EXTRA ANORMAL - LA GUARDERÍA MALDITA | Historias Siniestras de Guarderías

Episode Date: October 10, 2025

Las guarderías deberían ser lugares llenos de vida, risas y juegos…Pero para algunos, se convierten en portales donde las almas que no descansan aún vagan entre los pasillos.En este episodio con MONSE, conocerás historias reales y estremecedoras:🩸 Karina, una trabajadora de guardería, siente la presencia constante del alma de un niño que murió en ese lugar.😨 En otra guardería, los niños escuchan voces y susurros, mientras una maestra es empujada por una fuerza invisible hacia las escaleras.👧 Una niña hace amistad con un espíritu infantil que le pide “irse con él” al otro lado.💀 Una mujer obsesionada con la juventud utiliza rituales oscuros… con ayuda de su nieto.🏚️ Dos jóvenes exploran una guardería abandonada y terminan enfrentando las almas atrapadas ahí.🕯️ Y una maestra descubre que la casa de una de sus alumnas vive el alma de un criminal.👁️‍🗨️ Cada historia te llevará a lugares donde la inocencia se mezcla con el horror.¡Ya llegó la Merch Oficial del podcast y está lista para ti! ️ Entrega rápida hasta la puerta de tu casa.️ Exclusivo para México (por ahora ).No te quedes fuera, entra aquí y checa la tienda Apoya el proyecto y llévate un pedacito de la familia Anormal contigo. 🫶https://tienda.podcastextraanormal.com.mx/

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see what we don't we can't, and that in the guarderies, when the lights are and the silence, is a poder of the passillos, they're going to hear risas, passes, and voices

that not should be there. Maestras that see sombrars move between the cunas, juggetes that are on and little, that signals,

that signals, like if someone invisible, those students, would be accompanied. Today, we open the doors to what occurs when the innocence

infantile is mixed with the inexplicable. Well, welcome. I don't know. What I'm going to be able to go to to a one

capitol more of podcast Extraanormal. My name is Paco Arias

and I'm happy to start in a episode for all of you.

Family, we have a thing about special. A thing that

I'm to be to be honest we don't a little

in to because here because here they are

people to people people little people people people

and we are stories that are very Firtes, not apt

for sensibles, and that over all, they're a context that's really, and that are really are stories that I'm at least

those that I will be to talk, if as, as as a adult, as a person human, have talked

fibras sensibles. What what occurs in these places that are for the care

of the children, where there games, where there are pelotas, where there are things that apparently are alligres, many times

have a transfondo very obscure. For this night, to attract these stories, us accompany a person that is with

us for the first and that me does much that we're very good. Thank you. Thank you. Thank you.

It's a whole honor to be here the day of today. For nothing, thanks to you for accept the invitation a friend, of a real good.

What can you say to the people? Of what we're to talk, of the stories that you also can't

tell. You know, the children are the best for the parents, to who

you have to your care? And, and so, what class of energies you've

to cause of a kind of a little a little in a place, where you

say, where supposedly, you'd live, something, free of all problem,

so we're about the stories that occur in these places where it's supposed that the people are

to be able, and over all of those energies that are that they're that they're more susceptible

to this type of libras. Before to start family, let's give the

recommendations that you know that are super important before before

to start in this moment we always we to use

to this grand family if even you're part of subscribing

to this channel, activating notifications and you listen this podcast in audios

as a podcast, we can continue also for there for you to be

you guys and you also. Also, say, that we know,

we're that we are not that's you're going to find in our page

web, that is triple www. podcast extraanormal dot com

mx where we are to be talking all all the

really aterrador and prohibited. Monce, also, before the people that you're doing

for the first I'd like that, for a favor, you presentes, who are, people are,

and I'm my name is Montserat Sousa. I'm a locutora commercial, also

me I'm doing as a master precisely in these moments. I'm in the

social as Sousa Monserat in Instagram or in Facebook as Monserat Sousa. Perfect,

Amiga. Oye, fiftate that there are many cases, not only in Mexico,

but in the world, where pass in situations very, very difficult.

And this I want to be from a perspective as a father, the

necessity to work, to find the the support, the

pan of the days, but also the balance of that a

sometimes there sometimes the family well, no, no, so, no, so they're

to keep to your children, and we're the necessity, because it's for that's for necessity, of

that we're that we're that, we, we, they, and that part so

important to care to care of our children. It's a pass that for some

part of many isos it's very difficult, almost difficult than when those

little are the school, that this desprendiment of that you know when is with you

when it's under your cobiho under your cold of your father or of the

mother is safe and that to pass to this to that a person that you

know you know that you care of your daughter in many occasions

no doesn't not the contrary he benefit the

but there there are cases very Tristes, where there are parents that

they've left to his children and never more those were able to be

vivus. I want to give to give a story that we can't Karina from

Halisco. A saloo to Karina. She said that after some

years when she used when she went to work a second

time. She had to the preparatory like that of

two, three of the time, and the school, where

she there's there a guarderia of these that's that's

that they're in the turn matutino and the turn

bespartino started at the four of the time finalize at the seven

and a seven and then. So, it's I always me always me have

always to live with them, always the to play with them,

was, he has had done in form quite natural. He said

then he was to this institution, for there put to some

some and he put you, and fortunately they were these vacants

available, of a care, of a person, he said that the few days

she entered to work it was a place was a little and

was only was attended for approximately between four and five

persons, more the personal that was in the food, the person that was always were in the

kitchen. And, was, they were little, they said, they were between five,

six, there were a few, there were some 10 people. So, was a

little, and then, and, but the pay for that then for her and he

was a little. He said when he started, they started to give the recommendations,

what had to to do, how it was this jornada. She said that getting, she's encargave to receive to the kids that were entering in the afternoon, or those who were the kids that were

from the morning, because if there were kids that were from matutino to the best partino, until finalized. So, it said that she had received the children, those put in their place of their place, they'd put music,

they'd lavabed the hands, comia, they'd, they'd They'd take them to the patio, those ponied to do activities, recreational. Yeah, she said, all the process.

And, and the truth, the time was very rapid. Cuitar, the time is very can't, and apart the

time is very rapid. Diceke, in the second plant of this institution, she initially

thought that is where I was the responsible or the dwean of this guarderie.

Dice, because, well, it was that was It was quite ample, but a few times someone

subed to this place. There were cars of toys. He said that one

time, talking with one of the person also other people, he gave a recommendation

a little unusual. He said, look, the children don't to play at the three

of the time. They just one, one starts to get a car and

those subes to the second PISO. But if at the 5 of the time not you didst, only

let them in the cajahs and leave the car in the stairs, for favor, you know,

you know, you know, you know, the master of the day the day the next, be the

after the five, you know, you know, that's he's a little strange of

why not I'm going to be up. And is that was the indication after the

five, you know you know the really of her he took like a

little extrano even a broma of primarisa as the most young her

they're going to be so they're going to continue passing and he said that they were

passing the and she not about something that she said that there were

children that had many that had had been there and that for

a reason every every that they were to to leave these yorems.

And the really, nobody those maltratable, the contrary. We're many people for

many people, and we were all the time we're just going with them. But I knew why

they'd and she started to look to look at these people, that's what

they're this feeling of that they're there. Then there said there

there were moments where he's he kept observing to these people,

and he said that these kids were paraditos, looking to the

escalars, to the part of the rio and he said, they'd pass

various minutes, and these people were looking with your look

with your mind, observing to the part of the stairs. De

Pront they were and they were like to trem and they had a

little there were little that they had seen pee of the fear

and were they were they were they were they they

He started to see these things that they were raras. What is what are these these kids? Why are you? Why tremble?

What, what do you are new? No, they'd nothing. He said that when I was those

other responsible were, they'd to the kids to a patio. And there they'd they'd

but many times they were they were in the stairs. And she was this

comportament of other children of how of the nothing, they were playing,

they'd and they were looking and they're looking at the escalarers. And that he started

to get to talk to other other companions and they said what's what are what these

these children do this and this same maester that he had said to the

car he said look no you don't you don't know you're

but when you know you do you do you do it get it and take it

and you don't let's only they they're they said

in That was very strange. He said that in one occasion passed something very curious. He said, that day had gotten

six children to the guarderia. They were little. And we said that day had failed

too many people. They were three people to care to do you know, normal.

And he said like those of the five of the time, there was a little cism.

So the protocol is to salvaguarded the life of the little bit of the little

and we're we're in always we're in we're in six children and we know we

we're not we're not so it's so that the protocol was when they were they were when they're

they're when they're they're I said I'm I'm getting countolos because I

was going to and outside they're they're they're they're

so we we're we're a mode of So, so, for the kids

not spanned and we're and we're a song. So,

it's Pabloito and he's and he and he and he they're

in panico. That day passed a little weird. He said, pass on the six

and of the and then he came to come down another. But no he did the

car, pass he passed rapidly and so of, ah, count seven

and I see that's where he said, I'm So, he said, Viniere

seven and they said, no, are they said, no, are six? No, are seven? He said,

the last is the last, but he said, he said, and so, like, let me,

a little, no, no, no, go and they've got to go to where is the

register, no, are six and he said, the fact, Paco, I'm put

to you know, and in that moment when he confirmed that were six children, he said,

I see the last, I don't see the car, but just when he was going and he was going to be

a little little little a little little bit the part of the back of the back, and

he saw out of the patio. Diss is that were seven. Dice, that day

that I put me that I'm put me made, that she said that's a master

that she gave these indications strange and he says, calmate,

your I said you know that I'm you know you're not to be to get to

you, not is to get to it's the real and in a moment

you to talk so then she she not was a credit

to all this a person young that not a person who can't

he's he said the he said the he's the At the most the stress

made that's that's and really she called about the six, but something

happened. He said that one time, they had had been had been a lot of

that they got on 10. He said they were on the zone on the

stairs, there are there are a lot of jugets regated and other

other cuidator and he was he was he's he's and he

there's time, subel. Okay? Dice he he started, view the hour five and fourth.

And he recorded the indication of the master anterior. And he said, are you, oh, are you are doing, so, it's the day, what's going to pass? So, I'll guard all the jubettes in a cage, and said, no, I'm going to go to

do you? For what to do you to do the master of the morning? And he says that's up the caja, sub at the escaleras, get and it's like a bodega, grand. He says,

I mean, and I don't know. De-pronto, I'll hear of me. He said, a boy

sure maybe he's up. Me, and he's and he's behind the casas that are

piled in the bodega. And he's how the little when a

kid and that he's that's he's that's the little

you know, but it's evident you as as an adult that is that's behind

the cartina or is behind of something. And she says, Yeah, I'm here, who are you? Be with the maestra.

No, you know, you have to be to play with the companyaritos. He said, it was evident that was behind the cage. There was, I was, I was, and I heard also, that's I was laughing. So, then I said,

yeah, when I was to get me to get me to bring me to the hand, no, no, there was that day, says, I was going to and then again,

she put to And there, there's always they were repeating this type of things,

all the time and he said that one day simply no he went to. No

he went to because there were occasions where this sensation was a more,

it was more more pesed the place, and there was a time where the

people didn't even and these children were all the time because

they were there. But nobody could do yeah, talking with this

maestra, he says what are doing the respect? How is possible that can make this

this is that one a month when a man, a priest, a bendice

the place. But it's the only that we've done. But the things

don't do you docent. This chica, after the final, us

said, I decided renunciate. I don't I want more than three months.

Only three months, he went to this place. And is that it was

it was something because while he's there's a day or the night was a

very strange. The the worst is that the day of today this

this place still working there and still the day

of many people still seeing seeing being being

what what there in this place. What you

that? It's is a How this type of places maintain energies

because it's more than the place, not the thing, and that's that's really to start,

especially with the children, no? That's what that makes think, imagineate. We're always

we say, no, well, look to your nens. But, well, sometimes are

little, and the people who can't talk still, that they can't

communicate, how they they're responsible that they're seeing something, that something

that something that's that's that's a me me impact a much a minute.

It's it's so much how those you can't say that they're seeing that you

don't you're not you're not you're not you necessarily or that you can't

even you can't even that's right okay I'm okay I want to

this story of a person who has a a time a

in her life, a bit of a dark and about

that he he affected a level very profound let me

tell that this person was in a time in a time

had problems with his ex-espos deus deus of

those that was never never never when it was

another and had had of able to relaxes, disconnecting a bit of the

obligations that had, and permitting to feel. Even so, with all that cansancy, noche

after night, he'd to get to his camera, almost arastrandos and only could conciliate

the life around three hours. No more. Okay. A lunus when he went to

his time, really tired. She served a tass of coffee,

he put in a mess and while he said and while saluted to the

company Julie, she did know that the tass had

moved. Julie also also but attributed that that

that maybe had umed that there were things of

the work consequences of not have done done and

he did pass Posteriorment, while he was in the Aura with the children,

he was he was made from a rinko of the salon. It was a little ceceo that had

captured his attention and also the of André a little that was

a child and he was his deadito to the rinkon and and he began to

cry discontrollably. He had a emotion in his yantto that the custodora

was really was really not to notar nothing. For what they were with

strangeness to Andree and they were doing. Of this I began

to hear voices graves and masculine that were from the

pass the I thought that maybe they were the parents simply. He went out of the Aula, he's soma, and he's topa and he's top with that in reality no nobody. The passillo was completely

basing. At going to the Aula, Kelly, one of the nine, signala, to the same rinkon that anteriorly had signaled André

and romp in yanto While grita, there are. Yeah, they're going. The other children start to look at the rinkon

and all at the same time they're to gritty, to cry, to desperation. The Maestra

starts to lose the patience and know how control them, no knows what or who are

in that rinkon and at not ver those enter in panic. With Tonto

Rueido, the other maestra are coming to get to the

school, just at time to observe how the muebles, some sills,

and utile schoolers start to get in form strepitosa. The children

continue yorand and when the desperation, and after the disperation, the children

goren to tell to his parents all that had lived that day

in the warderer the directora seeing all this situation, decided to a

sacerdote for that would be to be to be the and so to be

calm the situation because in this rinkon of the salon they

were still listening noises strange. Okay. The things

not happened, lamentably. No it important that was the

sacerdote and all the restos that they were all every

time time, the custodora still she's the and when it's

full of fear, he's his rosario and he and he but not for

she, but the children, the few people that are there. And

he's that all day that that's time. And that some

day the people not be more something in this rinko.

I mean, what difficult, I go, for a person, and also, what, or how much love to your profession, to your job, to the children, is to say, this, intented to make me the life, even, provocat me an accident, but no me go, because I can to care of these children,

I mean, I mean, about a person that evidently a lot of a person, but

about a much to them and those kids, no? You, what do you think is

that? Yeah, is that she was that they're trying because, well,

but a that with the children no proceeded to more, to her did she

got to get to get her to the escalers. So, this type of the

essence of the entities that react with the people are

putting in risk their their And that she has maintained there and that has

been made of other, more than to rest for the bien of the children, it's, about the

quality of person that is. So, yeah, I want to this other story

that's called my friend. This story really that me surprised me really,

and I felt even a nude in the garganta because it's very Triste, a

a sometimes what a kid a guarder of

pre-school can get to live. Because a little that

unfortunately see things in house and they they're

they replic in this type of these things and

sometimes they're very cruel this this story that I

tell the Amanda and Cela and Cela is a mother solterer, and this story us says that

has been several years when just a pen her little his little is he's of five

years, was practically started in this era of pre-school she says that is originary of

Sapopan but after the divorce that he took with his husband,

she she was new new horizontes says that one

of his best amigas I've had years working in the cabos

and he he said you know you know you're not a pop and you get to work in one of

the hotels most important is the more prestige of the city you guarantee a good

place of work you're going to go to you're going to get to

your past your first you and says that he's what he

did she simply one day he took maletas and decided muders

for the cabos. He said at the first was practically not know nobody

apart only to his family and said that his hours

were very and needed a place where where

they could and she she was and she and

after that after after after she he found

a guarder that was that was exactly He said that he began to

to leave a little ilse all the days and at the start they were coming at the two of the man platicating, he said all the days after that I

passed by my daughter, he said that they were going to the man and that he was and he was

my mom how you went and the little and the little and the name she said that she was

she was they were adapt to her new life to this new to this new new to this new

new comience He said that They'd get them to His house They'd They'd They'd They're

They're They're They're They're to work And so And this started to

be a routine quite pretty quite Agradable Until that happened

something A night He said That's that you They were getting to your

house They're They're They're They're They're to be I'm

with my her in the same camera. My my little

I'm always the I'm I'm a question to get to get to get

to do. But that night said that's his little was a

little unquieta no I didn't do and it was like very

strange and and of he he says a question and

he said Moma what she feel to get

and Selah says that, well I'm not prepared for this question

and he said her what's what's what's she's when you when you're

when you're saying I said I don't know I said I said I'm

why you I'm you know I don't what's what you know what what I'm

and then he says I'm I don't want I'm and I'm

you you don't you you're you're you you're moment, the

little began to cry. Because she said that she didn't

want to die and that she didn't that's she and she

she said only the brase and I try to try that

she I'm thinking in that that was that was very

to think I'm put to I'm put to I'm so

so a little a little so so But she

kept this spinita of why my my extrano of her and,

well, if she said, the really, I don't ask. I'm

only I'm only got for my and at the time I had to

I'm I'm and another night. They said they were at the

table, they were eating, and they were at point to terminate when the

the little again, and he said, mom, mom, more

to be aplastated dole much? Or, And so, Isela, like, no, I didn't know, yeah,

they're going two times that I'm a question something, and it's where, practically, yeah, it's a little

incoomod, a little extrano, and he says, why me you know, and says that the little bit nervous,

and he says, no, for nothing, Mom, for nothing. And Selah says that that type of

things, he started to talk and he said, why don't you talk with the maestras,

with the people, you have to say a little, it's normal that she be asking that's the

type of things. And at the day the next, that was for the little

the school, he wanted to talk with the person of the guarderia and he says,

a bit, it's going to my and he he's going to say all,

is going something something there? There something of what I should

to be to be What happened? He said that the responsables was like that's

like a one to like a little nervousas like timidas until

that one of them and he said there is that there's a situation with

her not we don't think that we're that we're

not but it's something we're something we're something that

what we happened. And it's where this person, he said, since that she came, we know, we'll see, he's aparted of the group. So, apart. And we're, we're

normal? Well, at the final of count, it's new. And it's new. And it's, well, it's with many changes in your life, many things. So, we gave her space. And she said, she's, she's, he's started to part to the rest.

The problem is that were passing the days, and she never she integro. But with the past of the days we'd know that she was

but he was only. But then they noticed that their form to play

was very strange because I was like if was like someone

more that only she could be and he made and he said

he said he was with someone but the other side of

the other side of the Maestras, responsible of the children, and they

ask them, Ilse, with who you guys? And is where Ilse, he says, with Samuel?

Who is Samuel, I, is my friend? The master says, well, there are

many people who are with his amigitos, products of their imagination, is the

form in how, you know, as people prepared, They say, well, it's the form in how the children are starting to develop, how they're imaginative.

So, no, they were a major problem. They're not going to the nina still going with her amiggito Samuel, that she had said. Until that's a situation strange, that this is to them tell to another child.

Resulta that one of the children he had been cuted a little Ilse and the maestras they say, Brian, Dallel

the jugete to the and the boy, he said, and he said that I'll see, he's

he gets looking and he says Samuel, that you you're going to pay a.

Corte A, pass an minutes and he heard a little Brian

he had had been strangely apparently supposedly what they're

in the little he was walking and he started and as someone

more the man he was projected and he got in the case. Nothing

grave but the the man comment that someone he

but in the cameras never see who who was the person

that he did that so so to generate fear

in the and they say to this woman to Isela

this type of situations provocated that the kids had a fear to their nobody want to play with her

because they say they have a man so so he says no she doesn't put a mal in what he comes

he plays just a solita but nobody so nobody so he says he'll listen to all this

and says how is possible that just just upon me I'm I'm trying and then the

say, is that we'll repeat this is a normal in some children, then we've seen a problem. That night

that came to your house and Cella saco the platica with her little and he said,

oh yeah, my amor, I can't make a question and he said, yes,

who is Samuel? He said that the little bit like nervous Why? And he

He said his mom I'm I'm Who is Samuel Platicam And said The girl

He said the She let's To cry To cry, A year, Why you You're But is this

Yantto Of a person Of a A man That's Here we say Much Sentiment

Much Tristesse Like accumulated And that In that moment Like that

So it's That's that's That's that can't and to talk. And the

little and the I want to hear because his mom no those

is that they're not because no I'm talking of his

people and there was when when he he

he defended Samuel me told that also he

was a man but in an accident one of

one of the one of the so, Murio. And Selah heard

all this and says, I felt that the blood was made. So, but the

of your daughter how, well, with the heart I said, and the

people me were and they're in me because I don't have a father,

etc. And, and of a point, he says something so rare

that I see a a man a man more, and I said, I just

only he said, Iha, no you're going to be a little. And he

says that the little. And he says is my friend and soon I'm with him. This

of really made the things put her very feas. We said and Cela

that after to hear all this she not could do in the

nights so all because he said that when she she had a

his wife in the guarderia her his wife she was going always

a same a little days I was I'm I

got to this place to get a new place and

I need to get to my my house to

and see that that that and unfortunately Samuel

no he didn't get in the guard guarderia. He started to

see in the house. And it's where he said my his, I heard when I was called

when I was in the patio, when he was to be to be to say, and I

say, I'm not you'll say, and this spirit now was in

his house. He's that all this like a sometimes is so

difficult to assimilar of how I can deal with this. He said that he started to talk to her

and he said and said my friend why we don't we give us with a person that that cure

because this this sounds very well and says and she the says I don't

say I'm I'm but when it's when it's not there we need to have to

do it and it's where they said that and that was like for a month doing these

these rituals of desprendiment and she said, no, I'd explain exactly how

but a little my little my little to see to see to see

and until I want to learn what he says because mention

with with the time he he's he did be

the same never more never more to talk to

he, but I never will never will never when my daughter me said

that's with him he's he's he's really a much fear

still. What story so far? What do you think is a minute?

Demacios too because there's like this moment in the infancy

of the kids where we have a family we know

where we don't we're sometimes people are refugian, some

the kids, they're in these people, when they're precisely aparted of the other,

but how you know, how you know, when this friend imaginary is something more

than a creation your. That's the question, because I took the time to

investigate how much that a normal is that a normal is that a creation made for

your imagination, for your mind, and if can get to be normal, because the little bit of the

game imaginative. The child imaginer the problem, as you say, in what moment this is, this is a product of your imagination, and it's

something that, for experts, for the science, no, there is an explanation, but if there are testimonies of persons,

if there are anecdotes of the own people that say, that socied these things like when says Samuel

what's you're going to cut a something something what's so far my name

yeah definitely this type of situations that put like very in risk the

health or the integrity the of other and how as you say you say

tell to say to say to him that's what I'm that what I'm

here I'm a another history and you're Manolito is a manolito is a young that he had three

years character leader alegre imponia and he always was accompanied of his abuel

matilda recently moved to veracru came and they were they

were to get to the guarderia and who always was this abuela

was this abuel matilda was a was a person was a important imponent,

not? Alta, quera, a pelo but a poulk a,

a imponent, for that's this year. This little he starts

friends, and rapidly create his group to Alex, Richi, Ernesto

inse they're they're and they they're to start of the

months to Manolito he has a party a

year and very emocionado, invite to all his friends. Acude to the festival, but the day

next, two of his friends don't go back to the guarderia. Alex and Ritchie, apparently

reported as infirmes, not get, and with the past of the days, it's more evident that something

that could have caught bad in the food, in the feast, and maybe that's be the motive for the

not they're going to the school but after

Alex regress palid cabis with the eyes undied and completely

changed changed and he's expected that type of reaction

of a man that's out but but but

the strange was that Rich no didn't he

And he, and he was in this situation. Of a minute, Alex,

he was always was very very very he was like if something

something was going something a day lamentable he got the news of that

Ritchie had had had Seven time winners Champions out again By the seven time world's Best Leisure Airline Champions

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Okay. Alex, back to the guarderia. With the time, it's going to incorporate a little more. But, it's to urge this fear, no?

Why? Fallacy Ritchie? What is what he happened? here is where it's where it's a incognita, because the custodora, precisely, comment that she felt culpable, because at the most not have been vigilant, or because

at the most of that could have evitated with the children, no? But, one day in the salon, in an activity, Manolito was talking about the animals, and animals and he said that

his abuela had many animals in haulas that the

animals that were in this salon were like those she

had the mother she he asked in what

your work and Manolito he respond that he

can comment that that the care every obviously

she seems more angustia and more preoccupated for

this type of conducts and And, over all, relationing the fact that Manolito

had invited to Alex, Ritchie, and Ernesto to his fiesta. Sure. He's quite quite but he

he's a and a time, he he's got a Manolito with some flowers that had left

there in the salon the custodora giving him with that ramita of flowers to his

companyer. Uh-huh. And he says, what you are doing? And Manolito he

I'm doing what he does my abuela. I'm replicating what does my mother. So, like he was doing

with the jervas? Yes, like if were a limpia, no? The

curator it's like she was a little bit of a child of the age of Manolito three years

was a game, basically no? But of this chica starts to questionarse about the

abelita and to ask to ask you to ask you what the age, more or

less consider that has the abuela of Manolito the

woman Matilde. No, well one's about 25 says one.

No, but one 60 says another. But angustied

to get to realize the register with that Manolito is

in the guarderia and discover that Dr. Matilde de

actually has 80 years. Wow. E 80 years

that for nothing they not a really a woman to which

you can't you can't you can't you can't have been in the eyes not the

not was not that that was so you're so you get to the conclusion that that

that that woman is a woman but it's only a supposition

days more more time Manolito came with a pulser and

to his maestra. Toma, it's for you. The master he says, oh, how beautiful, my

my little, much thanks, and this? And Manolito he says, it's a pulser

like the that I gave to Richie and Alex. No, manche. Yes.

At the end of some days, Richie also falleces. And the fathers of Ritchie, enfuricied, are to ask, they're in busk

of responses, obviously, to the guarderia. But no can't say nothing. No can't find responses to what evident. Yeah, it was very late for him.

Falleceo. And at a little time, Manolito and the Sr. Matilde, also disappeared. Simply

they were one day and you know they're. That is the story that we comment.

No, manches. A see. I mean, I'm like the little

to be so little was a kind of was kind of the I was I was

in a beginning that we started this podcast there are people

have there. And all see how his family would be

like this and the other and this and the fact of the idea of

I don't know to think of this this this and is that this you know

we also there there people there people in the

magic or the alta magic for to have this youth

or the elixir of the eternal youth that we

know we sometimes not never but if there

There are occasions that are linked to a theme of children, for the thing of the thing of

their same, so are things very very the fact of the fact that that's

intentioned for a more to hauler or absorb then, well, it's

what I'm what right probably I'm trying to assimilar but what's

so far don't receive regals if they're for their people that's for your

people? You, what do you do you think is that you never know

with what intentions to do you know. There's there's a question

very know, of that you know, I'm about what you do you

do you know, yeah, but for example, no, like an act so

an act so unocent apparently can get to to come with the life of

two people. Sure. Fiat I, I want to this ultimate

story is the story, it's story we've decided to let

to make it because there There are some people young that decide

to enter to a place where not didn't enter these

people those people say that all the time all the

time has attracted the thing paranormal all the

time and sometimes the movies are not are

sufficient a sometimes you to to feel you and these friends roman

memo and juan who is the person who's manned the history says that they're partied this this

this affinity for the phenomenon and they they used to explore a place that was

put a problem they're they're they're they're they're they're

they're the place what they they're what they're Oler, a guarderia abandoned from the years

80, a building of two-pissos that was a pedasos. In his time, a temperament,

dawned the tureas provocating a incendio and derrumbes that had done with the

life of many of many years. In Mexico there is a story a little similar,

a grand tragedy that we lamented with all the thing, something

this people, says that the RETO was enter to this place at

the one of the morning to get document that is what they

they're and the plan was the second enter standing in

the place separate separate the three in time

they're going to get to be in a point and they

they're to to share the experience that had

had been they they're they were they were

Alentonados, as we say here in Mexico. They got said that the place was imponent completely

oscuro. Ollia a million radios out of from the sensation, the pesadess,

so many things feas and very things that had this place. But even they decided

they were separate each one with their liturna disposed to adventurarse to

be what they're what they said that the three accepted standing there started there started

to come one to go to the second plant of the other went to

the part of the patio where the people and other

he went to the front said he said Juan that

not they didn't any 10 minutes when he

a great in the part in the part of the people

and the sound of various sounds like strendos of made,

and there's he said Juan when I'm when I'm the

first idea is to get to be going to get to me envolvue

an emotion to think that was a point to a

normal that would be going to be emotional the person

the problem says was when I when I I'm

I grittando and I don't Mem but so

being spant and I knew that something I would go to

say that they're going to get they're the most rapidly

that could in this the drop of adrenaline to get

and I see me I'm three times because it's dark

not the piece is not there there there

there there and a lot of things and I

don't so I got where I Well, Memo. He says that when they

get them, they're done that your friend Memo is in the piece. He's very altered, no

reactionable, his respiration was a endrecordable. He costed a much a job respirator.

He said that rapidly they're to get a ambulance and they're to get to the

hospital more where where the people responsible those they're

and they said, what they're they're doing in this place?

You know, says They're saying They're talking We don't know To say At a little Time came The MMO

We're not Because we were We're going to Dormann And resulta And resulta They're They're

They're in Another different He said What he He said What had He said

He had suffered a paro Cardiaco and his levels of Glucosa They were For the

CELos They're Altitimus something something this this friend never

never had shown these signos of this signos of diabetes something

and his parents were very angustiated us castigar to Roman he pegas

something something something that for a tonteria his his friend

his he says that passed those days they they were

regularly in the school in the school, in the secondary and They'd want to talk with Memo.

I said, what had happened? What happened? What? But he said that his friend was very changed. He was very callied.

Every time they'd the time, like he was like he was like he said, you know, and he said,

and he said, and he said, I didn't tell us what was what had occurred. After that after

after that's he said, Memo ablo. And is where they discovered

something. And this is the version of Memo. He said that at this place,

he started he started yantos of the and he thought that was part of his suggestion.

And he's me I'm I'm still my mind my mind me's playing bromas,

like he he's he's after this he said that in his mind they started

to get many images like I was the place as before

when was active He said, like he started to see how all he started like he

transported to this scene but then the scene came about how he was how the

walls and he had all much tragedy he saw he saw many

many things but they're like visions and he of

he said he did he felt that something he he but when

a punt with his lantern and he said there was where I saw that there were

two children that were two little were they were completely

calcinated and they were tocund the tobio this was

vasto sufficient he said he in that he was to feel to

feel to he started to consume much and it's where he tropezo he's

he fell but he started to be how they're in more children

and they were to get to him and they were to get up

to him he said he said how he gotia for his

pants for his and he he was then he

mentioned that he he mentioned he he began

of a question of a question this a lack of to be able

to be and over the ultimate sensation that he was when a little he's

he's he's being in the piece and he says he's put his

man dark and aspera like if it was she

she said he's that put in his face and see all

these textures in the and it was when then

when Memo Collaps was where he was he was

he was and it was where when was there Memo no

couldn't tell all to tell this I'm mentioned a Juan

that he he was he said he was really that when when he was

talking again I felt that something he was that

he was practically he he's he he was very well

and he he's my friend he was traumatized

and that he he developed diabetes, something that the medical, because no can't explain

to all the whole. And this person, Memo, he's said that always for the

nights when he's going, remember that other that sensation, those visions, is an

infirno all the nights, never was a person normal. And until the final,

we say Juan, me I feel the idea to explore that guarderia

was me. I insisting so ignoring the signals of that we didn't enter

to that now my my my friend no is the same his his

health, so I never never I never to get a place this

this past several years in a part that no I'm

specific but what occurred here in Mexico what you think you

think we we we can we can we can we where Yeah.

But it's lamentable that this type of people that they're to get to get

to see those paranormal to grab that these blogs that they're in places where

not is not being not they're doing the suffering the consequences of the

imprudence some some people who I can't say your name

they entered to a guarder here in Mexico that is in the

north of the country where I think it was in the year

2009 passed a tragedy but a thing very very very

a brutality where there was obviously negligence where

there passed things where no there no there

the corruption of our country was about those

people and these people were entered to this little

not public the video No, they're because it's that we

don't do you. Within of this place it's so a

tristessa and desolation and yor they're in this place

the energy so we've talked that the energy of a energy of a

young is so now almost 50 people that

have lost there almost 50 you you you

this famous guarderia ABC that until the day of there's

no, no there's for these little people that they're

there. It's something so so, so, so, so,

and we have to this podcast, us we're a

last story. Claro. Adelante me, well. Well, first

that the numbers in the history can clearly Sarah

was a little a pretty alex, a bit chispeante this type

of attitudes in the people who they're not they're they're they're they're

they're so they're and this person that said that was a master in this

guarder not Sarah was completely happy because very

soon to move to a new house his his

papas were in the time a house and

she was was where he was going to play with his perrito Sanson. Pasa the day of the mudanza and the maestra, that was very pendent of this type of situations, she does a point that Sarah gets to the day of the next,

quite changed, trite, apagada, definitively, nothing compared to what it was and in these moments discover that Sarah

she has to to draw things where there was different there's

different things little for the people now were they're

dark and they're very very too those the

maister is a and she does know that

she is a woman a figure a a

figure in a particular and when is Sarah she responds, that is the

man that has seen to all those people. The maestra obviously is he

preoccupied and he and he is someone that is someone is someone is doing that someone

is doing but no Sarah respond that is the man that is the man that is the

night, and always say that the patio is his. The patio he pertainees. That afternoon

that's the master with the father and he says says to know that the little that

was that was so chispeante that um... Felice. ...that now now yeah no

and that is that is doing things that not should to be a age? The parents

are so they're but they're they're all with that the brothers

are are they are both peliculars of terror with her, no? That not they're going to

reganer, they're going to call the attention for that you're not making participate

to Sarah of this type of activities. And the father of Sarah culmina

saying to the master that no she don't worry, that Sarah has a imagination

that's quite actually actually active. Okay? Sarah has a

new different he's this This was he was he was cabing in the

piece and a side of him many people when the master

and he asked Sarah, Sarah he said that he he was he was

to all and he was he was he obviously the maester

still still preoccupated again to comment to say

to Sarah and this once the parents of Sarah he said something completely scalofrient

result that Sanson, the perrito of Sarah playing in the patio excav

and he he found a one of the of the new house was a ex-policia

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They had to analyze and to take all the they were many people of women this man, this

entity or this ser, was an assessino whose identity not is rebella but that

in his moment had realized multiple assassinations to women and no he no he found

a better than the patio of the house. They were to move to

obviously, because the presence was too very hard. And the last that was

that was that was that had to take a psychologica but

never was the same. No, manches Amira. I don't know.

I mean, I was I was about a person of how these cases

that they sound so very a sometimes we imagine we

just only are those that we've been in documentaries in movies

in series but we're to say something that does

we do we we we we know that

you know you say Bill Man Aranc that

him man in a heart brazo are are some

because are people you those you normal, functionales, can be

parents, can be what they're, but they're a part of the where only we're

just that there's that there. And it's it's a fear because always

that we talk about the time of the children, I'm I can't

to say it, they're they're they're they're much to their

not confi in nobody, careen us much because in this society we've been so around

of these camalions there's a case that I don't what I can say here obviously

is to our page and not because I want but the description is so crud

is a case that in Brazil and it's so crud what what occurs

there and, unfortunately, well, peckonito, was paid those plato rotos.

It's something cruel, a case that's worth to say it, to start the conscience in the

adults, of that they're that they're much to their children. Because

there are so risks spiritual as, as physical, so reales too. So,

So it's an episode that, I really me surprised you I'm very thank you thank you

for to be in our invitation. How do you do you know? I'm a past past quite well

it's quite curious to hear this type of stories and know that are what

is more impactant still. So, so much thanks for start with

us thank to all the audience that gets to here by

for favor with the Alma, you soplica that before you

don't forget your like, subscribe if you listen you're not you don't forget

that there an option that says to give that you to be a member official

of this grand community and remember that Monse as

your server we've goted some that you have you're

in our page web that's www podcast extramanormal.com.m.m.

And here I'll go the adelanto. Until the next. Bye-bye. The name Louis Enrique

of Lima of 25 years escaled the mural perimmetral of this institution

porting a r rambac a type a ch- They're to get to get a

guarderia and every once discover that with the time, the people the kids are crying.

The kids start to make a pee in the camera because they're not want to go to

the guarderia. And he started to attack in form repentina and extremely violent.

Gollating primarily the head of the mhmers. He does he does know that

to the long, between the pasto and a few meters of the arroo

was the man so strong so brutal that

was this that that that the that was

at the of the one of the one of the people the

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