EXTRA ANORMAL - Jugó con Niños MUERTOS sin Saberlo | Historias de Niños Siniestros
Episode Date: September 6, 2024En este episodio de Extra Anormal Podcast, junto a mi amigo Guadalupe Naranjo, contamos algunas de las historias más escalofriantes que nos envían nuestros seguidores. Entre ellas, destaca una aterr...adora historia sobre alguien que jugó con niños sin saber que ya estaban muertos. Los relatos de niños siniestros se apoderan de este episodio, revelando el lado más oscuro y perturbador de lo paranormal. Acompáñanos mientras desentrañamos estos aterradores relatos que te dejarán sin palabras. ¡No te pierdas este episodio lleno de misterio y terror! Recuerda suscribirte y darle like si te gustó el video. Canal de mi Invitado: / @guadalupenaranjodespiertat2941
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Stop.
Do you know how fast you were going?
I'm going to have to write you a ticket to my new movie, The Naked Gun.
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August 1st.
And she says,
Moma, Papa,
something
here.
Something is
going to be
my brother.
No,
there's a
house, there's
a little
I've got
to be in
the
screen.
The
Papa
started to
come to
no
didn't
he said
nothing.
He was
in front
of the
television
and he
and he
and he
in this
moment
I want
that you
get yourself
and
you
retires
of
my
kids.
No
I want
that
you
don't
I
want to
you
I'm
to
you
do you
do
you
get
to
my
house
back
the
the
mother
she
said
she
was
with
her
consider
that
was
a
time
to
a
time
a
fact
a
thing
was
a
thing
was
a
special
in the
confess to her
nieta
that she
had the
same don
of her.
The don
don of the
medium
that.
Okay.
Also
he said
Paco
that those
children and
those people
that were
to visit
to their
house and
with the
house she
had
in the
garden
no man
they were
spirits
of people
of
people
yeah
fall
wow
In that moment
He's a soma
Be a three
Nineos afloat
In front of the
door
Asombing his
Cavesas
Contra
Dissu
Let me enter
When they
They're
They're looking
That he's
He's looking
For the
Ventano
The three
Giroin
His Rostro
To him
And he
He says
It's like
If
all his
all of his
eyes
were
completely
negros
We're going to be able to be able to be.
I'm going to be a good.
What kind,
am Igo,
be welcome to a
chapter more
of podcast
Extra Anormal.
My name
is Paco Arias
and I'm very
happy to
start
here with all
this occasion
I'm content
family because
me accompany
a good
a person
that you know
and even
even some
have contacted
and he's
with me
my friend
Gua Lupe
Naranjo
how is
hello
how much
good
good
thanks to
thank you
thank you
thank you
for the invitation.
And, well,
I thank you.
I thank you.
The opportunity
to be able to
be able to be
here with your
audience.
Thank you.
Thank you.
Before to start the invitation,
and to start
and to talk of the
thing that
came, because
I should be
one of the
things that
not could have
a better person
to narrar these
stories, a person
like you with
much experience
and that's
toped very
to get
this type of
cases.
For the
people that
are the
people who are
Would you like that you presentes?
Redes social.
Sure that is.
My name is Guadalupe Naranjo.
For who you know,
and for who is not,
a good in salutarles.
My reds social are
Guadalupe Naranjo
in Facebook,
my page,
or a page
personal, and
in YouTube
me can't
as a Guadalupe
Naranjo,
Despienta
your potential.
Perfect.
In a way,
I'm in
Instagram,
like Jose
Guadalupe
Naranjo,
point 28.
So,
so is how
they can
find out
in that
perfect,
my,
coach,
You're a person
that's
a time
of the
mind
and the
reality is
that you
have top
with many
cases
that have
with the
stories
that we're
going to
talk about
the day
of today.
I'll
say
something
that
came in
an
episode
that I
consider
a
a little
a
tono
I
I'm
to
mention to
the
audience
because
if there
there's
a
little
of
I
like I
would
I'm
there
There are cases
that, really
are really
so
are very,
and for me
when they're
to be with
with little
with infants,
with babies,
and over
all you're
when you're
father,
I think
you get
to get even
more.
You know
that we
know we
in this
night
we're
we're
sent us
on the
omission
to the
omission
for that
we
give us
and the
people
know
what you
know
what you
know
the
thing
that we're going to
the day
of today
as you
as a
minute
in the
title
of the
video
are
experiences
that
they have
passed
to
any
or
experiences
of
the
people
that
are
what
are
there
there
many
many
cases
that
are
that
they're
about
or
cases
of
people
that
can
those
people
that
they
don't
understand
I
would
that
me
that
What do you think
about
of all this?
Definitely,
Paco,
not we
don't
not even
to be
to be
an normal
to occur.
Right.
Invariably
of the
experiences
that I
have
talked
to work,
I've
encountered
cases
that really
if
they're
to think
to
think,
what
can
get to
get to
get
to
do.
Yes.
Because
we
don't
we can
to leave
the
problem,
the
attention,
the
same
the same
that have
yet
to experimented
the
people who
are living
in
the
carne
property.
Practically
it's
impact.
The
fact,
when I
talk to
work
these
cases,
we're
not it
is like
if
polularer
or
weren't
many
those
cases,
no,
but
if
those that
have
done,
are
very
impactant
and
and,
over all
for me
in their
moment.
Why?
Because
were,
as to
the initial
the
first experiences
that I
took to
try to
in the
rubro.
Where
we're
in the
theme
spirit,
where
they're
in
spirits,
entities,
or
call it
energies
too.
Malignor
that's,
in
some of
cases.
Why
you think
that the
children
are more
sensible
to this?
Because
I,
I don't
Unfortunately, we've seen a world where
we invade
movies, series,
many things that contaminant
also in the same time our mind.
And some parents, when
his kids, they're saying,
Papa, fichate that I'm talking with an
amigito, or I'm seeing
this, and it's
something very fantaciosos.
Well, it gets to the part
negative, no, when the papas
not, when the parents don't, no,
but you, why do you think
that the kids are more sensibles
to this?
Fidate that is a
question
a little
difficult to
contested.
Some
cases,
a few
isolated,
where,
in a manner
spontaneous,
we're going to
say it,
in a
natural,
so,
I consider,
and I
think the
children,
and I
say,
for experience
proper,
the
children,
they're
a certain
capacity
or certain
ability
perceptual,
me refer
to the
relation that
has the
perception
is
that's the
capacity that
all the
human,
we have to
capture a
through the
we've been,
what we're
we're seeing
or we're
to say,
a time of
the sense.
So,
then a
little,
you're
to be
quite
with me.
He's
starting a
process
of the
development.
Sure,
it's a
live in
blank.
Exactly.
No,
there's a
contamination
as well
as an adult
or an
adult or
an adult or
the
adult or the
television,
of the
cinema,
or of
some
story
narrated
by
someone
or a
podcast,
or as
when we're
common
when we're
when we're
people,
in those
years,
we're
we're
and many
of these
stories,
and much of
the stories
that's the
chanek, the
apparition,
the morto,
et cetera.
So,
so it
was a
atmosphere in
the or
the time
night,
that generated
fear,
it,
and it was
there
there was a certain reference at
level mental, but in a
new, Paco, we're talking
of a child, that's
in the age infante
of the 2 years, 3, 4, 5
years, that's
being manifesting
in the vision,
is to say,
that's looking,
certain forms or
to certain people
in some space
of the
room, of the
house where
live, what,
what you say?
Oh, God.
Or,
so, think it's
for a moment.
I've been
with papas,
my
who have
had been
this
type of
experiences
with his
kids.
And it's
a,
it's very
no,
I don't know
how
call it.
I'm
really
impotency
because
they feel
the
impotency.
And when
I'm
when I'm
what I
do, Paco,
what I
do?
My
he says
is that's
there and
me abrace
and I
know I'm
and I don't
see if
I'm not
see if
really it
really
in first
and
as I'm
like the
we always
we're
to give to
your
son.
You know
to your
little to
you know your
better than
you know when
really is
something that
is really
very, very
in-serio
and if
you're
seeing
and if you
don't
believe,
because you
don't know
you see?
That's
you don't
say that
that's a
clear.
And it's
a
thing very
very
very important.
If
me
let me
permites
I'm
I'm
I'm
I'm
I'm
with the
first relato
and
partido
is
anonym
also
us
tell in the
story
of a
little
I'm
want to
give a
context
to the
people
emilio
was a
very
imperactive
is the
second
of three
brothers
his
his
brother
he
he
he has
years
Rodrigo
and
there
the
little
Mario
that
between
Mario
and
Emilio
is
they
have
a
no
we
don't
not
because the man no major
because the man no more
he's out of the
costal.
Okay.
We're going to
talk of Emilio,
the protagonist and
his brother
of a year,
Mario.
Because the two,
as it's
almost of the
same age,
was practically
were
equal for many
things.
The case of
Emilio is that
as that, as
a new
impractive,
a young with
a much energy,
of the
actually the
parents,
they got
to say
that was a
little
to a certain
point
problematic.
since that was very
little.
It was a
little
he was
a little
he would be
to be
to get a
he would be
a little
a little
a little
a little
was a
manno
was a
more
was a
temple
he was
he was
he
he'd
be atele
but
he was
more
he was
he was
an
torvegino
the
the house
was
empty
and
he gave
emilio
of the
school
and
he's
a
disaster.
For this,
we're
to
sitar
when
they're
in the
age of
Kinder.
Emilio,
being
how is,
one
once
a situation
that a
person
that a
person that
had
been
a
patio,
and the
good
to be
first,
Emilio
so he
kept
parado,
he rode
what
he was
in the
man,
and
he got
parado
mirro
to
a corner
to the
patio
where there
is a
grand
arm.
He
kept
started
looking
and he's
a
gesture
a
little
a
little
and he
his
and he
got to
the
house
and
the
door
one
one
once
by
the
door
she
kept
looking
on
the
front
and
and
out
and
the
and the
ojitos,
they
started
to endued
of the
water,
Lachrimas.
Who
who made
this,
was Doa
Rosa,
the
she was
the
little
his house.
And he
said,
Mijo,
you're
well?
Emilio
only
she was
he said
with the
head
that she.
It's
he's a
little
that's a
little
that's
this type of
attitudes
or
this type
of the
kind of
all the
time
was a
way and
to go to be to be to be to go.
Dona Rosa, no
he wants to
get to
get to
his father and
to tell us
what had
passed with him.
They got to
the hour's
and this
sirs.
And this man
he told
how he
saw a
see that the
little
to the one
at first
passed this.
The
papa immediately
said,
look,
that's the
little you
know, you
know,
you know
they're
going to
get to
the school,
yeah,
you're going
to terminate
the
vacations and
yeah
to enter to the
school,
then
that's
that
he
want to
go to
go to
go to
the
school
for
please
no,
no,
no,
he
take
that's
importance
I'm
I'm
my
he
and
he's
he's
ignored,
what
really
was
going to
enter
at the
school
and
Emilio
had
changed.
He
was a
different
he
he was
to go
to
go to
and
he had
the
custom
to go
to
and
to
go
to
and to
Now,
he used
at the rhythm
of his
brother
Mario.
He was
playing
in silence,
no
he was
to be
and he
used to
hours
watching
television.
Even
a
sometimes
in his
room,
being
very
little,
he
was
and I
didn't
go and
there.
There
moments
where
he
he
he
was
he
is that is a desperation that
the fact of asomarse
because he'd like
his deduitos,
his manitas
that had started
as a contraire,
sentia
and not even
knew what was going
what was going.
Incluso,
there were
moments
where this
said for
his mother,
both Mario,
as Emilio
were in
quarters
different.
And there
were moments
where the
two amanes
in a
same
camera.
this because Emilio
had much
and he was
pasted
the fourth of
his
brother.
Never
said
nothing.
The rarer is
that never
he said
he was what
he said.
Solomente
he was
a change
of attitude
very
repentino
until
that a
madugada
passed
something
so
his
mom
he's
because
he said
that the
little
was
that
he's
part
I want
to
say
emphasis. You know when
a child you, you know
to recognize a
yant to. This
yanko alarmed to
her mom. It was something
very far
of the habitual.
She gets
running to her
court and she
does a count
that was Emilio
tirled in the
piece,
tapado with
his cobiha
grittando.
She gets,
he says,
he's,
what's what
he says,
I'm
immediately,
abrasa
his mom,
he'll
and he
He started to
Yorra
and he
said
they're
they're
to the
house
they're
to the
house
and his
mom
he's
who's
who
who's
who
you
talk
and he
he
does
a
description
of
what he
perceived
some
people
completely
black
with
arms
very
long
always
they
in the
patio
but
but
now
they're
here,
adentro
of the
house.
This
obviously
alerted to
his
father
of his father
of family
in this
moment
Carlos
he's
to be
a inspection to
look a
person
that he
entered
that he
had no
the
while
while
him
and he
was
he was
and
but the
papa
no
he
didn't
he
didn't
not
no
what
the
rare
is that
the
moment
the
family
he got to presensier
certain
sombras
but not
they took
so much
because
they're in
that point
they were
thinking
that this
was a
kind of
of imagination
for part
of Emilio
passed the
time and
they were
to get a
therapy
to the
little
himel
they were
in the
therapy
because
they did
know
that his
he was
being
a
present
a point
to be
to be
a kinder
remember
we go
the
The teachers
they said
is that
he's the
new
that's the
there's a
problem in
a house
that's
that
he's
going to do
a therapy
for a
very good
RAPto.
We're
to go to
the 11
years.
Emilio
was in the
primary
yeah
was in the
last
the last
the end of the
point,
Emilio was a
little
he was a
little bit
in the
room in the
cell
he said
that these
somras
now
habitable
one part of
their
but that
they're not
in the
cell
he had
he took
to say
to say to
his
parents
yeah
no
I don't
hear
and
only
so
so
so
his
papas
they
they're
to
but
he
he
told
all the
real
to
a
man
to
Mario that
he
had
he
he said
and he
he
said
Emilio
yes,
I'll
see,
but
these are
at the second
plant.
And is where
he says
his brother,
and why
to me
do they're
not?
Because I
don't know
and he
he'll respond.
Because they
they want to
me.
Not they
want to
you.
But for
favor,
not you
don't be
to say
this what
I'm saying.
Because
they're not
to be
to be
to be
to say,
for
favor,
call you,
no
don't say
nothing.
One
a
one
he
he no
said
he said
he's
he
a woman
he went
his mom
and his
father
and he
got them
two
solos
his
his
brother
not
he was
he
and
like
all
they say
well
emil
this
he said
his
his
little
let
let's
see
what you
do you
do
let's
I
I
this
this
night
that
We'll go to do me, you and I,
all the quarter of the
right.
No, it's
nothing, because
no is certain
what you're seeing.
And not
querying,
convince him.
Okay,
we're going to
go to be.
So,
they're preparing
for to do,
and they're
and at
a little time
he's aggered
the sunno.
No,
it was so
time,
you know,
when this
said,
for the
brother
minor,
for Mario,
to that
never
he
never had
never,
we're
to
feel like
if the
quarter
would
as the
frio
to descend
to get
to
get to
immediately
in the
obscurity
the
camera
so
that
was
that was
a
lot of
the
camera
against
the
part
in
that
I'm
I
know
I
saw
that
that
Emilio
was
something
great. Conform a manoid
brazos large.
And with one of his
brasos, assotable the
camera, and with his
other arm, me took
to the pierna, and me
he started. In that moment,
Emilio, when
he saw that his
armadito was in
risk, grittow,
let him pass. Betty.
Prenden the
luses, and
all over. His
papas were getting
they're getting
and
they're
they're
and they
said,
what's
what's
what's
he's
he's
he's
he's
he's
what my
thing
he's
he's
and the
he said
he said
now
I think
I'm
I'm
I'm
no
he
no he
I'm
he
he said
he said
no
don't
say
no
doesn't
no
he says
the day
The next
Dispired
And he
He said
Mario to
his
brother
He said
He's
He's
He's
He's
He's
And in the
Pyrna
He's
his
He's
a mark
of a
man
with a
hand
He's
he
He gave
the
mark
And he
He
only
he
He said
No
don't
say
You
don't
Not
not
Papa
No
not
they're
Not
Those
both
dormian
with
much
MEO
Mario
he passed to
to
go to
the
cell
with his
brother
with his
because he
also
he also
he had
seen
until
an
one occasion
a
man
he
passed
the
worst
standing
the
two
dormido
being
approximately
the
five
the
morning
the
house
was
the
place
there
there
there
had
there
there
and
His parents
go to the
sara
and the
only that
they're
to be
is
see a
Emilio
with a
part of
a
part of the
part of the
was just
was halling
but
was the
door
of protection
that was
like
a reja
obviously
no
could
not
but
one
part of
his
part of the
part of the
part of the
part
he was
taped
completely
grittando
in
When his
papas
prenden
the
luses,
they're
to inspection
what
was in
they're
not.
But it
was
impressive
how
a
man
had
been
being
being
a
and
the
door
and
they
they
were
they
they
were
on
the
one of
the
time.
No,
they
only
put
more
more
protection
in
the
house.
This
story
termina
so.
Mario,
the
brother,
he told
all the
happened and
me
showed the
markas
that
this
man he
left
in the
body.
After
of
all the
so
my
brother
Emilio,
he
was
diagnosed
with
schizophrenia.
I
am
I
am
the
brother
major.
And
I
only
say
one
one
so
that
see, that
was
that was
hailed
to my
brother
no
is a
thing of
because I
did with
my
eyes.
My
brother
no is
a
not a
thing
clinical.
It
I don't
to decision
of my
parents
because
the family
of my
mom
always
has been
involved
with
with
things
of
occultism.
That
the
to his 12
years.
And it's
an history
envied by the
brother.
Who he
took over
all this
being a
part important
of the
history
because he
was as
a spectator
of all.
A testigo.
A testigo
of all.
What do you?
Impresionant.
Impresionante
and
aterrador
at the
time.
Definitely.
What is
is an
grade that you have to
get to
get to
get to
get to
say,
for saying,
only
if I'm sorry
that I'm
that I'm
like I'm
better.
I'm sorry.
Evite the
hostigament
of
to start
those,
well,
so,
medically,
in this
case,
treatment,
to a
certain
point,
maybe
psychiatric,
and a
long,
then the
reality
was the
experience
that both
lived.
Exactly.
So,
that's right.
So,
is.
Uy, you
have some
some
very good.
Yes,
so,
you see,
Paco,
this
history,
the
really
that's
impressive.
A girl
of name
is Isabel.
Chabelita.
Chabelita.
Chabelita.
This
little,
fiftate,
was very,
very
apegated
to her
abel
paterna.
Between
ambas
was made
a very
a very
very
a very
so
so much
that
from the
beginning
for that
reason
the papas
decided
put her
the same
name
than the
mother.
Okay.
Isabel?
Yes.
And,
well,
they had
something
something
in common.
Fidate,
they had
a,
a very
a strong
that
they had.
Yes.
But
for the
side of
the abel
maternal,
well,
the relation
to a
certain
good,
but not
so
so
so much
with her
abuela, Isabel.
But,
from
he had much
a price
to also to
get a
to get her
to get her.
But
always there
a favorite.
And in
this case,
both
abuelas
were all
had been
a very
good
relation.
To the
little,
Isabelle
was to
go to the
house of
her wife.
Yeah.
Of her
his abelita
like
of carino
he said.
And
this was
because
both
had also
also a
good
very,
very
eradicated
to the
animals.
Okay.
And also
to the
plantas,
what is
the vegetation
in an
ornament,
in a
in a
garden.
Yeah,
both
they were
they're in
the
same
good.
So,
that
that made
that this
vincal
more
more
strach.
Now,
in
the house
of the
Abelita
in
Chabelita,
like
he said
of
cari,
there
had
and some canaries,
also,
plus,
of the
garden vast and
extensive there
the house.
The character
of the
little point
was charismatic.
She was
like,
very,
very evaddera,
no,
for say it
for that
form.
This,
then it
made it to
have a
facility to
connect with
the amigito
in the
school.
That's,
for her
not to be
a problem,
not to
make a
amistades.
See,
what,
standing in the school, in that
same school primary, where she
assisted, also assistian
some vicinitos of her
mother, some children there
that then were going to go to the
house of the, of the
senior.
They also
also assisted
to classes with
with Isabel, and
she had a lot of
the vincal of
the vinclair that had with
them. Now, every
end of the year
to be able to
be her oldita, Chabelita.
She has to
wait,
I'm going to
be the
Saturday
to be
to be there
to be
to live with
and enjoy
to do you
and enjoy
to do you.
But
about
Paco,
Ficate
something
when
the
when the
little
was
yeah
to visit
with
her
and he
took
presential
the
visit
of a
matrimonio
with
his
his
also
also
also
also
also
also
also
with
her,
with her
his
and then
shebelita,
because
is a
vincal to
get a
little of
that's
she.
She.
She had
a year of
every
time to
play with the
time.
And,
well,
something
is that
also
came
other
people
to visit
the
people
people
and
the
little
simply
and
simply and
simply and
simply and
they were
and
they were
and they
they were
with
much
with
her
with her
abuelita. This occurred
every
end of
a week.
And not
fall you.
It was very
curious.
So,
so it
was a
that in
some moment
in a
person
that were
to visit to
the
little,
he was
a
child,
he was
a
child,
and
he was
a
other
little
that was
also
with his
papas
to the
house
of the
house of
Isabelle.
Pass
a rato
a
very
jugs,
they'd
and a
sometimes
get them
other
other
other children
to get
to work.
Well,
it was a
party of
a party.
So,
so they
did you
do that
a school.
And so,
yeah,
so,
so.
And well,
it result
that
some
the
morning,
the wela
accustomed
to get
to get a
market.
And
he's
a little
to the
little
he was,
and while
was
there was
there
was
there
some of the
the deweights of
of the
places of
the venting
and the
fruit,
of the
food,
and everything
that's
all the
thing was
using,
the
little
was in
a place
and then
he called
a
attention
a
place
a place
where
was
a
place
where
was
the
man
was
looking
to
the
eyes
with
a
mind
with
a
point
the
the
little
the
little
he
to acercarsely
to the
but
you know
something that
he
impidio
to get
to him
she
seemed
incoomod
he went
to
get a
certain
fear
because
the
mind
the
man was
a
little
was
like
was
fun
and
to
make
a
good
and
be
a
charismatic
and
and
and
that
very
jovial
because
I
want
to
talk
to
but
the
but the
man
was
there
even with a semblance
frio.
The
little consterned
to get a
old when she
he calls
to get to
get to
get to
the house
and the
little and the
little
what had
succeeded with
that she
said the
mother
the girl
I'm
to be
to record
something
every
every
every
is different
so
we don't
we can
we can't
just
to
the person
for
your
appearance
The girl
He said, no
Abolita, no
No, no
is for what
he's
apparent,
but it's
something more
like for
her form
of her
attitude,
basically for
your
behavior.
And so
his emphasis
the
name.
The
abelita
was simply
to say
to say
to do it.
Resulted
that the
mother,
Isabel,
has to
have to
a one of
his
kids, that
lived in
other
other
place.
The
little
when I'm
going to be
to be
her
not a
little
she did
know
that I'm
going to
be able to
do
the
time with
her.
Almost
two
two
months
was
the
woman
and the
little
Isabelle
then
she
no
she's
another more
to go to
her
well,
well,
but it
although the
dynamic
with the
other
abel
was a
different
distinct, Paco,
result that the
little bit
more than to
try to
pass her
with her
other
mother.
To try to
go to go
to go
and the
little, the
little
Isabelle,
just standing
in the
house of
her
again,
for
a
child,
Paulina,
well the
she's
being
watching
television
so
he's
aburried
and
decided
to get
to
the patio
so
to be
to
the
with the
plant
plant, the flowers and
there. But in this patio,
curiously, Paco,
was around by an enormous
circle. And
after the
circle, some meters,
very close, so,
very, of the circle,
okay? Passed
the bays of the train. Okay.
So, the
wela was about
to that not were to
pass the train,
because the little
the little, the
little, the
The mother,
she
isom
for the
window
and see
that the
little
was
talking
with someone.
So,
he was
talking.
The
she was
a soma,
immediately
she percate
that the
train
was going
and he
did a
mind that the
little
to the
car to
try to
try to
try to
the
door
to
the
mother
in this
moment
desperated
she was out of the
house,
very appresurated,
gets to where
his nieta
and immediately
the take of the
arm and the
halapaco,
in a manner
abrupt.
The girl in
that moment
was disconcerted
no,
no,
no,
no,
no, I
didn't know
because
his
abelabed
to that
form,
just in
that moment,
he was passing
the train.
The
little was
maybe it
was because
the woman
sentio the
thing was
the train
was very
close to
the
the fear that the
that the
need to
suffer
a accident
but not.
No
it was
for that.
Resulta
that
the
wuela
the
to
the house
saying
what you
are doing
there?
She called
he
called
he called
very much
the
attention
and
one
once
that
they're
in the
house
in the
house
the
she
put
the
passor to
even
even
Like if
teemier
something.
Subgeted
to
her nietta
of the
arm.
He was
literally,
arastrantly,
and then
the entire
of the
house.
And,
was he was
a
woman,
literally.
In
that moment,
the
little
didn't
why the
reaction
of her
that way.
Gave
to
even with
she
to say,
oh,
is that my
abelita
isabel
not me
so like
you,
he reclamed
literally
Even
He said
He said
his
mother
No
we can
just to
the person
for your
appearance
and in
this moment
the
while
when when
when
when she
said
that's
a certain
point
surprised
by that
that
expression
of the
the
new
and
and
he's
to
take the
telephone
and
he
to make
the
the
mother
and
come
back
for this
need
immediately
I
need
that
the
she
no
I could
understand
because
her
abuela
was
so
that's
a certain
point,
hysterical
at the
time
and
enochated
and
they're
they're
the
parents
the
the
little
the
she
saying
and
saying
because
and the
woman
he
said
she
again
so
reganing
she
obviously
she
she
sent you
feel
she
for a
moment
your
abuela, reagan you, and
saying to care, to, love you and
the time, and enjoy
after the company, between
commies.
Well, resulta
that they get in the
papas,
they're in
an room with the
mother, and
they're going to
discuss.
The little
can't ask
to hear,
how the
wuela,
he'd
to get to
them to
the last
the last
that they
was,
alhens
to that
that brouha
because
it was
to arastrar
to
the
infirno.
What?
So,
like.
So,
like.
Evite
that's
with her.
Obviously,
the
wuela
was referring
to the
abelita
Chabelita.
Sure,
the
mother
that's,
that's
the
mother
consentida.
Well,
well,
Doa
Isabel
regress
of
his
life,
Paco.
But,
but
the
papas
and the
situation
no
They no, they didn't, that the
Wela Chabellita
vied to her nita.
See?
He prohibited
practically
to have
contact with
her.
Passed a
good time,
I think
years.
The
little bit more.
The
mother,
she said to
his nietta,
the
Bula Chabelita
was
sincere with
her.
Considered
that it was
time of
that the
little
was a
fact.
A word
that had
been doing
something
special in your
life, Paco.
He confessed
to his
nieta
that she
had the
same don
of her.
The don
don of the
mediumity.
Okay.
Also,
he confessed
Paco
that those
children and
those
people that
were to
visit to
his house
and with
the
she had
there in
the
hardin
no man
they
were
spirits
of
the people
and
the
people
The
boy
that's
there
in the
market
I said
in that
that
that was
in an
accident
and he
killed in
an
incendio
he was
he came
out of
in a
house
when this
is incendio
now
the
now the
house
to your
abel
pegated
there
there to
pass the
train
with the
with the
with
you
platicabas
They were
Arrottos
for the train
Muriel
there
Impresionate
Poco
Paco because
this don
of Mediomid
of Isabel
he has
permitted
to the
time
to continue
having
those visions
to have
contact
with those
souls
with those
spirits
but she
decided
not
not
dedica
to the
medium
yet
of
as a
mother
as
his
mother. She
no
he's not
cargare
with that
responsibility.
Here
me
sound much
that phrase
no,
of the
film,
of the
Tio Vend
saying to
Peter
Parker,
all
power
conge
a
great
a great
responsibility.
Well,
the
abel
yeah
not is
between
the
people.
He
died.
Long
Vandy
Twisler's
candy
keeps the
fun
going.
Keep the
the
F
I'm going.
Twizzlers, keep the fun going.
Wow.
What impressive.
I think it was clear-simo the don of the
little bit.
Because I saw what his abuela
and basically.
And the abuela paternal,
I imagine.
I know.
It was.
It was all of
that they'd
for that they'd
go to
the supposed
a bruja
mala.
So,
so is.
That's correct.
That's
that's great,
manches.
Interacy
that's that
all the
time
was in
contact
in contact.
That's
with people.
With
with spirits.
Wow.
I'm
that.
That's
only she
only she
could
be.
Exactly.
And so
his
and her
and her
had the
same
the same
the
That impressive.
It's impact.
I don't expect.
I don't ever
to surprise
to surprise.
Yeah,
incredibly.
There is
a thing that
I like much
of the
the relato's that
are real.
And is
when the
manifestation
is
never
not only
for the
who is
living,
but for
more members
of the family.
Yes.
So,
We're
that the
phenomenon
paranormal
not is
a question
of creencers.
No,
for
suppose.
It's a
question
of you
see and you
do you
do you
do you
do you
do this is
the history
of Susanna
Susana
Susanna
us
that when
was a
very little
six
years
she had
she took
an
friend
imaginary
she
she
me
said that
for
her
and for
her
her mother
of 15
years
was
it's
a
normally
normal
that
they were
they were
in
all the
parts of
the house
all the
time
and
me
confess
today
he is
adult
Paco
for
them
for them
to me
to
make
the
idea
today
with
all
what I
see
me
would
I
would
be
a
fear
but
my
family
my
parents and my
brother
and my
mother,
and they're
accustomed
those.
The
fact is
I was that
I was a
little
that all the
time
was
all.
Not was
doing
people,
not I
would be
to be
more
children.
I always
was always
I'm
in the
kind of
the
teachers
are my
parents is
that
his
is that
is that
colorio
that
is he
like
much
coloria,
but
always
was always
he's
a little.
And but
he's
talking,
he's
with her
with her
with a
little.
But his
parents
said,
Maesta,
no's
so I
don't see
my
my wife
and he
has a
much
and he
doesn't
do you
don't know,
so I'm
not a
okay,
all is
all right.
So,
so for
all
was super
common
the fact
that she
was
that she
was
talking
only
us confiesa
that he
had a
man
imaginary
with the
whole
the time
he was
that he
was in
his
house
he was
a school
a
young
of the
age
that
that
really
was
very
very
very
appreciated
for
she
she
she
she
he
he
he
gave
much
and
he
he
said
and
he said
a
he
he
he
he
I hadrava,
me servie a cereal,
me I was
to sit,
to be caricatures.
And I saw
when he
had,
he was in the
other extreme
of the sillon,
he was,
and I was
the control, and
I was going to
start again.
I got I
the control and
he'd
and he'd
and he'd
and he'd
be in other
quarter
and said,
Chamaa,
let's be
to turn to
pay the
tele,
you're going
to be
to turnponel.
Yes.
No
They didn't know what
was
going.
And,
and then
there were
moments
where,
I said,
I'm in my
cell,
a mesita
where
had,
of those
books that
are in
black and
that's
to color,
I mean,
I'm
many of
the mucos
animos,
and he
he'd
he'd be
to get us.
And I
saw it
was he
was he
was he
was all
all in the
piece.
It was
he was
he was
he was
I'm
doing,
and I'm
very normal because
yeah
there was this
amistat and
this
appreciate.
Until
that one
day
passed something
a little
different.
She said
that that
day she
had no
had no
I don't
want to
play
absolutely
for
nothing.
And he
gave to
this
friend,
and he
said,
we're
going.
He said,
no,
no,
I don't
I don't
want to
we're
going to
I'm
that I
don't
I don't
I'm
I'm
and he
molest
commenced
to move
his
utiles
he was
the
cell
had
his
his
machine
he's
a
with
his
books
his
his
chardons
p
pas
pass
pass
to
all
all
all
all
colors
no
they
not
they
went
to be
passing
his
her
and
she
he
presenio
how
only
just
without
the
books
that
were
They were puttos, pas, pass,
they'd be
to go
and venters.
Obviously,
she, when
see this,
pegged the
grito,
he says,
me halla
from the
second
planda,
corriending
with my
mom and
with my
father.
And he
said,
and he
was my
parents,
well,
they're
but my
mother's
kept with
a spinita,
what was
that?
How it
provoked?
I'm
I'm
I'm
I'm
I'm
my
friend. Simply
that's
anojado
because I don't
want to
play.
Wow.
A be,
how a
one,
a man
of 15 and
16 years
will understand
that's
something?
Of course.
And say,
what do
me
you're talking?
No,
no, no
you're
all the time.
Only,
that's all right
to talk
to be it.
It's
that's not
normal.
No
is normal.
What you
see,
no exist,
no is real.
See,
is real.
He is
very real.
And I do want
much.
But simply
that day
no
I don't
want to
play.
So,
a time,
your
mother was
a little
unquietta.
So,
sit in the
two to
see the
television.
Prenn the
television
and
he gets
to the
Cera.
And
he paga
the
control
was down
of them.
He said
my
her manna,
agar
the control
and he
starts to
start
when I'm
when I'm
when I'm
when I
do you
do you
do you
do you
no is the
control
is my
friend and
and she
moleste
and he
says
yeah
I said
that he
he no
exists
for
favor
forget
to him
and
she
he said
I
look to
to be
the
tell
the
he was apada.
It was the
reflex of the
spejo
black.
In that
moment,
she went to
see to
see the
television,
the
screen
and he
looked
to be the
silhouette
of a
little
of the
two.
It was
I got
for the
first
time.
She in
that moment
and she
he said
me agar
of the
arm
and I
know
I'm
I'm
I'd like
to
grittar
and to
cry
and to
start
going to
the desperation
and the
fear
desperation
to full
and only
he said
and he said
largates
of here
you
don't
pertenes
here
and be
here
and he
he began
to
cry
to the
man
and
they were
getting
to the
parents
and
they can
find
of all
the
alborot
and
she
he said
mom
papa
something
something
something
my
My brother, no
is there
something in the
house,
there's a
little
I'm in the
picture of
the television.
The reflection.
Yeah,
they've been
two times.
First,
I'm doing
little
books.
Now I'm
in the
reflection.
What's
going?
The papa
started to
walk.
No,
he said
nothing.
He's
put in front
of the
television and
he spoke
to the
air.
In this
moment,
I'm
that you
retires
to my
house
and
you
and you
retires
and
you
don't
I'm
I'm
I'm
you know
I'm
that
you
I'm
to do
you
do you
do
you
all
all
all
all
all
all
spant
because
they
were
that
this
man
that
he
was
talking
to
the
entity
a
part
of
this
moment
this
chick
us
says, the
really,
me
distrisedy
much,
because he
not was a
bad.
Of the
actually,
when his
father
was talking to
he said,
no,
Papa, no,
he no,
he no,
he no,
he no,
he no
he was
he, and
he said,
you say,
you calliate.
And,
and the
really,
I'm
really,
and my
heart
and my
heartening,
because
there had
points of
the house
where I
saw,
to the
patio and
was there
the escalar, and he was
there, and he was there, and he was there.
And, a part of that my
father said that, he said
to be away, and
yeah no, he was.
Of a repent, I was
walking, and it was,
and it was a part of the
house, but it was
not, he had to be
for me, and it was
my friend. I was, I wanted
much.
Poc-a-pook,
so, a little, so
that one time, it was
for
ultimate
time
in a
dream.
In my
dream
we're in the
patio of
the house
where there
some
columpios
my
papa me
made
a
with a
arm of a
arm of a
tree
and he
me
and I
messia
and we
were
we're just
and there
there was
a moment
where
me
he said
I'm
I'm
I'm
to
I'm
can't
keep
here
with
you
and she
he said
why you
you're going to
I'm going to
I don't
to be
and she
she's
to tell me
with you
get me
with you
get me
with you
I'm
I can't
I don't
it's your
time
it
and enjoy
you
do you
do you
do you
I'm
I'm
I'm
I'm
to give
in the
I
And she wasperted
that
dream
yorando
because
had been a
experience
so vivid
so real
and real
and that
despid
a person
that was a
little
he did you
dole much
he passed
the time
passed
those
months
yeah
no she
was
not of
this
spirit
of this
entity
that we
think we
were an
entity
malignant
in
one
occasion
he
He goes with her
her brother
to visit
to his
abuelita
like
every
end of
a week
but in
that occasion
his
abelita
was doing
a
limpeas
a
house
back
saying
things
very
and
and
and
and
he
made
a
album
of
photos
they
started
to
open
and
they
started
to
go
and
after
after
there
a
photograph
a
very
of
his
father,
of
his
father.
When
she
saw the
photo,
he
called much
the
attention.
It
was
a
same
to
the
child
that
had
a
man,
but
his
father
not
was
not
he
but
he
had
a
he
his
his
his
his
heart
more
he
is
that
this
a little,
who is my
father,
is my
father, is
the child
with the
she was
a little
in this
moment.
No,
I knew
what I
felt you
much
a
and I
went to
see to
her
woman
who
she
heard
and she
did
know
that her
was
she
put
the
eyes
yorosos.
And it was
where she
he said
before you
and I
we were
we were
a manit
before
that you and
you and
we were
and a day
for accident
mom
to get to
and he
trying
and he
resbala
and
he came
for the
escalaras
and
our
brother no
he was
perdi
the
life
he
got
And she
And she'll terminate
And I'm saying
Now I'm
Why I'm
To get to
Amar Tant
Not he loved
Like a man
He gave to
Amar
Like my
My brother
Like the
Like the
He was
For that
For that
He was
That's his
He was his
brother
He was your man
Impresionate
That's
It's very strong because
the stories
you're going
going
for a
way and
you're going
connecting to
a reality
that much
is cruel
other times
are really
they're
really they
generate a
type of
sentiment
that's
quite strange
no
so am I
so
is
there's
there
there are
people
that when
they're
there
can't
disprend
or
either
or involuntary
or
involuntary
of
this
presence,
of this energy
or of this
spirit,
as a
kind of a
kind of
even in the
cases of
that I've
talked,
that's
the vacuum,
see in the
vacue,
they're in
that perid
in that
fact.
So,
then there
have to
get that
that
to be able
to be able
to be able to
get a
kind of the
emotion
and that
the person
could
continue
their life.
Resetting
and so
accepting
that,
that part,
the reality
that story
me
commovio
much
because
I said, if we're
really in the
feet of the
Lent or of the spirit,
that no
had obviously
malays, like
other cases,
that are,
that are not,
and aggressive.
Aggressive?
The L.
L.L. simply
was to pass
time with...
Juga?
Divertire.
It's that
was that
was being a
kid.
Yes,
to pass
time with
her man.
That's.
Who was the
only that
was the only that
could be.
Impres.
And as
brothers
were men
and
they'd
belea
they're
so
molestable
that
what
what I'm
very
very
very
very
I'm
I'm
I'm
really
really
related
too
this
about
this
story
about
of
Irma
who
in
his
first
months
of
so
all
you
know
the
illusion
of
the
of
being
my
standing
embarrassed
Yes
Okay
Very
very
very
very in
his
Circul
Yeah
of
yeah
because
for her
was something
very special
very
particular
until
a certain
point
yeah
a
despite
that she
saw
certain
movements
and
I
heard
certain
and
some
yeah
she
after
a certain
point
yeah
she
was
not
I'm
didn't
I'm
I'm
she had
accustomed to
these
manifestations.
Well,
the curious
of this
is that at
the same
time
was coinciding
with the
period of
the period of
his baby.
So,
with the
lapse of
his
and he
made much
the attention
because
this
not occurred
before.
So,
so,
it was just
in the
lapse of the
endbarazes.
It was
a normal.
It was
something
was out of
the
common.
Yes.
Well,
Irma and
his
Sposo,
both,
not
adeptos
to the
religion that
they'd
but they're
in a
other way,
both
they were
in common
the fact
of,
then to
have a
certain
a certain
a
certain
about
the
thing
spirit
about the
thing of
the
other dimensions
and
for them
for them
was like
like a
problem
as well
when
when Irma
does
Luce
He put
for
name
to the
baby
Tanya.
Nace
the
little
and they're
going
to do
some
some
phenomena
in the
house
certainly
one
one
his
husband
to
name
Andres
he
is
despirt
in
the
madrug
he
he
and
he
he
he
he
he
and
one
of the
mur
the
room
the
silueta
of
a
is dark.
He simply
and simply
and
he said
no sent him
he muto
he, he
considered as
something normal
for him
he.
He did the
middle
and he
regress to the
abetation
and he
went to
get to
sleep
to
no.
At the
other day
that
they
then,
he
he's
he's
he
he's
not he
didn't
he's
not so
she's
she
had
seen
that
That's the same silhouette, that
same form,
as a little
as a little
how she has
described his
husband.
Pase the
time, the
little, the
little,
and Tanya,
and Tanya,
was
started to
be a
new rissuena,
very,
really,
so,
very juggetona,
including,
too,
too, too,
too,
even, he
got to
for the
people,
that obviously
had been
relation with
the family,
well,
was that was
a girl,
a while
could easily
carry,
no,
not,
It was of those
that in
a lot of
she exaltaba
and no
I'm not
she was
she'd
she'd be able to
I'm
know how
we're saying
in the
first six
months
Paco Tanya
Tanya
she
kept looking
fichamently
to a
part of the
house
okay
and she
was looking
literally
to a
only point
observable
with much
detenimento
the
little
he stirable
the
and then
she was
she was
He started to reir,
like if
if he was
like to be
with someone.
With
someone
more.
Uh-huh.
Well,
so,
so it
consider that
is something
common
between the
young of
this age,
obviously,
no?
Resulta
and A.
Andres,
his
papas,
they had
a
sobrina.
Yeah.
The
little
was called
Clau.
She was
only two
years more
than the
other than
his
okay.
Practically
the
both,
was,
were like
hermanitas, for the
vinkul that there, for the relation
that there. And, since
very little, Paco,
both were very
well. Jugged,
convivian, and
the other.
From,
Clau,
he'd
much to his
sobrina
minor, that
was when
Tanne
began to give
his first
steps,
she'd
that she'd
keep a
Paco with
the habit of
his attention
to that
same point
of the
house.
Okay.
To see that
Miser.
Observeable,
he was a
there, and
he was a
smile.
Yeah.
It was very
expressive at
a hour of
to read us.
Now,
when she
began to
balbucees
his first
phrases,
his first
words,
he said,
I'm trying
to,
Ito,
and signaled
to that
the place.
The mom
at a
question of
this,
he did
count that
he was
to do
a little,
to the
father. Because so
he said of
carino. Mito.
More
he called the attention
because
that he was
that he did
directly to the
wall. And the
abel was
still still
was in
life.
Yeah.
So,
that's a
that the
she didn't
he, he
strained
over a way.
Resulta
that in
one occasion,
one
once standing
she with
her with
her
again,
again
to say
but now
to another
to other
other
place.
Yeah
no
was in
that
abitation in
that
paris or
now.
Now
it was
to
the
house
and he
he said
my it
my it
and he
he was
to
express
the
little
the
father of
Irma
had
had
had
had
five
years
so
she
she
she
she
not
not
because
the
she
didn't
he
didn't
he
didn't
he
had
seen
not
more
in
a
photograph
in
a
occasion
only
obviously
her
mom,
well,
she
were
his
eyes
of the
eyes,
obviously
he,
he
alberged
the
sentiment.
Well,
resulta
that when
he was
his
husband,
Andres
of the
job,
she
she was
she
he talked
of the
thing,
and
that's
giving
the
formenores
and
the
and the
surprise
that she
had
had
done.
Result
that
this
was a
kind
kind
point, because this, Paco,
was he had
done in the context, in the lapse,
of the embarazzo.
It was a certain point.
But, over
all the reactions that
had the child,
every time that I
said, I'm
looking at
any part of the
house.
They got
to think that
was it was
related to
maybe a
certain fact
that the
child had
developed.
Some
type of
perhaps, obviously.
That, for
supposed,
then she,
or she,
not her mom,
or her
and her
father had.
No.
No.
No.
No.
The
relation
between the
prima,
Clough,
and Tanya,
was they
were very,
very
very
alliated,
ambas.
They were
had travesuras,
they'd
they'd,
they'd,
always
were together
for the
regular.
And,
obvious, because the
serkenia
of the house where
lived a Klau,
was it was
practically
very short.
And this
this was
it was
to make a
time to
have the
opportunity
to be
both.
Well,
yeah,
when the
little,
when Tanya
grew,
when she
had four
years,
more or
less,
he said to
his mom
and he
he said,
yeah,
so,
in a
way directa
and very
sure,
that in the
house a
other
hit a
to the
fallen.
This,
for
supposed,
as I
said,
she
had been
in photographs
and she
was that
every time
that he
I'm
me be,
me
I'm
he.
Yeah,
he said
so
that's
her mom.
Tanya
and Klau
continued
their life
as a
little
and the
curious
is that
they
had
to
beinars
Puck.
They
used
an
coleta,
a chongito
and
And then,
between the forsegeo and
all,
it was about,
no,
and that was
caused to
both,
but a certain
sensation of
diversion,
no?
It was very,
very,
uh,
amen to do.
Yeah,
it was a
custom,
practically,
it was like,
it was a
way,
so it,
well,
it's,
so it's,
that in that
occasion,
apart to
do a part of
to do
a new,
like a
other thing,
a little
to do,
a few
And it's
that Clau
commenced
to get
to be
a rare
in a rare
infermeda
because
the family
for the
side of
his
parents
were very
preoccupied
because
the
and simply
and simply
and
no
mermava
yeah
umpeorable
and
this was
he had
preoccupied
to all
even
also
too
and then
to his
papas
obviously
At the
time,
it was
inpeorando
Clau
at the
point
yeah to
be very
very
grave.
His
health
was
mermando
very
rapidly
was
something
was a
the
moment
how
there was
certain
flashes
of
the
lightas
of
that was
that
the
family
ah
the
respiro
no
and
and
so
and
the papas of Tanya
were
worried.
Apart of the
health,
the vincal
of the
relationship that
they had
generated
on both.
And here
here comes
the part
that's
the part
that's
really to
the parents of
Tanya
that in
a certain
occasion
he said
he said,
I've
to see
Aito
another
again
in the
fourth
of Klau.
Tristement
happened
what
had to
pass.
Clau
falle
he's.
Okay.
Clau
Mweer.
Pyrde
the
life at
very
a very
time.
He had
a
life
for
a
man,
think it.
Yeah.
It was
also
and obviously
he was
of the
company
of his
prima.
Well,
all in the
family,
very
Tristes,
yorando
the
peridid,
desolados,
of
some
manner
derotados,
not?
Because
they've
made
after the
maximum
effort
because
she
would be
well.
Commens
those
preparations
for the
belorio,
for the
funeral
and the
family
of all
obviously
of all
the
and then
there
were all
all around
all
all
obviously
yeah
the
ferethro
there
in the
cell
of the
car
to
start
with
all
the
protocol
to
Tanya
they
they
And they
costed
to
sleep.
Well,
yeah
they're in
the process
during
yeah
altas
hours
of the
night,
madrugada.
Yes.
And
Tanya
is
and thenia
immediately
he's
to the
cell
and he
express a
Klau
yes,
he said
the name
of the
young
of the
her falleceida.
Clau
wants to
me,
extend the
arms,
and he
goes to
Fere Tropaco.
His
mom,
in that
moment,
was
was talking
with
some people
there,
and
people,
and get
to do
what
was
going,
and
intercepta
the
and he
and he
and he
and he
and
he's
to be
another
other
other
no, no,
no,
let me,
let me,
Clao
me is
saying,
he's
saying,
desperated.
Yes,
the
woman
gave to
think
that was
she was in
shock or
or something
but not
she with
her
spontaneity
what she
was to
play with
because
she was
she was
she was
she was
when
her mom
yeah
when her
to get to
get to
the
only that
he said
Paco
my
my
this is
this not
this is a
moment
for
you
Jueges,
thinking
that the
little bit of
the little
not having
idea of the
magnitude of
what was
going to
the moment,
nor of what
represented
that ferectro
there in the
house.
Well,
so it's
that the
other day
it came
the moment
to do
do the
process of
the entierro.
The
majority of
the family
accompanied
to the
parents
of the
father of
Clout.
Yes.
And
they're
all
to the
Panteon.
When
When when they're
Andres and her
esposa with
her
daughter
Tanya
he was
a one
side of
them
on the
door
just of
the
panteon
the
the little
her
and he
said
he said
so
very
desperated
that
he not
I
wanted to
until
a certain
point
angustia
I
didn't
get
and
he's
he's
why why
you know
why don't
want you
want
you
don't
you
he says the
is that
Clau
is that
innojada
with me
Papa
and there
there are
some
there
that
they don't
want
that I
enter
the
the
father
he gets
so
that
he
said
the
she
said
they
can be
and
they
don't
see
there
no
only
the
only
the
the
And, well,
just said the
senior,
look at the
little,
get to the
little,
I think
no is
convenient that
she's
here.
Get at the
mehors.
The
husband
he has
a case,
he has a
little
the time of
the
hand,
and they're
the middle
and they
can't
in direction
contrary.
So
his wife
enter
to the
door
of the
panteon
but in
that's
detient and
I'd
to see
to your
husband and
the
little
that
went
and the
moment
Paco
the
she's
surprised
at
how
the
coleta
the chongo
of her
and
it's
dispreend
she
came
like
when
I
just
like
just
like
when
I'm
with her
prima
clown
wow
tremendous
She kept impressioned.
No,
I'd credit,
no could
believe what
they were
looking at
his eyes.
Impresionate.
That's
the part of
the,
of the
stories that,
that apart
to surprise,
you're
to understand
how it's
how it's
there.
There's a
story?
Termina the
story.
Wow.
There,
there,
that's
there,
literally.
I think
it was,
a
certain
things.
And
and over
all when
she thought
that the
attitude
of her
was for
yeah,
for mere
going to
to play.
Maybe
I don't
comprehend the
sense
of the
murder.
For
sure,
for the
age.
But I
didn't
know that
really
was.
So,
I mean,
I'm
fiatte
that I
have
I've
had been
with
people
that
have
had
that
kind of
vision
when
were
when they
were
And the
children
not
spant
so
because they
describe that
these spirits
are like
people,
and we
have been
in many
stories
that are
they're
not they're
not they're
not,
no, no,
no, no.
Those are
like if
were reales.
Like
normales,
like a
person
normal.
Exactly.
Exactly.
That's,
that's,
that's,
that's,
and the
people, and the
ability of the mediated,
that's
they're in.
You say,
and you're
that apart
they're
to be demons
and see
things
yeah very
very
sinister,
but when
you see
a
spirit
human,
a
sometimes
you see
the semblante
and
sometimes
those
see,
where they
they're
there.
There's
there's
there that
there's
that I
tell you
to tell
that I
finalizzo
so
it's
called
visitants
it's
the
first
story
that
something that
a little
this
is a person
adult.
Juan.
Juan,
he has
that he
has been
various
years living in
the States.
He lives
in Santa Fe
New Mexico,
States
United.
He knows
he has
that for
circumstances
of the
life,
he
he was
planning
to
return to
Mexico
but in
those
years
he top
with the
thing
of the
new
new
the new
we
know
I
I can't say the name.
The frontiers
are the frontiers
and he,
he was,
he had to
return to the
United.
He said,
well, he said,
I had to
keep to get to
make a life
here.
I've got to
a new
style of life
for here.
He me
said that
all he's
his family in
the United,
he all
the time
he, apart
that lived,
apart that
he was a
person, I'm
a man of the
house,
the house
to the
house of the
job,
no
He had
friends,
no
he
had friends,
really the
depression
that he
felt even
for
being in
his family
he was
to be
to be
to be
a little
of the
he, he
tried
to understand
that
maybe that
that's
sentiment
of nostalgia
of
that
today,
now
for
he,
well,
he,
well,
he,
he,
he did
to what he
lived
was for
his
state
vibrational, because
it's one of the people to which
is one of the ones that's
a lot of the phenomena
that, fichate,
those I've seen more in
stories of the United and Spain,
in Mexico, Kassim.
And I did the context,
how it was, how he'd liveia,
and he said,
that one day, one December,
of the year past,
he said, there's a
festival here, and
I'm going to go to
the luxury
to go
I have
the money
to go
but
it's just
that's
just that
I'm
and enjoy
of the
fruits of
my
job
he went
he took
a
carmion
and
he went
to
the
festival
a
despite
that
he
was
he
know
he
he
got
he
bought
some
something
he
he
took
my
bus
me
go
to
my
house
me
I
go
five
four
before
in my
house
and it
was a
time
not
not
about
at the
11 of the
night
and the
and there
was
where
it was
where
it's
a
the
the
and
the
nothing
no
no
invocation
no
there
there
he
said
he
he
he
My city was very secure.
But he
started to
feel something
very rare.
He said,
I'mpe
to have a
sensation
like that
someone
was always
I was thinking
that I
was going
and I was
that was
that also
also
was
if I
doblah
the right
I was
going to
I'm
I'm seeing
I was
but I
did reojo
but I'm
completely
atras
by
fear, but
I feltia
that
something
had
and that
every
he was
more
to get
more
I'm
yeah
I'm
I'm
I'm
very
tembloroso
because
really
I don't
see
my
imagination
or if
he
to hear
to
listen
the
the
passos
but
I
looked
to
down
I
saw
my
I'm
my
to my
side,
like
of people
that
they're
at the
I'm
there's
nothing.
I'm
I'm going
to start
to have
to have
a lot of
and I
metros
before
to get to
his
house
he
he's
he's
he
sentia
the
respiration
behind
me
like
when someone
that's
very
very
close
to
you
and
before
to get
to the
hand
to my
pantal
and
go
It was impressive
to see how my man
no temblable
of fear
I'd
try to
insert the
key
no
could
for the
desperation
for the
fear
for all
what I
was
feeling
I
didn't
insert
the
I was
I was
the
respiration
very
very
of him
he
enter
the
the
door
the
door
is
how he
he looks
to
he
back
no
he
nothing
he
a
door
and he
recuester
in the
door
and he
let's
get a
and
he's
a
and
it's
that
passed
but
I felt
his
heart
so
I
felt
that
something
something
because
he said
really
really
I'm
to
get a
to
see
how
there
something
that
me
was
seeing
since that I
backed
to that
the bus
well
he went
to his
house
he's
he put
a
movie
and he
that the
television
started
to make
to do
a
do
a bit to
do
his mind
to
get
my
imagination
I
get
at the
time
to
get to
he
he's
prepare
to
do
he
he
and
he
a bad
jugged
of my
mind
and so
he
kept
thinking
until
that
he got
to
get to
get
the
of the
hours
and he
and he
he said
to
listen
voices
outside
of
the
house
the
voices
grittable
there
there
there
there
help
us
helpen us
abran us
for
favor
for
he
he
opened
the
eyes
and
He heard
that really
was out
out of
his
house,
he
was very
he
he's
he's
he
he
is over
the
window
to look
to
no
there
nobody
look
2.
40
of the
morning
he
I'm
still
listening
the
voices
but
no
he didn't
nothing
and
the
voices
were
so
they were
voices
of
the
but
not one
they were one
they're
like two
or three
all the
time
grittando
there's
there
there's
something
there's
but he
he's
not he
he's
he'll
listen
those
voices
he
he's
he's
ready to
get to
work
to be
a
in the
morning
but
there was
something
but
was a
turn
and
I was
I'm
was
very
nervous
because
the
same sensation
of when
I was
coming
now
I think
to get
to work
if I
think I'm
to a
department
to another
I'm
I'm
but I
know
of my
my
people
and that
that
those
miras
siniestras
were
very
very
me
a
one
a
time
a
time
until
he gets
the
Saturday
no
I'm
going to
go
I
all the day,
even was
I'm going to
show
and so
he said
I'm going to
see, I'm
to get
to get
because
probably it's
the stress.
I want to
my family
so he's
prepare a
a chocolate
little
a little
open the
windows
to see the
light you
put his
movie and
he's
and he
dispone
to
to do
his
he's
he's
he's
like
all
an adult
that
want to
want to
see
a
to relaxes.
To relaxes in the first minutes
to be able to
see the movie,
it's a
headcear.
It's
to get
to be done
there.
There,
in the
sofa of
the
cell.
It were
at the
night
when he
practically
he was
supermating
he was
normally
he was
he was
when
when of
when of
the
And then I'm going to
hear again
those voices
that I've
heard of
madrugat
but this
this time
they're
now
to be talking
their
but with
a desperation
and they
were some
those
were very
very
very
he'll be
the hour
not
not
time
and he
he says
what
they're
they're
why me
molestan
and
only
they
respond
helpen us
for
favor
let us
enter
why not
us
let us
help us
there are
various
those
who were
out of
your
house
but
this
this time
accompanied
with
like
they
were
like
to
turn
to
turn
to
turn
they're
they're
they're
men
he
he's
he
so
how
so
they're
taking
in
account
that
I'm
an
adult
of
34
four years,
metying to
a one of
a house
where he
live alone.
Somatement
dangerous,
no I'm
going to do.
He
went to
think that
he's
about some
of the
people in
a situation
of the
in a situation
in this
moment he
he
is a
and here
here comes
for me
what is
in book
the terror.
Be a
three
people
out
far.
Parados
in
front of the
door.
Ascrowing
his
heads
against
the
door
saying
let me
enter.
When
they're
they're
looking at
the
one,
the three
giron
his
face
to him.
He
says,
it's
like if
all
his
eyes
were
completely
negros.
It was
like
if the
pupila
covered
all
the
o'ho and no
there was
a
black.
When
I'm going to
I'm going to
I'm going to
not a
normal and
that was a
and that was
attacking
directly to me
in that
moment he
he took the
telephone
mark the
911
and he
he's to
help
to the
policeia
to be
to be
a patruia
because
something
I wanted
to come
to come
to come
to
he said
that
were
some
children.
Gere on
the
patruas
and the
people
are in
their
house
they're
in a
bolto
in all
the
bestionary.
The
officers
they
asked to
the
people
if
had
seen
to the
people
because when
there
no
there's
no.
The
people
don't.
No.
No
we've
seen we
and we
don't know.
Nothing.
Nothing.
He
says,
no
I can
start
loco.
The
surprising
of
this is
that
was
that
I was going to
the
tierrita
was mojada.
Stavann
those
were there
are marked
that's
that it
did that
not me
took a loco
because
there were
moustras
all
kept in a
simple
a problem
no
so you
are some
those
are some
people
are
some
go to
your
court
and do
so
that the
those
eyes
Negro
that
probably
probably
it was
for
it.
It was
for
thought
of a
question.
He
went to
do you
I'm
encied
in this
moment
I'm
a
door
I'm
had a
much
fear
because
the
really
is that
I'm
was
I'm
was
going
or no
he
passed
the
time
he
he
gave
to
do
practice
psychiat
because
I
wanted
to
some
type
of
some
of
No existia
No problem
And those
Wheyes
Afora
of your
door
Not are
a local
PAS
the time
Pass the time
Passed the time
Passed the
months
And
again
He again
He'll hear
The
Sonio of
the
Sonio of the
sound of
this
occasion
He decided
confrontals
Those
those
those
I'm
to confront them
open
the
window
and no
be
nothing
but
over the
video
of the
window
was
written
let us
enter
he
he
finalize
his
story
saying
I
no
I don't
put
with
this
situation
at
day
of
today
my
my
nerves
me
are
destroying
I
am
in
the
family
come for me.
This
Correo
came
with one of
the titles
of the
I'm
I'm
I'm
this
is a
that's a
that's a
that
that's
that was
when
the
this person
this person
it's
living
for me
for me
one of the
one of the
cases
more
very
very
very
my doubt
is
what could
disembucked
this?
There's a
legend
urban
of the
children of
the eyes
in Spain
I'm like
with a
friend
a man
a man
a
man who's
in the
Mexico
in Mexico
I don't
see this
case
not very
not
not
very
but
there
there's
much
this
type
of
the
that
that
interesting
would
in
some
something
could
know
what
what
Definitely
Impresionant
Paco
Impresionate
For me
one of the
stories
Ihole
that
I kept with
a grand
incognita
what was
what
what
was what
did you
have been
originated
to have
been a
cause
primary
and well
well
definitely
definitely
have
to explore
have
to remissar
and
well
it's
question
only
of
to take
to take
action
to take
to make
I'm going
to start
with a
story
very
really
a story
yeah
this story
I'm going to
a finales
to the
family
Toledo
for
questions of
work
the husband
of name
Jaime
and the
husband
of number
Martha
well
They had changed,
or they had moved
of the city,
yeah,
where they lived
anteriorly,
the departments
of the
company,
for the
where they both
were,
they were in the
same
company,
was they were
being marmando,
they were
disappearing until
certain
point.
They were
doing
changes in
the
organization,
and
well,
they were
practically
yeah,
being the
possibility,
so practically
yeah,
to move
and they
started
with this
decision
that both
took,
then
a new
life.
Decided
Emprender
A new
Vida
Tienen
a two
daughters
One of
Saira
of 12
years of
and Sophia
the most
Pepegiene
Apeness
I was
to come
seven
years
Resulta
that the
city
that
they're
well the
family
rapidly
could
adaptate
without
without
without
this
city
not
a
city
very
like
the
earlier
where
they
had
had
had
been
was very comod
all right
and around
there were
commercees
there were
establishments
to where they
could start
their dispense
and without
a park
where they were
to go to
get to
get to
get to
get to
and without
they were
they're
definitely
the people
the people
of that
they were
where they
were
they're
very amable
very
very
well
cordial
with
even
even
even
even
even
they did
a
good
receiving
a
The little Sophia, in her school, in her new school,
the which had been inscrited,
for her not was a problem,
Paco, to be able to,
and to be friends,
and to be friends,
over all, in special,
of a little bit of a woman,
Lupita.
She was very amyga
of her immediately,
did that match,
that click,
and they were
to be very good friends
to the two.
Lupita,
curiously,
lived very close
of the house
where they were,
where they lived.
Suced that at the hour
that they
got to
dinner at
Sophie,
the little
was very
very good
about very well
of her new
friend
to who
had known
obviously
in the
school and
conform
they were
the days
every
that
they had
their
ritual
of the
dinner
or
always
always
I was
to
say the
friend
the
she and
a new
a new
anecdote
of what
they had
done
in the
school,
that
they've
played,
of what
they've
talked about
even,
and there
always there
a detail
new to
tell.
For his
parents,
Jaime
and Marta,
for
their part
they were
to have
a very
good
relation with
the mom
of Lupita.
And they
did you
do a
kind of
and when
then they
they're
they're
they're
sometimes.
Sandra
was called
the
mom of
Lupita,
for
certain.
Saira,
the
Hermana was distant, and she
difficulted to her relationship with the
person. So, she didn't, no, no, he'so
with her friend of her brother. But,
well, she expressed that she sentia very
a good, convivating with that family and with
that friend of hermina. So, it was
advancing practically the time. Passed
some first six months in that
had
been
getting
to
that
new
place.
And the
detail
was that
while
it's
the time
Paco,
his
papas
Jaime
and
Martha
started
to
have
some
some
difficulties
as
usually
in
the
matrimonion
that
those
difficulties
were
those
with
some
with
the
time
because
both
both
were
for
the
same
the
detail
here
Paco
is
that
both
arastra
their problems
that were
laboral
to the
house.
The grave
error that
the problem
of the
problem of the
job,
get those
of the
other than
those of the
house,
get them
to get them
to be common.
But in
this case
there was
a moment
in that
the two
decided
to make
immediate
without
without
think it,
in
incerars
in your
room
to have
those
discussions
that were
very
acalorated
and
they were
much
of
tono.
from
and then
they were
to say that
that was Aira
that was
the major
that she
would be to
see to be
the television
even they
they said
and they said
and say
subele
all the
volume to the
television
to make a
tele
with you
the intention
was Paco
so that
she's
so Aira
and
little
because no
they're
not
they're
because yeah the
discussion
was just
quite
a calorada
and
quite
quite
For the time, Saira,
she'd
kept in his
quarter
watching,
well,
a program
X of television,
while the
little bit of
sofi,
was
commenced with
a routine
new,
fiftate.
Resulta
that the
little
was a
phone with
Lupita.
For
Sayra,
this was
something
strange,
it's a
rare,
that all
the day,
the same
circumstances,
the
papas, the
little bit, the
little bit.
And, well,
so,
so they'd
both,
both,
every one,
so,
the major,
being the
TV, and the
little,
and the
little bit more,
the little,
the father,
and they're
not,
peleandos,
and both.
And,
well,
every time
that came
the
people,
the time,
the same
story.
It was
yeah,
something
was a
certain
point.
Yes.
These
discussions,
well,
yeah,
not they're of the agrado,
from the
of the
little of the
children.
Sure.
And,
and from the
major,
was always
preoccupated
because
no mermara
in the
attitude of
her little
of her
and sofi,
was actually
to the
impossible
because she
not
would be
to be
a pendent
of what
occurred
in that
situation.
Well,
it's a
Saturday.
Jaime
he said to
his daughter,
the major
his,
Accompaname.
We're
to buy
some
things.
I'm
to buy some
details
that I
make
some
need to
get to
make
some
muebles
that
I need
to compose
he said
the
she said
no
yeah
let's
the
reality
Paco
is that
he
he
wanted
to
get to
the
house
for
not
not
not
with
that
so
okay
so
for
like
for
like
a
day
to
that
I
know
that
was
me
marmando
so
Well, well,
meantime
Tant, in the
house,
well,
she kept
in the
mom.
Martha and
the little
Sophie,
they were
in a
kind of
doing his
things.
Well,
resulta,
Paco,
that Sophie
always
was a
little
something
something
something
a
little
that when
she
was a
doubt
she
she,
without
her,
was
acudia
to
somebody to
any
to
the
family
to
ask
to
be to
his mom
to her
father
as a
and her
mother,
and in
that occasion
Sophie
he's
he's
he's
he
he's
he's
he
know that
they
are
two
words
martha
he
what are
what are
those
words
if
I'm
I see
I'm
obviously
I'm
to say
and
so
no
so
so
we're
we're
we
gogliam
and
let's
you
do the
response
so
so
Well, Sophie, he said to his mom,
the words,
divorce, and adulterio.
The mom in that moment
she kept so stupefacta,
consterned,
obviously,
it was notable.
The molestia,
like if he were
irving the
blood in that moment.
And,
and a lotesta,
he asked to the
little bit,
where and who
you have said those
words.
Dimmel
now in
this moment.
And Sophie
he
said,
Mami,
me
said that
my
father and
you
are
to do
do
for
adulterio.
Obio
the
little
she's
with
tears
in the
eyes
preoccupied
to
certain
point
because
like
that
she
not
she
didn't
make
to
feel
that was
a
malo.
Something
that
not
was
a
man
he
said
he
reprend
Sophie,
Dime
who
did that
for
favor?
The
little
he said,
no
I can
say,
Mama.
No,
I'm
do you
do it
I'm
made a
promise
and you
me has
said
Mami
that the
promises
no
don't
don't
let
be a
be a
girl
I'm
my
mom
with
me
and
you
don't
and
you
don't
say
who
was
my
my
daughter
was your
No, no, she
He, he
He said.
Then,
then was,
was your
Papa?
Sophie,
with a
his
head,
agached
and he
moved the
head
in signal
to,
no,
practically
giving the
answer with
the movement.
Yes.
And
insegid
he said
she,
Sophie,
nobody
of this
house,
to the
little,
he said
to his
mom,
nobody
of this
house,
Mama,
me
he said,
assurant,
so faciently.
In that moment
he's a
father,
Don Jaime,
and her
mother Zaira,
enter to the
house,
and they've
had been
back,
but Marta
was a,
that had
a, and
he was direct
over her
his wife.
Uff.
The
jala of
the brazo
and immediately
the
he gets to
her
house,
to the
house,
yeah,
standing
in the
room,
the sarande
and he
grita,
he grita,
He grita.
Why do you
and the
daughter
surprised
and to
at a certain
point,
without a
little bit of
the first thing
for the
presentation of
the preton,
mom,
me lastime,
let me,
let me,
please,
calmate,
what you
do you
say,
what's
what's
what's
consternated,
no?
For this
the
Papa Jaime
also
also
he's
did
to do
the
court
to be
what was occurring.
Yes.
Well, Marta interrogate
abruptly to
his daughter
and then
it's a
trifulca there
but now
the family,
Toledo, was in
pleading,
in the
moment,
after Sofi,
the fourth, Paco,
at
that was the
problem,
yeah,
in a moment
yeah,
very critical.
For no
no?
Yes, yes, the
new,
and the
mother,
Oh, yeah,
par.
It was Lupe.
Lupe?
In that moment,
the lady,
well,
he's preended,
go to the
telephone,
he'll
and he
a mom of
her friend,
to Sandra.
Oh,
I'm going to
ask you in
this moment
that evice
that your
daughter
play with
my and that
he'll be
and then
the mom
of Lupita
and say,
oh,
wait,
but what
what happens?
No.
Entire.
That's
he'll
At the other day, Sandra,
so he went to
with that's
to go to the house
to them.
To be obviously
confront her
and say,
hey,
what's going to
do you,
at the other
day,
he gets,
and at
question her,
and when
what was
what was
what was going,
then the
other way,
no?
No,
is that
I'm not,
I'm not,
I'm not,
I'm not,
that you
do you
play with
my
child,
that you
don't
have any
type of
contact
yeah.
It was a chaos total
The
The girl, obviously,
Al percatarse
And all
Darns of what
He was going
Traped to
Calm to her mom
And he said
Moma, no,
Yeah, calmate.
Yeah,
Calamate, for
favor.
No,
was Lupita,
my amiga.
It was
another Lupe.
How?
What,
another Lupe?
Yes.
She
she
me
called for
telephone
one
once in
an occasion
that you
were
discussing
and my
brother
was
I'm
I'm
the telephone
and she
me
and she
talked about
and we
have talked
Lupe and
you
but
not is Lupe
my
my
friend
the
she never
the
she was
another
she
was another
she
was the
she
was the
she
was the
divorce
And of the adulterio.
Adulterio.
A be,
who is that Lupe immediately?
We'll mark her in this moment.
So, go to the signor to the identifier
of the number, and the
signora mark.
And nothing.
Wove to mark.
And nothing.
The line was apparently
moll'd.
Yeah.
He said the little,
mom, is that she
only has only
when I
do you know. In that moment
he says, a bit, well,
let's have, well,
let's call, mark
and hevante the bocina.
The mom and
the papa in that moment, put in the
altavos, opprimen the
altavos, and when
the child says, well,
only can't
it's heard a
a respiration.
nobody
was,
well,
all no
having
a response
on the
telephone,
but the
papas
if they were
inquietos
and at
other day
decided
to go
to the
company
of the
telephone
to
and
resulta
that the
company
gave
information
but
only the
necessary
saying
that that
line
that was
done
to be
a back
and
since
after
many
years
oh
this
since
since
much
time
that
line
is
that
ladder.
Resulta
that the
ventanilla
of
the
family
that even
other
times
they've
reported
exactly
the same
number.
Of that
that's
number
Paco.
Lamentably
with the
past
of the
time,
his
pap
Jaime and
his
mom
Martha
she
did
divorce
and
this
was a
right
of
the
infidelity
of
She.
She, the mom,
was the problem.
Termina the
story, Paco.
Dice
she,
Sophie,
that at
day of
today, to
his 33
years of
age,
still
without,
without
who was
that Lupita
at the
other
side of the
telephone.
That he
he did
he did
he
he was
to be
to her.
Ooh.
At the
Fecha,
Paco.
So that
I remember
much the
question
that
we're
if the
spirits
can control
really the
technology.
The reality
is that
is that's
many cases
and how
they can
control,
telephone,
signals
of radio
frequency,
a lot of
things.
The fact
that's
these stories
were
very
impactants,
Amigo?
How
you know
very
very
about how empalman
with some anecdotas and experiences
that's that I've talked to
work with the new clients
and also experiences
propies, as well as
what you said,
you know, that's what you
do, you know,
and it's interesting
to be able to contactate?
Well, practically
to look
responses, Paco.
Curious and
casually, the
last video
that I got to
get to my
platform of YouTube
has like
a month and
medium,
uh-huh.
So,
I said,
a little bit of
a child
that was a
cause,
the cause,
the cause,
that she's
the medium
that has the
community,
has got a
different of
other people,
that have
other type
of problems,
I wanted
to know,
okay.
We're doing
a time of
a process
of introspection
with hypnosis,
and, well,
so,
he's,
he's,
in a regression,
because in
a life
past,
Bruja, practicable,
had certain practices, and
he showed to her
from a little, to do
do it.
What she
didn't do in
that occasion is
that the
mom did
work for
affect to the
person.
Okay.
And that
no,
no, he
agraded to
her in
his moment.
Yes,
he learned
and all,
but,
well,
no,
because it was
part of,
the,
the,
the,
the,
that his
mother,
he,
he took
a generation,
in
generation,
then,
then,
she had that
that's a
so curious and
he's
soffered
a person
to know
to know how
the don't
the don't
the don't
even more.
More than
for curiosity
was for the
desire to
know of
so
so for
people
like these
these stories
that they
did get
yeah
I can
I can't
say you
I'm
an exercise
to this
indole
could
give
to do
to do
what he's
clear
the map
no
clear
of some
kind of
certain
certain idea
that
could
to do it, even
if it's
that's
generating a
problem
a problem
of the
quality.
Amigo,
your
social,
yeah,
to do you
know.
Nowhereu
in my fan page
in Facebook,
Guadalupe
Naranjo
Despirta
your potential
in YouTube
and Jose
Guadalupe
Naranjo
28 in
Instagram.
Thanks,
thank
us to us.
Much more
thanks to
you.
Familia,
thanks
to those
get in
the final.
You know
that I
know the
end of
the episode
and I
want to
a
great
a
before,
before
go ahead
to
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