EXTRA ANORMAL - Estuve en el Funeral de una BRUJA MALDITA | RELATOS Siniestros de VELORIOS

Episode Date: April 3, 2026

🔥 En este episodio de EXTRA ANORMAL PODCAST hablamos de velorios paranormales, funerales, apariciones, espíritus, premoniciones de muerte, la llorona, señales del más allá y relatos de terror, historias de miedo que ocurrieron durante el último adiós.⚠️ Historias de niños que vieron a la muerte, lágrimas en un cadáver, presencias en funerarias, funerales embrujados, ataúdes que se cierran solos y casos donde la muerte parece seguir presente incluso después de partir.🕯️ En este episodio encontrarás:👁️ apariciones y espíritus⚰️ velorios y funerales paranormales🌧️ la llorona en un entierro🔮 premoniciones de muerte🪦 señales del más allá👁️ Si te gustan los relatos paranormales, las historias de terror, los misterios de la muerte, las apariciones, los espíritus y los casos sobrenaturales, este episodio es para ti.🖤 Bienvenidos a EXTRA ANORMAL PODCAST, donde hablamos de lo que muchos callan.💬 Déjame tu opinión en los comentarios🔔 Suscríbete y activa la campanita para más episodios de EXTRA ANORMAL PODCAST

Existing regals in the velorios that nobody wrote, but that all know. Some are very simple. No, they're assistir new and women embarrassed, not to be sure to the funeruncts only, and, over all, not getterle-mirating

for times prolonged to the cat-beer. There are many people that say that in the velorios occur in things very strange. No, I'm about a bad vibra. I'm about the suffering, of the of that aroma

to death and that even some of others seem to not they're that's

in the night we're to tell stories of belorios those relato vivid by

many people who are sure that is in these moments where the break

that divide the life and the death disappear and welcome

so what families are welcome to a a chapter more of podcast extra-normal. My name is Paco Arias and I'm happy to be in a chapter for all of you.

Family, let's bring us a theme that, in reality, many people have experimented events extra-en, events that don't have an explanation. And all this occurs in bellorios. These moments, when the people, the family, is reune, to

give them a santa sepultura to a person, but of the nada, they're they're to manifester things that don't have an explanation. To talk

to these things and of these stories, me a company a great friend creator of content and also a

woman favorite of the house, Diana, Secreto of How is you? Holy! Very content

to be here one more and with this time we've been this time since a past time.

From the year past we've been to do this program and I'm very emotioned

of what we going to share this we're going to we're in we're inciam that the bellurios

are spaces where maybe you're not you're something more about the and of the

and of these sentiments eclipsed for the pain and that of there's things

paranormal is something wow fiatty that much people me has written

that during some velarios familiares when falles that the abelito,

that the oldit, that the boys, pass in those moments of when they're

when they're when they're when I know, I know probably not so that all the

great majority so it this vellation with the person there

there are people in some majority Catholic's doing the family the coffeecito

the pancito for all the people that get to be present in this night where's

where's where many people experimented things and they're only the family members that are

people who are people who are testigues of these events that we're talking about also also

I'm saying to tell to the people that there are things that not going to be the grotesco, for the

d'Uro that is and that only will be is available in our page web that is where

we're all the content prohibitive for that that any person it can't be there in triplew.

Podcast Extraanormal com.com. m.kis, in any buskador, there is the content prohibited for you

go and it's a content exclusive that no, that's not in any red social, and it's where we're going to

find it in these platforms. Also, Before I'm going to start, Diana, I'd like, I I know, I know, I know, I know, to you, but if not you have seen or not they know, for favor, I'd like to presentes. Who are you? To what you

dedicate, on the social? Sure that is. I'm Dianita, more known in the Reds as Secret of Bruja. Me dedico to that, to do herchery, but in my channel, they'll encounter all what are tips, amulets, and echisos of good fortune. I also do music

I'm in all the platforms of streaming musical, I'm going to like a comodianita Secret of

and I'm a little project new that's, yeah, let's go a book a book,

and it is available in YouTube and Spotify where I know a little about the

bruheria and all those influences in the day of the day of the

people. Perfect, Diana. And now, and now so, taking

this theme, we're to be a been in some belorio where

you have seen a little you have seen? I'm not going to

go to go to because I'm I'm I'm part of the

don't of the empathy so so for me to get to

a feeling the the and the instability of the

people for me a belorio even a person

not so that is that I know that is something, I go to my house and I'm depression minimum a week.

Wow. Or, of that I'm that I'm not, I'm going to do nothing because I'm absolutely.

Uh, uh, I'm, I've passed, Paco, that me has to see,

to be a people who don't see want to go. Uh-huh. And, and it's

doloros. Because you to do a car and the Those best, but, why, maybe are things that

not are the other people, but you see the car. And you, you know, that's saying the morto, the, the, the aferrars to get to here. A-emotion,

so, no? Yes, and it's something that the people not just say, then just, then just, is that so, is that so it's,

but no, the mortals express They start with the facet of the rostro with the that's the feo. And it's feo. Fidate that I've heard that many

people who also, they've been they've commented that there are some regals that they have to complete.

For example, to the velorios or the cemeterios, no have to give children, not have to

get, women, embassasasas. They're like some some regals to that to

them to them be something and and they're to cause problems in the life of

them. I was present in a belorio and I do with much respect for if some family my or I'll hear

this, of a tia, and it was one of the bellorios that me marked much, I mean

was much for what this family was about and be it before to die. I was standing just

in these moments of agonia because I remember that was a family was a

woman, her mother's my abuelita. And, in those families had a lot of children.

So my family, so with us were four brothers, and my tias had three,

of four, or five kids. So it was a little curious because the adult in the

house were there's waiting, but the moment of the family would be

to be and the children, and I was out of my primos, just playing the

around the and all and all this. And, and I heard the

this tia that was agonizing, grito horrible. It was, it was, it was a voice that I never had heard. And that's called much my attention.

I had, I'd, I'd, would have, I'd, I'd, and I heard a girl a adult, major,

of some, 80, 80, years, he'd, does a and that's that I'm going to be,

what's what was going. When I remember, I'm, I'm, I'm, I'm,

I'm, in the room, they were and this tia was and she was

grittable because he was to go to get to the demonio. I said to say,

he said, I don't you know I'm afraid demonio, no, you're you're

basura, God, you're that's Jesus, you've beency on the cross,

no, and even even, even, even, you know, manches, I mean,

I, I mean, the fourth, no, there was nothing, was a ,

And my tithes said, yes, keep you burlando. That's sonrisa, that's to be to

get to be a pinche demonia he'll be like that. No, manches. The real I, when I saw that

a year, I got much fear. Of that very much a lot. I remember that I

got to me, I got in a feeling of a, well, I don't know, of,

of terror, of much fear, and then after the time, like the minutes,

he dies, and, and before to fallicy also He pego a gritty and I I remember that they were and they

were in the eyes. Because she muri- with the eyes abirted and with the book abjured.

So, that me trumed much, Dianna. It was one of the moments. If they were, they

were the book? Of actually, I remember that when he did so his belorio, he had

al-godon in the box, the godon in the central of the, here, the orifices of the

the orifices, the fosos nasales, in the the this, I mean, a little, an adult, perfectly, but a little bit,

and you say, no, manches, what fear, what's terror, no? What, what you think is that? Well, it's that... Well, it's that... There's people that before

to die, precisely, you see these things. No? There are people that are the demon, others who are angels, others

who are the other that the murder, or so, but that something, when you're going to enter

in that lapse of transcending, well, if is a reality that, that a all day

we're going to have to have to find out. Fickate that many people have been

to have this fear, to get to get to this point and see something,

because not all they're not all people, people, things things, I do

the example of my abuela, I'm was present when my my mother, I was going to fallece. I'm present in his

ultimate moments. My abulita was very very happy. Because she, in comparison of one of those hermannas,

that she saw a little bit of his hermases. He started to say the name of his

hermannas that was and said his names and I was all right, and was awesombrated

of them, but it's a moment very beautiful for her because he started to say names,

he said to say how to I'm, I'm going to talk to you're saying, wow, many people

say in those moments get these people get these people. But it depends how you did how you

did a person was you. If you was a good person or if you were a

bad person. Oh yeah I'm can't to ask to ask to offend offender

because your Tia have seen the year has I've been I've been questioning. Muchissimo time. Because one of his

kids, in that house where passed that experience that I told of that she said that after she said that my tia,

for example, she had a seat, a mecedora of a madeer, and that there had moments that this mecedora

was to move. Sola. And my my tia was and she said, she, she thinking that

was her mom, she, mom, I know you, no, do you do. Because me do you guys you're going to

you want to be you're going to be you're doing, but no, you know, do you know, let's get to get to be to be here.

She's doing this during the nine days, until that's the novenary and there says that they said that

they're going to pass the things. The problem is that the months, will come to occur

things in that house and this family vendio that car. So, I, and I do with much respect for my familyaries,

I consider that that's not, nothing good or nothing referent to something of Lus, Diana. You what do you think? No, is that, precisely, and more, standing in the parts of the Rosarios, or so, is, if it's normal, that there are precisely these movements,

but not necessarily, is the familyar. because precisely, fiat, there are something that say that in reality,

the sky not is the skyl not is there. There's there's studies

that that that the body die, the soul is, the soul

is that's and it's a velocity much more

more grand than the light. Okay. And that where where our

Alma is a place to we're we're three, two,

million years in get to get us in five minutes. So, to what

I'm, precisely this process um, well, is complicated. But I do you

see sure that to have movements paranormals in a belorio not is

the person that has that's a person that are going as to be able to

be able to the and they're doing it and then that's the that we're making that

I'm going to start to do the history that this about this events

when there's a family present in a belorio is an story

anonym and that we this story to we're the person us

that the fallecement of his abuela was an event that marked a whole the family and

I want to give to say, the falleastern of my abuela would the space

more clear of the rota that was my family. They're seven children and

I was part of his nietos and even I'm to admit it,

my my bigita always always always always always

said that his kids, no they could be in in paint a picture. A

woman who had been to see to see a little bit about the people, and then

a woman that's her talk about her was a family was fractured.

My mother had a mother a little he's

the time of the pressure of arterial the diabetes, problems

renals and this did this did you in the was doing,

wellerio in the house of she, they're going to now see, the children, the family, the people,

the people that probably in the life don't they do anything, but the day of the death,

there are, you're trying, trying to get to be to get to the car, that's people that not

were not for the person in life, but now that they're the, the remodement.

The remodiment. This person me said that the abelita, always he's

ever said, a one his son, a man, a person, his his major, precisely,

that he was ever, not was present. When they they were not present in

his agony, and that he was the mother, she was he was still, even when she had

still had lucidess, he was and the family said, yeah, yeah,

come, and she she kept saying, is that I want to be, I want to see. The woman, and Esteban, the child never

never came. And he said, he said, he said this person that sent him to call the call her,

that he went, that was, when you was going to be able to the and the and then

to ask for her, how, how he's, he's done, he got he, he got,

he had, the, who had the people, the people to the the car, the time,

the time, you, the, you, it, Or, yeah, he goes and he said,

and he said, in that moment, the six brothers, they said, oh, yeah, what you do you know, you've seen a

mom and you vines, and you know, and you know, and he says that they're to be able to be a

but feo. So, in the cell, in the middle of, there was the

there's a man, so I'm, I mean, I mean, I mean, I mean, but that's,

but that it's, yeah, so, so, it's, certainly perfectly,

but imagine Look at the body present of the and the children were and the kids were getting the newts

that you never seen for her what you and that this person said that was being

how they were all those like animals they were like you not seen for her that I

meresco to get me with the house I'm you know you know you know

you know there's a time there's there's there was all this alborotot

very very very very and this person says that see that

there's there's there's there's in the header of the man in the

attaute two those balas grand and see see how these two veils

of the nada they're they're they're they're these two bells

it's curious because no there there no there

and the and the and the moment she she said with

the incendero so to try to and And it was something, says, if it was a flame of the encender.

But the mecha, no received the fire. So, like, no, he was not, I was going to, no, he was to be able to and he said,

and he said, and he said, the taud that had, like, this ventanita abirted, where's the

body, and I'm a abelita, and Paco, I, do I'm, I'm, he,

I'm, I, I, he, I'm, I'm, I, it was,

there, I saw how I was about of those two parpado. And in that moment,

that I'm I'm just to see the more to see a little a lachryma I'm

I'm was trying. And my tis, and my people, everyone no, no,

that's, he said, in that he did much anger, he said, me did

much courage, and I get her, and I grite, can't you,

can't get to pass, my father, my father, said,

there, there, there, there were kept looking like

if I were the exaggerate. He said, but they're to keep and then

they're playing with the play with the place. When all of they're and I

only only me kept out of a peace, and a tranquillity. And so in that

moment, before to have a tautau me did a other light of

the other side of the mehia. Cere, said that he said that he said

there's this little to say to her oldita me, And pardon us because

even after after the no, you know, he's, he's, now the bells, that now,

so, they're, they've got to get to get these people, she, she r- the ventana

of the ta- The fietro. Uh, for that nobody did, and she said, I never

he said, never, I said, never, I did nothing, my family of what I did,

because no they're the right to know, and because one, no, they're,

they that came the moment to do do the enderrower, they're and they're

when they're when they're when they're made made a man of the her oldie because he's a little bit of

his tias he said, oh, I'm, she said, oh, I'm, she's, she's

that the little the old in the part of the eyes, is like if he had

got to the water to the paper and she said, I did that I did that that's a

different, I say, I say, I'm the image and I'm And he was

mojado the paper, he said, but exactly the part of the eyes. He said, my tea

was going. My tea never had to get a and I'm even with that I'm what I mean,

and at final said she she said, he said, for the funeral, says, my stives

conflictivos rompired their relation, every who's going to my person

to the person, I never he said to nobody what I did a God,

that my abuelita for final can be a the sielo.

You imagine? More than that this history is a thing

paranormal. It's a thing a thing that's a real. That's is the

most feo. Fidate that I really no me important if my

family when this is noja I do it but I do it

I'm I'm I'm I'm I'm I'm a man

to we're we're we're much and me took to

see how all in the other in the pain they're in what

he did he always was very very was a good he was

and really so but all the family better they were in

what had had lefted, where they'd they'd have this, what this, or the other. And that is what precisely

no, he's to get to the people in peace. Totally. What, what's the

mother of Esteban? Esteban, the the little of the senior? The

that never was. The that never was. That's what a mother.

And, but, look, all, in this life, we've paid

before to, then, then, then, then, well, he

will be the Sujo. So, I'm always I've said that all the thing is

it's a pay. And I think very really really because this senior was waiting

to see a this little, that was just to just to just to the way.

Yeah. That's my. That's that I'm that's a story in specific,

of being something is something is a thing, it's something is a new section.

Paco Casos of the life real. Well, the history that I will be to share

um, if it's more to the other normal. This story me

my son was my son- that transcended. Wow. But it was

in Nesa, in the city Nesah Guil. Uh, well, it's

the state of Mexico, I think. Um, is shorta. resulta that a

known of the sir transcended he did their bellorio

uh all the people there were children these are of these

are like type labyrinito but there was a person was a

person was for what I imagine then very very

very because there there there there there there

I'd say, I'd say, I'd say, people major, the ones that were there's that they're to make,

to the last that's in the people, and there's he's the chiste was that

was passing the night and it was a wazard a sopacu. It'd jovia, and no

I'd be to gover and it was a day too, obviously. The most curious, Paco, is when

this space between the 3 and 4 of the morning. And it's still I'm doing. All they were

all quite and partying and talking between them were in a moment where not they were and

and he said that of a repent he's started to hear. but so

but like larguessimo and and every more more close more more circle

not was not around in the and then who grita so the yorona so so

so they're they're they're still more more close the house the place where they're

they're had like portons. What they're doing is, guard a the children right into,

they're the porthole and they're and they're to pray. So, I still listening,

she was and what I'm I'm I'm I'm that my moment,

where the jorona, gritted out of of the porton. And there the perrows of the

other people, I don't know if for si the gawasero was there the perrots aooe and aoole

and but it's that it was a so that if you hear the so that is,

it's, it's, she's really, they're practically it, I was

separated a porto. A porto. And so so, all, all, you're

out of the now of the fear also and the kids, the children and the

young, and the men, they've had to have to pass at the

four of the morning Paco for that this thing was

so and what you think passing the four of the

morning he was he was I was, you knowvying for her.

Because it was to pass. Now, I, the only that never could

never could do you know, I'm that's that's that's like,

like, like, because the Yorona in a bellorio. So,

are things that you don't you don't you don't you don't you don't you

don't you but my son said, this story

not only me. Much The other people do hear you the only he's the

this is something that we're all that's you can't able to you can't about this

Paco fissioned that many people have heard and it has been this myth that if

you're because it's because it's because it's because it's

because it's a characteristic of the grito that that does this

this spectro much people that has heard lobo. It's a

gritty that's a guise You've got to you've got to you've seen. You've got to in Oaxaca capital.

In Oaxaca. That's. A me took to listen her in a town that's where I'm where I

live that's called Uwewego no see if you've heard of this place. You've done that's the

where we were to a one a car was the avenue, but crossing that

avenue there no there no nothing. Puerreero Terrenno, Baldi. And I remember that one day

I'm desperateed, because I tend to see a much to see, chas,

and all that's, and this house has in the room in the front,

that is where I was going a very big, very, very, so I

get used, because I start to hear out of and I see how there

figures of the women, passing so, like that and they're

and I said ah, well, as the people like the tending to get to

get to turn to the telephone three and the morning and I said they're playing.

I'm trying the new Paco and I'm going to get to I'm going to I'm

I'm I've heard I've seen in Kuatitlan but but

but this this was different I think for the same that there no,

there's there's there no, there's a room no, I'm going

to hear the perros this, I'm all, all that, and I

I, I thought that that that's that sound, that sound, it was

a trailer that was frenando until that was that was a lot

that, because not is a second seconds or five seconds, it's two

minutes complete and and there was when I'm married to and I'm

he said he's he's also and the most gracious was that

during that last we we're seeing figure of a

woman so that's that was that yeah yeah

much people I have seen she has seen

and even there has been directly of the Yorona, and mention that after this encounter,

suffer of this fever alt, I mean, the temperature is this typical calentura, some get a locus, some don't know, the consequence to be near the

bad air, no? I can't share something that maybe not go into this, but it's a thing that never I've

talked about this. This story is familiar, me the story, my abuel, the husband of the mom

of my father when he still was still was he was he

my family is of a year of a local in the state of Mexico

and my abuel was of the men of the he was

the I was the and the people you know you know the

people the not is the end of the It's of... All the days. All the days.

So, my abuel me told that, well, for this, in front of the house

of my abel, there's a little borde of the water. Around there are there are

there's, it's, it's, it's, it's, it's exactly in a curve to enter to my wife.

My abuel me said, that was that was that was coming to,

well, yeah to get to your house, and they're and they're

actually too about three of the morning. And that in the

borracher the back, well, to the boardito, and in the

end the woman, a woman vestida of black but lave of the back

and the cabello large, all, but that very beautiful, no?

Well, the I And holley And he said That's He said that

When he was He was When he was He was Very fast He was But that He was

Like he was Like he He never He never He said He was He simply He

He was He He was And And And obviously, I'd say, if not you're

seeing the, I mean, it's the first signal of that you don't have to be able to you know.

The chist is that they're used that when the Yorona is to get to the men,

they're they're they're at the part of the town, where,

for what he said, it was a crosser, I don't I'm I'm not I'm

so I'm can't can't there's there's there's certain entities can't

can't advance the cruises of the case. I mean, so, all the

is, like when if you cruises, it's a contra, when crues the

one, the and the crosses of the commas, it's supposed to

they're there's there. And, so there was a there's there

was a man, and he was when he says, oh, this, well,

what's you're so, I'm, I'm not I'm doing this,

he's simply I'm simply Sure. The Toma for the Homba.

Dice that when she he was, of the frio that was one of the

free, that was, he was he spanted and even the borrachera he

but this not was all. The entity bolted. I think that if for

a reason my abuel no got was precisely because it was a color of the cupas on. But

he was described that no has a car of a woman. That has kind of, it's something like between a a cabo and a burrow. Oh, I see who it was.

He said that was the Yorona, but I also think that was another entity but that was horrible. It's known. It's known as or the sewa. The sewa. Or the Siguanava.

But if if you can escape to my abel wow. Fifate that this type of

entities of spectros femininian that we have been previously I think the most

known is the Yorona and is the that more more well, more well she's

more than it's just you're the Cue and the matlasigua are

two entities different and those don't they're they're they're

they you get to places where you're going to go to is a way very beautiful, and you're going to run to a balladero. So, they're, these spirits, what they want to end is to

have to be with people, machists, agressive, mojoriegos, alcoholic. And all right, those, you're,

my abuel. Yeah, I, I, adored much to my abel. He, he,

he, of that part of the family, the, My father, my abuel, my abelowl, but, yeah, the is that's in

his own childhood. Sure. So, there these people that have this good suerate to tell how

they were when they were when they were about these entities, and what I mean, I said, the sea-wa,

the suhuanaba, what suites. He was a good, he had a cruce. Sure, he was much and that

he was not. I think that my abuel no came to It's got well, precisely for to get the cold of the

alcohol on the same. If no, I think conscientious, if it would have done some infart or

something of that's that's that you want to be this other story, because here

I'm going to talk much the thing paranormal in the theme of Velorios. There's a person that

manna this call this is an story anonim and what me deca first about

is, this all this occurs when my prima Leticia She's just

about 28 years. Very very young. Very very young. He said

they were at the same age. She had in a despatche a posteater and

unfortunately when he was in his vehicle a carmion is without without a thing,

something said that the day of his belorio gave much people from the

university and people family or so it was much, much people the day of his velour.

Much of people. It was. Much of people. His parents were totally destroyed. Everything very

terrible. It has been one of the bellorios where they've given much regalows. In this

belorio, never had been one where there had been many many flowers, so,

tantos, all the people really really was really, people who really, to give me

a friend to give to the family, had these details. There were muchissues. He said that a subprima

they were in a funerary justly because there were many reasons. Between them, they didn't they were the body,

or the form in how... If not they were able to do it, no, no, it was all really

brutally, brutally destroyed. So, vellan to this young, Letticia, in a funeraria, and he said

that was where was where was where the family They were to be all the day, all the night and the day

next and the day I was going to my tithe, my tia, I'm my mother, all we're

all about, and we're passing the hours, he was getting more and more people, I'm the really,

with my prima, we've been the same age, we're the same generation, I'm to see a

many people and people of the university, even of the preparatory. So, much people began to get.

And, he says, the truth is that we're all right. Via various ex-companeros. Or so, a person of that we're in a funeral, we're talking to, say, like, to try to do more, amen, all this. It's that, well, also, there's the idea of that a funeral not should be a bit of a try.

And, of course. Because at the final, we're celebrating what was the life of a person. Oh, so is. Not celebrating. when you're you're you're

about you about you talk about things about anecdotes with Letitia oh, you know,

you know, when my prima, I mean, they're talking much to this chica that had

had fallen so, they were many people, they'd be that's about at the night,

be that a little a child and says when he the baby says, no

you can't be, this this chica that was a ex-nova was a

prepa. He says, no manches, he's, he went to the belorio of my prima. He said, he was,

he was a person, at a person, at a person, and he says, he says, he's,

he's called the chica, and he says that he says, and he has a a little

some little there are some there are some, there was a little, and there was a little,

he said, his son, he said, he said, he said, he's he's kept talking with the two, so, like,

you know, about the past, about when they were friends, no, no-nobios, because he's the maried. So, they're

talking, no? It's said that they're all two hours. Yeah, at the, about the, nine, no,

and a half, 10 of the night, be that they are, they're going to be, like, some years

started to go, to get, to all the madrugated, and the fact, in the madugas,

only we just we just we just, we're just we're, So we saw start to

to go to get to get to get to the morning I'm going to

do you do you know to make sure and the husband has been gone to but I

see that the little that was there was there and I said, I said,

and your mom no, well, so it's he's and your papa

also? And he said, and with who you're you're No, well, I'm only.

With my mom, but I don't know where is. He said, a little, a bit, a bit, how? I said,

I said, but I know where is there. And, and they're not they're not. In that moment,

he's he's got his telephone, and as a contact, he said he was his profile in

Instagram and he he started to look her, he he he started messages, she he

he'll accept the messages and he he mark to that hour, two of the morning and he says

that's son and I saw on the telephone and he he said like, what, what happened? He said, oh, yeah, don't you,

don't know, what I'm going to forget? To you? Why did you? I said, I don't go my

my son, I'm just, I'm going to where you were sitting, there was a little, I had a

man, he said, even I said, even I said the kid that if I didn't, a man,

if I said, no, Oh, you've got to your son. And if you, is that I don't go to my

son. I'm only I'm going to my son. Yes, I'm my little. But he's

he's not he. He's not he's, he's a bit, he's like, who is your mom?

He says that no encounter my mom. And he says that they're going to come to

all the funeraria and and the and they're there's some of

a man to be a little bit and he says the little my mom and the

the child, he's he's going to with her mom. The woman never and then he's a a man,

and he's and he's but where said, well, well, as the funeral area very great,

at the they're in in other in other space. And he said that when I was to go to

a employee of the funerary, he he says, hey, no you can't say, why? He says, is that there

And we, we're in those some of the corpents in refrigeration. And said, no, no, I don't you know, I don't tell you. I mean that entered a senior with

his son. The other, I was sent out, I offered me pan, I did say, and he said that the employee

said, like, how was the person? The boy, says, had a capicita

of raya, the she had a vestido black, chinita, delgita. Dice,

that the employee of the family, the employee, the employee, the said, he said,

is that we have the body of a mother with his his own his own we have we're in

several years. We're we're going to come the family to come to reclamarles

and we those we're in refrigeration and he said that he said I mean

I'm I'm I'm in the man so I know he didn't feel the

no no it was a new normal the the new came he said

he was he but that the boy was to his mom and I said I'm that when

was his his ex-novia she was there's a but in no moment they were with the

he said he was a little the little the little he was he was to go to

and he was over and it was a multitude but as many people

people people That he thought that was another room, but is where they're in the corns. That's great. You imagine? You imagine?

You know, to have a contact so, with a man, with a person? I, you know, I'm sure that in this moment my head is doing boom. Boom, boom, boom,

boom. God, um, is that I don't see how to get this that I'm going to to tell, because

we're to makele a little of dones in this story that comes. It's of my mom. I'm I've told

I've been of a family where the capacities extrasensorials are they're hereditarys. My mom is premonitora

see what will be to future, but in a short time. Okay. My also was premonitor

and my bidsabweller was a medium to my mom has passed that since

that transienten his abuelos of her she she he was

and she he he was present when fell one of my

tias also when falles my abel his father

of my mom also he was before that more

that we're we that my mom was going to the family. A she took to see how they were

for a witch. How is the transcendence of a woman? She's she was. Well, I'm going to tell me with much

respect. All the all the people, you know, they'd had to the

idea of that the was a lady and the actually was a very

not a person desagradable but if it was a magic that was

not with intentions good and that he was with puros basho

astrales demonios demons, mortos uh so pure basho astral

what what is that that's that just so bian the nothing, Paco,

Enfermo. When the sir was, well, I mean, so, entera and

all. Enferra, and one day, my mom is a and when we were

we're saying to all this, today die that's and we're all becina.

And we just, no, vending us in the I justiola. Uh-huh. Because, yeah,

when something like that says, yeah, we know we're going to pass. And here

here comes the history, Paco. Mm-hmm. Dice, in the night, I,

I saw, because my mom, I was all over to be all over the

dreams. I, I, I, that was a house of her,

very alumbrada, but I was there and they were by the

a many people vestiges of black but not were

people with good intentions that were they were

and they were to get to the house of the she

she she she let let's I want what

do what they do and the chiste was that

that after those same people are formadito are in

but the person that went to the woman and just hallo

the and the and the her and the woman grottable

to my my mom said, and what you think

you think you fall my my mom had never had

had been a vision fea of when when someone transients

and the other their visions of my mom tend to do

do to think the she was that with

one of my my tias um well she

she she she was going a car and

when they they literally saw the and the

in the car and so was she was that

was to be to be my tia. But, I, that was, that was it that was the that was that they were

to get a arraught, the movie a little ghost, the sombra of the

ah, when they're to get to the people as well as when the people who are when the

people bad, how get in these sombras, this type of demoniacas? For them, tormenting them, they're obliging,

they're, for more that they're in they're in, they're they're getting. And, and what

you think, that's, that's, you know, but it, was a thing, because no

there was people? I mean, so, was so, was so, very, very,

very, very, very, so. O'ye, Paca, I'd ask you a

question. Dime. Well, I, I, I, I, I said

that here, in set, you spantan, and you have many things. No? But what is what is

what you can't behind your window? Yeah. Yes. Yes. Yes.

We know us like Don Chepe. It's a man who fellacy for here here. He has

a sombrero. No, is the man of the sombrero. But is a man with

rasgos, like indigenous, like the people, that normally is he's

a here. And it's always it's over the window. For the window.

Justament. But the curiously is that it's like if isomar. So, like,

so it's like it, so it's so it, and then it's back to the camera that's

to me, also, also. Yeah. It's kind of chismosito. Of course yeah,

one of that I've got to contact with him, with radio stetia. And what

I've got to get to because it's like that here there's energy of when

we're talking, relating, of the things that I'm, like, it's a really about, but no

is aggressive with me directly. So, no, no, so, not,

with some people, so it doesn't, and with some, those has got to

this studio. Yeah, it was to say, because I know that you're that you

can't that they're that they're they're they're, all those you

have, although I'm sure there are some things that are not the

things that are with the things but it's not, it's inco but

it's a first time I'm a first time I've been and I just know I've been

I've been I've got because not only he, you know more you're more

more mortito here but he's the first but he I mean I mean

I generated a certain curiosity to is that is that is this movement yeah

so you see and it's so you and it's it's always it's in the corner of

yeah in that in that yeah always it's in the so it's in the corners

here here here so always it's in the where it is that

are the where it's because he's like a some of looking

where no there's there where it so to be there so to be

there Paquito, because a being a light, not even to the light. Well, see,

all right, we've done to have been done that's been to make a a lot of other people

to have a contact, and what you are you are the characteristics of a man sombra

and those that bring sombrero if they can get to to be able. No, me

it's clear. A one person, a man, a man, a man, a person, a man,

he was the producer of a person that came to grab with me the person, grab with the person, came to come with a person, came to

and when they're in their mochila over a a mess, they'll they'll regress. Well,

I know who has been but then I think I have a very fair for that they've done.

Yeah, the kid, the producer yeah, no, he didn't try,

I was over but he was out of out of the moment. To be out of out of

here? Offora of not just just not just just not just set. No, in the call. In the banqueta, so

what's the way? Well, what's my people that are you? The people are when they're like they're also, they're

also, they tend to protect. Yes. But if you should be, I'd say to put a bell or something.

Yes, I think, some vows that we're to go to Luz, Don Chepe, thanks. There,

there you can disfurted the time that's so, like, I'm going, I'm going to, I'm

getting to and then then I'm I'm going to present the last gift that they gave a samurai that has

you've seen the eyes the samurai? Yes. How are your those eyes? So, move in.

So, they're moving, right? Yeah. See, let it. If anyone doesn't,

if anyone, he's in a bad intention, he's also. It's very beautiful. It's a, me,

I mean, I'm, I'm, I'm a lot. I'm going to talk a Diana, that this

story, I, me, me, much of a because it reflects much

something something that should be in many families. This story we have titled the

desperida. We'll them have a chica of a name Marian that us said

that were things very strange in the velor of his tio, a person that he

quisso much, a person very good, a person that's unfortunately who's young to

his 48 years to a cancer of a cancer of prostate. Very

young. Jovencito. We said that it was the brother with the one of the more, you know, more

vinculed his father. So it was a man who she had a man who he was a unfortunately

the cancer he cobrough there, no. We said that this occurred more or less

in the year 2003 when they detected this cancer that was very aggressive

and that unfortunately started to occur a, uh, was a situation

very a situation very a man, this man he felles, this person, he felles,

Rafael, had a his wife Mercedes and his two two two kids and 17

years. What we know what he is that when they detects a cancer

to his his wife with a two years casted, he started to act different,

changed much his personality with him. When When they started, the problems economical,

the gastos with the cancer, he had no could be able to work. And at the two months, three months,

to be in this situation, the lady, the woman, her wife, he said, you know, you know,

is the time, my life not that I want, in this moment, I'm going.

Deho to the Mr. Rafael with his two children of 15 and 17 years.

She got he went, no, I don't want this life for me.

he, he abandoned. Marianne us said that his papa and his mother is made a car of

her. She also was a subrina was at his child with his his kids

the all this all this this all this they were being and

they're he said he said that he was the he said with the

with the with the he said there some some some some

some incomiendas when they're in the funeral this man he was allowed in a funeral and said that was the family

only they're six Marianne, her mom his papa the abuela and his two children

then they they were there were and they and said they were at the 11 of the

night when the mom of Marian gritted you you you're

you let you get to when when they're they're they're

they're that this was to the husband of the sir, to the she had

gone. With the she had left? Yes. Well, for the that he

he was he said, he said, he said, and he said, and he said, he said,

sir, you know, you, let's get to me my tio, he abandoned in plain

cancer, you're he left to my tio, he said one of a day that they were

to be together and they were to be the family was that all the

But unfortunately, the children of her were put in her side. They, a person of that they were that she

abandoned, they were, they were their mom were and they were and they said, no, mom,

not you go, you know, there was like a big friction between the families, and said

that the bula, said, and said, this person, my his son, me he gave

something clear before to do you. That's that this

woman was a person, he was not I'm that this woman came to

his belorio, no, I was the father, of the father,

of the father, but, the children were there, so,

he was, he put to the family, the to be the people,

the people, and so, and, so, the But,

but understand, are 22 years of relation, I mean, for much that I'm I'm going, I'm going,

I'm going to a Raphael. So, the family, like, we're not we're not we're

that we're, and they're that when the woman was going to where's in the attaut, you see,

you've been this ventanita abirta, justly, justly, just a centimet before she

to come to see to be the rost this door, this door. It's It was her. It was her.

CASE He was he called to the car. When she was going to start.

And she she said she that all the family she kept seeing the window of

the attaute. And she met the hands and he's and he said that when I was

to want to get to get and he not could and not could

I. No he. No I wanted. And the she

the sonora, the mom of Raphael, the young fallecided, I said practically to her, I said, that my son, I said, that my son, I said, this me was in life,

and, for favor, you know, I'm asking, that you know, when we got to get to be to open, then, then, and she went

and she went and she went and, after of her, she went to his children. The, the man,

in life, he said, I don't I don't want, I don't want to that this woman, precisely, me

be a, that she, that not I want to be able, no, I'm that's a little, I'm not going to

get to be because he's getting, doing his show of the lachrim, the blood,

the other, the typical that we don't know to a person that has the remodiment.

Exactly, because, because, we know, he was he had a his husband, he had

a man, he, he abandoned, with her, with her, and she a, she,

he, he, he, he, he, he was a man, he was

absolutely nothing of she. She, no, he, he said, he

didn't, that, he said, the thing to the door and to

talk, because for a she's, the chica that she said, she went,

the and it and facilita to be. Like, so, nothing. As

so, so, so, then, this anecdote, How does think how

function the decisions of a person when transcending even after of the more his decision still is there the fact

to say, no I want to me see I want to see the family let me do for the

children he he took to enter there and to be present. Well,

is that so so it so the decisions until in that moment, then they have to respect.

I, the last that I'm going to share, also has to be with the moment of the velorio

and the after. An amina influencer very famous, a one day

he went to ask me something in a reunion. Yes. Me said, Hey,

Diana, I went to Ait and I went to a belorio. And me said, all the family

very well, very tranquilla, it seems she's her she is a friend of someone

of that from that family because was coinciding with them during various

days. But he there was something that was a very before

to go to the endierro and is that, and is that the other the case not the

same that we're there's there's there's no, no, no,

no, he's described like a case, well, like if were a

hacal. Yeah. No? Uh, uh, he said, they're, they're,

the cajorn, the a caja and they put a cutio

in the hands to the man. Oh, yeah so

what is. Well, no he didn't he kind of he said he was

a tradition and well yeah really is a tradition but

he was like something that was kind no

uh uh and he said that Well, they were, and they're

in the entierro, all normal. Passed three, four days, and they've had to

go to the family to know, to the panteon because they had received a

call. That the the that had had had been a person.

A be, the Murt. The Murt. He had had been a person

and that had to to sepultage. This what I'm saying is like, so the

body, so the body, he went to he went but, but, wow,

here is a reason, Paco. Resulta that a who he was a person,

was a a broo. A, um, how's they called, a migromante. Resulta

that in And Ithipakow, to the mortals, those mortals, they're with for that

they can defenders if a nigromant those them. If he wants to use

for the brugery? Uh, or they they're like zombies to bring them

as they were their his his clas his slaves. And this dead

he's he's case, Paco, is that, obviously, yeah no he went to enter to the caja, simply, one of the

one of the that, no, that he's defiant, the body came to, inert,

and, uh, and there were the two bodies. No, manches. He had three days that

they'd have, three, four days that they'd were to and they'd have to be to go, and they'd

have to go, to to get to to get it and they're

it's a ritual she she said she and they're

and they're a foggated and they're in the same panteon and

they've again to make the car but other again

they've to put a puter a for so I did

to if I'm going to pass. Fishton. This is something common. No,

no, is that you're talking about to Ait me, you're talking

where they're going to a extreme where we we're we're we're

we get us a maceito, and we know, I know that a person, for example,

that's that's the person, can be a murder if you in the tomb

you put just a tomb, you put just to a a or you

you make a money in the book. So the murder literally

is supposed and this me will let's me know that the person to when he

transcending forget these these these things this this

this this this he it's it it it's

it kind of you but when you do you do you you

do you you did you do the and he's the

thing he's what that's what he occupa to to go to do and make that he's a

record of that someone and we're and we're we're and we're that when you can't

find a person no important that's in that's that's because they're at the velocity of

the things in the world astral so in the world they're

they're they're rapid so So, so it's that this, is that this, in some of the places of Mexico, it's, but in Nigeria, the things change brutally.

Why, Paco? It's that's, it's that's that's the way what is the magic more powerful. The most Yeah, the most Antigua, what we have

what we have today and we know these religions afro-descendentes, that's in America, have these these mesquilances of religions then

yeah is a syncretism but there is a original the brugheria original the

the mother that not was mixed the mother that not is mixed with the santos the catolical the

that has to have to be with the god and the idea with much respect but here

here is a mix a miscretism of creencies even even

even are afrodescend people are things because so it was,

it's mixed. But there, there is the most denser in drusel Dianna.

Yeah, there's the most powerful. And just I think that of America,

I think that Ait is still the way that's more the coming to there

because they were precisely slaves, the people were to get to you.

Well, I said to Italy. I was confos because apart

is that Nigeria. And Nigeria is where, well, practically the people look at the where I said where it's

where it's in Nigeria also. Yeah, no. Totally when my my friend me told this, I said,

wow. I mean, I was, I don't know if you, you know, you know, this revista,

Big Bang. Sure. U. Oh. I'm, I, the, um, the,

the, the, the, the animatronics, that, Chiquitos. That were, like, like,

letters. Like, so, no. Ah, yeah. Well, this revista,

not if you do you do you have been a section of terror. I, I,

there was there was nigromante in what were Ait and Cuba, more in Haiti.

But, I mean, I, I mean, I, I don't think that this could be

even a kind of, like, a kind of a enterer, so his

mortals with with something to do you know, but, or, I mean,

to hear that I'm saying, I'm going and me said, Diana, pass this. Passed this.

The dead to, a person, no, you know, you know, you know, you know,

you're not that's very so, because I'm talking, just about you're talking about you,

I'm talking to you, I'm talking in Nigeria, and where the people of Mexico has to go

to go to these places to do workes of brusiness, but yeah pesidissimo. I'm

so, I'm about class political, of class... Well, there's a very famous of a

lion. Exactly. Well, that I that was. That's is. That is famous

and that's is made in these parts of the world where he's this type

of this type of magic. Fiatte how we're moving this, Diana, with this We're going to

Nigeria, we're going of people, of entities that no have anything that's not to be

with belorios, but that they're present, no? Justly, Diana, much

thanks for this this talk, how you do you know, Pacus, always

is a delight, the power to be the power to be in your space also,

with your public, so much thank you, Dian, Thank you, Diana. Thank you, Diana, thanks for this platic.

Before to go, please, record us your social. Recurred in that I'm in all my accounts of Bruchery, Diana, Secret of Bruchah

for my questions musicals in platforms of streaming, and in my podcast you know, a booker in YouTube and Spotify. Well, then,

so, Dana, much thanks, family, thanks to all. I'm a heart of and I'll say that this

platica, not terminate here, because we're to talk something more on our site web. You're going to

get to be podcast, www. com. com. M. Xraudanormal. We'll be

for there. We're going on the content exclusive. Chao. That's there's a

thing that's and goreting. When someone when someone of the family

transcendia had chaldo. So, parts, certain parts. Certain parts. He's having a whetre of a kid

of a little, no, he guarantees the that's the first. Well, well, yeah, it's that they're

doing musk or of chamor. If they had exercise of pes or so they tend to do a couto of mhmus.

He got to have to beckos completeos or so on those calderos. So, it was a super, literally.

I don't know.