EXTRA ANORMAL - La NIÑA FANTASMA De La Escuela | Historias macabras De MAESTROS

Episode Date: December 16, 2025

En este episodio de Extra Anormal Podcast te llevamos a un lugar donde el terror no empieza de noche… empieza cuando suena la campana. 🔔🏫Porque hay escuelas donde no solo se quedan los recuerdos… también se quedan las presencias. 👁️‍🗨️😰Prepárate para relatos macabros de maestros que vivieron cosas imposibles de explicar:- Marcos, profesor enviado a un pueblo, tuvo que huir porque en esa escuela los espíritus lo corrieron… literalmente. 🌫️🚪- 🛤️ En un camino rumbo a una escuela, se escuchaban y veían almas en pena de una familia “desvivida”… y nadie se atrevía a pasar solo. 🕯️😨- Paulina, trabajando en la sierra de Oaxaca, cuenta cómo a un alumno se le pegó un chaneque… pero lo peor fue cuando esa entidad terminó siguiendo a la maestra. 👣- En otra escuela, un ancianito advertía a los jóvenes: “NO crucen el lago”… pero nadie sabía si era un protector… o el que se los llevaba. 😵‍💫⚠️- Un profesor narra el caso de un alumno que se desvivió por bullying… y después, una entidad comenzó a imitarlo como si siguiera ahí. 🥶🪞- Durante un evento escolar, maestros vieron el alma de una niña cerca de un pozo… y desde ese día, ese lugar quedó marcado. 👧🏻🕯️- Y el relato más oscuro: una niña con un trágico y desgarrador final. dicen que su espíritu aún vaga en los baños. 😭🚪⚠️ Advertencia: historias fuertes y temas sensibles. Se recomienda discreción.Si te gusta el terror real y lo paranormal, quédate hasta el final… porque estas historias no se olvidan. 🖤🎙️💬 Comenta: ¿Cuál de estos relatos te dio más miedo y por qué?#extraanormalpodcast

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Hello, Mom, how are you? Hello, I'm very good. How did your new job? How did you have sent you? I'm very well, Mommy. I'm here today's time to the people, and the truth is that all the world me treated very well.

I'm very happy. The actual, the director me gave permission to get me to get me to work. Here in a salon. Now, I'm going to the class of the morning. I'm very good,

that you have been good, I hope that you're not so difficult and can learn much with you. For favor,

thank you and try to one of the people and you don't you to do you

mom, you're there? The Maestors have recorried every from this place,

from mountains, and the sun and the night, and the those places, the schools of day and the

night, can be changed much. From apparitions, sombras, and gritty of the nymphs that exist. So, prepare, because you will know those stories that come from the rinket from the corner of this country. Welcome.

Thank you. What I'm going to do. be welcome to a a chapter more of a podcast extra

anormal. My name is Paco Arias and I'm happy to start

in a episode with all of all of a episode very special principally point number

one Histories of Maestors for me in the personal the

theme of the stories of the professors doctors and are these stories

very fascinating so especially these people to go to

places are quite awayed. Some are people, others are regions just are

quite away of the civilization. Alegated of the civilization and

toparse with things strange. It's one of the causeants

that these are that's quite and I want to present

a person that has been earlier with me that I

have much good to have here because to

talk stories of the masters we and a

professor of a 30 years of service, and that, also, is my

mother. How are you? Very well. Very content. Thank you. Thank you. Thank you. And the truth

is that I entucasma much to talk about these stories of maestros. I mean, initially, many of the

stories that I was because you were because you was, something you was in these people,

in these places where you took to go to go and, before to start, I'd like

I know I know I see that many people yeah see that many

I'm in but for the people that are people who are new in the

channel tell us how were your experiences that lived in these

places when you took when you work in these places

at at time I'm I'm I'm I'm I'm

I'm I'm never I've seen things so but

conform to the time, to the years that were passing, well, I said, well,

are things that are because for me, I think, no, they're pure

questions, are pure stories, but no. Then I did that the things

existent, so, so, so, that I lived, I was that I

didn't, I've made, a little in my world. So, then I

did know that the paranormal is, you know, of that you

you know you can't you can't tell us something something is that this is you know

it's a very much time but for the people that's here for first time can

say where was? Look it's a place there's a place there's

a place now so the really that the school disappeared

okay for that mald so there had much a

much a and then those brusas in the night were maldades. I'maned moureteed.

Cosa that I don't think I'm going to be to be moureteed to my company was

and in the night I saw the ball of lumbes, a ball of the like if

some some of people were playing and they were and they were

and so so my so my eyes no nobody me nobody me

nobody me me nobody me that you said I was when when I started the podcast, because, obviously, my

mother me told about all this. And is that, I remember when you said, I was up in the night, the madrugada, was the window, you know, you had the vista of the serros, of the arbores. And there were those balls of fire. There were

those balls of the water. And it were like four, five balls of fire that were so, between them. But Grandes. Ah, yes. Grandes. And in the people, they said that this were bruchas? in the people

they said that they're bruchas in one occasion I'm the time the last

that I'm that I'm there an assembly in the people but

as they their dialects I don't I don't and I kept listening

but I'm trying or getting or to understand

that what he's in that was a man

and he I'm and he is that here, there are various brujas, maestra, me but there's one that's doing much maldad. And right they're, they're, they're in the assembly,

to take her to get her to go. Yeah, no, they want to. And who is? There, ma'est, is the that who lives here, pegadito to her court. So, you know, I'd basically the side of where you'd dormia. Yeah, that we'd, divide it to 30 centimeters. Uh-huh.

And it was that, then, I think that's, is that I mean, at the final of the experiences that are you live, in your case, what you've lived, for many years, because it's something that I'm to recognize of these professionals, initiating their career, those manned,

they're in Wajaka, so it's And there are many, and there are much maestros, companions, that don't want them. Tierra the twilight, and they're because, because we're accustomed to to take our coquita, fria,

eat what we want to be and we want to in a community where no there's light all the time. Taquitos

of yerbamora, gejote, tepejilote. So, the truth, is a change a lot of and the

that's not used, well, no more. But the experiences one that you said were

very furs. Before to start, I want to tell a story, but I want to give the information prioritia for all the

people. If it's the first time that you're in this channel, you want to pay for favor that you subscribe to this channel, active notifications, because if you're doing more and more stories, also if you're doing this in the media of podcast like Spotify,

there also you can't see it. And recordartes that, my mother, as your server, we've got to be available in our page web, that is triple www.podcastranormal.com.m.x

because it's a story prohibited, and there you'll be able to find. Mami, before to start, I want to tell you a story. This story me to share a professor that only us pite that we call him Markos.

Markos us says that this he occurred before years when he was culminating his studies in the normal to be a professor.

He says that in that then he took to do do the service for the people who are in Mexico the service

is when you send to your school to do a school to do class to start working

like if you just you're working but obviously without the money of the

pay you say they're they're so they do you do they they're

so when they they're when they they that says that was about four hours of his house.

He had to transbordar three times in three camions different until that came to get a place that

he's known as a rio-blanko. He's that getting to this place, it was a

little, and when me said a little of no more of 200 people, very

chiquito, no, there was light electric, no there many there

at Tendas the people, not all the people had a

Spanish they're their language so so Marko he

said you well you know you know that's I'm

not I don't I'm to do this but it's to put the time the

hours that they're they're they're they present to the director that's

the person that's the person that he's a where he's going to pass

the night's the fourth us he said marcos that

unfortunately was very very acconditioned he had a television

a a reproductor of VHS that's of the other where

there's there's there's there's like in cassettes grand a

a a a mack and and it's all he's

when he's obviously the school also was a

school there only there three salons he, as

now now I'm to start studying for a professor of a telesecundaria

that for the people that I've heard of the telesecundaria is a

format in Mexico in Mexico of school where the television

as a program in the television in base to the material

and the professor refuer this this And so this second

in this telesecundary there were only three salons and three

maestors with him. When he gets, he gets a point that the students are little the school is very chicita and he's going to the people, to his students, he's going to the parents of family and he says that conform

going to pass into the days, the things were normalizing. He was like acopland. He said that the students he gave the welcome. He said, never faltsed the students that are in their dialect. And who's, who can't say that they're they're talking, they say, because they're

looking, but you know, they're talking about you? But they're like, he says, he me, he says, who knows, and they're getting, or something? But, well, just, God, he says, because I know what they said. And he said, and he said, he went copland.

Of course, I'll go ahead, the days of the time, and he said, he knew a various parents of family, that they were invited to eat to eat to come to his houses, he's, they invited, too, to

at certain places, and he was accustomed to pass the times. He said

that one morning of a Saturday, he went to to come to

a house of a house. Salient to this house, she top a

woman that I had a that I said, and I said,

me go to buy to buy a bit of fruit. He said me

kept talking with the woman and I'm to say you

the new master of the people that we and we we

started to to talk. After that the woman made

a comment that he made he's he's he's strange, me

he's I'm like, he said, he said, you know, you know should not

should be to do the night but me it like in a tone like

of the but at the same time like a little serious and

I'm I respond said because why pass the yorona

or the charro or because like buromium and

He says that the senior he changed to your expression, it's more serious and he

said, no, Profe, ohalal say to that's a little not a

night. The people after the night don't come from their houses. You don't

not go to your court. He said he said he's he's not

no, no, no, he did no, no, he said, he said,

he said, in serious, he said a way, well, he's, he's went,

but he's He's still getting with that idea of why in some moment

he said, he said, I said, me said, I'm going to go out in the night, that you

know, and the professor like, he said, he said, look, we know, we know,

we don't we need to get to night, but why? It's for a time of security.

I mean, this Marcos thought that was a problem, like, he said,

no, of that so, of that's not the people not permit that these

people, enter and if a person to catch them doing something indebidden all the people all the people

and they're going and they're the people of this people not not with those things

but what they're not by people people. They're talking to a

different. He's but what? Tell me. And also he was talking

to the director and he will be to say oh yeah talking with him of other

things Saca the time. Yeah, we're doing that we're saying that not out of

night. Why? What's the director? You know? And other he's the director that

no says nothing. So, like, only say, are the people, but there are

to make a case. No, say, never nobody he said, because

only only they say, no you say. Well, obviously, to mark this,

he desparta the interest, the doubt to know, because no, I'm to say,

Mark us says that he, to all a way not because

there's no way there's he's, he's, I'm like I'm never,

I'm to get a good hour. But in a occasion passed a different. He said

in one occasion was a Saturday. He said, he finished to calific some

examines, he was preparing a time, and I was coming too, yeah

he was going to see to see, I'm going to see, I'm, I'm,

I'm, I'm, I'm, I'm, they had for here, I'm

fico if the reproductor of VHS function, if it's a

little and I'm put a see, I put to see the one of the morning

and say I'm I don't I'm I'm I'm I'm don't

you don't say and says Marcos why no I'm

said my window was my I'm I'm I'm

all The casas apagas, so why? No, there's nothing. No, I don't see in nothing. Camina the

door, open the door, and he's out. In the moment that I went to something

that's all a very rarro. What so did? All changed. Like,

I was, I was, I was, I was, I was in, much neblin the,

the houses that in the majority were of adobe and block, of material, as they

were different, they were like if they were like if were made. And apart, I don't be more

a lot of where normally it's like there's like a cortina that he would be a so, like

only see some some of the little, and you see a nothing, it's not, it's

a new, he said, something, even the, the, the piece that was to be a

little, now it was, like, he went to a little different, I was, I was,

I was seeing the same, but all was changed. I said,

I started like a feeling like a feeling like a message of the and a voice in my never said, not you get to

get a little and it's he said that something like something he was like he was he's

he's the way, he he says the door and when he starts the door he

he'scuched how someone was up coming on his He says that the techo that he had in his quarter, was of material,

was of cement, but that above of the techo had a lamine. This was he put in some places to protect the techo, that no, there was no, there's no problem with the material. So, it said,

it was a person that was going to one to another. It was, it was, it was one of the morning, I was in-serrado, and it was

heard how correa someone for the lamina and it's I'm

the and it's it's it's a lot of it and how he

in the piece in the earth so it's and and he

and he starts around of the quarter says Markos that

he felt much fear because he did know

that something he was his instinct was to move

to get it to get to get to get to the

ventanas, also also he says, and he says he's got how a lot of people were outside. Yeah,

not it was one, they're many. He's not he's not. He's not they're like saying, man, they're

saying, and he says, how, between many people, they're going to get a point to

to open to make it. Marko he does know that the point to be a point to

be able and the Pronto, it's recarrague as possible to avoid

the door and he says that the rest of the people they were

to hear they're around of the house and someone more

and he was a point to open to open the

door all all all is completely dark and

it and he and it kind and he

sitting literally put the moving the covering the door.

He despirta, cansado, recordando all what had in theory as he's

but very confused if all this he had or he had seen, or he had seen,

he said Marcos that he's with a heart and that when he

did a day it was it was a lunn's then he had passed

all the doming dormido domino the night of the doming and the

night of the Monday. He says, that he was because I went to

get to get to get to get to go to get to do and I'mbr and much set.

Practically he's not so much hours. He said he's to get to to be a

coffee and he's to go to school and he says that in the school these

things he said he said was doing his class but gave these

these things of what he had been but he's confused

of what he's or he So, so know. So, so it was very rare, all the, no, he kept clear what is what was

going to. He said that after the classes, he said to talk to be the director of the school,

he said, he said, he said, and he went to come with the woman that she said

to come. He said, when he came, there was the woman, that's the person,

the woman that's the woman that the fruit and that they were waiting and that's and they

said, that the first that they when When he gets, Professor, why he's got the night of the Saturday of his house?

And he's all, well, he's extra- how you know, how you know, only I went, only said, and me regress, and he said, why, how do you know, prof?

We, we said, that no, he said that he said. So, Mark, so, ma'am, that that he had lived, no, was a dream.

really was something was something and he said, and he he was he told

the experience that he lived and the people are saying, Profe, that's only was

an advertency. But what is, what are those people? What Marcos

thought in some moment was, are the people that's that I

disovedecis as like a law that they were lyncharm. It's

what he he's imagined more the thing paranormal and these these

people they said they're that not that that that was

there was like a kind of a spirit and

they mentioned that that was only a was

only a that you have to do is

now of the people for nothing of you

have to pass a night more and not

because you have done something you top with

these, well, we're going to call them these spirits, and not they're going to go. This what happened is an advertency, and we don't want to do you pass, Prove. It has to go to the people.

Markos, confused how I'm going to go, no I've terminated the service, I mean, confused totally, totally. And he says, is that this is that this is a problem, but, or so, no

they're going to put the people, to make a drama, all organized, for to spantarm me, and over the tone of these ladies, that was very in serious, he says that

he's a director to explain to the situation of what is what is what is going, and that the director, the first is,

Marcos, you have to go right now. And to the people, me said, no you can't get

here. And is where Marcos is a point, evidently that this is something real.

It's more than to any that's this is real. He's that the director

he says, not you preoccupies for your service. I'm to signer all the

hours completeas but you need to go to you know and he always

he always had his his robe in his maleta so so much

so much but literally he went to that people for the

advertency that they gave all the person and he said I'm

I've got got the of the people the people

I'm I'm I but all why? It's like that this more than

to be a great, it was a thing that the people really really had and something

that was that that night Marcos came to rumbo to his city

and said that this was when he was a student today for now is

a professor but he said that never I'll forget

that first that he took to go to go to

and that took with something that not is precisely a little

I don't see what you think you there are many things in the the loci are very

in the people in the in the people in the people in a community

not you don't say not you go to go out of here we need to we need to

we're we're we're not we're we're we're we're we don't

we're we're in one occasion me made to a community

Well, I I came to the supervision and this me said the supervisor comes he's list he said

he said you're going to send to a public where no there's a school you

you're going to get to fund the school okay he says look see

they're they're they're they're but if you you have you have

you You know, you find a camionetta, and you get a more or less a promedious of four hours, and just you'd just comeinaries the middle. Okay, proffy, well, I said, I'm going to do your order, and you go? Yes, I'm going. Then, I entered that I've

had gotten like 10 companions, and the maestro, and the master to offer that school, that's the place, and no didn't go to go.

You, why accepted to go? Because I said, well, I'm

went. Well, I went. I've the I've had

said the master. I'm back. I'm back. And I'm back to come

to walk, a, pure down, pure back to go.

You? So, or with? I'm just. You only?

Until I to get to the people. I community, I'm

with the authority municipal, because no there school. And I said that I

would I went to the school and I said, yes, maestra, no there's no

I'm going to go to go to get to get to get to get to be to

be to be to get to very good And me says, "'Mayn't a tempradito "'vince, because right "'I'm going to

"'empsychar in the "'microfoam. "'For that the "'lunus "'and you "'as, okay. "'Tube much "'suppoyed

"'of the authority. "'At the other day "'he came, "'and, "'and, so, "'and so many "'Muchuchos. "'And so,

"'and I'm "'I'm very content. "'It's a "'Polute. "'It's a world "'mil very "'any beautiful. "'Tine much

"'Tine much "'history. "'T has a "'Tin a church a beautiful. So,

so, there I went, it was, it was a month, two months,

three months. Like at the six months, a time, I saw that there were much

movement, and I made so, what happened? And me said, one, one,

maestra, is that there, in the Loma, there, where you can,

when you when you go to the supervision, Maestra, in the

mero came. Matarone a family complete. How? Yes, maestra, says.

Look, he said, it's, he said, the senior, the father. A lady

said, that the wife of the woman, said, a point to give a light, and

a girl of five years. They'd said that had been to do to clean

their milpa. And it had passed, and they were and

the woman said, well, she didn't want to

her unbarazzo, when those he was the manned of the manned in a

caboio said, he said, I don't see, he'd know, we know,

we know, we know, we know, and he said, oh, yeah, your son,

and that and why? Why? You're got to my parcel? And they

were, they're all over, now, what's the past? And he said the

woman, calmate, don't I remember how was the name, the

No, no, I'm going to I'm talking I'm talking with this, I'm going to tell and for what? Why is a milpa, he said, he's a minute you to my parcel. And he said the brother, no, carnal, he says, you cocecha what I said, me went to

that, no, no, that's so I can't, then he's a machete, Paco? And, you know, and tell the people that all, to, all to us, to go. To all?

To all. To all, to the The lady said that he gave a mere pans. So, there were thrown. The three, the four, because the baby that came, also, they were, also. And he said that that man was out of hispavorido. Loco, he went, and in the

cabalio. Ullo. The people who looked and he was and he was still, he said that he was he was, he met. I mean, I imagine that he entered, no, his conscience. Well, so, then that's a they were to

get up the world and all that's it. And then they were

the days and the people passed over there in the night because the

people there sienbring a hayes, brifol and the people

accustomed to get very late. They're they're they're they're they're

they're they're they're they're they're like beheaded. Like, like they'd say, ah, ah. And me one of my students, a master, and you, when you go to the

supervision, he's going to the three of the morning. Because I had to go to my time, because I had to go to the hospital, at the 9, at the 10 of the morning. And me I was I, imagine. Imagine at the mere hour pesada. But, caminando? No, there was. No, no, there was another option? Caminando, and I had I to pass for there. And me

said, no, ma'est, we, we're going to be able to promise. Well, imagine it. I'm not. I'm not going to get to pass something. I said, I, God, God, me, that no me name in front. And pass, Paco. Me citin to the supervision. They said, I said, I said, now, now, in the name of Jesus, I'm going.

And then, then, because they were, no, because they were where, and all of them. And then they put them in the cruises, they put some of the cruces of madera, there. Yeah. When I was

I, Paco, I, how they moved on some plants, like, I, I know, I don't I heard quixed,

but I see how they moved on a matas of platano and I sent in that moment a scalofrio

but a scalofrio tremendous and I said well, I'm in the name of Jesus

and I pass it and I know I don't go back there yeah when

me citable I'd I'd I'd all the way you're so you

more? No. Caminded I just four hours and I'd take a bus to give you a car to give me all the world for the state of Puebla to get to another way to the state of

Oax. It were like 12 hours at-pient in a bus but I sometimes preferia that to go back to pass for there.

All the people said that they'd like they'd them. So, what they did for

not to pass for there, they did another way. And they were the way. And that was the

way of the mipa. The way the old. The old. Uh-huh. They did other

no way. Because the poor people had to pass a day. Tanttoe as much as

when they were of their work. So, all because the people to work at the

time. Yes. Very very very time. They're to get to time

and to to take the day. Uh-huh. And in the night, well, yeah they're in

tardecito. Fidate. Wow. Oh, I, I think, too, I always did,

and I've mentioned a ma, ma, of the that the times more furs

in these places, I mean, I mean, are very little, people, very beautiful.

But, but a sometimes, also the crimes that are there are, there are

very, so, so, this man, you imagine, to the man, to the

Cunada. To the coonada. To the subrina and the other that came in the no manches.

It were four people. And is that I mean obviously there's what you

repeat in many stories. It's a tragedy and then the people experimented

this type of experiences not, these visions, these sonnidos lamentos that's

they're repitient because there four people per die four

people. I want I want to tell another story, ma. That story is called the

friend of my alum. This story is a very, very interesting,

and in comparison with other stories, not have so much time. This

has five years in the year 2020, and we don't

and we don't share Paulina. She says that when terminate

his studies in the normal, he assigned the first

plaza as a master rural. He said that she said that they made

a little poblado in the Sierra Mige of Waxaca and he he said and it's a

little a place it's a beautiful a new in neblin for the mountains

and can't and many houses that are made even adobe also and dobe

and some some are of material and says that in this

place the things not always never have an explanation says

that this is what the people said that there were things that sometimes not have an explanation

and it's that the school where he to work is a school a little a school

and a school primary and that this school had a little salons. He said

that more had three salons and in those three they were classes from first

to sixth grade. It's repartia in the morning in the time in the morning at

the time was a second. It was exactly because it was very little

and he said that she he took to give classes to a group of third grade, of more or less about, one of those eight or ten students approximately.

Well, Paulina, was a woman relatively young. He had his 24, 25 years. So, then, so, he's got to

his parents, and he starts this life laboral, there, so, and he said that's so

he did that's very complicated all, no? The, being isolated of all,

without, without, and sometimes in some zones, any there's

no, you know you've got to adaptate. She says that all getting, she's

she's all normal, to try to familiarize with his students, to do the things

well, and he said, the group that the group that he took, and she

me it was a group that was a group were very disordernated, they were

even there even there even even even even motherna. No, they didn't. No, they said. It was very complicated.

Apart, of that all the time, says, so, me per'd all the time, they'd perished, to the students, they'd robes,

even their food, even, and they'd, they'd, and, so, someone, so,

he'd and he'd many things in the salon, many things, and, and, I was,

I was, that every Monday she would be and she had to do you

a packete of plumones and for the yearness they were getting

and they are getting and the things they were getting until one of

the one of the little says that he has got a car

of colors new she they're got to get to

she was and she did I'm done I'm

pute that the company to the other I

had to to So, a mode, he said, I like a sermon of respect, of that you,

I mean, I said, I'm going to take the other, and he's, and then every one

was about revisiting the mochillas. There, a new, Julian, the only

that no accepted, that took his mochila. He said, that when said, he,

he, he gotro's, he, he, he said, and he just, and he,

nobody to nobody took to his mochal. And he said, Paulina,

It was easy to think that this man was a person that was urtating or robing to

to the other says, no, I mean to say nothing to put it to get it,

I'm, he said that it was the hour of the time of the time of the recreo

and all allen and says that's he says that the mochila to reviewer just to

confirmer if it is or not is the child that's the things.

He says that when Cargall the mochila of Julian, this was a pesidissimo. It was like if you

trajera pietras there and he said that be like if there was a little

something that was a little. Dice that in when when the sierre,

be something that had like a but brinca from the mochila to the

piece of the salon and he's going and he goes. And it's

Paulina that this was like, she thought that was like a cat. But no. When brink the

piece of the salon, he said that was being a biped, he'd in two

patas. I was encorvado and had cabell from here to the coxies

recorriending to the column. I had all this had all of the

hair. He had and his feet were more large and his

were long but his postura was like you

he was he erguido and he he curried in two patas paulina pego the gritty obviously what is that what is that was that it was very strange because

no she was he was a animal had a head and he was she was like she was like she was like a little

a baby little that was he was very very agile very much very agile obviously

he said he said he said that he said giving his class and And at finalized, he's

a Julian. And obviously he says, Oye, what you trails in your mochilla? He's

he's spanta and like he's put nervous. And he started, in dialect. No,

he said, in Spanish. And he said to his other people, what did? And like

they're saying, Julian, what you're trying in your mochila? What is

that? And he said, Julian he respond, my My friend. It's my

friend. But what is? What is? What is? What is? And he says that Julian he says,

I don't see, one day I went with my abuel to revis our sebradios

there for the mountain. And there me I'm found it. And

since he's with me so I'm simply but what is Julian?

Julian no said No, she'll respond. Only he said that he'll see you. She says that he goes to talk about with his papas.

I know what's what's going what is that? Busca his parents and says that when he says the question,

his papas don't know to what they were saying, but when I do the description of what was,

says her mom and his father, let's change his rostro and me They're saying a

word that I never thought to say that they're to say they're chankees, maestra

but how? So, are cheneques? I don't say, if we not we

know we have some some that's that changed, and

it was after that was with the abel to the mountain and

we know we're we're talking only, she's he says

about only so in the fourth, he's out of the house

in the night, we're in the patio, and there's yeah, he's, yeah,

my husband and he's but not we're something. He said that the

day the next see a Julianan and he and he says, talk me of

your friend what is, and he said that he said that he said

he said he says he's that he is the he's he's he's

he he's that Julian she gets to the master to

after to the school where there there and get a

place where the land is like a and he

and he starts and he encounter an oyo there

infinity of plumons of libretas quaderns colors and

bols of clothes of food that and say is that

is what he like to be my my friend, he likes to robars the things.

And they let's he's left away. There's a man. Obviously, Paolina,

the maestra us says that I know, I know, I know what said, I know, and

I didn't any, you see that the people say, they're in these things, but he said,

I was, I saw, how brinked from the mochila to, the piece, I saw

how he he, how even he's, how even He said that Julian he went to go to

to go to the school more or less for a time. And I did my

change that day. I don't want to be there for that I mean. He said

that the day, his last day that he took to do and then after

then he was going and he said, I despid of Julian the abrasso

and he said thank thanks maester yeah me they got to

he said that he he told that his papas, he brought with a

bigito, with a man that's he's he's he's the problem

is that he's he's thank for keep him but he says

that he's that's that's what he said. Paolina says

that he sent a frio also a in the moment

that his woman he said me I'm I

went that this same time and I and after five years,

I still don't understand what what happens in my life. I've attempted re-hacer my life, to change of houses various times, but the things still are going.

He's said that they're still perading things, he's called a passos. He says that's been that's perils

and ameces and muertos. And me says at the final, the is that now I'm just that I'm

unbarasada. Faults three months for that can be my son, and no I don't

to think that maybe that's maybe still still here. So, I'm now

for your son. How you see, ma? It's too. Duendes. In a

school, we know, we have classes of education physical, or we prepare us

for events deportives, and we have to a camp and we pass for some

plataner, a campo like, a vered, and even there was in the camp for

practice. That was an option to get to get more to go and go to

go to the road. But it was more and a one way I said

my one maestra let me go, and me say there are

there are chanekes or duend So, so you did it you know? I'm

they're they're they're they're they're We don't know we're We don't know We don't

We're saying And I said And no they're No, Maestra And how are They're A chiquititit me says

But something But I'm I'm gonna I'm Meshra Come, Meshra And I For my

curiosity I don't I've seen There I go We We're We're

We're Oh, When When I'm When I'm When I'm You know I just wanted to be much, and I just never saw any how I was out of there.

But what was what you saw? One of them, like, as little, but pequinitos. And I was like, so, so they'd be, so they'd be in a lot of the plantar. And he'd say to my chichael, never will go to come to here. It's so. So, me makes curious because you've seen, my abuelita, also, too, your mom. And I've got to me, ver those many times. Well,

look, I'm going to tell another. I'm in various communities, many

communities. Levering to one. Lge to come to the morning. And me

went to see to see the director. It was a school grandesit.

And I waited because the director was attending the group that me

took about. Because the master that had had been had been

for or jubilation or for change, I don't I remember. And he's kept attending the group that I'm going to and then he's

and I he gave my documents and all I'm my master, I present with the young we're going.

We've got and he presented and she went and I kept with with the

and we started to talk of the hours, of the materials, that the other, than the other, the normal, no? Well, we're talking

in those, they're saying one, Maestra, today we're to go to go to see the orthalisa. Uh-huh. And I'll

say, for the other we're going. No, Maestra, today we're we're talking. We're we're still,

we're no, we're getting, no, I'm going to let me see, no, how it's all,

and today we know, and today we we're, and I'm in-quieto because, is that with the director, we're going to go when you went. I mean,

I kept. And if me, they're gonna' two little, and me say, Maestra, those children, say, are very travisos. And the hortica, says,

Keda, yeah, back of the school, maestra. And, more ahead, says, there, there's like a laguna, a lago. And, says, there There are some

peter grandotas that have many legends maestra says the

people say that they've been have many people in

serious so that's there's there is a and that the

old and that preven to the people that they say no

they're not because many they're they don't they're

they force, the hails, and she they're to get to the

phone. And the really me entro mehurt and the children, you know,

they were with the psal, with the pico, with the machete and all,

I went. There on the laguna, there were many trees fruitals,

naranja, there coco, bagitos, and we were in the world

when me said the most inquieter, maestra, we to cut an orange.

And I said, no. Because the children have been had had been

about. We're maestra, no doesn't nothing. When I see,

three of them, they're going on the way to the

lake. And I'm upured. I'm I'm and I got

to get to because I came I really probably

because they were paralyzed and had been have meted his feet to the water, and they're pared out of the water, and I came.

And effectively, the bigot was he was talking. Oh, so, there was a a man who's a man who's a man that. There are some pietas, and detract of those pietas, and after those pietas, and I'm going, and

were the chomacos, as like, paralyzed. And I got those tombs of the and I kept me looking at the Lord and I said Chimacos, he says, no, they're not

in the water. Many people say, they get, they're going to cross. A much they're

good, but others not. The other side is where they were the arvoles of naranca?

Yes. And they're my chakas so, not pass but one

of them go, no, no they were like, yes? So, and then I said,

let's, because I just with the old, I felt a thing that feas.

And I no, no, go, but I in me, I was I was I,

I, I, I, no. And I, the good was that the children

They obeyed them. Yes. And we got us. And the chambacas were like. Maestra, what happened? No, no. No, no.

Yes, we said, we were how they were saying something that someone that was and I didn't say nothing.

I said, no. Yes, that's that's there's I'm to tell the

and you what, Pac, what I did? I did that that ortaleza. I don't go to the artalisa. Yeah,

I'd more implemente other activities because, I go, no. Imagineate where a chachio's me awoke?

So, that was part of a matter or something? Well, sometimes they implement

activities, right, for that the muchuch to learn other things. And then then I said

to my companions, you know, what? Because we're not we're organized and we

do things? Music, dance. Music, dance, to teach us to do things that they're

they're going to they're going to I'm saying, I'm saying massafina they'll they can't their money.

Cossas that they're things that I'm right I don't want I don't want hortic is that I mean

I can't think to I'm just like the hour a... A diversion It's a It's a

one of because many didn't even to limpire they were They were to You imagine, what good

that's... Alcansal. No, it's not. Where you'd have passed. No, the part of you metes in a problem very strong. Yeah, and then I

commented with a father of family and me said the same. That had been there had been there had been there.

And so, and they said, me said, of that he said, that's the little, appeared in some peteras

that's done there. There's much matas of plant, no, gerb, I mean, the good that's always

to say to that's that's a man, that's a man, but it's

like a man, it's a spirit. I think because of the nothing

and nobody know it in the people. It's that you have to be

to all, I mean, I mean, I mean, I mean, this profession of this profession, to travel

from a community to another, of a country, tantas there in these

places, tantas things, tantos phenomenos strange that you have tuced over, ma'am. I only can't say that you're a woman very

very valiant. No, I've seen much. Look, I'm going to tell this ultimate story. This story

is called The Silence of Hugo, and it's a master also. This occurred in the year 2021.

This master also is a master of tele-secundaria in the afurars of a city that is

small to north of the country. He's he's a

little quite so there's no way there's in the night

only they're the grills the animals and a little

very very beautiful. He said when he he took

to give classes to the students of second

of secondary and when when Rapidly, they'll know

who is the alum problematic, who is the student who is the student who

doesn't the he doesn't molestate. And he he has the name of

Arturo. This student was insupportable. The malo is that was that was

a child of a police a person of an person of authority in the

people. So you you can't get with that alum, because

his father could make that's that's that's that's

that's you're not, you're lynch and in these in those

places, in many, so in customs. No, there's there's

the law, so, so, then, so, so, so,

there's another, other other alumno, Hugo. Hugo, was the alum, curiously, much

more grand than Arturo. It was great, the man. Reillinito, robustito, gourdito, very tranquil, cuddled, very noble. And all the time, was molestated by Arturo.

Arturo he said some bromas very, very pesadas, to this man, he was. He was,

he had, he put a podos like the gordo, the apestos, or things so so much despectives very

horrible and he said he was he was looking to look to go

to the arms and he not this professor no says

if only this only this student knew and with

what that could easily could easily to get

to he I think he he he he He said that

the school there was a there was a very problematic this he was not two perros that were

all the time amarrated and they had created a form very agressive and said all those who passed

pegatito to the porthon the perros sawed they're at the case and so

like if they were like they're like they're like all the all the

all of the people had to passers the other side because they

had a fear. But he noticed something strange. Hugo, the alumna, the al-al-al- he did in the bullying, we're going to call him, he, not immutable, he if

passed down, the other other side. The perrots had, he'd, saccabbaugh, and Hugo even was acariceable. He called the attention that this alum, well, not he said nothing. And obviously,

he asked, and he says that Hugo he responds, is that are animals incomprehendid, Prof. Only that. So that, and so, but he called the attention to him,

the same to know how this alumno, in some way, like, he had all this. They'd be passing the days, they'd pass into the things, and he'd say that the burlars as to Hugo were constant.

He'd started Arturo, and then they'd other two companions, who were like, his compita, his friends, and has to count that Arturo,

he says the chiste, and the other's reen and elevates more the level of burl. And, well, Hugo still callied he said

he said he said that they were they were to get him and they they were

to get him and they were to get him and they're I'm reprended many times but many

times me took to lead with the father of and always he said

if you keep working in this school not you don't you metas

with me and all the time and he said the fact I was

I don't I was I was I was I was said This, you have to defend it. And Hugo only moved to the

head and said that no, that he was not, he was not, he was not, he was to play. He said that one he said, they were, they were, listening,

well, the class in the television, because it was a tele-secundary, and of a pronged, an odor, fetid,

an olor apestoso. And he says that, de-go-a-arturo, the bromist, the pesado, does a chiste referent to Hugo.

He said, no manch, you, you know, he's got, that's what, so, he's going to get to get a rojo

to the car, he taped the rostro with the hands, and he said, he said, he said,

he had been he had been infermo at the stomach, and, he was, he got,

he went and he, he went to go ahead to his house. He said he,

he, he didn't in various days. In various days, no he

until a day simply he said this master, that when he gets

this alum, he goes different. But I think they pay attention to this

because me called much the attention. It was like was a

person. He said that Arturo in when he saw he he started

to make to make that he making a reference to you cagastos or

things and this this he not aghaba the And he said,

he kept mirro with a mirro with a mirro and he he's

a grader that he was uncomodar Arturo and Arturo he said and he

says that he says, hey, he better you know you don't you know you can't

you can you can't you can't and he says that Arturo very prepotent he he

responded that he that's that he doesn't he can't he can't make

molestandolo, and this, Hugo, yeah different, even, even, even, so, like, something, like, something, and Arturo and

his friends, like, they were, what on, no, and what on with him? So, why,

yeah, no, so, because there's changes, no, in his character. Dice, that's,

he finished the class, they went, and, they were, and all the , and the,

and the people, molest, for how , planing to begarly.

Salient in the school, plani they're going to help him to the three.

And he said, he said, for that to learn to respect us and not

be able to us. He's all all coming and and they're to start

to start a rito, all the people people grittando and

no see what, he, says that all the professors go

and that and result that the perros bros, the

perros the and they had escaped and then they were attacking to the

students and say that they're able in the porton for that they're all right

and all the final he was running to Arturo but he was very agitado

with his plurgerado uniform that was all unsuceded in the

and in sand and then those the maestros preoccupated one

is the one is the person and he was lastimated and he said

that they'd be they're he said, no, is that I'm well, I'm going, I'm going. And that's the same, and is when he says, it's of

the perro, but what happened? And what he said, Arturo, the bromist, the pesado, he is the, he's the that he says, he's the one of what he said,

we were, we're going to get. So, we're to get those perros and a perro me intent to attack. Hugo, with a man,

Toma the perro of the Cuello, he abre the ocico until that truanan his quixas and it abient to the piece,

it's a a bit of he's inbarr, he's of the dog, and he says, that's a to you also

to you're going to say. He's not all the people and all of this child doing to that

manner, impressionados. Obviously, what, what happened with this chabbo? So, the only

that they did fear, it was intimidate a grader and it was that the master's interrown

of this. The master's not they were not they were. In the fond, they were that the

more, was, it was it was a lot of, no-se, and decide to go to

look to to go, a house because Hugo, he's me forgot to say something,

his father, he had abandoned of the his mom had fallen had fallen.

Hugo vivia only with his abuel unicably. He said he gets the director

and he gets the professor to look to the mother to talk about to know how he

was and why he had had been a man and all this and the authority

of the father of Arturo he said I'm I'm going to look to

because he obviously he passed the chism amazo to me so

the so the masters they are is there. Empeasance to talk,

nobody. Sal, a new. He said, what's what's, to do you? A-

Hugo and the senior, a Doña. So, and so, and they said to the

Buela. Dice, no, Maest, the don't know, the Bela

was, the chameco, so they said, the chamaco so he made, so,

so many years? How? Yes. Yes, result, that the that

Hugo he had accidented he had made done the bad

he had he was and he was he he was

so he he called from his his his

abuelita was who he was he he he

he he he he he went and the

masters not couldn't believe but so Hugo was

had presented to the school, Matted a perr, a man. No had been

Hugo, man. He said the maestros, no had been him. Hugo he had

had fallen when that he said, he said, he said, he said, he said, he's,

where is, Hugo? How is that me? He said, he said, no, he said,

no, he said, he said, no, but he went to the old, he went

to the public. nobody knows that this manchito for the bullying

that's all the burl he took the but who demonios was

the the school the and that he said and that they did

know that they're different you imagine what that

so that more so so that well well

well I want to one another another this

this story is the The girl of the Trinses. Okay. Well,

I was there in another community. It was a school grandesita. We were like seven companions.

And then the schools they're we're doing, this, we're doing we're doing commissions.

And, was the director, and a maester and I were in the action

social. Action social are those that prepare the programs, the programs for the events.

Okay. They're, that all so, that's all the ballables, the pistas, all, the program, all, no. That time we're

preparing a event of 10th of May. And, yeah, it was a lot of, and, then, he's the director,

what are going to do? Well, we're going to do the adorn, I was with the adornos. My other companyer, was with the spots,

or poems and all that that's all right, no? To the mom's? Uh-huh. I was with the computer, with the lap. And I, I mean,

I was doing the adorned, the centers of the mess, what we'd go to call, and the director when he was

supporting. No, we didn't know, Paco, we gave the one, the two.

Of the time? Of the the madugada. Okay. The three of the when in that

when in that it started a torment but a torment, you see how it's how you a torment in

a community and the light was and was and there was and the jubia

in that said the director well because can't go to go to

the light definitive and if we were to moj here the adornos

that were of paper. And there we go. We all. We chatted in bolsa and we went to guard all to the direction. The direction was of two pieces. As you know that here is the entrance and more than there was a cubicle where

were the archiveres, the computers and all that. So, then the director and I were we we kept in the entrance. We just sat down in a cell that we had. And the company was, she went more to back. To guard

the computer. To guard the computer and the documents. In that she whewed the and gritted she said Ah,

I don't see nothing. And we said, come to come to where we

are we had we had we have been to come back we're we're

but but I see but I see when there there there

torment and so and we she said she gritts but a grito espantoso

but a bit what you what you see no they're not a little

a a a no yes I I was I was

I was I took the I'm I'm how so I put the hand here, said.

He had two trances, and some lenses. And I, come to here, I said, I put in the head, the man here. In the head? And she said me looking,

said. We're going. We've got. We've lived there close. Every one had his quartito. And that maestra

no quix to go to her court that night. Me said, manita, let me posada this night. people. He kept with me.

At the other day, there were other companions, there were four more. They didn't know anything. We got to the school. Giego first the director. And I entered I and the other maestra. And, says the director,

"'Mere what there is here. What are? "'What are? "'Mere, and says, "'It's in the lenders "'in the direction?' "'Ajah. How?

And then the other maestra that came after of me. That is the trance that I saw that I saw a little I said.

That is. And those lends I saw the I saw the little bit of the little. And what was that?

And we kept us so. Now, if I'm I'm trying, I'm took a lot.

Now you see, how it's how it's this? Here no didn't this.

No? When we didn't know there real, it was like some trance. Uh-huh.

Salimmed, the director a tranked the door and said, well, we're going to go to

see the committee, to see what's the thing? That's come to see this.

We've came. They got like three ladies of the committee and a

man, the master opened the door and says, I want to see this.

No there nothing. Yeah not were. Yeah, not

I said, Hey, I did with a key? How could have disappeared? Here

was a lady, said a woman, that was a trinza, and one just,

and some lenses of the woman, says the ma'estra, and I saw,

the new, you saw, ma'amster, so, how was the she was a lady. He said, it was a baghita, blankita,

peinada with two tranchita called out of ca, with a unyto blue, and his lentes. That lady said, she said, that she said, that's the maestro her describeira, and he says, ah, is Juanita? Juanita.

Uh-huh. Ah, my master, he said. Is that that she said, has like 10 years, there was a pozo in this school, until there and that

and she awed in that pos. And since so so sometimes

and the and the and the my there was I don't I think I was

a little no, you playing, saying with three and so you're so much, yes, ma'am,

we're went to and we're How? I've been to go to the No, I've gone to nothing. Yes, maestra.

Ah, so, that this time. Confirmated that was true. Yes, and that maestra, Paco, she was infermo. Canada's Wonderland

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Okay. She was a delgadita, delgatita, derogita, derogita, derogat, derogita. Orita, no see nothing of her, but yeah no, I don't, they're going to be able to that school. As they say, like, when they spantan, Something like…

I think... You could. You're... They're... I said that the spanto... ...you say, I said, And so, is when so... ...that's...

...and so we got that maestro, she... ...a never... ...and we... ...welled.. ...is... ...waw... ...the...

...the ...these... ...the ...the15Ulac... ...that actually, ...one... ...one ...alluio... ... ...the ...the keys... ...the ...the ...the ... appearing ...the ...the... ...the ...the ...the...

... ... ...theirsesesesesese ...... That impressive. I think, no, and is that you have a lot of stories for the quantity of places that has been... I'm going to be a little. A bit. Before to go. I'll get to... I'm going to... A little. A place. A little, that was very beautiful. So, like, circular. They were in the casitas, so. And in the center,

there was a church very beautiful, very antigoa. He was at the school primary, a pre-schooler of GONASB, our school, tele-secondary with three groups, the church, all there in the center. And we got us, we were three. There was a director, a companyer, a master and I, we were we three.

We lived there near. Tocabble the campana to eat, and all the kids were to their house. There was a co-operative, no there was a venting of nothing. The most chisdoso that we didn't know that the when they went to

the bathroom, not even they were in their house. They went to your house. And one day, I said, I said, I said, that no

there are no-a-goyed, we've gone to our court. He said, I think, so, manita, me, says. Why don't they? Why don't they?

No, I said, and I'm going to ask to the committee. Well, if you said, because you're feigned that go to the kids to their house. Well, we went to see the committee

and said, Maestro, I don't let's see the ban. Because, because he said, look, here in this community,

there was a man that was very bad. Okay. A lady who saw, a young that saw, a little bit, a girl that saw, they'd, and when I saw the moment, and when I saw the moment, precisely, they'd be trapped and they'd, and then they'd

and then they'd make them. How? So, so, then, says, one day they're going to the carcels. There's the carcels. He was a peggatid at the school. And one day, said, he's, he's got to, and where they're in They don't think they're going to? She met him to the

school. A little bit of the baby to pay the bathroom. She met in the bay. Atranc the door to this individual, obviously. Abusa of her. And nobody

see knew of nothing. At the few minutes out of other girls to the bayon, they asked the director, entered

to the bathroom and the surprise that's the little bit of the person,

and strangled and the people, the people so much said, they said, they found,

they were them, they were them, they were them, did you say,

did you're those uses and customs, so, the law of them and they're,

and they're they're They've turned the way. Since then, it says that the girls went to the and that she had appeared.

And for that, but the maestra insistent, no, to me, give me the key. I'm a Catholic of Guessorra I'm going to bring me to

and I go to and I'm going to and say the committee, no, Maestra, no, no, that I don't have and I don't

I don't have, and I don't, well, they gave the a little bit. And a Monday, a week that we came with her godendita and

I, the really, I didn't go to that way. I said, for if if no, I'm not.

I'm not. I'm going. And she went, and it started, you know? And she

was various times at the morning. And one a time that's that's that's

that she's that was a trauma She was her. She saw her. She said, well, it's that you

do you look at, you know, sometimes not when we're when they're So, so, I mean,

so, it's not to have respect for the things, too. Exactly. If you say, that's,

that's, out of that went, then, they were they were, they were, and they were

to do in other land. Okay. Yeah, right, ultimately. Wow. That's what

many years has been that's the tragedy? So, the type that? Like in

1999. So, that's the initial of the 2000s? Yeah. Okay, so

more than 25 years? Yes. Wow. And that school has still

functioning today? Yeah, and it's not. Much people in in Mexico,

in celadosa, for that part of who did to do to do these things malas, obviously the people reaction. So, and I think, unfortunately, in

this school, well, you know, a person that would be a person that would still doing these things, these acts, but

what could get to happen. What good episode, what good stories, Madre, much thanks,

much thanks, for accept this third, third invitation for the people that want to be the first, the second,

busken there, these, the podcast with my mother. So, there's going to be down to how many things we've talked about. You've told also the story of my abuela, from your perspective.

The people already know, but you also did your version. Today, if you're on, you're in the theme paranormal? Yes. Mami,

much thanks. Thanks, for accept the invitation again. Family, thanks to all those who have come to this point.

The fact is super very. I remember that my mother has guarded a story. If this ultimate, the story that is much more more important. So, if you want to listen, also what I have to

talk, those I'm going to the page web, www.podcast, xranomal.com.m.m.com.m. In our content exclusive. Ah, yeah, those I hope, if you're three times. My name is Paco Arias, and we'll see in another episode.

After the next. Chao. the heart of his alumn. He patea, provocating great confessions, greats, in the car.

It's supposed that she, apart of that practicable. Like, brujer. Something. Did understand the

she didn't directly. He said that in his suenks the head and the hands,

and the At the other day, they they found out in that salon. That maestra, the really, was with the director, he said,

I'm going to be in that salon because me can't pass something. This man turned to this

man, he said that they're that they're that they're and at finalizing it, they're they're putting

in foe. Thank you.