EXTRA ANORMAL - Experiencias Aterradoras en Teatro y TV, Captamos un Espectro | Ft Fernando Lozano

Episode Date: February 6, 2024

Adéntrate en el escalofriante mundo de Fernando Lozano, hijo de La Tucita, mientras comparte sus experiencias aterradoras en teatro y televisión. Además, el espíritu de mi mamá, La Tucita, me gu��a para tomar decisiones. ¿Estás listo para adentrarte en el misterio? PARA ENVIAR RELATOS Y COLABORACIONES AL SIGUIENTE CORREO: [e-mail] ....................................................................................................................................................... No se te olvide seguirnos en nuestras redes, aquí te las comparto: YOUTUBE: https://www.youtube.com/@extraanormalpodcast FACEBOOK: https://www.facebook.com/podcastExtraAnormal INSTAGRAM: https://www.instagram.com/extra.anormal.podcast/ TIKTOK: https://www.tiktok.com/@extra.anormal.podcast

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It's of those In the last You're at the And then you Toke the cinema For you So the case Is that you

But enter a But he's No, he's No, no, it's No, he's No, he's My I mean, He said

Mom, well, He doesn't He's alone He doesn't With his mom Well, well Pass He's coming

to the movie to the movie to the But the He said He said, Moma Fichtate

That the He was He was He was in front But one He was He was He was

to look to to be to be to him. Well, pass, yeah the little

he does his mother, the problem Fernando radica when his his

his own and he getting to say to his mom to her that he that's

to know with the rostro of the man. We're we're talking in the

scenario we're doing an interview and the part of the part of the

back it's like they event a tub. Okay.

And, we don't have people of the theater that yeah, no way, there was

a lot of the door to you know, you know, there's an explanation logical. And when

no an explanation logic, is where enter the paranormal. Exactly. Hello, what I'm

to be a little bit more of a podcast extra anormal. My name is Paco Arias and I'm very happy to be here in a chapter with all of you. Today I'm content because me accompany

to someone that some people were asking. Today is with me, Fernando Lozano. How are you? Very good. Much of the invitation. And, well,

I'm, I'm a fan of your channel. Thank you, the net is very chisd the platics that's been with all the invitation. And now that

me have to me the invitation, much thanks. No, thanks for accept invitation, for darts the time to come

and family, I'm saying to say it's of the first capitals that you're being, if you

are you and you get us, for favor, there's below the button of subscription

for you go and you guys and you see you guys that we've created to all

you guys to all you're I'm two channels new of exploration and they

sergalan sustos, a podcast of comedy paranormal for that you do you do you guys, you're rias a little.

And we'll to start with this night of terror. I always go to know a night but always

I'm going to present you, Fernando. Le... He's not moved. Here's that. Fernando Losano

originator of Monterey and Novoleone. I'm to do the media to communication from a

new. My family also did this dedicated to this. My mom was the little in the movies

with Peter Infante, the Tosita. Wow. My papa, a locutor very recognized

of the Novo Leon that's a few years. And, well, I've been in cinema, in theater,

in radio, in television, and all. What are your networks? Fernando Losano TV. I'm

on Instagram, in my channel of YouTube, in Facebook, that also I've been various channels

in Facebook. Because Fernando Losano presenta, Fernando Lusano TV, Fernando Losano Clips. I've got there

but you put Fernando Lusano and appears. There are. And they're there's chismes too. Perfect.

Ditcho, also I want to say to the people that you know that's always there's directs here in the case of

description. For you go you know, you know, and you know, and we're going to start with this

night of relato. We're always we're going to the question of the million. You crease in the phenomenon

paranormal? No, thanks for invitation. No, no, for suppose, that I think.

It's but I've lived for that for that I like this type of stories

but also I'm a person that gives much respect to to all this because we're

many times playing with things and it's dangerous and what has been the experience

or the experience that you convince that the phenomenon really actually

I think I think I think the first much years 1980

my my My brother, Lus Maria, Cumple 15 years. A fiesta very grand that they

did my papas, all very we got to the house and to the return to the

day, and that same night in the city in the city of a man, receive

my mother the call very very when the telephone when the cell phone

a deshoras, generally the bad news. Emergencies. And they, they say this.

And my my mom is convinced, I was, I'm my mother, she was convinced that

that was a night she had been an voyage astral and he did what what you

did. And so then from my mother no, my mother no didn't have to tell us

but I didn't for a question, but it's very difficult in that moment and more

in the years of 80 to get with an investigator or to get to

say you know you did you do you If right, the people doubt, in that then, much more. And that type of

things, it was made marked. Some of my mother, with all the story that was she was working

in a theater and was very molested for a situation that had been in the part of the part of the administrative.

And he said, I'm just that I'm could be able to help, no, and in that moment,

a quadro the picture the It had been there to have been of that's the type of

things I'm make sure. There's many things and many phenomena paranormal

that are that they present in different in different atmospheres. For example actually,

the cinema but anteriorly I think the theaters were a point

for the encounter with a phenomenon and not only only before. Yeah,

still still. So, still in the theaters. Yes, is that are I always

I've said for example in places and churches where are points of people of people who

have their energy. At the final of the person cargues, with his proper

cargars, go to the redundancy? And in some cases, in the media artistic

can manage too much energies malas, many envidias. If there a time

a time of the theater exitosa and there someone that doesn't the

success of the other because also also it's it's a lot of

his energies there and I know in a work that everyone

that's the name of the work more more longgeva

that exists in the theater in Mexico has in in a time

in a time in the one 2002 in the city of Mexico

with the master German Robles that in peace

and with the master The work. Every that I would have to see a

Monterrey, I was to see the first in Mexico. I'm really the energy.

You're talking about of the story that we know of the Dama of the

movie that is Harry Potter. But in theater is a

energy. Years after, many years after me invite the

master Rafferina to to to the company to do

a time here in Monterey. The day of the

presentation or that we were going to make an interview to say that I was going to be in the work,

those noises in the theater. We were talking in the scenario, we're doing an interview,

and in the part of the back, it's heard like they and they were there, and we have

there were people, there was a lot of the door of the door of the back, you know,

you know, you know, an explanation logic, and when you know an explanation logic,

is where it's where enter the paranormal. Exactly. In that part, I connecto very well because we're doing what we're doing, and many people also know, when they're passing eventualities, we're always we're always the explanation of the

things. So, no, it's that, not because we're creating in the phenomenon, and we're going to, we're going to be a cat negro, so it's a bruise, no? So, if it's a guy, this is an effect poltergays, no? I mean, it's ever we're going

to do the logical but the impression and I've said that the phenomenon

paranormal not is that that's the real phenomenon is the that's

it's that you can't and it's a phenomenon because we just the

lot of the situation and we look we all the possible moments in that

could have produced the phenomenon but there no

there there there During all the years that I always came, I was a year. It was a year. Generally,

in the time of Halloween, is when I was the year for Monterey. He came the Maestro Perrin with Ernesto Dalesio and janu and they were in

Monterey. And when we came to this theater, the theater of Versailles, the opera no function. The opera

has the effort that had always. And you're it's, it's maybe rarrow. What is the thing?

That's That type of Ruidos After I'm in the I remember a day that was Javier

Aquino Paisano of you of you're and Waxaca and Javier Kino was a sostadisim

in the in the in the other occasion he got Jonathan Orosco portero of ex-portero

of Rallos of the Shollos of the selection and my my friend he was I invited

to the theater was to have the function like much known

of the media of figures publics that are, and at

the cameraino to congratulate me. We're talking about a place

like this a little more little bit in the part of the back there is

a back in the part of this side there is a closet and

another we're a photo a selfie we we're looking to

the back and the closet yeah the I go to the

Redes and I Pongue thanks for to come to see the work, no-se-k

and the etiquette. That's was a day or a Saturday. The Marches

sub on the Dama of the page of the Dama of the picture.

And I'm to look to look to look to look to see a like a phantasmita

but a box of plastic and I see going and in the The spejo of the front

is a figure very extra. What I'm going to go to pass right? The people at this moment are going to

be there the evidence for that they can verify and if the people who are listening in Spotify,

if a day it can get to get to directly yeah visual, here is the photography

when they're when I'm I'm doing this this also that would be very feo. Ah, yes,

it's certain. Be the color. Yes, the black, gris, palid and this is the

back. Uh-huh. This person has to be because here's the space. Yeah, should be

in front of us in front of you're in front of you. For that so, in theory. So,

I don't do you don't know an explanation for the color, for all this. A woman.

A woman. no is the maquillage of the dama of the of the work

and then when I'm to analyze to the photo and I'm like the one of the morning

I'm in my house so and so I'm I'm I'm I'm

I'm that I know I know and I'm I'm gonna the photo I'm

what you know you say is an awake or awakeness a person that's a person that is

a person that's running for there we do we say a... Well,

I'm going to do what is going to and I'm saying there there are there people that are

in the theater that no want to the people go because this is a place of the place and blah

blah blah total, well I mean what I say I'm saying if you let put you pin with this

I did I did all to try to that they make sure they're they're they're doing

they like those don't see the and the things and and to

try to be that that we're more tranquill the place in the

theater and well we've been a rattito more but if it's a sense

the energy very that's that part is what me I've impressed

much for example people that not for example they're on the

thing paranormal are in those probably they're working they're

in the work but they're being being victims of

this type of experiences I remember much I

didn't mentioned or thought to mention it but I remember that there have been

a program very famous in Mexico I think in all Latin America the Chau

at the eight I remember that there was a declaration that one some

actors precisely of a chapter that me probably that

not it was it was very pretty pretty where they

were they're they're they were they're having during

the grabations, small situations strange. I mean, the things were in the world when

not were in the way they were somebras or even it was said that there was a person that was a

person who was not a party of nobody but that was around so there there's a picture where

we can't be able to but all they're doing because I mean you know, so one knows his companions

who knows who knows who knows who knows who's that you're this way of this way

where's this type of phenomena that soceding in form fortuita of the

form of a moment and it's it's that here is that there's a carion here in this

work of the dama of the we're three actors two men and a

woman and a woman who has the role that has some that's between the

public, that's part of the suspense and the terror and the terror that manja

the but many many people said they're ohie it's

that's that no the dame the the who passed for there

and there's no there's there's no there's there's and I'm

to see a little occasion as a so I'm know what what's what's

and I see going and I'm seeing the the effects you know when are the

moments of the time of the time of the woman of a woman

to be a woman this is this not this is this not normal this not normal

this situation So, look at much more more of in terms, not only of history. Why do I mean

this? A sometimes in the places, and this we've mentioned many times, there are situations

that we don't have in count. And if were in places that I call them celled,

places where where where just where this person, that, for what is a person

that is a person who is a phenomenon, or spirits, know that you know they're not

they're in a bit, that's that they're in a space of time arreidated to be there

to be in the eternity or until that someone get to get to and they're to make

that's going manifestando this aspect you think that can affect that well, yeah we

think it to be to people that people to work actors, actresses but also

you think you can't you can't affect to the public in general? I think that the public,

at the most in the sensation not to the same, simply that no

there's a attraction to go to do that. Why I question this? What is that there

is a certain, well, that's what that has to have to have to be with this. One

person was a very similar but not was a theater, it was a

situation that they are certain type of spectators. Spectators. Exactly. So,

then situations that have to have been with the side of normal. But if we're in

the cinema is, but for the people, but one person he passed being a spectator.

So, he started because he has a show, he has a time, it was a

movie, but it was a movie for a for a little for a year, the

case is that you get a a child is of the time, in the that you

to the last you to take the cinema for you solo. So it's genialissimo because you're

there. But they're a little only only also too to get a front and he's really rare that

that's really that's really we're going to see up to and having all to you just don't I think of

so if you put you in front it's because it's because it's not there's no there's no way to

but if you you're going to go to go to the middle to exactly so then the case

is that they can't an kid there's solo. No, no, no, he's no, he called the attention. He said, my he said, Mom,

this is, but I don't tell the Papa. He's only, no, he's not, with his mom. Well, it's going to the film.

He clas going to the movie, but the boy, he said, the man, fissioned, so the kid was in front,

but one was not going to the picture, he's going to see to be a he, so, so, he's, he was

to be able to he, so, he's a person, he said, no, he's he said, no more, well,

well, No, I don't see. A little more he made to the cell and his mom and his mom that's in

other cell, that's so he's so he's not a final of the count as

but the little I'm saying that he's the new he was looking and he was looking and he

doesn't his mom and she get to the movie and they're making to the movie

where there there's that they're to come to go down to buy to come to the

to the and the count that the man that's I'm in front he's he's in front of

it's so I'm saying my mom because obviously I'm saying okay was a

little of other cell and well yeah they're they're all

all right and that any person that's a problem Fernando when your little he's being

to say to her to say a mom to her that he starts to signer

with the Rostro of the child. So, is when, you know, the thing is

a little different, because it's a situation that's a situation that continue. His mom

to say, then it's a dream, that's a way, that's like, that's a way,

we're going to evadir it. The problem, Fernando, is that the little not only only has

to be to see a mother and to his mom and to the father, saying to the

the little he in the house of the house, of the house, of the house,

of the one of a time, it was a night going, there was many times,

he was he was in his room in the apartment on the room, but the

little he said, no, you know, you know, you know, the room is

that's dark, there's there's kind of a light, of those radios and

illuminate the quarter, and the a little is there a little the window.

And trammami you know what I'm gonna there's a there's a there's a little and there something like

to try to give to give to give him he's not no matter we're doing the light no there

but I'm but yeah he was always I'm not only I'm thinking and being yeah he was seeing and

yeah it so I'm so much we're talking we're places where places where there's

and they're kind of marked us I say I do I don't know much importance but no

I'm not I'm not from the I'm from the first but yeah when his his son

he starts to say to mention very very repeatedly I'm I'm

and I said I I have a prime in the cinema that is the that's the

pass there for the family and the grap I'm I'm

I'm I'm you know what I'm see what my My son, so, so, so, so.

But, he says that the car... He changed. How? What, what? What's the time that we've been seen?

He's a little, how is? A man, a six years. He had a place. And so. How?

You said, your son? It's that that's a little, we know, we know we're also. Wow.

But, no is a little that is a little that's a thing changed. not is a young that

is a little that's a little we've seen the day of after the

last time when the people we're we're we're we're we're

we're we're a little because he's sitting in the in the

first in the first in the first in the one one once a

company went and he he he said oh you my mom and

he said he said the he said the he said we just

we're Or, come, accompany me, this, I'll get you, I'll have to the police, but in that moment that he's interacting with this little bit of the room, he says, oh, yeah, fichate that here's a little, here's a little bit of your favorite toothpaste. It's dedicated to advancing oral health. The new Colgate Total Active Prevention System features a reformulated toothpaste, innovative toothbrush,

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I was, I was, like, he was in a moment, was here, sat here, sat down? No, well, you know, in this moment, more companions of the cinema they started to very repetitive the little bit of the

but you don't they're they're they're they're to start to work

but but that only they they're only they're they're people never

had passed with a public but in this case with a little

more of the same age his his name his young he was

and in this case for example you say it's a way it's the way to the situation is

is when when that when that's you can't be because we're in

people we're in capsulared they're trapped the only way of that's going to be in that's going

to be so normally a adult like the like the like the like they're like they're

like because they're because they're they're always they're going to get with the more

with the person more vulnerable so if we put them in comparison an adult with a little

more not only only not only more more more pure More pure. Yes,

always them will give more the attention. There are people adults who can see

this type of manifestations but the people are for the pureza, for the noblesa

for the innocentsia come in those people. I'm sure. I'm I'm sure

the people, or in general the people, we have more capacities of that we use

and that we're based of the education that we don't we're going

that we can't because we can't because of the people we Or only the

children can't. If you tell them what has succeeded with with my imaginarious,

is that there's a basis of the intention. If you, for example, I do the intention to

this, for me, it's an adorn, is it's a little to talk with him,

I'm going to put a bellita, let me I'm just to put a friendita. What do

think is what you do? I'm going to do a person, I'm going to do you're doing all the

intention of the world. Because there are there are atrapadas looking

the use if you put a bell if you put this you put this you're you're just

you're just you're those these famous objects maldito those mukees

all the situations that are in all logic but that they're that's what

what? What's the thing? I'm they're they're they're

when when when their mom is when they're getting that's that's a

phenomenon that is that is that she's that I see that I see it's that I see it

see. But no, it was like a little pale gris, like the phantasm, no. It's a way to be a normal that

was sent out. Fortunately, for part of the family of his pap, there are people who are people who

have been to do that a man who had to do this sessions. In the first, the

man, the young in a trance hypnotico where is, we don't is vealado but is

this, is, it is done to do a I'll go with a ritual. And the entity spoke for the middle of the

child, saying the, so the little basically said, because he was there, that he had a lot,

that's a story that he transcends those years of the we're talking to a year that's more of a hundred

years. So, so for us we're about the places that the little

the life in form tragic by the through the people who or desviven, which is the

word that we're the word we're in the construction but the place in the question,

we're going to that carg negative there. So, the child there's a problem with this type of

entities. When they're they're a one, it's very difficult, very difficult

that's the dispreendiment so. So, it's for that sometimes even the same exorcism

these ceremonies spiritual are very complicated because that the spirit no

want to because it's like that's like, it's like, it's like the way to go over

to the prison and then it's for so that's very difficult to do that it's very very caon,

I remember of Chau when they were in the preparatory the typical that you're talking and that the wheehe

and you start you're going to start with we're very very valiant to Panteones and we're a Pantioeneyone?

Yeah, Sure. And he was with the raza, we were in the hour free, in the recesses, we went to pantions to and we started. And we started

to move and all this roo. Much of times you feel like the other is you know, or you know, or you know,

you're doing, in different occasions. In one of us, we're in a falded of a serro. We were

two persons, not just. We're just we're sitting in the middle of the serro, literal. And I was

like, saying things to like that's like that's like that's so we're saying

we're saying questions but I'm in one an occasion we put a-arna and so

like that has to be a-arana and I say we don't know and we we're not

you're not sent you not you're like very embalentonado was and not

you know and not you with what you're with what you are with what you're

getting and we're getting recogento, it was a tarantula. And then I said, I'm sorry, I'm sorry,

yeah, I'm I'm put chinito because I remember of the moment and in that moment when we were the arana and see,

correle and you say oh, no, no, no, no, no, no,

no, it's you know, the whiffa is a thing that I'm I mean, I mean,

I'm just, I'm like, I'm, it was, it was a question, no, but basically

is evoke a spirit to trap and that's basically. But, you think that is dangerous to

to play the Uiha? No, you know, but what I see is that you're getting with with energies

that can be good or can be bad, yeah. I'm going to talk to a person that you

know, like the Chilango, that's a time, from here, not from here, it's the city of

Mexico. I'm in Monterrey, is the custom of. So, he He, he He knows a

In his Barre and they're They're They're But he's The way The question is That they're

Before to Aser's Pairja She's She's She always She always She used

Aouija But I I've I've I've seen Aem The Guilla The

Wija is Aouca is evocar an Spirited So, not is the If I'm

If I'm If I'm a guy and the person of what we're looking us They're doing

also, are the spirits different. So, not is the same. And as you can't

talk to someone that's a dark, you can't talk to be an obscure totally. He just done at

the clau. This person they're to evocar but the situation is that what evoke is a situation

very negative a entity very obscure. But, but he said I never I never played with

her. Because, because I didn't me don't but she had to her

with her when he when he went to play this thing he said

I don't go to I'm going to work with him no me he's

he didn't something that's but this thing I'm I'm put in celos

sure it's that that me that's I'm how

she's I'm so she's she's she's that she she

she had had addiction to the game I'm he was

I'm he before I'm a situation net of

that so So, like if you're revisited is the Facebook. Yeah, yeah, I was addicted, totally. He's, he'll understand this, but yeah very late.

Because he says, he's like, oh, he was my wife, and then to have me, that's, but I said, but when I

wanted to, I said, no, until that not to be there. So, well, in a situation,

he went to to play, but they're saying that you don't need to insult or metter to get to

something that you know, and he he's a, bitch chingada We serve Because he He started

He started to And he's To move Only the How's the How's the Yeah Uh

Uh Dill That's He'll Because if no I'm To get Oh

So So Be, And But She She's Like

She's My My My So She So, So,

He So, He's And She She She She's

That, if he said, she said he's He said, but things like to enter in pleito with him. And the wheyha and he says, You know? And, well, she'd have And, well,

I don't know, but if acceptas dar me to your first child, to your primogenit and she was where she kept, where he said,

he said, he said, he said, he said, he no said what he was saying, he said, he said that he was doing his those things

but he does what is what you do you do you do that's what you're like that's

she's she's yeah sure she's she she said he

said what I didn't know that that's that's a situation they get

to romper the whica because more people started and one of them

and one of they were to have to have to have to little

little a little but a months she disembarazza,

very young, he was born, so at the 17 years. Herman, she has been

the baby. And not is until when they in a talk of people, the story,

the history, if it's true. This thing me did a first

child. So, so, so, how so so, no, so,

that's, so, so, Tant, influence could get to get to

a a spirit of a table whica, to be able to control over your life. That's a situation

of much care. Yes, for that's why we have to have to be in that moment when I was in the moment when I was chavito not me does risks. What did you?

Yeah, like 16, 17. So, the thing we end up in the life no? Yeah, well, you know, and you know,

you know, you know, you know what you're where you're doing that we're talking, to tell us that story because we go,

we're not we're not we're right that you're right that you said right now

I'm here you have been in this edificio two things in the 19

one person a person or it went to the of the piece 14 of where

we're where we're the life and and after this same

year after a few years uh entered a group of

people not good, no good and they've lived a one person.

So, then it's a little kind of kind of that's the same year man so that's,

we know, we're going to today we just we're just we're just for that we're doing in these days

yeah, we're we're at the night this boylo we've been no, we're not done

we're not the morning for the morning eight of the morning we get to get to get to

we're getting to get count, but yeah outside, I think something, I think,

I mean, I mean, I mean, I'm, it's like a idea-siette extrano, that you

feel like a lot of a lot of and I think a little because it's a big, where there's a

lot of people, they're going and rents, or of those who live in here, inclinns van, inclinus

came, and they're accumuling, and they're accumuling, all the, now see, the,

now, the practice of some people, to us Paso in City of Mexico we got

and rented a department in Polanco a zone a place father of in the city in Mexico and

I never thought I never thought they got on Depa so it was it was very chistoso because the

Depa is it's very beautiful the view there's there's there the buildings

there's there's there's impressive and it's there there'd be two quarters

in this then was he and my brother, because in a quarter, there were two chas, and in the quarter of I said, well,

I'm going to be in a 15-year. I'm the star. I'm a starry of the podcast, I'm there. And then then it was that

they're going to the room, get in the mailettes, and I'm going to get to the man, I'm my man, car,

when I'm trying, when I'm trying, that's a lot of that I was, there was a quadro, an telad of the

time of a part of a macho cabrio this, so type Bafomet, The black, with a sastas

in form as to come like, no, man. One thing that when I went to get I said,

you know, no, you know, and you're getting riddled for Airbnb. For Meree whew,

so. And you said, no, te shing, boy, did you know, and the stridate.

No, well, you know, man. You know, I'm sure, caron. This,

uh, had a one, a bit, but, no, no, no,

no, no, no, no, no, No, you know, what they did. No, what's going to do, what's going to do? What's it?

Or who are you, or who are you guys, there's a lot. Right, that you said, Polanco, he was a much years, I vied my mother, and we went to, I had to go to the city of Mexico, me asked her to come here.

And in that then, Tatiana and her mom had a house in Polanco in the city of Mexico. Okay. And, and were very amygias. And my Tia Dianita

he offers the house to my mom. So, keepensy there, without any bronch, nothing more. Well, there's, there's a person

that makes rudititos and the other. But no doesn't know. It's good. My mom, with all

what they were sceptica, but it was realist. There are things that so are

that are things that you can't the explanation more logical possible. So, total,

we're going to the city of Mexico, we're a I had a piano, some escalars

of a little caracol, madera, blah, blah, blah. The first night, uh, uh, he sentia, so, so it's a pesado.

No, pesado, it was a different. Uh-huh. No, not, because it was, no,

no, no, no, no, no, I think we've got that we're uh,

uh, because we're to start us with, with those sensations. Yeah. And,

and, and, and, and, the same body says, I don't

receive information. We're we're going getting that antenna. But it's very easy.

When you have that you know, you know, is this person, this person, here no.

And there are other people that have a very good energy and with the case so we're

there. And the first night and the first I'm in a quarter, my name in a quarter, and the other

court, and the stalera. Pissed. Entient and I I try to understand the

part of logic that the casas vases make the noise the matter

creak but when when you know that's that that is

moving and it's moving and you go up and you you're saying

you say you say there you see you see you're that you're

that but it's that is that you you can give the

cause because one is that cruja here or generate a no, but that's

no, and that you're going to and that's you're going to more exactly, because of a matter and over the

dweller of the dweller of not the now that's now that's not the desmadas so they make

much noise but not it's a really like the noise that's up that's that's

that you're that you're going to that's yeah you're there's a bit of

a lot and I'm and I'm I'm sorry I'm I'm sorry of the house. In the part

of the right of there was like a lot of there's like two passissions. My mom

pass-d-d-d- was a person very imputual so, always never, not to try to get

to get that, but always she was on the left the left and I was up

and I'm saying, Madre, yeah, we're going to see, I'm sure, I'm going to

go and I'm going to remember somebody. And, And it passes, and I was, well, it's a compromise, I was just a compromise, I was

watching the television, and, of a and of this side, pass. I mean, I go, Madre, yeah, we go, and where I'm par, and I go, we go, we go, and I said, yeah, we go, we know, and I said, yeah, I said, we're going to go, oh, oh, I see,

like, oh, no, no. What is this? No, no, no, no, no, you know, you know, the explanation logic, uh, me, my, my, my, Tia Diana Perla, that, that was a,

A womaner that I lived and that was good, that I'd and I'm just, you know,

don't you know, let's get a mind, no, so what, and she

and he's an investigator of the phenomenon of me and of things paranormal. Yeah.

It was I was that I'm a bad energy. But those who lived for the

first time if you see you a trankas is that the situation is when you're

Dependentimenting that the energy that eman the place is positive or negative at the final of the

only is that you're doing the focus or is moving the ball. You're going to be but it

but it's something and that also even even even has so I'm so

when you you're in a place and start to happen to happen all the

days and you've a rato and years living there you're you're

you know you're you you're it's point because not it's normal that

the things move on, it's normal that it's not that's there's

there's something that there's not that not normal but many times we can't in the error to be able to convivir, and with them, accept those.

But I think that's a malo because you have to have a consequence or what do you think? I think for all, we have to have a certain respect and we have to have limits. No, we know, if there were a manual,

to say, you have to do, this, this, and this, and we know, we know, okay, you do you do know, but when no, someone can be passed to that raya, no says with what you're

doing, you know, not know if it's the side good or the side malo there's people that manage

very very very very very very I'm I'm

very very very very so I'm I live very

I'm I'm I'm I'm I'm I'm much tranquillity

in the house because my colony is a fraction chiquito

serrado is private where the services are subterrani

and the and the residents also. That's that's that's,

so, no I don't think there because they're, I'm in front of a pantheon

and, and, and no me has passed nothing in my house,

never, well, I've got a story that I want to share, but

so like about the two, three of the morning, there's there's

a curgid in my house. But where comes? I don't know. But if there's

a, so a I don't I move I've talked it has it's time that

but my perra I have a perra that has a lot of midnight midnight for me

are the night because midnight I'm I'm living the television three

of the morning four the morning ladrando but ladando that's that is that

you say there's there's there's there's and I'm and I'm there's the

and you you say, oh, well, then, for the supposed, that has

to be something, there's, no, no, no, no, no,

there's that's a situation, I mean, the people, I mean, the animals,

has a perception, and not they're not, they're not, they're not,

they're not, they're not, those, so, the peros, so, so, don't,

no, they're, no, they're, they're, so, that, that,

And, you know, Fernando, the, what's the Tristan of this, and this

he's always, they're in front of to you to get to something. Because

have been cases where people have been written, for example, that's that has

had been bronques with his business, and what is that I'm going to put a

example a person me wrote, a person to be having prongas with his

his cousin, he said to he, that's the cat, that the person, that he

always had bronques with him. So, an occasion, a occasion, his perro of him

and said, my perro started, I mean, you know, to your mascot? So my perro was all

disganado, he was to inflate the stomach, he was going to start to be to get to the

veterinario, and, well, he was to disprasit him, that's his vacunas,

but he had been all the he was the curious. He was he was so they

were This is the extraordinary when there are things of burglary. I mean, you know, you know,

you're not to be able to the animal and you know, so much. So, in one occasion, the perrough,

was a person, well, so, pardon, he, he, he,

did he dole much the period of his mascot, he started, to, well,

to, let's, let's, but the situation is when they're to get a houseita,

he had his houseita out of the patio. Offer, there was something that he never,

never, never see imagined. When he began to revisar, to move the house of

the place, he's a fetiche of the burghry, that had a not of the

per russar not for the per russarer. It was for the person, and the per he was to

the per he was he put so the pechito for care the family. That's what is what

happens in various relato when they're in this maldiction and there a mascot always,

especially the people, especially they put in front of his amo and those are their life

and that's something very really. And so it in my house, that's the of you,

I was my podcast and I was going to some of the other invited, and he went to

the other people, it's me empalmoh, and the part of the per day that I'm outside

in the patio, I'm that has with me me says this chiquita and the I'll

let's the door to the podcast for that's because no, it's not so I'm

very really really and I'm and I'm and I'm my team of production

yeah they're going and they they're calman and then they're there's that I've

had given an invitado that was in the cell he was to go

and he was and the perr ladando the same way, to the side.

He was all the time lading to the after the after the podcast, we're talking about

and they're like, I'm going there. Oh, I mean he's only. I mean

in combo. I think I think he was a one of the situations that I'm made you

to change that's your house at your place. I'm I'm going I'm

still in my house but I have my child is this baby. So,

so it was one of the questions that I mean me obliged because I started to live things. And apart of you manage you manage you

don't know to the other the tiger Yeah, yeah, I mean you said, yeah, so,

like, so, so, so, yeah, I've been transored people,

satanical of the murderers of Yoruba, of all the religions, oscuras, Africanas,

Haitianas, that you imagine the, the braunca is that, that are people, if a person

normal, can be, carry, pardon, car, They're in that Imagine I'm a can't

I'm a can't I'm a can't I'm a can't I'm a because of the really is that if my house were

to start to make things and they're not they're not for me or my spouse yeah I have to

exactly they're in the thing like you know like that but the creatures it's a

thing about it's a interesting brother and another and other I'm another that I

did I'm to say of the my mother my mother was working in an auditorium in a

Terrii. I was conducing in an event and I have the podium was a

woman, I'm a car with me on the podium. Me mark my brother the major

and I rechazzed the call because I'm working in that moment and the

when I was the she I don't know I I'm I'm I'm

I'm I'm what I what was the I dole and me I'm going to

mark so I'm so I'm here there's I'm I'm my

my my mom that's in Guadalajara that's really right I'm right

I'm I'm I'm I'm I'm I'm I'm I'm

on the conduction yeah alterated and I'm to mark to the

three minutes I'm I'm and I say my mom my mom

is my He was going to be He died. I'll that I mean that the show has to continue

and the more does he need to continue but it also didn't happen but I'm going to go and I'm my mom

and I'm going to go to my house of my mother the major that I'm here in Monterrey

in that my other woman the the middle Maru I've been in Guadalajara

and my mom she'd So then is a hell out, man. Stoombeckxed We're talking, we're talking about with Maru

to see what we're going to do we're going to do with the caries, if we're we're trying the genisas all the relative when you pass

this type of things, with the shock that's, and I'm going to let's get the when someone when someone

you're very pretty, you get, you know, but of a sudden you, you you can't you, you

did you know, did a do you, you did an anecdote, and you did my My brother, the major, I one of my mom, that if she's

moria, that I'd, that me jala the pats. Mom, he says, if you're listening, no me jala the patas, because I'm going to do much fear. She's her. And I go, man, with that

we get into something, we're doing. There's a lot of two, three of the morning. I'm going to, my house. At the day the next time, there was the a senior that me

help so in the television I can't get to be I'm going to get to turn to

and I'm I'm I'm go to get my court and I'm a room that I'm a memorialabilia

and I like to collectioner memorabilia so I'm so I'm form of actors,

artists, people, and I'm I'm the television simply for to pass the

time because my mom a penest they were incinerating in Guadalajara and

going to do do the services here in Monterrey. I'm sitting seeing

the television and I'm on my back on a palo a palo. A polota

that I want to I'm going to send the photo, I said, that was made in a

quadrit this? Aha. I had I don't see, I gave in 2008 for

2014, six years there. There's a there that's met with a pressure that's

a little bit of air and the base was a planer. No, there's that's the

same day. And when I did, when I said, when I went to you, I'm a bit of

nothing more. So, I'm caught the and I go to my mind to, if

it's a good, that we can't that's well, and I'm and I'm going to I'm going to pass the

time and I'm going to I'm going to talk about this same story to a person and I'm going is that no

there's a way that that the pelotas can't get to run or that if there's a current

of air never had never had been let's see let's see let's open the

door and the plotts are in the piece. That's that's the same and that's

two times were more more than more. Never never. Never more. I mean that's what

that's that's a man. I'm not I'm receiving so. I'm I'm going

receiving so and when I'm still doing to talk to that story that's going to

get the same one. And then then I'm talking with people that they

say that the same of the anniversaries luptosos or in the or so

like that they give them permission like to a an escape a one of a

acapadita like to say and well that's more than more than more than

a real idea of saying thank thank you many many times we think that the

phenomenon we're always should be bad always be a experience of fear but

this is a phenomenon that is a phenomenon but it's of the beautiful is of

the experiences that everyone could have the power to I'm in this case

as you receive the message I'm so I'm so I'm so on the explanation that I'm

many years it's impossible and precisely after you you know it's like if the message would have been

been and a response of here I'm I'm good but but we're not you spanked but we're

we're just impressive Fernando no no no no no I don't have, another rapid before we're

doing this. We're talking We're talking with a friend of a friend I'm talking I'm

I'm I'm in many in a barman here in a bar in a bar of here in Monterey and total

I had prepared some and the I said I had talked about this

same history past and I said my if this this

is this this this much me come here this no me

conviener, uh, abysame. Yeah, car. We're talking. We're talking. And the,

the shaker, like, so, brinked the tap. No, manch! And I said, you know,

I mean it's no, and I effectively, no, manches, but the the mom

never, and more, and more, and more, and more, and more, the, the,

the, most, the, in all, of all both sides. What hermoses

experiences, Fernando, of the really, I'm very much that now so that you know, now just to hear

listen them and you've done the time of the time to have been because some of the beautiful

experiences that they're in a good flavor of the that we know, that they're there's a

time that there also more that's a certain, that's a peace, that that's people who are not done,

it's a actually that we're going to be in at some moment or in this video or in the other, but

they're going to be. And I'm also that my experiences, the majority are positive. Of course,

I mean, the plan where we're going to don't have talked about something so much. But thanks for the

invitation, that's the success of your podcast. And I hope that also the people go to

me to see Fernando Osano presenta and, and well, we're here to serve to serve

to serve. No, thank you to say to all the family, passence to

to give a world to the channel of Ferr, the very is good. You know that I'm

always in the description for the description to go and to write to write up and write on the podcast

of Paco for that he also that you know that we can't you know and you know that

the family that's at all the people and you're not going to be a exception there.

Thank you. There's there's always I'm very thank you much the time. Family,

thanks also because me can't very the people who are the chapters complete. We'll we'll see in the

next. So, pendent is there. We'll see the next. Bye.