EXTRA ANORMAL - Creepypastas con MUNDO CREEPY | NoEsNormal.TV

Episode Date: January 12, 2025

En este episodio de NoEsNormal.Tv, nos sumergimos en las historias más perturbadoras de internet junto a nuestros invitados especiales Kevin y Emmanuel de Mundo Creepy. Exploramos los orígenes y secretos detrás de los creepypastas más emblemáticos: desde el enigmático Slenderman, pasando por la inquietante Calavera de Agnes Hall, hasta la leyenda del aterrador Tren Fantasma de Silverpilen. ¿Te atreves a escucharlo? 👻✨ 🔔 No olvides suscribirte y activar la campana para más historias aterradoras. 📖 Sigue a Mundo Creepy:    / @mundocreepy  

of not is normal. My name is Pacuarias and I'm very happy to be here with all of you, family. Behan welcome. Saludos to all the family that is connecting. Saludos to those who are connected since a while and are desperated. Pardonen the demora, but

saw them, seeing some of those themes technical, but I'm content yeah to be with you here in vivo and go here in vivo because we're a couple of cracks, persons who also talk about of the theme paranormal of a form

impressive and that I'm sure that you know. This night we're going to the kids of creepy. Today I'm going to

present to first to present first to Kevin. How's that your man? Hello, the audience, Paco,

how are you are very very happy to be here. Thanks for the invitation. Thanks for the hospitality.

And the people don't know but this is the last thing that we're going to do many things. So,

because there is this confidence too not we we're going We're doing right in the

life, so it's all the great. Thank you. Thank you. Thank you. And this

side, the good Emanuel. Hello, Ola, Paco. Thank you for receiving us for receiving us.

Very content to be here. As you said Kevin, we're going some things that are being

going to be going to be going to be up here in your channel as on the and the

very much very content to be here to be here that we that we're a lot of a lot of

things very I don't want to spelear, but what's churlada of episodes we're doing, as Emmanuel, for extranormal, sergalan snustos,

and for your channel, in this moment I'd like, my time, that for favor us do in their people that people who

are doing for first? Who are? Who are? Sure, our channel principal is is the world

creepypastas primarily in an initial was what we did we're we started in 2013, we started creepy pastes

contando creepy pastas. Then we've evolutioned a problem of paranormal more generalized and relattos of the public

and all this we've got many many years just two years in this. And actually we have various projects,

the podcast of Stories of MundoCripy which is where you're where you're going to be available. Okay.

Where we're stories, relato of the public that's put very, very good the chapter very interesting.

And then the networks of the channel, the in all all over creepy mundo,

aro creepy mundo because us got on the arroba in X before Twitter and I mean me they're

personally like arrova emmanuel biojohnight genial to me I'm going to all parts like Kevin

Maskerman and well much thanks a no for being here thanks thank you thank you

a lot of all the audience before to start with this time I'm

to send to make saloos to the people who in this moment are

connected so we we're we're to envi some Saluditos, so very rapid.

For here I have emilin that says saludos. Saludos also for Lady, that says,

Saludos to all of all of all right, in Carolina of the South, pardon.

Saludos. He's here also Carmen Garcia. Saludos. He's, no,

I'm going to do make me you, no, no, no, I don't you

promise nothing, but if we're going to be trying to be done some good

good. Gustavo with the hashtag that never more hashtag

no monkey, no because No, Monkey, no. Saludos. Also, I'm sorry.

He says Lottito, many Fugito, Fuggett, Coursone, and Manitas. And says, Kett, Oh, Kampo. Salos, a all, the podcast,

Kouras. Thank you, Ket. Muchis for to be with us. We're doing a very, a very,

a brother. And, well, we're going to talk a little about the the theme we'll say

on this. The theme we, we, because I said, I'd like to talk with these cracks

a theme that I know that you know that's probably they cause a little of nostalgia because it's

regressal to the world creepy. The creepypastas the stories of terror, those relato that

many times we'd like in some forums of internet that, I mean, I know

what effect they'd that they'd have been a lot fear, a lot of suchos,

and I mean to learn various crepipastas in different forums, in Reddit even still

still still for there collando some stories very good. But you talk, me, let me,

let us, what on these stories, how they lived, and over all,

we have one, for that the people not so they're to talk to talk about

a scrap and a bit about the scypastas is very nostalgic for us because

we started in YouTube or we started to do because of the creepy pastas. It was like our port of entry to YouTube and the world of the terror in internet. Not like it was the first

that we'd know we on the internet and nothing similar, but we know we we did we're very fans of this type of this format of terror.

The thing has something that was very magical. It was two things. First, it were in stories shortas. So it was something that

was something you'd like to see a movie, even a shortometrages or read a a book or, or you know, it would have more

time, but a creepy pasta leased in, in a minute or two or five, a lot much, and you just a sensation. And the second is that was that was like very, well,

was it was always reigated with something, no? Exactly. A difference of the legends urbanes that have existed from ever, the

creepypastas you put in a contemporary and they'd give in this scenario where they were sure that they were real what they were saying.

No, and I'd tell a a story that I'm a author, no. It's the magic and the cripasta. The first is that you never

you can't know who is the who's the person is that's anonym and the second is that they they're sure

that you're saying that you're completely veridico and that's so it's very special that's

so you can you can't say of the creepypastas that in a principle you caused you know

I covered the cripipastas I think like almost almost all the world that is

for there's for error in internet and I'm I read one

I remember I remember the candle cup is of the most most

many people know it's a supposed platica in a forum where various friends start a, well, not are

friends, not even disconocides in internet, they're talking to a program that they'd of the years

70s, finales of the years 70s in a area very specific of Europe, probably in

a television local. Then they're to talk to this program that if someone that someone

that's called candlecup and they were a program of a program like

of marionetas like Plaza Cessamo, but of very low presupposed where these marionettes were used

that were that were made like they're like what someone in his Vesvan and this

was a little tethric and this program there was a woman that was a little

an actress that was like the protagonist of all this and they're to mention to various

characters conformed the people in the Foro, they're advancing with

his records, and they are this program, they're they're a program

very strange. Okay. And they're to, and they're to talk about a person

called the robapeles, they said. Uh-huh. That was a personage that was made

to be made with a gabardina of the big and that said that gabardina was made

with the skin of children. Wow. So, with that much

people still like contesting this conversation and say I don't

know how they're going to see how it's a very strange, no so.

And someone says, is that I was I'm investigating in internet and no there

data of this no there's not a story that normally one

can't find the history of some program of television

where where was what there but no no

there no there the point is that still advancing the conversation. And all this, I was going to be able to formata, as well as in a forum of that

then. So, to me fascin-bastened a lot of the story. And all this does a turn much more aterrador when one of these people says, that he said, that he's going to visit to his mom, that's in an asylum. And he, for curiosity, he comments

about Candlecove, and he says, that if he said, he said, when he saw this program of television. And the mom only she ried and he said that no

I thought that he had a game, or that is what she was what she said, I remember that you,

you always at the same hour, you sent about, and you put you the television in a channel

with a static and you said that you're doing a program of piratas. Oh, okay. So,

then the show of the story is that that all the world, all the was watching

was being a program that no existio or that the adults not could

not they were and it is supposed that the last program that's

transmitted was like all and this little with the marionettes

even making movements grotesco or attacking this is a

story as a story written is fiction but in that the

moment as Kevin the the creepy pastas were

only stories that were that were there were real

I said okay, this is real. Yeah, investigating, I did know that it was a fiction.

But, but more to deception me, like a much people that says, no, is that this

is fiction, then I'm interested. A me was fascinating. I'm very interesting, like having

read a good book, like have seen a good book, and I hadentree in the

concept of what was a creepypasta. The word creepypast came to copy and copy and copy-e

because they were stories an anonymous that the people I'd write in forums

and then someone was copy and they they were and they they're they're

they and they're in English, they're called to call them to use, to adapt it to get a

creepy and aterrower they put like creepy paste that after then it's that's

crazy and basically for that we're to get much in that that environment to learn

to learn these stories and when we we've been done to make to create

and describe and start But I think there are, I think there are stories that Marcared about various generations. There are crepipastas

and these legions urbanes that, although we know we're fictitious, there was something that you thought that

not were fictitious of all. And in this moment, Hasil, for me the image of the first that

I want to talk to this night is the history and the creepypasta of Slenderman. I think

that for much is the creepypasta or the legend urban more more interesting also imagineate that's not in a forum of internet

for to there convert yourself in a great history that even even would even to get to the screen to you know

to you guys how much this story to me me me can't I'm very fan of the Slenderman let's the original

that that part initial of the legend that initiates like a good legend that begins to passers to book-in-box in this case

in the internet is from a forum a forum and you know I'm made a fan thanks to a series

web casera made for some some of the United but not I'm sure if they're not

sure if they're in some part of Europe but I think it's called Marvel Hornets and that series were

some people were some some clips of them grabbing with your camera casera and where

where, of the episode, you were the figure of Slenderman there, and then I was

a story where this creature, that they were in a lot of because there's a thing of the doctor, he put in the

operator, he was going and one of them and one of you disappeared, and all this was, you know,

it was like, it was like, a kind of kind of video, but version video, no, version series and web.

And there was where I found in the concept and me in the forums to be, to see, who is this

person, that was the operator, I mean that was Slenderman and all the Lord that was in the Lord that was

I'm going I know I'm sure but there's a thing in the figure of this character

that's Slenderman that not the word not is a word not I don't see if

they can help to help the word that you cause this because

it's being being being a little between nostalgia at the same

time no I know but not so not not so not you

cause as a a person uh no it's

it's a a sentiment extrano because they're in the image, practically

aseching children, so, always is ashechating children or being to the interest

that has this being about the infantes. You what do you do you? It's

like a mind that it's like it's the problem. It's the thing to a monster

or type Jason, as you know, it's a different, it's like inquietante more

bit, it's like something that move much these, these, these terrors

more infantiles that are arraigated and even still we're like this, we're still like this, like the terror

or the fear or the fear of these, these figures that are like innocents. Because Slenderman

in see, his image not is too has kind of, it's like, oh, yeah, it's like,

it's for the inquietante and the rare what is, not so, not because he can't cuernos,

alas, or, ohos, or, so, so I think that, of there

the fascination for the figure of Slenderman for the mystery that he has been. Okay. This

history, in 2009 us can't give the name of the forum, Kevin? Something awful is the

forum where it's the story, where me is in a course of Photoshop. It's correct.

And me it's the creator, the name of the creator, the name real is Victor, who create this

person of a sort of a little but the interesting of this to be is,

it's, it's created the legend, and of the nothing, they're to see a people who

start to say that Slenderman is a there's there. There was a time

where the people, for example, that's, the U.S. Salian to go to the camp,

to trotar and this and the other, and it not were, for example, the 12 of the night,

but, now afterdecing between six, six and a minute of the

time, deced to a subject so I'm a second but with and he's, actually

a in the year 2014 with these two youngs that are seeing

in this moment who are Anisa Weir and Morgan Jaser that the

31 of Mayo of 2014 I'm going to try to say the things

with because if are things fiftes in Wisconsin in

the United these two these two nine they have a

a a a bigita to a and it's to

the other world because 19 times they're an object

punso-cortant so this is notices in Wikipedia also here I have the

information and at the first the people said that this

was they were interrogating and they they're they're they're they're

they're that this this didn't it's that this the words that marked for always the internet. When they said Slenderman

we, we know those, we know those did. And that was what was a chaos enormous in those years, that was where initially the era of the internet, 2014. And, well, that was what what happened. Here is the news. I have

here in this moment. I mean, probably somebody has an information different, but here is there the information of what they did. What you What's what you opinion are you? Fiatty, that justly, Slenderman,

I think that is like the first grand legend urban of internet. Because,

I mean, if you put to think in the concept of a creepy pasta, is the same as

a legend urban like, for example, this legend that came from the years

70s of the , the , that are in the cinema, that you can't

in the things virals. Oh, for example, no? And that does it

the same that someone create the relato or it's based in a, in an actual

to move to get it to get it's like to get and the people and the people enter in panico for these

things. And Slenderman has been this magic because in 2009 when it was created, it was out of

that's not for the creator. The creator you don't participate in that the concurs to do the course of Photoshop

and yeah and create an image aterdora but the people is the person is the that I think

the magic of the magic of the internet in this car Toma the image and the history not the author original,

it's just a lot of the community, and then you get a yeah like a legend. No, like, look, this image that's in this forum, that's this person, I create this story.

That's not so. You get there like, this is what they say that's what they say that's what they say. For example, the girls, to me make much

rude, because I think that also is the point where the legend that's the barred of the people that uses internet constantly and then to tell to my abuelita

or my tias of my kids, that there are some girls that did something for a

ser of internet or that's a lot of internet and that's the part obviously

dangerous. Just Landermann also, this that said to say to Marble Hornets

also to help to help to help to help that the history crecia

because in the story of this is supposed that it is a kind of a

thing and the kids were that were part of that were a piece of an

thing and he did to be to become a image to be for some people.

I mean, the majority obviously don't know like that's like a lot of a lot of a lot of something,

but in the mind of the kids of 14, I think they're 14 and 13 13 years. Yeah, they're so

that's all that's like it's like a real, no, and that they're really this

this creature will get and give us or they're doing it? That's what you do you know?

Well, I think that this also has to be with, when when when this

suced Slenderman yeah had had been a five years, more

or less, of been been created, no? Yeah. And,

yeah they've created too, many stories parallel to him,

like, derivated more bit, of Slenderman, where was about about

rites about to bring them, stories, where were about

other, like, let's other versions, like Slendermans different or,

no, I could say, like, like, other series, that are

like, and then so, I think that these chikas, well, get to

internet, being very young, they're going to learn these stories,

these rituals, these rituals, and they're doing doing something, like, like,

like, it's cost it to maybe discerer precisely that, that fiction,

and I remember much of this moment, because just we had a year

creating creepy past us when occurred this, and in this moment,

when when we asked if we had written we didn't

We didn't know what we're We're trying to maintain much mystery And I remember very well That when occurred this news As a political internal of the Mundo Creepie commenced to say and to clarify what is fiction

And not we'd We're not like that magic But we're We're more that if someone that he costs to differentiate the reality of the fiction

could get to one of our videos of our stories Because also We get to write of supposed rituals and so, not where the people would say

did it, it'sier a day, but if they were like rituals and that were fiction. So, we're going to say, we're going to

say, if someone was to say, we said, we've written, it's fiction. Although we're the magic,

it was more that, to that could be a little after that could be, like this. As to where

I've seen I think, I'm trying to not the child, I'm, desvivian. Yeah, I think we're not as they've lived.

Yeah, yeah, so, she survived. I think he survived, but if it was a lot of great. Sure. So, they did some, I mean, it's pretty. No see what have been of these these years now. Yeah, pass around more than 10 years. Imagineate.

Well, so, that's, so, that's, that's been crested and madurated to the sufficient to, for, to, to understand that what they did you, well, it's, you, you'd, you, you'd, you'd, you'd say these nias

did you, and they're, to invoke a, in this case, a demonio, or a deity, that in this case the same deities would be for,

for example, a figure like Slenderman? There's a theory very interesting that not about

about too of Demonios but Tulpas. Uh-huh. That about that as Slenderman

was a figure that the that all the world was about in that moment a figure

very, very emblematic of internet and so that people was thinking on him and much

people was cremending in it, or they're in their existence. It's, you know, you're saying, that's, that's, that's that's, that's, he would create, of, of the

nada, a part of the people, that's a tulle, for who has heard of the term, basically, it's a person that you can't create, or so, you can't think, that here in this, in this room, there's a person, and you know, you know, and all the days,

you're doing, you know, that's that person, and, of repents to pass to pass things. Now

I'm going to go to grab to do you think you or create a figure a figure

Santa and much people and much about there in the family of my husband, that she told, that in the house where

they'd live in his abelos, she, when was a little an escalera, it's a house a little old old

and she said to talk about that there was a man who had a, a young that was there was a behind of the

carer, and he was made a little his primus and all they started to say, to this

new, and they put a name, it was like they called Merlito. It's like it's

merlito. And, of when when I was a rarrow, like, some ruin or not,

nothing they said, the family like he started to play to make, oh, is Merlito,

no? But then the past of the years, they were manifestations, and they

were things to be more more people and said, oh, people who, people

that didn't, like, people, yeah, they said, is that I already see,

I'm like a little was there so, so I know, I don't, I,

so, with these stories of of how you can't create something if you

think you think it you're you know you know you know you're but when

much people do you get to get a create many people

people start in something that comes the concept

of the kind of how they are creating even even even

even I remember much when they did the simulacro

no and instant after of the simulacro started

to to and all the people and a and a

The altitude of the anterior, not of the historic, well, of the historic, no? That's, well, is what what's what happened with this cremipasta, which is the Slenderman. We're going to pass to one, Hasiel, for favor, to the next.

And, for there we're going to put a... It's Rokurokurokuri. Rokurokubi, pern. Rokurokubi. No, it's a cryptopasta as like, but there are various histories or creepypastas

that, we're that they talk much of the folklore Japanese. And then there are

many many legends that are very interesting. I remember that I came to

a cripasta that I also in those times before in this history a chick me

is that was that was that was his abel his abel his father

and there had a picture and there was a picture and then she

remember that while he was dormied, she felt observed and I felt that there were

like, like, things in the house, well, in the house of

his abelos. And in one a night and he be a rostro,

and is the rostro. This painting was always was observant but when she

when she and it and he is just the rostro and there's just there's a

little there's a long, like a serpent for the that this rost

recorrio all the house from the picture. And his

work was in the picture but the way and the

whole to the room just to go when when I this

story I fascino about but investigating I did

know that he could have to the inspiration

of this legend a Japanese a okay about

a certain not not a not a sort some

some if we put on something like if you'd say homest lobo

or bruchas are a type of a type of a set that he's a thing.

The interesting with these is that are people are completely normal during the

day. People that do his life, even even have they,

they're they're family and they have, they're a job they're

a life completely normal. But during the night they're

transformed in these things and their coo is a large and

deforms like if were a serpent and then they're

to they're to be to all the people and even

there stories that they are to attack to to

attack to the and even and what interesting is that

is that there there two two types different because

some of those are things are plenament conscientious

of what are, that are jokais, they're so, they're sorenatural

and that in fact, they're in a life like, and they're a wife,

that they're a husband, they're they're they're they're they're they're

what they are, but there other type that no know that you

or you or you we can be people completely normal with our life,

our those records. And the moment in that you going to do you, you transform in one of these series and you're going to do this type of things. Similar to what is the Lover, no? Very similar. No, you know, until you

get up until you can't and you have dreams very strange, of things very rare, where you can't, and this is something very frequent, you can't, for example, your abitation in angles very strange

for the coo of the cooel so then you're seeing

your view your room and they're very rare and they're so

these two vertient of the story me are very interesting so

the yokai is and that is a kind of it's a kind of

and it's that does that does quite fear to think that in the

culture Japanese that you can you can't with a

demonio and you never you never you never you can you

You can be one of them and you can't you can't you there's a there's

that I'm that I'm that I'm yeah almost two years in the channel when

recently I'm where I'm telling legends of other cultures of other

folklores because only sometimes we're we're we're in

in legendas Mexican no the the Yorone the Charrone

the Dundes when in Japan in have different Ceres or monsters

and there's a legend, is a legend obviously, of a man that lived in a town where there were

some people living in Japan and supposedly this man he's a woman and then he's normal

with her in one occasion I don't a little of a reason because the story says that in

one occasion he he was he wanted to have commonion with his

sposa, and while they prepared for the night of passion, this woman is the

larga the clue and he let the story, he decided to go to the

to go to a catana and decide desvivable. It's a, a legend that I

took up I've a much time, I told in the initial of the podcast

because it's a question, because it's a type of monster, a

that for us it's being being something it's something but it's interesting

to see how they're they're saying I'm I'm like the phantasas Japanese

of the actually I'm investigated much this thing because me

I look in the culture oriental like said Emmanuel

they're classifications so depending how the person termed the

person who it's a kind of a spectrum can be consient

or be being the more has a negative a final, like in the world

in terranal, also kind of rebutta to that they have more power. So those who have a

final very very strong, are those that they're the point can extend during more this space

and they can be a person who are a torment a whole a town or a a region,

and that just all this the fact that are the they're the they're in those classifican

depending how they're, and that's interesting because it's like if we're going to do you

get a, a, a little something we can't understand we're a lot,

the legend most famous in all the country, it's a kind of, it's a kind of,

could be to be this classification of a woman venativa that took a final

tragic, so it is fascinating that there there are there are many many versions

of the Yorona. A bit, right that you have been to the Yorna,

I have a question for of you. And the people, for favor, that's

in vivo. Let us in the comments what you do this question. Let us your response

because I think we're many people and we want to know what you think. The Yorona

is the monster, as for excellency most known in Mexico, but also is known

in other countries. Yeah. Paces, like Colombia, Peru. The people have

also the even the question is. there's one yorona or exist many

yoronas but what what happens here with this I don't see what you see what I'm going to make a

little spoiler of our channel with this that I'm saying but just I'm very meted in this time

because precisely I'm working in a video that I think to do I'm going to

doer because I'm about the thing of the video will be all the

different in the world that are much much I'm I'm I'm met

I'm When I do a version, I refer that has a proper history. That has a name, a place specific, and a basis, even in the version, depending on where you tell the time of the

water, of the lago, where the children are not be present. A veces it's other type of final that have the children. And even so, the history

is still, but more than that in Venezuela, Colombia, in Ecuador, Peru, Chile, in all there's a version, de pronto, I toped with that in

Vietnam, is a woman that for a, for a speech, terminate with the life of his children, and then she

also with her own a vaguely, lamenting in the streets, in the nights, soltating a lamentor desgarado,

and if didn't say what's the yorona, that's the there's my kids, he's grita

and then and he's and this type of things. I mean I fascina much with the legendas

because it's where it's where there's a question clave, that is, if it were the same creature, because it has an origin in other part

different. And, also, if were a simple legend that someone invented, like, we've done with the creepypaces, that's creepypaces, they're in that part, no, that's that's fiction. But in the legends, not always that's ever that, because you think, how, in Vietnam, so long

lejos of Latin America, of Mexico, is created a story almost identical. And to me, for that the culture Japanese in basis to the thing of the paranormal

me can't, because I feel that they're like they're in a lot of what would be the reality. That is that is a lot of

that's a type of that's a for me, that's in all the world and for that the versions are like,

it's like a same history that has occurred and it's like cyclica in my opinion that is going

going to be a different and it's this type of phantasm that for the Japanese would be

on Rio, for other parts, could be different. And I think our Yorona, even of Mexico, not the same than the same than the other

parts. Okay. You, Emmanuel, you what you do you do you think of, what you say, and I'm going to

you'll comment what I consider? Okay, yes. Yes, I think, and me, I'm atrebo

to put something there more, more, this, an opinion, let's, a little more more extreme.

Not only the Mexico not the same that of the Columbia, but in Mexico there are much Joronas

is what I think because, as the Japanese considering that as soon as you've passed to the other world

is the way in that you manifest in this depending of how how has been what you

what you have occurred you've been in a different of a person or a

okay, the so the people who decide to have come with the

kind of the who are that are that sufferer much are another type of

a phantasm and so those we're going to that depending of that you you can manifestes to different

form. So I think the Yorona would be a type of phantasm but that in the

same country not is the same Yorona because there's the Yorona in Meda exists the

Yorona in Tijana in Tuxtepec for that's supposed that exists no I imagine

that here in the Rio in the I've seen they've been because they're

this history But what What's the If you ask, if you here in Toxtepeg you ask

how is the Lamento of the Yorona you're going to describe to a form And if you

you go to Tijuana and you go to know, to the city of Mexico

probably probably they're saying a lot of the story the classic is the

of my my kids there's that only is a a Lament

there's the other that are soyosos like if he'd feel

the air, no, and gritos very fertes. So, I think that are like different entities. Okay.

What I think, and I'll say it, I'll do, I'm not as an expert, but a person who

begins to investigate, and is that this, I'm, I'm, I'm, I'm, because,

due to a story, I'm going to spoilier something. I'm a story, only a story,

that's going to be to be of rascos. Okay. I consider that there many

jornas, that there are many, because the term, Yorona, for me, is a

maldition. A woman can be in Yorona, or, or, you can't have this

maldition because I, I consider that there is the the, the, the,

the, the, the, the, the, the, the things,

that is, no mataras, but but if you put in a context biblical,

it's in the restrictions of what you do you do you to this sumas

that you are your primogenit to your own, I consider I, I,

Paco, consider that that that does a credor to do that you not only

only you made a this amendment but still to Al-saar the

you did a little in automatic you get a maldition. I'm going

to tell a story to give a more simple the context. It's going to

do the story but not they're going to be a great rascos but it's of a

child that we know, and she and she he said that had a

her a more a prepa this muchach the am the

lady was the the the star of the preparatoria. Bonita, a

beautiful, a good a car, I'm a future for the future. Papas

with money. She had a very good qualifications. So,

was like the person that they were that would have the future

perfect and and I had to the chico of the prepa. And she the

that was the caro was her was a result that

one this this I need to talk with you. I'm in a situation where my

life is a end up. My life is going to go to a tube

and my future my university and she went. And she said,

what happened? I'm saying, how if? No, I'm don't know, I'm going to

do you do. This was some years where this practice

of to get the product was it was very, very, very complicated to have access to

this, very complicated. And she said, you know, is that I can't truncar

my life in this form, and so I need to your help for,

for that you to idea to go to an hospital, and that this.

To not do the story, because the story is the story is very very

detail and I need that listen the on the

As I had much money, and I was accustomed to go to get to vacations with his friends,

to do you to get to the world, he said to his papas, I'm going to my friend to Kank Kahn

a few days. And his parents are in the hotel and all of this. But they're going, she go to

a hospital, to that she get to the product. The problem is that when when it has this,

she had to have to have pesidias where I heard a baby to cry

in the passio. But it were those yoridos, imagine to hear a a baby

chikito, those who are people who are to listen to a baby that shiel for much time,

that's just you're trying for a time very prolonged. It generates even a impact

in the head, like you start to get to get to get to get to

what you do you? So, she's to hear to hear a year of a

baby's been very strong in the pastio outside of her of his, well,

yeah, of your court, where I'm interna, and he said to the doctor to the

doctor's, to the baby, for a boy, call in the baby. And they're saying,

I'm, is that, we know, we're not we're not, we're no,

no, I want I don't, I'm going, I'm just desperated because me is

desperating the rio. And no had a baby. So, then he began

to know that there was like a bulto in the She started to getteer and

I sentia how he was sub-subing and he began in her but he started to

get a and she started how started to start this liquid vital, this liquid

rojo vital, desperta the dream with much a lot but

no was the days that she was in recuperation she started to have

to have to get to get to and her and the she

made the call me said Paco so so so

rapid. My amiga no want to no he went to and a night

he took various of his medications and when we got we were very

time. The problem is that before that she did this she said my

my he started this this love of mother that never had

never had had never after after having done So, what

What happened in this hospital and her amy the person me lo plasman in a correbe is they're,

the the infirmas satas and see how in a pass in a other,

a woman cargand a baby. And all started to create, this, well,

this legend of that is the muchach of the fourth number 19 that

that is auto desvive for but, let's have that sentiment of and that's encounter with his

baby. I'm a story that me gave to get to the correct. Contestating the question,

I consider that no there's a lot of the lot of there's a maldiction that a

person can't get a, well I'm for me, no, I respect much, much, the decisions

of all the women and all this, I'm about, I'm, I know, to your child,

to your baby yeah, no see, of years, and you decide to tend to them, I think,

consider you can't get a type of maldiction of this indolian. I don't do you. Is that

what I'm, to quit a other person, it's a thing very very strong, but I

think even even more than creensias or any other other other cause or ideologias.

Naturally, we're all we're all animals, like animals, like, in a certain form programed for prevailing,

not? To reproduce us, to maintain our lineage. So, to do that with a child, to do something,

well, that's normally programmed to to care, to preserve. Even so, that's so this sentiment,

not this idea of that the mother's, and even in the reign of animal are so so that protectors that are

their life for them, is like so contrary, is like so, so chocant that is our

same natural that I think a carg even more than the emotional energy, spiritual,

energy, energy, energy, a lot of the type of phantasm that is the Yorona

is a is a phantasm with this force so so it's understandable because could have been

there's, or even even if we're going to the other version of it's the same,

then it's it's the maybe because it could be so I'm the time

of the new when again to Japan, how it depends there in based of

his credences, that the form in that the person that the person has a

life, that's that's counterrests with the force that's a spirit

super-furt. With this presence in all the place. It's what I think.

I don't do you what you think you do you know, no, I've never in

that theory, the word, I mean, I didn't to be the manner in the way, like,

I've passed or transcended to the other world, no? And that is like a kind of a question of now it's

very interesting because in Mexico is so emblematic the figure of the Yorona, no? A difference in other countries also it's

in Latin America and as like we said in the world exist in these legends. But in Mexico has much

force and I think it has much to be with our culture that is very of love to

the children and as a great as our mother. Not that the other countries not that the

in the States United I think that if the families are a little less uniedas

and not because not because not for their culture that here in Mexico in Mexico we're very

family and in Latin America I think in Latin America in general we're very family

and I think this idea of someone that is able to do something to get

to get to the life to his own his own is something as a

public and culture us dole especially or we we've been especially

reprobable and I think here we can even with this theory of the tulpa no, of that when

when it's to start much and much of the yorona and when it's a famous

and all the people is thinking in that and so it's about the of the

water, the lago, the rios, always that there's always that you're going to say that

there's you're going to say that there's there's there So, also many of these manifestations could have even

even the people get to a place, the people, and so they're to talk, sorry, of this being this being,

sorry, and it would have also something to be there like one of these creations collectivas. That interesting.

We're going, we're, to the next, to the next creepy pasta. Me, and for favor, there to put it

in the there's, no, that's there There's the next, Porfa. Oh, and the

train phantasm. The train phantasm of Silverpillar. This is a legend of Suecia, more specifically of the city of

Stockholm. This, the, I did it to try the day to do you to show it, because

you know, just right you said to me reasoned much. We're here in Latin America we have

our ragas our legends. Right, we're talking of the Yorona. No, we're just

and it's and it's and the people, to listen to to listen to to the people.

To be it's the really, that's always fascina, and always to be able to this

part of, I'm still yeah, I'm here. But just I mean to talk of a legend

out of not just our country, but even the continent, a little a culture that's

different as the Zweka because justly it's very interesting that in

Mexico not really not really not it's too than the city of other

other cities that we have systems that so many so

those we're specifically about about of the City of Mexico, how

legendas no, there. In the metro, it's about many

things. And in places where there is this type of subterranies of

in New York also have very arraigated those legends, the legend of

the old and it's a really a legend very very

very there. And I got a there's a legend of a train

that's known like the play or the train silver

Pilen and this has an origin terrenal that

that also It's not based only in speculation. The legend nace for a wagon of the metro in Stockholm, in the line blue, the line is plateed. And this can not be very rare for the majority of the people, because we have much the image of the metro, for example, in New York, where so on all those wagons.

But in Sweden, in the color, they're painting the color of very. It's like the color characteristic. Here, how we have the naranja, no? Or, well, no see if, the new ones, they're doing naranjas, but this is here in the city of Mexico, there in city of Mexico. But there are reds. So, this train, this wagon,

they're created as a wagon substitute. It's saying, when other wagon is in reparation, it started to use in the years 60, to reemplasar, and, well, agilized that there were the same of the amount of vagons,

that no, that the people would be more, this, more, get a more longer than it had to get to get, or, it's

accumulahed in a single wagon, but the people of so, is, and I'mpe's a little for this wagon, for two characteristics

principal, his color, that was plateed, and the The fact of that this in the inside no

didn't any any type of any kind of other there

publicity no there no way of the well the other but

all this all this is indicative in what station you have to be you

go and you don't because it could use in whatever

but they used in the blue that was the most transited in those

years and the people and the people they were they were they were

they were they were very incomodod in other, that's because they'd

have a because they was a bit of this way to this way to be this legend, that's not just to form,

but not just to get an origin, and what they're going to is that this wagon is a wagon that also

to be seen on this line blue, and that the people that the point be that's coming to

a wagon solo and not know of the legend, you know, or people that no

know in the history, it's sub in the destiny that can get to have to have. That's

a lot of this life. So, well, or something more than that's what I'm interesting. For example,

there's a story like that's the story that's the story that's the story of a little bit,

a child, a child who is a little and he's going to be to the train, it's a question, in the station in

there's a lot to get to this wagon, lighted, solitaries, and signalements. She, even as

see, suve, thinking in that what most important is get to get to get. And then it's

done to do you know the wagon not is a vassio. The wagon comes with people. There's people there. There are people

there's a particularity. They're extremely palidos. And, and they're the mirabed. No,

there's nobody doing nothing in particular that they give a life, it's like to go in a place

where all they're like if were marionettes that nobody with the head's aghached, mirrored,

looking at any side, practically, it seems incoomode. And what what I think is, well, I'm

back in the station that I'm that I'm that the name is central in the station, in that she had to

part. But then, when then the part of the train is the long, pass for the

station and And still and advancing and until that's a a station

and this is another part that is another part that's a name Kim Lingue that is

a station that exists in Soesia that is in Stockholm that's without since terminated

since it's a remodelation and to make a better in the system but

at final they were they were problems they were to give to cause certain

a tracos and no not dave. So the solution of the government was to have there's a end up there.

It's even in some hour and it's a station that also has a legend because the people think that

there's people who not is able. So connecting this story she still advancing and pass the

last station that's marked that is before Kim Lingy and the train and the train and finally

get to this station completely vacy, oscura where no there is not any that's there

for first they're doing, they're going to get a move,

and the people who are going to they're going and they get there and the idea and the

perspective of her there's because what in the legend are two versions. One

that said that they found that they're there that were to make to make

to make a bad with the mind perid, like if not was a

life or were a person and the other version that

they found that they without the station Kim Lingy like if these people they would have cuted to the life. So, today is a legend that's

a legend that's a lot of fact the wagon exists or existio or at least in some moment being used. But even the government, even the encarriads now they don't put to substitute others

because the people and get scared. And then this is going to connect with stories of the people who also mention them start working,

start in the stations and be passing a wagon solitario And it seems to have people there that are in that are in paying them

there. Fidate that I'm going to be the metro, at least in in the city of Mexico,

imagine how many things of the there are there. I want to send him a little Tucku.

Oh, yeah. Ah, also of you guys, a lot of you guys, a little bit of

Tucku. Every every time I talk with the Tio Taku, they're really, are

stories tremendous and is that there is that there is that he mark much in the metro.

It's imagineate the electromagnet The electricity that should have in that place to move, not a hundreds and not a millions, to Mexicans, all the days. Imagineate the quantity of energy that there in this place.

And is that one of the tantos, because it's the one of the pallas, the woman, of the boca, of the eyes, the kids, there's a lot of stories. The vampire. The vampire. There are many things. But there's a phenomenon

that's a lot of attention because I I talked about with some people in the Midangry of the city of

Mexico and what he has to some people is that there's that there there's

a failure in the reality very cabrona there there's a story that I

I said I said a much time of a a little

and a metro and he was in a station and only

only had to advance three stations she she

I know what me demor because It's, it's,

it's, it's, it's a song, a song complete of that's, then she

yeah, yeah, I know, in what I'm going to be back to, without

to have so, I'm in the morning, and for those who are in the city of Mexico,

the context, the metro, at the time, it's a lot, is replet,

but in this occasion passed a very rare. When she went to the station, it's completely

vacy. No, there any one single person, any one one one

and said, well, probably it's a day not-laboral or passed something, there was

a march, no, no, I don't know, but no there's people, but it

gets the metro, and he put his reproductor of music, cera the eyes,

and he he gets, she says, I know in what going to get, in when

the song, you advance three three estations, and well, yeah. Well, it's that the metro

never never pared in any station. And she he said, yeah, demor, and he's,

he's, he's, to come out out of the window, and he does a point

of something very curious. It's repeated the same. A poster like if

there was an an issue different, another an and I was the poster Like she did

She did count that Like if the metro Stubier was done Something impossible And yeah had I had made The song Yeah, there was

And it was And it was for And that was No parable And not parable And so he He said, What happened?

And he said And I was And I didn't I didn't No, I'm No, I'm And he said honest

passed like 10 minutes that I was very preoccupated because I'm sure that

where I'm going to I'm going to get to get to the school and the metro

and she is all worried and she doesn't know where is that not the not are

that you mark no you're not you're there no no there

nothing and she says where I don't I'm but but it's

it's it's tard I'm to go to the Central, even where I

go to, no there's no way there's, there's there's, there's

there nothing, there's to get to the bano. When he's

the banal of people, so all the people, so all the other, and be

the hour, and they've had passed three minutes of that she's subed to the

metro. And that says that she doesn't know if she's was

being a or no know what the demon is going because

he said I'm sure because me desped to my mom and I'm and I

have passed much time and I said it was so it so much because it for me

it's like me had passed much time from because that the metro

was down and and it's a thing and it's a thing and it's like there

there's like there there's a there in the moment that I'm in the And it's all

full of people of people, of people and so it's it's a very, very, yeah, it's like,

it's that these stories also in the reality in places where normally was rotated of people,

and people and people enter, abetations or stations of metro, or places that's,

there are many stories of so, there's many stories of this, and there are people, and there's

people who I know, in a story, but I'm a little super short, the quote, I'm,

some people, who were people, that were a city to another, but a of these cities

that are less to a half hour and that the people, and over to all the people, and over the time to go to

go to the night and they're a night and they're and they're a story of that where they were, like four or five people in a

vehicle, and they're playing with the music in the radio, they're listening a static in the radio extrana, the luses

of the auto fall, and of a lot of the normality, the song is reproduced to another and it was

like, okay, so it's that's too that's still advance and then all start to get to

their phones have been and they're in the hour and they know that the time they're to have done

to have done two, three hours in those that they don't record in any moment to have had passed

all that time in the carterterer. And they end up on the version contrary,

also have got to like people to do a other, where normally they're going to be

like this chican, no, three, five minutes, they're in hours for them and then

like in this case, when you go back to say in the world in the world real,

passed on some moments and they're always there and they're always but they're absent.

Aha. It's super interesting. I mean the things in really they're super interesting.

It's a very interesting yeah. It's a thing very strange. There's a second, a

second, a creepypasta my you know, Jaisel forfa the Calaver

of Agnes Hal. Thank you. Is it is a story very that has its origin in the

16. It's a story very, very big. Wow. And this place, Agnes Hall,

that's what's a name, is a manse, that, I don't see if you know this, but in

Englanda, and so it's very common to put a name to the properties. So, like,

like, like, like, you know, that could be, this, Hall or Maine,

or so, like, they, have the name of the first proprietaries, no?

Yeah, normally, Like the people like the name to his ranches

for example but but here it's but here it's the mansion

the mansion like this the name complete is Borton

Agnes Hall okay that's like the name complete of this property

that that's that it's in the Yorkshire England this

this property has this property has the construction three three

three hermen that had much money obviously they

had erred a great quantity of money. And the three planned to build

their mansion and live there. Okay. And to do their lives, no,

in that house. So, very entusiastas commenced with the construction,

with the planiation, and all this was advancing, advanced, they got to build

a great part of the terrain, but occurred a tragedy with one of them

called Anne Griffin. Anne Griffin, she was passing a time for the hardines

that were still in a time a time and the mansion has much, much,

much, so it's a patio enormous, it's a gardenes enormous. So,

she was much of the after the times, to be going to and be

and admiring also also the house, that was very enthusiastic with her

with her time. Lamentableable that time entered some ladrons to the

property. So, they introduce to the property and they're to find her there and

they're they're they're in, no see, in an arrake there

of something that they saw, they've decided then, then, plus,

ultrajarlah very violently and they're and they're keeping the life a

goldp this this chick this chica when they they is a moribunda,

still, still, and still a little and she says, a last petition

very extrana. She says that she want, that, for favor, her and put

into the mansion to be to be the terminated and to be there and how

to be there, of that house that between the three were they were

getting, she she termina periding the life and his

two two hermen and the we're going to think they're

horrized with this idea and they decided not do to make

a question that because they was something something

strange and especially spelusnant the disprend the head

of the body of her and put her under this

construction so then they decided darly a santa sepultura

as traditional his body completely intact, they've seen in

a funeral hermose decided if sepultar into the property that is

something that's also there's their own your own their own

there even there have in the area of this

this is this is a property new that she would

inaugurated this cemetery because no there no there

no that had those inventory. Exactly. So, not not in the mansion, but into the

property. It's that are properties so some properties that are even of the time of some people

little little. So, so, so, so, so, are, so, so, so, so, so,

so, so, so, so, so, they decided to enter to her mother complete,

intact, and like, like, God, no, of the manner traditional and not

to make to their petition. In the nights the house commenced to

manifestations paranormal is very, very, very, very fertes. Objects that

are in, quadros that move, muebles that's that's almost

at the mansion, yeah was able, they were abitable, and they were still

not even percent. And the the poor were the laments, because

they were the voice of her woman, yorand grittando because she wanted

to be in the house and I wanted to be part of that This gets to that point that in question of a few months

it's become insupportable and you can't doormy, the employees of the house are very temerosos also and the brothers decided

to do something that for her was impensable days after. Exumar the body,

disrender the and to complete with this petition so strange to put her in a vitrina. Wow.

However, when They're going To the cemetery With the help Obviously Of course of And they're And they're

His mother Her mother Had been a couple Of course To have Fallecid No I'd

Not would Not even In a state An state advanced Of a Discomposition So

Even however Although His body Was it Intacto His was a Calaver

Completely Limpia of Carta Like if It would have 100 years there. A, so, a calavera completely limp, black.

Toman this calaver and they're in a part the principal of the mansion. And that same night, the manifestations paranormal, is they're totally.

Wow. Silence, peace, peace, tranquillity. The workers, the brothers, all live in peace, but with

the calaver of a person there and that's all. Pasa the time, pass the years

even. He's got people, get a new people, the two their men are still

living there. And in an occasion, one of the employees, decided to do a

respect because to him he was a much incommodidid to see this

calaver there. So, so to get and without have lived the

manifestations panormals thinking that is a locura of mal

gusto decided robar this this object this calaver this

this craneo and it's a car with a caro that is destined to

to go to go to and it's that way that

it's this cario so that so so however

that that same night the house tium like

like if if was a only in the mansion and the things see caen. He's

said that the carrage with the cabos terminate because the cabos because the

the brothers for respect to the decision of her and also

for that they're not to help it's that they're in a little

the mansion. Since then the manifestations panormals fertes are

but still being certain things. The mansion actually

still in still in still and she says that the calaver

of Anne Griffin even is there but nobody knows where it's in

in a place in the part of some place in this enormous mansion in England and nobody

knows exactly where wow that's that's a bit a little a bit a

a rest a rest of an rest of something of the I think I think it's

to provoke imagine if what does a femur in the engangue of a person... A little whewesito. A whesito.

What was... An as a phalanche, no? What's what you use are? Exactly. What is the cranium? The cranium of a cadaver of a person meted in a

wall, in a sotano. It's impressive. How the people say, is that are going to happen things, but many times not you know,

in this case of the history, what they have or what form a part of the house, no,

there's many stories of people and we know we're when I'm when the people

that's at Tuxpec will be the grand inundation of the 44 me is 44

approximately how the river and the river and it's a lot of the other world

for the current when it's when it's going to the river the city

sepulted practically to hundreds of people and, you're just you're at your house and you're just all,

they're all, they're all. And it's for so that there are many houses that have this type of things for

why? Because possibly in the cell of your house, there's a family there,

outentro, or there or there something in the patio or something in the comedor and you

you back in the madrugada to take water and result that you you're seeing

manifestation because something something. So it's impressiveentate how when there's this

type of elements in houses, pass in this type of things. You've heard about

about that about this story, this legend in particular, um, so like, like,

it's like, that's like, the person that is the person who is, or is, is,

is, is, is, is, is, manifestand because ,

An entierro of the form correcta to give a sepultura is what it's what he'll passivating the manifestations but a me me I'm interested much to this like this chick

Annie, Annie, was Anne Griffin? Ann, pardon, well, Anne Griffith I wanted to be in the house because his desire so because it's a desire that the life

of being there in bed in rather to have a sepultura like normal or to be able to keep to continue to

continue to in that frustration of all the time that's that's going to be going to be done.

But that me makes to think that she not could tracend to really, but she maintained

enclared to the place for desire for the desire for the which I remember

I don't know I know I know I know and that's yeah. And that's very strange

the power that we have we know to maldecy something to let's let me

know what I imagine that you Kevin C yeah the The story of the Silla,

Maldita? No. Well, there's a story, pardon me with the details, because I don't I don't

it's like like very very fresh, but there a lot of a museum in Europe that's clavoured in

the wall of that nobody is sent. Yeah. Yeah. There's been a person that in a

can'tine that was his his cell favorite, and this type was a bad

person and had been in many problems. The point is that I don't I don't

Condenan to a a murder, I think yeah, I think

is the the thing, I'm like that I'm not quite I'm not I'm

remember the method, but basically they're they're and he when they

they're and they say, that nobody's he's going to be very bad, no?

Total that this person fall yes they're they're they're they're there's

the time and every person that's sitting in that was

tragically and at a little time, well, no, and I per die to the point in the thing that they were

to clavar in the, in a place in a museum for that's not to siter nobody. And this is

just for the person, that's my and nobody he's that's that's not that's

how you can't , how can't say, and precisely, no, I was I was a person that's

in the religion in the palo Mayombe and Yoruba and said you is that you do

the intention to the things and me made it's a dynamic. I have, well, the people know know, but here above, we have our waters, and me says, present at all the water, and he says,

look, in this moment, I'm going to maldecy. And he's, sure to the eyes, and it's a part of this moment, maldigo this water, and it's just, and now, who can't take, it's, it'ser something for this person. Okay. He's, no, let's do, because in serious, you'll pass it something. He says, but

now, pressam it another other and then, and does the same. In this moment, retry of your maldiction, no there's no maldiction. It's a

water a little for the way to do the body of a person. And he started and

it's, now you know, you know, you're going to talk about it. Yeah, no. But I

don't have said, but thanks. That's a very interesting a concept of the water

maldita, no? Exactly. But there's something there's a something that is that

is that you know, there's a idea that's the water and the intention, the experiment like

not come in account the creences or the thing of spiritual, but is the theme of energies.

I don't know if you've seen, is the person that had two embasses with the same quantity with the water in a same environment where the water not's going to

be to prorrously so not ever nothing that contaminated, because even though it's but that the person began to do a dynamic where

all the days to do something to one of the embassies and something like you're going to cry, let's et cetera

and that the water that was all the part negative, the energy negative if it's started a

negressida and began to see clearly that there were clearly that there were insects like, so like basically

was basically was probably it was and then while the other not and having the same

conditions is salvo so so even even even it's even

the time of the thing of the energy that's the project to the

thing can't I'm going to put two examples clear of the

what is that is and the beneficious. One person did with two plantitas, with two roses.

The same rosas, practically saccathed from the same place, in the same environment, to one he was about with love, and a other the maldecia, things negative. And it's impressive because, the really, the people that want to experimenter to form that not is a dangerous, those are

some experiments that can't do in their houses. No will be anything, because there are to be the power of the energy. talk to that rose bonita and tell things bonitels

and a lot of things positive and to the other the other the person that did

that person that's the flower to say that says things negative is

to make to start a velocity impression while the other flower

was the other and the two were both were the rigabed

at the same time but to one he was giving this intention different

and if there was a change. Now, what's when they say no maldigas to your when many

the parents of the other and then it's, yeah no it's, I said, I said, I'm a

man who was a other Mexico, yeah, but that you say, oh,

you know, you're all, you're good, and you are doing a car negative of energy. It's

is succeeding the same, you're saying, you're saying your and the experiment

that you do with the water and with a rosa you're doing to do you with your own your own a person

and it's impressive how it's a result how it's how it's how it's in whatever element

that's my impression. But no not, no, no, do you say there's a

but if no if no, if no, if no, and the people that have the plantas so,

that's that's like that's never a someone who has someone who has been

someone that's the people and they they're talking and it's part of this

part of this vibra positive, this energy positive, no? Yeah, I've seen my

family, many people have many people have been and so it's not about it's a lot of

but it's impressive. How it affect the intention that you do and the energy that

you transmit to get to get to do this. We're going to the last. The Pippa,

that's all you can't put it. It's very good to the calaver that. That's interesting

but what kind aterrarro is that? If it's very sinister. It's a

Aastante Aterrador. That is a legend Japanese, of new, regressando to Asia,

again with the Nipponese, a legend that I really, very, very,

spolent. And right I'm going to talk the story, and then then I then I'm

going to tell the way, it's how it gets to popularize to this relato that occurred,

although not you know exactly when when it's that during the period Edo, and this

And this is a story that has as a protagonist a woman. Aweh, a woman that's called Aewa. OIwa. I'm, I'm saying it. If I'm someone who is Japanese and the Spanish, I'm not saying it

about the way correct. But she was a woman young and very beautiful. And in this relato, she says that she was profoundly enamorada of a Ronin that was her husband. She was a woman

very amorousa, but her story of love with him And he's very well, because the father of her from the initial, since that she has

to have a contact with this man, he's not that there's a real in him and he's to try to

impede it, the conseil that not a man so detect intentions negative negative in him

and this Ronin called Iemone so he does know of this and he he wants

to be to start with a form infirmisa at all point that she obeys to his

father for the respect that he he says although I want to be be able to be with you, if

no, my father, no I can't. And then, he he's a planificing the form of to keep her the life to the Lord. Yeah. To be able to be with her. And what does is a night, buskarlow, where he was, I'm learning his routine,

and in a alleyhole, where nobody more was he, he took his spada and he'll have with the life of the poor man. And not only only that, but still have the discard of pretend or finging that was who he

encountered the and that he was pursuing to the perpetrator and he

he's going to the family and he says, carg the person and he

he says to A Ayewa that he will find the responsible

and he's saying probably knowing perfectly because there

no there nobody more responsible than then the

story and the thing but Iwa are profoundly this

act his family, that will to care her, it's a pego still more more hard. Pace the

time, and in the months next Yemann, the Roning, starts to disinterested to her.

Clearly we're talking of a type caprechoo, of a type that that's obsessioned

with a little bit and then that's exactly what happens. Because here in the

story, a woman of a family of more money, called Ume, who is

known of them, and he's enamorarse, between commies, the hour of her, and

think now how me deshago then this this woman that I'm that I'm that I'm that I'm not

that I'm that you're to the conclusion to the thing is that the only way that's

she of her not is abandoning but to end of another world. Mandarla to the

other world and here is where there's a part very very very tricky of the

story, then what plan it is to do the what he's to do do the

swero, but not a form of he himself produce in based to

know of a kind of a special of a thing to do to her. A a babyida

that she takes and thenying all this confidence that you have that you have a

time, but at the moment of to be immediately this, like if were a

specific of acid and he starts to lastimarily and he and he makes to

make a effect in her, so her she's deformers in a form horrible. She grita

and of your grits and then all what is happening in your garganta. One of

his eyes even is a salt and it's an image horrible. But he he doesn't

know that he's got in other part and then they get to the news the people

and hear the people and hear and they find the person there. Here

here comes the legend. The legend of Yotsuja Kaidan well according what

said Awah was so it's in a unrio for the

way in that her life she this car that negative made that was

that was that was that the world that it's very interesting because

in this part it's that they really not pass to other

ascends to other ascending to what is that when it's like in a space

limbo yeah being the creature that the type of spectro that are, and it's there where they

they're going to, as they're going to, it's like if were a portal that is an intermediary between the two worlds, and there's where they can

return, and they're changing between this, between this species of limbo with the world real, and Igu,

yeah, being a phantasm, and has been a sonryo, regress, and with this same image that had in the

moment in the moment in his life turned, it starts in all in the house where

where I'm where I'm her life. She appears to his role disfigurated

in spejors, and lampras. It's in any other on the parts of the

but there's a particularity and is that it's that other people that are there, but

never a Emon, to the perpetrator. For all this, he's he has

to come to come to a woman to the woman who she has been to planer a

boda. And, according the day of his boda, in that same place, in that same recital

where she had had lost the life, Ome, and him are in the boda, and of a sudden, she gets a beautiful, with

a bele that a bele that he covers all the rostro, and in the moment in the moment in the running,

he gets a be a woman her mose, that is, with that's a point to get a lot of the car of

Aewa. Okay. The car that had been in the moment in that his life had He'sterrado,

correa and take his spada and he agrereed with that. He sprained his

head with that movement so letal in front of all the people. And when you know

he's he does know that he'd know that he was to be the woman

that now I want to be with who I'm to be but it is like

if Igo would have taken that position of that tormenting

to also another part of the history also, where he said that, of actually, he was more cruel

than what he said. Well, according this version, he took the body of the and he claved a cross of a madeer, that

a row in a rio-circano that he passed a very close of his home. Tell, and one of the

people he suspected that he was supposed to he was to do what he had done. And this same image

of her pegada, a table of a table of madera that in the river, also

it's to appear to be in the people and it's to see a more and more apparitions

and then all the people start to get to this woman and that they can't

recognize between the figure that they but never he does nothing to

him he never he never attack directly and it always disappear only

to tormentor it's like if there a maldition and the object

of her not say to cover with him but castigar in life

in the world terrenal for all what he is the legend and it's the legend and it's a

actually still appear that's not just in where it's in more other places there are

people who have said that have seen in the night's this figure or that appears

in the past that's over the face and now we say before this

how this legend so will popular because this the the crime

we can say it's a story that's documented but the part of the legend

is something that was to do back in boca between the people and what

the popularized in all orientes and even there's other parts of the world,

is a representation in a theater that were to start to say, that's

something that is a Japanese has that they have stories real

and they they're like they they're like they're like something, but

even if there's a guion that they're based on a legend real. And it's

Suruja Namboku Quarto that in 1825 was who was who was the

version of the story of the work, it was to present to do it so well,

that's been to popularize and then he said, well, this is based in this history real

and in this phantasm real of Japan. Fiatte that me cause much intrigue

to see those phantasmas spectraels and women and I do with much respect there are

many there are extraordinary of the family extraanormal but it's impressive

how much fear. So, the fact there's a man that that you're

going to be in the mind, like you know, the Silvon? The Silvon? The Charro Negro. The Charro

Negro. But if we're we're a Yorona, a Mclasigua, who is the

of the O'Haca, the Sewa. The Sewa. So, so, are, so,

because the Charro Negro is that you to appear or you you can even even get to act

with him. But if the, the, the, the, the, the,

the, It's just, it's you know, it's like, it's like the phantasmas or the

legends that are the related with people, they're almost always have a history tragic behind

where almost always is a man, the that the end of his life, or that

at the end of the time that's not, no, no, I think, even in the,

no, not are the causeants to the, of the, of the, they, but the,

but the, maltraten at the point that this this, this, this, this,

this thing negative and then they're in these, and for example, even right we've mentioned

Charrro Negro, no, has that the trombon no, the silvon, no. Even

other other entities masculine that are around the world, normally are, they're,

they're a story of origin and at times it has been to be with the end of the

life, but not always is that someone is something, but with the people, but with the

case, there's a character There's even there of maltrado, of suffering of the

that's that's in the women, and that's with a sentiment of vengeance. Is that just in these

examples that you know, the charro and the thing that's a relationo much with the devil

directly or with demonies but also there's that it's a man a man who a person

a person mala that's that caused that's being being being the child

he was his own and was maldeced for his family for his avowel to carry a sack

with the wessos of his father for ever. So, the entities masculine are not to be

malas even in life. So, like, like, they're people

and their maldition came like the of the acts of the act of what you

exactly. Exactly. And it's a bat, and in the legendas there's the constant

of that more than was a constant, that more they're like a kind of

more than a castigo in many occasions. The Yoron is a You've seen

I've heard of the Matlacua? I'm sure the name but I remember the legend I don't know I don't know

I mean it's like someone to get to mention to I think it's more to Waxaca but the Matlasiwa

is I'm I feel like the Yorana because what it's supposed that does the Yorona the people

that have had been an encounter with the Yorona he does a fever he's

like it's like you like you do you know the matlasigua for example I'm

to talk that story it's can't for a sentiment of vengeance because

it's supposed that was a woman submiss with the typical

espos that was a machista and disattended of his house

that the type he was to work and if he was at the time

and was at the night to the house he had got all the

money and he was to get to exercise violence so

it was a it a So it's supposed that, apart, was he was infiel, he was infiel to his

and in one of those situations, then it's a other life, to the other life, to her husband. So what he does the Matlasigua is, as, as, as, as, how you did you say, it's a tragedy,

regress, but with a set of vengeance, and the stereotype of a man that's sule to attack is to this. Of the fact, it's supposed,

and in Oaxaca said, that the men that were that were in the cabs where they were

to ingerial alcohol, they were so maybe ebrios she was she was but she

was appeared in a form that not was a phantasm but a woman very beautiful

very beautiful that had like a but that was very

transparent and he he had the man appreciate to the woman and this

started to seducing and the man he had in this encanto and the woman coquetiava and came about and the person

was back, he was back, he was back, super-encadal. And so, the legend about that when you you're just in this enchanto, that also this enchanto, we've been talking about with dweens,

a lot of things, that's like, you're like, you enter's in enchantamint. It's not, you can't get to get to that.

Like, one once you can't, you, have passed something very for that you can't, but it's

fast, that you're going to And if this woman, it's a little to a little

that's a little, but when it's very time, it's a point of that was a point of to get a

or a point to get in a place where eventually will be a part of the life. So it's

the history of the Matlasigua. Very similar to the Sewa, no, that also

has this kind of kind of castigar umres infieles burrachos or even

there are there's stories of people that just in the night but are the same

that we We just as entities Feminineas also do this particularity of castigar or give

lessons in the cases more bondadosos where only is the susso but many it's also castigar

like attitudes negative, et cetera, no? There are many people who talk about entities that castiguan

to do you do not with their mom or that's and that's where they're where they're to give

a lecionava also for here in Guatemala the Sajona also. The Sajona too. The Sajona also this, all those that we're mentioning

is what you said before, is it's like, it's like, not, no, no, don't take any mal, I mean, I mean, of the form positive, like if were versions of the Yorona or versions like, hermanas of the Yorona, no? Because are those spiritos that have, that are menacing,

or are paning, and that normally they're also, there's a time with a son, or a husband that's traitioner or, things like. What, is that, really, there really, there's a grand variety of, of relato, the stories,

of legends. And it's very rich, all the Latin America, is very rich in stories in Colombia,

in Peru, Chile, Argentina. There's stories that are good times. There's a time.

I've been in a chapter in a story of last two years. Vian a YouTube. Bagenle

to the videos or if there's for there just for there's one, for you see it and

you know so they're doing. Very very. Super bien the reality. It's

very interesting. Me it's So, we start with the creepypastas, and we end up to the lineas, because at the final I said I was, I said I was like legendas urbanes of internet, basically. So, it's a time

very interesting. I'm a matter, for example, the cribastas, all have a story. Yeah. So, you know, you can't get without stories of the Yorona, without the Ciguanaba,

of the Cigua, of the Silvon, of the Charro Negro. It's very beautiful of that part, and me, it's super well. Thank you, brother. How did you know, how did you know, I coincide, in that the creepypastas

are like legends more modernized where the phantasm yeah no is a

more in a car or in your telephone or is in a page

of internet and these these pages that if you enter

at a time you know it's an actual

that's very that right that's still getting a

little a time there formats there but it incredible

how always the paranormal and the terror evolutiona with us with the humanity, because one

would one would be in the age media, no, they're their phantasmas and that maybe for our time, we

just are we like in other thing, and still still talking about those phantasmas of the age media,

as far, and in the future and in the future, certainly, so, so, like, so, like, there are,

there, cohetes of SpaceX, malditos, no, or these robots, this, of Elon Musk,

that at a more something there about a paranormal but it's interesting how evolution to this and how it's going and how it's

going to transform it. Sure. Amigos, no me it's more than I'm accepted the invitation

to have accepted to be able to Tiers Tewtepecanas to put this grand collaboration that many

people that are waiting for there not you don't get the recordings in the

canals here of my bros of the world creepy in seragrant shus

too because we're about who are who are again they're on they're

doing or just they're doing the in-vib is to be to be able to you can't get to be your friends

your friends social. I mean me and I'm I'm going to all right emmanuel guion-bho

night to channel as aro MundoCripo official or Critimundo in X and Twitter

yeah I I'm in all the guys guys Kevin Maskerman and thanks for the

thank you thank you for the people we're coming this year this year the year

the year the show of the number We're going to go to various parts of

of Mexico. I'm going to see how much we're in other countries. But for the point right we're

in the first of February in Kretta on a presentation and the 15 of February in Puebla

for you can be there the book if you can for favor? Yeah, it's true also we

also to invite us to that if not we know us consume our content there's

on the channel principal of MundoCripy in Histories of Mood creepy also just this history

of the calaver that I'm in the video more recent that we've submitted, it's of

18 mysterious, no, pardon, 18 objects about 18 objects, there are you

can find that and other 17 stories like that's, very interesting about objects. Here's

this book. And also, there, there are videos of legends, we have one of

one of a legend of every country of the country very very interesting. Yeah,

I like much as much as much as you can get to get to get

in Bucca Live for international, and also is on the page of

editorial reverberante for Enviotational eventually will be in libraries. And really much thanks Paco and to

all your community for the receiving it's too very beautiful. Thank you so much it's good

good food. It's notory that's notary very well very well very well very well very much

thanks for this the world. Thank you. Thank you for those who are going for the time you're

you can't you can't get to the you can't disfurted you do your mom,

with your old little your ballita with your and your people and you don't get these

great legends urbanas and the which we're talking about this night. My name is Pacuarias

thanks to those that you get to this point. No, you know, the next

episode this next this next Monday, we'll talk a story, yeah,

I've done a spoiler, yeah I'll the Monday they listen again because no

the details but there are to have all the details. Family much

thanks I want much. We'll see more to the next until

the next to the next Chau, Chau. a nice, a fun of a family,

that enjoy a good night of Saturday and that's a little dominole yeah, he was going to

yeah, he was getting the entry at the studio. Family, come plan your new new, for favor.

Do you? Do you? And take it and take a water. And remember to look to another

part of the page of every minute to do you and how much and how much a naranja

if you see a how it's a question that's a word that no Have you, you've been

You've got to beaunted while you've got a Well, come as a narancha And then, And then Then they'll talk What, and then No, no,

nothing paranormal No, no, No, no, It's a ritual It's a It's a great, I recommend. Okay, okay.

I have to be to talk about with you seriously I'm going to But well, but well, we're gonna

We're gonna be so much. Bye, bye, bye, bye. Thank you.