EXTRA ANORMAL - Fotografías Malditas: Historias Reales que No Deberías Ver

Episode Date: February 11, 2025

En este escalofriante episodio de Extra Anormal Podcast, Paco Arias conversa con Israel Cruz sobre fotografías malditas que han aterrorizado a quienes las han visto. Desde imágenes que predicen tragedias hasta fotos poseídas por entidades oscuras, exploramos los casos más impactantes y las aterradoras consecuencias de capturar lo desconocido.📸 ¿Te atreverías a mirar estas fotos?🔮 Suscríbete y acompáñanos en este viaje al lado más oscuro de la fotografía.

And then he'll to sonner but this this more more

intense he's that someone he he puts on inside

he he he he he the shirt or

the shirt and the and he says what

they do what he did say let me say

largate to call the police who who who

you're because no you know I've I've seen, Larkate

to my house. And the first simply don't know. And he said,

I've here much time. And it was then when when

before these four people heard a voice that so,

so so audible, and I think audible because a

sometimes it seems we sometimes we something so a

nitida saying Largate of my house, let in

peace to my kids. What How, friends? Beemnized

to a chapter more of podcast Extra Anormal. My name is Paco Arias and I'm

very happy to be here with all you guys. Family, we have a impitado very special

this night, a person that I'm sure that some the majority probably

recognize Israel Cruz. How you're brother. Paco, very

and very very good and very happy to get to know about here with you and with your audience.

Thank you. Thank you. Thank you. I was a good time that not you see.

Well, now see the people, I think the last that you were in

an in-vib the first in- the first en-vib that no-se- that's-

me-ol- and that kept in the memory of many people what occurred

that And what I can say, Amid, for the people who are the first first time?

I'd like to present who are you to do you do you and what you know, and the

social, for forward. Reds social we're going to start by my channel of YouTube. I've been a

channel. Now I'm a podcast too. It's not Rosh podcast of Israel Cruz. And radio

social is Facebook, Instagram, Israel Cruz, and Instagram and Rush Podcast of Israel

Cruz. Thank you, I mean, I know, I know, I know we're in the thing that

we're in the thing pendent, a talk very rapid because you have been in that

in the first in-vib that much people took too a lot of a manifestation

demoniac in-vib how you do you how you did you? Well, that experience

is an experience unique and that not so it lives all the days. And I think that from our

side, those that were in that call, I said, I said to tell you, I mentioned to Haciel, before, of that that was, I presentia that something, for that, I thought, I thought, I'd say, oh, and I'd

would like to see how it's graver. Uh-huh. How do you? How do you produce, I want to be in the first in-viv, and Hasil me said, he said, me, go. 20, but saw the quad. I'd say, I'd say, I'd, I'd say, I'd, I'd, and I'd say, I'd that something that was going to pass.

Okay. So, separate the transmission, you know, and in the second part is when we

received that call of this person that in the oration was to manifest. I think the those that

we've lived on this side, talking of what I prophesia before, I'd

that I had been a pastor, we know, we're we can't be a So, relatively, we're prepared

for that's or when it's to be able to know how to act. So, for the time, thanks, to God,

there was a fear, more than a person. Yes, no, because not was not, we didn't the control,

then, of what was, to the whole, so, at the 100. If it was shorted a job,

we'd, we'd, practically all of this person. And you said, that you did the opportunity

to come, this, much You contact after that in-vibo, you know? After the

first the first that we're about about about about about liberations

in churches and then after the in-vib- yeah much people, much people,

I did I see a promedio of some 400, people

maybe that they started to start me soliciting help and not only

only that, the most interesting is that not only they said,

help me or for me, but, look, me pass this specifically and not only they're

saying, me pass this specifically me mandated. But they're evidences very private

I imagine. Affortunated and desafortunately, no, what more we'd we'd

maybe to show to the people how is when a person is when a

person is being posseida or we're not we we can show but I know

videos that I'm that I'm not to make a person and I'm

photos, even when it's going to a manifestation. They're very

very so much. And what good that I think you you're that's

people that's people who that's talking, because the thing that we're

a lot, I think, I think the time of the thing of quadros, a

oil painted, a one of an oil something that has an

type of energy and that for many people is a image. So,

that the thing of a photo, a image maldita.

You why you think that you can maldece see? Fient

that is curious because at the long of the history we've seen

evidence of figures people that have done and in those

different is implicit a maldition. because every artist represents what has

or what he wants to transmit it through his of his art of his art even so even has

been to some other artists like uh yeah I go it's impressive because

uh there uh... has had created many crepastas not

of persons that that mention that you know that you know because it's

maldita uh I'm going to think something I think in my

possession an image that the only condition that the only condition that you are, you can't

see it for five seconds maximum. Maxim, maximum. If you get you get to

one minute or more of those five seconds depending how time you

can't pass out of things bad. And there evidence of that and there

people that say well let me let let me to show

but if if in case I don't know it's a thing

very difficult for me someone says I don't think in this I'm

going to think in a future where put public with

their with their restriction because it's a more

a photograph a tomada that by a photographer

but I want to describe it's a a

a type of attacks in those years. In those years, the people thought of pesadillas, terrors nocturns, but the photographia was taken during one of

those attacks where the was, well, I could say, back a influx of something, but if, if, was being Noel, practically, was under, I, for what

you, for what you do, by what you , by some type of influence. Okay. And this, that photo is very big. It's very very,

it's very very, it's of those few images that when you see, you're to provoke

something, well, I don't know if it's a suggestion, but if you see, I,

I felt, I, I felt like, but after of that I felt like much nostalgia

accompanied of me. It's something rare. We're we're trying in the site

official of ExtraNormal Podcast, dot com for that we can't we can't

share things that probably in this type of platforms that are or they're

censorate much the people the people so I hope on the very

so I think I think to think I'm I'm because the person

that me said I do analyze it, analyze it we're we

know with people that have much knowledge and if

me have confirmed that if there's there. But, you know, we're going

to be a lot of the stories that we're talking about the audience to be a great

rascos without those spoilers, what have been the that you have been

to you. One of the stories that was the I'm going to tell at the final

has been the most me impacted. Okay. Because it has

to be much with this type figures, of the In fact, this woman

that appears in this ultimate story is very a story that

me told a friend who lived in a car so. Okay. Well,

we're going to start with this year of this, brother. You want to

the story of Betty. Betty is a woman that lives in

the in the United, in Carolina, Carolina of the North. She has told that, after some years when the era of the internet started to fluging, he had a better friend, Jasmine. Jasmine had a fixation

for the phenomenon paranormal, impressive. In that then, the two curses in the preparatory. She used, Yeah, the technology, or so, yeah,

yeah, there was internet, but it was in the cune, it was, he started to use the

discet and this type of things. So, in that then in the United, he started

a corred a rumor. Empeas were to start the first images that the people could

personalize mediante your computer but of a form very, very call it so. And in that

then, remember that there was a forum, no record the name, where the person simply and they created names of the users and they'd in that part of the US.

They said that they've first to have to have many suspets, because in the forum where they'd have been the image, a supposed image

that was created by a woman of of origin oriental before to get us the life.

And the people started to create a story of terror, while saying that

this image was maldita. And if you you were for a time,

you also, you're going to end up to you're a type

creepypast a story of a story of something fictitious, but much people in that forum mentioned about,

no do you do they're not, no do you do that. That image if you transmit something to make you

make a lot of a person there's a time, there's only a few seconds and I think in depression and things

so, and his friend said, well, and if we're we're discargamos and yeah,

disfortunately the person that's story Betty and me says, the The fact, I was the computer. And, well, I was the

computer. Recurred that we started in the school, we had a hour free, the discargo, and we're going. And, believe

that no was nothing of the other world. So, not it was like the story of the principle that you told

of the little bit of a, of a position or a spirit malignant. No. It was a

woman that did his own, or or his own his own his own the

eyeed an effect so captivator that you don't you know the

eyes of this woman in the picture but that it caused

much this sentiment of nostalgia and the really we're

we we we're we we this image in my

computer but we we you have and you have I go

and you know no, no, no, you know, I've seen much

and I'm and my amy too, but like there was an disquality

after after that we did you see, see, we're seeing

one other and like we don't we're not no, like oh,

yeah's sorry I'm go, okay and if she's my

friend, I'm I'm my in that we started to occupy a chat

where she's that when when you're in line was the light of the light of the

blueceita no no I don't see if it was what it was and said

passed the hours and I kept talking with some people with some

people and this chick not she was connected my my am

a person to I'm I'm connected with her and I list

for to sleep, I went to see, and I got to

sleep, I said, because I started to have many some of the pastries. I mean manifestations

that were that were out of my room, but I was a mirab of that that woman,

of that that retrato that I he, he was he was and when I'm

when I'm at the night of the night I I was with a much, much, a lot of

head. For this, my computer has had been on and for the brillo, to be able to

do you, I'm going to be that my was connected. I saw, see the light,

the icon that was in line, and he's I'm right, and me respond,

yes. And me says, is that I can't do I'm don't know. What

you have? And he respond, I'm much dole of the head

but I've a dream very I've a dream where I

do you do I'm that I'm that I'm you know and practicing with her I

saw that I'm I'm I'm I'm I'm that I but

I don't me I did to the moment that that I had

passed and for the impression of the impression of the dream

I have I was a bit with a lot of head and I don't I'm going to and she kept her talking a

good rata until she said she said she didn't me contested the message and said

she grew dormita but there was a little like a presentiment she said

probably probably yeah for the hour she kept dormied but

there was this spinita of saying why no and if no

and if passed something she She didn't do sleep and she

got all the night and when she started she started she she's

going to the house to the house of her and she took with

something she was getting to the house this person

me said out to the house of her I remember

there there two vehicles a a patrol and

an ambulance and when to get, the house was open and in the

cell were in the papas. They were and they're and you're crying. My

amiga had decided to quit the life. I saw when

they they were when they saw the he was he was he had

had called of one of the monten of he I saw the mark

in the Cuello I saw the and when I very looking

her in a form so that not I noted that I had a

great semehanza with the of the woman that she had

had done I don't how was what was there was a great

semehanza I could to think what was going definitely

not I could believe but I'm I'm that the

maldition or a manifestation malignant could have even

even even even being something as an innocent

as a image she definitely not I don't

I really me put to think to a

One thing are the stories that we hear about but what probability there was that this

that this new year sufferer like, no see, like, how you can you say

is of depression and decide to end up your life. Look, that's

and that you know, is very curious and just now that you're talking this

story, I'm I'm before some years I'm I'm maybe a little more,

that before in the, in the pastelillos that then in the centers, or gadgets, they were like hologramas. And some of them

were in 3D. So, you had to do you have to make a certain action with the eyes, to be able to

make the figures? To do you? To be like a like a bit of something. There were cases where there were

to know that various people had had suffered hallucinations and even convulsions when

mirrored those images. Okay. And for there he he started a

report of that they also they were messages subliminales. Okay. So,

this this is me asemey to say what you can't be there there's

there's not? No, and we, the thing, for

example, brujeria is, well, is intention. So, so,

how do you intentionas, for that has a perfect in the life of someone who

know what intention? I would say it's a company, a market very great that you

mention is but I care that not it's that's that's it can pass.

It's even even I agree to say, it has passed. It has

passed. That good man. And this fifte me make

make to make that not all what we don't Necessarily is the reality.

It could that there are people that see things in the images that others not we can't see versa. It could we know we know

in the images that other people don't have passed. Much of people I recall when it was a viral a thing

of a no, is that I'm a vestige of that color and other other that's a perception is changing

much, no? And it's very different to have a perception when you see

something that simply is a question of color, of the when it's something that

not you can't manipulate. Something more spiritual? Something more spiritual. And this will be

related to with the story if you can't that I want to let you want to

that you is the history of Lisandro. Lysandro, a little a common conventional

very creative from very little he used this time of observar

the things see the naturalness, the and the way and the

he was growing, decided to dedicate to study what most he was that was

capturing images, the theme of the photography. Lisandro with much effort

he made to do his career, he started practice, he

started to do different type of activities but he focused

more we in the photography of events. Okay. One

day, communically, of the work normal, was to a wedding to do a take of photographs of that's

what? What is what is the most of the people that we've been dedicated to the photograph

or the video? A sometimes it's very time, you have done and you

have to edit or the video or the photo that you have you because you

putes a period of a Dada the circumstances, was de-madugada, and he was editing the photographs.

But, something that's said a much that's has passed, you're doing, and of a and of a

time, it's, it's a pada. 100%. To, who has been to, who has passed? To, I mean,

I've passed, I think a much of them's has passed. It's, it's a page, and the the screen is

going to put in blank. What you think? A error of the system,

a error of software, reinicias, you're to take a time, you're

to get a more, you know, you'll like, five, 10 minutes,

and you're to get to do. The curious is when retom

the edition, I'm editing just a photograph where appears

the novia and her and her mom. And this photography had a mancha

that no he was able to keep. A sometimes when you focus a contra-lust, you know, there's a

fall of the lens and it's a nobina then you try to clean the more that

can. The curious is that when you apply a correction the

mancha is in this occasion the mancha not And this is the

Surpreendent That the mancha Not only Permanecy in a place, but it transformed in the Contorno

of the mom of the Noviya. It's So, it started to form a silhouette

around the mom, a silhoueta Blanca and he tried to eliminate her, to

keep her, to borrow her and it was something was a curious

He called his attention, but decided, for that side, I'm going to I'm going to a little, I'll retom more ahead. Days

after, he took to assist to other event, the baptism of a new, an event religious, in the

church, he's his things, does his photos, and, as always, he gets a time,

but, he has to continue with the edition of the photography. Because, because,

has to give us. He's editing. It's, be a two the other the and what

you think? So, I'll do you to repeat. The abuel of the

child that was being baptized he began to draw to a corner to his

around. Lisandro says what is this what is this is what is

what I'm going I'm one you do it I'm but

two I No. No, no, is coincidence. A error of camera, no I see. Could be. Yeah. And could be maybe in the same session,

but in two sessions. That's so strange. It's very strange. Well, pass the time, and decide, then they're

to an activity school to take photographs for an event of school, does the photography of retrato, all the

people are formed in filet Like, as they're doing the photographs

and they're again to get to get to the studio he

prepare and and again apparently appears this light

or this is the most is the most the is the man

of the isandro no he can think temeros sure

sure so is confused intrigue to tell of that

he says you know I don't want to keep photographing it's more to all the people

that I have given this job I'm going to give your money

no I want to keep working because I know what is this

I know what I know I'm going I'm going to pass I'm

decide with these three persons and the The news is that these three people,

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A signal? The same. The same is the person to, is this a presage? Is something that I'm saying? Is it that I only can see this? Or what happens? For his Beenestar mental

Lisandro says You know I'm going to I'm going to I'm a photographia I'm going to I'm a another thing And list

Decide Decide Dedicars to other That's That's not That's That's

Time after I'm going I'm going to Years Lissandro Decid to go to

visit to his mom He says Yeah I've my career I'm I'm

I'm I'm but in his papa he says oh yeah go to bring me

a little to bring me that we're that we're going to get in the bodyga and see a photographia

where they're all those they're his papas his mom his papa he and his

brothers when to the his papa he said that his he said

he got a that maldita love so then the father he gets

I'm going to where he's going to say, What's the thing? It's that

that that's that he's a man, the father he says

what's he says, what the light? No inventes. Of what light

me you're talking? And Lissando says this this was this was

was signaling to his moma. Then Lysandro abient the

quadro and he said no I don't I don't know what we're talking. What is this? No, I want.

And he's to tear the malitions. And decide not to see no, to see any a little quadro newly. To the porcoes, his mom.

Wow. How it passed to be something that was that was a more technical to that really the match

and the eyes of him was a present? I would say, I would have a son-dong. I don't know how to call it.

Maybe um it would call it more well like a no see an

an an um because if it was a don, maybe it

would have seen more photographs possibly many many people could

fall too maybe maybe it's only was a for

him but I think is something that very turbue. No, I'd like to see a photographia and know what

would be going to happen. No, it would be a lot. Imagine ate, sort of, in there the Nell, no, see, the sagas, knowing what you can't see, it, you see, and you see, that's your mom or a peor, totally, I don't see, your or a child, you know? So, what, that's true. That's

story, it's very interesting. Amigo, I have a story. This story is called Hermannas. It's very interesting also because it's something that

many people have heard earlier here in extra normal but sumandle the theme

of photography this this the family Peralta Ruth is the mother of family

who was a time in her house with his two children

Sebastian and Sophia This family had a time, a timecite that was in lot because had fellecided the mom of Ruth, the abuela of the children. And, well, it was a person

and I was a woman that's a woman, a very attentive with her family. Because Ruth had a relation very, very, very

amorosa with her mother. So, they were in lute for this perid. And a time,

while I was Ruth with his children in the Sala, he goes to visit a

tia, that was a woman that was to visit to the family. I had much

time that not the visitable. And he said, I remember very well how

he's he back from the automobile. My kids they're in the

door in the door the we're playing with her time to be very very much

time that we had much time that I did and not I can

talk with her was in the funeral of my my mom.

So, well, if I wanted I would be visit, or that someone

of the family me visit, and she came to get to the cell,

we're we're we're we're all normal apparently. But

it was something before my tea enter. She came with the

intention to get to more days or many days, because

he took maletas and she met his equipage to the house

and the door like that's the door and she's going to

the car, and this this tia he says to my mother, my mother

infanta that said Chabelita, oh, Chabelita, what, you want to visit to

your daughter? But, well, no, he took importance. They started

and they were to talk on the thing, I said of my mom,

that I've had to be a little like, no, no, we

we didn't we'd in a little moment so took that time and only my Tia said,

I mean, even the family not the family, and even I've got the mother

with your mom with Chabelita, well, I mean but I wanted. Although the people

opinion in the contrary, I always keep to your mom. Well, Rude, he's

a little to get a what's, to what to refer? passed the time they were talking

and the hours and then more later they were talking and then

they're talking putting to the day of many when they

they Chabelita the the woman that had had

felles but not something they're not little Linda

the her Chabelita about about her her her

in the salon where they were talking there was a quadro in the page

with the rostro of Chabelita and not that the quadro so it started

to move something something if there were a current of the windows

were closed the door was and not they know of

the front of the Rue of the Tia Linda

and of his children the the one was

moving so they were they them, a little incredulous

and she up a root, he said, give a moment it's for a bell, the prendes

and he's, well, for if a case we'll let me a bellita to my

mom. For respect no, we're talking of her, well, as you want you

want you keep you talking, but if not were they're practically why

so why so I would be moving a senar, and they prepared, they were to

get to go to and then the tia Linda, yeah, yeah, she's in

your room, and all, all was all was all was ready to get to get to

get to when Ruth got to her because he started a rind in the

cell. When she she went and came to the cell,

the cell was completely dark, only alumbrava the light

of the bell that had put. When he does know, you know, that the

noise that was produced or that was the sound of the quadro, that no

had to move and and it and the sound of the marco frotating the

part. She she's out of and when she does know the Tia Linda

also also comes to hear the RIDO, and all of those are in their quarters and they're

seeing all how the quadro was when when of the kind of the clavo

that was that was that was to and it and it came this

quadro on the bell and it was then when when when

before of these four people that were Ruth the Tia

Linda and his two kids, I've heard an voice so,

so, so audible, I don't because it's it's like we're not,

no, it's a voice so nitia saying, largate of my house, let in

pass to my kids. In that moment, well, he, he said,

he said, Mom, but, I, And one of the kids of Ruth describe that in the middle

of the dark, because it's completely dark at the room, it was always was a

little of the windows, the light the light the car. They were one a quinta

silueta between them. Wow. And he said, my mom not had been a man, he said, and

the child to look to another quarter in the middle of the and from

the and from the and it's and before all of all of people

all of the Tia Linda was sitting in a sillon with her rostro

but with the mouth abjirt but like that's up

and you see the silueta extra above of her like like

he was aork in that in this moment so He started to feel a sensation of

MEDO in all the sala, and collapse the lampa, leaving those other times, oscuras, and all of them start, what's going to? The Tia, no reactionable. After a while, they'd know, like, the

light regress, the quadro that's had cailed, culled in the piece, but for the fire, it's made a mancha deteriorating the rostro, and nobody saw what was

happening. Nobody knew what was going to. The Tia Linda

and very molest, enter his room and they're again

their and it was a madrugated and he said I'm I'm

I'm he went the family not understood but

it was more that the manifestation that was passing

and that was the the No, I see, like, that there was confusion. A those few days, you get to visit the Tio Osvaldo,

which is another brother, and in the platic, Ruth, he said to what he said. Oh, yeah, Tio, figgas that, he passed this. Since my Tia, he got,

he soraged the door to almost in his car, and I juror, I've heard, have seen to my mother, and the Tio Osvaldo he says, her, and I'm going to

read textualment. You said your mom Chabelita and Linda don't they were well.

I say I'm so I'm a testigo that your Tia Linda,

since that was very when she always recurried to the bourgeria

and since that his mother he erred to your mom grand

part of the land she never was behind of

that So, always I'm in conflict with your mom and

always he's he's for to dogeria to do to your mom

Ruth listen this and then he he did he did

do that she but I don't understand because she said this

day never no she never never we never

we gave us and not he didn't the

he he said he he said I was I was I was

I was test of this. After that in one

occasion pass in the time the Tia Linda falle and he got a

died of the dead of my house, I did my altar and I put the

photographia of my mother and my Tchabilita and my my Tia

one night. Amane a day and the quadro of my Tia Linda

was in the PISo. Then then I I understand that, effectively, that woman

had other type of intention in my family. But the surprising is how the quadros could cause a movement of the an adage. A lot of them, it was manipulable, practically. That's interesting.

I was a lot of time with some quadros that I had, the people of extranormal, that had much time seeing the project, in the first episodes, I had some two

quadros called that after that some people entered to that's that's a my house

practically in the house of the when one once he made a oration of liberation

there because he had to do the person that was overando of my

wife and then we were how the quadros like they were so

so I remember much so eventually in that I didn't

nothing of the but it was impressive to to remember to record that's

now in other history sure I think I think I think a more to one

has passed because a me was with a mural in a in a local

to the I was and there a mural that was very aterr a

me me caused much and even even I caused like

malestate in the stomach So, it was revolvedia, me sentia and I don't see that mural

because I caused even fear. When the past of the time, I went to that's

a mural now now but I asked a different people, oh, and one ever seen

this this mural? Ah, yeah, that's that's the same sensation.

Provocable a person. Provocable something. Provocated and retomando the history

this pass, no, because overpass, even the sensation cobored life. Yeah.

No? So, it's a manifesto. Fertissimo. What way, no, in how can get to

manifester? Well, in the case, the maldard, but also the intention of the

people that not is a big, and say, deja in pass my family and to

manipulate, so at all the quadros of the house, not the one,

to give, to give the message. This This story that you have you have

to tell me recalls to talk this relato this relato

called Isidoro Isidoro Isidoro Okay And now we're to know

why I'm I'm talking about Martin Martin Martin was a

person that had hered a house hered a house yeah

a old a little abandoned discuidate but a

final herencia decided mud of the house where was anteriorment

and to have been the house that had been hered a time, he was to get to make

to give to give us his retockes some some little little ventanitas that recinable

in the night that were that they had this sensation at a certain point

of something something a little tenebroso but little tetric but nothing

out of that not that not that you say well that you didn't

was the ventana. With the past of the time yeah a

little a little to make to the one of these applications

where you can rents spaces for day and months

and and get some new new new of

the house that although the house not not

very not many many sometimes many even the

and the so and there some people to rents with

David and Sandra At the first they were a little disconcerted because the house if was a

little yeah no disquidated as the but I still had their details but

but for the price of the renta decided they were and he had spaces

compartids okay the the the the kitchen the salas

were spaces that that I'd do a day Martin was

doing because he was he's encarged of the clean general

of the house and decided to get various things that

he not not the so the so a

room a dark a dark and with a lot of and

things that normally one doesn't do make a little

but But, while he accommodated the things that had taken from the house to have more space, in a stant,

he was able to see that there was a but this was like emploidated, was involved like in

plastic, like if someone would have decided to guard it. Okay. He called

much the attention. So, decided to develop this quadro, and when

he saw, he did that was his aboelowel, Isidoro, like the name of our story. Okay. Isidoro was his ex-avuelo, and was the proprietor was the proprietor principal of that house. To say, the

quadro, not was a quadro a little, it was a quite great. Like those of the before. Like those of those of those, well, have a certain measure. A retrata. A portrait a big, and in Martin, he was very well, peg, or colgar that

in the cell. It's my vis-a- -s-a- and I think it's a good

way of to honor your memory. For this, Sandra and David, the

inquilinists not were so convinced because Isidoro, the vis-abuel was of

these abelito were of these abelitos with a samelant very marked with this miration

that had the abuelos of the other that they

were that they were that they were that's that's retratated

now in this time in the same he caused incomodid to

David yeah and yeah and I don't not they're

they're they're well at the final to be in the case

yeah one night martin decided to go to

That night, he, I dreamed that he was his abel his-awel Isidore. And he

said, with a voice very imponent and very very strong, Martin, what are

these in my house? Y'Hole. And Martin he's despirta assustado in the

madrugada, he's, what is this? I'm, I'm, I'm, I'm,

I'm, I'm, or, well, a one, a one of, continue

to keep and keep and get and get and then the time a pair of days,

not much and then then he again, but this this time more intense.

Okay. Sient that someone he posse on on the he got

to the from the camisa or the plier the pyjama and he says

what What are these in my house? That's For this, Martin, yeah no had a

past. Yeah, no dormia, and a day doing a little bit, this time in the kitchen,

see what's a silhouette. And he'll go to pass another silhoueta. And then he decided

to go to see, he was his abelowel. That's he had appeared as if

was in person. And he said, Martin, what are these in my car I want to

they're going to if you do you do do you for that's that's what I'm sure I don't know

to anyone I would have not even how to I mean I can't be doing something

like this and think that is a product of my imagination oh and what

and what and what is really is real what I'm what I'm saying this

night this night I will visa. This night I'll say that they're going because I don't

I can't continue with this. I don't continue that my vis-avuel come to

visit me but every is more aggressive with me every I'm that I'm

that's attacking to me. This night this night, I'm going to

get the night and he he's he present again the vis-avuel

in the camera to Martin and he he says Martin

I don't I want to these people in my house you or I say I'm

I'm I'm I'm I'm I'm saying I'm myself then

then the his abel he's the abitation and he

he's he and he and he's Martin he'll get to

get immediately and he's going to the house

where he was an abuel He's Subve the Cama Sault on

Martin and I a object Pumso Cortante in his man

The most Atervador Paco is that he saw how he took in the

man and he he he he What thing to

Mandar to To do to other world. Yes.

Empezo to execute it, actionar it in the body of David. Sandra

pego a grito scalofriante and said we're we're we're we're

we're we're and we got it and we're going to do do you do a

life real? Martin that he was he was he said for why they

they're Evan? He said, A-poc, not you know you've seen? Quenta, Martin. Acabas to

do you to do to my novi David. So, it was he.

It was Martin the that had been on David pressioning this object

against his body. Martin rection and he is full of

the same. He was like the middle. So, but he at

the principle he was I was being like a expectantate like as he

was going to be able to be exactly so that so that he had to be

his life no unfortunately David he put up his and he

said he he said I'm to and I never never to be

to never never never I think that I'm

that had been so of the nothing to present the

car but how he I mean he, I mean, I'm trying when you

do, what he a lot of people that's, that's, and when yeah is done,

when it's consumed, like, I'm, what I'm, so, despantado, being his

hands manchated, so, my, there are things that definitely in this life, not have

in this life, not even trying to understand the phenomenon paranormal, is a little complicated.

And I remember much a story that's the Baja. A Beren,

many people, I think of those that we hear of the time of to go to campar to

a mountain, the serros. I mean I fascina. Although there a bruchas and doends, I can't

to go to those places. They're very frios. There are many beautiful of night.

So, see, well, very, very, well, but they are places,

man, desgracially I don't say, they're those, are so

lindos, you disconnects, you're in a middle of the natural but that's the brunka. Start in

the nature is to be in the naturalness, is to be in middle of the middle of things, in a lot of

things, and I go, it's good for the people who we're always when you're not

you're respectuos and that type of things. But in this story, five people,

of which only I'm talking to talk to two, that is Fernando and is Josue. The other three

don't have so much but the five are in a quarter to go ahead to go to a day of a day.

They were people that were friends and then they wanted to be to be at start solteros to

enjoy because also they also they got a little the mystery so they saw

there in internet some cabas that were a hours subient

some some those So they were put to a To go to To go to To get a

To get To start To start So the The end of The end of Semana It was perfect

To go to This place They're They're They're They're They're They're

The Man To be the Space Appropriated No At Yeah

He said They're They're They're Yeah The Persona that Atendia

this And was A person I'm years working for the duenions of the cabana, over all the principal,

which was the most great, and they said, we're very well, we're offering food, all the commodities. When we went to our cabana, notarone

something very curious, he said, over all Josue, which is the protagonist's principal of this story. A me me took to

do with Fernando. And when we got to the abitation, note something very rare. It was a curious because, entering to the room the first that I

was a quadro enormous. It was a photographia, it said, very big a year, like of the years. 30, 40, something. Yeah, it's a very

borrosa where the rostro, like, the ross of the person's, it's distorteded for the old that's. But me

got it in the image, because it was very beautiful, but I Noted that in the image was a cabana, very similar to where we were.

And in the front there was a family. Papa, mom, and I said, a little. Me kept me looking that, that photographia,

and I noted that was the same cabana where we were. And he said, I'm, look, see,

it's quite in close. The place, the place in all the place in all. It's, yes,

really? That's the family. And then they're going and installed and they were preparing for that

same night to start to make a senderism to explore and investigate but they top around

with the sir that he was and then the truth and I'm the picture that

in my court that's a little about him and it's very little in the cabana and this

sir he says yes actually were the first family, of my

patrons. They used this place, and they're in that cabana, the first cabin where they

did they did they're more cabins. They were the firsts. So, we just we're in the

quarter where they were in the room, and I'm sure I'm not. No, no, for nothing. So,

well, yeah, I had some rosters strange, but, they were,

they were, they'd, they'd, they'd So, they went to investigate in the Bosque, we were to look at some leans, also came, they were some carnitas assades out there

out of. And at the hour to doormir, says Jose in his relato, Paco, I came to the room, I just me had forgotten, but, normally, I see the quadro, and me I'm kind of

I'm like a tonto mirandolo. But this time not I'll hear very rare. I Jure, for my life, that the quadro that I

was the cabana, the three members of the family, but in this time, a light of a window was on the window was made. And I sure that

no light of any one of the window of the was all all, all was all paged,

and when he went the quadro different, there had there was a light there was

a light preendida. And I And I think to my friend to fernando that

yeah I'm in hebrough you know and start desperta you see the

quadro and say yeah you're you're you're and it's tired

there there's there's a light that not was not even in the

and this type then a little between sarcasm he says

yeah maybe a one a light of a photo

so prendo, for favor, doormete. Well, he's he'll

listen to say, but I'm going to say, but he did he did he

really, I would say, I would have that the light was but well,

all, they said I'm kept, I'm sitting, I'm couldn't

and I know, and in that I did like, I'm like to go to the

kitchen to serve a box with a water to get me to

to the quarter and me I demore and I did I'm not able

I'm able it's very very time and again I'm the flash

and I do my telephone and I do to light and oh

surprise I really what I say is it's totally

incredible but incredible because really it really it

that when he kept mirro no there was no member of the family outside

like initially was the husband, the wife and the woman. There was the pure

cabana but it was a very sombria like the the photo initial was in a

day solead beautiful the the quadro was in a scene like

of a penumbra like of obscurity and no there nobody. And you know, for God, that the

light that was oncendida, so, he'd pared. Okay. So, he'd and he's apagab. He said, Paco, I'll be to say honest. De-reepent, me

would've got to my burrito, let's say, but that day I had done nothing. And I'm kept impacted

seeing how that light Prendia and apagabha and I was like an impression that was like I'm trying to

see how I'm going to move us at the same time I'm like like it's a picture how it

the door the door of the cabin and he's out of the father of family and he was

coming and I go that he's directs to me and he says some

words that that never can't you've seen a I don't

know what was going to and I said, you've seen to my child and I didn't

talk about I was mad I was impressioned, was paralyzed I was I'm in a moment

me got a attack of a toos that I began I to hugar me and I felt

that I thought to do the real possible with the hands of the

hands of my companions they're not they're in that moment when I reaction I

had been I'm I'mnecid I'm I'm in my camera but I had the

face mojado so like me made a but I'm my

my my last I'm I'm I'm on the piece

seeing the I'm how I'm I'm I'm what I

know was all was all it was all it was it was all it was all

it was I thought that he had a sonned but no I'm I'm

I'm sure I'm he, what I'm he, he's for pen if you

do you want to because he had noticed that he had noticed that he said

no I'm going to say but in the first opportunity that I

have I'm going to talk with the encarado of those cabas

and at the hours he he halem he's I'm I'm

I'm to tell not is credible, but for favor

try to listen to hear of this. Anoche he he started to say

I'm like the picture, no, that was that he had something,

he said I think that had been a dream and that this sir

me to say what said, less what he said, that he said,

what what was what he was, like he had something. I said,

Lord, I'm for favor because I'm at the border of the locura. I'm sure

that what I was real and this sir only me said, my God, I'll say one thing.

In the life, the things pass from a little. That that's a little that

is in the quadro fellesio to that same when the when the patrons

they were making the cabas there a lake that's the lago, they're

they're they're they're not they're and they started to look to

look to all the place and not they know they're after after

after some days the the body the little was

floating to the river wow it was had awoged but

this sir after that the grand perid those those two the father and

the mother were so they were they were the construction of these cabas were his

other people who they were doing this place and for that we

we're I don't do what you did what you did with that with that

photograph And this person And this person I said The final If I got My friends No,

me Kriyo But until the day of Paco No I'm

Oh I'm A photographia me about I asked for

his son That That story A is That

Furt Yeah One One One one is what we

about at principle, that a image you cause sensations. But

that a photo you have that a photo cover life, it's move,

it's manipulia as as you like you mentioned of the light

titilante without without any effect of stupefacient on

that that's normal. No I think in the energies I think

in many things I reserve for some but when we record we're that the

very phenomenon paranormal no no coherence all is possible totally totally

all is possible and this story that you just you know has a connection with the

relato that's this relato is the story the this is the really

that me me caused a certain intrigue because me recorded a

story that he lived a friend a couple of years

and it's the story of Fabiola and his husband

Adrian and Fabiola were people that were fascinated

with the era with he was much the

adorn colonial barroco of that style of temporary

and decided to adorn to do their house with that style um

formative fours mubles sillons old old colony nothing

that's not out of the common that that was something until

that he got his his him emilio was was received

he was a form very and they were a fiest

because was the first child, no, the primiginit of the family. And,

well, the life transcubed in a normal for Adriene and for Faviola, until

that one day, Fabiola he called the attention while she was

some, the house of the cell, that Emilio was, the little,

was like being, the frisast of a baby. And He heard murmuros, murmurys, murmoyos, murmoolews, and he said, ah, has been Adrian, that's playing with the child.

Well, of the eye, he looks at the kitchen, but he does know that he had a dream. It was a woman, the that was carrying to his baby. No, he took importance, as much of us, as we all times, we're like, like, ah, like, view a sombre, but then, well, it should be any other other thing.

I'll clean and in that his his husband Adrian

enter for another door. So Fabio she gets surprised

he said ohie that not you don't you don't I'm

I'm talking you I'm I'm he thought he

he thought he he he so then then

he's when he's when there no there something. Me, I imagine.

Passed the days. And Fabio, he'll look to be for reojo, she assoma for the kitchen and see,

again, by the door that was a man carrying the baby and giving a hiberon

to the baby. So, then she, with what I had said before, no, I said

with the doubt, and he assomed. So, then he knew a woman.

And he said Fabula, that was a woman with a dark, obscure,

delgated, a little palida, but that had an appearance

a different to the normal. It was like if was a person

of a many years. Okay, and was cargando the baby?

And was carrying the baby. He says, pegged a gritty and he says, Adrian, come, to see.

When Adrian he got, there's no nobody. The little was in his cunner. The

Biveron was there and there nobody. Tercerer time that Favio was to

the fourth where was where I said, I'm going to give to

come. I'm going to sing her song of cuna for that doorma tranquill and again

see a this woman cargating to his little. Curious because this this

time the woman bolt the look to the eyes and he

said I'm I'm going to get to his call the police to who

who are you because not you know you know I don't you know I don't have

seen let me get to my house and the mother simply smiled

and he he said I'm here I'm here much time so it was like

a person real physical so not like something something something

she she was she could could could carry the

baby okay so so And in this occasion, because Fabiolla I thought that at the most could have those hallucinations,

enter Adrian, and he said, what was going to? And Adrian also saw the woman. Okay. With the

baby in his hands, and he said, me going to get to your son. Adrian and

Fabiola no could continue with this situation. No, they didn't what did. No

they were to do. And this story, what my name the attention is

that the woman was a one of the quadros that had been in their

cell. Okay. So, they found the connected, they were

she, they were the image of a woman Spanish of the

time barroca called in his cell. And as they liked

to the colonial, they were this figure. Well, that that

woman was the that was the house and I wanted to get to get

to get to him to be he's he he said why

he you want to you do you what we did you

do what they did with him for to tell this

story I want to say that Adrian Fabiola

and Emilio took to abandon the house no

but but no So, no no no no no

unfortunately but we don't know if if that is the one of the manifestation

or if someone no has or if someone don't have in your house

oh that I mean I do you I'm I mean I

love much the thing medieval but I think the intuition

never we when you you see that that that

or something that no accord to something that that's that's that's good, I think

to be to be that's that's that's and then to try to try to

to ignore it would be the no, we have to take action, we have

to do something because for something our our spirit us

is saying, or how he wants to give God

the universe to you is saying that is

dangerous or that's that's that's that's but imagineate

that they get to the conclusion that were the woman of one of the one of the

one of those years in those years in their in their reality when she

was alive what they they're they're that they did you

did they're a little about the question because no, no,

no there's there is that the woman they sequester

on the man okay pardon for the power No, no, it's

That's what I'm going to It's justragered to His son And unfortunately He was privated Of the life Oh, God

That's, What, What, I mean, I said, I always I've said When we

When we're Let's in the Histories A, a little Yeah, the history took a

Hiro totally Hasid to me Yeah, like, oh, no,

it, or no, so sinister to terminate this episode, how you do you know,

I think it interesting, no, I mentioned at the principle that this story

me record to a lot of a friend, he's very very that he

a night was in his camera. Casualen he had a quadro

because he was he was and he normally he'd discargababab images of

internet those imprimed and those had a night had

to terminate of his quadro but he had the

quadro of a woman in his abitation are the

hours of the madugated he he's very too and

he and that someone so so he unded the colchon

and he thinks that is one of his company he he's

he's he's he's he he's he they take the

person and he he's but without the eyes and

they're going to move and then when he was a woman with a

little long palid sentada in his colchon oh in Bendez

for so I remember much when I was reading the

relato my my friend he was spanted so there was

there was there and the place where was that was almost in

in the middle of a camp and the house was unique, no? So if the history is because possibly

happened. No, clear. I always said that all the story or even all

a legend has an origin. There's there. There's a real that inspired

that, that legend, that history for the which all has inspired.

So, there always in every story that is there

and that is repeating in each one of all the stories that get, that's that they're that's

and the and the person, you, and I'll the audience, not you're who's who's

a protagonist of one of these stories. Amidgo, much thanks for

accept that invitation. We can repeat in your social. Sure that is

Rush podcast in YouTube, and like in Instagram, Israel Cruz

in Facebook. And And I approach to Paco, for the million of subscribers. Oh, thank you.

It's a little bit but they're much congratulations for all this and that the exits

see. Thank you. Thank you. Thank you. Thank you, family. To all those who

get at the final, I'm a great a brazo and you know that we

see in a next episode. Until the next episode. Until the