EXTRA ANORMAL - Historias para dormir FT. Oscar y Dafne | NoEsNormal.tv

Episode Date: March 23, 2025

Historias para dormir FT. Oscar y Dafne | NoEsNormal.tv

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I think the day of It's going to be very special, are stories quite aterradoras and I want to anticipate you this is a spoiler as well

as we're not so long as so let's be preparing because today will be the yantor and the crugir

of the things. We want we'll present the case a continuation a case prepared for

Paco for all you guys we're we're doing we're for a yeah

welcome to no normal the The place where the inexplicable cobara and the fear is

your side without you invite you. This night, apagent the luses, adjusten

the volume, and prepare and see, because it gets one of our sections more aterradoras

stories for not to dream. Quentos of terror, relats inexplicable and experiences

reales that you are doubt of what you're sure. Are testimonies

of persons that you think they They thought that the paranormal was only a mytho until that they lived in in carne propia.

Has sentied that someone you observe when you're only, you've seen heard no never ever nobody?

What you'll you'll hear you, can make that revises two times above of the camera, or that

you never you ever to be able to do this night. So, so relaxate. Or,

better Ditch Intent to do it because the stories that

we don't are normal and after to hear

you don't do do do do so well

welcome to not do we start we start

we we're I want I want I want

ask you some question. Some once you have questioned what is

the antonym of the time? To all those who are being.

In occasions it's that probably it's a but not it's

right. For there those that are connected us, comment us

what is the contrary to the past because is what they

want to want to I'm another thing. Daphne Cil once

to enter with the stories? For Of course, tell me. Aluna in the

life, you have you've got in the madruly, with that sensation of that

someone that's about, and you're a lot of, and then you're about it.

And then you see, you know, and you know, you're just kids, those

are still in the house, you have been to get to get to get to

to get to get to be to be there. No, no, no me had

door of the recamara. And the really, if I'm scared. This does a lot. Do you pass? Yes. Quintan us briefly, what is what you've seen? I'm still studying a little, to tell us here the anecdotas

that we're going to give us. I'm in the studio of, they'regallan sustos, being to the mesa, and, of a re-re-o-oh-in the part of the Pared, I see a sombra. I said, no

I'm going to do this. Maybe are my lenses, maybe it's maybe it's a little Pistachia and

it's a pestaing. So, me quito the lentes, reviso, and I don't have nothing.

I said, okay, me will to put the lends and I'm going to see that something

that something from the door of the studio of they're getting susstos to the

entrance. So, so, I said, I'm something, I'm very rare. And in that moment, you

ask you, I said, oh, I've got to be something. It was a little. It was a little. So, I think is the same that always, well, so it's apparently for there in the, in the studio of Serragans'ust, and yeah was, but now I saw it a little bit more clear.

For that you said, you're not alone, as well as we're, the day of today, let's trymets some stories are quite spelousnantes. I was reading for there and in last, I know,

I was reading the last time, I felt, or I took this sensation quite quite as a riteite. And I think

that all those who are listening, at least the majority, for that's they're going to have passed

a situation similar. What do you do you want to let's say, we're going to talk to

this time? Sure. Look, look, I've been a tit-tito up, Danan,

it says Martini's, says, if I've seen observed when me's I'm going to.

That's, of the sensations very canyons, eh? When you're you're going to you chas

the shampoo and you're in a force? You know? You know, that's a feeling like. You know,

that's a thing about here that's over here. Saludos. Uh, said, I'm sorry, Sustolo,

thanks, thanks for to be here to be here to get to Giammo Rocha. Saludos, Saludus,

Saludus from Merli, Meli Vargas, perdon. Alexis Ernandez, for there also,

and there also, Sitlali, Martinez, much thanks, Citlali, Saludus, for there. Bruno, what a guapa,

Daphne, thanks, with this little outfit for you in this new section. You know, who's connected?

A be. Who, Lulu Pedrosa. That's, Lulu. Saludos, as well, salutes,

as always. Who's more is there? Anna Cecilia. Anna Cecilia. Anna Cecilia, Karen Castellon. What is there?

Hello, Saludus, from Cartagena Columbia. I'm here. Saludos. Saludos. Saludos.

As to yeah. I'd much good to see the people connected,

especially, uh, that we're people who are people who are in the people who are many people

there's a lot, thanks for to do this project of extra normal, that is the mother practically

of, they're they're gonna and have been a say, Natalia Marin,

Marin, pardon, saludos from Costa Rica. The entity Dianna, says,

Saludus, Oscar, and a saludita, Daniel, Fregos. He says, Oscar, you Ammo.

I'm a lot. Marifé, Andres, Mira, Raven, so I'm for there, Raven Balloy's appears.

Much thanks. Dice, says, Saludos from Medellin, Colombia, allotes, to be there.

Preciousis. America, says, Saludus, from there. People are from there. For there

is the patron. In Duran. For a lot. In Cotorriano. Emilia, Sosa, says, Saludus,

says, Saludus, Desaludus, and Senada, Marinas, Saludus, Fernanda, who is more?

It's there Adela Fregoso. He's a manned much. Thank you. Thank you, thanks, thanks,

to all of you all of you. I'm going to make a very special. The day of a year, Antier,

me found I'm a person in some in some place, and me said,

and they were much what we were doing, we're doing alfredo Roman, I'm there

with his compas, he's a company to say, and we don't let let's

let's say in where we don't get the goal of companions that's going to

listen to extra normal and they're a lot of and they're a lot of and thank you for start

with us a little thank you this is the this is the of the Bessie okay

says Lisb Olii reportandom I'm super fan although in my family for you

the rara for my good to this our podcast excellent here we're all

we're we're all we're we have a program a special as

we're we're to relate stories are Tenebroses, a lot of and I think

for that's here, all the audience. Preparence, acomodens. Acerate I was asked, I was

that you said, what were the antonimo of Pace. There, there, there,

a man, a friend, a friend who I want a much, I'm saying in a

occasion about the peace that the pass that overpass all the thing, it's a

bit bit and unfortunately I've sentied this pass, for this is

the contrary. this intranquilidad, this manner where you feel you're that even the fourth

where you're to start to get a comprimed and you start a desperation. I think this

many, many of those that have been passed for a situation like this for

being involved that's direct and indirectly with things spiritual

and I think you also you also you too you think you opinions of these

stories that you did you before to start? Yes, the fact are

quite perturbatorous I think the people that they talk to live all these

experiences we pass for a moment when we're when we think

you think you think in some moment that that not

going to never to you think you you're you're going to

you're that this you can't say because when me me

normal. It was very pesado. It was a lot of very drastic. So, there was a moment in the I think that

there's a moment in that you think that's going to that's going to there's a and that all this never

you can't you can't you're going to start to the first story? Perfect. It's a

story that me dole to learn to read it. It's a story a little a

very a terrorific but without this is the this is the story

of a family this family is conformed by Carlos for

Sylvia and for the little Carlita result that Carlos

gets to the people where he knows to

his future his Sylvia Sylvia was a ex

a woman had other four her her manas. She was the second, but was the only that we had casted.

So, he knows a Carlos, they're going to start, and it's all the process of, to be a newbie, you know, you know, and he's going to enter into, or is involved, Carlos, with the family, is accepted, and he gets the grand day. So, they're casan,

they're going to live together. And the place where he mentions Carlos, that was a people. And this people me recall much to when

I came when I came when I'm here to come and Carlos he said, the place where

they were a place there were a lot of many options to get. The religious to get

and distracts a little was the park of the public. They were every day and

you know all the family or the families were in this place,

the olores skit, in the the that you're going to and you and say that's

it was the day a day the people all all no

normal nothing nothing of other world but there

was something that the family of the family

of the was very very catholic they went to

go to and they they they're not but

what he he he was that is that between

his cus and his esposa, they had like a prejuice

to a woman, a woman that never never had done even

even said they were the woman. Not a woman. Not a woman

normal, simply had a aspect a little a aura.

Resulta when when Naced Carlita well, all is a lot

is beautiful, all is a legria, they're are very felices, at the only of the

hermannas that was he had conceived. And this was a legria and felicity pese

as we say like in Mexico that Carlita had got to get to turn to all the

all of the times and in one of these occasions as I mentioned he said Carlos

to her wife and have passed a couple of months that had been

last the and he said we're we're we're going to let's we're

we're we're taking some and we're he said They go to the park and are there and are there

talking, the park like every domino and there and there are in the multitude that

they could observe to this woman of the which always Sylvia and his sisters said

that she was she'd be and he said to her wife and he said the really not I'm not

I'm feeling I'm and he says you're you're going to start to start

just to be the In that, Carlos, he the look at all the multitude to the way to the woman

that makes to come back to them. The sheora looks like and begins to come in like if

nobody would be in front of her. They're to where they're both and they're and they're

to start but how incomodars and the sheora to the partner to the a partner

to the parche how much time has the baby three months and he says it's a

precious and he's a woman very powerful me you're prestas in that Sylvia

abraza her baby she put over her and they say discultem no

I don't want to I know I know I want to be grosser this

this is pretty so the she says I'm I'm I'm

but this sonrisa was a a sonrisa was a a sonrisa and a sinister and a

burlona at the same and he says the woman is it's a good that he's a he said

she she he said a scalofry and he he sent him he put a pill chinita carlos

he says you're suggesting to leave the woman in pass they're going they're they're

they're they're To get to her house, as as far as her mother, he said, oh, he passed this,

I found out of the girl, I'm going to get to the little. Her mother he said, well you're going to put him

a little bit of a little bit of a little. Carlos, he says, for God, that's, oh, God,

he's got to protect her to the need to be a little. No, they didn't go to

their house, they went to this, Carlos, they said, no me doesn't, how you're

saying, this person, because no you know the Pass the time and the baby

starts and the baby starts to a year and the night and it's a lot of this is

because no it was a time of a matter not a thing that the was simply

the she said a man he was a man the doctor the he says

that if has a infection they're to they're they're getting a

but the need she does know that the little that the little bit of

you're you're in you're doing that's done that you get a but when they're

not they're not they're gordito some in this case no and

she and he started and her and so he began

a little grisace her her was her color

gray and what she was that she was that she

was that she started to desalent those started to

have to have had to quiet, what is what is what's going to with the baby? And Sylvia

said, it's the old woman. The little bit recuperation, lamentablely, pierde the life.

This makes that Sylvia and the family are desperated and Sylvia, after the funeral,

after of a pair of days, she has of valor and it's going to go to

the house of the and he and he gets to be a maldita you me rebatast

what most You're a Bruchy, and the brujas go to the infirn't. The Bruchas

are there. And so there's the woman. And she's a little, and she starts to read. But with this risa burlona,

and he says, Cueda your language. And I know of what you about the talking. Mejor,

VETte, before to the policeia. Carlos He says, he says, What does you

do you do? And she'll let me say, Sylvia, to the she said, is that the maldita

us abacked to the they're at house. And at the few days Sylvia and gets

to get to get to get to get to get to get to put the the

skin that's but that was the poor the the the

she she she was she was and she

was I'm to talk to get to get to

start more rapid than the baby started to chuparse. And mention to Carlos

that his spouse at a pass of two, three nights was like so he would have been an beheceded

20 years. Carlos is going to this and here is where he's where he gets quite a

Carlos all the contrary or how he goes to the person to the

he took the door and he he says I want to talk with

you know what's I'm dole much what of my baby

and she he says you he says, no, no, no, no, no, no, no, I'm not I'm assuming nothing. Simply, no, I want to happen a little to my husband. I've got to enterer my baby the same last, and no

I want to pass the same to her. The lady, she's a friend, he's the hand, and she'll put over the rostro, and he says, she, no has been honest with you. When the woman he put the man on the rostro,

he says, Carlos, that he feels that he's entombe all the body, like ormigas recorriending, and of a person

like if were a movie. It was like a way in the time. He commenced

to see to be a unyadas and a husband when they're when they were a

woman that's more younger. It was her she was a he had

seen in photographs. Resulta that his suegra with other people

had to the house to this senior and had to

invade his property because they were a because they were very

religiouses he see how they're to make a part of a patio where

she had a and the woman said I never did nothing

and however they got with my father and I

don't be but my father so destroyed their

many many and I said that this was

that this was my she He could have done a adolescence, but I did he was to have consequences, and the consequences have arrived.

I'd suggest that you alge of this family. In this, he quita the rostro, the man of the rostro, and Carlos, like, that's like, and he's, full of fear, he's going to be, the hospital where was her husband. Lever, in this time, it's done some days more, and, of

the hearton, so he'd detain, so, he's been the funeral, and he's very sad, but he's intrigued and he asked his cunea how certain

is that you when you're when you're in the patio of that and your coonada and says

the fact that is that is that was that my mom was to do you invading

our house and we the altar because it was in that moment

Carlos decided to be to get to be there passed those

years and the last the last was that the as well that his

spouse, emvegecied abruptly and were that's story is of Carlos and we

told how they're a rebat to her and a his wife without why.

What what is? What do you think? It's is interesting. You know, when

when you started about the baby, uh, atrapaste completely

my attention because what lamentable has to partied, the nene for the actions of his mom. And the worst is that there's people like, Oscar,

the feo, too, of this world, apart of the things of terror, is that the people in occasions not midden

their way to be, not midden this question of portarse with other people. And I think

that we have been talking, about that from years, in occasions can be very crueles.

The children can be malvados. So I think that from our labor as good fathers, to teach them the good way, teach us the good, what good, and also what we make sense to the others. The part of the empathy, that was what I was platicable in a chapter, when the children,

not see what they're saying, when the children, in this case, the nines, they did what her mom they said because for their mom

was a figure of authority and example so I think that from here is where we we need to

think that what can happen. In occasions a sometimes we think that God is

the malo or that other entity is the that is the that are

rebatting to our our people, or to us ourselves and

when we wechams a a bit of what happened generationally before. There's

consequences. And I think it's a great lesson Lamentably there were peridas but

all action has a reaction. So the the fact and respect a deidad that you

know is for the simple effect of that you don't compagina with your

can't also. And it and it terminate fatalities. Yes, it's for

that we've always we have talked for all you

that you have to respect all the creencies religions if in occasions

we've done we've done with the intention to make to move your faith

to change your never is that always simply respecting

respect whatever creencia and like there the respect

to no the right is the peace that Now, I want to share this story,

that comes very de-the-man in questions of, well, and in questions of being, in questions of being people respectuosas, also I, I am I, I agree much for the question of

that the protagonist has a mother, and is a little, and is a little. This story is a title, Aarelli. Aureli, And she was with her mother. She was called Magda.

They were, they're in a vicinity. Vivian in a house modest, very little, and, well, for them. Aureli had just eight years

when something something was to manifest to be something very strange, she didn't know what

was going, a protuberance was made in her pancita, just at side of the obligo. She, if

he was a protuberance, could feel like if were a canica below of her

skin, she was a dark, she was a strange. First,

it was I was a little something, but of a repented he

was a she she said to her mom what he was going to

and as you said right at the story Magda, the

mother mother, Pocetent, almost not he present a Aureli, Aureli is

the little bit this story. And when she said to her mother about this

protuberance that I let's and that he'd and that simply what she

said, and that me, in the personal me made, he said, not you

don't be able, aguantate. And you know what he did? He went to

buy blusas, plaieritas olgadas, simply for that the bulto that was out of

and the other don't get that she had had something. In specific, the

words that Magda used was no I want that the people speak.

Like saying that prefer that she would use a ropa or roba

where not she were this protuberance for that the people not

start to say that something that's going to what to get a mother

to make this type of questions of not present to the attention to your

and more in this case, in the case that the the little

imagine eight years and she is living a one

in where they're going to start some can't this

ballita and she know what what is his principal

refuge, her her Mom, is the person that has to support her, that has to direct her and guide her to say, well, that all the most

that's what you're like you, no? So, so Arreli simply did case, and they were with their routine in that

in that in where they were living, there was a figure that all there were all right but nobody

knew of where was a woman, anciana that always was ronding for this place

his manner as you did you did it was a strange was

a very very perturbator many people said that simply

was a woman that not had family and that

but many other people said that that was

a a person that was someone that was

something so they were these opinions this a lot of the woman at least,

it was across the houses of the people that they'd be in a box of water, piding a

never was aggressive, simply was looking like looking these questions, no? And as

to be to be the mom of Aureli, Magda, always she'd but in

a manner fea, mala. Magda was a woman that always lived a

stressed, and I lived enojada. And when the Anciana was he said,

he wascate a job a little little, largate to get to my house,

what you always insults her, she was she was full of words

of odio and it was always that was that when the woman did this

the little the new Arreli observable for the window to the

woman she was a lo-lejo, with her vestido, put all rot, socio, and the woman was down

the sun. The little, a piece of how lived, because she record about that all her infancy

had been bad the bad-lott, had been grittos, rega- and even times.

So, the life of Aureli had been a little complicated because his world only

was her mom, and her mom was a lot of aggressive with her. So, it was a bit of strange, and the little bit of this Anciana and she asked about why he had to live so, but she no

could talk to her mom, because no, she'd have to that time. Magda was a person that no had time for her. Never passed time with her. She never was occupied for the little, so

the little bit of this Ancianita and like he caused a certain sentiment, maybe of lastime, maybe something, something extra. So, decided to

present a little more of attention. One occasion, Magda, the mom, had to go to the house for

some hours. He was he went to Aureli. Aureli was a little bit very obedient,

a little what his mom he said, she, was it had done. The mom always

he had advertied no you know about you know about the

door I'm going to get to get here you and I'm and I

see it and so he was he could get and not ever

in that in that time Magda was out of the house

and and Arreel decided sit in the cell to

see to see a little and he She said, she spanta.

She oversaulted of the place in where she was sat down and says, what's going? Listen how someone does the reja of the part

of the outside of where she lived. So, she spant, he got the window and he's almost

could be that was this woman, this anciana that I've talked. There was the woman in the

part of the reja looking to the house of the and then Arrelli

says what's he's he's you're something something that's

that's that's that's he said that he not could talk about and all

the instructions that he had had done so the the

little she this from the and the anciana contested

she he gets being and only he only doing a gesture of Ben, and he says, Ben, my little, for

favor, Ben. Arelli, with a little of fear, he says, but what he wants? Only a little of water, he says the Anciana. The little bit of the kitchen, go for a box of water, and in automatic,

I think many do we do this, agarra a pan that was in the mesa, he'll take, too, to get us to the Anciana, and he's it. With a little of Mery

Aureli the door and decide to give to give him the vase of water and the

piece of pan to this Anciana he's being really really is

fear but something she says that this this woman not is

that this woman simply he probably he provoked a more

than another other sentiment so then the a little

She gets the hands and he passes the water and the pan for the

barrotes of the reja. The woman take insegid the

water and he starts to take water because really really

had much a sight she she was she was

watching while he and he said when he

he says you do your pancita my my

This girl lived, when I heard these words, nobody, absolutely nobody, more than she and Magda, her mom, said about the protuberance that had the

little bit of the dolores that she was, of how was the nights because in occasions in the nights it was retorsia and it was

this woman that never has had been at her and he said directly, still you dole your

pancita? Imagine what was the impact of Aureli that obviously was made

elated because she was very strange that she knew that she

was a little a little dutosa he said yeah I still me

dole but no I want to say to my mom because my

mom me me extrana, a risa between a little macabra but with

a little of a lot of and he and he's to get to get to the height of

Aureli to get as like to the stature of her and with a smile

he says let me touch your stomach you put his hand in the

stomach of the little of Aureli and he says he says he starts

a say a word strange, because Aureli no could understand what this woman was saying. He started to talk and to

say certain certain orations a little raras and he said all to be going to be not you don't you

think. Aureli in that moment commenced to feel a that was

from his stomach where was that was a protuberance to be up, to the

back, and I felt like something something kind of a kind of

much cold. He started a lot. Something a little but it was a

certain strange. And he said you know you're going to have molesties and she

said the answer. And in that moment so emotiv in where they were talking and

the woman was saying that all going to be to be that very moment that

more and more and more than more than more than that back. It's

Magda and at the moment that Magda see to make a this woman there she

becomes a local and he starts to what you what you do you do you

do you don't let's let's let me let me let me let me

talk about horrible grittantly but in this occasion he got to

get to the woman the impug the the an unciana

lamentable she and when is in the soil observe

a woman and with those eyes profound and that mirroredant, she's left

seeing a Magda, and the only that he says, what you do you ever you're going to remember to

me. The woman, as can, he's up, and she can't of this place, where was the

little bit of the house, obviously, Magda, well, he's disquited

with Aureli, he's he said, a scene a lot Tristan for the Because all the

courage that he kept because no he was a bad bad, the grosser, no,

he was to put to be mal with Aureli and he tried to explain what what had

happened really. But then the same she said for what I'm going to say to

my mom in first not me and not be to be not for me because Aureli was used

because she was simply they were they ignored her and then decided

no to say her after this scene lamentable, the manned his

court, castigated and the little, she gets there, and even she was

a rarer for the regaions of her and I also was a pain

and I was a little and I'm going to be a going to be going to

I don't have a ballita she he went his his stomaggit was

his stomaggit was there no there no there no there no So I wanted to tell to her mom, I'd say, Moma,

I'm, yeah I'm fine, I'm not I'm not, but no I'm in the confidence to say it. Passed the time, and then was Magda the that came to change.

Magda physically was very delgated, ogerosa, palida. His aspect changed abruptly and, and lamentablely

started some in the heart and in the vintry. Comeensar to start these

little little little in your body. It was quite rare because Magda

a despite that for the nights not had had the protuberances

he ignored all this and he said in some moment

me I'm going to do nothing and he he was

he he he took his health. So when all this just got

insupportable, the Tios of Aureli decided go to her for her for her for the

little not the mother was so that was infermando no. Passed the time

Arreli was living in other place, was with his tios and lamentably

the protuberance were and they made sure that the health of

Magda empeor and she falle Lamentably, Magda fallece for all what

he was going in quite to his health, although no there was much commotion because was not

a person very very really. Really, no had a lot of nobody, he not

he was with the people, and all people and they were a woman

quite a woman, so it was like, it was disapercived to

his murder. Aireli he, passed the time, she

And in an occasion, she assist to buy to the supermarket, because some dispense, no? I was cargando bolsas of mandatow. And at the long, be a woman, like with the physical of the Ancianita

that she had seen when she was a little. Although, in her, he said, no, it's impossible. She, no, I don't know that's been many years, no? So, so, has gone to where was the Anciana, she gets

being and only she'll listen in a susurro the voice of this woman and says it

she's she's like the voice of the voice of this and he's

I'm going to get to this I'm going to say thank thanks for

the only that she was that not she she's

to be she and she she she she she

she never never and he says, what did you, have passed much time, you're you?

A bit, let me give you some of the She said, she's, she, she's,

she, she, let me give me, this, when she to get to the bolsas

to give to the woman, for that she had to come, regress a mirate,

and the woman yeah not was, yeah, and no was there was a

way to there in some more than, much less that had has gone

running. Yeah no I'm simply disappeared and she she said

with this susurro the bujice not more of the supermarket of the people that

was and the water on the side of the feet, those

that she would give to the woman, there's no manches there there's

that you're that you you're you're talking of the the animas

and I know I'm to think if in reality was a

really Or it was an Alma for there because there a story for there so briefly

one of the one of the one of a person that was looking a person and I'm

that I was to pay a water and they they were and she's no a chica

and she does a box and his abuela and her she said that was the

spirit of some of his family and he in the house piding

water but the rest of the Tios, no he said cause.

But it was because they were because they're not a way, it's, but it's it's like a

big of the in the family, all they were so that's so that's that's really. I think

that's about all in the life, no, we're going to we don't know we're doing and we're getting to

the time of the mom that's too that's so much, so much, so. Exactly.

For there I mean a comment where puti there the bonded the entity depending

of the fact that the woman this of the story that I've said, saned a

the child. And he said a man a good on aond depending the trato. Sano to

the but the mom termino with her and all quite with the

same that he was going to the she I think a much a much in

the family has put to pass. Pardon? I'm going in the

comments. He's a man who's a man very good under. Well, is that

in reality, and we have been talked about in the mess of extra normal. In

occasions we're that all the things that they are not much

and it and it can be even a spirit of the people who know

that you know they're not not even they're in a book,

they're they're they're they're they're in the picture of the

other always, always, always, I recommend. Oh, a disculpa

that I'm coming here but it's an outfit new, so we're we're used we're doing.

Yes, yeah. He's, he says, Saludus from Dhania, saluditos. Where is

Pao? He's in there. Paca in a World Youth. That's.

For a end. There's there's there. The next will be going to

be here the next to tell another story. Excellent. This

story also has to be with people with people

a little of this is the history of a family conformed

for four integrates the father is Abel the husband

is Andrea and the children are Giovanni and Annita

Giovanni and Anna have respectively six and four years

Giovanni had six years and the nine was four was a family

was normal, a family like all there was something very characteristic in the dinos and to be

those who are the parents that are there are occasions in that the kids they're very

but are menors there are more situations where the children don't be so much

travisos that the point the little he does a maldade to this

this not was the family of Abel Yovani was very apegated with her

motherita they were very unied all the time they were all the time they were apart in the

house where they were a patio a patio a lot of a part of the part of back

they had some little these this history is situated in the

90s was a time different where no exist there no exist

that in the actuality many many times and this so this actually

that the relationship between the brothers also were good. All the time all the time

and they're going to and they're doing, you know, Abel, well, and Andrea and she

had been in house with the neves. And then, and so it was a reason, they were

about. So, but the things started to change. The little

didn't look about to her man. The two had a personality perdon

quite extravertida. All the time, they were bromeying, all the time was a risa, but ha, ha, ha, ha, jege. But this commenced to notarce abruptlyly.

Resulta that Yovani he wased to be that young eligre, that a little rissue. That man, that was the carrieing,

and he started to opacars in quite to his character. De-pronto passed more time in the television,

he was going to play only to the patio atras. For the contrary, Anna, passed

much time in his court. He took to the time where the

parents they were a teter a game of a little and she

and she put in his court and and with his and

with his amos and they're all the time

she was talking she with his and the

papas both about and Andrea and they asked

that they didn't they don't they've been done so. In a occasion

Giovanni and they say, is that the people of my brother not they're

to me get to me come in there. And his father he says what's

friends? Giovanni he says is that I don't want to because me

can't hear but who can you can listen the the

friends of my brother so so this so this he's he's

he said Giovanni me and he said that the amigitos of our

daughter, no they'll they're going to her. Andrea, he's, they're all the time,

they've done all the time have been all the time and they're doing, imagineate, it's all the time have been bornmeas,

but it's carcashas. And it's not about. in that Andreah and he's assom to the quarter

of the and he was like sitting with his and he's with his and he's

he says with my man he says with my and says what you say what you

do you do you we're taking the coffee and yeah she was Andrea

Giovanni was sitting in the cell I was playing with

a carito she she gets and he gets the and she makes

to see the nene tirado as in the soil with the

car. Of the point Andrea Sient a halone in the cabo.

And I said, why me hales the the and he said I'm

my and they're they're them? Who are those? The friends

and my brother. And she she go going to and he says,

who are your people? And he's they're they're

they're they're they're they they're they started to

put to get to In the night they're going to do not

every every one in their and they're and they're saying that Yobani was Yovani was

y'all he met to the room and he asks, he says that the friends of my

family are mad because those I've mentioned. Ket here with me Papa,

for favor and he he's kept Abel he's got and he got there in his

room andrea is in the Suo. And resulta that Andrea go by the door on a pieceaditas,

corriending in direction to the quarter of Giovanni. Giovanni started, Abel, he gets dormied in the fourth, and Yovani signaled to the window and said, here are, me

want to get. In this he goes, Andrea, and he says, what do you? The grits of Yovani, it was a desperation, and you say, is that they're going to get to my, but they're going to to get to

my hermanita. And if heard a great in the quarter of the little bit of the father,

and Anna no was there. The ventana was open, but I had in a

house of two-pits. The doors were closed. They were to get to get to

the patio, they were the people, he said a buskable because the name

had disappeared. Nobody he had been a person, the policeia

began to do a busk you know that's you have to

pass more of 72 hours for that start in these buskid. It was a desperation

in the house. De Pronto Yobani began to get to calli

like this situation was abrum so that his personality was totally opacada yeah

not was a little he was a little she'd see a nothing,

extrana his family and the parents and the all of a

caros. The little disappeared how we know this story?

This story, we'll let me Carolina. Carolina went to live to

that house and he went to see a manifestations. He started to see how they

were the house and he came to see a one a minute.

In an occasion, in a closet a libretta, a

diary, the diary of Yovani. Yovani wrote all what

happened and it I was there. And Sierra saying that not hech to her

mother in the house because the little she's that they get offrendes that they

leave them because they is the that's the wow wow that so

no no manches you know you remember's the story of Raulito

too was a yeah was a that was a a man that was a

that was the that that Raulito not that the contrary he's

always with her no. For that I'm sure I'm in that I'm that he

that there in the people who are in the house were in the not as that we're

not trying. Simply you're simply you're just getting to a place to a

place. That's good final the right? For there too there too

there's just Laura Gonzalez, that's, yeah, I mean me me I'm this story

and you know you know you know what think and when you get to

new in the case of the case of the we're we're much

good much quite quite for there. Let let's the

next story for favor production I let's talk

this story that is about a a a little

and it's tito tita tita so he said Karime

to his abelita of carini was a was a nine

years, and had a sensibility for all these things very strong, that a lot of times, her family didn't understand all. It was a very strange, no? Since a little, she

had been parted a vincal with her mother, always they'd like to talk much, they were always conviviening, and the

she was told stories to Karime at the border of the camera until the Swayne, her son-a-vencia. His abuela always was with the

little little friends. So, she carignosoment was, she called Tita. She was her refuge.

Tita was a woman of, hands calid, a character very little. It was a woman

very very good. And obviously with her little bit she was like a woman

of a little a great abuela. She always always was conviving

with her and the day that When you get the fallecement of Tita, something in the

world of Karime, it's fractured. Something he passed to the little

had rebatated a bit of a bit of his life very important. At

the first, obviously Karime fell in a true she,

she no I don't do anything because she not had a she was always

apagata and I didn't go to any side, always was with

his papas, as a Triste, but after this came the and there this torture

of Karime. Tras the first nights after the funeral, Karime had

impapada in sudor and this is something when we're when we're we're

trying to try we don't we're she she even with the

heart asceler as like if she were to get to

feel this horror in her heart, like if no, like if no

could be and this, when she had when she began to know, in

his suns, he had for a bush. In this

bush, she could see many many many the

rams of these are like were like those large

and with some garas that they could try they're

in the sun olie really It was a lot, like a earth, too, umed,

it was an an olor a lot of a lot of a little so in the distance I used

a murmur like if they had a murmurial like that was called. A her he was

a lot a lot of she was doing. Dentro of this same she said,

she could be he could observe like if something a person out of

the between the arbole, and it's encorvara, and then, it was a rostro a little

distortioned, and it was like that the the skin was there was a thing that she could observe.

He was a lot of and of this distortion of the rostro, he'd the rostro

the rostro of Tita. Then, then I know had to think, no said if it was

something a little or in really was her abuela. This entity or this something that

was to be made in the dream to Karime, commensable to say Karime,

come with me my little, come, me she was a little. I don't know if

was real or no, that was what was going to she was going to get

but the garganta she was she was she was she was she were that not

even even to talk. So, the repent, I'd and the

penumbra of the room and he was she was what he was going to she was

she was she was to support all this in silence for not to not preoccupate

to his parents also that the little that was what was what was

what he was that was that was he had much to her and to

that was he sumable that was he was So, all this, this fear, at times when she'd startable,

yeah, she'd get a dispirited, until she'd, because he'd much fear. And every time these pesadillas were more aterrador, she'd more cruel, because I'd because I'd say things very strange. In a occasion, he'd love to sonar something very rarro.

This entity that's like to say, that I'd say, that put a car like if it was, Tita, she was in the son. Those hands raras

they were and they were in the arms horrible. So she in this dream,

obviously she spanted much and when they're the first that the is

revisars to see there was there was if there were some the marks of the

deados that they had had this entity. She not I don't understand how it was possible that this

was going, it was a dream. So, it was really. I'm trying, because I'm these marks in my brasos, no? It was very, very strange to Karime because it was a dream.

It was a superonia that was a dream. Another of those dreams, also quite terrorificos and that he gave much fear, was that I was

that was in a house abandoned. And when she She looked at the window of this house

and it's a and in this place be in the teech

and he to get in a tita. But Tita had a kind of a

kind of a little a liquid black was scurrying of

her back. She was he was and he started to

start to see very very fea this image

of his abuela. Then she heard how she read this thing that

was a thing that and that risa he gave much more a great to

make her to make the eyes and she was she was able she was she was

okay it was another a other she was not my mother

and all this he went so that the fear not she had

never to sleep. She she left to do not occasions she kept dormita and desperada and

like saying no, no, no, no, no, no, no, no, no, not you get dorms, because you're going to

see a feo. She, she didn't want to all this, so, so he decided

to do something, he said, he said, he was a car to because I'm that something that was

being a part, he was to be to have perils. So, then he went to

the quarter and decided to go to the of her house, he took a manta,

he tapped, he went to do with, but then he decided he to get to the studio

of his father, the studio of the work. She came to this

studio and when recently he comes, he top with a image in the

chair that was at the little was a tito was sitting

in this chair in the studio of his he, was teaching

with with these agujas grandotas that the abuelitas to make

chalekito there was Tita very very serena was in a way that she

to her a lot of going to get her and so he's Tita then she

she she did and he he said I'm abrassame the the little she was

she came and he he la They started to They're talking She said She said She says,

She says Be, get at here, He starts to caricear her hair And she He gets

Dormida In the Pyrnus She was She was very happy Because there

There's There's There was I've encountered a Tita Yeah not these

Pesadilla Feas So the Nina was very content for all this When

Suced all this, she ignores the fact that her father had had fallen. A she had been very

content. And then these visits nocturnas at the studio were made in her pan of every

day. She, all the nights, back very sigilosament because no care

to do that their not to that she would be to go to the studio. So,

I was back the escaleras without much Rueido, get to the studio,

and always, I'm always, I'm never, I'm in this

place. In these platicas they're that they could durer

hours, Tita he paid a favor to Karim he

said that he would a bottle of a bottle of

a little that that that did you did various

things so so the then the she obviously obviously obviously

was his Tita he had all she had he'd

he'd he had these questions of the water of the

food and so so what the rather in

when she when she at other day revisable and

revisable the and everything was all was there

no there no there there no there so

something something there something there was not not

that something was rather with car Carime, they'd

a bit strange, a little either, it was a rarer. She not act was a

manner. So, decided to present a little more to be because

not they were what was that was that they were in the cell

in other occasions they were there in the studio, he they were

the people, and the things she did you know, the

they were doing what was what was was happening. They'd know what

was going to and why the little the little apparently appeared there. So,

they decided they were to look at because Karime decided and did a trial

to not say that. That was going to be the secret to her. It was

a secret between Tita and Karime. She not going to say nothing

to all the what was going to so so So, so,

and in one of the occasions that he went to doorme the the

pesidias still occurring. So, they were more grotesques. In this

pesadilla, Karime so knew that her abuela was a hand, and he

had a sotano without fin. When they were in this sotano,

the piece of this place was like a type a liquid viscososos

and barrable in the feet. It was a quite strange. It was that Karime could be

like the parades palpitabitaban and they were like if they were latitudes and that

was a really, much, much a lot of a carime. In this dream also it

was that were that were and these hands were not to trap to Karim

always always they were to do you also that in these

dreams, when Karime looked to see to her tita, you know, not was a woman dulce. Yeah, it was a strange. Yeah, it was a lot very, and then it's there where she says,

she no is my tita. This is, yeah is a man, and he says, Pronto, you're my. In one night, the papas of Karim

were spurted because they were a gulp quite and this goal provenia

of the studio. They decided to get and when they were to get a carime

parada in front of the story of this place and a lot with a

lot of a water and the little she was murmurand I said some

some words that not there were nobody more and they they're

the light and they they're like they if it was hypnotized, and no had nobody more. So, the

papas, they're quite quite strange because they're looking between them and they're saying, no, what's happening?

Something is bad here. This, something, something is it is going to the little, they're going to

interrogate, between the, and I'm, he says, you know, what, it's going

this, this, and I see a Tita, and Tita and Tita Vene, and me Pied food and me

Pied water. The papas a little uncredulous because no

understand this that's but there's where they started to doubt

because they were they were on the other day the food and

they found the back another that in the house it was much

a lot so there there certain points that that

had that the story were quite quite credible and

so It was. Decided Vigilarra much more of closer and the really came to the night

that the the little she decided to be back as far and her mom was and her

was there she did see her in secret the little she was she was she was

she going to get to get to the studio and when she is she's

scone, to see what was going to look to see a a sombra enormous that was

in front of Karime was in front of the little and it and he begins

to getchars the sombra like to get to get to and his

man kind to make to talk to the car with a

large in that this moment that this sombra he

took the Koe a the mom grita no

couldn't contain the grito and and he's no, he starts and this

sombra like he is a moment to see a the mom and then it's

disbenece in a humo. It's just a humo and it's disbande

so then then the mom gets and Abrase Karime and it was a

strange because she spanted much the mom at what was going to be

and exactly this this he was doing to eat to

this entity, that was what he was the she was she was the time

the time all this so when when the mom, then the mother,

then a part of that night he starts to be many manifestations in the

house so move the mobe the the the

sound the sounds the lights they're put and

they They're pagans solas. There are many things strange and it's and it's a lot of

the parents so they're taking to make a decision. They said we're not we're doing

here in this place let them take the things that more can to pack rapidly and

decided they're going to get in the madruada of this house

because all was quite in quite in quite a

manifestations demoniacas they went to this And it passed many years, the

fact after this they're many and then in other type of kind of

they've been done to have been to see these things until that in

one again again to know she with her tit and in

this pesidia she she has she she she says I'm

I'm I'm my my With his vestido flowered favorite, tegient, sentadita,

very linda, when he he says that he's that he's where he's a moment, but he's

a moment to confronts and Karim decided, after many years, to get to this

place, to where he's all these situations and was to this place,

to this house, and it's all quite as they had done just just

with an ambience with an ambient a desolated and when when he gets to

the studio simply he says the voice inconfundible of Tita that he

says I'm still standing with even you know me beas

and this story the part Karime Terrible that quite

pretty I'm I'm there many times where the diablo

funge or some a kind of demonio funge like a mentiroso. That's.

In this case, I think, talking about from this is the ignorance, that was a

demonio that was that I'm trying to get to practically to the end of the

end. Yeah, I mean I think what you have you have you did?

I don't know, but I think the people are a good decision at going to get to

the year. I think the stories are very good. We're to get still with

more, but we're going to get a court commercial for more

palomitas, going to brazar something. I said that not they're going to do not to

do not need. We're going to get a time and we're going to go. Awwanten us. A-

production, abisem if you are listed the questions. Giovo, says, a question

for both. What is your major MED? You're my major

Miety. I'm I'm sure I'm think I don't let think I'm nothing

because God is to be no, no, I think that

I think I'm I'm opening I'm here a little bit more

with the family extra normal I'm always he had had been a

fear to the after the life that that I'm and

I'm this interrogate what what it's after the after

I'm I'm I'm really because it was something I'm

something that problems existential and other but thanks

to that's that's that's so and that's that's

I, effectively, I think that is my major MEDO, to partying of this world without, well, that my kids have grown, no? Yeah. I think that's one of the most grandes, that not just I considerer that me suede, but also to many of those

that are here present. Sure. A me cause a little of anxiety, I was here, the perritte, the saber, the saber what will be going to be supposed. Sure. Like, I feel that just we're going to

to start in other phase. Wow, you imagine? Talves

the maybe the so much that's that you're in this. Maybe? Or

maybe the light that you see? No, I'm going to spoiler but

a friend, but a man said that the lives, not, the interesting. Yes,

yeah, so, yeah, approximately they're saying, for Daphne,

it's come up what did Christian Valerio about your abelita. Wow,

this question is a question, is a very, when Christian Valerio

cards and me these questions in where acerta about the date of the date of the birth of

my abuela. The other time that I had taken important because really not was I don't

know if some people know, I know what I talked in a in Vib in Sergal on Sustos

in Instagram the other when I tell to my mom, that was the day of the day of

my abuel, the father of my mom then it was a lot extrano because I, my

abuel no I know when I knew a when I was he's not in this plan.

So it was rare because me said Valerio the number two, first of September and then the

number two but in Mayo and that these feches are quite quite both

are the births of my mother and my mother. So my mom

my mom is quite too also because I don't know the year and

I'm began to be to be that night I don't I don't know I've never

never but one of my primos that also mentioned a Christian when I

read all this is a friend who was a very very all year and that in occasions

my friend of the name he's a man he's a mother't his own not he doesn't well

he doesn't he doesn't good, no he's my adoration, my primit and I'm saying, hello

her manita how you're saying, I'm saying that you know you're not you're that she's

good and that he's a when he makes this message a la it's all I'm like it

I'm like Christian me said that she she was to give to me not she went

to be to be to me in a but he went with my friend and

my Primo, me passed the message. So, so it was super very

to know this, this message. Yes, Chris, the truth is that's

very, very accerted. We send him a little bit this, and a

question. A what is being paranormal or extra normal? They would

want to interview say, Nahual, Cheneke, alien, et cetera. Oh,

I don't know, no I think I've fascinated When I go I think it's because it's

an argument an aceration I've fascinated to know to know the people who have been in,

it's really me have impressioned with the last time I'm very very impacted was with

Pahey also we're still we're going to but the really the fact the fact is

I'm and I'm and I'm this man's this man's yeah this man's

but I think that of all those options I would like to know a alien, precisely. I think there are much of what to talk in the theme alien. I think there are many manifestations, even for there I was talking

a little with Johanan, of this. I have a idea that maybe are certain of other world, but the theme of Los Angeles and the aliens, I think are very,

very, in the manner. And you, I mean, To me, well, I think to all, I'd like to interviewer. For there, I used a time I put in these

questions of when you're asking in Instagram and me said, precisely that's what who'd interviewer? And I'd say, well, it's a

gual, no? Like, to ask me, when you you're going to get in an animal, you do you,

or it's like, we're going to and to be, and to be to be able to see, no? So, would be good,

that question? Like, to be, I mean, me me made sure, and me made me control. A bit of the

next production, there's a question. What would be the place that you provoke

a lot of that never enter you? Do you want that? Well, I don't I've been

thought. I think I think after the chapter with Darian and the copy,

that's that that's that I think I don't to go to go to and even

that the patron us say that we're to a exploration. You the

reason. Fifate that this, more a lot of the theme paranormal,

for if you don't have seen the episode of that's the stuff, the

of the going to be to get it, for all the all the ustologists. Yes,

to the people, and the people, we're going to see, we're going to two episodes

for a week. We're the bosque. The bosque in Japan. That's me is going

the name. But it's a buske where the people recurren to desvivis. Of course,

it's a not you can pronounce it, but it's the bosque of the desvivision, no?

Okay, to that's more than the thing paranormal is for all the people that

is there that's that's the decision to yeah not to not be a lot of

we're and it's and it's we're we're different, the latinos we're

more more calid we're more more more more the people that's

a little more free is a more more reserved and I think for

all this what envolve the bosque, the stories is a place that maybe

for respect not would not be me cause a much affliction to be there,

all the people that all the people who was in that situation. But they're going

to be the episode that's because there's very precise the data,

and how the people to be the next question. It's they're they're

they're doing to do an exploration urban only you're two? Yes,

I'd like. If I'd like, I'd like, I'm going to go to

get to a lot of I'm sure. I'm a fear this question of this question to enter to

these places of the night, more than questions paranormal is that if

I'm really, because I think that maybe can be maybe it can be

maybe can be the people, so I'm that I'm that fear and I hope

that's I'm going to go to get an exploration first with the patron and then then we're

doing this this exploration we're not man, I'm just where they're because the really is that

me like me much of those, they're there. Still, I don't

have any conflict for there Cheo us said that she told a

little a little a little strange that he then after he's he's

in particular no there's a place to where I want to but I like this

part of the mystery, over to know to know the history that there there's a

other question there's a question this question this question is for Daphne in these days you have

passed something and if it's so it well a little I just let's talk I'm

right you also you talk about to you I'm for the regular I always

see I'm I'm here somebras and I was I started I was doing I was

I said at the little that was there molestando, so when

when I would be to see how I'm not and I'm back to put to learn and I'm going to

see you that's yeah you're saying why don't you know I'm pardon that you interrup

the, the that you mentioned that you went to your mom in the carmennette

and that was really that's it's recent yeah well well there's

there there there's there before for my nena to the

school normally I don't go for her, he's a father so far and let's choufer

not is a certain but his he's so my man to the school and in the

way I go to and I go in the banqueta parado a man that is my

padrino but he was like looking so like the like if he

was waiting no see a taxi or something and he he was not I not

not we did to do my mom oh yeah mommy no is my padrino Gonzalo and me I said, I'll tell me

my mom and said, oh, yes, but lamentably we don't us put us to start to say to because we're too, so we're to go ahead.

We're going to get us and all so. So, some days after my mom gets with me and me

says, I see this image, quite nervous my mom my mom, me muster the telephone and

there was an image that said that my Padrino had fallen. The rarrow of this

not was the fallacyment of my father, lamentably, but the image said,

we're invited us we're to the nine days of the death of the

year so when we're those nine days, the the deados

not not to talk because we said, we we've we're

and the two we were he was there was possible that

were nine days it And it had two days that we had seen, so we've been in shock, and we're going to

and we're going to this moment. You've seen there your padrino. That's how far. Well, as come to me, no, I don't

want to ask us. No, this, for there, I'm going to be doing it. No, fiends that I have mentioned in

reiterated as occasions that I've no, I'm many, I'm much pesidias. And I don't

see if it's for well, I'm I'm but I have many pesadillas, and of

the point to the kids of the crew, to all those of the podcast, let's mention of my dreams that's

being being quite atroces, bastante perturubidors. And I mean, I'm so I'm going to the stories that are

an extranormal podcast, a e-mail.com, don't get to send to their stories. But so so paranormal

that have been a house or here, I think you, I think you would be

a friend to you, you are more sensible to this than you? Yeah, the really,

with this last story that's and that has a little, I think, like 15 days,

no, that I'm that I'm that I'm that I'm and I'm said, I'm about to pass

this. It was very rare, very, very, extrano, and then, I think I

to go to to go to my padrino to see, to be a to get to that you're that you're

that you're So, what you're so you're on the part, but I'm done like,

for favor, for the love of God, for the love that you have a

Francisco Arias. Den the like to the in-vib for favor for the algorithm

that we're doing this and they're doing this and they're there's many many many people

and they're they're like that that's that's, that's, that's, that's,

that's that you're like, then when you don't know, then you're a little more

with the audience. Has a time that's talking the last time the ultimate story,

yeah I don't I don't I'm a summer but you're the sombra of

your Well, Well, well. Of a brunt pass some things

for there. The Sanger of Christ has been the next story.

This history is of a family, the family of Alfredo. Alfredo with her

husband Irene and you know, you know, you know, the majority of

the stories are involved in all in allas. See, they're

all right. If you have some they're there's spirituals, of really.

Cueenlos much, protect them with the deidad that you're with your idea of your

favorite. Because it's a time quite delicate. At the final, the people, and we

mentioned, the children, and we're very sensible to the spiritual, much more more sensible

than we that we're in reiterated occasions mention these stories, that of the point

those people, they're to be people, they're in the patios,

in other places where we those those adults, then we don't

those they have a connection or they're still in their in their I think

have to be much this, that are more more more noble than we're in occasions

we're we're just we're yeah well mentioned about that this story

is of the family of Alfredo with I and here this story is very is very

common in the in what in the second Alfredo so he went

in bus of a more life Alfredo is from here in Mexico and he

went to the States United. You know that to have a better a better better.

He was the way to get to his wife to Iren and he had a accord.

The agreement is that they were to get a house of his brother.

And putting in context and the people that we are seeing our people who

are in the United I think are going to give legality

of what I'm doing many terminan busking casas to

share with other people and to minorar certain and it's the case

of Alfredo he had put to agree with his brother Jairo that

would get to his family and the detail here is that

Jair no had no had sufficient space in the

house had had had adquated a sot in

this sot it was practically a department subterran

The family of Jairo was in the first and there other people in the second piece. Platicarone,

they got on an accord Alfredo revised the and he looked a because in reality

it was a place a place for you had a room, where was the

cunna because Alfredo and I had a baby to Karen and then

they just they just they put there they're there etc. And, well, imagine to go back to your

brother, to your brothers, to your brothers, you know, and standing in that case, was something was a greatable, they started

to adaptate, commenced their things, and I think here is where it's where it's also the thing of

how to know, accommodate you in some different of where you're, they're,

they're, they're, they're going to put their space, and they're they're started to

work, started in this routine. It's also the time of adaptars. Those who have been

to bebes, not going to let me be to make a thing, there's a process for the children.

A few sometimes is kind of strange. And well, it's a situation. All right.

They're all the time. And all what it congeva all the whole when the

family. Until that in a night began to have a certain

incommodity Alfredo and Irene Resulta that Jaird always had had

a little detail with the baby. Always he had always had

been a sometimes not it and this was a little the molestia

because because yeah when he was when he was sometimes

there were in the part of the part of the They heard how

they were the shias, how they were things. Irene talked with his husband

and he said, hey, I think we have been to talk with my cuneado because

at the final this can generate a problem. We're we're paying a rent and also

it's not we're going to get to play because we're a family and we're trying to be

family and we're trying he said he said you know the fact the fact we're

that we just a incommoding a little I know that you like to be able and not I'm

in your life, but if you try to not do not do because at the part of the house

so he's all over and he said no, I'm going to try to avoid this type of

things to not start to my son. The man, the the

man. The man. Pace the time and just for this he asked I was

I'm asked you have said in some occasion that you observe

yes what's what's what's what you know she's she's

to have this sensation of the that they they're observing and

he was and he would be to be his husband and so

Alfredo dormied of being the baby in his cunna

that was almost at the car on they're and

they're all all all she she had this

intranquil all the time every every night I

heard passos in the part of the and the morning he said

to the brother I'm think Jair other again is doing

much more not he mention the part where she

see observed the night the the noise was

ceased a little but a madrug she get

with the same the same the eyes but

she not was over the camera. She was on the stairs that back were to the sotan

and she see to she be to her side of Alfredo and see that on the

foot of the car is a sunbra she was seeing from the dark

and of this person is to look to where is the cune

and it's but when when it comes to come to come this

ser and of she wants in that she wants but her garganta was a

and then he's over the eyes this provok that also that also she was like she was

she was convulsioning and he he said I've I've had a pener a pesidia

and she was a sombra that was to make to the cuna to the

baby and he he said no wait you're you're you're just to

start to start sonying this type of things. He's really, and is that

I've wanted to say, but I'm that I'm seeing that I'm in this they're going

to be to the cune and the cuna and the cuna, like if someone

would have arrasrasra and then he said was a sonambula I don't see, you you're just

inventing things, is the stress, we're we're just we're just part

Alfredo that no he'd not the person, I think that was that was

that was that was the night they're they're to start

like arraeasos in the part of the top of them, is to see the

the soil of the house. And it was used like if they had to

arrasras in the soil. And she said, is that is your man,

no he's a start, you know, you know, in this part where you

start, you're with other people that you start to

start, but in susru the The scene is so much more chaotic and started

other things that had there were like a couple of a lot of the group and in the

part of the upper they're to make the the noise much more stridentes this

this was like the chispa that deton in this Alfredo he goes to be back to the

camera furious and he he said I'm going to talk with Jair because

I'm he said I'm I'm I'm running by the crossion

by the door of the sotano, and commenced to come to the passio and result that no there's no

nobody in the cell. All are in his quarters. This is what's going to what's going to what's

passing. If I just I've just got to listen to the sotano, he's he's par

in the entrance, looking to back. He's his wife and he he observa

that's a sombra behind her. There was a focus of these tenues that was the

that he illuminated the part of the and he he's he gets a sombrated

and he says, who is he he's behind to you and just when he

mentioned to this the focus and he's revient in that in this

moment he's to hear so they're revoloteing all the

court and he's and he's and he says there there's

there there's there he's he he back he the family

is a little and he says what's going to it's like a tornado was in the little bit of

the world the first the wife of Jaird about a lampra and starts all umbring

all the camera was all the quadros were they're put down the roof

in the soil in the soil but but but the extrano

the most perturador of this is that the baby not not

don't me say that I'm And Irene said that she felt

that something had passed about her that's contextualizing and so I'm she was about the

cuna. The cuna no had nobody, the cuna was revolta the colchoncito was bolted

the sabanas made, they did an buskid where no encounter the nina

and the behind the the cuna not was in any there. It was

all the chaos. And no they'd what was going to and I'm obviously you're going to

your baby, what is what you're doing? You're doing a desperation. They're changing the focus, they're

up to the part of the house, they're to get to do this more great. And is that

I imagine that they're between the spade and the page. Imagineate people that

is going to live to other to have a better life. They're they're in

a manner not legal. So if you you're you talk to the authorities,

well practically you're you're you're not a problem but you're to talk about

to talk to some people that are in a new year it was a madrugada this, all it was

a lot of a atmosphere terrible in the house it was like it just had been bad had

the temperature all sentia a frio and a tension irene and I said that

They're in the cell, they're crying, is her concoony, is Berta, and she's abrata, and she's abrassant. And Berta

comes to to ask her to give to say, and he says, Lord, devolven us to our

subrina. You know, please. Take care of us. In that, Berta, I'll see

to see, I've got to that he said, you said that came to live in the sotano, they were in

an inky A inquilino, a inquilino also that came from here to Mexico. Tupierrowered there a kind of conflict because there were very strange in the sotan. Discovered that this

man had rituales there back. They found some bellators, they found outarer. When Berta he saw,

he said, for favor, Pidle to go because he's trying to something very Fierre a little more sceptical Like his brother no creole

But at the final also He was provoking a problem With his husband So he put him At the moment that he He's going, then he's Paga and they'll They're there

And all with what he had And all those He'd doals, they were So they're saying And then, Berta still Soeran, and de Prundo start Like a crugid

And so it's And it's cut to The Puerta the door. In that moment, all down and they're going to bring the light, they're

to begin to and they're a little. The little was in the cune. But all they were thinking

if revoloteed all, we got the colchon, we're just about the little. Irene,

abrasa her his wife, he'll give to many many the last the

l'grimas. Alfredo no I didn't what was what was what was what was

this and Alfredo He said, Look, the truth is that I don't want to

get to I'm going to do this no, no, I'm going to to say to my

cunea that's but I want to go to you, I want to want to

my family to this way. They end going, when

so when when this, Karen, I had a only a year to

do you to come to go. They're going their in other

place much time. Karen had 16 years after this they're

they're they're and in the disjune Karen he said to his papas

I've a a pesadia very real no they put so attention and

see to see what says see it's it was very strange

I was I was a baby and in my In the dream, I saw

how was a a ser demoniac he had the rostro was a

feo he had various cars and his alient was and his

arms were very peludus and I remember that he

I gotra in the dream and me abrasable and

in that moment revent a fok and all

me were looking. And while all me were

looking, he only he was he really, he

was there a moment where he decided put

me again and I and that in that

in that and start and he said someone

he said no, of what? And he they

told the story no and to what they

impression is that they've said to her that had disappeared. And the impressionate is

this. That she had this a pesidia where lived what what she was going to

she had a man. That's pretty. Oh, it's an impressionant that final

I never me ever me ever. She, she, she, she, she was,

she know, no, without nothing nothing about the dreams.

Yes. Much many a there are things that we don't

we need. And maybe it's a thing of the inconsientient I don't

know, not I'm maybe there an expert that could explain this.

But there is the history of Alfredo and the image super macabra

B of the sotano Maldito so very, very, very very

very good this story me so I wanted. I'm I want to talk

you know this last story and before just of

all the presentes. This This story I made much

because in occasions the people don't you think or you see

like a bit of when you see in these situations paranormal

so it is difficult to sometimes to because you don't

want to tell to nobody because you think you are to say

you can't say this here in this story we let's

talk about Paulina she was a nine years, and it was a

little different to the other children. It's a child of Miguel and Mireya, a child,

and is the prima minor of a family that lamentablely they were very extrano, they were

like, precisely, you just I said, a bitch rarro, so, so it's

a bit extrana because of all his primos, she preferia start a lot,

preferer to be aparted, not like to go around going, how they'd do you, and they were

quite rar for the family and they said well, it's the rar of the family, so they

they'd consider them extrana for precisely for this, and she was quite very reserved,

even a little timid. While the rest of the family, was she reunia to talk

in some food family or something, she, she always was always she was

always in the same place, not she put there with all those and with his primos.

She always he was to be in the part of the patio of the house. This little,

Paolina, he was just about to be with two people that she said that were his

people favorite. It was her Tio Memo and his abuela. They were the only

that they were the because they were they were they were they were they were

they were they were they bitcher rarrow, and they both, no. They they'd presentable the attention that she needed, platicable with her, jogging with her, no? So, she was sentia very

comodal, at start with them. And he liked much to pass time with those. Memo, that I just mentioned, that was his Tio, he was his company of adventures. Always he was to play a pesado with her, trepaving the arbor,

they'd, they'd call down to the rams. You know, you know, they're They'd like to go out for there ensucied in the earth. So, he was in this

manner with his Tio Memo and he was still with him. They were talking about about about

about the anecdotes of his Tio Memo, of what she had also. And so he had

much that he always he had the travesurasuras that he had with his papa to Paulina

when they were when they're little he said, no, fifate that when your

father and we were we were we were we're vecino, no, of the arbor that they had

they had the fruit, or also we're just we're all the perrits calleherers and then

those perrits us corrette-e then Paulina, when his Tio Memo, he told about this,

he'd be much a risa and always he said, Tio, tell me more

things, because his Tio had a way very peculiar to tell her

these stories. And Paulina while he was he was fascinated, was

fascinated, but you're listening all what his Tio Memo had to say to

and in a occasion Paulina is a remember that his Tio Memo he called

an anecdote very special and he he said today this anecdote that this

is a special for me and for your father I think you

think you you think it so she between the thing

and she gets serious and Tio Dio Dime

Cuntame so then the Tio Mmo Look, when we were in the prepa, your papa,

Miguel, and I, we decided to go in us to Pinta. So, from a reasoned with a risa,

not? Bastantty, well, because she imagined his papa in apurus, no?

He said, ah, my papa was a rabbiasedo too. So, he said,

he, he said, we've we've done the classes in that occasion, and,

and, and, we, we, we, And we said, and we decided to go to the rio, he said, and then when we came to the river, we know that the yanta was punched,

said. We came to this place, we've been the yant, but, well, we know we're not, because the truth, we're young, and we're just going to, no? Dice, we're going to, no? We went down, and, too, let me tell you. that when we're

there when you're there when you say, it's almost he's a hogs.

And I was the hero because I was he was enthrated between some

the ramas and I was like I'm to get to the rio too to put

to get to your father and then they're to be and they were in

the two when he he came he he told this because she she

was she imagine all in her mind of a new a man

of the father and he went to be a little bit of his father also he was like she

was like she a man serious and that he was a manoros that she was

the vola Lydia for the contrary was was a a woman very

that consentia much a pau he he acarice his cabell

he was he contable he was more tranquil, obviously, her mother not going to start

trepando in the tree mimo, no? But also he was very well

Paulina with her because when his aboela when her acaciable her

and they had to many things, platicable also that her and of

all the his father had lived. I always he said that when

his father was a little to the mango and cuted

all the little all the mong all the handgit and back and

To her He liked much to hear this type of stories that they

they called one once he said he's he lastimed the

and he did he he's he said his his abuela she

she was she was always that she she was she he was

she he was much she she she was they did that

they were so they did at the she had a one side, no,

for the manner to be of the little bit, so he was in all this.

In one occasion, yeah, when I was Paulina in his house, and was

exactly Miguel, his papa with her, he had got a a little he had

in the eyes, he had recosted because had been a day pasted,

he was he's and he's his and he said with voice tranquilla

ohie my you can you can put you can is that almost you haogas

because you escaped with my Tio Memo and they were out of the class and also you left

the carmionette of the his father was at his postado when he he gets a story

he gets a he gets sent out of the camera and he said who he said

that Paulina and Paulina he gets abombrated and he said

my Tio Memo Papa why? No no no a ver what what is what is

Who did you that? To Miguel, his papa, he surprised that the little about the

fact of the thing that the carionette, of that he had ponched the yanta,

of that that was and he was quite quite extranaid with this conversation

that was having with the and he he was he was he said, who

he said memo said me he said me the other day that we were

in the time then Miguel sentio a his stomago, because this what happened, was a secret

between Memo and he. I said, they were never to tell us to tell us to-you-and-mio, and even, and even, to-the-tum, we'll get this secret, no, so we're to tell to nobody, no? So, Memo, he had said this to the

little, and Miguel had kept in shock, precisely because he had seven years that Memo had fallen. So when Paulina was very a little occurred in an accident

in where Memo lamentably perdied the life and he was not in this plan. Sure,

that in the moment that Miguel he's this story he says, and she to say,

oh, he's going to say, oh, you, to him, or millions of things, no? They started to interrogate

because they were what was going. Miguel and Mireya were quite aterrised for the situation that

they were living. When the the little she said that also she talked about with her

mother Lydia, they're they're not in yant because they're saying our

what is what has been living the the abel Lydia had had fallen

much before that Pao had had been has been imagine

the grad of sensibility that this need to know that he's a woman

and the rarer of this is that Pao said that his primos they were

and I say my my primos because my my my

my my mother not just they're not so the

parents were they're impressed and and they found

the paulina that that's that they're not in this

world. Intentated in a manner very tranquill to explain that the

people with the people who she was in people not. So,

the parents, the first that were to get to get a little to

therapy because thought that something was a bad in the

little the because she not, because she not he didn't to live

to be this medical and then, but they But if they say they're

to start to talk to her to say to these questions are your imagination, that not is really what she is doing and

living. They were like they put in a barrera this is a certain part of that they didn't

not want to that the she was living was a normal. So the the little was

trying, went to put a little bit to put a the argoles, to her abuela in the patio, they were

manifesting. Yeah, not they were before before they were not talk about. Now, now not talk about.

Because the little bit more a new year and then he'd be at the way to the silhouette of his tio,

be to her abuela sentada. So it was very strange for her now adapt to this way to live in

where you not going to talk to her little to her and to the Fecha, Paulina, who is who

sent us in the story, she's seeing being to get a mimo and his abuela

Lydia. Now, it's a young little. Trata to ignore those in

public also for that the not, so not, so like saying, no, I don't,

I don't know, but she still still he, and she's that even even a sometimes

they can listen, you know they're they're they're not to talk with her

and in occasions they question why not they've still they're

what's what's what's and the nothing he's he's a

question but she she's uncapac to desped to

the two only people that they did get

that terrible me commovio that story very very

very really very me How are you guys of the chat? I think it's a great

story for this night of relato of stories for not dormer. How does go over there

in the chat? I mean that put you put it on a comment that they were going to hear this type

or this model, no, of the day of day of stories. This is going to be doing

continually. It's, for this I mentioned at the issue, that is a spoiler.

I think is a great manner not to start or to start a month telling stories

here in the mess more paranormal. And much thanks to all those who were connected we're going to we're going to

last over the people who until right but who are who are there still. A bit of here I'm

oh, Guillermo Rocha all perfect Guillermo a brother for keep up at the final

Osa Rosa Rosa Rosmira Martinez and I'm excellent formato Rosmira much

thanks Guillermo Rocha well you you send saludito Stephanya Muriel Pedrosa

Geraldine Maria de la Luz go rapid go rapid Anna Isabel Saludos from

let us let us let us get us yeah Jessica Lara hello

oh la oh yeah I mean yeah me too I'm

so I'm yeah I'm back up uh you go back

you go back you go back uh let's uh yeah I'm gonna

yeah I'm yeah yeah what we do we do our productora and she regal in sustos

about it always is there like coming us, thank, the liver what, Leigh, saludos,

saludos, to you know where you want to be a Catalina that's a man who's me per die.

Now we know the mouse Amos Alexander Cereau Saludos from Mexico a brachote tacos,

tacos, put him for there. Yeah, I mean that they're like venting the cenita

thanks and here that's here's making much much said

Medusa I say, I know, Saludes from California, I see K, Romann. From Bolivia. Salus to Griseldda, Barrientos. Griseldda,

a brother. A brazo. A lot of there. For there, one of you said, Saludave, Perro. It was my name.

I don't see. No, I don't see. But a little, for the, it was a little of the

world, eh, yeah, no, it's insults. It's, ah, I'm just, oh, me

can't the insults, and nothing. It's, always it. I'm, on the perro, but it's with all the carino of the same, and the

love. Oh, you're living yeah, of this side of the world. A bit of the way, see, over there's all the final.

Excellent. Trague. More content, like, oh, do you like, clear that's the like, or boxo,

Salazar. I'm going to make the patron there. He'll be the alburiated at the other other way.

He's official. Chicago, says, I'm supposed to tell you. Saludus. Salud is from Chile,

Bab, Santilla. Illinois, Maribel. Vargas, says, me That good that you

like it. Thank you. Oh, and you know, Angelica AlcoSer, says very good story. What melancholia

me made to make sure now that's my time. A me too. A bit me also. A me

also. I think it's a part very sensible, no, the fact of not to not

but what my impression of Paulina is that was that I've had done no. Exactly.

That's for her was a normal, no? Those I'm like if

in the really were in the reunion familial? Family. Here

where I A Let's see Hello, I'm thank you Saludius Veronica

Morales, Saludus after yeah Dice yeah, Oscarita and Davne mandenle

saludos to my papas a capitol Michael Camacho Miguel Camacho Abrose Abrac

Abrac thanks for So thank for us Let us let us let us yeah

I'm away Medusa Let's see Medusa Me Oscar I'm Oh okay Manden

a child to come to come to come the episode to Dormerer Mosa, for

because you have to have to have to get to get to get to get to here.

Saludus, manitos, from Xapaluka 4vientos Saludus Tigre Cruz Abrus Abrus

Thank you for a nice of relato The aunt Dianner me

J.T. We're also also we're very much, much much, much too

What you say, Saluda Mari Luna Deposita me right to Mander No, man,

I'm a Saldon, a Brasas. Thank you, thanks, for being for us to be to be in

this final. Saludos from Peru Melina to Leone Guantuanahuato are incredible these

we want us we're we'realdine Samantha Stefania Marko Mendoza Lupe

thank thank you really to all those who are all those who are these

tremendous outfits thanks thank thank you we we're we're we're

I want There you go. A heart sote. Look, look. Those We love much. Of really, much thanks.

We pass us very very well this night. We're going to this format new that's implemented in noisnormal. The patron

not could be able to start but we're we're going to be very amen for all of you and that

new section here in noes normal point TV. Reds social is Daphne before say to go. Principally,

they're really a sustos podcast in YouTube, Spotify and Instagram and the way personal

I'm responding messages in Instagram like Daphne Silva or Nenukado. For there us, we'll

let me can see in Instagram in TikTok in Treads and Twitter that I'm Twitter as

Oscar Herbert there we we're saying we're talking about cotreading with the Chavis

we're we're doing in bivus and the account of Instagram the Lunes

and Now we're going to change for the Wednesday. I think so for the time. For that

we're going to we're doing two episodes for a week if not they're going on the day of today also,

thence a way, and they're giving us and stuff. We're we're taking vanitas

to the life because you're trying to to grow and to do this. Well,

we're going those I'm much, I want to do you, I'm trying to be able to

be able to be happy and we're being all, chiquels, you know that we

want to give us immensely. Thanks for accompany us. And we are doing

during all the time in all the productions of ExtraNormal. From Monday to

Saturday, we're seeing. Let us production. Bye. Yay! Yeah, you know, we're doing,

we're back. For there, Patron, if you're a record-it-to you know, you know, you know,

you know, you know, I know that's I'm going to get to get in the video, but there are things to

get them to get them. Oh, more pieces. Oh, but bye. We're we're doing us.

Bessos-thronados. You know,