EXTRA ANORMAL - Historias Aterradoras en Carreteras | La Entidad del Niño me Aterrorizaba
Episode Date: December 27, 2024En este espeluznante episodio de Extra Anormal Podcast, recibo a mi amigo Luis Medina para compartir historias aterradoras y paranormales que ocurren en carreteras. Desde apariciones espectrales hasta... sucesos inexplicables, estos relatos te harán pensar dos veces antes de viajar de noche. 🕯️ ¿Qué hay detrás de estas leyendas de carretera? Descubre los relatos más oscuros y siniestros que combinan misticismo, terror y lo desconocido. Prepárate para un viaje que no olvidarás. 📌 Suscríbete y activa la campanita 🔔 para más episodios llenos de misterio y terror. #HistoriasDeCarreteras #TerrorParanormal #ExtraAnormalPodcast #RelatosSiniestros #Misticismo - - - - - - - historias de terror, podcast paranormal, relatos de horror, extra anormal podcast, paco arias, Historias Aterradoras en Carreteras, Historias Aterradoras en Carreteras | ¿Cuál es la Carretera Más Aterradora que Existe?, cuál es la carretera más peligrosa del mundo, relatos de miedo, camioneros, traileros, cuentos de traileros, historias de traileros, historias de terror en carreteras, historias de terror de traileros, paco arias podcast, historia de terror, podcast extranormal, Historias Aterradoras en Carreteras | La Entidad del Niño me Aterrorizaba
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He said, I goro, rapid to my carmion, and I'm seeing.
And when he's got into, up the carmione, friend.
So, a sec.
Algo.
Arriba.
Handa.
He said that in the madrugas,
he'd be able to sleep and he
gave a paralysis of the
and see a this
man parted in a
corner.
The little
started to comeinar
to where he
and he said
always the same
the same.
Why not
me helped us?
Why not
us helped?
Go to be able to be able to
go to be able to be.
I'm going to be able to be.
What I'm
Paco Omba
Beko
Beard
Beard
Bech
How,
Amidious,
to a
episode
more of podcast
Extra Anormal.
My name is Pacuarius
and I'm very
happy to be
here with
all of
you
in this
new episode
family
we're the
visit of a
man who
someone who
had been
with us
and he
has been more
a year
and that
really put
very content
that I'm
my
my friend
my name
my
my
nice
you know how
you're
a pleasure
to be
in this
podcast
marvellous
that wow
great
stories you
have
talked about
and
he got
surprised
of many
I've
I've heard.
Grands personalities.
And, well,
I'm here
again.
Thanks,
for accept to
get the invitation.
Thanks.
Yeah,
much people
had paid your
participation
from the last time
that we've done.
Two episodes.
And it's your
third episode with
us.
A third.
Yeah,
if me
in some
arugues,
pardoning.
Yeah,
it's a lot of
but well,
here we're
not, no, no,
no, there's
a lot of story,
that's a day of
the day of
something.
For favor,
if you're
new in the
platform,
that you're a member official,
how subscribing to
is totally
gratis.
Subscribe on YouTube,
activate the notifications.
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on the news
of podcasts,
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can continue us
and activate
also the
alertas
for that every
every time
that we
do those
capitals,
you're
you're
and you
know,
you're not
never to
get those
in-vibos
of
it's normal,
where we're
making
investigations
made
for here
his servid
Paco Arias,
investigations
that we're
doing
of the
camp
and cases
of
that are living
experiences
paranormal.
And this
night we're
a time
quite interesting,
one of those
that has
even much
time we're
a lot of
a time
that many
people are
to feel
identified,
identifications.
And is
that the
theme of
the spectros,
the phantasas
or the
spiritus
that can
can be
visualizing or
that we
top us in
the carteras
is a
time
quite
quite
a lot
I'm
that I'm
so
I'm
this
time.
Yes,
but the
case of
carretters
embrujadas,
Herman,
what do you
do you?
There are
many,
many things
that even
much
people have
to know that
even
even having
to know
on carterteras
solitaries
or with
certain mysticity
because
if you
can get
a good
susto
because if
see
in things
paranormal
fithate
that it
is curious
much
people
have lived
many
many experiences
in
caretera
the
cases that
we're
to
talk
in a
rata
more
some
some
me
have
has
been
because we
have
toped
with
things
that
have
to be
with
little
with
little
in a
life
in a
form
so
brutal
and
his
spirits
and
they
get
vagando
in
certain
parts
one
person
me
I
said
that
not
good
you
see
that
when
when
sometimes
when
they're
man
to
make
to
these crucesites that
are putting
a person
in the
aspect spiritual
me said
that this
not good
because it's
like an
enclar
the spirit
or the
soul of the
person in
that's
and that
is repiting
one and
that simply
is there
and that
can't
that can't
that's
you know
that's
I don't
I know
I don't know
but
what you say
is that
there are many
stories
hundreds and
millions
stories
that
So,
not only is one,
we're
about
of spectros
that have
forms very
rare as humanoid
or even
even even
even as
an amazing,
that's an
amazing that's
even though it's
even asombrose,
which is the
thing is the classic
of classics
for the suresta
of the country
and I've
I've heard
much
of that
I don't
see if you
have
heard of
or you have
I've lived
I've seen
really I've
seen much
I've seen
I've seen
okay
they're
going to
yearba
are they're
going to
something
but really
are things
that you
say okay
that's
okay this
movement
not normal
of the
fire
it's
something
that
well more
we're
going to
talk to
talk about
things
that
your audience
you're
to be
you
have
a experience
with
a
like you
would
to start,
something that you
have lived
out of the
cases
that we're
that we're
sure of
the carter
do you
do you know
for those
who don't
know for those that
not know
for those
we're just
yeah
almost
seven years
to be living
in the
city of
Guacca
of Juales
Capital
so in
the time
of COVID
because
me took
to start
incerated
no
I've
the opportunity
to
get my
my auto
my car
and it
was the
first
that
to manage
carterra.
And I
have
much
respect to
the Sierra
Juarez.
We've
talked about
of her
and we
have been
a carterer
very
dangerous.
Yeah,
much,
but
before
that's
for example,
I
took a
little
curious.
I don't
do
do not
I don't
do
do not
there.
There
many
when she
can't
get a
and
like someone
in front
of me
she,
he's
a question,
and
get noce
noce
open
and they
know.
So it
transport.
That
so
it's
how
What beautiful is, because
a lot of
that's super
cansed and
you're in the
city, no?
And not you
don't see if
the voyage.
But generally
I always
still still
I'm a
expectative,
no?
I'm a
quenka
express,
I can say
Markas?
Yes,
pardon.
Of those
urbans
that
are going to
different
places,
I'm
going to
get to
my city
Natar.
Well,
in this
occasion,
I'm
always I
like in the
part of
in the front
in the
cintu
number
three,
because my
altitude,
my
my feet
could
extend
In that
There was a
There was a
There was a
There was
I was in the
morning
to my city
to my city
without
no
But well
yeah I was
you know
the
curves
and you know
and it
began
the brum
and it
it was
it was like
for this
time of
sembrinas
yeah
I said
no
well
go ahead
go
I'm going
but I'm
going to
but I'm
but I'm
talking to
talk about
with the chauffeur
and yeah
the chof
my
that's a carathe, that's where, no?
And we're all
like, like, de-repancy, you
see, and pass a little,
to-t-t-tru-crow.
Corriending.
Corriending.
Encoerated.
No, man, Jesus.
Encoerated, so,
and I get, so,
and I'd like,
like, and I'll be,
like, like,
to be, the chauffeur,
and chauffe.
And I was, like,
like, he,
he, he, he,
he, he, he'll be,
ah,
tranquil.
So, he,
yeah,
like,
so, and I,
and I,
so, and I,
I do,
do you do not,
that you
like two
years
corriending
encuered
at the
night at the
middle of the
sierra
where there's
where no
there's
and a
and without
and without
and without
and so
I'm
so I'm
so I'm
like
feeling
you think
you think
you're
you
think it's
the
man and
there's
the
man.
And the
the
man's
and the
man's
so you
see
that you
see
to say
chan X
X
Oh,
they're
similar.
In the
sureste
they're
they're
um,
uh,
uh,
Aluches
Alushes,
pardoner me.
And there
we have one
three.
Alushes.
And I'm
said, okay
and said,
yes,
here constantly
and the
and in the
sierra,
there are many
parages,
there are
cabana
where one
can't
to be to
get to
get to
get to,
then
then
it result
that
many of
they're
this
you
do
they're
and
much
for example
a
one example
three
of the
morning
they're
they're
they're
saying
we're
in the
middle of
the
middle of
the
where no
there
doesn't
pure a
pure natural
but
so
it's
it's
like
so
okay
so
so
and so
so
so
and so
you
do
I don't
to
pay
five
or
five
in the
cabin
then
I'm
to
I'm
to
do
But many
times when you
go to
you can
do you can
get travisures
or you
can't
or they're
things
so they're
so they're
not so
not so they're
like
like oh
like I'm
no
but you know
you
see things
so
so little
little
little
little
bit
and then
and when
for example
and it
has passed
I'm
I've
I've given
I'm
going to
I'm
so I'm
when you
when you
logas
see
that plastam
that
that's like,
like that's
a popo
of a
back,
so,
so,
like,
like,
it's like
it's like
it's a
and it's
a lot
like,
like,
like,
like,
I don't
see,
lode,
but it
like that's,
so,
so,
so,
so when
you,
you know,
you know,
you know,
something,
something,
something,
something,
something,
something,
it can
pass to
a car
or to
do it,
it's
so,
yeah,
he said,
he,
he,
he,
And then, most
ahead of the 20 kilometers,
for the
nada, it's
just in gasolina.
And those
companies are
that they're
a day to get
of six hours.
No, and
apart to,
that's
they're prepared.
And so,
and it's
got to get
in gasolina?
And it's
so three of the
morning,
what I said?
No.
A.
Choirs.
And,
well,
he, he
took to
say,
pardon.
Okay.
And,
well,
you're going to
go to be
the chabasso.
The gasoline
there was.
There was.
There was.
here, but
of the
reverse,
he
for offrenda
he gave
cackettas
with milk
there,
where he
he was
and he
and I think
that was
like those
contented
and it
but well
it's a
what I
see,
that I
see,
I'm okay
there,
wow,
see there.
Fidate
that we
know,
we've
talked
of many
cases that
are in
carterteras
and with
this I
want to
do this
Juvia of
stories.
That story
the
part of
Emilio
or
better
said Don
Emilio
a
man of
his
years
that's
his life
he
did he
to this
job
to be
a chauffeur
to
get
a
driver
to
different
types
of
I
have
to
in the
carterter
has
passed
tragedies
have
many
many
people
and
many
people
have
been
in
accidents
and
a
Sometimes those
people
not
go.
They're
they're
they're
in a
form
or other
they
maintain
in this
place
repiting
the
moment
of
his
murder.
I
know
that
great
part of
her
and
she
working
in
this
job
of
chauffeur
and
he
in
his
corre
we
he
he
took
see
many
many
things
strange
in
the
car
raider, sombras, animals, with figures very raras, but
never had lived something as far as in that night.
We said that he was to leave a cargament to
exactly 12 hours of the
time. So, he was to go to a part of the
south of the country, to the north, and they
are like his routine. So, so they're going to
listening music.
They're basically
very concentrated
in their
work.
And it was
exactly
were at the
one and
the two
of the
morning.
He was
managing.
There was
a moment
very
rare.
The moment
exact is
when he
he said
the carter
at times
you do
indicios
of that
something
do you
know how
is like
know
it's like
an
intuition
of this
of persons.
With only
to see
the
carterer,
you know
that something
not really.
In that
moment,
that night,
he said
that he
said that
he was
completely
only.
And at
the
long,
to be
a figure
in the
carterer.
He
thought,
well,
at the
maybe
is someone
that's
saying,
that's
very
common,
but
conform
he was
he was
acercando, the figure
is going
being very,
very,
very tangible.
It was
he'd
know that
no one
was the
figure of
a figure of
a man.
He's
he's
a look at
a little more
more than six
years,
paradito.
So, in
that moment
he got to
his radio and
he starts
and he
he'll go
to sitar.
He's
report and
says,
see a
boy a
side of
the carterter
and it
is that
is
asking
help.
In
In that moment, the base
he responds and he
said, Emilio,
take care
we know of
various assaltos
in that zone.
Ten much
care.
A person
of the
advertency
that he
did his
base,
he was
going to
he was
going to
this little,
he'd
know that
the little
little
manchitas
of the
hair in
the rope.
And he
he said,
no,
I think
that's a
trap or
no I
think that
something
to be
that's
the little
is the
little is
He goes descending the
velocity
Buske
stationer to
Orilla of
Carretera
He back
and the
little
he gets in the
part of
paradito
sin
He's
He's
He's
He's
He's
something
the
carreterer
is that
was
getting
of neblin
completely
He
he starts
to come
to where
he was
he was
with his
Lamp
and he
he's
he
you're
you're
you're
you're
you're
But this
little
he responded
only with
his manita
signaled with
his dedito
to where
was the malice
where was
the Monde
but he
still was
very dark
not,
no, no
he was
to get him
and he
said,
you're just
what you
do you
start a
monton
of a lot of
questions
and in
that moment
he was
no,
no respondia
nothing.
Sino
until
the moment
where he
he's
to get
to this
he looks
to be
the
Rostro
him
he
something very
very
very
very
I
say
Paco
when
I
see
the
I'm
not
I'm
don't
look
see
very
because
there
much
obscured
but
I
can't
that
his
rostro
in
the
part
of the
and
the
mehia
this
part
of
he
was
he was
on
and
he
okay
when
when
I
see
when I
see
completely
paralyzed
and
the
man only
look
with one
and the other
eye and the other
eye practically
he had
to get a
back and
only he's
just the
point about
with the
little
he was
and this
little to
go to
go to
after after
and he said
like if
the neblin
he had
tragated
he
started to
disvanes
to disvanes
to say
I in
this moment
I sent
how the
heart
me started
I'm
started
to
letir
to a
form
so
I
sub my
unid
my unid
I
but the
tranquillity, the
desperation of
to be a
see a little
with the
middle of the
rostroasted.
What was?
What was?
And he
he started to
receive the
reportes of
his station
saying,
what was
all right,
all in
order,
we're
talking.
Yeah,
because
many of
those
units have
in the
situation,
they're
in the
time in the
time
real.
And when
they're
getting,
oh,
why
you,
why you
did you
don't?
There
for him
were no more
of four minutes
the station
he was saying
you're saying
you're
talking about
45 minutes
okay
what happened
what happened
he detour the time
he detour the time
and he
he was
he was suading
and he
only said
all in order
no pass
nothing
no no matter
no pass on
nomatic
all good
all well
all bien
all well
he didn't
do anything
but
man
the image
the image
the image
that
crud and
so
that's
explicit
he said
he said
he gets to
his
destiny
when he
he was
he had
a temperature
high
yeah
he had
had
got to
get
he said
he said
he had
to
get to
last
he was
he was
he was
he was
going to
go
and
he
he was
he had
he
had to
he went
to
the
day
he went
to
he
this
child.
He
said that
in the
madugated
he
was to
sleep
and he
gave
a paralysis
of
and I
see a
this
man
in a
corner
the
man.
The
little
he
started
to
where
he
and he
said
always
the
same
because
not me
you
don't
us
because no
us
and it
was
and it
was
like
a
torture
for
him
and
he
he
no
knew
what
to do.
Passed
the
times
and some
people are
some of these
kachimbas
that are the
places where
they're
and they're
they're
they're
they're reune, no?
He would
have to
another
voyage and
he's
he's
encountered
one of
his same
line and
he said
no,
Emilio,
what was
what was
what was
what you
report
you?
It's
was the
yeah?
It's
did the
and he
he said
what I go
what I'm
I'm
I'm
I'm
I'm
And, before he
he
to tell
to what
he said,
you know,
he's
to be a
little.
You
salvast
Emilio.
Hours
before,
there's
some news.
A family
was circulating.
And that
family,
that is a
trom
very
dangerous.
And this
family
they're
they're
they're
and they
they're
they're
going to
in the
intent
to defars
he,
they're
they're
they're
a
family.
The
vehicle
they
get in
the
mountain
and the
most
cruel
that
is that
is
that
they've
a
little
of
six
seven
years
to
they
they
they
they
they
in the
head
and
he
when
he
he
did
they
they
they
they
did
so
his
his
face
his
right
Wow
Recorded
How he saw
How he saw
That's
He said
And he
He said
The he
He was the
No, he
Not was the
No,
he had
passed
Many hours
of that
that had
succeeded
It was
impossible
that the
He was
Obviously
It was
His
was his
spirit
He was
He
And that
He
He
that's that
during that
that encounter
as a
little,
a little
a little
so he
went to
little bit
in the
neblin
how he
not he
was simply
with his
head and he
was in
that he
was his
mom and
his
father too
and
really
there were
in the
bodies
those
they were
in
putrefaction
in putrefaction
in
putrefacion
what
what he
says
and he
me
he said
he said
I'm
so I'm
so I'm
you know
what I
have to
do you
have to
do
in
one of
those
Corridas
that I
had
for that
route
I
frened
and I
gave some
those
I'm in
that I'm
put to
even a
cross
and I
gave a
belles
and I
prays
a
an abe
a
man a
a
Mary
and
I'm
I'm
and a
part
of that
day
I'm
I'm
I'm
but
they're
but
they're
the words
of
why not
you
don't you
did
my
mom, my papa.
Yes.
No, man.
So, that's
really.
So, and you
know, and you
have a reason?
Well,
I can
say one that
he's dedicated
to the
health.
I've seen
many cases,
many people
that falliesing,
no?
In what
particular,
I've
seen how
falles
literally in
a camera.
Me
has taken
even,
I've
to take
to take
a moustra
to the
patientitos
because I
don't,
we're
we're
we're the
humaname
possible to
save
the
life, no?
It could be the
audience
that you
dedicate?
Ah,
pardon.
But for what
you know
for the podcast
past
has been a
much time
I said,
I'm not
again, I'm
doing, I'm
a chemical, pharmacobiologist,
I'm
a hospital.
So,
and our
ordinary is
is to do
the
laboratory, and
apart of
what we
take to
the person
to the
other, we
don't know,
where are
the patients
where are the
patients,
different,
and I'm
took the
case to
be in
the hospital
precisely
where
where,
suppose
we say,
For favor, to come to the camera, 230.
Muestra.
O'Ral, you're going to take a mouser.
Yes.
And me took, palpare the venda to the
Lord, all the moment that's
piquing, I pico,
so I sit in seattle as soon as in vena.
I'm, I'm going to put those tubs
that are in the same,
but no sound like nothing.
And so, like,
but here is, here, no,
I'll, I'll just say,
in the vina.
Yeah, sure.
And, p.
And I'm, no, no, I'm not.
No, I'm going to keep it,
I'm going to put another new.
Provee like
five, no?
And I see
the monitor
that was up
and I
see that
the little
line that said
T-i-
and I
go to the
woman that
was there
was a mania
and I
said,
I said
for the
time I was
so I don't
me
I did
and I
like that
okay
and what
what's the
no,
no no
no
so I'm
so I'm
I can't
say to
oh yeah
your
patient
he's
Right. Simply in my case, the
She said, ah, not? No, I can't
be in a bit too. I go to the
bathroom, no? I mean, I kept there
with literally, yeah, the
Lord that I had fellecide.
I, only
in voice, so
no, I didn't, I think,
well, you know,
you know, we did
we did not,
in the hospital
all the mannament
possible.
If you have
to be the
name, I go the
name of the
Lord,
Adelante,
go with God
for your
pecas. But
always
I want to
a good
way to
get a good
because
precisely when
you,
I feel I
sometimes when
you go to
when you
go to
work as
all,
many things
of that are
some energies
very strong
that they
can't
get to
your house.
Sure,
if you
get them.
So,
so it's
good.
So,
I'm sorry,
so I'm
saying, well,
decide
to be a
good
view,
to say
a parent
of us
if you're
a person
religious
and,
but
that you
have
been,
but
But if I've
tried
to be
cases
so that
I'm
like to
like a
cadaver
mues
not really
and things
things have
passed
in the
hospital
that's
in other
podcast
if you
is that
auditsia
me
care
of hospitals
of the
hospitales
there's
great
yeah
this
with a
fourth
time
why not
because no
because no
because no
so
is
and
fifted
about
of
carterteras
you
have
you've
you've
done
you've
manage.
Of course.
There are, well,
there's a
very famous
that I don't
know why
not the
problem I'm
like it.
It's the
carnet
that I was
to Oaxaca
to Puebla.
The Wacca
Pueca.
Yeah,
for Tewakhan.
Yeah,
how's called?
Klawitapant.
Pardon?
No, no.
No, no.
So,
we can weissue.
Well,
there's
a point
very famous
that is the
that is the
people
and Oaxaca.
It's
a point
large,
great
that
makes
like a
u
no
many
many
there
there's
about
that
when
they were
when they
were
that they
could be
and it
and it
and it
and it
and it
and it
and it
and the
people
exitaries
of there
bigitos
of
people
that
people who
people
that puram
in
Spanish
they
they were
never
never
to
this
carter
because
the
the
devil
no
He said, and obviously the engineers, no, ah, what are they doing?
I'm saying, I'm going to say, I'm going to say, this is a lot of
this one of the area, literally, they're a malita, no?
Where we don't know, we don't met us, here's a deemone, and that's a deignor
reclama, no?
So, many engineers, or the stories that say, no,
that when something happens and the devil reclama something, what is what is the
always. Almas.
So, well, is what you
say in the stories.
Yeah, and literally
they've been
built, I think, a point,
this is the story
that I'm paraphrasing, a
point, and they're going to
an engineer, so
like celebrating, that
yeah was, no?
And, of a
plumber.
And it's,
it's a, it's a
carada very,
very, very,
it's a, really,
it's a cano.
So, it's a cano.
So, are like two mountains, the
point, and above are
like, it's a 80 meters of
depth of, wow, so many.
And so it's a callada
a lot of, quite,
so there were,
various, various persons,
various,
various,
people, like,
almost 15, 16.
Wow.
After that
they've got some
those,
molied,
because he's
fell rock and
all over here,
they,
they've been
to build,
and this time?
There's,
there's parable.
Wow.
There's a
place,
there's been,
even so
that there are
some
cruises
and some
there are
some of
there's
some of the
people of the
people who
for you
to make
to build
that point.
That's
it's
it's like
to get the
name and
yeah
we're saying
but
we know
that your
audience
put you
know that
that's a
famous
point that
that's
spectacular
but
but so
are things
macabrosas
that you
do you
do you
and as
you say
in
all Mexico
no
more than in
places where
the
brujeria
or the mysticism
of the magic
there.
Obviously in the
south,
we're
we're all
about many
around to
get to the
catemaco
that is a
little bit
a magical
literally in
all those
aspects.
Wehaka
that,
wow,
have many
stories that
that I
have time
to tell
and Veracruus
too,
and Veracruz,
part of
Pueblo
and
obviously
in those
in those
peopleitos
where much
people have
seen things
but for
them is natural
but for us
not we know
if it's
something that's
a six
much people
see what
the people
yeah
and they're
their experiences
and they
in many
occasions
us
notvirten
of certain
things
they're
they're
for their
experience
for the
years that
they've
and also
there's
stories that they
are
doing
and stories
that they
they're
themselves
vivied.
We've
made of
many
things.
The carretters,
the
bridges,
that too
you know
to do you
know about
a moment
and it's
said,
you know,
is that
the devil
cobra
well,
you know,
that many
many times
these
these
great,
I know,
how
call the
structures,
constructions,
constructions,
and of the
engineering
modern.
Exactly.
Not they
can't
conclude
if no
there
blood. And it's that
obviously, you know, well, engineers
civil, that study all their life,
that make calculations exact, engineers
that come to other countries,
check in the topography of the
zone, see the type of
the type of year, that's,
are people very
studied, very prepared for
to do these mega-obras,
and that's
that can't, that not
can't conclude. No, and that are
that it's for a
theme spiritual, no?
That's, that
was even in Merida
when when
they started
the constructions
of the train Maya.
Yeah, that they threw
the famous
Yeah.
A pyramid
that they've been
done in honor
to the Salus.
To the Salusians,
no,
and that they were
they were not,
they were not,
they were
to have done.
So,
they were
to get a
put up to
and make a
ceremony,
and try them
a cerrote
Maya,
and only
actually,
well,
no say,
right,
ultimately,
it's the
last of
the case of
a photo
of a
trailerer,
no see
if we
can put
on the
in the
in the
front,
the
right,
we put it,
on the
where,
when
is a
photo
to the
because the
moon of
the moon of
October
are the
most of the
people.
But this
sir,
no,
he's
that the
moment to
to take the
photo
to make the
to make the
bussand
the autopista.
Okay.
And if that
did the
video?
It's in
a photo.
In a
photo.
In a
photo.
In a photo.
In a photo.
No,
it's like
a color
coffee.
It's like
the luna
and the
carterter
and
it's
how something
that's going to
like if you
have in
a little bit in
a lot of
I'm
kind of, I'm
like, and
it's like,
and it's
a lot of what
it's a lot,
but it's a
very rapid,
so,
it's really
that you
can't
get to get
in camera,
and look,
this trailer
took the
fortune
to capture it
in a
photography.
Wow.
Fiatte
that,
right,
with the
thing of the
security
that manage
much trailers
and
go in the
cameras
grabando,
no?
Yes,
to the front and
back and
back.
It's more
probable
to find different
evidences
that are living
in carretera.
The normal
always are the
spiritos
that are there
or the
almas that
are in a
same place.
I'll
let you tell
the next
story,
or you
want to
you want to
you want to
one,
and I'm
that I recorded
that we
got in
Wauaca
in a
man of a
okay
that story
that I'm
to tell,
I'm
the voice
of the radio
and the
manned
Leonardo.
I have
to say
something.
Dentro of
many
the
family
extraanormal
me
ask,
me have
asked
Paco,
the
the spirits
have
access to
the technology
to
control
different
apparatus
electrics
or
simply
give
us
messages?
And the
response
for this
question
is
yes.
I want to
do a context
of something
before
to tell
this story.
Dentro of
the investigations
that we
do we're
in the
explorations
we've got
a radio
that is
the Speedbox
and is
known for
many people
for those
that is
a radio
that is
a radio that
you are connecting
with different
frequencies
and at
the same
time
you are generating
a
a rido
a hiss
the famous
the famous
kh
so
clear
like
static
Exactly.
So this radio,
this radio,
so it's
going to,
it's
going to,
it's
and they're
like you
hear you
like,
things
in a
sense,
but,
oh,
and a
lot of
things.
The intention
of,
to occupy
this
thing in
the exploration
is because
supposedly
the spirits
you can
give a
message
at the
through
the
radio
capture the
frequency
and you
can't
to hear a message.
So,
it's when
it's when
it's
when we're
a lot of
we're in
a lot of
there's,
and we're
there's
a little,
so,
so,
so,
so,
so,
so, and so,
so,
so it's,
not,
say,
that's,
that's,
you're going to,
you're,
you're doing a
car,
and you,
and you
look,
and you're,
and you,
it's nobody,
no,
is nobody.
Like,
like,
the v,
he,
he said,
who,
who said,
who said,
who said,
Who's just alone.
Yes.
It's a classic
too.
It's a classic too.
Yeah, and me
has passed.
Many of them.
No responds, no.
It's malo.
It's malo.
Yeah.
But.
No.
You know,
you know?
And if it's
something that
they need
to help
of something.
But how
to know?
Exactly.
Well,
this radio,
what does,
is that
is that you
go down the
messages.
Yeah,
I did this,
I can continue
with the story
because they're
to know
because I did
the context.
That's
to do
Leonardo and
he occurs
in the
year 2001.
he is
of Guatemala
Saludos to
our brothers of
Guatemala
and I'm
a very much
thank you
us and he knows
he knows
he said
he was
he was going
on a
one of the
many of
many of
and he
in that
he was a
person
of a
many and
many and
40 years
he
he had
much
experience
managing
in
carretera
and
he had
a peculiarity
he
was much
to listen
the radio
to
hear
what
He had the locutors,
the songs that
ponied.
And he said,
my camion
had a radio
very biggit.
Of a
but with some
trancasos
yeah,
like,
like,
as new.
As it was a
classic.
And that
occasion,
this occasion, he
said,
I was to
transit to
one of the
carterteras
more
dangerous of
Guatemala,
where there
many many
many people
have per
the life.
And,
well,
look,
to the
vivas,
says,
the
really,
I was
a little
to
do I'm
to be
to be
to be a
little bit of
the limit
but because
I'm going to
the
carreterer
all the time.
So,
so you
you're
going to
confidence,
sure,
security and
like you
was
you're going,
then you
know,
I was,
it was
well,
he was
quite,
he was
quite,
and I
was listening
my
songs.
In a
moment
of the
nada,
the radio
began
to cut us
like it's
sonating
and like the
sound and like the
sounding
and he
and he goes
and he
and he says
this
porchery is
this porchial
and he
and proceed
to give
his trachas
and his
trancas
and you
yeah
like
it's
the music
sure
still
continue
managing
and
they're
like a
five minutes
and
normally
the radio
starts
but this
this
time
not only
only
he
can't
enter
or
agar
an
interferency
that
provok a
giz
a
or so
like he
he said
well in
what in
what moment
if I
don't have
changed the
station
he was
he was
trying to
try to
control the
radio
he changed
the
but I
no
I don't
have
any
and
he's
I'm
and
he's
that he
that's
that's
that's
that's
that
he's
he does
And, of good at firsts, he
heard something very
extrano, and he
me, he'll describe, and he'll go to citar.
So, he'll hear some
words, but
like if they were in, so
very, very lehous.
That purably, you know?
So, I mean, so,
he was managing, and the
windows were up, and the window
and he could hear the volume
out, clear. If he had to try the volume
above, then you'd be able to,
then you'd be to hear, so no, no,
I was going to hear it.
Sure.
So,
so he was
very
little,
he perceived,
and this
he said,
Cueado.
So,
okay.
And,
and other
again,
he said,
but this
time,
yeah,
it's a
bit more
more
more,
but so,
so,
are so,
so,
very brusques,
Cidado,
Cidado,
very secas.
And then,
and then
after,
after some
minutes
he's
he's
different
words.
He said, carabana,
cabionettes,
carrow,
family,
care.
So,
they're going to
get to
these words,
and he
didn't know
and he said,
he said,
that's,
that's very
strange.
But,
normally the
radio
was going to
the gis,
so,
so,
and he
and he
he was going
and he
thinking
that was a
type of
the,
well,
but
well,
apaga
that and
he's
when, that one at first
he'd know that a vehicle
went to excess of
velocity and
he'd re-bassing
in raya-continua.
He baza the velocity,
the barra,
to give him
to be able to
incorporate and
after that vehicle
went three cars
like camionettes
but those
modificated
with yantas
that were in excess
of velocity
that the chauffeers
they were possibly
passed out of
alcohol
and they were
very rapid
and they were
like in caravan
and then
three
and atrace
of those
three
caminets
were two
vehicles
particular
he
he said
that when
he
he goes to
see how
the
last
the last
carionetta
he
free
the vehicle
of the
back
he's
but the
ultimate
no
can't
to
to fernars.
Choca,
he's
pegged in
all the
front and
this makes
that the
carl's
destabilize
and the
carrow
and the
carter of
the carreter.
He said
Paco,
I
recorded,
I remember
because
I saw
the cars,
the
messages.
Cuidado,
carabana,
a
cabinetta,
family.
Yes,
like he
he said
immediately
I'm going
to the
velocity,
back,
down,
going,
and he said,
Paco,
I'm going to
do it,
to impact to
impact to
the last car
particular that
he got to
get out of
I'm
back very much,
it was a
family,
they were
like three
children,
and said
none of
them of
no,
only was
the
sacudadone
of the
end of
the part
in front,
but
he said,
if I
would have
been at
the
velocity that
I had
I,
I would
impact
to the
part
of the
back where
were
three
nine.
Wow.
I was
I'm
a lot of.
Sure.
It was a
moment
fulminant
instantane.
Yes,
he says
from the moment
that I
saw the
lot of
the car
that came here
something,
something,
I said,
detent,
be a
back the
velocity
and the
messages
were in
his head
one and
other
and other
and said
I don't
I know
that I
said,
I don't know
I'm
then I'm
in this
then
then I'm
of the same
age
and
know that
my
carmion
he was
to plaster
to three
little
and say
I don't
where
came to
that
the message
I don't
how
I received
I'm
I'm
but
I'm
so I'm
so you
imagineate
no
manches
the
those
messages
that
come
on
the other
of the
other side
of the
more
of the
more
that
that
that was
like
A, yeah, it was a
advertency, but at a little time,
it was a form of
evite a tragedy
fortism.
And you'd be there
been, what have been?
What have been?
So,
an angel of the guard
for that isle?
Because there are
people who are
people?
Sure,
yeah,
so, yeah,
so,
yeah,
protect.
Yeah,
I don't know,
if you've
seen,
this,
like,
um,
a famous
TikTok,
I mean,
I did much
me know,
I know,
I know,
because I
know I've been
of
the night,
uh,
where a
person,
this,
he inca,
And I don't know what type of
programs is where
detects
it's like
a kinet
that's like
pointitos
Yeah,
yeah,
and he's
his skeletons
exactly
and he's
only
and really
see how
things
they're coming
and something
and something
like that's
allas
he gets
up of him
and it
and he's
kept
in what this
person
is overando
I'm
that's
I'm put
to the
penit
to the
So there are
So there are
things that
They're
They're
They're
And we're
And so
good
and bad as
because of
there
Yeah,
I'm
Do you
make you
make sure
the
The pillow
that's
famous
of this
man who
has a
mechon
Blank
that
that says
I've seen
I've
seen people
know
I'm
yeah
well
one
a scene
precisely
of
that
is when
this
person
it's
he's
just
only
with
a
grabator
and
he
went
to
where
and
the little
like the
like the
so he's
so
the sir
like being
listening
the story
one and
another other
every other
listen
so he
he's
he's up to
all what
does
and put
much attention
and
he began
to hear
that was
someone
that was
so the
then so
he was
because
someone was
talking about him
and he's
there we can't
also we can't
things,
can detect
things much
more
sensible than the
the o'id
human.
Yeah.
And,
so,
are those are
things practically
that's
to use up
to look at
the more
other than
the SPIRBO.
The same
Uyha,
parishes of
radieste
Yeah, we
know, we
have been,
you know,
in the podcast
has passed
of a
past, a
little
people,
also can
find the
small
of the
water of the
car
in the Rue
Papalopan,
famous,
Rue Papalapalapan.
Oh,
many stories
more
than many
And if I'm
impacted
with all
what you
can't one
see one
with the technology.
Wow.
There are
things,
fjate,
a man,
that mark
and that
they're
with,
with
records that
even your
mind
to look
to occultals
and
about
of experiences
in
carterteras
because
you're
you never
know
if you
never
see in the
next visit to
take
to see
something, no? But I know what
story now you're going to
tell? Oh,
no, well, a story,
look,
that's a story,
I mean,
I don't know to tell
I can say,
I don't remember
of who,
of who,
of who I
heard,
but it's something
that's a
thing for a
night,
I'm sure.
Well,
many,
you know,
the legend of
the Matlasigua.
Yes,
well,
it's a
woman that
is a
Oaxaca,
I don't see
there's
there's
there
for the north,
for the
center also.
But,
well.
This person
me commented,
let me
to record
a little
about the
story that
did much
scalofrio.
Okay.
Of those
famous
urbans
that
are constantly
we're going
to the
Sierra
Juarez.
Well,
there is
a place
called the
mirador,
that is the
point most
of the
Sierra
Juarez,
that is
at 2,000
200
meters
over the
level
of the
It's very
beautiful
the
view of the
very
beautiful
in the
very little
there's
a lot of
and there
where
practically
descendes
almost
that's
50
kilometers
to put
mountain to
down
in this
occasion
the
most
me
passed
like
those
duendis
those
duendes
that
you
do
dovesur
one
person
a
cross
the
carter
so
he went
to
get to
urin
there
but
much
said
no
you
don't
you
go
for yeah. There's a legend of
that's a person
a woman of your own. A woman of your dreams,
pardon. This woman that you say, wow, wow. And if you're
Ojoleggre, then, you're... That is.
From here I'm. A lot. A lot. Well,
well, this is... This is a...
This young, because he was a young,
Papa. I was, I think, with his
husband and his kids. But this
person, this person, he's going. And so, he's going. And
And he's going to urinal, all.
And all, and all.
But as a signor, he was in front.
At last, was he was sated this young,
without problem.
Yeah, the quenca.
Well, I've said, in the mark.
This urban, literally,
Arránca, the senior says,
all's aboard, we're going to the city of Oaxaca.
Yeah, I've been for the city of Oaxaca.
And, the sheena, oh, ye, Gordo, pass
me, and bolted there's his marida.
And he said, chauffeur, chauffeur,
He said, my
marino.
He said,
I'm going to
give us.
I don't
I'm going to
go to the
next quenca
that's the
old.
Oh, man.
I'm going to
say,
you know,
that's what.
Well,
but in the
sierra,
no,
no,
no,
no,
no,
no,
no,
no,
the only
point is
talking
of the
part of the
town of the
Papalotan
Bayinational,
and there
has to get
to get to
textlan.
Mm-hmm.
It's
are almost
four hours
and a
signar,
without
nobody
know
where you
know
that's
where you
do that's
there's
no
no way.
So,
they're
a radio.
Oh,
yeah,
it's
me
a person
like,
so,
so,
so far,
yeah,
and the
that's,
no,
no,
no,
but,
no,
no,
I'm,
I'm going,
and I
go,
and I'm
going,
to get,
and I
get to
he's got,
and he
get to
get to this
person,
he's a
person,
and no,
well,
no,
no,
We've seen to nobody. No, well, no, well, no, well, no.
You know what?
Ljana, the
young, yeah in Oaxaca, preoccupated, is that
no, is that my marina, is that no, is that
he no, amenese, the signora, no,
leave those children with her family, and
see, another time, they're all over, to,
to the mirror, to, that are almost four hours of
journey in
plen
sierra
in curbs
very
pronunciated
and it
and it's
no,
it's not,
no,
it's
how it's
possible,
if it's
here
it's
here you
have been
a
person,
please,
please,
help me.
So,
go to
a
commitiva
of
people
and they
start
and they
start to
and they
say,
look,
here,
here,
here,
here,
so
there's
a person
an entity
a
woman
precious,
that
when you
you're
urinand
here,
obviously
that nobody
to see,
it's
to appear
after this
like,
oh,
I'm
to see
that he
was up
and I'm
and you
start to
seducing.
No,
my goodness.
You know,
but it's
a woman
that
hermose
that you
start
to get
toquequeatier.
Uh.
Like
to say,
um,
oh,
no?
Of what's
for the
style,
no?
Something
that,
like,
that's,
like,
we,
well,
And that he says,
Oye,
Accompany me,
we're going.
And,
well,
there are
many,
there are many,
no,
no,
I'm not,
I'm not,
I'm not,
but,
but,
no,
an adventure
and why not?
Well,
let me,
let me,
let me,
let me,
and precisely
the
localeons,
particularly
the persons
Anciana
start to
say,
this woman
pierde
to the
women,
those
pierred.
Oh,
and the
man,
almost
and you're
really,
no?
So,
bam,
what do you
like?
About 30
men,
and they're
in
a sierra.
Oh,
in plain a
sea.
So,
no,
no, no
there's
animals.
There are
tigrillo,
there's felon.
There are
felinos.
Coyotes.
There are
perpientes,
venenosa.
So,
so,
all the
one
is saying,
well,
is
going to be
Morton.
Yes.
Literally
they were
to be
a lot of
the sierra.
Buscaron,
caminary,
and came
and came
and came
and came
and
but
only saw
saw that
they were
some
of those
so
they're
they're
so.
But he
said,
well,
to where
is where
they're
not.
Pass
another
day
more
the
sir, obviously
inconsolable
call
a radio
to the next
the next
people
that's
like some
in carretera
or some
three hours
of the
and the
people are you
they're going to
begin
but
we're going to
be up
in the
mountain
the next
the next
the next
world that's
impossible
all this
are
allows
allys
valleys,
arroyos
and
that has
catilados
It's very rare, no?
Well, look.
It wascaron,
it wascaro, and it
and no
appeared.
Yeah, the person,
no,
well,
they took even
the helicopter,
or they're
to look at
the person.
Well,
look,
no,
I want to
be a
fantasyos of
history,
but
after the
fourth day
appeared
the Lord.
Ah,
so it
appeared?
Yes,
Vivo?
Vivo.
Puerco.
Asqueroos.
But,
loco.
Ah,
it was a loco.
But it was like
socio,
revocado.
Yes.
It was like,
it was like,
like,
like,
like,
no,
voltiavae
with a
kid,
who know what?
In crisis?
Yes.
No,
see,
you,
see,
you see,
when,
the
story of Godzilla,
when
they put
the
the lumbre
to
the
the sir, the cedillo, and the
young, he started to say,
Hach, yeah, ha,ch.
That was, I think.
For there, well,
more or less,
as he ended up
perished, he
asked, and he
didn't know,
he had his
name,
no, no,
he,
and he,
and he,
and he,
and he,
a person,
how will I want
to go,
four days
disappeared?
Without,
without,
in an
place,
in an
hospital,
literally,
so,
so,
when
more or
less
well,
well,
no
recobro
with all
his
conscience
but
what
could
say is
that the
woman
he
was
and he
said,
but is
there's
no,
there
no,
and
they're
not.
Yes,
it's
a
woman
that
is a
woman,
and
obviously
there are
there
have been
to cure
to
spant
they
put to
put
to put
to put
to
some
I don't know. I don't know who
who said.
Wow.
But it was something like,
oh, and
something like,
he passed on a grand
friend,
who lived, for example,
in Porto Angle,
to my friend
and his wife,
Shunashi,
that are one of
my heart.
They,
but he mentioned
that he's
like in,
a motito,
a motito,
no,
oh,
but he went to
the life.
And he said that
he was and
and he
distrable
for a
woman
but he said
but not
he's disrower
so like
ohie
but he's
like that's
like that's
a woman
in the
middle of the
and so
and she
kept thinking
that so
but
so he
so that
so that
so that's
so that
he didn't
he did
in see
and he
he did
the fronton
was
he was
he
was going to
get to
a
precipice
so
so
and if
if I
didn't
have you
went
like that's like that's
like that's
like it's
and literally
he was to
get to be a
so it's
so we're
saying
ah that in the
north
in the city
of the
mountaine
montraino
no car
in the
south
we have
some
we're
we're
many
altas
with this
literally
in precipice
impressive
impressive
of
hundreds
and literally
he was
to die
this
great
a man
that's
to his
family
that he made
many
many
many
things
so
And I, when I
I heard of this story
I said I said, hey,
you know,
you know,
concentrate to
get to a
person,
get to get
some of the
music,
what that's
because yes.
It's
something to
think it's a
time for the
carterres
of the
Sierra.
And it's
that's
not,
no, no
you know,
you know,
the risk
that could
be,
if you
get to
you get to
continue
a type of
entity that
I mean
is that
you know,
is that
you know,
so,
so,
or of the form that you could
see a
opportunity
of something.
Sure.
For example,
you know,
you know,
the devil, in
the theory,
is going to be
an angel.
Yeah,
well, so it's the
light, light
divine, no?
And even
conserved his
powers angelicals.
Sure.
And,
he's supposed
that he was
one of the
angels most
of the
sky.
Yeah, the
perfect.
The perfect.
So,
he also, he
also, he
was the
creator of
the music of
God.
So,
you imagine?
Yes,
can
manifest
of all the
forms possible
as
as beautiful,
as
aterrower
as.
Exactly.
My
friend,
I want
to terminate
with a
story
that I
think,
I think
many
want to
a big
creepy
pasta
but
if
makes
famous
the
crepe and
it's
because
there
relates
of
people
that
have
had
had
an
experience
extra
Oh, I'm sorry.
Saludos.
Luis
knows
that he was,
he,
practically when
when he was
when he
started in this
job,
to be a
carioner,
trailerer in
the part
south of
the country.
Luis
had a
conflict with
the
people who
were people
that were
they said
I'm
I'm
molestable
always
that we
were
sometimes
my
company
and I
said,
oh yeah
fift
that here
there
was me
a
a little. No, that I
saw,
yeah, for
favor.
I don't
believe, no?
Yeah, you know,
you know,
you're going to
your stories?
So,
yeah,
that no,
they don't
get to
that's real,
that's
their minds,
and they
are playing
bromas.
He said,
I,
I got my
cafe-cito,
when,
when,
yeah
started to
tell your
stories,
I got
my things
and me
to be
to be
to be
to talk
to do
the same
of the
same.
I said,
this
no
The people, how
is going to
create in
phantasmas?
That's
so,
that's
for other
people,
for other
years,
that's not
real.
He knows
he says,
that day
that's
that's
he was
he was
to transit
for a
carterter
that
he was
or pass
for Tux
La Gutierrez.
He
he knows
he said,
he was
he was
a little
can't
but
he could
still
to get
the camion
with
no problem
without
arreisgars.
It was
a time.
It was
a time.
He was
managing.
He was
doing it.
He was
listening
music.
He said
even
he marked
my
mom
to ask
to get
to see
to see
to see.
To see,
I
had I
had a
pavo.
I was
I mean
in my
world.
I don't
be of
those
that I
don't know
I'm
normal.
He called
to my
mom
I'm
so I
keep
man
and I
a priman,
of
a primuth.
I heard
a
good
I'm in the
side of
the conductor
in the
salpickadera.
I said,
what was
that?
A
peterra,
no,
or something?
Yeah,
but is
he saw,
in the
space
and no
he saw
a
a little
a little
a little
a little
a little
a lot of
that's
that's a
but
but it
but what
was, that
that sound
yeah
he
preoccupied.
Yes,
sure.
The computer
was not
like a
low pressure
in yantas
or nothing.
But he's
no,
I think
that's a
thing that
I have to
have to
see a
light,
a madrugated
and says
the Paco,
the
really,
whoever
had had
had been
to be
a
because the
carterter
was very
of terror
dark,
oscura,
sin luses,
neblin
I,
I'm,
I'm not
of this
I'm
I'm
are
well.
And if no,
then I'm
I'm
I'm going to
the
security
and I
do to
do it
and I'm
I'm
I'm
I'm back
I'm
revised
all in
order
and I
reverse
the carreter
that was
what I
or the
I was
there
nothing
but
I'm
not a
meters
back
I
saw
I
see
something
in the
malice
what is
that's
that
I'm
I'm
I'm
a
perro. This
perro is
retorcing
but I
I'm
I'm afraid
I'm
but he's
no
no no
no because
the perro
is here
the
the
the
the
the
I was
the
he's
he's
going to
and he
does
know
that the
perro
in the
part of
the
costillas
like
was an
animal
very
great
with
garras
He said, the perro had
rasgaduras.
Wow.
In the part of the costilla.
And the perrower was
retortering of the dolor.
So, he did a fear
because I thought
that possibly
was like an animal
salvage.
And if,
he said,
in the
obscurity,
where you know
does the light
of the lampar
of the
lantern,
I'd be to
see that something
I'm going
to say that
was an animal
salvage and
that's, and
that's if,
no,
the phantasm.
Yes,
Right.
He says, I go
rapidly to my
carmion,
and when he
is there
he's got
on the
carmione,
he said a
blow.
Aung,
a seco.
Something
a river.
And,
and it was
moving to see.
Oh, God.
He said,
what was
that?
And he
he'll be
how in the
part of
the parabrisas
he
a little
a pierna,
but
not it
like
of an
animal.
He had as a form of a
human.
But, he said,
the pale was
a black.
Negr,
and he had
like,
like, many
arugas.
And the
the pairna
like they
they'd
again and
he's going to
move to
to come in.
He said,
I don't
know what
was,
I could
be a
felon,
no know
what was.
He said,
my septicism
me gets,
me,
me,
me,
me, me,
me,
me,
me, me,
I'm,
,
to sit around the
carmion
and is
when
I see
this
thing
he's
a
see a
so I'm
so I'm
so I'm
an
animal
great
time
human
was a
morpho
de
repente
was
an animal
and
of a
repent
it
was like
a
human
encorvado
but
his
skin
was
completely
black
there
had parts
of
his
body
of the
other
not
but
But it's
Scondia
of the
light
when
I'm
in the
carretel
dark
I'm
am I'm
paralyzed
and I
feel
how the
heart
and I
see how
do a
big
that's
great
and
he's
where
he
was
the
he
said
paco
like
if
the
person
was
with
his
trompa
or
with
his
and
he
he
he
he
he
he
caja
of the trailer
to where
was the
dog did
a brink
very
long
were
about five
meters
and how
cargues
and he
he was
he was
I'm
in that
moment
I'm
I'm
and I
go and
I'm
thinking
what was
what I
was that
what
was that
animal
is that
was
no
wasn't
a
no he
was a
no
a mono
like
no
doesn't
so
it
so
that
getting to the first station,
to the first cafeteria.
Decided back me to
doorme a little.
No,
I see my mind
me was playing
a drama,
but no.
The base
me asked,
that's why I'm
pared?
I said,
he was,
he was,
he was,
but he went
to questioners
if what he
saw,
he was,
he was,
he intended
justificing what
he saw,
but when
the base
he said,
why you
say,
no,
no,
no,
no,
no,
no,
no,
no,
no,
no,
no,
no,
no,
no,
no,
Like, like,
like,
it's like,
I'm like
so,
no, no,
no,
so I'm
pared,
if I
see,
and when
they're
some people,
they're
to get to
sit with him,
and they
they're so
very,
very,
very,
alterated,
he's,
what you
know,
you never
,
you know,
you're,
you're,
you're,
you're,
you're,
you're,
you're,
they're,
they're,
they're,
and I'm,
I'm trying to
to say,
Well, no me
I'm going to
but
I'm going to
this
and they
they're saying
and say
my co
my
my friends
I'm
not
incredulos
because
if I
were a
a little
a little
so
I was
was very
very
and one of
you know
of them
a boy
said
a man
he said
a very
he's
he starts
to
he said
oh
man
I'm
a
atropegast a unawal?
What?
Aropelast a unawal.
He was to get her sonna.
And that's a gawal.
Yeah, we've
talked earlier.
And people
that by the middle
of the Alta Magia
can't
change their form
physical,
enter in
a metamorphosis
and optar
forms animals.
That.
Something of what
is a lot
in the part
of the
south of the
country and
something that
many
people are
sure to
have seen
in a little
moment.
And he
is the
question as
what he
was real.
Okay.
Wow.
No,
they're never
parable to
believe
me
impression.
I'm
impressiona.
Because
I've made
to record
one of the
one of the
stories that
my mom,
that my
mom, that
my dad
can't
can't
me
to be
that's
rapid
to do
to get
the
Well, it's
from a rancho
and there
a woman
that said in the
curandera
and that all
the people
of the rancho
he said that
she was a
gala.
But he was
her family.
So,
his house
like,
like,
full of
plant,
of gerb,
it was,
it was
a time
the follage
of
the
that your
house
not be
and she
never was
always,
and
there,
but there
there
was, there
a circle
that
collindaba
the
the house of my
abuela
with the
of the
woman.
Well,
the
woman
always very
respectful and
all,
but the
curious is
that there
always
in noches
speciales
I think
when there
when there
when there
certain
mysticism
in those
nights
they were
relinchid
of cabos
because
where my
abel
came
yeah
there
had had
cabos
salvages
okay
well
So,
this is my mom
me told.
I don't know
who my
my,
of my,
my,
my,
my,
my,
my,
my kids of my
mother,
this,
you know,
the chambacos,
the 14,
15 years,
no,
they're,
to come to
see,
to the
people,
no,
and they're,
oh,
but,
but,
because in the
night
they're
they're
in the
night,
they're
so,
then,
they say they're
that if
they're in
in the
obscurity
and
see,
and see
zoomed
to the
circle of
the
se.
And you
saw the
was the
woman
that
was in
a
black
with a
no
a certain
something
with
collars
so
and
I
started
to say
in
a dialect
rare
a
amastach
oh
and
it was
like
and
in the
moment
that
you're
doing
that
...empsed
to
vomit
things
phlegas
okay
fleas
and he
he's
he enn't
at
the moment
that
I'm
saying
my tios
that
this person
she began
to transform
in a
cabo
front of
his
eyes
wow
front of
those
eyes
a geoff
my
my
my
my stions
so
my
didn't
they know
that
It's
It's really
Is it
Is it really
Yeah
That's like
A plasta
So
Between
Azul and
Verdozo
So
And the
Sheora
Demor
in
Transformers
It was
Like a
Anbid
between
Avoy
Umano
I don't
So
I don't
I'm
I don't
I remember
I mean
I
I had
I was
four
five
years
when I
heard
I
I'm
When I
Literal
That's
she
She was
with
the
Caval
salvages.
To
to trotar,
to see,
wow.
But,
but before
to the
manseer,
he had to
have to
restar
and to
eat all
those
problems that
had
had to
to turn
to formation
human.
Oh,
guackal.
Passed the
time.
The
sir,
I'm saying
still doing
his
tonteries.
My
tios
have been
with another
other
signora,
other
people
so,
no?
And I'm
sure
so curious,
oh,
yeah,
so,
so
that woman
is,
I mean,
us
will be
to pay.
So,
so they want
to do
them a
favor,
want to
get to
some
and
my
need,
no,
well,
let me,
let me,
when you
when you
see me,
let me
some,
please,
to say,
all,
those
slems,
Sal,
Sal,
out of
the
house
Uh-huh
For
for a
and he
gave to my
old my
times
to get a
to get
some
some moneyas
not
that were
those
were
those,
some monetotas
50
centau
I know
in that
they were
not
not
and they were
my
kids
there went
to
do you
know,
they were
to turn
to turn
in
a type
of a
car
in a
type of
my
with a fear
tumbling,
and they're
to charge the
salas
and all the
flasas
those flas
reds.
But not
curiousos
they're
being observed.
They're
a second.
Uh-huh.
They got a
dream
in the
morning
when they
came to the
yelga
to reesso
and they
like
ohy
and so
and they
kept them
and they're
being
and the
moment that the
year
or the
gewa
who
did
want to
want to
And he'd pass to sell it?
Bumitaba.
And no
could.
And no
could comearsel.
And no
could comeersel.
Atal God,
that's the day of
that it,
it was
and it
was transformed.
And not so.
In human.
So,
the legend
that's,
that's,
that all the
nights
a wrenchio
of the cabo
so,
so it's
always
for the
house of my
abuela
in that
in the
rancho
and it's
like a
yeah,
it's like a
little bit
to be able to
be able
to get a
yeah no
or
yeah no
and it's
a story
that they
me told
you,
I'm
pretty,
I'm quite,
I'm
in my
mind,
me was
I was imagining
and I
see,
and there
many
stories
so,
I'm
here in the
South,
from
from
the
luses
that see
in the
serros
that
that,
that,
that,
that they
they have
of different
questions.
But,
well,
my friend,
no,
so.
What's the
way to
start this
episode?
The fact
is that the
stories that
have been
with the
walles,
with
carreteras,
with
duend,
always are
those
stories
that I
like
to listen,
me
and that
the audience
also
I'm
really,
I'm
really,
I'm
really,
I'm
good,
man,
man,
man,
now
I'm
I'm
to be
here in your set
that we
really.
Thank you.
The truth.
And,
the real of
always a
good to collaborate
with you.
You know,
if these
stories to
your audience
he liked.
Yes.
Because,
no.
A quarter
and we'll
talk about,
and we're
about it.
There's
there,
I don't
want to
not even
to tell us
because I
see,
I think,
I'm much
respect to
that's,
uh,
I'm,
well,
I'm,
so I'm
my friend
Louis,
my friend,
Louis,
no,
thanks to
you.
Thanks to
the audience
that
gets to
know about
your family,
much times
for those
who get in the
chapters
before before
to get to
go to
get to the
other than
my friend
my friend
that
he's
a character
a person
that has
a person
that has a
little
the channel
in the
description.
And in
actually,
I'm
let me
say I
thank I
thank you
to your
all your
followers
because the
last time
I'm
I'm
I'm
here, the seoron
can't again,
after a while,
I don't know
me, I don't know
I'm going to
do you,
I don't know
I'm
really, but
then it's a
thing.
Well,
for me,
it's a
great honor
that is the
video most
seen.
Thanks,
that's all
my channel.
Thanks to
you,
for, for
for some
but,
well, a
applause,
master for
this project,
and,
thanks.
Proximately,
if God
let me
and you know,
and you're
also,
we're talking
stories of
hospitals.
BENT,
so,
thank,
thanks to
all.
I just
I'm a
great
a brazo and
we'll
see in
a new
new chapter.
Until the
next to the
next.
Until
all over
guys.
Ciao,
chow.