EXTRA ANORMAL - Historias de Terror de Veladores: Los Niños de Ojos Negros
Episode Date: May 30, 2025¿Qué secretos esconden los cementerios por las noches? En este episodio de Extra Anormal Podcast, Paco Arias y Oscar Gherbert nos sumergen en historias reales de veladores, vigilantes nocturnos que ...han enfrentado lo inexplicable. Desde apariciones aterradoras hasta el encuentro con los temidos niños de ojos negros, este episodio te dejará con la piel helada.👁🗨 ¿Qué son realmente estos niños? ¿Entidades demoníacas, extraterrestres o almas en pena?🕯️ Relatos basados en hechos reales.🎙️ Historias jamás contadas del turno más oscuro...🔔 ¡No olvides suscribirte, activar la campana y dejar tu comentario! ¿Tú crees en los niños de ojos negros?#NiñosDeOjosNegros #Veladores #HistoriasParanormales #ExtraAnormalPodcast #PacoArias #OscarGherbert
Transcript
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Listen to lo, the lexas, the movement of a scale of the tigeras.
So, he'll be at the lexas, that's his companion, the he has seen,
with a soga
had marred
the cord
to a
big and the
companyer
is a vented
of the
and what he
see
outentro
simply
is a
two
two
in the
the
on the
tears
but
they were
sitting
in a
charco
in a
carco
he.
Platica
he with
his
company
the conserge
and he
says
many
many
years
in
In that salon of the
I think I
the work
gris,
unfortunately
as there
was
there's
there's
not there
were
not used
some
people
got around
some
they were
those
salons
they
did they
did
things
and they
they're
they're
they're
they're
they're
they're
How do you know.
be welcome to a
chapter more
of a podcast
extra an normal
my name is
Pacuarias and
I'm very
happy to
start
in a episode
for all of
you know,
I'm going to
let's try them
a time
a pretty
very few
many times
we've talked
stories of
vellators
and of
really I
think it's
going to
put good
for this
episode
me
a company
a good
favorite
of the
house and
also a
person
that all
you know
all of
Oscar Gerber.
How is that,
Bro?
Very,
very content
to be
again.
The fact
the time is
very intense.
I think the
majority of
the people
that are
that they're
at least have
seen something
about a
phantasmal
or
maybe with
the
delinquents,
and they
have taken
for there
has been
a lot of
I'm talking
with various
velators
because
I took
puartas
in cemeterios,
in schools,
and
are people
that I
have
said
abiotamety
if
live in
a
thing
paranormal
but they
are
not they're
able to
to
tell their
experiences
they
they can
share
in
that in
that
in this
moment
if
they
can
find
situations
but
they
don't
want
they
they
express
them
during
the
camera
it
is
respect
obviously
but
is of
the
places
where
I
consider
no
imagine
the
obscurity, the
night,
the,
the
pesadess
of the
madugada,
what many
times
can make
in
places where
there's
there's
a lot
concentration
of energy,
tantas
situations
of day
and many
people
can get
to get
to
see a
experience
of other
level
about the
thing
paranormal.
I see
about 15
days
I found
a person
that's
here
in the
municipality
and
know
that's
doing
that's
doing a
cargated
just
of the
pantions
of here
and I'm
and what
what happens
is that
I'm in
there
some people
that I'm
various
stories and
just,
just,
just like
you've
to mention
and the
detail is
that they
can't
talk to
but
they're
not want
to
see,
for
what they
have lived and
says
that here
has
said that
there's
many,
very,
very sinister.
Yes,
and
actually,
I think
that I
understand the
part
because more
than
to have
a benefit
the
fact of
to say
or
to come here
to the program
and say
abertaminted
I see
this,
this,
this,
much people
will be
to do
obviously
those people
in the
thing paranormal
but also
many people
will say
that's not
true.
And they
what many
times
them is to
this type
of attacks
and
even that
could have
a consequence
laboral
there in
their work
in their
family
because there
many people
that have
been
have repented
to
tell
what they
have
preferred
much
simply
to
to call yourself, no
to say
nothing
to
respect and
live with
that secret
to get us
to get us
to the tomb
but
today we
try we're
stories of
people who
from the
anonymato
decided
they're
to write
an email
for
to tell us
your
experience
working
in different
areas
as
as well
people
that are
doing
these
rondines
people
that's
people who
are
also
they
have
toped with
something
that they
they're
even
they're not
they're in
but before
to start
family,
we're
the good
to all the
new
new followers
that's
unying to
this grand
channel,
a great
family
that we
have been
to
podcast extra normal
as
also
also for
to form
part
official
how
of a
way
very
and a
quick
to this
channel
there is
a button
that says
you're
on the
podcast
there
also
see us
there
in Spotify,
that says
to keep
to do you
and say
you're
a member
official
of this
grand family.
Also,
before to
start, Oscar,
how you
can find
in the
social?
Oscar
Herbert in
Instagram,
Treds,
Twitter,
and TikTok,
there we
are,
and we
are the
commerciales
for those
who are
those stories
because
then I go
for there
some comments
that
where I'm
an email
point com
and we
are going
to be
using
those
stories.
Perfect,
Oscar.
Now,
if
of René. René is a person
that,
the fact,
he was one of
these
many experiences
in places
very peculiar
René
worked as
a velator
in a
college
private,
exactly in
a kinder.
Imagine
that for
some, I mean,
for some
a place,
only,
many,
many people
think,
recorrent,
the salons,
the
passillos, and
just, just
simply
that nobody
enter,
like you
mentioned,
in a
principle,
not,
to be
being in
there,
there,
malandrilles,
or situations
so.
But,
well,
he,
in his
runas,
was,
they were
very
routinaries.
I'm
atrego
to say
that the
majority
of velators,
and I
do with
much
respect,
well,
so,
they're
also,
like,
some
time,
like,
like they
said for
her
his
siestecita
and
of the
fact of
the fact
of the
thing of
hours
there's
I'll see those
eyes,
but I'm
a minute.
And,
he
started to have
a situation
very
strange.
In this
Kinder,
many
people
commenten
in different
institutions,
not in
this,
that is normal
to hear
gritos,
like,
that's
like when
the kids
are,
and there
there is
an explanation
that,
the way,
the
salons,
as
are
places
these are raced,
this is
in some
people.
The sound
like gets
a trapado.
If they're
the doors,
it's
closed the
windows,
the
sound
to get to
get to
get to
and then
when there
when there's
a fugue
of air,
then the
sound like the
sound like
that the
sound like
that was
about the
parades,
it's
that's
a echo.
That's
started to
in this
Kinder
and
Renner's
done
that he
in his
casetta,
in your
casetita,
of
the
like the grits of the
of the nions.
For him,
in a principle
if he's
he's made
very strange,
he only
took his
lintnerna,
his radio,
he was,
to come to
see,
he yeah
he knew
all the
accessos,
he just
he was
all of
all,
and he
was about
where he
had to
get to
the salon
of the
first,
the
the second,
those of
the
second, the
and the
with the
lantern
only
only
alumbed
into the salons
and without
the salons,
and
there was
the same
there's a
lot of
many colors,
much figures,
many figures
in the
paredes,
something
so innocent,
but that in
the obscurity,
in the
penumbra,
like that
inquiet.
Imagineate
to hear
that sound
of gritts
in a
salon of
classes of
kinder,
and
only be
you're
about
of these
sonris
of these
penuches,
of these
jugets
so innocents
but you
you know
you're
he's
he's
a series
of situations
like
scalofrios
more
gritos and
he
he was
that when
he was
that when
he was
looking
looking
on this
side
the rabbi
of the
eye
like some
he said
be yeah
a
little
siluettas
he
he normally
he would
turn
to the
and
there no
There was
nothing.
He
he started
that all
this
should be
the
time of the
years of
to work
in this
a long
you can't
do you
something,
something,
something,
it's going to
affect
to be
to be
a level
cerebral
and he
says,
well,
I think
that's the
can't
be
to get a
casette,
he
dispone
to
he doesn't
not,
no,
no
he
found
nothing
nothing
just
that he
started
to close
the
eyes,
it's
a
time.
Some
some
some of the
people.
A lot
to the
little.
Rapid
open the
eyes and
he says
that's
very clear.
A
great-
great-sion.
He
up.
Rapid
intends
to see
the echo
of the
sound of
the
salons,
all the
all-
all-trank
but this
this time
noticed
something
very
very
in the
salon
of
first,
1,
there
a,
figure very peculiar in the
story,
that is like a
palazzo that
had a maestra.
Always
the comadorn
in his
story, but
this time
was like in
the
piece, simply
was he
he's
he, he
open the
door and
he'll
accommodate in
his
place.
For this,
for
he'd
enter to
to this
a,
he had to
put to
get the
key,
but it's
been
in the
salon,
put
the
palazzo
in his
when he
is
in the
salon
he's
he's
like
some
some
it's
when he
he
see
an air
frio
that
he
recor
his
and
when he
he
he
he
a
little
see
a
man
baradito
there
there
was
in
a
one
in a
corner
in
he
he
for
the
impression
no
about
he
says
paralyzed, the
man starts
to tremble and
like the
light of his
lampa
is a
start to
his lantern
until
that it's
completely
oscuras.
In
that moment
you hear
how the
little
the
intuition
and these
gas
are abattas
to start
running
but
simply
your
your
your
not you
respondent
in
that moment
a
great
This goal
he
He's
a
shock
and
when
he goes
and when
he
back
again
to
that
that
the
little
he
not
he
he
he
he
doesn't
the
door
but
he's
thinking
many
things
that
was
what he
saw
if it
was real,
if it
was imagination
if
probably
probably
he
probably
he got
a
confusion
that
he
had
in
that
in
that
he was
parted
outside
of the
salon,
trying to
understand,
he's a
view of
his view to
because
in what he
was thinking
to all this
there was
a real
a real
that he
he,
he,
he,
he was
he was
you know,
you know,
the sound,
he had?
The
of a
columbio
becied
but he
he
was out of
the
salon and
he was
present the
sound
but
more
was his
impression.
When
in
that
he
describe
that that's,
to see,
a bit,
what is that
that Rue?
And he's
the
look at the
patio,
there's
two
menciending
in the
columbios.
One,
45
of the
morning.
But,
they were
reales.
Of course,
there was
a farola
and he
had a
light
to the
people,
they were
like,
like,
they're
not
phantasas.
He,
in that
moment,
he's
normally
his
lantern,
camina
to them
when
you're
very
very
they're
seeing
but
his
his eyes
his
his
his
his
his
he's
he's
his
he's
what he
is what
they're
here
with
voice
firm
but
but
there
was
that
he
was
he
was
he
I'm
none
of
the
one of
he
said
what
what
you
do you
do
In that one of the
one of the
little of the
feet,
detain the
columpio,
he gets
looking and to
a great
velocity
totally inhuman
this
man, this
man appears
in front of
him and
he he
when he
starts to
get him
because
he does
know
that he
is front
to something
that
he's
in this
moment
the gritos
the grits
the
they make
that
other
colleague
another
other
that the same college
he'll get
corriending,
especially
because
who he
starts to
talk about
radio.
He gets,
he's
he went
in shock.
This
companyer
he's
he goes
to his
casetta.
He
thought that
possibly
had
encountered
something
like,
no see
some
a manos
or
an
ladron
that
he
he's
he
he's
a
ambulance
but
but
Renen
no
no
no
he was
a mud,
but
was in shock
and nervous
and
only
after a
rato
he started
he said
the
children,
the kids, the
and this
company and
he said
what you
do you
what you
know,
after
a rato
very long
and
after that
came
the ambulance
of
that they
they were
kind
he
he described
in that
moment
to the
paramedico
to
his
companion,
all
what I
said.
Obviously,
well,
all with that
with that
tonality of
incredulity,
but
what you're
about?
And so,
because the
other
person,
I don't
so I'm
too,
but I
had been
a few
years
and I
had seen
nothing.
The question
of this
story is
that at
final of
this,
who
who's
we're
the
story
no is
René.
It's
his companion, because
he knows
that he
continued
working, René
still working
for a time
but that
it was that
in those
days that were
passing, the
years
he felled
on over.
Renet
started,
he started
to get
to getz
to getzar
at that
that in
our rumbos
they're
to start
the sojera
to the pomulos
like he's
like he was
a little.
he
termina
simply
renunciating
and
no
no
he's
not
to know
and
is the
person
that
he
he
in
simultaneously
when he
he
he
he
was
he
was
he
was
he
was
vigil
other
other
other
school
but
but
the
grits
that
he
he
he
he
he
he was
he
was
he
was
the
really,
something
that very
few
people
believe
of Rene
and
however,
something
that he,
the person
that was
the
person who
started
after
after
because
it was
they were
to look
a other
person
that
he
he was
he
he
of a
lot of
the
night
they were
to make
to be
no
I'm
no
but
I
noticed
that
the
three
colum
two
they
were
being
me
Sien.
How
Firt.
I go
the
thing of
the
school
is
quite
because
just a
lot of
I'm
a lot
energy
that's
all the
energy
that's
independently
of
what
they
are
when
you
know
I
remember
the school
that
we
went to
I'm
a
public
and
a
very very
great
where
just
was
maternity
kindergarten
kind of
primary
primary
Imagineate, how many things
not have been in that
school.
And also
me record to the other
that this is documented
and we'll be
in the result.
You can't
the video
of the master
that's in the
aula,
is all,
is still, is
it's a
moving and the
things are
to move.
Sure.
Yes,
is a classic
the,
the listen,
the ver,
and I
remember that
another person
that's a
person who's
a friend
to all
us,
Nazareth,
when he
has a video
precisely
equal,
where,
where,
Delante
of him
front of
the camera
it's
open to
a circle
in a
middle and
all the
the sill
the popitres
and they're
a great
way in
middle and
that's
that's
that's
that's
that's
that's
people who
are the
people who
are
that's
that I'm
talking about
I'm
a story,
also
that's
that's
that's
so
only that
this
and
these
places
like
the
going to
know
are now
are
places where
they're
a lot
vigilance
where
is the
casetta
where there
people who
also
they're
there's
things
for
diversas
areas
of these
and
before
I'm
to contextualize
in this
history
the
place or
the
areas of
the
fact
are
that's
you're
you're
access
for the
entrance
but
these
streets
you
don't
you top
with
a
part
to
fund and
they're
arregladas
they're
areas
reds,
banquitas
and all
what that
congeva
this is
to contextualize
the history
the history
is of a
bellator
called David
okay
desafunately
for
some people
who live
or live
in this
fractionation
per die
a person
was a
belorio
then
so the
part of
the administration
they
they're
they're
and he
like a
extra
that will
observe the
place where
is going to
get to
the ballerio.
The reason
they're
entering vehicles
that's
unrecognos
to the
fractionation
and then
and apart
you know
you know
that the
fact of living in a
fraction
the time
of the
stationationation
every
who has
their
different
casions
the
the fact
that not
to be
the case
to the
first of the
time
in the
time of
the
habitual.
Commenced
going to
this
house and
so it
went to be
good.
The
people have
understood
what he
was more
empathic
than other
and he
started
to come
to come
the
carctically in
the
boulevard
of this
recindario
and to
those
people
gave
chance
of that
they
were
just
outside
out of
there
there
no
there
some of
those
they
were
on the
but
but
conform
it
van
the
night
there
more
people
and
it's a
little of
problem.
There's
a person
there that
not is
in a
question
with the
practice
or
or maybe
not it
was
not the
person
that he
had
failed
a
conflict
that they
had been
stationed
in a
car
that
that
not
that
this
that
this
to be
a
David
so
yeah
David
in
so
he
starts
more
and
getting
more
more
more
more
At the
house,
or at
the
street,
is where
he was the
he was the
he was
while he was
he was coming
some of the
caros
he'll
see that
with the
people who
see they're
that's
they're
that's
they're
there's the
people who
there's
there's
in the
front of
the
the
place
where
there's
there
a woman
vestida
of a
black
like
a capuch
I'm
I'm
more
or less
less, like when
we're not
normal that
we're talking
stories
for not
dorm.
He says
that this
woman
out of this
area
of the area
but in the
night and
he begins to
come in the
pathos
a way
and maybe
torpess.
What he
he has
the attention
is that
this woman
is that
this person
and pass
for where
they're
where they
and nobody
he does
like no
he does
know
that's
in this
the woman
gira
to where
is David
and he
a
he's not
he
has to be
the
he
he's
he has
a sensation
of
he says
that the
feel
he's
to the
times
where
you see
that the
colds
you
recorren
from
the part of
the
back of
the
point of the
he's
that nobody has
a
person, it's
a point
I'm
And he says, hey, what
What's the
What's the
What I'm?
And it's a
A man
A man
A man of
Median Edad
And he
He's asked
How about
this
Ascunt of
Belorio
With the
people
That's
He's
He doesn't
And he
And so
David
Like he
He's
He's out of
The trance
where
He's
He's
He's
He's
He's
He's
He's
He's
He's
He's
He's
the
thing of
the
bad
the
bad ones
and
he's
to make
a conversation
about
a minute
even.
I'm
even
he's
like,
he
says
for
where
so
where
and then.
And
David
he
calls
the
attention
the
woman
is
the
woman
now.
Now,
the
he's
and then
he's
to be
to
where
they're
to
where
he's
going to
go to
a
rinko
in the
patio
of
in front
and
David
he does
fear
and he
he says
to the
man that
he can
make a
question
he said
let me
you know
you look
you know
that he
has seen
with the
head
and he says
he says
is he
is a
rarro
let
and come
to begin
to come in
he says
david
that conform
he has
he has
a sensation
of
when when
he's
he temtum
the
person
he starts
this
fear
this
the frio. Rigid.
Yes. Just when they're
to get to where
is the woman,
the two clearly
see how it's
going to get to
disvancer's.
Oh, manches.
And I
look to David and
see the
and the
sir, and the
sir, he
is like,
nervous, no?
In that
they're at
the point where
is the belorio
and he
says the
the best in
he said,
and I'm
said,
it's all right,
he says, it's
all right,
he's
where they're
going to
the
caros,
Pasa
all the
night
yeah when
the casetta
of vigilance
yeah that
he was to
do the
change
to turn
he's
he went to
one of
his
but he
he said
you're very
and he says
David
he says
yeah
I'm
there are
some
there's
some
there's
many
they're
so
things
the things
of
the
bellarios
so
his
company
the
careta
he says
yeah
the
is
that
is
very
and over all
for Don Roger,
who was a good
a man,
he was a
he said David,
no?
His company
he's got the
cellar and he
said,
he said,
he was a
young.
David,
when he was the
photo.
He was the
was the same
was the
man,
he said,
he was
he was doing,
he's,
he said,
no,
he says,
yes,
he's that,
he's that
he was he
was he,
he said,
so he's
so he's
so he's
so,
he's so
very amen
to the
conversation
is that
is that
they were
beling.
A la
bestia.
For
there,
fiat
that
atoche
I'm
going to
funar
for this
but
there's
a
movie
that is
super
super
big
but
when
it
started
to
go to
it
has
had
much
in the
channel
five
in
those
who
are
in
the
but
when
when
when you
you
see
the
those
the
scenes
and
say
that
what
flojera
is the
of the Sombra of
Okay
Yeah,
you know,
I've been
Well, I'm
Well, I'm
Yeah,
because
always is the typical
scene
where they're
sitting one
behind
of the other
Uh-huh
Uh-huh
Doing,
like the
figure of
and
and,
well,
a boy,
a little
want to
be a
caricatura,
no,
then
then they were
those
PICadra
or something
and then
and then
they were
the
Saturdays
that were
in this
movie
Cine permanency voluntarious, no.
And I said, oh, no, bye, dude,
it was a little.
But,
uh, yeah,
this,
he was,
I'm saying,
well, say,
I'm going to say,
I'm going to say,
I mean,
I said,
I mean, I,
so, I,
so, I,
so, I,
so, I,
was, I,
God,
I think,
he's called,
so,
this,
he says,
but,
about the phantasmas,
I,
I said,
I said,
I was a
thing,
I'm,
I guess,
I don't
don't like
in the
movies
romatical,
But it's of phantasmas, and it's interesting.
And, this,
I put to see, the typical scene where they're in the barrow,
and this or the other,
until that one person,
like, they're, like,
they're trying to get to,
to the child, no?
The protagonist.
And he,
and he,
well,
so, and I remember,
much to go to the scene,
because literally,
he,
even, he's,
even, he's,
he's,
the, of the person
that he doesvive.
But when I look to,
be to his,
be to his
parkeha,
be a
chica
that's
in the
murraying
and he
and he's
his body
obviously
with a liquid
rojo and
all and he
assimila
that he
simply
he simply
he just
to existir
that he
is not
transcending
until that
he got
his
committed but
I
remember much
that scene
because
I put
to think
I'm
I'm
think
obviously
those
who did
the
people
know
or
bused
information
of
how
how
it's
how
move the
things
to make the
these messages
the mediums
etc
and right
that you
did you
did I
did the
question
to all
those
who have
been present
in those
their own
those
so
for example
if
if I
fall yes
a
mother
and
they're
there
are there
like
trying
to
bring
to
what
what will
what
what
will
what
that
interesting
that
that
strange
that
Now, some of the red
social
from the more
to see
like,
like a
like,
you know,
you imagine?
Ah,
sure.
So,
it's
true,
so me
pass.
Exactly.
No,
I mean.
You want to
tell you,
this
story, this
story
is called
a brother
and no,
no, no
he's
a pair of
a pair of
men,
he's suede
to a
name
Santiago,
and just
you told
you told
a story
of fraccionam
I'm going to
talk
other
story of
fractonements.
He is
a
new,
is that,
then the
opportunity
to
work
in a
factionation
that
was
a
recionement
that he
occupied
for
like,
he was
for
also
for
also
to be
an
extra
so
it was
his
first
working
so
this
as
security
only
he
was
to
do
access
to
the
person
to
give
to
do
their
to visit
to someone
to live there
and also
the
conflictos
between the
people
and the
resident of
the next
he's stacioned
and I
go to
get the
car to
and where
he's
he's
he's
he's
he's
he
but he
he not was
a very
strange
in this
fractionation
like
more or
more or
more of
the
little less
those
I mean, obviously, it was a fraction of new.
Pocon a little,
so he was going to start to poplar.
But he noted like an
an ambient, an air
like a little hostile in the
place.
He no
he doesn't know
to describe it all.
The fact, no,
no,
no, no,
no, no,
no, no, it's clearly
simply mention that
that he's
something like
something when
when he's
in his caseta
with his radio,
listening
the radio,
I had
a television
little
there
internet
also,
then,
when he
took about
to come
for
some ways
where the
houses
were
unas
and nobody
was abitabat
and I
felt
the sensation
of that
like it
like it
they're
and
in one
occasion
us
we know
that
there
there
there
was
a final
of
fraccion
that
he had
a
attention
it
was
a
house, there
a house in
that
that way,
that's
not, for
a reason
he not
he's
never,
he's
a house
that's
a
house that
in Mexico,
they
know,
when no
it's
termina,
it's
like the
structure
is made,
but
no has
the
have the
there's
there
some
situations.
And for
some
reason,
that house
he caused
a car
he caused
a
he
He felt like at the moment of going to go
with his lantern,
because this all was he did in the night,
with his lantern,
he noticed that there were
like miras in front of the house.
Like there were people
that were observable
and when he'd
like, he'd
like, this house
had courtines.
So he no could
be at the interior
of the house.
But that constantly
when he was at
final of this
and always
had the
custom
to inventing
like the
lanterns
no,
the light
of the
lanterns
to be
everything,
but he
continued
describing
that
that's
sensation
of that
there's
that's
he
he asks
with
his
other
turn
and what
what on
with
this
house
and
they're
and
they're
they're
they
don't,
nobody
there's
in that
there
there's
there
there
other
other
houses
that
are
terminadas,
also
they're
there's
he says
he's
I'm
like I'm
going to
and I'm
the typical
sound of
that they're
in a
chair,
that's
there's
there's
the movement
so
like even
even
even
even
conversations
of
people
that
they're
I'm
I'm
no I
no there
no there
no
no he's
it's the
it's the
can't
get to
some
some
let's
some
the
only
the only
house that
has
people
living is
the other
all the
houses of
that way
are in
the way
he's not
he's
there
moments
where he
had this
curiosity
and there
was more
a occasion
where
he
he was
he
did a
back
to the
house
and the
house
and
looking like
a
a access
so
I
had
so
they were
they
were
they
didn't
not
could
enter
even
an
occasion, he
he
recall that
that
he said
the
back in the
part of
the other
and he
he heard
clearissimo,
clearissimo,
the sound
of a
conversation
like two
people
that are
putting
shism
there.
He
went to
put the
ear
to be
to the
door
and
he was
super
clear.
And you
say,
if there
people
and if
someone
entered,
what,
so,
what,
what,
so,
what,
what,
what,
what,
so,
what,
what,
So, but he was at the moment of
talking,
I'd say,
hello,
good times,
good nights,
hello,
and there were
in a lot,
so,
immediately the voices
they'd have been
to be able.
That's,
that was a
constant in him
and at
a certain
point,
well,
you're just
you're just
they're saying
that's saying
that's not
there,
but resulta
that is,
well,
pass.
Of a
repent, he
has
like an
incommienta
by part of
the agency
that he
has been a
person, like
security,
that he
has to
give to
do certain
rondines
in
madrugated
if he
get to
detecter
that in
a house
of a
house of
any
that there
he's
like he
he has
he's
rapidissimo
has
to call
to the
authorities
yeah
the
police
ambulance
or
even
if a
person
he reports
that
after the
11 of the
night
a person
has been
a carnita
sada
and has been
music
the work
of you
is to say
you know
what's
you know
after that
after that
now he
then he
recorri
then the
times
repentines
in what
other
other
company
was
in
casetta
and
doing
accessos
recor
the
recorri
the
morning
because
this
So,
when
it's
even
didn't
get the
sun.
5
of the
morning
was
like
coming
to come
to
make sure.
He
started
his
rondin
and
he
went to
his
lampa
caminand
he
never
never
had
nothing
he
never
never
he never
took
to
his
work
because
there
had
no
there
many
houses
abitats, then
he
complied.
But that
occasion
he gave
much the
attention
to get a
house that
was in
Obran
Negra,
he started
the yantto
not of one
like two
three
men, but
very fertes.
In
that moment
he's
he goes
and he
got
kind of
that the
yantto
was in
the house
of the
house of
the
house of
the
time
he had
Rewood
and
there
no
there
in this
moment
no
he was
not even
to
get a
he
he was
over
the
and he
he
he
he thought
probably
the
duels
when
I
don't
I
don't
I
was
but
but
the
he
was
he
heard
not
not
they
were
not
a
man
it
was
like
he
was
they're
not
got
grits
desgar
desgar
I said, it was, it was like the
little bit of the
garrable the gargant
grittable.
Rapidly,
he,
he's a
come to the
house and
he's got to
talk the
door, and
like other
times it was
that when
did that
the sound
no,
the sound
he still
still
the door.
Hey,
good days,
all good
good days.
When in
that he
got a much
the curiosity
because
to listen
a little
to learn
for much
time,
you get to
provoke
psychologically, in
his desperation,
he'll go to the patio,
he'll go to a
pietra,
rompe a window,
and at romper,
like,
he makes the
hand,
halla the
doortina,
and what he
see,
adentro,
simply is
a two
children in the
piece,
yorand
justgaradamely,
but they're
sitting in
a charco of
He
he
he's
impression
in that
moment
he's
to talk
the
door
like he
abran
but so
talking
in radio
about his
company and the
only that
he's what
he's
what's
a
ambulance
there
there
and he
he was
he
talking
to the
door
talking
a
and
almost
kind of
maybe
he's
the
person of
a lot of
he's
all
he said
he's
he said
What you do,
man?
No, no,
it's that
there's
there's a
there's
there's
and he describes
a situation
and this
man with
the calm
of the world
he says,
calmate,
par.
That house
is a
back.
It's time
that the
doones
simply
not they
didn't know.
I don't
know,
something,
the
company
not the
company no,
but
nobody
they have
no,
no,
no,
no,
they're
no,
and he
said,
no,
alterado,
rapidly
gets the
authorities,
he describes
all,
tumble in
the
door,
and when
they're the
only
that they
are in
a house in
a bra
black,
basia,
with tell
arrains,
with polvo,
no,
there was
nothing.
Nothing.
The
place where
he had
seen to
the
little
charco,
not of
this
liquid
vital,
no,
there was
nothing.
All
in the
sense that
no had
this
like a
lot of
a lot of
a
lot of
there
there's
there
there's
like
some
of some
some
animals
bichitos
and the
people
they're
looking
and they
said
why
you
what you
did
and
he
didn't
understand
and
without
able
and
he
he said
he's
that I
see that
I
see
the
the
police
the
revis
the
but even
even with
cautel.
They
got to
when he said
to do that
the house
is a
back in the
accessos
are in
the windows,
all the
all is
all that's
all right?
So,
like they
say,
no,
no, no,
there's
you know,
you're doing?
This,
well,
this,
this grito
so desperated
of the
authorities and
to the
people,
and to
the borot
and he costed
the job
to our
protagonist,
to Santiago,
he ended
despidying,
he was to
pay the
reparation
of the
damage, the
door
that they
turned,
the
window
that broke
and
however
he
he not
he doesn't
get
satisfied
with
with the
fact
to think
that
no
said
in
communication
with
some
of his
ex-companero
and
the
only
that
they comment
is
that
of
a
part of
that he
said that
he said
those
the
other
and they
when
they're
in the
street
of that
the
last
the
section
E,
we're
to
call it
many
probably
don't
understand
is
where they
are
what he
felt
what he
was
when he
was
the situation
that
is
a
situation that
is
a
fraction
that
is a
in Sonora
in a
fractionation
that much
only me
just a
factionationation
that no
years
that's in
a zone
center of Sonora
and that
many people
maybe
you know
that's something
because
it's something
that's
about 2018
manches
that's
that's gross
I mean
I think
I think
that has
we have
we
we have
this
facility
we have
We've talked about,
or maybe
in the
way it's
normal,
and it's normal
here
that we're
we're in
a culture
where we're
very apegated
to the
thing
spiritual.
Dian,
what they say
this is
a reality
we've been
of cults,
we're
of people
that
had this
kind of
this
spirit.
Everybody
what
did our
ancestors
of our
ancestors
yeah,
that we
we're
we're
we're
all
we're all
we're
we're
installed
and
I think
that's
the
difficult, no,
the power
external
situations of
this inundle
that not
you're in,
but that you
are sure
that you're
that's sure
to the person
that they're
seeing that
maybe it's
a pain
or the fact
that they're
to be
but we
don't know
we're we
we're we
let us
send us
our stories
to extra
anormal
podcast
atroba
Gmail.com
because
very probably
probably
your story
is the
next that
we're talking
in this
podcast
and the
In the same way
to say,
if you have
been patience
because if
they're
in a lot of
manycences
of,
so there's a
lot of
the couriers.
So imagine
not we're
millions of
people,
we're doing
little to
so much to
patience,
patience,
family.
Yeah,
but there
is going
to be able
on,
there's about,
there's been
there's there
bellators and
there's a
lot of stories.
I'm going
to tell the
story.
It's
is a bit
bit bit
is better and
we don't
we don't
have problems.
Okay.
I
also.
No, me go with with with
with with with
with a
this
history
the manned
a person
called a
Sebastian
Uh ha
Sebastian
he was
during
many years
or he was
a lot
time working
in this
factory
okay
he
he's
specifically
in the
bodega
of a
fabric
and he
he has
much
time
working
there
never
never
never
never
never
I've
been
quite
rather
rare.
He said he
that
he was
approximately
at the
night,
he was at
at 6
of the
morning.
And then
practically
the
thing or
what he
corresponded
to do you
to see,
that not
would be
to be
someone
out of
that
you know,
that's
you know
those
those
the same
the same
the same
classico
that was
that was
his responsibility
and
there was
there were
areas
that were
there
some
in
those
that
had
to
observant to see that
not there was
something
that could
get to robar
the things.
They're going to
get to be more
more than the
people.
So,
my ballita.
So,
Sebastian,
it's just
his rondines,
nothing of
the other
world,
comes to
come to
get a,
he was a
motor,
all the
nights,
all the
night's,
that was the
motel,
at the
stationamination,
he was
back with
his term
of the
coffee,
you know,
to mitigate
a bit,
or
pass
the racio.
Yes,
it's
difficult
to
work
at the
time.
I'm
he's
his rondines
particularly
in a
occasion
commences to
see observed
and this
for him
is new
because
pese
to the
years that
I was
working there
never had
succeeded
never had
had
had been
this
sensation
of that
someone
that someone
I'm
having to
you say
you're
a classic
that
starts
and
this
he
starts
to put
a
a little,
or
quite
nervous,
pointalizing
in that
he thought
that there
was a
person who
he came
he came
valentiment
or at
his
his work,
he had
with his
lantern,
illuminable
in the
places
and the
,
and I
going to
this,
he began
to know
just a
figure
a
quite
strange,
I know
was
if it
was a
woman,
and
was a
man,
and
I'm
a
way
like
between
lenta and
rapid
like stop
motion
more
and so
and this
he comes to
call the
attention
of
never more
has
no more
there's
in the
fabric
or a
bodega
that
that
still
this
is
a
like a
little
that's a
man
for him
for him
no
I
never
never
never
ever
never
never
septico
of
this
type
of
situation
in
parallel
to
it
He begins to have
dreams.
And in
those
dreams
is very
rare.
And here is
where I
want to
go to
a line
about
a lot
very
very
delicate.
I said
in the
dreams
he
was
he back
on a
carmion
and the
camion
and the
part
of the
front
in the
parabrizes
there's
not
there
and the
route
six
guion
18
and he
he was
back
and he
was
to go back
to
descend the
camille
and I
see his
his zapato
those
were in
those
things are
a lot of
a lot of
his
stuff that not
he'd
he'd
very
very much
he'd
get to the
bodega
and he
had a
fabric
he'd
to an area
where
he regularly
actually
his
roundines
there
had a
there a
stager
puttes
he's
he'd
he's
subia
and
of
and of
his
he's
still
culling.
And
he
had been
with a
sensation
of a
pain
in the
cooel.
To him
to get
to get to
this
because
the end
not are
his
so he
he gets
in the
motor
to
the
and why
he did
that he
did that
he
was
he was
he was
because
I was
that
was
he was
he
was
The mirada is that this is my
case.
Of a point,
a reloge in the man
left, he didn't
use a reloat.
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With a sensation
of a trestice,
with a sensation
that maybe
the life not had
a sense.
It was again
back down
from the carmion
of the Route 6-18
and
was just the
area
and he'd
his feet
cold gulgando.
Al-A-V-S.
Passed the time.
pass a
few days
and he
comment to one
of his
companions that
he's
feeling rare in
the place
and at the
vented of
Chascarry
probably
here's
probably here
spanta
no no
I don't
I think
to
his rondines
but
but just
in that
zone
between the
casas
sentia
this
sensation
of much
fear
and he
he no
I don't
understand
what was
why
I'm
this
because
he had
these
sensations of
being observed
because I
this silhoueta
for there
merodeating
until
that you get
the day of
the 15
and you
know you
see that
in some
companies
you're going to
you're going to
your cheque
no
the 15
every 15
every 30
and you
top you
get to
your
people
he gets
in his
motor
he
he back
just
just
just
just
after
before
he
a car
that says
618
so
he back
a person
and he
It's really
the attention.
A person
that
was a
work at the
same
that's a
but in the
area of
production
come in the
and they're
and you
know,
you know,
you're doing the
factory, so
you're doing a
little,
and get to
let me,
and get
to the person,
and he's,
he says,
yeah,
yeah,
yeah,
yeah,
some frias,
or yes,
some frias.
Or one is
that he spant
and,
ah,
and so
he's going
with his
money,
but what
he gets
the
and he
saludan
he
bolted
to
and he
vots
coffes
with the
mancha
with the
manche
the
the last
the
is that
he in
his
relo
see that
they are
that they're
that's
one
and he
and he
to
a chiel
an alarm
tit
tit
tit
he
he
he was
he
he went
at
at
the
10
commenced
his routine
and get in the
and he causes
like this
anxiety of
why it's
going to
this
the other
day
entering
just in
his turn
has this
necessity
to get
to get a
specific
he
he is
he is
going
and you
know
you know
you
you know
you
get to
you
find
you to
you
find you
you
you
and other.
Just when
when he was
getting to
the area
where he
had his
rondines and
he had this
sensation,
he'll
hear the
way of the
movement
of a
escalera
of tigeras.
It's
open the
escalar of
tigeras
and he
he'll be
to the
friender
he has
seen,
with a
soda,
he had
marrada
had a
wire to
a vicar
and the
companyero
so vented
on the
carer.
No manches.
He
he's all
he's
he's
he can't
he's
he can't
he
he starts
and he
he gets
another
companyer
and he
he says
you're doing
you're saying
you're
saying he's
that I'm
going to be
nobody
here
I don't
want to
and he
he's
really bad
this
this is this
sadness
that he
started
and he starts
to start
and he says
no no
it's necessary
that
does this
you know
I'm not
I know
I know
there's
that I'm
the truth
is that
I don't
I don't
support
at final
his
companyer
that
was a
person
was a
very
had much
problems
had many
many
conflicts
after
after all
he had
much
the attention
that is
certain
he's
that
sometimes
the
death
merode
to
places
anticipating
something
um
unfortunately
this
person
no
perdi
the
life,
maybe
if he
would
have
a
route
alternative
to
the
vigilance
would
have
encountered
his
family
and
he's
he
never
never
had
had
had
these
dreams
that
I
think
that
actually
are
really
really
and
it
and he
did
to
that
he
did
it
is
curious
because
are
the
dreams, there's a part
of the deja vu, because
the divot is like, ah, yeah, that's
you know what I've, but
there's the part that also
functioned as an alterno, the
Alterbu, and
there's the other, that no record
her name, and I've said many times, no I'm
I remember, that you know what
going to happen, that
it's like a, you know, it's like a
dayabu, but it's
like, like, like
something premonitorio, that
I think
was
what
he
occurred
to this
person.
And fortunately,
the little
the little
the little
little of
the
lot of the
lot of
the
escalator
and it
served it
was like to
uner
cabos
and in the
moment
that he
he starts
and he
starts to
start to
move
in the
table
the table
he
he was
to be
to be
what he
and the
effect
mariposa
no
the
actually
of
the
route, no
he
took to
go to
that area
how
a decision
to be
to help
the life
of other
person or
no,
or all the
contrary.
No manches
that's
that's
how complicated
could
get to
happen.
I want
to tell
a
story.
This
story,
I decided
to leave
to
final.
In this
story
if I
manage
in
location
exact.
Of
actually
there
for
there
a
data
that
we're
to omit
to
avoid us
a problem
legal
because
this is
entertainment
and we
we're
going to
see
this
side
and
however
two
people
saw
and
lived
a
event
very
very
very
in
a
state
in
a
state
where
was
going
a
a
great
construction
of a
hospital.
It's the
only
that I would
say in
these
the last
years.
The
detail of
this is
a
thing that
I've
been
that I
have been
a
legend
of that
when
you
you're
going to
you
going
to
build
buildings
when
there
a
great
infrastructure
there
But,
there
people
that
think
that these
constructions
they have
to give to
something
for that
they can
do it.
There are
like, there,
there are like,
when you
go to
a
house,
then you
have to
get to
eat all
to come.
The
monedas.
The
monedas.
So,
so are
little
rituals,
and to
find the
kinds of
good.
Because,
because,
that you
invite
a tach
a
thing.
It's
chido,
no?
I liked
those
collados
there
construct
to be
a
work.
But,
but
of that
to that
to get
a person
in a
vivor
in a
big
a grand
mural
or in
a
big
pillar
and
decide
and
and
start
to
make
and
literally
literally
I was
going
to say
the
word
that
you
can
censor
but
we
to say
to
do this
person
of the
construction?
To do
the part
of the
construction?
This
yeah
is very
very
lacho,
very
feo,
turbio
and super
aterrador.
The
famous
emparredamient
when
for there
people
start
like,
well,
today
his
husband
no,
didn't
come?
No,
well no.
Well,
it's that
has
been
two
days.
today no
to work
and result
that the
last time
that the last
they were in
the job
but
no they were
to see.
A
this
I'm going
with this
history
in this
story
it's about
the construction
of a
great infrastructure
and I
said that
I don't
I
would say
for
for
temor
it was
a construction
of
government
and
this
was
going
in a
municipal
with many
carencies
we're going to
mention it
for there
the people
the people
or the
great majority
were part
of this
municipality
albañis
people
of construction
started
to form
part of
this
I think
what
what good
what
do these
programs
is
they contract
to
a agent
of the
people
for
that
when
you
have
been
those
months
in
construction
he
started
to mention
the
disappearance
of a
person
of a
little
a
man
and
and
it
and
a rumor
in
the
constructor
that
for
there
were
that
there
were
that
we
say
that
for
this
I
put
in
context
all
the
story
of
Goyo
and
Goyo and
Fren
they're two
old lobes of
mar,
two persons
who are those
who vellan
this,
this grand
construction,
that yeah
was very
advanced.
So,
then they're
they're doing
this labor
that,
well,
there's material.
You know what
is what
is a
ladrillo,
what you
value,
a barilla,
lamines.
So,
they used
and vellable
this protection.
They,
in
When the personnel of construction
begins to retire,
they're going to
get to get.
And they're
to take all the
madrugat,
all the night.
And they
were going to
and they
could not be
robbering
nothing.
The detail,
and I want to
give a
context, for
example,
Gojo,
was a
man a
great of
very calliado,
very superstitious,
I think in
all the
thing paranormal.
And it
was a
classic because
all the
time had
a
medial
of San
Venito.
And Don
Efren,
and
the same
age,
a man
a little
more
brabuckon,
more
do you
obviously
no
they're
nothing
of this.
They're
years
working there
all the
time
have been
friends
and
constantly
the
story
us
that was
that were
maybe
manios
too
maybe
you
know
I'm
I'm
So,
tomorrow
do you?
So,
like,
they're
more
a men,
the
work,
we're going to
say that.
So,
then they
were
they're
they're
their
radio,
his
lanternas,
this,
platicable
much.
They'd
know the
history
or what
was the
talk about
of this
place.
And of
the
part of
their
conversation,
ohie,
that
a job
disappeared
so,
that said
they're
that
they're
that
Don Goyo,
always
temeros,
and irrespectuos
of the
theme,
with his
medial
of San Menito,
but Don
Efren,
as always
they said,
nah,
he went
with the
other,
no,
things
like the
stuff.
They're
they were
a good
time
working.
The
detail is
when
they're
they're
they're
they're
they're
at the
time of
the
madrugada
they
they're
they're
the
radio,
as the
stations
of
hour,
and the
only
that is
reproducing
music.
They had
music.
They were
to know
to know that
that in
that one
a 15
in the
kind of
the signal
of the
radio,
and they
were going
and they were
moving
but like
no,
it was
the signal.
There
was like
a giz
and in
that moment
in the
most
instants
they
heard
to what
they were
the
can't
the
those
were
a series
that
a series
of
that
proven
from
the
the
of
the
the
they
they
they
they
and
so
you
also
you
don't
you
said
don't
go
to
someone
to
someone
to
someone
to
say
no
so
they
they're
in
there
inside.
And the two
went
to see
they're
all the
landmios
the cubicles
the
cubicles that
were done
all the
but of a
minute
when they were
where
they were
where they
thought
that they
had
something
there was
something
something
that has
happened
in the
explorations
a
past
that your
your
eyes
you
You know, they're accustomed to the
obscurity.
You see silhouettes
more oscures in the
obscurity,
moving.
And they used
and they were
they're putting
with lanterns,
but,
well,
a light in a
penumbra,
so,
no,
you can't
to visualize
all the
light's
so.
So,
like they're
saying,
then there's,
no,
go-n-
and so-
that's-
and so-
and that's
they had to
when their
radio
was like
like they
they'd
like,
they'd
started the
and the
and they
them
they named
the
those can't
one
one night
this
yeah
so
it's
a
thing that
don't
goyo
very
tenor
all the
time
that
that
so
he said
rosarios
where
Dene
was
he was
he
was
but
there
a moment
where
he
he said
I'm
the
really
you
too
too
too
too
too
can
see
those
sombras, not
only
I know
and his
companyer
and he
said, the
fact,
if I'm
I'm going to
hear and
I'm not
you know
to say
because I
all the
time you're
molestating
with this
then I
cost a
time to
assimilar it
or creer
to be
and I
know I'm
so this
starts
to augment
much the
attention,
much the
attention
and is
where Don Goyo
he does
a phrase
that he
says
acercate more to
God.
Busca
God
because
we don't
know
what is
going to
this
sir,
the other
this
Don Efren
like
he's
a carcajada
and says
God
God
me
care but
here
he can
be
of the
people
of the
people
not of the
people
and not
and no
doesn't
not
but
then in
that
in that
plan
until
after
one
night
the
the
ruidos
started
to
go
more
more
very
And they were
some
cantos
that literally
were in
all the
area
and they
they were
decided to
go to
investigate
to get
it was like
if they were
they were
where it
was where
the people
was chada
to be
part of the
construction
they were
to be used
to guide it
to guide us
and get us
to the
level
inferior
they were
to get
where
they were practically
more penumbra,
where there were
null a
light,
only the
of their
lanterns.
They're going
to,
they're going to
start with
much cautela,
with much
tranquillity,
when,
one of them
does the
question,
the classic,
who
is there,
because
it was
the movement,
but there
was such
dark
that the
lantern
literally only
only lumbed
a little
a little
space
of the
front and
yeah
no
see a
nothing, no
there's
like all the
noise,
the
kind of the
can't
but
so they're
again,
he'll
again,
he'll be a
question,
Don Ephraim,
who's
who's
going to
call to the
policeia?
No,
there's
they're
they're going to
come to
much
cautela
when
of a
rinkon
Don Goyo
starts
alumbar
and is
where he
does where
there's
there's
there a
altar. There's an altar. In that
altar, that was kind of
because he said that there was a series of
laminas, a lot of material,
at last of all that,
all right? That altar
apestable. Because
in a while they were, in
a while they're going to
this odor as an animal
Muerto
Empeas
Alumbar
They're
They're
Vellas
Rests of Vela
Effectively
there
Plumas
Like of
an animal
But imagine
that scene
Oskar
Those two
Like in
a subterrani
Oskuro
The
Ambient
The Madrugada
and
And when
they're
Ascern
more
You know
that there
A photo
in the
Altar
The
photo
correspond to
a
a
a
person
that had
disappeared
in that
they're
they're
they're
they're
like,
it's like
it's like
it's like
the water
on the
side of
the
don't
goy
only
he
he starts
to recital
the rosario
and
where fren
in an
arrake
like
a
ira
but
too
he's
to destroy
the
altar
he got
a
and he
he's
a
tablas, the image,
all the rompio, and
he said,
yeah,
Basta,
they're going to
the policeia,
get them,
but Don Goyo
when he saw
that his
friend,
then he said,
don't know,
then he
said the same
to say the
same,
don't do you
to get that
to get that
he said a
lot,
he said a
lot,
you, calmate
too,
calmate,
no,
not going to
pass
nothing,
it was
something
something
some
those people
put here
there
and he said,
oh, you know, Ephraim,
the fact of that you
don't creas in this,
no say that no
exist.
There are things
that happen
that we're not
know we've
been a testigo
of this.
No,
it's not.
Passed?
At the day
the next,
the obererers
are of all.
Obviously,
they're
to start to
go to those,
and you know
when they're
a chism
in an
company,
in,
all the world
was able.
All-mundo
started to
to go to that
part
and only
they were
what
was the
famous
altar
the detail
and this
this is the
child
the child
that's
a person
that's
a person
because
his papa
and his
father is a
man
there's a
moment
where they
were the
two
in his
casetta
platicando
like
every
night
simply
a day
Don Efren
talking
so
he started
to talk
the
the
pecho,
the part
where
they say
the
part of
a lot of
the
way they're
rapidly
they're
to get a
ambulance
and
unfortunately
Donne
Fren
heard
the
life
due to
a
a paro
cardiac
casual
that
consequence
no
no
I know
many
just
so I
know
many
many
people
people
of
this
municipality
simply
renunciated, because
you've been
heard about
the
person,
they've
heard in the
story of
them.
Fyce
Dunephren.
Much
people
that day
renunciated.
No
they were
going to
the
construction
of that
the hospital
and
between
those of
the
don't
Goyo is
one of
them.
No
he's
doing
that there
there,
that simply
not
not is
normal.
me record
much
a way
that you
in a
exploration
you went to
where
was the
tomb
of the
yorona
that they
gave
an advertency
for there
to not
to talk
and I
think that's
that's
that's
that he
was the
that he
was the
that he
was the
that's
the magnitude
of the
things
of the
times
we don't
tan tan
to the
thing to
we're saying
no
no
the fact of
to
feel
that's the
detail.
I don't
I'm not
I'm in
a lot of
the people
that they're
in their
right to
not create,
clear,
but
respect.
The respect
to the
right to
the
peace.
And you
can't
get to
to
get to
a place
when you
when you
go to
your house,
when you
know
and
that's
because
you don't
know
obviously
we don't
We know who is the responsible or who
stay behind
of all this,
who is the guardian and who
can be disagrade what
will happen.
What is that in the history, I go,
if there was a person in the
life real, a
person who didn't go to
a house,
if there was an altar,
and if there was the
fallaciment of this
man, that we,
we put him in front,
but he was another
name in the life
real, obviously.
but,
but it
it's a
experience
for all the
people
that's
this podcast.
And that's
emphasis,
no,
respect.
Respect.
Even,
even,
you know,
you know,
you know,
you know,
you know,
you know,
the
consequences
that you
know.
I'm going to
tell
the
story and
justly
in a
school.
Okay.
And me
recorded
much to
a school
where I
went.
That is
a school
public.
Resulta
that in
this
school
he got Adrian
He came
to other
city
He urged
to find
a job
And for
he said
He said
He said
Avelador
Inich
school
The reason
Is because
They've
been
vandalizing
The
Okay
It was a
A
Pesar
that he
had a
He was
not
Not was
not
not
not was
secure
And
for there
someone
He said
You'd
need to
go to
tell
school
They're
They're
contracting, it's
belladour,
they're
just trying
and they're
building, they're
there,
they're doing
to give them
to some
salons.
And,
in reality,
not is
that's the
fact of
to be able to
get to
not to get.
No,
don't
do,
not,
no,
don't,
and that's
all the
time,
the material
practically.
He,
he'll accept the
job,
and he's,
well,
at final,
is what
there,
and me
urge the
money. At the final, the majority of
the people, well, for
us, for us, we need
the fairia.
Commenced, he with his
rondines, is the turn of the
morning, the turn of the
time, the turn of the
time, the time,
the time, and, well, he
gets in the
night.
Commence to do
his routine.
The school not is
very great, it's
a school where
exists the group
A, the group B,
of the six
salons, and we
go to all the
schools.
The detail
here is that
there is that
there are some saloons
that
is in
an
over
a
black
precisely
he
he's not
he
didn't
they're
they're
never
to build
these
places
to
his rondines
was the
part
of the
where they were
the
majority of the
salons
there was
a part
that
practically
entered
to the
school
and
there was
like
a
navy
no
that
mentioned
and
then
the
salon
of the
direction
a
bodigita
the
area
of
the
area of
the
food,
the
famous
cooperative.
Uh-huh.
The
campos.
And,
well,
he was never
by
there's
going to
get to
get a
person and
do you
robar the
material or
vandalize
to the
school.
The
school had
even
some
rations,
you know?
Graphite
and so.
So,
conform
they were
passing
the
nights,
something
to the
first
story that
contested.
The
to hear
Rydos,
Rises.
And,
and then
he's going to
what's
what you're
going to be
going to be
never,
never,
never,
and this was very
new for
him.
It's
to spantars
when
just a
listen to
a yant
and the
yanto
and the
yantos
he was like
to be
a man
she's
spanta
alum
with his
lintern
in the
salons
in the
one. No, there are
nothing. They're
of these
salons
that have
those salons
go alumbrating,
he's
into the
banos,
no encounter
absolutely
nothing.
He's
go to the
part of
the front
and just
when it's
in one of those
salons,
see a
little,
or the
silhouette of a
little,
he'll
get to
he.
He's
he'll
start rapidly
and lumbra
with
his
lantern and
no there
absolutely
nothing.
De
Prond
in these
salons
that
I think I'd say that they're in
an o'bara
or they're
just
edificing
they're
some of the
kids and
of the adults.
He's
he's a bit
to get a
much fear and
he'll call the
attention
because he's
listening to
get to
his lantern
and also
hey,
who's
imagineate
in that situation
a
sometimes one
thinks
that is very
valiant
but you
also you
you've got
you've
a bit
you can
pass
if you can
to come to
someone, if you
mentioned that
they've been
vandalized
imagine
that they
are other
six
ruffianes
there's
doing things
he's
he's
a lampar
a lamparas
and no
he's
absolutely
nothing.
The
next night
the
same
the
he's
to start
in the
salons
like
they're
like
the
and we
we're
talking
that this
story is
something
he's
that in
the
salons
apart
of
that
they'd chadown,
they'd
cladens
and the
doors.
For the
same,
of the
salons,
to runper
pupitres,
the pizarrones,
the ventilators,
a little bit of
these
were done
and it's
he said,
like if
a point
they were
having had
and chocable
the marco
with the
carena.
And,
again,
grittos.
This was
a constant,
I know
that was
going to
be able,
the
Pronto is
like if
she started
and I started
to prays
and I'm
like I'm
a little
more than
God and
protect me
because I
know what I
know what's
what I'm
in a
night
that's
changed.
Yeah
not only
only were
the
the little
and the
little
but it
he was
to see
to see
in the
can't be
in the
game of
the point
between the
things
all the
time
all the time
had
he was
I saw it
and
they'd
in a
manner
very
rapid
and
they're
and in
a night
just that
he's
he
he's
in the
school
he's
in the
work
he's
he's
he's
the
he can
he can
see the
he
the other
man and
the
she's
he's
he's
he's
he's
but the
she was
totally
pallid
the
the
little
the name
some
the
had been
lastimated
and
he's
the
little
he's
he put
his
man here
in the
piece
and he
he said
why
not we
us
you know
and the
he said
you
you know
you can't
you
he
he's
and he
he starts
and he
got
now
but the
grits
emanated
from
the
door
where he's
he goes
going
the
gulpes
were very
very
so I'm
the echo
that they
were
going to
see
there's
there's
but
what he
they're
attention
is that
in the
gritts
so he
he's
in the
hour
black
or gray
or
gris
and
and so
it's
and
how grittal
voices
voices
of
people
people
and
I'm
to
start
and
be
there
and
be
some
other
day
about
with the director
and he said,
oh,
I'm doing
things very
very feas
here.
Of actually,
I'm a
director,
like he
smiled,
between the
nervosism
and this.
And he's
that then the
schools
expandan,
but no
he said
nothing more.
Platic
he with
his
companyero,
the conserge,
and he
said that
many,
many years
in this
salon,
in the
cellon,
the door
gris,
unfortunately
as well
there was
security
the bars
not were
constructed
some people
got around
some people
they were
to those
salons
they did
things
things
they were
in a
theme
intimate
and those
desivier
and
that school
was
a school
was closed
for a time
after this
time
after
the
investigations
they were
never
encountered
to the causeants of this.
But in that
the place,
lamentably
two kids
have been a
life of a
very big.
Oh, my God.
That's...
That's...
What we're
in these
terrains
with little
I've said
always.
No, man,
that's,
that gach,
no.
And,
and so,
how it
the place
the place
cargated,
it's,
with this
suffering,
with that
energy
that bad
that
that's
manifesting
as
the long
of the
decades
can pass
the years
those
the immuebles
can
change
of people
of the
people and
we're
to have
manifested
that is
that is
that's
that's
that's
that's
that's
difficult
though
yeah
always
it's
a
way
with a
very
very
I'm
yeah
I'm
I'm
also
that
is
strong
after
the
final
but
not
so
strong
as
the
exclusive.
Just
I'm
going to
mention
something
because many
are
asking the
content
exclusive
is the
page
yeah the
yeah
all the
little
a glove
a lot
and
yeah
it's
it's
what we
we're
doing
is nutry
the
content
exclusive
how
for when
you
you
have
that you
you
literally
you
literally you
have
a
carpet
enormous
of
content
and
not
only
two
videos
you've got a podcast
you guys
a lot of
things
but the
story that I
know
is that
is for that
because no
any of the
piece
I can't
talk about
but
only I'm
going to
decry
in four
words
a bellator
a
a cemetery
a
a
a
exhumed
exhumated
exhumated
I'm
the quarter
God
my
is that
with the
quarter
you're
no
no
you can
because
for
things of
Cualer the video,
not can mention
that's a plover.
It has to
have been with
the theme
intimate.
Also.
And if there
a quinta
with a
kind of a
way,
so they're
in other
level of that
ching of history
bro.
But,
I'll
know it
because
we're not
notriending
of the
content,
but yeah,
at the
end,
it's
the page
web,
for that
when when
it's
termine,
it's
and of
all the
world,
and of
all
all
world
without
kids,
because those
things
not have
there are new
present.
Because if
there's
there's
the words
like they're
going to be
available.
Oscar,
how do you
do you know,
man,
well, I'm
going to talk
the audience,
although
at times
they don't
don't know
but
always,
it's a
good to
be here
with the
family
extra normal
and thanks
for the
invitation.
I know
I'm
I'm
thank you
thank you
thank you
thank you
thank you
thank you
for
to get
with
us.
Don't forget
to the
final.
Two
things.
Not to
before
to subscribe
to the
channel.
See us
on Spotify
and activate
the
because
you will
be a
thank you.
Because
we're doing
for you
and for you
and for you
and also
to get to
the
calabaritas
to know
if you
get to
the final
of those
episodes and
not you
don't
you know
is Pacoria
and we
know
we're back
in another
episode.
Until
the
the next
bye
bye.
Thank you.