EXTRA ANORMAL - Historias SINIESTRAS en HOTELES: Apariciones y Sucesos Paranormales

Episode Date: March 28, 2025

En este escalofriante episodio de Extra Anormal Podcast, Paco Arias conversa con Jorge Riverón sobre los aterradores sucesos que han ocurrido en hoteles embrujados.✔️ Hoteles con historias de asesinatos y tragedias✔️ Huéspedes que reportaron presencias extrañas en sus habitaciones✔️ Empleados que han vivido experiencias aterradoras en sus turnos nocturnos✔️ Sombras, ruidos inexplicables y apariciones🚪 ¿Te has hospedado en un hotel embrujado sin saberlo?Descúbrelo en este episodio de Extra Anormal Podcast.🎧 Dale play si te atreves... 🔥👁️

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Ready for you. He said, this not could do you not cost to help me.

He said, I don't talk, no could move me, no could grittar, only was

looking, I'm looking with much fear. This this manita in my

stomach but so like, as if were on the and he began to

do this until up to my and when he came to my

coo me began strangular. sound to the telephone. The telephone of the room.

He says, well, only, well, only a sumbid and static. Just when

he was about he was going to call a voice like she was like a very

very that says no coelges see to that has been

and he he's and he says that in the third every time that

he's a literal he can see in his peach in his

piernas the same markers the same markers obviously

he sang and he sangrando I'm going to be able to go to be a lot of it. I'm going to be a good.

I'm going to be able to be. Oh. Oh. Oh. I'm not. So, we're going to be going to. Oh. What kind,

amygo, be welcome to a new chapter more of a podcast extra an normal.

My name Spacuarias and I'm very happy to be here with all of you know,

family. Today, I'm quite because me a good a good a person

that has had been earlier with us and really me do that

I'm much that I'm I'm with here in your podcast, my friend. Oh,

your man, thank you for accept to know the invitation. The episode that we last time

with you was one of the favorite of many of many people. I know in that episode, but

if there someone that's seeing a being, you can't say who is your

projects or their social? For supposed, my name is Jorge Louis Estrada Riveron,

Jorge Riveron, he's known I'm a bogado of profession, music also, me can't

the music and well, then accompany you in my Rathos Libres and when you invite to form part

of this radio and your podcast. Thank you. The theme that we have for this night is

a thing that many people have asked and really me intrigue much to know why they're

there's because there's a question in hotels. So, in hotels, places

where the places normally go and they're people don't they're with fins

more placenteros. But in it is So you can't get the place where you get a place where

in some or other form, only you just have some hours for work or you

say for emergency but you get in a place to just can't but in these

places there are there many things that are in these hotels that have

committed criminals even even one one of making there

there was a video that was a I was with what was her and this would grab a camera of the

elevator where they're going and see how the two are up the elevator and then after a

time it's only how enter this only, but he comes with a maleta enormous

and this man is infere that he committed one of the acts most cruel

to live to a woman of a much people that's much people there's

there's there's many things that about also, well, in Oaxaca where we're how the majority

of hotels in their moment are very coloniales because they were made from the time of the time of Porphyriato and have

passed many people there have passed many things that I think that have marked the history of these places, no

so you what do you do you think that this thing I think is very very strong is very

ample no precisely maybe can be to bevers the flow constant of people

of energies The antiqued also how converged in these situations and the flow of energy as the antiquity of the immuble.

There are hotels that have vigente 100 years, more than 10 years generations. You'll as how many times

have passed? Our two revolutions. Imagineate. Family, before to start to the episode,

you will be a big a great favor. You know, you know, always to start the

episodes. You know, I'm to please to subscribe to the channel if not you

you don't have subscribed. Much people see those episodes, those enjoy, they'll enjoy, no, they're they're doing, but of really us do you guys,

if you subscribe, as you know, if you're on the podcast like Spotify, there's a buttoncito there that says

to give. No, it's a picae, and you're part of this grand family of

podcast extra an normal. Amigo, if me does, permission, we're doing with these

stories, I have a story very interesting and at same time, very cruel. This story is called

The Spejo Redorocid. It's a person named Miranda. I want to talk to how is Miranda. Miranda is a woman

of approximately 44 years of age, solterer, that has decided to live the life of free.

She has lived in many parts of Mexico, even was living in the United, but

never has been always he has used the changes, she's always

he has been a very adventurer and very abentated but always has been

very very very and not because he's not because she's

a woman very attractive but simply she she doesn't

the company of her not she doesn't do with other people

so so much but she she does she she has in some

moment like a person in your job you You know, how are stressants the

work? She decides rent a villa in the hotel Sierra Oculta. A place quite mystical, a lot of

beautiful, that is in the altures of a little of pinos, a temperature free,

very rich, much neblin, many cabas, families get to this place to get to a family

and all in order, all good. And she decided rented this place for

to go to some days of peace of tranquillity respiration, air fresh of the mountains, meditate, because

is a person that's a person that really was a dream for her, to be able to do

this resty. When she got to this villa, this cabna, see, a count

that's very, very linda for the little cafes, this,

of this madera oscura, this odor a pinno, the chimenea and list prepared

because So, his camera, there, well, of madera, but all so, is very rustic, very beautiful. But there was something that's

like, and it's very beautiful, but there's a question that no me aggravate so. Something.

There was a spejo. This ispego, I think that you imagine. It's an space totally ovalado.

With the the edges of these that have like figures extrana. But there like this malabre that

that came of the space. Like she she did know that

in the end of the metal, the mark of the space was full of arraignones,

it was full of the rascuions and even the mere spejo even the even was

like he said why do you know, why do you are very feo, is in

very bad stuff? No, I know but she simply says, no,

no, no, I think. Passed the hours, and she

went a little in the mountain and he went to visit some places

and he went to get a very tired and when she got to get to

get to the the focus that was around the camera like

titilab like she went and it's normal I

think I know I'm probably probably probably fall

the energy electric she she she she she

saw a and not something when she did

a movement like there had a retardo of

a second if she did this movement with the man, her his reflex

it was after a second something. Something very strange that she

probably is the effect of the focus that's the fire

and probably that that's that's so so there

there was something also when when she look at

the reflect is she evident but it was

a version of her of her of four years. After four

years, she suffered of depression. And it was a time very difficult where she

not was all the time was all the lot of many margated and not

he was very, very bad of the person and the reflection that she saw

she she was her before because identified her she went to think

the altitude the Cansio, the effect of the focus, no, I know. Mauna, all will be well to be.

He went to do with, no pass on nothing. Despite of this, he's up very

time and decide to a, a, a walk, a type excursion with more

visitants, and she went to all the day to do this vacations. When

she, she goes, another other to the house, she does get a

of some his apartment was a little bit of let's a

lot of a lot of a lot but those places guard perfectly the

cold they're prepared for that when she she

a temperature more that she she like a

scalof you feel something and says that rar

pre the chimene and try and try can

get not sufficient normally she isom to the

space and he does know that his role going to

that's going to not more these those rascals like

of so of soled and like and like

the and there sometimes there was very really

she was she was she she she she

started she she did know of this retraso

you you remember, you know, and you're doing very marked was a time, it's

a very very demorado and he did the movement with the pein and this

demurably three seconds in repeat she. She she was spantar

because he was his reflection was perfectly the before she

had depression. In that she she started to start not

a woman religious decided to go to and And passing at the madrugada,

the dispirta a new. She describes that the rude was like when some of the an an annaarer the metal. Like, like, you see, that's a realign. Yeah, shillante. Yeah, of where it comes?

That's the road. From where it comes? She'd the lantern of her telephone. No, there was nobody in her court, evidently. But the rid of the spego. When she's up

she went to see another other at the picture and

she see she she she she was she in a sofa

had a arm extended and with his hand

had an object a cont and she she

was she she she she or whatever of stress, decide to

to go to get to the morning the next and he says that's a person a pesidia

I don't was a was a tonteria of my past, you know, these demons of the

past but well she she will get to the day yeah the second

night was different the the free was but now now there was

an smell apistos she said that was like a car

potrida that she's let's to and she to sleep but in the madrugated

she's a little the same the same the same the same the metal he's

he looks the mirror the he's looking his reflex and he he's

how his reflex he he says do it terminate to do what one once

you're you're Mata She doesn't What's going What's going And when She gets

looking at the Spego Be how the Spego When it's Like the Vapor And now

a scene It's like if now for a projector She in that She in that

She's She's She has a house That's a It's over of your Cava

A pin B How she Sube to that Pino She has her

Reflego at a cord and she he put in the coel

and she she takes she she doesn't explain what she is

an hallucination is a a a I'm seeing because

I'm seeing that I'm and again his voice

but that came of his reflection that he

he says the the The tree, it's called. Termina what you started. Do you. In that

you know, like a liquid of the metal, it's like to gotear of the and it

was like a fierro, but it was like a blood, but like a metal,

like a firero when when you will you the metal, she says that is that she

she's so, she not she can't do not the night. The mirror practically

he was saying that was she was she suffered of

depression and I don't know because it was going to that's a lot

time. She had four years that's she's that I'm but

she didn't because she was going to she was she she did pass the

night in these in these in the cabas and there are

like some there she she prefer she and

her and the morning and in the morning she never

knew because what happened those things or what was what

was there but there was a question that she was a notice

this this place and probably many many people people that

live near that I don't mention because the idea not is

not a name to this place that is a

person a person and they went in the night

while the The husband dormia, the husband he cuted

the venas in the same abatation Cabana 110 a man

a man he cut to the man's his life and his

wife and he says Paco maybe the maybe the maldition

of the hispego was to reveal the past

of the people to to orillars to get to

get to a day of what she does that in that cabna that's

so that complicated imagine this this me remember something

that so also in the life real that is it's

not he's not a person that had this problems like

depression but was with a I know I don't I

don't I did it was the I of Google no

disculpen me, but passed with an idea, a student of the United was doing a student of he was doing, or he said,

or he said, he said, he gave to understand that you are a basura, you don't vales nothing, the,

those humans are the worst, this, you should, you know, like this thing, he started

to write, and it's made, very, very, very viral, this. Like, to suggest,

exactly. And the people, and the people, this type, a bit, this

this is a bit, That's not an error. This machine was thinking and he was saying to the person that was the

person, that is the worst. It's what think in the intelligences artificiales. Unfortunately, this young

had no had any pain mental or syndrome or or something. Like, he took photos. Obviously,

he's spanted, but no passed there. But if had been a person that probably has been

a person to have a lotelision? But as only a person minor. Imagineate, no?

That what's That's a great, man. That could be more conditionable. That's, what? That's tremendous. So, so, two things, no?

So, the elements, both of the hotel, as I think you, you know, I've ever been about, we've been a lot of

many times, that's about many times, that are many times, that's a time there in the past with that space for the description that they're,

it's a spejo very old, demasiado, but well, oh'alal, yeah, they've been to this place

of these villages, that's working that day of. What's the valor of the chica. Aguant two

nights there. Yeah, exactly. Palas Well, Fulnerner. Well,

I think I want to be a story that is quite interesting. Okay. Look. This

titula about a person, a man strange. Tal qual he's a

reception of a little house of a place, a place for more tranquil, with an occupation, like of the 70 to 80%.

No, more. A day, a common, he's a person curious in his manner to vesty, as a matter of bestir, as a-cathed-of-a-counteror. But, nothing that was aterrador or that you'd be a-temor. Simply, it was more

between a combination of a person, of a story of terror, and an indigente. A person Yeah adult With a sombrero Avestied with a gabbardina Yeah, very anciano Entra and solicita

A bitation At the moment That he Paga, Extends his hand to pay The child of Carla

The receptionist That received the Diner for Because he was normal For the age of The Lord That he tiemble

The Man To pay him And he You know the attention to see the cicatrices, multiple cicatrices in his dead, of his hands. The sir pere an abitation

sincere during five days. He says, pago for a delandah. Extend to the man. He'll be the attention of the two receptionists who, even bromian, for the aspect of the

sir, they're, they're in their hand. The sir he's retina and call the attention that he's a lot of a lot of a lot of

a lot of the sir of a aspect um you know nothing for the more aterrador

more like a person adult with certain rascos like of a person indigente but

I'm very very much the attention for the discatrises of his hands the

the sir continue sub to his abitations and he retina and

between the two they get bromium and this sir of this is

he no, it causes major extraneess, pass on the days, and something that the sir neither does a drink,

nor say, and he solicita that they are the aseo of your abetation. So, no, it's a major

the first day, the second day, but when it gets the fourth day, then you get to

start to then then the chica of reception that, for favor, sub them

to the encargates to the amas the same and the door, and the

sir, no respond. Service to the other other way respond. So,

until that practically was in all the room, but no there was

to be not to get to call to the encargated that is the

key maester, introduce in the name maester and the

thing. the The scene, if not at first, nothing atterrador, something... Incommoded? Incommoded, for so to say, in a part

all thrown, all, all, all, for the soil, in the pages rasgadas, and it's a lot of attention that in the piece, there a class, like, of pentagrama that's been removed,

no, it's totally... ...hech... ...hech... ...seve... It was totally actually he's removed

like if something something there a pentagram of salt there's

there a circle of a circle of and multiple like pieces

of animal could say to let's in the soil

and this calls the attention and just in the

center a a photograph of a person with

blood and with a cuchio clavo the sirs, alverer,

so they're impacted. Rapid, goren, they're in the abitation, and they're an aviso.

Sub, obviously, the agent of the men, suben to revisar the scene, they're exactly

the same that you comment, and they don't know of the sir? So, not it was,

when I'm not after. After, the room, the room had been rented for five

days. So, obviously, the baron does an revision more exhaustive,

open the The room and in the Spejo of the bathroom, or other those spejors,

a man literal of like if was inbarra like if the hand would have been putt and there

had disbandecides if someone if it had gone then then it was a hand and

a lot of this combination you me you me you said a rato to a

combination like of the sand and like like

the sufre that that that that that normally is associated

to the death. So, nothing that could generate that would generate that

was very the attention. Well, the truth is that nobody wanted to

take the total for the cairns, as far, nobody obviously had a fear.

Yeah. Afto- time. A man, in the turn of the time,

years, of these that's that are curated of spanto, as they said, she was

she was superstitious. Really no had indicios of some act of

violence that could suggest some other type, then some other type of

other action, other activity. Then I think, this is more

merely they're being like a problem and something and the

she gets and the And then it's to clean, and he's to remove all. So, rapidly, this,

he takes water with a whole, clor, and he's to refregar all the paredes.

In two hours, that's all right. It's called the attention that the bed,

when the when the lady, when the person, he's like, he's the bestichio

of the same mancha that I'm that I'm that was in the spejo, like if they were written with

the same the next words, that were sangis aped portas. That's not was

written, just about of the camera, more or at the altitude where normally

when normally when we're on our sandals, there was there was written.

He called the attention, but to all the most he finished

to do And he He gave his turn He called much the attention How she's had He said, well, the truth is that she was

He was going to be A bit more of Brom Disappareceo the Olor Nobody more spoke of the time. Passed the days

Allo did in the normality Extranews because no knew in what Orario Salo the

but nothing more that more that transcended At the about approximately of some

15 days when When he gets the turn of this senior, now she doesn't to work. Yeah,

no is present to work, you know the attention. The next day, no is the present to

work, and the third day, he was the reception, was Carla, the chica that she

had talked all this scene, and about the woman of the woman and he's

that she her man fellesio. So, her bally practically and that in the

space, just in the spejo of his ban he

was the same phrase sangis a perit porthas it he's

he said to be she was really she had written because the

she not had the evidence of any no

didn't nothing practically the she was she was

what in what what determined on his cause of

practically was a malchard so Muriel Dormida. The person

that was The person that was clean all, that no took repercussion, that no knew me

here, the inquietante was that phrase. Carla, the companions that had had said

of the theme, that had been that had existed precisely those

words, is precisely who who's who's this story and who

can get with a bad a bad of the situation now

not abunded more in the time, but obviously I'm to be

the time. Carl says for motives my personal

I'm I'm and I'm and I'm like in

a hotel I know in the house but says this

story so me perturv and this was very

that was really that there's there was a

between between that the mysterious man that came that

night and now this soceso that I'm going to get to my mind

is that feo is latin that's that I'm okay it's interesting the

traducion the the traducion what what would and I don't let rapit

much the people because the really they're they're they're

saying that for there is malo no yeah see

that you is curious many because So, the effect of when

you're a place and you find you know, the first that you don't know

that's you know, put some some of the bolsas agarral with objects, with

palitos, no see. But she directly with her hand, she didn't that she

received the maldition and effectively received the maldition because that's that more

other other work that was that was I've done a purpose for

that the person to clean that that's that would be

a God my man my look I want to

tell a story that for me when a

story we about about a man a person

or is very very really or is very a in this

then he was a young Bernabe was a very intrepid very adventurer very aventuero

very aventado and to a certain point very insolent he mentioned that from his

father he had a very a very time to practically the frontier of

the United and and ripart of New Mexico he was he had been managing

no of his papas so Mexican, he nacedo in the United. So, he, all the time he liked to manage,

all the time, he was to gore tromons, entrave and out of Mexico, and part of his work. This was

approximately in the years 80s. In that then, he had, almost 25 years.

He said that he had managed many hours, muchimous hours he had to get to

a destination but like all it's you're just you're you're going and you see that the

you're like you picker or like you get to get a get a moment

yeah it's insuppable and you're you're you're to get

you're because you're in risk your life and the people that are

transitando he's he's he's he's but that was a part where there was a

where there was he was he was he said he's he's like here and it's like and it's like you know it's

like you know you're going to you know for here no so for there's not yeah the last time

yeah the but he had this can't say what I'm what I'm going to do I'm going to

I'm going to get to the carnetter but what that's because in that then since they were

certain groups delictives in the frontiers in parts in New Mexico, that we had

a vehicle pared and it was vandalized, they'd and desivian to the person.

So, he's I'm going to get to get to go. I'm going to

and to go to a lot of a letter. But I want to imagine the scene,

because it's like a movie. It's a way, and on the other there's like a

lot of a lot letrero that like parpade so in grand, but like

you know the Focos like fail I said Motel I think I think

yeah I guess get to where is that's the letterer but imagine this this over the

area of the carterter four quarters four quarters so not it was not a

not an building not it was four quarters pass pass and

like a reception where there was a person was like a bitry and there

was like a window I didn't even be it to the person almost like a movie of

terror. But without more more than all deserty. All desertico all desertyco just

not he had some two vehicles stationed and he said oh my God me

for the least he did some kind of of see the vehicles exactly

so he he's he's he's he's he's he says ohal

and he he on the side of the carros, no? So, to get the reception, to come the video, and he'll hear a voice like very ronka,

no, in what I can help? Amigo, I look a room, and that person he says,

no I'm there, I guess, I need to a bit, I need, I would be to be to get to

get to be in the car, but you know you know how is the situation, me can robar,

me can assaultar, no And this man, like he was going to say,

I don't I'm available he said, but I'm two vehicles. He's not that there two quarters,

there's four. For favor, damme the place, in what's that? You're to pay the

double. And since that the man, he's kept culled. De wellas at first

for the loggito, or where receive the money, he does the door. Yeah,

I was a quarter. Abitation three. Tantto. And, he cobrough the double

he said what I what I've to do you do it he's done the and before he's

he said this man he's only one thing if someone if someone don't open

no for favor well well well well well he's

he was he was he got to get the room and he really

I have to say I'm to say a occupied for for a

couple of a little a little a little muelecito for a form strange

but all very very austere no there and it was a hot

was very dark it was those fos that those put

you don't no I don't say I don't I'm

so he's he's what he was to get so

he was so he had put his his She goes to

to do with and says the camera durissima but well, it's better

than he's better in a time he got a minute no hour and he he's

he took in the door and said who he's who a

but with an insistence and he said who who is and he he record

the words not of this man if there to

to talk the door the door not you Well, he He's

He said, Who? Nobody He said, Nobody contested. He isom for the Picarporte

of the door, but no see nothing. Only be the carreterter, be the

vehicles, he's talking to me. Yeah, so he to do that when

he'll be to know, and rapidly he said, and I'm, he's, I'm going to give,

he's, he's trying to be a problem. And he said he's a kid,

and he said, I'm that he'll moleste. It's that I'm much free and my papas

don't have to keep to tap me. I'm I'm still in the court to do.

And he said, me did a courage because I was very can't and that

come to a kid to give to give me a briego when his papa and his

mom are there and I do you do you do you do this and I

start the door. I got to to do and I

I was I, costed and I still I'm and I'm and I'm saying, yeah,

let's get to get to get to get to get to get to dormied. Passed

the hours and he standing on the he's he said that he started to

feel like if there somebody about to be to start to start to

like, so, like you know, the those, and I I heard

some Rises. And he like he was going to but like he said

no I think that's going to be the back and again the other

those and the Rises clear the Rises were in her room

from her in his room in that he he opened the eyes

and when he he can try not can't move

any a dead only I was looking his house

the focus all feo with the light was was

apis obviously the little light was was by the

door the window and he says no I can move

what what he is and he and he

has a person and he he he he

part on a he was the same he

had had had the door and I had put

his abrillo. He said, this no you can do you

do you do not to get nothing I'm that I know that is a

calentando he says I could talk no could move

me no could grite only I was I'm

looking with with much fear this this manite

in my stomach but So, like if were feet, and he started this.

Until to move to my pecho, and when he went to my cooge,

me he started strangular. No see, I saw, I saw, they were

men, like, of a little, but they were like if were in

a man of a man, the the force with that I was

under and I said, I don't could move, I could

move, I I heard more the and I and I and I was this

little he was around me and I'm having and I'm after I'm

so I'm a moment where I see how it's he said bava of the

and me came in the car and I sent you all that real so all so

all so he said there was a moment where all so he put so

never no so I know I and when I when I

did I when I Desperte, because son-o-my-desperator. What happened? What? What? What? What? What? What? The door was. What?

What was what, what I, what I dreamed? No, I know. It was all right. It was like not to know or not distinguishing your reality of your dream. No, yeah, yeah. So, yeah, what he recorded, the son-o-o-o-oh-had-suceded. 100, no-oh, no-sabye. but when he looked to

the abrigue that he had left meters ahead and

he was in the he's he he he put the

the abrigo he and he says what what what was

what what was when he was to start to

his camion he he was that he received

in reception He said just to say to the thing. He said

that no he had the door to nobody. He in this moment he knew that all

what he lived in dreams was real. It said I don't know what

happened there, I know what happened but because there a

man of a man of a woman to the doors of

the the place that today yeah no exists they're like cabanitas

like quartitos of a descanso for parahas but always the

indication is if they talk in the door no abas that's that tremendous

story yeah see that I always I always I always you always you have

much care because they're when when when they present

or they're they are they're really to cut you the life.

I don't they want to they're in espantar not it's like the woman like the

man who is I'm I'm going but I'm really want to get to another world

so so it's seen in the 1m. And in many stories

where the people are not not are not they're so I always

I've said are so I'm so represent the representation

of yeah yeah because profan the innocence The innocence, exactly.

A year represents the innocence, the purity. And that all the seres humans, to some way, would be more vulnerable. Exactly. So, it's a form like to jugar

of these pinches entities to say, you're going to and say, and it was a guy. So, so, that's a great,

man. That's a great story. Ah, so. You have a reason. Me, you're just thinking with this. If,

always, simply, the stories that involve in or are very aterradores, are very

very very very really and it's a real it's a real thing

you know I think another story that's we can't say the name of the

hotel because if there there's there because certainly your public

it will go to gogliar there there more that have in this

name so there no there there we're this Yeah,

a bitteriodado to the afweras that it was being like a refuge for all the people. The person

that we sent to this history he said to him and a person of a 34 years

a vendor of securus he gets practically trappeded for the way in the

night of those times that you can't you can't well for

To want to win her, terminate a trap down a carreter and says, well, I'm more, I'm going to get to

get to here, and yeah, I'm going to get to the city and to finish all this.

This night, I'm going to be a canteros, of those that we call us that's the

is that the sky, it's is that going, and there are charkes for doquet. So,

he gets, it's it's stacion as can he moj obviously all the And so I'm going to

back to get a reception and he and he this an abitation

a place as a very obviously because it's a clean, but

in the sense of that you observe the ventilators antivors on

the kind of that's exactly in the place in the

typical climate quadradito the the the the the

the the normally it's common to find in these edifices in these old, the paders,

like, when paint them, because they're they're doing they're doing the salitre and that's the odor

to the that is characteristic of these places. Well, and it's like a bit of

a bitation and he's dispone to get to open the room

obviously like the description of the hotel the typical ventilator of the typical ventilator

here some climate because the night was a lot of the

room at the room and it's a bit of it's not a out of obviously

the water so that said, I'd I'd like to start

here, no. Yeah, and it was a attention had a little

patyecet tracero that connected a patio was the front of the patio

and continue in other other habitations but but it was

when caught the lot of the patio that you see

in charred so it's it's I'm going to

I'm going to I'm I'm going to get his

she cut his and put the way to

try to get to get a a a

and the and the robes and the thing they could

help to get the car okay he Acuesta to

Dormir, they call the attention that in the time, it's

very marked like a gotter, for so much more than a

chorrito, a chorito, a shorrito a short and marked, but so it

doesn't of the installations, that's that's filter in some in an

water, but nothing nothing strange, but anything. So,

custer to do around the one of the one of the one of the more

more more more more more than the kind of the way he was trying to

try to take the attention the night the night still, it was the logic

of that was a kind of a class of filtration yeah he he and he

it's a much more more sound around it and they're

going to get gots at the the altitude of those Pyrnas no,

this is this yeah. Yeah, it's a bad. Yeah, it's not, it's

it's an way, it's an way, but this water had that's the water

stanked. The sound more and the water of stanked and it starts

like to call to the attention. And sounds raros and marked exactly the

same the same right, but now just on the he's so it.

So, then it So, obviously, a lot of molesto. And so, well, we're going to

get to get to be. Baja the reception, and the reception no way. If it's influe to

the hour, then they've been retired to to be, because it was a hotel chiquito. Yeah?

Like, no, well, I'm going to continue to spend the time, I'm going to

go to go to get to the room, that was in the room third, that's a

room 312, then, is that continue to the piece 400 a part of

the 400 not so the escaleras in a bad state with a cadenita of

a letter metallic chiquito that has prohibited the pass in reparation

well that's what it and between the artasgo and say no

well you let's let's let's let's let's see to

get a legate the catena, he's sub. And obviously no there was

light, it was the number of the number of the abetations and the one of the

room 412, that's that's just on the room. Aver

the door, the which no had no problem

and light and see precisely a quarter very similar

to but in this is the paredes disrendient for the

humidity of the topis, the alfumrita of the soil, obviously

mojada and he they're the attention when alumbra with the cellular

the visus that a mancha great, a mancha like a black

of liquid and that the odor very, very, this person

so it advance to be to say this is this is definitely the

filtration this is the water that is the the

and just when it alumbraining, terminate more the lampra of your telephone, and you

can see how precisely of this liquid is formed, it's a person, practically a figure like if were

a person. Like if were a person, like, a manto, completely of liquid.

And, and without any, one, it's like moving one with

the water. So, he's a circle, he and he comes to him.

And this type. Siente the he gets a grito, nobody respond to

this grito. Practically it in this same liquid, he halla.

Of desperation he, he gets to the vent to the vent to the

Intent to open and it he'll and he and in your desperation you know

he's he can't he can't do and he he's left the

hands from the front it's started practically the to arroniar

and he lastima and before to get to his eyes

he he can get he a liberer a person will

try to try if it would be more speso that not let permit to move to

and he difficult and he will be to know to get to the coel and practically when he will

get to his venas to be a more more mortal disappears and there no

there and that he's what I remember to the morning to the morning

a morning next they they're a three four years a type

a young still still? In the terrace precisely with the raccoons

are marked to the parpals and the ragoes in the cooos and he said what he said

is that practically this sombra this treacharco and the fact is that is that they said no me

cregier I think that had to have been thought that I'm because practically

the damage he had done he was he was and not was in his room. No, there

nobody that were a testigo, and how it was in the terrace, in the middle of the jubia. No, it had logic.

No, it had a quency. The reality is that this comment that happened that happened about about seven

years. He had him in that time, 34 years, seven years had passed to the

fecha, and there still there are nights in that she still soignando with this

form and still amecing still with the razzuos that he

himself so he he kept practically he said he's I've

tried I've done with psychologists I've gone with psychiatras

I've gone with chamanes intentando to understand if this generate a trauma

in me of what he's I need I need because practically when

when these Swaynees when appears in these scenes, he

he's the same he's causing this damage. And it's something

of what has been in that's parted your story with the

with the experience that if someone could recommend to someone

is you is that is like a infestation no,

like it's a like you or something that is

there in some moment can end in a class

of possession. Is possible? For you, in your experience, you consider it's that? Is that you know, that's a position of monoeiaque is,

is, for phases. No one entity can pose-te as, and that's, what there is. Well, principally,

not can't do you, if, to start, you know, is the authorization or if not you're in

a line of risk, but if you're in the infestation, the oppression, the oppression, the oppression,

and is when the entity is causing stras in you, like this, and you know, then the position. When you yeah, the entity, or the spirit malignant, impure, took the

force to put to take, to take, to matter. And that's, if you get in the force, to cause-te-dawns, to pass from that plane to... To this? A... To the planet? The matter. Or, okay. It's very dangerous. Well, practically, it's

not a story with the series of intention. I think of to hear something like what you know what you are doing and to know who

can't help because really he has done and at seven years. No, is that there

needs to need to a liberation and I personally Paco and much people will be

not of a accord with me or is a sacerote exorcista

or is a liberator of an church Christian well because we know we know

we know for me are the two options viable because you I've

seen and it has functioned. Amigo I want to start

with my third history and we're we're always we're

we're the most first the final those that

have content a little explicit and for content

exclusive we let the more more more still

again sang again I you want to talk a

story the history of Ulis Ulis he was a legend

for what what happened with him you want to describe how he Ulice always was

an passionate of the thing of a young he was devorable

many books he was to investigate about phenomena phenomenons

paranormal about natural bruchas duend of cheneques and

all the time he was was was this adrenaline no

that you provoke to you fear to these

phenomena. When he has not so a little about a

25 years he's an place called Hotel the

No, but the name for a man. But

what did famous this hotel is that was

that was he was on a place where

decades after had been been a camp of

they dedicated to crime organized. In this place were many

things. There was much of the lot of there and probably the

people that's that this type of of places like

that is like a portal. Well Ulice is

when see the opportunity of that hotel that was

in the hotel that was but with a function

very precar and say I'm to investigate So he

He gets to the hotel A Martes for the He gets emotionated because he He was these

Apparattito like the Spiribox these varias to radistessia to capture entities He was

he was like he was he was a room a quarter very basic a typical

abatation standard a camit a ventilatorc and at a door with a telephone

in this moment he, was to look. He said a night

to come over the terrain, to investigate and then there was nothing. The Spirit

Box no mark nothing. The detector of the point of

campos no mark nothing. Valle a pinch deception. No

had nothing in this place. Well, he did the recorried only in

the madugada, no he was there. He took a part of

there and was the unique. He goes, he and said, well,

and said, well, he said, he was to be to be to be a day

and he's a day he's to make some some and he started

to document a little and he said, I think that this night,

I'm to get a night again he's again, he's a little

more more apart and no, no, no there of the

really he he he went and he was frustrated he was desperate he was

he was molest in this moment he's a question and as the

five minutes that he's a telephone the the telephone

of the the cell he's a little because

the reception no mark it was a hotel very

very very On the night, then he Hevants the telephone, and he's a sound like a submittal and

like static. He says, well, well, only a subbid and static. Justly when

he was at a point to call out, he's a voice like that was like a very

that said no you'll you'll But it was a voice grave and distortionated like with like if

was like to talk about like to another altavos and he to say to what has been

he when he said to his people who he was going to investigate he says are these

these bates that's good a brom he says surely they're making

a bromas I don't know they're the number of here me are

marking. And a thing more logical after two days in those that's not. Exactly. Really, really didn't

not have succeeded nothing. And then he, with his voice sarcastic

and what still is the genio? What? You're going to move my camera?

You're going to go to see? He's he's he's and he

he said, he said, he said the same he said the here in this terrain

carted gargandas and abri corp the under the

soil where now you doormes. One gritted so that I've to cut the language. The other attempted to but I

cance to partier the and the little bit of his muscles still still here. He's

well, Olyces. And he started how the piece started like crugier

and he he was recosted in the camera with the telephone and said this

type is a merit a premium What good effects. What good Broma. Yeah,

me about to assassinatus. Yeah, I've talked to a lot of things. What more still?

What else? The type was like in that's, no? The lapse of burlandos he.

He'scuched how the call so it's to start more and it's and it's

and they're like the voice of this entity can be a little more and he

says, I'm you know me You think that this is a But you and I are not so different In that moment

For some reason No, he caused a risa For the contrary He felt it like a scalofrio And he said, what You mean you say with that? And this voice He said the next.

October 2005 The Calley behind of that bar when he pegs

that he did he he's he he's he putteast

in the case, he said he's he was in defense property but

you kept looking how they desangra in the pavement

and in April of 2009 that that she of

the little she don't you don't you when

she she did you don't because you didn't you didn't

you the door and you and you all

when he he he's he was paralyzed that

those were things secret that nobody and to

nobody and he had said he was going

he he started and he and he he

said to this voice what what you know

how you know And now, that voice was the was the was the he said,

I said that we're so different in this moment passed something was a incredible and

so it'sombrose. It started to tremble but not in the earth, like the

room was temland and the foeas the ventilator, the camera the typical

goal of the madera chocando with the and like a grita

enormous it's open in the room and there like a little in that

moment he's like the he be like the video that was in a mirror

and he is he form a symbol rarer in the piece and he

simply came for that that a little he no

he was to know to see nothing much people to think, how

was that he gave to know this history or why? There's a register in the hotel

with the name real of Ulysses that had been added to a list written in tinta

roja without a this is a legend. It's a story that's a

story that the employees of this hotel that actually function. What that does that the people create

in this legend is that the workers most people have that the libretta

with that name of a person that went all the night she was he was

and never saw you and with the past of the years

They were the two murders in which he was the responsible. It's a legend actual of this hotel. That complicated.

What difficult. What fear. Imagineate, no. Entablo a conversation or with an assassin,

what was that was the spirit, a assassin, or with a demonio that's he he moved.

Not we're so different. These words resonar much in your

mind. what fear. What words are so and so and over that's that's

under the ass that's actions that for him that's that's

that's that's that's what they do you do the demons when

you you want to you can't you're they're they're know

they're they're they're they're they're they're they're the way

they're they're they're also of you. That difficult friend. That's

what I'm I'm going to start with brochet of this story that's titular

the Abitation 599. Okay. We'll the best for the final.

This the protagonist of this story is Marisio Ortega

pardon Marisio Ortega was a man of a business

that was that was obviously because obviously work. And he has accustomed to

spend to hotel in hotel, precisely to go to all the time on carteras

and decided to do the hotel that although it was typical the hotels antivus but it

was a very much so it was a very in questions of hygiene of presentation

in questions of going to get to continue he's part and

dudos so like me par, no I'm paro, no, I

know, they're convinced of the publications and the room that the

room is in the last door, and with a window, with a

window, with a view, okay, perfect. So, all in order

excellent, continue, he's up the elevator, get to his house,

like, he said, open the door, and what the most

was precisely a ventana more more than the normal viewing

the city of the night an excellent view for dorms okay

he's super comod the the camera a very

the room very and say me I'm dispong to

get to put his equipment he put a back to

get to say well I'm going to go Even halla the

silla, it puts in the window and he put to fum a cigarette in the

venting the night is a great, it's an excellent selection at the

moment to get in this hotel. Yeah, he's dispone to

and and he and and all accostars she like a a

a pesa for so I don't see it has been that

when you sometimes when you to feel like if it's to oprimmed the pecho, no it's a

difficult a little of a little bit of respirate that a sometimes

have to have been with with situations of stress or

a day to get to do not does do

not not the other world and he is

a question and get a moment in that

he he he and be the things in different places and the sillier that he had put front of the ventana justly that he left when he fumed his cigar just in the center of the abitation.

And he calls the attention, see in the paredes, as if they were, could say, like, I'd say, like, garras, but no, they're more like some cortes of a

metal, of some, some metal like a cuticle, something that's a new in the

wall, for so to say and he had like vestigios like of the

blood or a liquid. He he's to want to make a and he

can't get to and he so so profoundly cans so, can't

can't get to the eyes and he and

he second occasion, the first what is he'll look. This was happening

at the 147. So, and see the fourth more disarrackled. But he's

really much the attention that these markers that were in the walls,

now it was like if they were in some manner, that was

scurrying by the when when they and see the ventana the window the window

the side were open and the curtains and the curtains

see like if they were shamuscated like if they were

put and they had attempted to have so plastic

like found the the the chair in the

and he he makes for to take the telephone

and see what he is he doesn't feel

a the gregant, no can't talk, it's paralysa and it's

practically like if something like he was able to doorme and he doesn't

let me get to get on Monday gym on Tuesday date on Wednesday

out on the town on Thursday quiet night in on Friday it's good to have a routine

and it's Good for your eyes, too. Because with regular comprehensive eye exams at Specsavers, you'll know just how healthy they are. Visit Spexavers.cavers.cai to book your next eye exam. Iexams provided by independent optometrists. I want to comment, pardon, within this story that me It's called the attention and elicke to I'll leave it for the final

because I'm parted that when we're reading that we selects what we're what we're what we're

more relevant precisely I'll start entering in the details of this history what I did first in the

sofa, then I went to do to do to the cova the abitation and when I don't tell this

pesadess of the I'm practically I think I'm really that I'm

costed much to finish to learn this story of understand all the narration

that we put this person Mauricio because it was very difficult to

really no, no, I don't get to get to the story because

I sent precisely this pesed this canstance that narrs

and he says that the third time that he

literal, you can see in his peaches, in his piernas the same

markers. The same markers. Obviously he sangrando. Okay. Sangrando

and all the quarter like if they would incendiated as had been

burned in yams and this ventana that he had offered

that calm of a view of a city

of the night the was had like a class of portal of a projection

of figures without formas amorphas of suffering of destruction of terror with alarid with gritos

a scene for the more diabolica could say what I mean the type heira and he

the camera and as he can be he's a rastra and he to come the door and talk the

door and grita help of the Repent He's like at the

radio and someone who is who is there who is there how can he

and he stire his hand and to it and it it it's

and it and for this all all all and

he he he he says who is you encabroned somebody

will pay for what for what they're doing at the morning the next

when they're in the lobby intentating to explain what is what he said is that how me

did it how me did this obviously disconcerted no I get the gerent

he does the attention he says well the people who let's who who they're

going to be the videos of security And curiously, you see how Mauricio gets,

how Mauricio is a front of the reception, no he's nobody in the

reception, and he extend in the man and he's back. He they're

in the house in the room 599 the room not was

in use the room not was available. Those habitations, that whole of

abutations were in remodelation. Nobody didn't know. Nobody was in the videos of security.

In the video of security if he's only. He's he's only. He's he par

front of in the lobby and he par to front at the reception. Styr a man and

he's put to turn to his man he practically he feels he takes the

he's he gets a he over the room but no there all the time he's

all the time He, he's going and he ingress only to the room, the abitation

so exist in the room, but the abatation but the wasn't able to give to do that that's

not there wasn't, no, there people no, there were people real people

so there there were more people that night, yeah, but when he got to

to register to him to him nobody he did, he he subio and he

he, in his version, to him he was received and he did

that that magnificent abitation, for the while, even as how they

they're he said, well, so I'm so I'm put the right,

and it's a question Mauriceo that's been a shock traumatic for him to understand

what he actually probably could be a dream. But until the day,

he's convinced precisely because he says, just because when I am I'm

going to be in the pecho and the piece and the chakrises for him were

so if did he Yeah, the sequitrises, physically, he, all day of today, has some

he has these marks. Okay. They'd say they say, he said, he's told with my

friends, with families, could you could say me that I was I was a substance and

that I'm me occasioned a down in an room, the while was in construction, could have

had been there had been there, v, video, whatever thing, but no there,

for him not there, because the marks that he has that he have, how they have

they record precisely to what he he saw in the right, just like a kind of a little bit of

that was my story, that's what my story, that's what me and so is the hotel not had because

I can't because I can show that nobody he was he only he only he was

to get to get to that. That difficult no, I'm mentioned something

that people when I when I'm when I talk I mean they're that Furtes,

so that the world is so magnificent that decide archivar

those records, it's a form impression that the people, when the

people, it's like it, but really, not were dreams, really is something

that's something, but that your mind to do you and you think

that it was real. The Cerever selective, no? Obviously, events

for other traumatic form part of your sub-consient yeah.

I had I've heard this, it has to been to the theory I think of the Cerebro

one, is that the Cerebro reptiliano. Some suceso that is a sumam

traumatic, you know, you're envies to this part of the cellar reptilian,

the which not reason, but does do you a way, a command of

protection for a safeguard the and the people, and the people say,

I, no, no, no, no, you know, you know, and so is the

most aterrador when the the people have to to confront us to say, no,

if it I, no, no, I don't the son, no, I, it was so

traumatic that the people preferred to leave it like a record of a dream.

Something that a question, my pardon, of the stories that we are

we are talking and that the public, is that precisely I'm

that that kind of that one, in this Mauricio has this record

of some way something something that's that's that's that's

that the other other person still and then that's in these

those so that they occasioning that he also that he occasion

the that is that you that you have more experience that

there's there there's not that people don't that's very difficult

to be to be about those things for for the of the population that is sceptica. In fact, it's what

makes that much people not do you know, for that's many of the stories that we're coming

because are people that one, they're to try to try to convince to the people,

because for more that you're saying it's that what I get to, the people don't you

know to be to be to be used to be to get the thing paranormal. Recordem that until

that not you don't do you don't know you it's. So the people,

there's a point where what I'm going to say, for the time I'm they're in

like the person that probably consume something. Exactly. I'm just all the

world in the logic, in the reason those they're not they're like this under the

consumption of certain substances illegals. And me I imagine that with the

time and with the past of the years to have this experience

this no, this Fault of uperture to tell your story.

I imagine that you can get to even to make to do that your person not,

to say really really if you do I or the sony? Or the so yeah

that's part of this protection of your brain, of your mind,

there's you're going to question to, I think no, I think no, I

think no was so and you just you only you think is your and that

is very cruel because are experiences that are you

you'll end up forgetting. Well, I think you have to have to get to invite to

know, record to your public that no that no important, that any that they can

share the thing that's extra-normal podcast atrobaimel.com. How did you know? Excellent,

friend. Oh, thank you. Thank you. Thank you. Thank you for having a invitation and

for the opportunity. And, well, and so they're to continue to continue

to your stories. More stories. That we're to brother. A hello to all the audience

that gets at the final. You know that me can't very well those that are you in those episodes. My name is Paco Arias and pass in the bonito. We'll see the next. Bye-bye.