EXTRA ANORMAL - Historias Macabras De Fábricas | los trabajadores que nunca salen

Episode Date: August 22, 2025

Bienvenidos a Extra Anormal Podcast, donde exploramos lo más oscuro y misterioso del mundo paranormal . En este episodio nos adentramos en las fábricas malditas y sus leyendas de terror:* La curva de la muerte, donde varios perdieron la vida en accidentes.* Don Felipe, el guardia que vio sombras y a una misteriosa mujer en una antigua fábrica textil incendiada.* El velador de una petrolera en Venezuela que asegura ver espíritus en sus rondines.* Un embotellador que convive con las almas de ex trabajadores en una fábrica de refrescos.* El arquitecto que pactó con el diablo para construir una autopista.* Julián, el trailero que compró un peluche para evitar que “muertos” se subieran a su camión.* La fotografía de un demonio que desató una tragedia familiar.* La historia de un niño en Veracruz cuyo espíritu provoca accidentes en una fábrica abandonada.* 👻 Prepárate para escuchar relatos paranormales basados en testimonios reales, llenos de misterio, espíritus y pactos oscuros.📌 Suscríbete a Extra Anormal y activa la campanita 🔔 para más episodios de terror, fantasmas, leyendas y sucesos inexplicables.Contenido exclusivo aquí!https://podcastextraanormal.com.mx/

They say that the Grand Constructions require great sacrifices but also in the factories they require

offrendas what secretos occulted in these great industries what tragedia has been got to

many years and that never going to get to the light and what

events panormals still until the day of today in these

industries they are to be to be a people men

dambuland for grand passios, caminando in zones where it's impossible

see those and that the eyes of the eyes they're in this episode.

We're going to talk about the people that were in the people situations

very very certain to the death even people who are

people who are in these great constructions well Thank you. Hello, what

how friends? Beemned to a a particular more of a podcast extra anormal.

My name is Paco Arias and I'm happy to start in a chapter

with all you know a new special, a person that a person who was

a person and that the fact that relate some some that's quite

very good Luiski how you can't very thank thank you

thank you for accept the invitation, for to give a way to do it. The truth is that the last time

we got us a lot of the episode. Many of us to me too. The fact is that I think that both

your stories as much were very very strong. They were very fervent. Before to start,

too, this podcast, I want to give to a new new new my friends Capi and

Darian of Mystery War and I want to say something that you want to

be a fan of the podcast of terror and is that they started also a new

podcast and they They have as first invite to one, more than the most grand creator of content paranormal in Abla Hispana, our dear Dros, so I invite to pass you, so you invite to go to this episode,

passes to your channel for that you enjoy of this grand collaboration that they're doing and also recordartes that at the final I'll get in the enlaces for you go and you

do you do today of today we have a theme that much people also has paid even has written and is

that this thing I'm saying something important about

about about about a fabricas is like a

double fil because there there things very things

that are in a fabric but also when when

we make we we make some different of

you can have problems and is that the people

that see this channel since much time of his initial,

know that we started this channel contando a story of fabricas

that's in my city there many many and that and that

happened things so so so that we don't talk

this time but it's of the places where things

and before to start family also I want to get

you subscribe the actives the notifications if you

you ascuchas for media audibles as podcast like Spotify there there is going

to see pickal there for that you're part of this family

remember to that you there a podcast in our page

web that is triple w podcast extraanormal dot com mx

where sub content exclusive that never you never

you never other and also that if you're doing

to listen with certain factors or cults in every story that they're going

to make the sense and understand much better. To start, I know that that's a guy that's

a million of person saw that that's going to be first time. I'd like that

for favor you present your social projects. Sure. My name is Luiski.

Much thanks to Paco and the community because really me sent me very well

with all you. I also I don't have a project of podcast, well, really two. Right, I'm for

part of 180 LPM podcast. So, so I'm in all my social and we have another that has more time and that

I do with a friend, that's like 2-7-1 podcast. Thanks, my, oh, you,

what do you think you think of the things that's in the things that are in

these places that are so great where are many people to work, but many

people in some occasions they don't say. What do you of all this? Well,

I think that in a fabric, to start the immuble should be very great to

to be able to be used. You don't know in the past what there. What energies can be

being to be living this place. And, well, yeah, all, so,

there are a production massive of there, accidentes always. But but

ancestors or the people major to us, they're they're saying that the devil met the

dead, as a sometimes pite almas. And a sometimes for that things

are going and it is necessary that there are humanas. Fifate that I

don't, I'm going to mention the name of the market because no, I don't

want to not I'm in problems but in Tuxpec there's a fabric where I

have talked earlier that I that I and passed things very very story of

the first story of that I conted was in that I'm one of the stories more

that I'm to get to the final of this podcast because it's really the

time to hear this story and much people not know

but I want to tell a very curious in

front of this factory is a boulevard of

the most the most great of Tuxtepe of

the most important and this boulevard has a curva

known and even was named by the media of the communications

medios periodistic like the famous curve of the murder because

well because only in that curve that that not is

a curve per not a curve prolong not a

not a curve like dangerous really really much people

have much people because no We don't know, simply a long of

the years motococlists on the control and they're and they're and they're and they're

and they're the media baptized this place like the curve of the murder for the

quantity of accidents that have occurred there. And is that are so they're too tragic

because how they're in these bodies is a thing indescriptible

so the chapatos tirados, no-se- how-metros more a lot of

things very very important. And the interesting of this is that they're in-front

of this fabric that produce a a baby that is a little addictive for

the people only I'm going to put to say that and the people the people,

the people, they're started theories, not these hypotheses, and that they're saying that this

fabric, well, reclama that pertainse to the demonio because, because it's like a

vice for those humans and that requires every certain time, then it's

for so that the people, much people, has been a cause,

supposedly of these motives over-natural this is what the people of here

about. So I don't know, maybe I'm going to think that's because the people pierre the control or the fall to the motor, but is that are hundreds of decesses

that have occurred. I don't see if you have heard a little of what I'm talking, Luiski. Yes, but not of here. Deuttepec.

I think it that in many places that's present the same phenomenon. It's curious. And,

and for to give it to give to this podcast, you want to a story that we Comparte the

Mr. Felipe Gutierrez. Don Felipe, with carino for Don Felipe. Don Felipe us said that

he he worked as security in different institutions for practically his life. Today is

a person of 68 years. And we said that this bad, what

was from the initial of the pandemic, because as he was a group vulnerable

for his age, he was he made to get to work to work the

company was the form to despid and he was very preoccupied because

Don Felipe us said that he had his his not

unfortunately his his his his his had been his

he got to his kids of his eight and he was he

had to to take ahead of those kids. And Don Felipe,

well he's preoccupated because he said, I had more than 60 years.

It's complicated that he didn't a person to my age, especially

because we're still in this situation because of the new a new

infirmate that's that's many years in that the things that the

things and say my kids didn't have to have to study

and then I had to buy a computer to take their classes

in line so on Philip so he was very very very

duras with his situation and us and we know

that and he said he went to they were saying they were

soliciting personal where was a factory textile says that in

this bodega that is a grand bodega in the years

80 that was a a factory passed an accident

So, it's incendio, and, practically, they're saying that they've been trapped those who were in the life. So, Don't

Felipe, see the, the direction, book, number, mark, the sit, in an interview, and go to this

bodega, that was a factory, and it was an very, Paco, to what, to what

he was to do to produce to do it, but to work, but now was occupied

as for some people that received these things that those people donned for the

caridat and there says that was to all the and the day and then the people

and armable for there some packets and then don't to don't to a fundation

my work was in the entry in the bedga had my

casetita and practically do roundin all the time for

all the body that was a a fabric textile was an enormous

he said when me said when I said I think very feel like

to have to get a minute because his or the time at the night

turn of the night says I'm I'm I'm with a be

a little to get an eye to and the people to

think how time think that don't so don't

so don't to top with something something there

here it was from the first night Don Felipe us is one of

the places where he's he knew the terror the fear

he said when he he went to get to work and he's

this night he was I'm nothing to be to be to

there still there there some there of the machines of the

nothing, you know, the typical the stupics, the typos that they're listening, the incommienda

was a simple, the people, as it's a bodega and that there are things,

like robes, zapatos, jugets, the people, the people, and then, they'd

get to, and they'd be very atent, to the cameras of security, very

at all, he said, he gave the first about at the 10 of the

night and say no I'm to get to be to get to get

to get to the she's the skin chinita and he was with a

lantern his macana the macana the macana that is like

an artifact that is to and say that they're a

arm of fire but that is like that is only the

only he he only he's with his arm to be his macana

and his light he he he He started to do these rondines and that what he

did he did he was silvando and he was silvando with the lantern all normal, very tranquil he gave all the world to the bodega regresso

like the 20, 25 minutes and he said that he had a television that he gave much curiosity because he had much time that not he had much time

of black and negro that only were or synchronized two canals I was there, he said. All past

the hours me started to do you know I'm I'mpecear as we say we're

like, the eyes and me started to go to get the I'm and my

mind and then then then you get in the jeffes and in your

first day of the time you don't be done I'm they're not going to

go and he he's no my all the time his all the time

his motor to to say, you have to you have to you know, and he's

I'm like a going to a one of a room, I'm prepare a coffee,

it's a coffeecite a for a little while he was he

he started to hear a he was a bode you know

that's what is the curious of this that was

that it was he said he said paco

it was my probably Silvido the the same

He says Somebody Somebody hailed The lantern He'll get there The coffee Yeah no He no

He doesn't He's got to He doesn't And he says to Come back to His lantern And He still

He's He's He's He's He's not In no No moment

He says It's Like if If he was a person Front to him

Because the Silvido Yeah He was He he He's no He

He's He's He it, like the Silvido it, it's, like the Silvido, it's a little, like if someone would have passed

a través of his body, and all of the call. He said, I felt too much my

casetta, I, I, I, I, I, I, the most rapid that I was, and I, I'm,

that's, that all should in order, when in that, when in that, the camera that is to

the final of the bodega that alumbra or, or capta a passio, I see a

a little no more of seven years he was he the curious is that

was that he was he but looking to the camera he

he said that I was I was I was I was this effect

in the eyes like he he he he still he went

chifland he said I see I that was silvando because

the I still doing in the camera. I said, I'm to

think that they've been made a manned to get, no see, looking always

the side logical. I'm me arm of the way, I did all the

stuff, I'm putting quite quite back, he went to make to make

to make his coffee and he's again the silvido in the passio.

Dice, I'm I cargo a scapulary you know, you know, you know, you do you

know, you know, you know, you know, and he said that

he's going to come to come to get to get to the door, not where

it was to the place but at the right, there was a bodega

a, a bodigita with a door of these of the that are these

like the door that has been like a front a redonda and my chief

me had said that there emasenab the things that

they were in mal state the that's not they're not

they're not a question he's not a not a question but

he's his look to see he he said

he he and the of the obscurid be

come and he and he's he's but you in

this moment I get paralyzed and this woman

not he was he was I saw how

I had a the like, like was a little like

I'm going like I'm in his arms, I'm a little bit of a

so much chamuska like and this woman was going and this I'm saying

I'm saying I know the hand and I said in voice voice

that that's that was a property private and and

and I'm my eyes this this woman disappeared and

again again I'm I'm kept trying to assimilar what I

doing, is that it was that never said I never had seen I've seen a person

real, if it was a person I need to be here. And it's what he thought all the time. And I said,

I'm going to think, what I do I do? And he knows he said a

very brief. He said that when he was a little, his abelito he

said that was easy to trap to a duend that even even was a

little even even a little he said he said that he said

they were bowlitas of cheese and they were that they were, they went and they let's

and they'd, and that went and that were, and that they'd, but that when they'd like, they were, like, repudia the salt, that's all, that's all, that he said, that's about, and he said, that's what we tell. He says, but this, no, I know what

was it was, no, no, no, I'm trying to, if they were dwinds, or so it was other thing, so, or so, it's, over all the woman, says that he he did with his lunch, he he, he did some bolittas, but no, there's, but no, he's cheese of

and the and the reden of salt and I said I said I

was with with much fear I'm put in certain areas and

say that when I see that on the panllas in the monitors

see how the the little appears and take one

of this bottle of and he's he and

he said when when went to the start so

the hair as like she and it and

But he said, but me now, the other. The other, the woman. No, I mean, I had much fear, because I was sure, he said, that that woman, no, was

a little dweens. It was a little more. And he says that he's arm of valor and he intends to talk with this woman. Nowament,

he hallo his lantern and he went to the most profound of the bodega. He said That when He goes

That's where He was Where he No, there was But of But of He said to

Here in the O'Oid How they said Largate here These are These are

These are These are And And And And And then And the

Looker Yeah Not Lejos Yeah He's And he He's

And it's Where He He did All All all the You

brother, I I'm paralyzed to the lantern it took and after the his casetta

his casetta was like his place was like I'm going for my casette because there

there is I have I think I'm I'm just I'm and he says that I know what's

what I'm I can't I can't my my jefe no can't I can't

I can't I don't I don't I don't I don't say to me My nets are needed of me,

of my job. And, and other again, he's a arm of valor,

man. But this this time was going to be a different. He said he called

the attention to the two occasions this woman had like a trapo

that was a chumuscated or a black, cremado, he went, he said he was

he was talking with words very calm as, since

he began to enter to the bodega he said, I'm doing my job, I don't

go to robber me I'm contracted to care, he was like he was like talking to the air and

he no he was to where the woman and he saw that that he sawp he says that when he's

he gotcha he was a vestido was a black like of a novia but in effect was

in effect he was chemo, he was chamoscado and he was very very he said that probably

this woman no see if felles there, no we know

we know we know we know nothing but he said that I with all

the delicacy of the world and he he said dole that

vestido he was I in a caja and it put in alto

and I I I bled to the four vintos and I'm

not you do you I'm going to care and for you know I'm

to work your vestido I have to I'm to get and if

me let me let me do you let me make me my job

my family needs of me he he he's he

he's that he did that the other the

other That, yeah, still the silvids, yes, still seeing

being sombras. But says, now I don't so so much

the first time. The things still occurring. I'm I'm

I'm accustomed but I don't feel in a

danger. I'm that that's that is a spirit that's

just with me like he he his chief, he says,

Felipe, you want to thank to be because not you know you know

you've been months working with me. We've never had put to have done a nocturro.

You're the first that has durated in to get us. All not pass

of the first night. And he said that they've done the salary,

he She said, he gave much commodities. The sir, then they

subbed to get a salary, he's going relatively well, you can get around

to his newtos and then practically what he what he had to want to

the first value the value the pain. Well, me you're a little

impacted and I say because in first, because there he is

he's there's that there there's that the barrier that

you put in front, that you will be going to you're going to get to

the attention, that's been two entities, totally different, but there's a common in these two

entities, and is that the two have the energy to be able to manipulate objects,

to be to talk the world physical. What here not me quadra is that

they've disappeared, because then they are so it is supposed that the

spirits, a less that have collected much energy, is how they're doing this.

But in this the the boyed the food, it's the food, so, so it's that's super

impactant. And I think the little no didn't hear of the sylvido

but physically not there was a manifestation. Yeah, no, the only, the only, the

only, the thing, but he said, like, nothing compared to the first day. What I, so, no, If the child was a dweend,

really was a dweens, because the duendes if they're in that capacity of manifesters in planes physical, plans spiritual, and of some way to robarse the things, because

is what they're what I don't clear. What I see, I think I'm perfectly is the spirit of the woman. Me,

it's clear-in- that's-attrapada, that's still there, but that she's quite what she that she thinks that she's

until right, Paco, that it's common that the spirit of

the people get in the people don't only

not only of women, but women and even I don't

know I think no no for my creencia me

cost a little to understand how a person

so a man or at a one has a no

has this Raciosiosin between the good and the malo, no

can't get to here. They have a paste direct to transcend

to see to the where you want to you want to believe it.

But no I know I'm no. Well, I'm you

take a story that I'm made from from a factory

or a company petroler more well is the term correct.

Fiatte that here there there is a bellator that is

Raul. This velador has approximately 15 years working in this company. As

a company that great, not is the only velator. There are various vallators.

These navs are bigances. So, so they're not as those are roting. And to

him, he took a zone that normally resulted to be very tranquil.

Never there was actually was a fact, it just a much to have to

to go out, to do a rondin to the patio and then try to do you know, there's another thing to

do that's there. There, no, they don't they have anything. They're not. Because,

because as they're they're they're not so, then they've been to have much attention in

all what what's about. What curious here is that one night he is that

he's going to do a runin of a routine in this zone. And, and

when when when it's partio grand, just in where it's the obscurity that

yeah the luminar not can't to be how it's a way a job a job

but here what curious is that at that right just in that there no

there's there's a zone that only it's a day so it's he's

hey hey hey hey to the where you do you you you have you have

you you know you can have to you know What curious here is that we all to try to

some phenomenon paranormal, when you do you talk to an entity and the entity not to be a pelar and it's going to

do this this man with uniforme and when he starts to come to him but the man was a

little rarro because he had the head aghacked and he hadarand the stomach like if

had a a lot like when we come out of something we know So we're going to And the veler

is coming down to find out of But 10 meters 15 meters before, so at a distance considerable

starts to perceive an odor is an an odor and a odor a odor seco. A what I

refer to a subor a example when you you're going to do you go to your up your

and you get you immediately to get to get to and it's very scandalous. Okay. So I

saw like, he said, who are you? I don't you had seen. What is here? You know, you have to go? They're going to. Three meters approximately

before the encounter, the worker, he starts to the car and he's to and the bellator he

says, of what you do you? No, you've done. What you did you? It's that

came, when he when he says this phrase, the vellator enter in panico no

know why that phrase he did much fear and with the lantern and it's

a limberer to the dark but it's a linterna little not can't to illumure

that the light that the light of that's and when he'll he'll

and when this person this person yeah not is and it is supermame because

because the space you mentioned anteriorly that's very great

and even this person would have been in first if you

have heard and in second he had seen there's

no there a a like a guepard to to

get to he he was he spantado more

still and he and he starts and he

and he It was like if a single person were brinkando on side in side, acercandos these

these paths were more more more closer. When he he bolted and alumbra

to the part of the back there see too a woman this woman

was with a vestido entallied he had the hair long and it

was seemingly sucia the the and this woman had with the

hands in the eyes and I'm coming walking normal he had he had

a year but even so he thought in your and is what does what is

who has who has the woman to make the sound of a

a a lot but not a very was more

a soy soy uh She's coming And, and some 15

meters the woman to get the hand of the eyes and he

a grito when he gets the he gets impacted and here

what was Paco I I think I think I'm I know I know

I'm I'm a man she came and he he's

he he he's he he's he he did the he did the

world and he didn't he important the casetta

opened the little that had the porton he went out of the complexo when

he gets a little more more secure and then nobody comes to him and you

don't listen the passos just the simply is the porton of the entrance

of this fabric he was he was he was he temblable the hands

he temlable the he were not even but even he got his radio and

he began to talk to the other vigilantes to see to them not had

passed nothing and they're they're not that's been a night totally normal he's

he's he's he said and he said but in all ways I'm going to

go to go to the cameras he he's he met with much fear

to the casetita and he starts to be to be the archive of

the cameras and he's he No, he was absolutely

nobody more, nor the man with uniform, nor the woman vestida

of the black. From that he took a fear, he said, he said,

I don't want to the company, for the old he had, he said,

he said he did a change and that he had to come to the

other but the company no he did preference to pass

to the old so, then he ended the employment.

And he was difficult. It costed to find a employee, but now now he

not is working to be a bellator. And it's there how

the story. Fyate that between the things that

some people us have people, and experiences, the

thing of bellators, so just just so only the fact

to say that your job laboral is during the night when in theory and based on some

stories and legends is when it when it's when it's more the theme spiritual I think that that's a

respect and it's a very dangerous there's a story a story that me a story that

me a member sixth and us he said that he he years in an embottellator of a

refreshco, ohle, how can I put it here? With colors. With colors of a refreshco very popular in Mexico, that much people, a lot of times preferre to take that refreshco than water, and that he took to experimented something very strong. I want to give you a context. Because he knows that he, when

he went to work after more to work in this company,

he said me me took to be to be to do all in quite

to be about a he said, I, I, I, I,

I, how companions were to come to work and simply

not not and so situations so so that's so,

so he went trying in the theme of security and

and And, and even now now pass the same accidents that

occurred in the years, this company, and I say, this

company, this company is able to pay well for that can not be

so that he's he said, he was a testigo of when a person fellesio

and to his family they did some what's million-sittos of dollars for that not be filtered

nothing. He knows he says that in the people who are these these

legends, we're going to put like and it and it about the

souls of the people. Don Sixto no says the truth

for me are patrains because I've worked for much time

or I've worked for much time and well

it is normal Well, you're going in a fabric Imagineate a fabric of this world,

I mean it's the time of a city that's enormous, it's very great. And then

you're going to there's many of the machines making movements machines processors,

you're going to hear much noise. The the noise that you have been

an explanation. That's is what I thought D'N Sixto until

he took an encounter that he really he he I want to

tell. He said that this occurred in the turn of the

night. He, in that then he was a cargist.

What is a a motor cargist for the people that has

heard this term a person that literally use

a vehicle that serve to to accommodate great

car cargements estiv or tarim and they say

that his job is that These invasces in large proportions and he with this

mountacargas he'd get these cargaments to an area where where was where they were and where

they were to send them to other apartment. So, they're like his filas

and he says the really, I remember perfectly how it was

because he said to me they had to relever a company

at the four at the morning for that that's hour I go to get to

work. And then my companyer and I'm doing my job. For

that's it's a night really a night. It's that

the night where the time is that the time you know, and it does that

you know, you know, you know, you know, you know, you know, you know, you know,

and it's you know, to do, I've been said, I've been trying to more

cargement, me I was up of the mountacarrague I got my cellar I was

a little this that he was a little approximately between five and six

years so I was there when at the long as I know that I'm going to

a lantern of actually I did because I'm a light

for the chelka I did know that was that so that's

not you can't be with the cellular because they're they're

there reportes and if They said, I guard the cellular. And I'm like, I said, like, you're doing something. And I see that this person comes coming.

Me, it's not even though. The area where, you know, I'm going to move to my montacargas is an area extremely illuminated. Extremely. This person had with a lantern in man like if were coming down where no light.

But conforms if I was acercando me called a much more the attention apart of the lantern

and for this I'm going to do give a context he's he's

a person in this area you need you need a shell

that has that is obligatory as a security

because it's there there there there there's that

are running this vehicle so when when they they

know a person the detail is that this chaleco that I'd put to this

person is when I was when I was a little he said I remember that when I was

when I was see that that chaleco and me I did because the logo of this

this refreshco was from the first versions and it's me

it's me called a person to see what I think

is that was that was that was a new and it was like something like a version of

anniversary or no I don't know and it's what I think it's what I'm going to my side and he says

the truth is that the fact that we're very bromistas we're very bromistic and I

remember that I'm passing to my side of this person no me no me he said

he was to go and I go and I'm I go a little I'm

give me, is that's a very obscure here. This person and he's mosquito. I still caminand.

He said, I'm back of the unidad and I ask, I'll go to talk,

he asked about your chelco that where where he had got got to the

this man he got the he got to something. He said that his eyes was like

if it had a little a So, so, if you were the negrito of the eye, but it was like

if there were like a belo black. His mind, said in no moment

me mirro to me. It's always was a mirada perdida. The

chaleco was exactly the that used the workers of

for years. And the poor of all, what he had not had noticed

is that this He was a He said He had had seen, but when

when I was when I was he was even he was still getting liquid vital.

I said I knew perfectly that in that moment I don't I was before

of a human this person never me looked. He said went to do the

world and he went walking with the lantern in man he said I'm

looking doing all how I'm going to after a rata like

he's up to get to get to get to look to see

it was something it's something I saw to go to

me came on a 50 meters and he

to go to me he of the passillo and

getting to the wall disappeared and if I was looking to that I don't know for

how much time. I'm in shock above of my mountacargas and

I'm a front a hand on the arm and he he

you can't you imagine it. It was his company that had got

to relegated to what you do you what you what you what you

pass? He said, I He said, I'm I'm sorry, I'm and I said I'm going to you're going to

you're going to get to come to come to and say yeah he's he's got he told

all, he he told he said he said that this he was of the

most he was he kept looking very serious and he he said no

I can I'm I'm you topaste to don't Silberio

who who He said, no, no, is of our generation. It's of the generation of our abelos. It was of the first employees in this factory.

And so, I do, I see, for my papa. He said, that he told that Don Silberio pertenceo to an area

justly very very close there and that was of the many, or was of the people that one day entered

to work but not He said. He said that his family went to ask for

him, the company said, well, he's not that the family, the

husband of the Lord, he said to say that he has been with his

man, until that they found five days after the body of

don't Silberio close of his area, but in a area

where almost no, no he's he started to get a pest and an aroma askeros

in the the body of the man. He said when his companyer he said

I'm I'm feeling well. I mean a a person I didn't know,

I know I know I don't how explain it I said I'm I'm

all the life says that has been a boy carague a rosario me

I quit the rosario and it put and it said there close of the palanca of the

mountacargas and I said my companero do I'm much careful this type of apparitions they're not

they're much and he says no my companyer he's kept like no he's not

he was he had fear he he said I'm I went to the

commer me I went my my lunch me my luncher I was

I'm saying only only you know, yeah when I felt a little

he said to get to get to sonar an alarm but those

alarms of when so say something in the fabric and see how

they're going and people something something something had

occurred said that see that be that he came

a personal of security and he I what

what so no cabron just today had to pass. But what

happened? One of the people that's in the management to give

a certain zones he's subio to change to some circuits precisely.

No, the escalera where was he said, it was

and no continued the protocol of security no

no used a arness took a a call

of almost eight meters. The type is there. There's.

Yeah we're to the security, yeah we're to

the institutions pertinents. The type is the person. What

says Don Sixto, because this occurred practically minutes

after that he took this encounter for for for me

not for a for I think this type of

entities says he that not are simple almas in pen and he

he said are a more because they're in tragedies and murder

and he for him not was casuality to have seen that night to this

supposed sir don't Silberio well practically deambuland for this

zone well what I think you look for me also this

type of entities and more when they appear in that form so horrenda yeah

not as when they're in life and it's an augurio of that something

that's a much time I've told a story about a pacto with the guy

did a just I'm to give the context because me

make a adoc to the construction of a fabric and maybe

maybe pass the this architect he spoke with the

because no he was to a part of a

autopista. And the devil he says, I want 100 almas. And he says, but

how I do to give to do I'm not no, no, no it's necessity.

You construct, you're you're to be to make to go back and I

inaugur in the carterter and just a same a bus and

all they're and consecutively how was passing the time

there there's there. And if you do you find in the

factories Grands, always it's always. Always. The Pairs are consecutively. Right,

one, at the next year, the other, but never pass a time

between every per d' life. And, figgate that a other more

are not more are a sometimes, they're in spectros, a

sometimes pass situations that don't have an and a sometimes even

they're a story that I'm going to talk. Okay. This story

is a Julian. Julian is a that's a factory that's that's a barraeas for the construction. So, this trailerer

gets to to discargarer mercantia and there's a zone special in where they're the trailers and yet get in other machines to be decargarals

because they're very pesada. When he passes to the casetta of the entry, the velor is a point of

something, but it doesn't pass. In these companies not permit to pass

to nobody that not pertens to his domain

of all they have to know to but

well he he was he said no problem

and only only he only in the area

of the station so so so still vigil

by the camera and when this person is

back and he and he are the papers

for that he he's the material, he does

know that the door of the copilot the trailer. And of a woman.

The woman that he saw when the trailer entered. He thought that

that woman not to go to and that would be there. So, so

his work in that moment is pararse and go and to make a woman

that no pertene to this company. So, Julian, is coming to the

offices and in the cameras see that this woman is behind he. He's but not

a meters. It's like if he were a pass or two of a distance like like if

really would be accompanying him. Then they're they're at the offices

and there is where the vigilante is going when he was getting to

the officein because it's a long he's going

he's he's he's he's he's he's who's who's

who's who's here? your woman what woman the woman the woman that was

you know you can't not you you're going to you can't get to the job not you

don't get to me where it's because it has to get to I don't try to

nobody I'm here here there's there's no me you know me

you're so I'm so I'm how to how to think how to

I'm I'm So he was Caminando Just to the casetta And he He gets to be In the cameras

of vigilance And in the cameras of vigilance See exactly what he said The Vigilante See that That woman

She back When he When he He'll be the video He does the Silla for And evidently

He saw He said he He said, No can't It's not It can't be, no it can't be. And the

vigilante he asks, he said, I've said, the I've got to be

in the carreterer after like 20 minutes. So, he's he sub

he? He was was a side of the carterterer. So,

this entity was accompanied all the trajectory and decided back to him

just in that zone. But that not was all. Because if this entity

was He's still there. Despite, much people he has said, conformed the months,

because no have much that's that they've seen when he's been when he's managing the

trailer. In the copilot. In the copilot. What mean? What do?

What? What? The entity has he's he imprimed? No, me comment

if he did a little to get to let's but now what he

does is a type not ritual but a custom that are many trailers or many

people who are people who are going to walk in the night in the carteras and is to buy

peluches and that the peluches occuping the ascentos that would corresponder to be a

person. So, those occupant the place exactly. Exactly. It's

is supposed that if yeah is occupied the place, these entities

not you see. Fent that is curious because it's when they say

that no you need to to leave in your room because it's like a invitation to

an entity to get. So there people that in some way are in they're

on paralysis of sleep in trances of sleep and as they're they're not they're

when they when they they're the and they always they're a well

I don't see if to call it an entity, a spirit, a demonio, no I know but is

occupant the cell and is also. So what the people normally is occupy that that's a chair.

They're in mochillas, put in poloches, put in almoadas. And literally so is

like an form in that they can evit that this is going and it makes very

very curious that pass something with a chair that is a sient of

a vehicle for that so I think I'm going to have to start to do it. Because, well,

today, I'm going to get to get. But imagine that I'm to have to go back. And more,

making this type of content. You think the mind not you play a... Sure. Aterter

for there? Yeah, back to your level vibrational and you can't be things.

Fiatate that I, to finalize in my participation, I want to tell you a

classic. This story that I'm going to tell I'm I'm I'm in

I'm in it's a first video of terror that's I'm in this channel

and that not is obviously because no no you see nothing

so you do it but this story is special yeah

he has been in the beginning of podcast but it's

very special because he he has a my

so so super serious is creillent cre in God but

also as they're in what good also think that exists the

mal and my husband view the evidence of what he

he said and to talk this this occurred if

no mal I remember almost 20 years my

so my agro in that then I was in the factory that

we've got we're in the principle that they say he's that

they're in this fabric that produces well vizio we're to put

to put in something that can say that I can't say more his area

of the area of work also was montacarrie but he said

something different in this fabric also passed situations very

people have perished the life. Of actually, I'm

more of two years, it's a situation with a person who with a

little to get to your family to see this, he's not, no, not got

to do and the people did his family, and he started to get

much the attention of the media of the people, and they've

to be to the person and they they're between the light

tension inflated, of the the poor and with much respect I'll

I'll repeat to repeat for his family. They've passed a lot

things many things many very very fertes for that's that they

have a security quite very very many many buttons

emergency much a security to do I do because I work

I'm and it and it also there's sometimes sometimes strange

but back to the story my my sue my

more of 30 years, it's very curious. And he

said that they knew they they were perfectly when he was to occur

a tragedy. Why? He said that all started to start bad.

A person that has a lot of cargas, accommodating, doing this, doing the

other, are people are people that are people that you do you doves

very good. But at sometimes had situations that were in

those and provoked accidents. So, they were the phrase of here and the

chamuco. So, always, well, because here he's the chamook. And is

that in this fabric they're riged for apodos. If you enter to work there, if you

say, me, I'm going to be your name, but no you say in the of the

garra negra, so you to be the name so to then to my son,

they called the old, because yeah, Yeah, I was a great age,

and I've had been a lot of time. And, this, my father was working

and he said that's, he was, he said, I was, I was, I was, I'm going to

explain, so I'm my mottacarkas had a two cuchillas, and they were,

and I went about, I'd up these tarimas of bottles with liquid, and,

and, they'd and they were pyrididididid millionaires, because they imagine to the tarima

how's things, how much cargament no have, and they're and they're

and they're and they're the job of my father was a wagon of trailer

because he was the train to the he was to the agency to the

agency for the and it and said all the night they're hours and hours

in in line these these bagones says that the people

make the the chamuco, and they're passing things very very furs there's, there's

much accident, the night was very pesable. And my suagro, well, he said, he said,

he said, he said, at the four vintos, comio, no you can't, comig, no you

can't, let's, I'm here, I'm here, I'm going, I'm, he, he, like,

his faith. And he said that with much work, he did you enar the wagons for list for that they went but they've been

much example if you demoravours one hour you demorast five it was all the night of much

work so there's a much a mercantia that was accident and when it when

it gets a supervisor because has to have to make the evidence of how

is the cargation for that if if if they're robin the cargment

or you know there's the evidence of that's going to do it.

Then he's he's he's to make a cubicle to imprimed to

sign her to do this says that this supervisor when he

he he back black he he black but

with a paper in the hands and the hands and the hands

he temble the photo. And this this me do this is my so my said my

my He said, he'll agarre the ombro, and he said, I know, why not you can't carry this, but the man no, he trembled. Because, look, he says. Bell, the photo. And at one side, what you describe it is that is that a rostro, but they're a rostro.

But they're a little, like, like, form like if were a back with

querns but see these these retorcied like stas

and that was being burlating and it's saying that's

when there all there all in the factory to

get to get more more other areas to

all all people want and all their cell

taking photos Impresionant Salio the entity Plasmeda there Passed He said

Me So he said He said Mucher much The pressure of something What he He described In his

words is Sentia Like a An air A current of air Very very

And when it was Pum So you Cajian The Poon But

But it was A situation still More Firt I'm And I

do With much respect For if the person to get to see,

there. There was a person who not is conformed with to take

the photo to this photographia impres where was this well, I don't

see if an entity demonio, it was a demonio. Of actually, my

wife, saw, and then he said, I said, he was, I'm sorry, that

was, but my my, my spouse, view this photo, and she made

fee and legality of that was a demonio there. But this person not is

conformed with the photo. It was the imprimed a color, the recorto

he did in chiquita and he did and he made and he went

a the line of production was and said look and that's

when he's when you don't you you're so for

the good for the good What happened, brother? If there people of

that fabric and know this, for favor, then the legality of what

I'm saying because this and I know that that I worked when I worked

there. This sir in his descansos out of his caruneta

with his two two and his wife. I don't where were.

But in a Carretera suffer in an accident where they're

his wife and his two his two children but he

he gets alive he's illes no no rasguo this

man he's put very well you know the people yeah

said what he happened but I I don't to you

I'm I'm good was bad was because technically

he not he he's muriel. Well, look, all

a demonio, what he was like to have been aulet like now he

and I know, and I feel that the demonio he gave a

proof of how not you don't to do you know, in this case,

in this case, in best of the life, I'm living a car,

exactly like you. I don't know you, I would have preferred a million times to go to my family. So, to get you and enterer to a woman, to your spouse, and to your two kids,

my man. And still to start taladrando the head, thinking in that you're probably you were the culpably of the

thing. I know this I was the time that I was working there. And, I can't

a photo for to see that I'm going to see there. I I work there I know that

I know that I know that I remember that some people me told their story

or I said in any moment you say this this time because it's

a little aggressive this the the sir is very caliado so

like it was a all he gets and he's one of the stories

more more the story I this story I'll repeat after

so It was very very very the fabric and all the employees of all the

people of the time of the famous demonio in the cargament in the wagon of

the train. No, I know, so are things that are things that just

just like you know, in the moment that he said, he's me protect, who can

know, well, if he firm for there so sentencing. Well, is that sometimes

not necessarily you need to talk for that the things functioned in a manner.

And, and figgate that the last story that I do you

have data of a much time and it's in a

fabric very old also from here of very

important this this fabric produces also a baby

a for a bit to color a okay

is a very great that are naves enormous

that Like, as you mentioned, a lot of times you need a time to to be able to cross all.

This factory is constructed in 1800 and so. Imagineate. And during much time

he has done a lot of a lot of the people that people who pertenes

to this city. And result that between the years 50 or 60s

pass a opportunity. The fabric he gave chance to the people

to conviv with his families at the the hour of the food, in an area in special. So, the women of the antes went the most part of them to eat with the marido, and for those that had

their children, they'd have to the kids. And one of a family, that they'd integrate, the papa, the mom, and the child, well, they're distraveen and they don't see that the child, for curious, is going to when it's the time. When the hour of the food, the

woman, was looking to his son to get to get

and he he's he's in desperation and they're to ask to have

passed. They're to get in that area because yeah into the

factory not the access so they're to make papers

with the photo of the little they're to investigate with

the authorities because in that not have been not have

cameras of where it's how you see some indice

to put to be to get to get to start to get to be and

well, resulta that pass the days and the

factory in the area of the area of the part

of the material prima is that it's going to

then then you get to make and when they they're

they they There, going out the body out of this man.

The investigations did some or more they said something that for that was a

scandal total. This man had had had had a way

very fair but not only only had had had been they

also profaned their before to runcars no manches

he me were passing the years like in that the

mentality was another than the that we started a distortion a

little the story and he and he and he was

to say a new he began because because

for the situation that that person so then then

they're no is a and all the stories around

this fabric was they they were a majority of the

obreroes that's that's that's that's that the girl, is that the

year, it's that the woman, so during many years. You have to say that after

this thing, after that they found the the company, the company

kind of dislindars of a problem, changed that area. Then, it was

it turned now in area of co-cimient, and the area of the area of the

other part in the fabric. But in the 2010 comes another sucese. There's

a person managing these machines of co-cimient and the person

and the person, see a a little, a little vestido

with a matta. This machine was starting to

function and he thinking in the integrity of the

man, make the man, for to help him. When

when he the man, the machine is the amputed immediately. So,

then you get the people of rescue, it's all the thing

and he when he when he when the company, well, resulta that they

have to investigate the motive of the soces because he he

he's he's he he nobody he he there

will be to modify this area and now it's to be

more technological and they're to install more cameras of the that

they're when when the investigation because no they

want to give to this a man to this man he

in the video of vigilance so he effectively how

he met the the man but the I don't see, because the

child was inside of the machine. And they're saying, to do this do you did this is

intentionally because you know, if you rancabas the man, we're we're going

to make and that not going to be going to do that. So, they're in a

pleito legal during many years. And now this zone that has that has that has

very limited to the access human. Are poor the people

that really can pass to that zone to put to manipulate some things

that still are there but after some years more

recently there there there there for the workers

of the fabric and for those jubilados is a center

in where they are to do doport to do a lot of

things are some convenios that the company has

with centers so of diversion and that they

are gratis to his employees and jubilados. And then they're to ask him about how is your plight

legal and he he starts all the story. But there was a person that no had heard

this. And it was a man that he worked in those years. This senior was

a job but I was very old. And before in that time in that he

disappeared the child, well, was not necessary to have the

majority to get to work to So, yeah. So, then I had 15 years when he went to work there, and he could corroborate the history that

he told this person, because he said, I was there, I was and as he, he was he, he was he, he wased this man when he was per die. So, it came a change of history, because this,

he knows the group of people, and it's a group of persons, and it's to get to carry the voice. I think that still in pleading still the situation

of the accident but even the workeros after the they're saying that they're seeing seeing

seeing seeing appearing the young and not the I'm not the I'm I'm not I'm sorry

because because it's a company very great with much power and that

they can want to make sure the number of the company with a accident

and much less with that situation so that so that's many

years. It's like it's a double filo. I ingenuamently when I

get to the 10,000 subscribers, imagine it's 10,000 subscribers. That story to my

first subscribers they enchanted, they said because why you don't you know, you know,

you don't know, I'm an expert to, my first chambah, even a time,

I'm supposed to enter to enter to interview to those who companions with

those that I in their moment and they were in the time, and they're

not only only they're not only that they're not going to not I'm not even in this

episode, I said the name of this fabric or this market, then then

then with that we don't know we're always there's a thing that's there's there's

if it's there has paid a person to call us and if there apparitions in

different areas where there were a tragedy. How did you do you know? Very well it's a

good to do you. No, these stories to me I'm in the head.

So, because I took a little to a certain places, as I'm,

I mean it's clear that you know, things really things in these

places that are so great where there there's many people and I'm

said few times, some some of those are not going to do you

so it's a situation also a situation too that's a time in the impuniness that I'm

in the public. But, well, remember our social social people. Sure,

that I can't find in Instagram like Luiski 1 and my

projects on 180 LPM podcast in all the reds and 271

podcast also in all the three thanks to you. Family

I remember also that there continuity of this podcast, because there are two stories that involve much

liquid vital, we're going to let's go. That's in factories and that if you want to you want to get, we'll invite us to

your page web, www. podcastisanomal.com. com.m.x. And recordart to something something that

my friends Capi and Darian the Mystery World now inaugurated your podcast for you you'll listen with an invite-a-do-do.

Invited to a good Dros. Here in the description, also we'll just the link for you guys and you'll

see this super podcast that I'm sure that you will be to be to be