EXTRA ANORMAL - 150 | Soy Escritor en Hermanos de Leche | Vampiros y Universo 25 | Ft Bandido Diamante

Episode Date: January 19, 2024

Mas RefundDesde la ciudad regia, Bandido Diamante nos lleva a un viaje más allá de lo convencional, explorando los rincones más oscuros y enigmáticos de la cultura vampírica. ¿Qué secretos del universo 25 nos revelará? En esta entrega única, nos trasladamos hasta Monterrey para tener como invitado a Bandido Diamante, escritor en el famoso programa Hermanos de Leche. Descubre su fascinante trayectoria y los conocimientos que comparte sobre vampiros y el misterioso universo 25. PARA ENVIAR RELATOS Y COLABORACIONES AL SIGUIENTE CORREO: [e-mail] ....................................................................................................................................................... No se te olvide seguirnos en nuestras redes, aquí te las comparto: YOUTUBE: https://www.youtube.com/@extraanormalpodcast FACEBOOK: https://www.facebook.com/podcastExtraAnormal INSTAGRAM: https://www.instagram.com/extra.anormal.podcast/ TIKTOK: https://www.tiktok.com/@extra.anormal.podcast

The bruchas, well, are known as these creatures that have to be, I mean, yeah, still a lot of human, for, for, for, so, so, so,

so occultism, persons that have been, like, are abatted, of that humanity, that, that was made, a little more sensibles,

and have frascaed and unded in, in questions of occultism, that have revealed, mysteries, that have, that have, that have,

that have, part human and even in the night, so creatures in the

night, that some people are sure that to make this pass brother,

of the endretem the abilities over-naturals have been to have died.

So, for example, that is a vampire. The difference principal I think

between the zombie and the zombie, is that the zombie is inhuman totally

but the vampire has a necessity of love but in this tragedy of love

and acceptation always will be to get a parodia of the love an imitation

but even when when it's someone never never will

get to this and it's a constant that we've a constant that we

Hello, what are to be a little bit more of a podcast extra anormal. My name is Pacuarias and I'm very happy to be now here with all of you. Today I'm very content, family,

because, well, additional that we're in Montereyno, New York, being the first time that we've been here. We're seeing many chida,

being chingona, persons that really have a lot of talent. And today not is the exception,

because we are very contented to receive with us here in the studio, in the studio improvised. Ah,

the bandido Diamante. How you do you know? A total Madre, much thanks for invite.

Thank you. Felis, felis, to be here. Thank you. Thank you, I'm sorry, I'm going to

comment to you know, you know, you know, you know, you know, you know, you are the first

that initial for if you are subscribed to the channel. If you subscribe there on the button, you know, because you know

that you're doing the creation of the project. And I'm content to collaborate with you, I'm sure you

have seen by there in some or other clip that's viralized, but for people who are you don't you don't you

are you do you're to do you know, I'm saying bandido, I'm going to start for the social that are

the radio before I'm in almost all right bandiodiamante or in Instagram as arrova the bandio

diamet and who who's how difficult question cabro but be it's, but but the,

look, the first word that I'm in my bio, for example, in Twitter, in X, is a character,

is the etiquette that I'm like I'm like I'm because it's the way that they're

at least, where I do I'm in Monterey in Mexico, when you present as a writer, much times

it's like, well, what's chido, but yeah in serious, then you're what's your job?

That's your job. That's gotcha, no. So, I think it's a, it's not

doesn't. But for the same is, well, what I'm saying, ah, well, I so I'm a category that is the category that

that's a etiquette. And, also, I've talked to write to write to

different media, and I refer to press written, a series documental,

particularly right, what I go is to comedy for the program Remano's and

and Emano of Leach and for stand-up comedy too, that also, that also

is a new for me, and those books, my books that are one of my

my major's orgulios, where there primarily do science fiction,

fantasy, and terror. Okay, brother, I'm not family, I want to tell you

know, you know in the description, the ennaces directs for you

go to you know, you know, you know, the fact, is that it's very good content,

like your podcast, I recommend that I go back and you checkes, for

that you see, well, pass with the invited that the

family that's normal he like to help to do the

people and I'm not going to be the exception there's that I'm about

of this normal podcast or of Pacuaries and you put it that he

see that you go to get to know to get to my man.

Let's get a very much I'm because the person always I'm

I'm always I'm in the opportunity to learn all

time to be in a process of a but you crease in the

theme paranormal? Yes. As a response binary, it's always always makes more more than more

more than I'm but definitely we have to act like to do form binary and then we make you ask if you or no

I'd say I'd say in the phenomenon The question composed would say and why? And that's

where is where it's where it's to understand the limits that we have

and me refer to the things of the universe that we're particularly and here

I'm refer to the method scientific. I don't refer to that not it's

supermently useful the method scientific but as like any is

to understand for what is it's and for that it and also we're

going to we're going to think it is the obvious to understand

that there there there caben under the paraguas of

our tools and I think it's the is the kind of

the error that we have been in our thing, the I don't

understand it's a part Narcisse is a part that comes

much of the ego and it's also a response that

we say we don't really in quite to the

climate of the time in the side because if

we has a more of 300 years, which is when we we have the first part

of the thinking the think of the science has more time, but so then when

we have this time of obscurantism this time of the mediaebo where much things finally

came under the extrahuman we're not necessarily paranormal because it was the

tintril religious many times but when when it gets the science and

it's position a like it's a position in a way, and now

whatever something we're to say that we're a little of what says the

people who is science because also we don't, we don't we're like the

human of the way, we're we're ironically a fe in the

science because not even even when in my case I'm doctored

in administration but even I'd in that grader of method

scientific, as much is very, is very pointual what you, until where you get to the

idea with that so. So basically is a thing of ego, no, the thinking, if I don't

understand, then it's exactly, and precisely is something that's a thing with people who

even the program, be the podcast because me said Paco, well, I mean

I like to listen the but, but at final of I know I know

I'm know, and you have lived something? Well, no. And as, as, as, as, as, as, as, as, come,

for me, no, exists. And then also, and it's, and it's respect to much. I go, the theme, well, of the creencers, we're here, we respect any type of creency, we've aborted, and he's made a very good

talk with people who have a very opused, even and that's another, other aspect very important, because I would tell you to have to have the, because, and

understand, too, you're going to talk with a chinko-charlatans, guys that want to call the attention, that's that they're making that's

making sure not because that's that means that then then nothing that's that's what

I'm at least what I think and I'd say that the legends the stories that are that's

sound of the understanding rational scientific so they're through all

the cultures and through the time the fantasy is one of the genres majores

in that curious in the century in the But if it's from macro-historic, literary,

then you know that many of the stories more of the stories most particularly particularly, I think the

people, when the people when they never were when they were their their own their own

explanations just between the day and the night, how managed this situation of that

was a battle between these and when it was because it was because it was because it was because they'd be

generating different creencers a part of different points of different points of view. You think, bandido,

that today the phenomenon is it can't explain to a method scientific? No, definitive

is the method scientific. Precisely is what he he's put out of

him. A me, the definition that I have a Richard Feynman,

that is the study of the phenomena naturales. Okay. Premium

of the title and so much so, when we talk of the paranormal

is a that's what is a thing of the scientific and

however exist there's many applications scientific for the

paranormal there there there there and they do

they they they and is a part where

says well if we we we do we

we with the form with the tools that we

don't is the question that is the thing because that many

things that we're presentated in their moment they're considered as scientific until

that we're we're the same the example most obvious that I'm made in the mind is the

of the first they're they're they're putting these animals that's little they're making and you're saying

this guy until we're just that we're just we're just there's all there's a whole universe

car no you think or what is what you think is what you think in some moment that the science

that's going to get in different sciences like the physics quantica

different different ramas that study the parapsychology and different phenomena

what you think you would that would be in some moment of the

future because that's not we don't we don't we're

where the phenomenon basically of a form that simple and

visual even. And there also I'd I'd like what is the what is the what is the exactly

because I think I insist the science is it's for many things not serve

for all and when we're we're and that a little what I was what I

know what it's but it is for example when right we come

to the change climate change climate we faith to the science, the 99.9% of the humans of this planet,

because no we don't have the capacities not even the indicators, nor know them, the forms of medition, that implicate the study of this

phenomenon, that's scientific. So, then, there's, there's, there's like this part,

too, ironically, of the experts in science, where it's it's a It's like it's

a nonically I insist it's a mystic, almost I'm really I'm to get to

this and I can't even you're going to show you know, and that's a me frustra a little

what I think too, is this part where the science of form modern has a

three hundred years to existing and we can't go back. No, is that

Aristotle, yes, but no, there was there was there was like we're like we

we're we're just we're an intendiment mythological and an endentiment

at a level a little about you know about about stories. Recordem that

ago we didn't even we can't when you can unciar something you don't know you can't

understand so we don't say I'm feeling angustia I'm feeling deceptionado I think

I think I'm not not even the termines what they were in the stories in this

sense the mythology precede to the psychology not a religion and this

he propone James Hillman one of of my authors favorite and I'm so I'm

to agree with what he says no precisely is that the about

all the historical of different creences I think we're to I

when I've done a clavado and try to enter different

cultures that have their own their own especially

what we do we're not about always example, let's

put a example, taking in the religion that predomining in my country,

that's the Catholicism, a religion Christian, to say, angels and demons, and this is the

devil. And this, is that really is encapsular it, and not is that not that's not

that's sure, it's simply is being able to that the same person, a more, but of

other country, it's, it's, the concept of good or there. There are different

religions, there's a chengo of Cosmovisions different. The first that you

would you say, if you're who is the devil of the greegos and no there's

so that's so that's so you're talking about something different that's about a person but that

but that not implicable the good and the where you go to you exactly it's the infram

world no, the infirn so are some concepts are different but a me me

I'm to study those because you go topando also if you

do you There are some kind of similitudes that they're that's that's that I'm a chino

of fear and definitely that's... Yeah, why? Why do that that's sense?

Well, for example, you talk before I'm to start to start to grab the podcast that

right me, me is most two or three months. I'm not I'm

not I'm expert on the time, but actually I'm actually I'm doing a story of vampires.

And you start to talk with things, and you're you're not so you don't see

one to others, neither in geography and in time and how they're talking things

so much I'm in the mind for example a vampire that had the clascaltecas and here

excuse me if massacre the name because simply it was I know no

I know that he had no that he called clowel Pucci

if yeah if I if no I'm if I don't so

we we're we we implicate the being in the family

with the other people where there's there are some there are

some like the like the but also the also but why he does

do you to a a vampire pre-ispanic the same than a vampire

slavo no exactly or because this same vampire when

attack the those different homes has make form of

cross where the cross is is one of the symbols maximums that they do they

do this these parallelsisms or these patterns that are conscious that the humans are made for that we're making

to find us but if you start like there's a kind of that is a extrano

and me I refer like if if it was the the most the most we can't

say is an inconsient collective that that generates the kind of

the narratives based on the the same MEDES and our

times. That's impressive because me has been a many many times

when we've made special of relato for example we've done in Latin

America and then to the three months and then the legends of Japan

and then we go to all but always we're we're

in the studio of these phenomena of different things I'm

exactly exactly the same because are phenomena different with

different lines of time, so they've been, uh,

a years, a years, a bit of years, of different,

but they're they're they're that when you know, you know, and you say, this

mother is this is the same, that that's a gawals, the capacity that they have the

human, chamanes, I mean, the people know, to change their form physical,

to change their material, the animal, car, but if you

you have you know, for example, in Mexico is the Nahualism. In the States of the United it's a lot of the men, that if we're going to, to think, to and to plantar it, not it's the same?

Yeah, and even the vampires, and also the characteristic, this vampire clascalteca with the Slavos, no, the, the transformers in animals. It's such, too. I, in a moment I got to say, it was, it's a conciergeant collective, or a group of persons,

or something, or, or, or, I know, some phenomenon, that no, I know, no, I use that is the word, Joseph Campbell, but is the major student, the student, studios, more being the mythology

that has existed, is of the lectures obligated in these themes, and he, between many of the

proposes that is the monomit that also they call the way, he has his books very important

in the theme, and something of what he is that exist in the unconsient that one and

other time that one and other way, That is the reason that he propone for that there's there's

there's a lot of there's because you're going to get to go to give to

give you know, apparently nobody you need to explain. You as a human

you know, you know, to understand that when the pahor is liberty. So,

so that has been to put to points more complex to sufficient iterations, it's

to have to have the same type of deities or the same type of the legends.

Yeah. It's like a format that we have pre-determined that's what propone it's a

lot of the man. Oh, but you know, we're you know, you've got

to get to get into to study vampires. Why vampires and a more, no, I

see, this other phenomenon? I think we're we're we're not what we

made for the people, as creators, as or in the media in the middle in

that we we're in the one of the of the things that the

kid me moved and I really to I'm a lot of the thing of

the konde Dracula yeah and more than the I mean more than

the aspect because the kind of the with this figure

like the Lord Byron no like very very very

but this part of the the creature of the night that

he live of the and that is something and

that was that part me cause a reason.

And right the, it's the only thing of the I've written about about the

things, I insist, that me got much in my in my adolescence, in my

youth that I still that I'm getting to get to clavent

in that because I have, already I've two two quotes of vampires,

one one has published in 12 lunas, the other for publicars

about, but I think is a genre where I feel

as a I'm a much and in Mexico and in Mexico

for example no I'm don't the thing of the

but the thing of the thing of the I'm not

the that I know that I know that's written because it's

written but it's the of the arbor of Guadalach is the only

the only legend that I know I know I can you can

I can to be to resumire in 30 An arbor that exists physically in a cemetery where he's a tomb where there's a legend but of a vampire that is an European

that's a European that lived in Guadalajara. Okay. And it's simply, like, like, all the legend, is it's, it's based on a person

that's, and that is he lived in that house. But no could be talk to much more than that of that. Yeah. And I was told me in television. Yeah. And me was made a form of the process of the years.

The only thing is that symbol And what important, the symbol of the arbor, because like the symbol of the pacharer that we said, for example, the tree and repeat and repeat and repite also, and we the arbor of the

knowledge for the judicrystianus, we've been the Idrasil for the Nordicos, we've been the the arbor, below the budd

is illuminate, or we've been, for example, here in Mexico, the arbor, between the is the that we have

in our bandera, no, that was where the Aztecas, or maybe others, we're not we're very

sure, but then the legend that when you find that you find out of that you know that

the tiger deborand the serpients is the land, the land basically.

There's me was the name Axtlan. Astlan. Aslan. Uh-huh. Aslan.

Ptland. Why? Why you do you do you say here in Mexico, because no

there's a concept to kind of or a legend as like a kind of about

but are other other side. And so, but are some pox. They're very poor. But if so, and pardon that you interrupt, but yeah, if exist proposes in comic, existent

proposals in literary, some, but yes. I've been topped with novels, written, the name of the authors, I don't, no, I don't know what I remember, but are more type of fiction, but something like the, the, you know, the top of the arbor, in where was in Guadalajara.

In Guadalajara. I remember to have been read in some moment when I took to investigate, but if I was quite what I was the phenomenon for example of the bruchas,

that is, see, to be a bit, a part that I like a much to profundize because the

bruchas, well, are not known as these, uh, majority, I mean,

I mean, I'm sorry, but when we refer we're a brus, sometimes are almost, they're,

almost, those are these acelars, uh, for Jesus pagans, for, to ador or

, or, or give us tribute to to his deities. But it's that I recall a much a term that

I was a perspective to to say to the brus actuales but we don't, we're going to

centralize in the bruchas creatures that they have to be, I mean,

yeah is to a lot human for for so so, tant

dark obscurity, tant occultism, persons that have been rebuttated of that humanity that that they're

a little more sensible and have frascaed and undied in questions of occultism, that have revealed mysteries,

that have been to have that part human and they're even in the night, so creatures of the

night, that some people are that they're that to give this pass, brother,

of the endretel that having to have been had to have been so

so, for example, that is a vampire. Yes, And, yeah, and me in the mind,

if you mean, while you know, the other vampire Mexican, Cigwateteo,

which is the mythology Azteca, and precisely in, well, that's a 100% are women.

And 100 are of women who were and they're precisely giving a light.

Exactly. So, so, so. So, and there other part and I'm

that's, I'm sorry, to interrupt, so in this vampire as the brucas that

mention us little, but is present indudably in almost all the

literature is the aspect of seducion, the aspect sexual. And it's something that

is something is the vampires. The vampires not do do it were more

monstrousous but from the vampire victorian came carried much

of what is a a desire reprimed. So the

desire reprimed of the Epocavictorian, was this hypersexuality, this part of the

desire of carnal. And curiously, that observation if I heard of Dr. And I

thought it was a vampire, the vampire of Twilight is the vampire that is casto.

It's the vampire that is a where it is a place where the desire is the

love eternal and the sexuality is more abert Exactly. Precisely every one has been

like the essence that basically... It's the projection of the fears. And it is the

and it's defunding precisely the last and I remember I have seen in a

video of the theme of reprimed that is the love eternal, the

know, if you you're in the classic novels, if the vampire

is a man a man a woman human and that

We remember also that the vampire. The difference principal, I, between the zombie and the vampire. Is that the zombie is inhuman totally, but the vampire has a necessity of

love. But in this tragedy, of love and acceptation, always will get a parodia of the love, a, an imitation.

But even when it's never going to get to this, and it's a constant that we've been. It's impressive. It's a

profundize in a time that a long of the years, basically, we've

we've directed to him by the mythos, legends, histories that's

that's written in books. But you also you were about, you

and it was where we got before to have a technical.

I don't say that's I don't know, but well, the

the time that in the time you talk to narrar stories

of terror. Sure. Yes, see. Senties a sensation

rare when you talk about not not not to talk about

to talk about to study to study and I see to something something I'm

I'm so I'm especially when curiously a maybe will sound very

very I'm what I say but it's the reality when I

was doing my program in vivo and that I'm I'm I'm

I'm I'm I'm really to make to get to do you

go to one one of those those ultimals that we did

because we did some event that called Quentos for not dorm that's the same section that we're in the same

in a bar of rock here in the cafe Guana it's all right and said pinches

locoes boy that they're going to get to hear get to talk about crapas

whew a ching of people he's yeah I'm me I'm

so I'm I'm I'm just I'm I'm going to listen the band punk and

I'm I'm kind of kind of retorcy this kind of kind of

horror punk or that I said that more I'm made was in a special

of Halloween of the year of last and precisely what I know but I'm

but I'm but I'm to be clear with the point is that if two persons that are

figures publices Stuntek the Wenchevi that has a podcast very HD and Chironman

Charlie Rodriguez is one of the comedians one of the comedians the two

have done those two did you they're putting something on the line I'm

I'm to know to know to know a there's a person of the personage of the people who

will say and say that they're saying a man and a personate of this data and he

this data and he has a a trajectory a public who's listening for what they

they're doing one of technology and the other of comedy but but it seems

that these things are more so more are more universal so so far

see that me and this I've talked many also that

I'm a sombrough when we started when we used to enter in the

concept of okay this mother or not it is that that's a

certain number of persons so really are really are more the people have been a

fortuit paranormal than the that's that not and I do I know

I'm on this side for the quantity of the numbers and

comments of people that from from a beginning that we've started

anecdotes because the podcast starts about my own own my own experiences

because because I don't see if it's a maldition the

the fact to have had had been very, so I talk of a

child to have seen things that were very very

very that were very that when they are basically

to get to when you when you launches a video internet

Yeah, the video no is your. Yeah. So, although you know, even, even. Yeah,

there's always always. The video is always be going to be in some place, and you're

going to be there to be and then then they're to be realising but for a reason very chida

the fact of the fact of what you say, this people that came to hear to hear

because you get to connect with you, because it resulta that what you did you,

it was also a man of a man of a matematicas, it's a little bit of a secondaria or so are situations that you're saying

what's going to and we'll get to this I get to think this is an inconscient of collective for example a phenomenon for putting a

a man right the home of the sombrero that that that spectro or that spirit or that entity or no

know how they use in you know caron has repeated infinity of times so so

so that the people know of different forms sombrough of bombins a sombrero like the

your, sombrero, so, it's a varianing and it's the entity of two

meters, that's in a skin, that's a new he's a form, so it's

like a type of, no see, a silhouette, but the clarissimo, clarissimo, is the

sombreos always, it's the thing, you, you, you, because you

think you can't, this type of situations, you think that's that's a

inconsient and collective, you think is an entity that really that really

that's a that's that's that you It's, pardon, in Chile it's different parts in Latin America. The Yorone is one,

and even, and even, even, even, like, like the Slavos are also like, but also have their version

for there. The Matlasigua, the Siguanava, the Yorona. Yeah. Yeah, yeah, and I think I

know that there have been a combination of those two. No, I know that's the response more aburried that

can't do, but, but really is what I think that is what I think, Inconscient Collective

also where we where we is getting to to talk a fiber that we're

not we're to be used to think that something that something is so specifically connected

connected I think I think if we respondem much to and oh not because

we're we're saying if it's if it's inconsistent collective then then it

precisely is that it's that it's that it's that it's a pattern archetypical

is like I the word that I would use okay is that precisely here are

those numbers those numbers are those are those are they are actually the impact that can

get to get to a single phenomenon and you know right that we are not

we're also that we think they're I'm like to talk

for example of duendes so the duendes me I've top

with finity of dundes of all the world, the

islandes, the Chaneques, the Alushes, the gnomos, but always

they're these same characteristics that are like subjects, like, subjects that are, in certain

aspect, not they're like this of good or malos. Basically, are, are the

things that actuan in a form that for you can be good if you're being,

it can be bad, but at a certain point also are you're of much

respect, much careful. I don't see if you have been given the time

of the Cheneks or duendez. Figate that duendez not precisely me really

in the mind that like the normally the, we know, the menace

not came of the part of the action has to come to other

side and that's what precisely those do you have to be to be you know,

but figures there that that you do a other type of fear.

The the that I and at the inverse to is the

that I would say, because I just ago, I just a few years, two or three years was the first time that I read Genesis of the

Bible. And I don't know that in the Bible there were gigantes. That in the first or second

page of the Bible, you're saying that's saying that they said, oh, I'm a

cabron, because well, it's, but it's like in the mythology nordica, before the humans

actual, there are giants that are those that's not those who are the bones to getzalcoat. But

are they are you say, oh, you know, it's not it means that necessarily

the giants are figures historic but so it means that there something in the in that the

dimensions physical overpassing those those. You think that in additional to

all the other you think that in some existier? There are giants

Or that, even Even, even They can exist No, I know No, no me It's a Yeah, but

what I say I'd say to I'm saying a similar with the vampires I'd say No, it's I think

that there a more a person that has lived five million years but what is you can

say with much security is that there's people is that there's there's no we're going to

find one or we're going to probably maybe millions a through different years because

that consume the and that ironically to me it's me wweller to get a

head that Peter Thiel funder of PayPal and a great figure of the

most important innovators in the history of the United of the ascendency of

a American was he was a sorted a little a few a few

years but where he was he was he had a little part

illegal his his company that was that you can

you know you can't send your can't. It can't don't but not you can't do that

basically to make sure to make sure to the technology at the final to say oh yeah

well make the blood young to and then it's to get some some of the benefits and

you know this is that this solution to putt technology it's like it's like it's

something like so I'm so I'm so I mean so I don't or minimum yeah no not you can't

you can't you can't find in Google Salen but of the 2009, in 2010, where I tried this

company and a repented, no? Oh, and you think that's that's a detention or paro of

projects, is really genuine? Or is what they did, for example, with the project of Stargate

when it when it's the project is public, or so, they're going publicing advances,

but yeah in a point where they discover an something and they're they're after two

months, it's just that's It has many many advances scientific

formal that not be in the character public to me the most consider

that is irisorio that we don't have that we because result that

the 1997 was the piccue and in the last in the last

no has done absolutely nothing we decided we've decided

we I don't I can I can't I'm that's so that's

that the time we about because we about the comportment, we've got

of the universe I think the world of those roedores Oh, that's that also me took to

talk to talk on television is precious history. Oh, what you think of that? I don't

see the context to the people, the universe was 25? Yeah, I think

that's a universe 25 this species of well, that experimentally and formally

a scientific has a space with different conditions for roed and the

25 was the autopia, not where you ever never the food

and the water all the everything everything and basically after a time

the population starts to grow much and then it's so they're they're they're reproducing

and they're reproducing and the most that they're not they don't they they're so much

the universe 25 and it's like a story that me it's super terrorific because it's

an experiment real that's done with animals and where says hey way it's like

it's at least in the And, well, it's what we think with humans. Way, I, you know, I, you, when I studied the experiment of the

universe 25, I, I, did it, of how at the beginning, was, it was, to be done the door all the night of the

, and the, and the, and the family of the abuelites of the people, that were two, 10, kids, cabron.

No, is that, the problem, a me, I mean, he did, at least a, Some of the

time is where I remember and I remember every day every two days I'm talking about the universe

25 because is something that is something what is what is what what is what I'm

in the situation and there is a part you say boy well it is that

this this is that I'm not possible to extrapolar to that the

human we're we're to be that we're we're in the

part where in the in the experiment these ratitas yeah

not They don't want procrear no, no, they're in these called ratones

wapos, the, those wapos that, that only they were them all over them,

that they were basically to have this integration to the society that, that they

were, like the families were the menaditas or the groupitos they were

more in a little place, so, they were they were so,

so it's like if really, so is you're seeing there's a micro-

micro-universe A micro-universe, way, in the point where even there's a part of, and I mean, it's, I respect a much, obviously, no, no, no, no, no, no, no, they're just gonna

have children, they're-hills, or so, but... Yeah, it's gonna do similitudes, no? That's incredible, yeah, yeah, yeah, it's,

yeah, it's, yeah, it's, yeah, I think, well, about, and, and, and, talking, and, this, this experiment,

I, I think, personallyly, that, um, if the humanity not retom a, basically, uh,

the fact that we're doing that we're going to all the resources and we don't put them limits,

that are basically those that are basically the have doneied all the country and not so they can

succeed something something something not so something different to the experiment yeah

I think I coincide with you and see there that historically

what is what we has done because not it would be absurd so then

you have to that's a so I'm no no no but there's but if there's the exit

of Hawaii in the things that as well as we've been we've been some things but also

we've got the experience there and we we don't we have to inventes of yeah it's a

pretty interesting I'm when I'm put to study the universe 25 it's flotto

the yeah it it's like it's like to be like you yeah yeah

I when you when you when you you know you know no, the pinches theories

conspiratives. A you do you do these conspiratives? I mean, in general, what can

fan are you the theme Illuminati, alienigen, all this. There's I'd say, I'd

like, but is that is a theory of conspiracy also. Which is a chingo? And to me

the aspect that most I'm especially, is the part of the imagination. And you

would say as like, being it as a author of fiction, which is what

I'm particularly do, I like much to see some where I'm this is

very interesting how it's not that precisely create in the in the theory of conspiracy

but if is that I do with much interest what is what they're what they're put on and if I'm

I'm just super fan not ironically to buy this type of of this type of revists of history

occulted and so when all the about about the Mexicans when the most but I put

sad that yeah it's like like a few four months just they're now they're now they're

one of the one of them but I'm like they let's make the ex-golazzo because you know they

they're not they're they're gonna and now that we're gonna we're gonna make you know I'm gonna

because it was a really they're just that they're like that you're like the you're like

you're like we're just we're just we're just we're gonna we're gonna be there's gonna come up

and the other oxo And the other oxo, I don't know, here there's a lot of and it's and you're doing your

collection. Yes, it's not I'm not I'm more more of 20 fast. No,

that's okay, I'm going to get to a point that I'm was going to I'm saying

I don't know I know basically how is the culture here of Monterey and mythos

and legends I don't me to say to say but what is the phenomenon that here aborder

man? What is that legend or legends that there's that I'm in the

mind at at least three important not that not that not they're famous

but I think that at me they're much one that the

most me I I put in one of my questions in 12

lunas for so that I can't that we can't here

we we're the mountain of the Westeca okay

and it is impression to see that you We're used to

We're always to be the Lord of the Annius or no, no, I know they're in

what you're to get to do you. And result that the Wicholes have a legend

of the most fundamental and important and they do some injustices very fash because

then they're every year the Wicholes to go to get that they're that they're that they're

but here they're with bad eyes and all all the problems that say

that we we have and we we have many the region montas

they're present there, but pointually they're going to a place

that's the caon of the guitaritas cano guitaritas and it is a

it's a a point in the circle that has

has form of organ feminine is it's a

tunnel where they they're they they know there

not not only the planet but the universe

entire so so but so like like it

a gestation. I mean, then then then every year they're, they're going, and they're there's much

documentation to a at a busk of Google of distance. Very interesting the canion of the

guitarittes. And I do it include in a quote my where supposedly an angel comes to

the planet to the planet to be there because it was the first angel that was the first nevada

where so it has many of years that supposedly suede the quote and but he

took to see a a nevada in the Westeca that would be possible impossible.

It's possible. Yeah, yeah. What's great, because, I mean, it's

toparse with this type of of the legends, these stories that I don't know

those I know, but it interesting because each one has kind of that has

that's a unique and special. Sure. Another that would be the would be

the tunnels, the of Monterey that I that's me that

I'm that's I'm that's really that but but I know I know

people people who people who have said no is that simply are the

times and this is a a legend that no only has only only it's

only only it's but it's but it a particular particularly

okay where Monterey has some 420-tenth years, is

it's more a more more than Mexico, let's be the time colonial.

And if what is that is that there is a system of a tunnel

is very ample and have some but are very short,

they're to so that's that's very common in in all Mexico

probably probably that are for for way of the time

of the revolution. Yeah. The that's supposed to Montererere is a

a tunnel that is a obispo. The obispao is a museum actually. I was

say Palacio and I detour which is very important historically because it's called Obispao

because it's a manned to be a obispo I think he doesn't

have done. I think he's that's the place that's the place

in the serlo of the first place that the United invades in

all the story of the U.S. The Museum of the Ovispado that's the moment of the palace, you know,

so when they they're in the city of Monterey is the first invasion that they realize in their history the States

United of America and that's the place, that has been a chino functions. In a moment was a prison,

in other moment it was a in other moment it was a very interesting imagineate all the virus that you have

in front of from the world to the the place religious to get a way, if a

like a lot of a little right is a museum, has a some deterioros of that that's the yeah,

and supposedly the tunnel the tunnels, the series of tunnels, supposedly is the place is the

place of where precisely they're actually they're actually they're actually

I'm topado you with some videos that if so is made videos

that this type of situations of the tunerers of Monterrey and I said

I don't it's something that's so it's what it's for what he's it's not

it's too it's so difficult is for the for the dimension of the that that's that's the

that's the that's the I say I said you my information professional I did in engineering

civil and if you think for the time it's very complicated that's for not

for not to say practically impossible that could have done that extension of tunnels, it's clear. No signific

that no there's a legend, the perception, the how you're to be with you're going to see,

then you're going to be sure out of the dimensions like the like the maybe are the catacumbes

of Paris and not is the question, the dimension that you talk to be representations obviously of

things very great, and pardon that you in some in some colonies there are

but not are those. Ah, okay. Also, that's also that's also that's okay. Fiatty

that also another point that I would like to talk to make, I'm, is that

before we did you a little that's something and it's something that I've

heard that I've heard also, famous that have like your brother of

his protection. So, protection. If that me has to be much to be

very, but I do you do this is what I did it is what I have been

doing the the last years, in television, in podcast and more. And it's something that

at the first that I started to see, like, I'm going to

go to a bit of a little. And then then I was the most common, not more

but if it is something so it's something to have this type of protection spiritual,

it's a much, and there was where I did it where I the 20 more.

There's a writer that I recommend much that's named Dean Radin.

He has a book that's real real magic. He is a scientific and he

studies, he says well, the tools that I'm going to try to

work to start these things. You teach how to do

a sigil you, he has there some some approximations

and at and at final at me me he made so

he I see, I'd say, I'd say, for, for months, because his conclusion is very,

well, very obscure, in a while that he says, I'm going to go to have. Because

yeah, he put a rar to the peda, not, you know, so I'm basically.

But it's very chido his book, this, Magic Real Magic. Obviously,

also, and to take it with that something, you look in Wikipedia, Dean Radin,

you go, it's a Charlatan, that's, so, that was part of what he

himself in the book that he's a person, he's a man, he's he said,

he said, he's he's basically he, he, he, they're

they, they're and even he has his credentials academic that are

of the most level world, if, so, he, so,

he's, like, he, he, like, he, And then I would say, Tomalow from a grain of salt,

see the criticism that exists of him, and you ask your own conclusion when you're listening to talk about. Because at least, I'm, I'm going to be honest, what I'm going to say. I think when we're saying, how it's conduce a charlatan,

how it's a move, the cadency that has, it begins to do, at least, at a level intuitive, something, this guy, he's saying to call the attention

and when when you hear to talk to other type of people, if you listen with more attention,

at least is what I'm what I'm and then it and it's to mention, for example, the doctor

Jacob Greenberg. When you you see in an interview for more that you're saying, is that's

he's like, it's like, it's not, you know, I don't you can't think you're that's a

local or that his head is a word or simply has a problem that can't with the canon

actual of studios, same sensation of me to be made of Dean Radin and I know I'm

saying to this type of protections and all because Dean Radin in the book

says much that this type of of protectors spiritual

that you have the and that you're that they're that

has has passed it has been a through of

centuries a through cultures that not not one's

on one consistently very very consistently that people

of the most high level and I refer to Reyes I refer to presidents

I'm I'm a peleaders of MMA me refer to athletes of the

most level me refer to actors and so what does Dynra

then then so what we do we do you ha ha ha yeah look

that they're men these that's that's in the most people

result that all everybody does that all so different

of different religions many times. And there who, and I do with the major respect of the world, there's

who has a a sub-sacredote also, there are who's other type of ideas spiritual, of other religions, of other

forms of, in words of Dynrading and other forms of magic. And so, so, and so, there me came to,

I'm going, I'm trying that this not I'm talking, at the more of the same level of a,

the president, of a, this, of a mandatary, but if I'm I don't know where I go

but this way in your area of entertainment pos is there's there's a middle

in the top and result that's to all all around to come to a man

or result that all around of different guides religious so so

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Terms and conditions apply. Visit BMO.com slash V-I. Porter to learn more. Fiatty that part, I've been doing, I've said, I'm going to talk, the people, the people, yeah, you know, but we've

interviewed, basically, to many, many people who They're dedicated to the theme mystic, esoteric, of brugheria, chamanism

and the same questions at times I'm repit to them, and always is your client, who's

your client, who are the same response that all you know, from, from the mania,

so that are that are people, people, who are people who are that they're always,

they're always exposed to their people, they're they're in risk, always

They always that side spiritual to have more blindages if so you want to be or it's more

more difficult that a projectile to be able to make invisible against your enemies.

That part me gave the attention because me it's a point that you've been

we've been to start or we're starting in explorations but you have done has done

you've done we've done that we in retrospective I think that's the first I think I'm because

it's the first not for valiant but because it was very young and I thought in the risk

in those visits of camp we did we did we did it for a documental

and it was totally the camp of the documentary a documental of a

documental of political but resulta to to go to go to the coronist

of Garcia a city here circana. And and I mean, I don't know, I mean, he took a reason. He no, but he said, no, it's that, you I can't give to and no, it's going to be

going to happen to do. And we're going to enter to places there, well, where had been committed, acts barbaric, if I'm to refer to, the poor type of aggression that

can be realized, and the worst ways, is just, not just not just to just to take the life to a person, but to do do with a

grave of cruelty. Caste of the castigo medieval or or something? Yes,

I mean, I remember the first where we came to get a part of we had

a medium to build a place where we said, I remember very well the cronist

us you know, you see that that formation of the piece and

you know and I think and he said he said that formation not natural me someone

tried the people they put to the people and then they're

they're to get a person to the person and you and you you're just talking

with a great of cruelty but that at least if I don't say you

there's a doubt if there's a question there and we

we're we're we're we're we we're to get to a

a hogares where had been been for those groups

and there no I go, for this I have a retrospective is where I'm that I'm that's why

it's like it's like there's not there's no no pass nothing but the I'm going to and I'm

a little a little citita edification or a little a little house

maybe and we're just and we're going to we're going and we're and where we're going

we're a quantity of bellatoras but I'm to say 100, for say a number, but they're more

in their majority rotas in the piece, where, within of that little place,

it was to some sort of a piece of a rito, and I referio- were not they're

bellators and Catholic, but of the group that we know and some of them

were, there were three or four still still still, but 100,

hundred, and I'm really the attention that in the paredes was

the name of a group but also there was a passage of poetry and that

me I mean so I made so I said that's a rare combination and

very perturbored is the that's that's what I'd yeah yeah there

I don't say to talk to more of what if you vibras if you

do you if you exist or not exist. What I can say is that

you can't get to that's the word. Either for what that's if you're going to be,

if someone you're going to if you're because you're because you're what you're that's the time.

Exactly that's the time we're sometimes we enter into places that apparently there's nobody but no but never

never you know never you and there's and there's something it's something is something that's a

problem it's a yeah that you can't you can't you can't more more

Oh, my brother, terminate the we've got to venting the fact that me the past a lot of it's quite

very much you know, we can't repeat your social? Sure, me can't be

like bandio Diamante. What most use is Twitter X, if me see

on the where I think where I think I'm the things that I think I think I think I'm

I'm over bandio diamond and I'm sure in conversations our podcast every every

we endams and then so, a ching, a chingo, or if they're just these things, what I would say that's the most

the most of the is what I'm in a so. So, I think for who they're just these things, the book that

I think I'm about the most, I'm , I'm sure, or minimum. I don't say very good, but if it's

the better that I'm going to find out of horror, of fantasy, and more. Delea, you know,

you know, family, that the linkses are in the description for you know, to know

the job of bandido. I mean, I do for what I I'm sure is that the form in how you create this type

of stories should be very, very fregona, de really. No, so, the really. So,

family, yeah, know. Thanks, thank you the world to get the back to have

collaborated with to have collaborated. Family, thanks also to get them to the final. You know

know that me can't be very those that those keep in the new capitulo.

Passenla a bonito. Until the next. Bye.