is give a this is my

this is my no as we don't we have letters and numbers we'd have to do a session

more direct in a question in a question of questions in a series

of questions that are that are guided to responses binaries example you

you're you're you're you know you're you you're

you're you know because my only contestation is the yes and he

no when I have letters and numbers then I'm that he describe

all it's exactly how how it's how it's

a set table or with table the most important

is that you know evokar what is an

evocation is a grim is a letania of evocation

I evoke and I invoked many times the people are very

well connoted because they're they're they're are they're

are a bit adverse and to a certain point with significations

that neither they're in a thing evoked is

that I recit the litania or the primorio education I'm

I'm I'm abertament a voice Alta Invok is that

a level introspect I'm Manage my psychosensorial For I Yeah, I see the I'm gonna

I invoked Like an oratoria In the MENT Yeah But both They have The same

The same Okay What was What was What was That was That other That were

That was That Tull-WIC In the time of the 70s 80s Soe

Desafiara and It's a fact funest Well, that effectively the kids

not did an evocation simply they said a bit, Spirit, you're there,

coburg, you know functioned that perhaps the recital that there had a intention

of vocation but functioned that were around at a same point

with the psyche of each one with the intention to communicate

and it's for so that it's so but So, as they know

to develop and not know they're and not they're someting, the problems. The problems.

The little problemsitas. Pecanes problems. Some of some some of, some,

they've been, or how it's said? Some of some of because it's a influence

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What, oh, Samudia, no, but no, manches. And that, that's, that's, definitely. And that, no, is possession. insist, because many they're going with the fiends

that that that's a possession no, no, no, one of the influence malignant.

And the influence malignant you can get for, for messages in your

in your eyes or in your head, that then many times are like with schizophrenia

and other type of psychopatrogias. But when you do when you do when you desafia is a entity

spiritual and the entity spiritual you You try to influenceia to a we're talking like the, like the kids

of the commercial. Sure. So, if you can generate that's desviva in a ventana, for example.

They can give them their own orderments that take an object ponzo coortante,

even do you do nother person. Okay. And many times you say, well, but how is possible

that a child not know is being influenced by an entity spiritual? Exactly.

And so, for the innocentsia not, for the puerice that represent the children?

Yes, they're the conscience of that effectively that's being influenced by a

entity spiritual. Okay. It could be that in their and they say,

ah, well, I'm I'm imagined a manito, for example. Yeah.

And I thought that was a game. But what know you if there were,

they're they're saying, dawnal. The voice in the Exactly. Or pical it, what happens?

You know, and if it's a little case of this of the kinder that we're a case of a supposed

to a new imaginary where is an in a year of five years for an entity of spiritual

adult. Yeah. And if have been cases, I've also, I'm topado

with this type of stories, anecdotes, of people that are apart, Samudio

out of what they are these these kids that have this confidence with this father and have been able

to say my my friend imaginario not is so good because me reganing

and me obliges things so we we're more more more than we're not

we're not we're not we're not even that the thing you're that you're

also the new you don't you're like the imagination like a game imaginative in the

which is playing imagining characters in your mind if there are like indicators very precise yeah

indicators of do this do other not you do you no say to damage a animal

or you know or this does a travisura that's your papas there is a certain

a certain context of mal of maliceiosity Yeah. It's not done. Of malice

I'm there. There's a there. There's a context of malice in the indication

that they can do a minor. And it's when it a a science because

the science not so can't explain. For example there, there's a case

of a nine of five years that had done his one of one of

the perit psychiatrist the interview and the perit psychiatrist, and is that how is possible

that a little that can in a short-ed-ed-dade the intention to to damage to his brother? Sure. And that no sit a

remodiment. I said, because she said, he said, why you want to do you? Why do you? I don't know,

I don't know. I'm going to do you. Point. And many doctors have started to opinion about that

she's saying possibly it's a young psychopath, that in his own innocentsia

that type of actions I think or those I feel like if were a common a normal a game no, a yeah

because even the entreece is very under grand because it about even to enteral the fielers in the

legs, no no that's it's very canion to be they find they're

they're looking to ask an interview to a new a girl and

why not think in that not not has been a not a psychopathology

why not reasoner a little and say and if was influenced by an entity spiritual

no? Yes but well much blah blah blah and nothing of true so do you

get to move so tell me so tell you you're you're the master ready ready

ready okay go to a very yeah we've we've said

what is our no and what is our yes. As Paco it

will do do our our is the vaso okay

questions questions direct with responses binaries okay okay

if you you do you do you do not yes okay

correct okay okay what is the first we're independently

that we don't we a umbral I always I'm

an aperture of a umbral okay The aperture of a umbral in what consists? What, what you understand?

Let's, let's say it's like a context, a little kind of of a little bit. Uh-huh.

What more? Let me, tell me, what more? Well, is the first that's generally to be in

to be in a ventumbra for you. Obscurity total. Well, the antonymode is umbral.

Umbral. Okay. The penumbra, but not you're not you're very aleager because it's like a

border, like a limit, where it's where it's the penumbra and it starts the

light. Okay. For that's penumbra and umbral. The major part of the entities

spiritual are in a penumbra. Yes. And so no I do I. There are many

grits of experiences nearance to the murder of the mediums of Alan

Carde and fin of elements bibliographical where you can start to study this type of things of the

because the spirits that are arregated in space and time usually are in penumbra so some some of those

some of the objects that are around objects that are in the planet but the most part of the spirits

are in penumbra so what What do you say? Zero Lus. Oskudity total. When we're doing a aperture of a umbrar,

what we do? Lose. So, we have a light. Although it's artificial, but it's

well made because it's indicating the light to the element of communication. Okay. Not the

same as a focus up at the side, you see, yeah, is it is enfoced.

It's enfoced, exactly. Okay. If you you're to tryver to recit

the Latania or no. You can't mehore. Okay. Yeah, I'm right I'm a apprentice.

We're going to give to master. Che, Paco. A let. Okay. Only if

you have to repeat to another that I want to solicit because you are to

be integrated in the session. Okay. Acquared that it's a session in

Uyha not tabla but with the intention of suggestion. Okay. Suggestion

is subjectar. Yes, yes, Okay, correct. No posseer. Subject, correct. Okay. Respira profound and exhala and I want your eyes direct in the vase.

Respira profound and exhala. Respira profoundly and exhala. Respite up and exhala and repetees with me. This is in Spanish. Entity that you jaces in this space and time. Entity that you do you do in this space or time? You, I'm with respect To, I'm with respect

Communication, communication Here and now Here and now And me contestes And me contestes All what I want to know All what I want to know And you see your

And you're going to Okay, you're going to repeat With me Entiditkut Medasium Medasio Tempore In Spatio Tempore

Inespatio etempoenae Inespatio, in the spatio, in space, and spore, et tempore. Cuyus vesperis, cuyus desperi, Vesperis, Cuyus besperis, Cuyus Vespersit, Vespersus, Besperseris, okay, Cuyus besperis, Cuyus besperis, Cuyus besperis, ah, exact. Cuyus besperis,

Cuyus Bespairis, antiphona, antiphona, invocatimus, invocatimus is. Invocatimus is. Respira profound. Exhala. And, and place the index of a one one of one, over the vase. As far as I do it, so on you know. So, okay, we can't ask you.

What do you want to? There is someone here? Acquate, there again here. are, so, no? There's a there is a here?

Yes, or no? So, I don't. And so... And you put your your finger, so.

So, so, so. So, I'm afraid. Yeah. You're here, yes or no? Sobe, sore, sore, sore.

No, do you do this? Sobre. You're here, yes or no? The other question. You're the other question. Moriste here? Yes or no? that's true.

Oh, a bit of confirmation. If I do you, if you do you, you

do you do you don't know, if you do you intentionas to yeah, I'm

sure. Let's let's we have, if we're so, so if for nerviosism

we're moving okay? Yeah, let's be. Okay. Okay. Okay. Morrists here?

Yes. Or no? Yes. Oh no. No. I'm here. I don't. I'm not moving.

No, I don't know. No, I don't know. See? If no. No, where did you? For example. We're in the zone of Polanco. Yes.

We're not. to the north, no, no, you can't say, in Polanco, yes or no? In what zone? In the north? We're in the north.

You're in the north? Yes, or no? You're in the north? Yes, or no? Okay. Sientes,

we? Yeah, a little. What do you? Movement. Uh-huh. But what's so I'm,

so I'm sorry. Yeah. What's the in the vaso? Something that's Exactly, like if was a force So, yeah, yeah,

Yeah, yeah, okay I'm going to I'm a little more contendent, okay? We want to see, I want to you know,

I'm going to you're going to you're going to you're to show, you know? Sientes, we?

Yeah. No, we don't understand. If you are no, you're going to you're going to show and to us, yes or no? Contest me. I want to say, I want to show you in the mirror.

Show me your face now. So, I want to you to show in the space. Mustratte now. You're

You're showing in the We're not, we're showing, You're not? You're not? So on, sobre, over, over. A Let's be. Don't think

you're all free. Nah, we're. We're doing. Okay. So, we're going. Pregn't what you want.

You're going to you're going to you're going to? I think it's a no but why? No, no is that I'm going to move but,

yeah, so I feel like like if you're like the force no? Aha, exactly. Exactly. But no there's movement. But no,

no movement. Yeah, but if you see, a bit, a example, for that you understand. Paco and I are we're over of the

Basso and a let me I'm going to put the example of how I'm like this

like this exactly like if if it was this but no there's but no

there but if it's but it is the right so okay we're

we're going to let us okay we're just entity that you use in this

space and time tell you entity that you you ask in this space

time you I exige communication. Here and now. Here and now. Entity code. Entity quote. Medation in spatio temporary.

Medesion and spatio tempore. Inespasio et tempore. In despacio and tempore. Look at how you're reacting. See, yes. Yes. Cuyus Vespieris. Vesperis.

Antiphona. Antiphon. Invocatimus. Invocatimus. I'm Bucatimus S. I want to revels I want to revels now. Frent to the

Spego. Front to the spejo. The Can you put in the taking some photos on that one, with the telephone? The telephone.

The screen, the reflection. The reflego, the reflego. You know, I don't see if you You know, like this. Like a magnetism. Yeah, exactly. Like if it was this.

Aha. Yeah, but not so move. You're not, you're doing? Yes. See? Tum, tut. Muestraty in the mirror.

You. I'm exige. I'm exige. I'm going to you mustres in the space. Now. You're going to repeat with me.

Entity that you're doing this space and time. Entity that you're in this space or time. Revelatte ante me. Revellate, ante me. in the Spejo Now Now

Super tenue, but... No, so, so I just felt a movement. Yeah. Okay. Entity that you is in this

space and time if you are in the space, does a movement

brusco with the vaso. But it's a lebe very levy. Okay we're going to

let us turn more in the question specific is a man is a or no, is

a no Okay Okay You're man yes or no Okay

Okay Okay No no No no I contested No

I think but for where he said no Okay what he said that he was man.

He was a woman, yes or no? You're a not? Is a

not? Or not? Or did you? Or, if you didn't a movement?

No, no. Okay, we're on us, then, now with the

Are you? Yes, yes, or no? Okay. Are you a boy? No. Are you a nina, yes or no? You're a question.

Are you a nina, yes or no? Do you know what I'm doing what I'm saying? You know what I'm saying, do you know? Entient is what I'm saying, yes or no No No

No I suppose no Yeah, yeah, but But Yeah, but You know You know What you say

To tell you? A bit I'm a little more emphatic So, I can't Yeah, And you can't And you can't

You can't Yeah to be there, see, there and I here. Okay.

You're a little no, exactly. No, I'm not. No, of this

that's that's we're to be to be no no no no

that's because you're doing you're to ask what you do you

think is what you do you or no so then then you

know if you you're when you don't the question in the

moment that you do you go to we're okay

we we can what is what is what we don't You don't

do you No, you know? Do you Do you What you What you What you

What you But what you do you Do you all the questions that we did we

do you You you know you you know? when you When you're When you're

When you're In what You're asking? In what? Viva. Okay. So, So,

Comprendes that you you're not you're in this plan? Do you? that you're in this plan,

yes or no. Okay. A-huh. What? What? What? What? What is we're doing?

But the intention of the question is that guided, as what? It's a

new a boy or a woman? You're a boy?

Are you or no? You're a or no? You're a or no? You're

a woman, yes or no? You're a boy, are you? Are you a kid? Are you a kid? Are you a boy? Are you, or no? You're...

That's super levy, boy, but I don't see, do you do you see I think I'm a yeah okay

we're not okay we're not we're going to ask us we're going to ask for example

if it's a woman we're talking that's you put your new new the concept of a

five years of five years to what age to I'd to be

three years 14 okay we can we can't Descendence. Okay. Preguntal.

Tant, if, no. Tantor, yeah, or no? You're 12 years? Yes, or no? See? You're 10 years? Yes, or no? Yes.

Okay, no. Okay, no. Okay, no. but, but, but, but, but it's

where it's where it's where it's where the context of the question. In the

questions, when we're we're an identity with a element of communication as a

weeka, we can we have a possible profile, a little a new year

that's that's what I'm saying, how would be a new a year

in a place like these? What is what You have to reasoned. What would Paco Arias

having 10 years or not being a child, being a child, trapped a space and time in a place in a

place. I'm to your papas. Ah, then you ask you a question.

Extrains to your papas? Yes, or no? You know, the force or no? You know, you know,

you know, you know, like, like, like, so, no, it's,

no, not, so, so, so, so, so, so,

so, so, no, what's, so, no, Foncy, for you,

for a, for me, for me, for you, for you, for you, for you, I,

I, I'm, I, but I'm, I'm, I, for the, yeah,

where you you think that has been the movement of the actually the force is the

right to see to see so we're so we're so we're so so I

use that I use that and oh here is where we we're we're

extremists Paco but it's a entity spiritual not you don't

you can you you can't you like your brother so you're

you you're demandant extravenes to your papas and why you're

because you you're how you're an accident yes or no you know what

how you did accident yes or no what what What

Is it? What other other thing that's to occur? You're you're going to the

school? Yes, or no? Mm-hmm. That's a bit of so, okay. That's if we

were we, okay. Go, you're going to go to the school so you or no

you go? So, I'm there's a move to do you know?

Okay. So, be a bit more specific so. Corte? Ah.

Well, let's be a But, o'ho, who We neednest we're in the session, even you mentally

can't do a question and they're but it's but it's always if it's mental,

yes or no because the contestation is binary, okay? A ver, let's to ask what did your

brother. Temer. Well, you've been, you've been, you didsivier,

yes, or no? very very light to see. Yes, is what you're

okay evidently not he didn't he's but but he I can't sure that

we can't in the mind the question because at the moment in we're saying

to change you think the power right exactly

so so remember so remember that the spirit spiritual they're in

all okay then so then you he said that

they've that's they've they've they did that's what other

question you ask you? was a family the person is the is he or no

okay is stentic or not okay okay derivant of questionements Papa, if or no

Momas or no That's even to even at despite you did with the father's, so in

his parents, that's to answer, that you said if was the Papa or the mom Was

your father? Yes or no? Yes or no? Was the mom? Was your mom?

Was your mom? Yes, or no? It's inert, no? Yeah. Was your or no? It was your, or no?

Stia, no? Stia, no? No? Or where I felt like, like, almost no. Was your Tia?

Yes or no? Was your Tia? Yes or no? Was it? No. No. Okay.

Was it? Was your your brother? Was your brother or your or your or no? Yeah.

Oh, well. There. There was there, when when he said, apco, your brother or your

brothers, I feel like a halon. Lebe, very levy. But very levy, yes.

Yeah. What is what is what happens when we don't have a planche and some numbers and

some letters? There are intention of movement, okay? There is intention of contestation

between the issue, no. The entity spiritual me is understanding what

I'm questioning. Yes. Okay. But I have to help Because usually when

they're saying, for example, this type of movements like involuntaries, it can be we're that we're that we're but ohho, chikos,

bea. So, we're not we're doing this, you're in so only just is the right,

the left, exactly. It's over, over. And there where they're where they're like the

movement, so. It's, it can be, it can, it can be. Pardon, at the

moment to accommodate the head? Aha. So, you know, exerces a movement

over the glass of the because the piece or what you want. But there were

contestations semi-intelligent when we started to say things specific. Yes.

I'm okay. At a a rata we're going to review the photographs that took

your man, we're going to let's let's let's do you more

more profoundly. Yeah with that. Ah, yeah Chapaco. All right. Okay. Do you?

No, it's to sell you to because you're okay. A bit of you're going to you're going to do you ask

in this space and time. Entity that you do in this space or time? You despido with respect.

You despid with much respect and I and you culmino to to callmino to you

and you find your path. To see you your time and findres the peace patre Philocue

Philocoe To perdon You, pardon. That expatri. That's patre. Philokue. Procedit. Proced.

Respira profound and exhal. And at the moment of exhaler, retinas the dead. Delvasu. Oh, no, ma'am. You've got to be. Is that, the moment,

so, of a sudden, it's a re-cargated. Usually, usually, no, it's recarrague. But,

if, after a rato, if you're, if you're, we've, we've got to, we've got to, and a half

hour so, I'm a little you know what's you know, my

first experience with this evidently was to feel like a type of

magnetism to feel a little a little we're talking that we're the same

the last five of the morning yeah but that was like

what we we're what we when when let's see a

To be, for example, no is the same not not have the the letters and the numbers to not

have no to have the Amazon if you no. Because when you, because

when you when you do you a exigency of the entity, the

exigency can be me your name and possibly if you use the letters.

When it's a when it's a little when it's always you make numbers

or movements very ambiguous. Yes, because not how deletrear her name.

We've got to contact with entities of six years, five years. And there's that just just a number,

a number, a number, a number. Entient perfectly the language that you do you do it

to understand in a session Uiha. When you you do a session with conversations binaries,

it's a question, it's more easy, it's more simple. It's more simple. Now,

you know in account that no, it's like in the movies, no, I mean,

we're we're we're we're we're in there's, there's there's

there's that there yeah, and it's a syka. So I, for example, in the

tour and let's say, let's go, to do and there and there's a reason

of the why this, yeah. The dead of this manner, even you don't have

to be when you're even a when you're a wika of those then, there's

the tablero and the planchet, what is the cursor, has the a man

like but this has a reason specific you know it's because

they have liked the the picture of the thing that's

because you you're you're indicating the entity where

to communicate to so the action is I you

I'm you communicate here so it's a signal

so it's for so that I said no so

many put in those those fingers, others are in their hands all in the

man, that is a tonteree, is a fallacy. The indicado real is this,

because just if I'm just if I'm just saying that's a method of subgestion, I'm

I'm doing the entity that by my succession, do this that's the movement

is the movement is in the core of the cursor that I'm so, and when I

he's that I contested, it's because you I'm you're that we

say, I, I'd I'd I'm a little a little a bit of

a little because we're in the fifth dream, what you want to some of the

some of yeah. And also also also said a spirit and spirit impurus

Pitche Potter you're just exorciating your spirit well we're at the

what are the time are the four 40 of the madru four

40 in the modugated. We're right we're we're we're

we're we're we're we're they're they're so the partner

of Paquito is editing no he's but well he's

but he was I'm my cigar so so it's a session

that's the way the form that maybe and what we

did it was a part okay the problem of

that is that the in the CIR Those that I Exactly

Exactly Exactly Now Now, now why it's important

not not only not only the sure but also the fact

and the entity that you are the you you're the when you

let's let let's the example contrary not it's the same

to someone that's that you have arrested to I

have you have I'm I'm you you and I don't know what's

and you and it and you get a question to put in the light in the car and we

we've seen we know we have all the elements to use you know the reaction of a

man when is sometiment is sometimient yeah reduction the

same what's with the endies okay the so so

so then when you you do you do you that you are the that you're the

that's the session and you see in your pass okay if you you're saying ah

it's all I'm yeah me we go ahead we're good the session bye aggrat you

so if you you're saying oh no yeah me did flochera it's at

five in the morning we're and she moved because much people said

is that no it's that the planchette is an indicator nothing more for the contestations but no it's like if

not you contested not mean it says it's probably that's been here so it's probably that's yeah the force like a kind of a species of magnetism

and in the planchette is like more fluid in the planchette even has some parts that it's on like like the rachinid on over the table

yeah and it's interesting because there And there's, for example, is the planchette and it's gyr to 360 degrees. So that's

more impressive. And so you can't live in the tour insolito. You know where can't go. The radio social is the

Samudio, but oh, hey, carnal, it was my first time. Obviously. And apart, it's with a vase. And we're in

a place that we don't have all the elements. We don't have been the metal, for example. Although,

although we we have been a focus artificial, then we center a little the direction of the instrumental

okay but the bell represented in all the in all the times for all the

history of the world is light and not for nothing the pomp

funer and all what it all the ritual of the funeral is with syrius

and with relas okay because you guide the way of the

spirit to to the transition passible to passible to passible to

pass spiritual. So the context is it has to be. No, it has been to be if there, no, there was a bell. There was a contestation very tenue, very lebe, but it was, but and there, Paco, us will say, what on? I see, the truth is that I, I don't know, I don't see

how it's seen the camera, but if did you feel the movement of the vase? Yes, it's that. I mean, I don't want to put up to say, but I don't know, I'm just, I'm I, for that I gave an example with his

vase of the water. They were to feel like as little little shalooncitos. Exactly. Like if

if anyone could have to move it, but he cost to much but it but not

not had the force sufficient like this. Exactly. Is that the clove? No,

he's the clove or effectively is the quite unfortunately we're done the session I'm

I'm sure I'm all quite with all the presentes. Well, at final

of the day be it like a experimentation. Many times one says,

oh, is that me is that I'm going to get to get something, is that

me going to do you mind scientific all the time, but more that you

you're going to get in a session if you need that the entity

you see a like one of one of one of those that

he and he said. Okay. I'm explained. Yeah.

Of nothing doesn't that It's not serve that I be a devil, me be a submissue,

meedos, because that's going to be going to say in your contra. Like you said, no?

I started to scanne. All, and we know, and we know, we know we know if we didn't ask us

exactly. No, we know if did pass for a little bit curiosity and they

do they're on the camera, is that there was that I'm sure in the in you, and a

sombra. Okay. Oh, no a sombra of a figure specific. It's like if it would

have been an entromission between that blue or more. Like when you pass something, that's what

you, that's what I said. And so, I'm going to check that there in the video,

and especially in the photos that we're in the space is impressionantly but imagine

the exercise if it would be more. I'm I'm just looking like all the elements

for this great spego is a grand momentum. If we'd have put one of the Syrians in the middle, and doing the session, a blackout with the two Syrians. If it's a lot.

It would have been different. Yeah. It could have been manifested equal. But it would have been different, even the photographs in the moment. Yeah.

Your, your fount of light is the that technically you're going to help us to just plasmar or photographial. Okay. What there is there.

Yes. But, well, there's the RETT. There we're a session Uyja but with a

tablas. Yeah. I have a tabla that has more than 300 sessions. Curedita.

Yeah. More well, like, well, so, this, um,

activeata. Yeah. And not only that that's not only that table communicates with what she

does in space or in the places. Yeah. What is saying to

we're doing a aperture, a method alliatorio. Entity that's where you're you're, who is it,

and how there we're going to be directly with what there in the places. Correct, a man,

fortissimo. So, they'd not be able to a night in the hotel Nissan. It's a

caro man. It's a manches. It's a felled because there not is the same

two hours and two hours and three three maximum activity is various is it's

quite interesting but imagine to do a session like right. Wehe, like,

we get to we get to the morning, we're at the morning. Yeah, now at the five of the

okay. And then imagine in the tour insolto that's one of the morning and you're

at the three of the morning to make a first of a session and you say, let's

to get a little to the room and we're going to see us here in a half. Ah. Yeah

did the session you, you've to be one of the two of the tour, the

pardon, the hotel Nizzer. Dormerian you? No. No, I definitely no, eh? At least that's very tired. At least, because we're not, because we're

having... Yeah, right, well, yeah, we know, we're doing, I go, I go, we've got them since the time. We've got to get us, we went to the event, we're we're going to, we're we're trying. No, carnalia.

Oh, I'm too, I'm still out. But, well, is that the truth is that but here, but here, too, the place is, like, it's like, if you give chance to

to get a chance to get a chance to get to we're going to we're going to we're for the

next hours ohal ohal ohla ohla that's some that's

ohal but if no but they're in an insult there and they

they're to live in a more more more more more than

but then so you know halas or not halas 28 yeah

when when we when we're when we we're we're we're we'll

let's let's want to be at all the next year. Well, yeah that's Amudio, yeah, I'm going to say something. The hotel per se,

because is a hotel that has more than 300 years. Uh-huh. So, are not totally remodeledas. Yeah,

and they're like the architecture of those thences. So, I mean, I said the administrator of

the hotel, Nisa, oh, yeah, but for the least, let me arreggled those, bonit,

I said, no, it's, it's, it's, it's, it's, I said, but

so original is like, so, yeah. And if is that you're going to care to dream,

I go, I'm the idea. No, I don't think they're to be able to And they're not going to

do you know, manches. So, it's been a bit too capitulazzo no manches, de veras,

we're just, we're just we're just just got us and more or less you know about the

thing and you don't be too free manipular a table of the wheel.

Okay. I think. we're we're we're family, thanks to those that this point

you know that you're I'm a very much a lot of all those to get to all the final

there commenten also that they've in their houses that's what there are

victims of there are victims of followers that some it's a question a question a so

so even there's so much in a new chapter Samudio much much thanks

thank thank you thank you for this belada paranormal of In fact, we'll terminate at

5 of the morning I mean. Yes. It's a lot always is an honor and then we and please

us. Agents of Negro, to me for the normal, news social,

all you all you know the people always always always are the link directs

here in the description and there for that so much more more practical thanks

to all thanks to we're we're we're we're we're on the

next bye bye bye Thank you.