EXTRA ANORMAL - Historias de Brujas Chupa Niños: Leyendas Reales y Relatos Escalofriantes

Episode Date: April 18, 2025

En este aterrador episodio de Extra Anormal Podcast, Paco Arias recibe a Binisa para adentrarse en las más oscuras historias de brujas chupa niños. Descubre el origen de estas leyendas, testimonios impactantes y los detalles que han mantenido viva esta amenaza en la tradición oral.Prepárate para una inmersión en un mundo donde la inocencia se convierte en objetivo.🔔 ¡Suscríbete y activa la campanita para no perderte más relatos que desafían la realidad!

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how how was that that was that was that but

so you saw that that came practically for to cover

a life result that those not that these

songs that the songs that one they was

drain all the energy the the What I imagine that they're in

some way to moler all, and that's, and that's a form of part of the arena, I don't know what I mean

it's what I see what I'm that I'm and with that's to bring a more children for more

for posterior to make more more pans. What I'm going to be able to be able to be able to be able to be. What's the time, family, how are you?

normal, my name is Paco. Arias, and I'm very happy to be here with all of you. This occasion, I'm content, family, because me accompany a good friend,

someone who's the one that's to talk to a grand theme, the theme of bruchas. Pinisa, how you're doing? Hello,

how much, Puck, very well, well, very emocionada and I'm grateful for having been

invited to to share this this theme so interesting the day of today of today, So, well, now, now

now, now so with much emotion, with much emotion, and, well, to start with the stories that

we have prepared the day of day of the day of. Thank you, family, before you know, you know, that we always

we're doing the first moments where the episode starts, for that the family Extraanormal

podcast, you do you make a member official the day of today in YouTube, there is a

button that says, subscribe, not cost any one solo centavo and us you'll help you know

for the podcast like Spotify Google Podcasts Amazon Podcasts etc there you can't

continue and you can qualify with five stars the theme of this night

I like much is the thing panormal is very ample and I

love but but the really bruchas duendes and these mysteries

of the which they talk much in different places of Mexico

of all the world, people, ranches, and even cities, pass in things very

strange with these phenomena, and today we're going to talk exactly, exclusively of the bruchas,

but with a tint a little more sinister. Before to start, Vinisa, me would

before start, that you talk to your social, so that the people also

that the person, I, I'm presento officially my Vinisa Cares. So,

so you can find in all my social, Facebook, Instagram. So is how I'm going

I'm going to see how I'm and then I'm doing a graphic and and a sometimes also I'm a little

to what is the creation of content and those things. Perfect. Fiatty that there's

much creativity in all what you do you do the designers those animators are excellent in

in their work, I don't all the things are very good but we're

we vinculated with the theme of the design. Vinisa, you, what do you think of

these phenomena, exactly and about in women, these women,

that during much time in the history kept marked as for the things

that such that that's that when they say, when they

they're a question that's a question that's really, I'm much much the

mystery that the stories that they're referring to the bruchas also. I'm

cause scalofriots to talk of that because they've been described for many years

like a person, maybe of a not very quite quite a little envegeased

and maybe a little now a person perturbator and who didn't have

a person a person that maybe never never never a person

that was just because it was an abelita already just because it was an abuelita,

you say, it's a brouca. So the fact it's a very much interesting

that we'll let's let's chance. I'm going to start a story of bruchas.

This story we'll do this part of Bruno, that he's a

great bruno is a name real. Normally the people

that those people who have changed for questions of privacy

because they're that they're known Anonymous. In this occasion, Bruno, we're saying, no,

problem, and at final I'll tell us what's going to Bruno. Bruno us told that he lived for much time in a barrio very

of the state of Mexico, only with his papa. They're both, as unfortunately his mom, he was a

life when he was very little, and he was a time, and all the time were doing and all the

time, they'd had many problems. In one occasion, they got to what was like a a vicinity where there

a little edificio of three pieces, a little. We said, we were and we'd live in the second

piece. In the first, no I lived nobody, and in the third also.

We're were we were allos. Passed the time and we not we got to

get like a car of mudanzas and we're like all. I think in some moment when

someone's near to your house is going to, then, then, no, to be who is the who gets the year? And, they're a woman. A senior, yeah very ancianita, of those 80, 85 years. Justly, as you was

a moment. A senior that lived alone, let's call the attention because he went a car in modanzas, but it was very small. Only a television, back on some

muebles, and it's all. No, they're what normally they're in a

house. They called the attention because the woman was normal,

but there was a woman that was that was the attention of Bruno. It's

like no he, no, I don't he, no, I don't he,

there was something that was this mal spina. The The

sir, was passable, and all the time he was he was in the

house in the part Alta. Bruno us he said that

from he was he got to be the and he and he said

Paco, that woman passed hours, hours parada mirand

at the there there moments where I was I'm I'm

and I'm was there was a bat black a little sucia

and simply was parada in the balcony looking to the nada, mirro about

to the city, be to the news, and there was a way to go to the

school, I'm and I'm looking to the nothing. All the time,

he called the attention, because it was simply it was like it was a other

thing. Passed the nights, and they started to know something to

not to the same of the last six of the time back the escaleras, but

yeah no they'd see it. No, it's like to the hour regressable. And he

he did a point of something. Like that one, two of the morning, it's the

pass, it's the passio very ample. When you does a goal, there echo for all the

building, he said, I used, I'd come in subiding to the escalers,

and they were all the passio, and so it was in my court

said. And if I what I did is that I was to I'm a somable for the

pickaporte of the door by the and the she was she was she

was she was like a one two of the morning but it was strange

the form in how subia for for some probably think that the

she had behind below the effects of the

alcohol because I had subient but she tambal

but it very rarer. He said, he was up-subing, up-sub-winds, Ina-sub-sub- I said, all this, he was he was looking

from his house, but for the mili-ya, the be-ya seeing how he was up-sub- and said, the she'd

like, but the car was not a rarer. Dice, I'm sure, as there was a little light, the

senior, I'm sure that all the eye was completely oscuro. So, like, like,

the be yeah different. There was a moment where the she started and

he passed in front of the door and standing in front of the

door he he's he he was there not

he and he and he did know how the

she doesn't turn to where the door and

he says Paco is impossible that that someone to

be there can't be by the thing of the

thing of the of you out of, not. And the woman

she kept looking and me smile. And me make so with her man. He's,

I'm spanto. Obviously the woman and still coming and and says I don't

could do this woman all the nights passed. He said that there

had occasions when she passed for her house for the door

of the door to the door like a flower like a It's very typical in November in Mexico,

the floor of the Meworth. A-is-oled, and a-ve-a-ta-tabacco. I was a tabacco. I told him to my papa all the way of this woman. And my papa, all the time,

me, and say, I don't say, he's prejudicial, deja the poor woman, live alone, or so, because you

want you and you're inventing that's a brao or something? No, he said, and he says,

I'm going to expect to that this woman regrece and the I'm going to spire. I'm going to

go to see without that and I will espiar. One day, a sabbado precisely

this he was at the school and said the she was and he was up and

justly when I was going to I went I went I went I came and I

and I'm and I'm made to the piece and by the door you see

that was that was a little sanjita there I I'm tome for

her and I see this this what I'm to tell is incredible

he mentioned that the she was a man was in front of a of a

wall simply simply was there and he said what

he's doing the the she was totally encorbid looking

to the part and of the Pronto, like that's a rebosso

that he's also a little bit more a chalekito that he didn't just like

in a batita of a manga and said Paco, I remember to have seen how

his braso or his brasos so are a little more

long as they're more when I was the hands the

hands they had down the back I'm not

how his of the back to contorsionar and it's

not to his spina dorsal the bones how the part of the

arms were they were more saltones and how if your

body were moving and it's were accommodating and

the she was looking the on the part in

that the she here looking to the door

and what is look is He was again again to saludar. Wow. I was, in all the moment,

I was looking at this child. And I said, I went and I went to go to my papa, oh, yeah, I'm the other. And my, my papa, well, no.

No, no, me I care. But as I was sure of what he had seen, he was saying to my papa, my papa

was talking with a man in a time and the he said, and he says, look, Juan, for if so,

or if no, give to Don't Nealencha, tell you the cheque the child, you know

you know you know that's a woman you know, he's no, man,

don't you don't you don't have hung out of there, Juan, no it's more,

get to do you know, she was a woman that was to

talk to the webo a little of the little of the

black we're going to get and they they're they're they

they're lynch she kept callied and he said that

that's not a woman is a woman and he he's a

woman and what is that he is the only

that he said in this moment the woman

he did like a amulet and he and

he some some things made with a aback

a eye venado cru of Palos Santo he

he He started like a series of objects that are going to serve to

put on the door to get in the house because he said, I know

to that came to the woman but not you don't you

don't get from a time and they all and all quadrava because

the woman gave with little things so I don't

not I don't not a great thing like a

house a little little little mo so when this

when this woman he confirmed to a this chico and his

father that if he was a really he had a much fear, he had no I'm not

I'm not it's something he intuia but now that someone to say if you do

it is you know you say you know I was I was a scapulario of these

are very classical in the religion Catholic and I me dormia agarandolo because

all the madruas I used all the morning I had a on a

occasion me He wasperted the Rue of his pisadas and I heard that

I'm he said Bruno Ben Bruno he said I'm I'm too my

my father was like if it was like it's like completely dead

so I was I'm very very very can't and

me arm to I'm again to the door and me

again again by the again by the There was the signora.

I don't do you know I said but when me kept looking me quiss parr

me quix move and I know the she said I'm you know

you've let me enter in your dreams now let me to your house

your your papa no he's you I wanted I wanted

I could not could not I no could in

that I did count how this signora is aghached

and when I'm going to this this is impossible see how it's like by

about the door like going to a man and he was

and it and it's going and I see like the like if I'm just

my car said I feel a very free with some some some

little long and I see how that man I got her

and I started to make the in the car he said I want

to get to get to get to the and that woman only was

and I had subjected to the mandibula of the mjillas and

a moment to another and he's in your camera and

he had amniced and he said I did I have a

I oh God, he was he was he was he said, he said

to look to look at his he was to be to be in the car and

when he he was he was he had in the myjillas the the marcas

that had had had done the because he had interrated the

hair he had put his his he says he said papa he said

but his his papa being how he She's a pince a year

now so I'm going to escape. What is what he wants to get

with you? Sube rapidly the escalers to the third piece

enter and for his suer the department the house

was completely vacated and the only we was

in the cell there a circle of senisas there like

some symbols very very very time the signora

she went. Justly like I said, Dena Lentje. Only get for the time.

I don't see what I was, I know what I'm he said. But today he

said, today to my 33 years, I'm doing with scapularios because

a past that that was my my in there are when I goel

I get the aroma of the flower of the maro or the aroma tabco. And

I'm my fear, today, to my 33 years, to dream with the light to pay.

It's something that it's a thing that for a limited time at McDonald's enjoy the

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Sorry. Smurfs. Now playing. Wow. Some things that happen in your in your niquoise and that, in a certain form,

well, they're a repercussion in your age, adultess. No, and not it's for the one, no, I think

that anyone in a situation similar, yeah. So, would be also traumatized for something.

Me, me, I, It's very Duro Wow Yeah, me

I'm I'm in shock Yeah now so I'm I'm I'm

totally I said I'm not for less not for less Fiat

that many this and there and there a question because this

phenomenon because this phenomenon almost always is going to be

to to children. It's there that are there are different

things from their and from to make to suffer to extract in them some chemicals

that the human segregate many things very very turbbious but

that story is me impacted much and a and a sometimes

they even independently of that they're they they're spirit

more but now so more puros for their

youth because also because it has heard that the people

that the people and they're to make to make to do this to to take it

to take it to take it exactly exactly because not they they're

they're they're they're exactly exactly now now now so

now how hard that that to be able to tell it, because not all those do they do. And if, if, I remember much to stories,

it's like of a really, really, it really, it really, but for there me they said, you know, that's one

I'd like to this story. It's of a child Axel, for that then I was he had 11 years.

Okay. To him, he was to go to the house of his abuelita. They'd I mean, I, too, the primos of Axel, Augustine and Elisa.

And, well, never, the typical of that when you're like, you're like, to your house, you're going to, to dovertie, and the most. So, he was, to this house of his abuelita, yeah had a much time that not do wasia, and for that also also he caused a much intrigue, much emotion. When he came,

almost all but there were different at the side of the house

had been a woman with two children this she was a

woman and the and the children were quite strange very

apart of the she not let's the the children

the the major was was with a aspect

too palid almost at the border of the wessus so

that the eyes were a little some the most

the more a difference of the major lusia of a

little more in that aspect in this aspect of but lucy

always was always encogied like like if something he

had much a more and he had many

moretones in all your body but more visibly in the hands, in the

arms, in the house of this woman was all an enigma was a

very was a quite impactant to be because he had belles

in the ventanas those bells were they were the day and

the night all all the time were those were

those species like of herraduras in the doors, in the of the

of the back and the of the then this this man was too so perturbed

when this his prima Elisa he he wrote and he said

that she that she never he has done to his nets all the

nights we we're Ruidos Firtes of them. And

also he said something that resone much in the head

of Axel. It's a Brouca. Axel no had heard

nothing of that that never of a movie never never

ever never ever to come to the mother had

had been out of he had He said and he he offered

to Axel a quarter because she had various quartitos that rentable so he said you know

this quartit do this quartit do you a piomada perfect then so were the three

nine just they were in that quarter the the father the father's they had

not even as the father of Elisa and of Augustine the primos

of Axel had They've been outed. They're only a cargo of the

abuel. Conform it began to go to the night began

these these really. Some the really were very

very very. They were really were and then they're

so, they're so, because it was the first that

they was the first were going of that

abitation, they went direct to the house of the abelita and said abelita

is that that woman other again. Those are lastiming abuelita those are

lastimating. That was what said Elisa. The abelita simply took the

telephone but she was very very very talked. Tomo the

telephone I spoke to the police and the police as always

because this not was to hearse all the time these rumors

even these and the people and the very, he said the police and the

only that the only we don't we can't attend it in this moment and he'll go

so. So, the abelita simply looked to to be to be

with an expression like of what we can do, so what we're so,

then to ask what's what is this woman to those children

and Axel yeah had certain he's he was very

intelligent and to all this just and how they were looking how

were looking and how was the house seeing how

that that that not a great and was

I had certain I I I did The next, of

having heard those the kids were on the barred in

that she was to get to be the patio of that

and they were a two two little but this they

looked more more more than both look like

if were some they were if had suffered

something something they were immobiled and the robes

was a kind of a or apes type cortinas very

and an aspect terrible. They were very spantated they were with the

abuela and they said, Abuela, we've this. We've this

but, and what is what is going? And again the mother

very very very there. There things that simply can

they can explain. What was what he said. Axel was perplexed. He was simply

being and thinking what's going. At that night again, again to start the

ruses. But this was different because this this time these these not were

the noise of children. This was the voice of a person major,

the the noise of a woman. But they were rudders

desgarrattors. The children, when heard that the rogier

corriar to be to be to be and Agustin took a

side totally opposite to the Axel. Axel between

his MEDO CURRIO, a PURT, a that never had been directed,

not Axel, or Agil, or Gustin, or Elisa. Okay. A point, to

start, was a thing, always, and only Axel, in some another or

other occasion had seen to enter to his abuelita. But in that moment, with all

the panico, he now knew, or where it was. Simply the first scapatoria

that took, open that door, the sierra, and the only that was

obscurity. And a little light at the front. It was a

mess and someone that was sitting right to her. But

giving the back to that part. As a Luce was very tenue, he could

distinguish much, so he was like, who who's when it when of

when to get to distinguish between the light, into the little that was

and I saw a woman sentada. A woman that had some

a little some traps, and between all of all this

had a one a oneke that was a that was

that was see how with something like a fire

or a kind of a kind of something was talking to the

hands to the one okay the the boy was

obviously was disconcerted he said abuelita the she

turned and in the other to alarm because there

was there was that he was doing, she very tranquill he

said, you know, you know you're a secret? And the little knew what

did what did. After the silence, the abelita did for the

fact that was he, he said, what you do? And the abelita

sonrient to, confier in you, encende the light. The

The child as could, tentando the walled, he found there the enchou

the enchew. Encended the light, and what was his surprise that

when the light he was a lot of things perturbored in the walls,

there were a lot of signos, and nothing that he could understand

because not were in some he knew that he he know

he didn't he was like letters were some were in

some things were a lot of stampias strange many

many more bells that were in the moment because

only there was there and a lot of things

of type a lot of a lot of brevages liquid

oscured and then he he he he he

he he Repetient another other what you what

you do but this this bit with a

bit more more she was she was a

and with a kind of a sort and she

and he said this woman not will to

do to do that she and he He was

to see to the nephew and said she she

no is a woman only has had had

been so but that so it was no

more okay I can mention that after after

this Axel did no knew no so so

she her did and too was directly to

tell to his Primus. No he told to nobody.

A the minutes began to son a siren and these

were to the house of the house to the house they

they were in a camilla but had the hands very

very dark as like chemad to the children

they were they're like a service social and a and a

little after they went to the carcel for abuser for abusing of the

menors for being to be doing those but never was

what was what was what was the doctors various doctors had

had been an the case for how had made those

those grave chemurals that had and No, they don't give an explanation and, too,

credibility to what they'd. They said that those chemadurs seem to have been out of his body. That no

had been something physical, that for that was that was that was that came his hands.

They never knew the cause. Okay. Axel never, he told this story,

this fragment of history that lived with his abuelita in that and her abitation, never she'll

he went to nor his parents, or his tios, and to his primus.

And since every that he went to the house of his abuelita,

de pronto she would be to see to be a sonrisa as a

sign of complicity. And a sometimes, only a times, in occasions

in that nobody more was they she was a sonreate and he

had a sign a silence. Axel, at his never

he never he never he was complice of who who all the time to whom

all the time had called abuelita not more than anything

that someone that someone that that really I don't

so definitely definitely has power, there is a power, it'ser, but what, what surprise, no, that one person, I go,

the idealizes, the knowces, all your life, and resulta, that does practices, too, very strange. And, and into all of all, maybe she, maybe this person, with the intention

that to the children, yeah, no, they did this other person, no? But no, but no quitta, that he's a danger. A lot. A. A.

And that even could think that's more more than the other brother. Sure. Or that that other

neither was a real estate. Simply, this is something that was I was a lot of I'm

that this person had the house with vellas in the ventana day and night,

because she knew that the abuela was a man was a brawl. And that

was a person. they had these serradures in the doors to protect to

some bad of the abuel my my head exploded with the last

it's a turn in the drama not not quite that has been

a person that was that was that they were to be

that she was she was she said that she she

that fared fiat how how can you can

you can a one of these people that's that's a degree and not you

know you want to tell a story that's just about what you know what

a person can be when when it top to one of these person

this story is the figure of barro and is a story that

I remember much to a story a story that me a person has

yeah almost two years the person who lives

this is called Marina. A woman for the contrary

of the history anterior that only had a a little

baby of six months. She mentioned that she

was in the state of Monterrey but but questions

family and for the fallaciment of his husband he

had to get to the places to where her

and she began of zero and he took

to start to for her baby and get along he went to live to a a house

very bigita in the south of here in Mexico and the first that first is looking,

well, especially the places where it's where will be the super, to buy the bivere's

and looking so it was a market. In the market there there of all the

people and the people vendia food, venduras cheese and

was the where they were the they would they were to to get less

money, no? I'd always economize and then recorrier all the

market, buscating, but something that was something that she was going to this market, that was

a little a place very peculiar, a place that was full of vals, incensos,

aromas, images. And she mentioned that never had seen one of these posts.

She was he to a figure that called his attention was a a figure a humanoid

made like of the barrow no he had a rostro but in the part of the stomach

like it had a a little a figure a figure a kind of a god

who knows where he he called the attention he was with his baby and he

he was he kept miring to the figure he he said the voice

of a person was the she was the A man, I'm going to I'm

about a 80, 85 years and he said, you know, it's very good,

compel many favors. And she kept talking with the lady because the she had

this to be very amable, be very very very dulce, an abelita.

She kept on there and quite. When they were talking, before

all, he said, no, you're not you don't no. Look,

look at a little for you for your baby. He gave a a pulser a blue

that had like a one ojo some symbols raros and he and he

let's get it's for the prosperity for that you find you work

for that you and your son is a protection ah well

thanks the the agar and the yeah the and

the he was he was so good person that good

good people no Passed the days and also began to happen

to happen to happen to happen to happen and oh-papas with this if your baby

if your your little are they're going to do not and normally

they're normally they're all the night but they're they're they're

they're they're they're like they they're they're they're they're

much, much careful. Because is what is what the baby of the person

that the person that you know, she mentioned that his baby was with

all the time and she all the time and she she was she felt very very demacrata

there there moments where not she didn't get a sometimes

he was he said I'm not I know I know I'm what's

what's what's what's what's all of life, no, of the things new that are living, and he says, all this is, surely for

the changes that I'm getting. So, like, no, he prested a attention to what was going to be happening. They're going to the days. His son was still, despite,

in the nights, y'allowing, she'd be the dream, and every bit of the spejo. And every bit more, the ogeras, more pronunciated,

like if, all the years, like, the gulpe they'd get on in a

second she's not very different. Even the other people they're a new

she's a little bit she's she's very bad and she she said no I

am I'm so I'm so I'm so I'm so then I know that when

when I had like these more those moretone in the in the arms

in the and the little was very in the nights of the day

was his his the night was very inquietto and I know about until

that one night happened a little very rare she she's a Catholic

to be religious she's a rosario and he started God is Adem

Mary and God God Jesus and to all the women

of the fruit of your vint to your Jesus and he

and he started to start to start to start to

get completely dormied. For context the she dormia,

it was a quarter the she had rentable. Not not a house,

it was a quarter where was a room, a stufita chiquita where

she had to eat to come. What was like a bar where I

had the food to get a and that all the nights before the time,

it was all with the door, windows, all, all, for security.

She she'd get a dormido to his little and the

And then, you hear how his other other way, like in the madrugada and she was like

very can't say that the eyes and they were like like the eyes and it was like

a lot of, I was like a kindancio, a new, very, very

very so like, like, like, like, like, like, that you

do you cost that you can't, just she, she, she's

how her he's he starts with more intensity more more

and she says, no, something something about the child, he

and when he's trying to move no can move no he can

move he is under the pain no he's not

and only he he's on his side of her

without patale and she she can move in

this moment in plen obscurid she saw a silhouette is incredible because a

despite of that no there was she said I distinct very well it's like if I could see in the

obscurity I'm perfectly a silhouette in my room and see how it's a camera

it was a person very little and when he was the he was

like a like a a palo canos and if is it is it

seems much to the senior of the market. When this person is

a more, he does know that actually was the woman, the same

senior of the market. She said, but what he does? Only I was how

came around the camera. And I said, I was was looking and she

was with the and I could move. And my my little

was crying, I was I wanted to I know, I know

to move me, no I'm going. The this woman pass

for the feet and I see how he's his man, his braso

even very long and he he he he he gets to my little

he he's like the little and my his and my

little and in that moment he said I know so

it was like the instinct of the mother of my

I got courage and I go, no, this pinche, she's not me going to be a lot,

not to be a lot of my little, and she she's got to get to get from the

trance for that he gotro to getro, to be able to be able, his son was a

privateissimo, he was and he noticed a door to the door to the door

to the door to the carie was able to be there, there was there

never but she had had been doors and windows. Okay.

In that moment, he gets up a rapid, he goes to start to the window, the second,

the second his child was in his little he had the biveron, he ha'all his rosario

and he starts to do the rosario until the two so that the two get profoundly

dormied. In the morning while his son was a dormido I'm very

curious to the babies that don't doorming and amecing and they

get dormied and she He's up and Not a Rarer, when his baby

Nota that he has like a man marked in the topio but like if it

like they they're that preietan and you get a marked the hands

and he revised his baby and see that he has very marked

in that she's she's spanta and also he he does courage

and in that moment to go the market This woman is a

Bruchy. Me Kiske-dawner my child and in that moment she was for there.

She was a grand surprise. When he got to the market, he went to the

place, the place where I was there was not. So, not was the place

where she had been belles, incensos, aromas, or statues, no, there was

there. And she He started with the locatorios there of those who had been more places Oh,

here there a business that would be this. No, no, muchachia. No.

But how? No. And a senior that was close that was that was a verduras

and he said, my ha, you can't be here. What is what you do you

do you lookas? You said I've been a few and here he knew a senior was so

she had, of a place also. They'd vetted vetted and they

made this pulser, I was that I tried. Dice that the woman

she said that she's she said my daughter, the woman

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to be at grade and said that woman she's my abuela this

the market has any many here and that that that woman

is of my mother and he was many years but

that was a woman she was she was she was a woman

was a woman he was much to do do family

that not with rodeos a family of arms to

her she met with the rescind of the family

and they went and they and they they

they and so so it makes very to

you say how is possible and she she

He says that woman, his soul not is not going to peace and he

still doing doing but in the same in the same market they're

they're another person other and they they're they're and she

was and she no you don't you don't you don't to help

because that that woman is here is that you know you know

with who is with who's in that moment he said that the little

they started to make a limpe with with albaca with water and then

like they did you like a bit of some some some some

some unfortunately unfortunately that that that's time experiences

terminated but she said that she did a gift

but the intention not was a protection was

to and to get Let's get to be with your son. Fortunately, this cessed.

You're well, and your son will be being. But you will be to be a

see. Marina us this story that was the beginning of the year.

Today, his son, he's for to complete 26 years.

And you have a family, all is good. But he took to live

it just when he It was to start to start of a

story that no it's to be to know how

is that received something of a person that but also see the

podcast and listen all the stories then this

this breach not to think that that a

other that not there now now now now

now I make make make I don't see if you've heard in some moment

this is the last time that they're they're in the woveito that they're in the ba'nito

of this of the other that the jervitas how of us we've done

had been had been a sudden some something of this type and never

there's a woman that has done and he take some some some

some ramita of albaca and is there is doing tea. It's a

limpia, no? Exactly. And many times it has passed. There are many people.

They're in the nothing, they're to get a lot, they're much of

this. It's that it has this. And they do this of the webito and

the ramitas and it and it's or the famous mal of ojo and

they're all this and for much that the people a lot that the

people a You do you, and it passes. Yes. The things are. So, I, in the personal, I am I really

of these parts that the limpeas, that, now, see, to clean to laura, that,

de-pronto they did this, mal-de-o-o-o-o- and these things. But, but,

but, but, is, is, it's a, when you talk directly, no,

I imagine, how when it's that something something something that was

something that's not a because not only was the he was something

that was that was that really the truth no and the really the

really is that unfortunately then then they're so they're

so that the story and that's the story that's talking

talking to talk to this other story to this we

we Well, Pilar is the story, we say that she, she, during her baby shower, well, was all the surprise,

was there were risas, was at the way of her with her husband, Pablo. They were many,

they were very well. Between those these things, there was a cune.

This cuna was a precious. It was precious. It had some perfect, some curbs very

beautiful and had a barnisado hermoso but there was something they were

because they thought they were a decoration the cuna the cuna they put in the

court where she was to have a emilio that was the the name

the the baby the and one once that emilio naceo. This

this baby no was like like any other baby. The babies

normally prefer they're more in in the case of Emilio

not was so. Pilar and Pablo always they were

to his baby in the Cuna and all was

all was all was the of the pront

They were situations strange. Pilar and Pablo not dormied in the same

room than the room apart. So, they were living and then

they were doing and then Pilar heard in the court of Emilio.

So, she was going and to get to the The child simply

was with the eyes abertos but normal only was just was I'm not anything

the mom said but if I hear something no well she

regressable so so she was she was she was she was

all all right I heard and she was all was

like nothing. Then, they're to pass situations strange. Emilio

no wanted that they were that they every that his papis

had the intent to take him to do that

for he was him he was to I'm

a not a yant normal they're yantos desgar because

he had a a pego too very with that

Cuna. The father they were not they're not they're

in this situation and they're they could be

going to be his his Pilar began to have dreams

very very strange dreams in those she she

saw like she was in the court of his

son, be it I'm mecied the cune and that was close to his baby.

Despertable and insegutable like any other mom, I took a dream of

this, I'm going to go to go. I was to see a his and for

his surprise all when the the little was a

little but in this occasion not only the space the

that was different she saw how that was a kuna was

how he was how he had so only that not

that not in movements had a bay by

You can't do the reason to the why of the situations and the

window was the window she's the wind. No, there's the wind,

he said the he said very with me and he he went to his camera.

So, so passed various nights until there a day

in the that she took another but this was different. because

it result that the the the that she was

of someone that was to beceeing but the first only could see

like some with some unas marigentas something that

was mecied that was this this time I was I was

a one a Rostro, something that was there. And what

most he was he was that when she told his

his so because he was his his he

said, he said, no is what you are

saying is that I took that that my same

that because all this time Pilar he said

that this is what is what is what is what And I've

seen this and I've seen that but but Pablo was

like, like also, also just looking to give a reason, no,

well you said you did you did it, more is the viento,

well, until that day in that they two coincided in the

same so so a little because that that's

that they were they decided to take cards in the

And they said, You know, you know, Pilar, yeah had a idea to that's

a cune, you know, I said, you know, I got a idea, this, no,

I can't leave there, no, no. So, so, between Pilar and Pablo,

took a decision, they said, you know, you, we're, we're, that's a

girl, to do, but in quite they, tomabed the baby

I'm I'm the the new year and the little he was

they're they're in the kuna the grits were more

more fertes so then so they they they were

they're they're in the court but the and the people

don't don't don't don't it was for hungry decided

they're to change the place. We're to put it on the other side

to be if he accommodating a little no the yantos no,

the yantos don't where they were that they were in the cuna

the the baby no never to do that then then

they were they're they're they're they're we're we're we're

so they're not more they're they're they and conform

they were entering to the gritty the grits they were making

more little so that like they they're like they they're they're

like they're like like a thing that and

and one once that they they in the automatic

he did the silence so for that for

that for so Pilar and Paul they're and they're

and this is that this this this The child. The child began to

put to very bad of the conform the time they were they didn't have any

an explanation logical for this. Clarion they asked what they were but no

they didn't have any there there was there someone that wasn't

unfortunately what they were seen in their times a little

after he he gave the they in the funeral

still still with this sentiment so of having

had had had decided simply desac to desacers

to that cuna no they didn't know nothing

more of her nothing that that had to be with that. But time after,

coming down, they were in a tinder like of these demuebles that had that had that had that

immediately Pilar, al vera, he took the hand of his husband, and was a sensation

of shock like, no, another other way another way, so, so,

so, so, so, so, with her son, the that they culpably what was

that had had been, what could had manipulated that had to be with that would have to

do with that's, no? And then, all day the next they were to go back

to that and it was a cuna, she alarmed even more. Why? Because

they said, no could be, somebody it's a person, and if someone

he got to repeat that, and if has a maldition and if for

a surprise they They found that cuna, but not in that place, but now in a bazaar of these of second-man. They asked if they had been, who

had left in that place? If they were of some origin, nobody knew to give their response. Wow. And then, also, they came down and asked also

with the invitators of that baby shower that they had and nobody had regalated that cuna. never they never

knew of how how was that that was that was

but so they that that that came practically for

to cover a life much that they they're they're

only I'll say that I'm the part of you mentionas

that I'm I want to say they're to an entity

I'm the people of extra normal or the grand majority know that not was a dream. When we're many times

we're out of the body involuntarily. The grand majority of the person do you do you

when you are more sensible. You're in the world astral and you see what

the world astral. What normally not is percibe to your eye

normal in this plan in the astral if it so so what I

I want to say with this if there was a entity there. They're

when they're when they're when they're when they and they're and they're

with their eyes no they don't know but however the the child the

but that's that's that's that you're that you have taken the life of

you know this many times also many we've heard in films, no

it's like an object or something that is like a mechanism that an an entity external occupa

to be able to make a present in where we are the point, it's like the point, like a link

that's, that in occasions, like in the story anterior, it's can't

get to this situation and there there are other in which there's that

there's very difficult. I want I want finalized with a story

very extrana. Well, I'm a music and the people who know of a little

of music, they've been to know that when speaking the music is a language universal

because although you don't understand many a song you, and you

provoke a million and one sensations. You can't listen a

song in English and if you know you're to feel

many things without what exactly about but your body

yeah sient so you vibras, your frequency is aline much

the music and with this context I want to tell the story of NINFA

who was NINFA? NINFA was a master of a canto of a

little of the state of Mexico and this story occurred

has many many years in this place something

something something a RAN Nifah had his 70

75 years. Yeah was a person adult and a matter of the age that

he had been a lot of the age, obviously these rasges of the age were notorious

but notarentable exactly their age put it put it on the 10 years

less she easy well she all the time was

with many with many there there was an

event very spectacular in this place was December, the famous

and so anelados and amados and amas viancicos, no? Ninfa was at

a cargo to do one of his children were to singes. Ninfa was very

amated for his children for his students and she also was a maestra very

sympathetic. That occasion was all preparing for this presentation where much

people would be to be to be to be to be to the people.

this constable in to see a little the children were the

little was a completely obscure and only and it was

a lumbra his light this this I said show to the

event not to do it so in the middle of

all this those people were to the the altos

those agud the soprans making some a mix

that the people of Pueblo, he started so, a sensation very rara.

So, it was something so beautiful, but so beautiful that the same time, it makes

feel like, the people describe ascalofrios. No, I said, but probably it was the

frio of that then this then this time, but like there was a

really, I don't see if me explain. Termin't this, after this event,

with this did a series to this atop of the Villancicos and all this like the

classes can't for a time and they're on this new, where the

children change and the people can't to want to other type of

other type of can't more rars more raras but it was a

infa when when they when they when they after this super show

where all of all the people all the if for

she apprent more a more It was irreconnocible. His is a

completely black. Like if had done a surgery plastic, but that he kept very

well, there are there are there's not too in the case of her all very

natural. So, literally, he took many years on the when they're saying,

Maestra, wow. That extrao. What strange. That's strange and how well, but for

the contrary, despite of the ensayos and the practices, the parents of families notable that the children were like, all sunolientos,

cansados, some knowled, some of them, even palidos, and all those notable, and it was very rare. In the

people, there was a person that, oh, no, the burgito that probably

probably, is entered of the news, and this person she gave to say,

Tengen much care she is a brook Antigua not of those

they're in cards, of those that's they're with the own of other.

And this man that was about in the people then then

then it starts to get a voice with with the people

and and it's called much the attention for

her and now that they have rejuven in

a little a Like a much people he started to make

a lot of what this man said, they're careful with that because

he's right and the parents started to know that even the people that were

those the kids were they were some some some they were

in Latin others did they others went in a language like

Nahu and others were can't a invocation and

this was a person that He was in the archival In a person that He was a person that

He worked in a church He said These, these songs have a significant Investigating

It was an invocation A Tescatlipoca That is the Dios of Spejo Meant Associed to the

obscurity, to the time. Resulta that the parents notarer that these

songs that the children that the children they ran all the energy

the children start to form two not were in Spanish they're in languages

so all this started to reforcer that the parents of family start

they're like to get to this but there other they say no

the children want much a nymphs her maester or she she

she'd be incapable to make to then so then so there's

like this grand dispute between those these questions, it's a lot that some

people presentable a point rojo very little like of alfiler in the

cooey just over the trake and then this man that was this brojillo said

that those are points of absorption they're much care but the parents did notar

that were many of the people and they were they're they're they're

they're they were more cansed. There was during an one a little

a little he was dismayed, he desmayed, another little coming, even getting

to his house, and he was to the father, he desvanceo like that so much

started to have this type of things when the parents went and they were and they

said, of what they're saying, I don't know who me they're talking. She

Neged all rotundamity but notaban that responded, but it was

the word, like, what is the word? Like, he said, but at the same time,

like, incoerentes. Asertive. So, like, like, negable all,

but like, like, like, for the right. And it was so really rar.

So, then, then after this, the people they still experimenting

how some little some of these change of repenting us but the

the gota that derramed was a was a a girl a a little

a person that had a much power in this place and when

when he gets a house and the little the

woman with the labes morated as so he

negro, not a rojo, he was a black, he, he,

he's he's, he's, he's the first of the mind is this

this woman was, convoc to us to go, to do it, and then they're

to get a house of Nymph, they're, they're going to get the door, they,

nobody, nobody and they get to the force and they is where they're

practically an altar. When they're in their house,

they're cranius little pulied, photographs, many photographs in the parents of

the children, the children and the children, and they they're about a kind of

a specie a figure humanoid made with cera little, he had like these

rest of unas, had cabello real, the tenses that were of

the real, and there also some symbols were mesclas of partituras and symbols

and in the page there a phrase that said the canto is Vida and a lot of

things then the people the people they were because they were they were

they're they're they're never never never never they've

never they've never they've never they've no I'm

is this past a lot of time I think it's easy about

about 50 years easy but there there are abuelitos

that record these and what that and what that this

story is that there is that people that after

so years his parents start to hear that

they are a a song. A song that never have

heard. One a song, the last the last song that NINFA

he sent you when they're when you don't you don't

you don't see I I saw I and she me I said

that it's the time you get the rhythm and you

let's to repeat and it's the terror because

as other stories, a that not are not they're

not in these people, like they are in some of a little and

they're to be to be to be the same. That's is the them of

these people. I'm you think that then that that phrase of the

song is the music is video. The music is the music is life. Not

only now now some of these phrases beautiful we're

we're we just we're we're Or so, in this case, it was a little. Yes, literal.

The, the music is life. So, it was a video for her. For her. And even still in a way present,

it was made a present. How do you invocas? With the with the children can't do this, and this me deja

thinking also in that they're saying they're invocating. He's been invocating and also, and also,

and they're And conformed them cantable, she was, so, so, so, so,

so, who's, know where they're they're, but they're they're they're

there. That's the fear of, no, no, so, one, so,

that's, that's the time, because they're, is that this is, when I was,

this was, when I was, how is how it's going to go, no? And,

and the nothing, because it's it's, it's I heard in internet.

No. These songs not are in internet. Obviously, not is my Spanish.

And the children only are they're taradeyando the song. What form

I'm to terminate my, my, my stories because is the I

got I for the final. And me has also, in

how we've in the story earlier, how is that these

kids learn in that song? Mm- In dreams?

In Swaynes. Exactly. In dreams, then this person nympha, is present in the in the dreams. In those in the dreams. In those dreams, to make

that the children to learn these songs, for that they latereran in that reality. In that reality. And then so

they're still they're still they're invoking. That's what. That's Fierce, the really. What impactant. That's

important, that situation. Well, as we've seen in these stories, much have to be the children,

as well, as we mentioned about in an initial. This last story that

I've also has been with with with kids. In this case,

we're to talk to a person that was very important in this people.

It's called Doña Rekena. Okay. Okay. Doe Rekena. was very known

in the people because between her and her had been made made

a panaderia her was a houseita was a little but it was

a attention because had a kind of a machine and

and between her and her and they were decided to

make panes but lamentably the husband had had

fallen and and Doa Requena decided continue with this tradition. So,

always ornevans. As it's to expect, in your house always this aroma of the

when is the pan recently, that's all the people like us it's like, no you

know, but is there like the bit of the of the of the the color,

no? So, it was very popular, very known for that. And,

and over to the most they they'd like the attention to

who you think they're to be to the people. There's many people in the

people and Doha Rekena solie to give panes to

these people and the house of this woman there there are

playing with the and they're playing different games no?

Well between those those people he is there Alfonso

a nine a new years this this boy always

always to play there with them with the other and

he's and I know I'm the woman not she was a

woman with her she was a person a person of a aspect

a very was a man a very very very

that the appearance robust and what to the people

was cause as a more a caused a

certain incommodity was that this person had a lot of a okay

so it not the typical person that you you would be in the

car was different it was different so everyone always always

she was when she didn't do don't she uh

uh uh... uh... newas tundas the kids were

but if this person was a And the kids no, no, no, no, they'd

they'd like they'd a certain pavour. In one occasion, Alfonso and other

friends, jugando, so let's escape the play the this person that I mentioned to the

that he said a lot, she'd always, it's like to the parts, like,

to the afueras, we're, or in the part that never nobody see

of the area of the cocina. Okay. He, for the best

he was kind of like, to get the matter prima. Oh,

with this data of the matter prima. Then was Alfonso

playing with his friends, and in one of one of that

they were to be to the part of the house of Doa

Requen. They knew perfectly that this person of aspect

robust and strange she was always in that space. So, so they're to be,

and the typical be you, no, be you. So, in that moment, they were,

that this person, because if they decided to get a little, they said, and then

they're not there, and then we can't go to our and we're but at

the the person, they were that this person was dirigia

like a kind of a kind of these times in those cars, we're in the

cases of the trailers you're new product in this case

was a car was a person robust was that was

that car and that was a take a lot of

he was he was to get to get to put to in what

he was to be to be a That was like, the space in that met in the

panes, these, these, there's where is the fire, in this moment, I don't,

I don't remember the the oven, correct, the orno. So, they were that this person

hadrable the costalers, he was trepable to the umro, and was going to

this space, but there there was something that Alfonso and to his friends

was much the attention. And it was that one of these sacks that took this person he moved. He moved.

It was like if something could be there. Alfonso pressed more attention.

I mean first he thought that he was that he had been more attention

and he he came to be how in that species of tela that

had the costal see like movements of something that this

person robust and a way irritated was a the costal

to the and he did some he did a little until that he was

he got to get to move and he he was when this when this

he got to move he he went to he and he he was he was

Alfonso when this well he said no definitive we're

definitely we're we're more to get us another no it's they're

they're but no they're not they're not they're not

they've been there there there was a one day in the the person subio

to the carioneta and he went and then they said now is when we're

we're to recover our we're how they're that was that

carmionette Alfonso spoke with another friend and said we're we're

we're we're we're we're we're when when they're

when they were they're that the or not they're on to be of

back to a oldiecesita. They said Doña she was to urnia

pan. And they were to see them. But of they were to present

attention to the oldiecese that was right and they saw that around

there were there were some there were there that there there was a

kind of of a eye that had a nylon, they were

different things that were like cranes or or us little, they were also,

they were also that there were some hands that had used, what was that

was that was an crossal like that was, like when you

take a material prima to take and and they

and they not they were that what were in the things

were not they were like, like, they'd be they were.

They were a little suspirer like, oh, well, of what they're,

no? Well, now so this is, no, no, no, there's,

no, there's, because they were at a distance considerable of this

yeargecett. But this woman, even with the years that had, he,

he, he was, he, he, he, And he Wow. And he said,

What do you What are you? Entrometedos? You're going to do the these. The children were

impacted, in shock. Not only for what they've been heard, but for what they

had to see that that that they knew as a biggecita very amable

that always was dave panes, yeah not looked as should

look it. All that aspect sweet that had had had

disappeared totally totally Wow. He a sonrisa that

was of a time disproportion to the face, with some

little little little and they were very afilados the

the children no could believe what they had

seen. And more for all the rest of that there

in this place. Of they they were thinking and

where came all those those those those pannes

that we're immediately they're not did two times

they said we to hear us. Sure. Or, they're totally the

pelota, eh? Yes, clear. Salier they're running to to tell to

his parents. Mom, papa, we've, we've this, and kids,

tranquillus, tranquillus, said the papas, tranquillus, what, what, they've seen?

Is that , Doña, and they, they're not, not they're not they're

not, not they're what they had seen. When they were

going to the house with his parents only they were

how from the place there was a kind of

a black and and in the place there no

there nobody but of all a a lot

still a dark but this this was different

He was accompanied of a kind of a species of a lot fetid and this was basically basically

it was a kind of a kind of a myth that was what was what had happened

with this woman because one that that was that that was that

that was never what, well, what complicated, that's sombroso also, I discovered that a person

not is who is, and so, and so, that's being occulted in a society camouflaged,

and that you know, and I mean, and this also, it's been in times, it's,

what, imagineate, no, so, desvivir and to, and do the,

so, to, so, do the, so, no, man, so,

no, and, and, and, and, and, we, I've heard

or no if in your case you've heard of this but they've

mentioned many many assassino seriales that they're they're

committed cannibalism yeah mention that they're that they is the

human is it's so it's very appetitosa those

those who have interrogated mention that the car

human has a human has imagine they're going to. They describe those panes

like something exquisito. What I'm imagine that they're in some to muller all,

and that this form of part of the arena I don't know what I see what I see me

that I'm so I'm and with that's to bring to more new to make

for to make more panes that it's it's it's

Demasio. Now, now, so, and I, and I, I'm thinking,

because never it mentioned that there were there were desaparitions of the people.

Then they were to where they were. Exactly. That's complicated. And if this other person,

to make a little a little to be a there, because they mentioned that in this

space like, that had this yeargecita, there was a ho that had a little,

No, we know to who pertaintya because they said that it was a kind of a or what was your culto, not?

What was the cult? And, and by what conditions this other person robusta

was being manipulated or being a slave of this old or was that I'm that I'm

that I'm that I'm that I'm I'm going to much of this episode no manches how you

it's how you it's padrissive if did Pronto, the scalofrillo because

are anecdotes of really very good, very impactants. That also. That also they're doing a lot

to be doing questions, to find the questions, and then the really is that padrissimo.

Hey, you thank I accept the invitation to tell these stories. We can

do you do your social? Sure that is. I'm I like Vinisa Cares in all my

networks social Facebook, Instagram Vinisa Cares Vinisa, thank you for accept to come to come to the audience

for a name us and we know, thanks also to the people who get at the final of

those episodes and not forgets to get us and activate notifications and see us on the

social and you know we know we're more in a new episode. Until the

the next bye-bye. Thank you.