EXTRA ANORMAL - Las Leyendas Más Aterradoras de México EN VIVO | NOESNORMAL.TV

Episode Date: January 18, 2026

Esta noche EN VIVO en Extra Anormal Podcast / noesnormal.tv abrimos el archivo oscuro con 4 temas que combinan terror urbano, folklore maya y brujería mexicana:- La Posada del Sol (CDMX): una casa con fama de actividad paranormal donde muchos aseguran haber visto a una niña fantasma.- La Xtabay: la leyenda del espectro maya que aparece cuando menos lo esperas… y te cambia la vida.- Carta de despedida: un relato inquietante sobre un niño supuestamente secuestrado por aluxes, y la señal que dejó antes de desaparecer.- La Tía Nathy (Tabasco): una de las brujas más escalofriantes de México; historias, advertencias y lo que se dice de sus “trabajos”.Este live no es para curiosos.Es para quienes saben que en México el terror no siempre es leyenda… muchas veces es advertencia 👁️💬 Entra al chat y responde:¿Crees que en México el mal se manifiesta diferente que en otros países?⚠️ Advertencia: algunas historias no terminan cuando se apaga el micrófono.💬 Únete al chat en vivo y cuéntanos:¿Qué leyenda del mundo te ha causado más miedo… y por qué?⚠️ Advertencia: algunas historias no terminan cuando se apaga el live.

What, family? How are you? Beenewitness. A.U.S.A.m. A.m. My name is Paco Aarias, and I'm happy to be in a chapter for all of you.

Content to be today. You know, are list to about things very interesting. For there, I saw the in-vibo past, a Paco,

you know, not so it's true, not yet. We're very happy to say to all the family that I love to all the people that

that's the first in-vibu where they're I'm going to see people from Argentina to get to Argentina,

to all our other other our men's also I'm here to our great Lurup Petrosa you know

a great a brother a thank you a thank you a little of

one of our moderators of our our great Jani to the little

Javier that's the MNN MNus Mux a Bras many

many many burs many years more the champion. Herman, many, congratulations.

We have to be to us. We're here, a many people, a Medusa, that also is present

with us with us and then in general, I'll know to all the family, but of

Guatemala, too, the States United, Spain, Chile, Colombia, many parts

of all the world, the hashtag that no Mora, no, saludos, to Panama

too, and, and, and, for all our his brothers Mexican

that are also connected Moralia, Michoacan, we also from here, Torreon Coahuila, the real, family, many, much, much, gracious.

Costa Rica, also is and all the people say, say, me Paco, Ignacio Bautista, I can say, to hear your

commentio, and is that it's a little difficult to learn to let them, the banderitas and the words,

saludo, I'm from Yuta, from Wazabe in Aloha, too, Tuxla, Veracruus,

and Jalisco, to say to learn Jalisco, and yeah, yeah, it's a little difficult to learn all.

Family, be welcome because today we're going to talk to the legends Mexicanas.

Legendas that we've been talking of the world, we've been talking about

about the stories sinister of Mexico, but we're going to be to be

about the and really, the really me complase much present to

a invite to we've been a grabbing some episodes of of the luj, and today no can't fall to with us.

Like, every Saturday, our dear Ramon Valdez. How is your man? Well, very content of all what we're doing, of all the people that

is here connected, what marvellia. And, well, content to be to be contend to talk to be a great.

Thank you, thank, my man, I know, I know you know he knows, has seen

your videos, you're a crack about all, all the thing of the thing of the thing of the

yorona, Naguales, or so, the really, you know, you know, a person that is the

first time that's getting to this in-vibu, YouTube he's the he's- he's-

a chingha-le- and people, who are you, but I'm justra that, for a person and, all,

all what you want to do you want to do you Thank you. My name is much. I'm a writer.

I'm a content in media social on the of the culture, of legends, of myths.

I'm also I'm a writer, I'm a a saga that is of a fantasy

of the dark of the annies of the world of the very well. I've done a lot of

California and a book of a story, You have of legends Mexican. For

your man, much thank you. Recurred that the social of our

limited are in the description for that they're in the present there to see that they're

there and that's doing. Family, we're doing, I'm doing a question. We're doing what's going to

do you know that's going to the idea that's a panel in this moment. are, like the meme of Bop's

Ponja, that's that's a chemo yeah, I know they're doing but

well, Erman, we're talking about the whole the thing, the legends of Mexico,

the monsters, all this, I'm, I'm, I'm, what you have been in this

clavado that you have done to know, the legends, I think here were the duendes,

they were saying, and they're saying, and there's a reason there, there,

there, there, there, there, a there, there, there,

Salushes, as you know, I mean, fiftate that one of of the things that I'm having I've dedicated

a time to tell you and I'm did the question, if I said, I said the question,

I'm, I did that it was easy to not me that's a question. And I'm

a new a letter for state. And where I'm going, that I started to discover

things that I know I don't know that our own things. So, we know

we're we know we know the Yorone, the charro necks, the Aluches, the et cetera, all of that. But the requeza that has our legends is brutal. Of course,

one of the things that I've taken for a day, that's about a man, let me tell you, I don't have any idea of their existence. And what I want to say is that is a world so fascinating, so grand, but that also does a much more than identity.

Because the legends, we're not identity, T'K. It's a lot of years. For sure. Fisket me that we've got to we have talked on this side of some

some of the other a religion where she messes also the language and with much

respect I'm much much much respect but we're we're about the Virgin

of Guadalupe it's inevitable not to talk the thing of Tonanzi also

and how so is this mix this syncretism between our culture

and the religions that They got to our Mexico pre-Hispaniac and it's

a little how I see how to say it's prohibited to because they're rapes

you're you're thinking of that you're you've got to that conclusion

too yeah that's a thing complicated but you know I think

that you know I think I'm that you say when you say

when you say I'm about for the origin of the virgin of If you do you say it's with respect and you know, you know, I'm not going to convince to anybody, and I want really

that someone thinks distinct. They give a point of view and if it's great, if not you do it, no time is personal. It's only one opinion. So when you're about the Antonin and you're about that the Virgin of Guadalupe, for example, well, it's a virgin of

Stremada and that, and that, well, was taken as well, it's taken, because there, there, there's a story that we can investigate after of it. Da the people

perspective. But that's not mean that he to be a valiant important the divinidad

that we give us to the Virgin of Guadalupe and that you can't a person superior,

you think that he would be important if you say you say the Gavdaupupes

Shiva Krishna that's Ketzalkoat or you know that's irrelevant

is a situation human and that's maybe the most important.

Now the legends is other other thing. There's a lot of the difference between the myth and

the legend. So, so I'm starting for that. The mytho is this that's that's

things to certain things of the life, of existence, of the gods and the

and the language, and the other, to us, to we're not, we're not, we're trying

to explain to our different our different our different to the

people, the those people, the not make all the things to explain, basically. If we're

like very easy. So, as a society, the legends cobran sentities very interesting. Sure, no? And it's where

we're doing we give that connotation to the theme religious, to the theme spiritual, and it passes, well,

what we know what we're going to be, but we're to start with the first legend that you're going to

talk of the night, for favor, production, if you can put it to put here in

the a bit, I'm myrano. The Shabai. I see something like a Yorona.

Something similar. Well, form a part let me say we're about the club of spectros

feminines that we're in Mexico, that is ample. It's important. It's yeah,

we know, we know, the Atlanchana we have the Shabai. Recently they've recently did

this of Michi Maninua. No? The Mingua. Uh, There are many, there are many

wets, no. And the mother of all, the mother of is the spirit, the reina of the spirits.

For excellence, not only only of Mexico, but it's not only so it's all other brothers of

Latin America. Well, Lichdai has a situation a little different. It's a myth of

origin Maya, that is very known in the Sureseste, that is a woman bellissima

that appears in the nights always a side of a seiba of these arboles

of these and they're like a woman a lotuptuosa, and that's he's is peinando, cabos

and that's and that he's like a man that in the night, borracho, mogeriego

that, he's, he was asking what, no? And, and of this woman

her mose, and he coquettea. Also, the perfume is impossible to to be able to resist. Okay. So,

you're a this woman bellissima, that's always always is dressed of a black and with this tela where,

well, yeah no insinua. Sure. Stere those forms. So, the man gets a loco for this

woman, that, that's receptive. He's a and, well, like, you know, you know,

like, the, the, the, the, the, the, all of mine,

she had to be the entry of the entry. So, then, so, then it's a carseo amoros for put there a way to say, but in

that moment, when it's a all this, the Istabai can be. Okay. The Shabai is so,

very very strong, in that a brazo of love passional, it's a infirm of

passion, where she is transformed in a of pelambres with colnillos with collimiles

they're they're in negros supermently and in that trance sexual that's

going to she devora you get to mordered to start to get a and you

don't you don't you know you're just in a moment of a certain

lucidess they're that much when there when there's a ass of you can see

that's there's skeletons, the serkanos, who are other victims of the Shabai, and you

devora in a, say, frenesie of passion infernal. That's the Shabai. It's a, it's very

timid in the surest, but they're not the history behind of the Shabai. Okay.

The story of the Shabai is a story very interesting because it's Maya, is of two is of two

is a woman, one that's a lot, Utskolel, and other that's the two live in

a same people. Shtabai is a very be she is

that she's that she's to do the love, to the love to the animals, to the

mother of the world to be the other woman Utskollel that is the same but

all santa like mojigatas like you know this this type of profile of Mosca Mwarta

no the critical and it's a is a she's a shevann that signify

a prostitiation Well, the history in three days 2 is of Pugna, over all of this Utskollel, when Shabai Mewer, because Mewer a young,

they say that she Mewer and that all the Ceres of the naturalness, the vagabunds, the people that he had, because he'd

to all the world, he's a and is to be the end of her, but that her but her to be a flower to be, her corpse,

her cadaver. Sure. Utskollel says, that's possible, it's an possible, it's an demon.

Like a woman so sacrilegate this, tan caskivana, no, this, I can't

look at the flowers, it's the over of the demonio. But when I'm she wwele

like, I'ller more. At a little time, she'll do you do it

and it has a matter that way askerous that could be able to put a

on there's nothing that can't that pterterter that's

they endierran and And they're the two enthrased. So, well, no we know what we're going

but we know what we know what's going Utskolel. Utskolel. Desiente to the infirmes, the Migtlan. No, no,

I'm not confunded with the Mikthlan. Uh, the Mithal, which is the, the infirnoeer, and he has a pacto demoniac

where he says, I want to the life, but he had a t'upe to say, I, that says,

I want to talk the name of Shtahai, of that, I want to I'm going to and all that I did

I'm in I'm in a manned and I'm a manned and I'm a manse is the other

is Utskollel And here here comes the clavio Dissen the the years of the

people Mayas that the only way to liberate if some day we we're going

we're coming and another man he's coming and he's encuentra to

The Shabai and ishavai and this submeted to that's the only way is in

that moment where there's a moment lucidess that you say your good to you know

you're not you're you're you're called Utskole and in that's... Rompel

the encanto in that in that they're a, in the there's a lot of

that you can't and in that moment if you he's a little in the

car and in that moment that spirit, that's spirit, and you survive. Wow, that is the story of the

story. I've noted something, the sinestro that you can get to get to the spirit of this type

of entities, and I think with much respect, but the reality, for example, has two sabbos,

we've been to the Pontianak. Yeah, that she also they're another world

to a way a manned a boy, boy, very bestial

these attacks, no, so perforations, rotures, and no I'm, I'm,

I'm, I'm, about, the people, so, for the supposed.

So, because, there's, like this, not, not it tendency, evidently,

but this inclination to one, to the thing, uh, to attack to the

figure masculine and over all doing this manner so because they're trying to teach Paco

at the final to tell you tell you all the all the spectros feminines

have this thing of this thing of vindication to say attack to men's burrachos

mogeriegos pendentieros etc I think I think it has much to be with what

we say the legendas explain the the people the

these are regulators social. Here, no, I'm going to get in the theme if you'res or not in them to ask, if you're going to people who have seen much things

that's not you can't explain. Let me, to what really could be back. Well, I think is that. Independientimenting

that exist or not, are not, are not, they're not, they're not, they're doing, because in-s- not-one-

those spectros are nalos for being malos. No, then, then, the existence of

many of them. If it have been a purpose, And, and so because in those times,

I mean, desafortunately, the trat of the woman was very different, not, to how is

today, the thing that those people, the other people, I mean, not say, but,

but, but, was, it was more normalizable, no, the thing, that it was

normal, it was the person that was doing the things, and all this, and say, there's a

spirit, who gets and he gets to and he's to get to the and so, so, just like you

know, contienes. Contient. Continent. Because, to be, that man, for the

person, and for more more more that's that that woman physically, nothing could

be under a spectro of those, no? That's, that violence of a manner

that's justiciary. Sure. There's always a moment where you can't repentirte or in

this case, no, if you know, if you you can't save if you know

it's you know it. You know, and even if you know it, but even you know, even the name of the

name. And the moment. Because you're in a trance. You know, you know, you know, you're not

you're doing that you're doing that you're doing live. Sure. For that it's like

the vampires. It's like, the, you have in the boquita a species of anesthetical and when

mureden to a animal to be to get the animal no the animal no

no so, imagine that this is a way to to get it to be able to be able to

be able to be able to see how you know what but what interesting is how there people who

are people who assurances that that's sure that's interesting so that's interesting so one one thing is what the

people to get to tell in a other is to say there's there's don't fulanito

that he he was he was and he almost and he got to the and he seto

he was but, but, but, B'er, that's the thing. I mean,

in the grand cities, apparently it's not the part over-natural, something that's

true, because the stories of hospitals, of schools, of all of that, they're,

I'm, I'm, I'm, presenten in an office, the, that's a

that's a fact of that's a car, and curiously, it's a last of the class,

it's a classico, but, how much people not sure to have seen

to be seen a woman to be a little bit of a little to the manse

to see the mange oh yeah well the the house

the places where more things so I said

I'm I'm I'm I'm I prefer to pass the a night in a

question oh no no no no in serious it's in serious I mean the

people think and I've been many times, I've been a lot of pantheon

and it's a , I'm like, I'm in, there's a pantheon in those

who have this energy pesed, but after they're going and they want to a lot of

things, do you know, but the majority are very, very, very, very,

so, in the churches, if they're things, they're something, something,

something, something, like, suffering, a repentiment, arrepentiment, a pain, pained to

the world, and the penesies, no, not are the churches, not are so,

and apart there are the rostroses and I've talked about of those images. Trae

meo, and the thing of the santoes. I mean, that's, that's what that's the

thing we're able to do you know a spoiler? Yeah, I'm sorry, I'm I'm sorry,

I'm going to get to some months, in those months, Meces. I mean,

not the... Menses. Exactly. I grabbed the episode that is a special very expected, that is our

special of Semana Santa. And for that, stories cabronas the episode. We're very denser. Well,

well, denses. So, what you can't in front of the santa. No, no, no, no,

no, no. That's, that's, that's, wow. So, wow. So, it's not.

Wow. So, we went apart in two seconds. No, and it two hours.

Almost two hours the episode. That episode. So the theme of the churches, the santae will be very

good. I can put in the comments to be the thing of these churches? Because there churches where

there are places where they're basically these sombers, these ruses and how they're

doing it's and I like the stories of Semana Santa. To me I'm fascinated. Do you

do you? Diceel. He's right over. You can submit for favor,

it's the phantasm of my officeina at the 730 U. a.

at these hours was that we got to be a vesty black and it

was a man. It was out of the house and the publicas.

There those you can you can do you in production is the Tequan

forfa precisely we're we're doing an episode of Nahu that's

that will be more that the Nahuas and we Nahuas

and those It's a wonderful. It's a great. It's a, yeah, it's a Uly, Yulisa, up, for

favor, says, from the, right, right, right, up. D,

says, from the second piece, they're passing the passio of the first

30 M and nobody more, and nobody more of those who lived with me who

heard, me said, me, they're, that is a name, that's a thing,

oh, is that, are things very, very bizarre. There are, many churches that see, many do the world and

obviously, from the inside of the other. We're also about the churches? Of the churches, precisely, of the saints.

Dice, they're about about the balser of the Basilica of Gualoup. Also, also, there's many things very, and the

shots, wait, and we want to expect to be to come up you, you know, that are that they're,

we're, we've got to two shots, no, no. No, no, but we're... There,

have to do, to cover. Exactly. So, right, right, we're going to to start with

the shots. And we're to bring a little bit of a lot of people who is present also that's present

too, that's that's many people. That's a great. It's alex for here.

Also, there's Mia, that's also, there's, Abigail, is Vero.

You want to send us a little no, no, no, so, I'm,

sure, I'm, I'm, I'm quite very clavable Vindon. They're there. They're there.

Nellie. Estrella. Strelia. A star. It's Delio Rojas. A Marianna. Marin. There are

from Puerto Rico. It's like to a bandera. Guatemala. Peru. Look, look. A star.

Oh, yeah. Many salutes. Oh, yeah. Also, to the people. France. Look, from France.

See. Salud. Saludus to France. What, super. A lot. A ton of a lot of people.

A lot of people. Oh, thank. There's, there. There's a lot of Spain and all the most marvellous. Look, Arriba, over. There's a person who

has a commenter interesting. Arriva, right, right, wherever. A'erba, more above, more up. Over, up. Over, up. No, if you're, yeah, no, no.

No, no. See,'t, brother, that we're talking of these entices, not these, these spirits of women, that get,

and, and provok can causes things very, bien-encers. You know-s of some spirit, but baron, that does

something similar? Well, yes, yes, there's a There's there. Yes,

is that insist, the things of, we know, we're having, in all the terminology

there's many and the and the sombreron is one of them that we we're

that we're that we from there of Colombia that is a is a being

a ser of that that's a kind of that is a

that's in this that we're that we're Because the Charter Negro, at the final of the count is a

certain that's a set that's a pactos. But not only does it's a pactos masculine. And no, no, not true.

No, it's only so the silvon. The sylbon. The sylbon also, the silvon also, that silva and, well,

the sombron is very interesting because he has trensas and to come music and seduce to the women. Now,

never forget us that much of these come also of this tradition of incubos and sucubos. And so,

they're in Greece. But that's coming to back and it has to be arastrances in many

the so. So, these seductors in the night that are in

the past times, both a women, as a women, is so. And we

recordem other thing, if the spectros femininion are

more presentes, this type of this type of spectro like the spectrum as we're like the

we're doing. This woman vestia of black, many times with the other things with the mannifestation

of the devil. In the other people social, generally is a man very well that's a

man that seduce to women. So, the equilibrium is fatal. For the other side, because well,

here you have these spectros and for other you have the diabler, the diablo. The devil.

That's a big, and it's a great seductor. But if we're talking about

spectros, de brad, we profundizar in spectros? Because there are much paco. Look, nothing more

in pure documentation of besties mythiologics, I documented more than 90. Mayas, the Mexicas is another tant

and if we us want to my steaks, apotecas, the raises Toltecas that there olmecas,

etc. That's only only the pre-Hispani now imagine what comes in all the incretismos

that's have done. The rickness of spectros is brutal. And, all about

of the I'm the rickess, I mean, the rickess of the need to because

each one has a club of a kid to be in him, who has seen it,

or the relatoes that we have been of the people, of people that say,

they say, they're having lived to some experience so. And not

so, the duendes. Oh, the duendes also are seductors. the duendes also

they're there's there's there's a great tradition of duendes in Mexico no is

a little even I can say that number of duendes I think we have more than any other country in

number of different types of different types of and that is a thing that we know

that we're there man that in the stories that we we're there

there there there there's the man of the sombrero

you have topado with the contraparte pre-Hispanica of the

woman. Because you said right the sombreroon. That is, well, I don't know what I know.

Well, we'll talk about the bit of the question. But I imagine I'm a dock

to what is the the man of the sombrero or is, or how is?

Yes, say, we're some those those myths are not the

same because all those one of the sombrero, there is not,

I don't, I think to investigate a bit more that, that's that's not

I'm sure. I'm sure. I'm really the truth. The fact of the real, the real I'm,

I'm don't know. I'm right I'm remember about but no I'm sure that.

Let, let's go the same thing. It's a great-as the Istabai. It's incredible.

I think every way I'm seeing more, well, more phenomena of entities of the

people. It's in serious, in the sureste, Mexican, we, we're

from, Yucatana, Kintanaro, that area. And not only only there, it's a

very very temer. Very, very temida. We're the spectrum more temid of the

area of the area. Okay. This spectrum. The Shabai. Here, the complicated is, because

for example, the Matlasiva is a very similar. Very, very similar. I mean, is a vestide

black, translucid, you to be a All the whole the Ciguanaba. The Cua.

The Cuea. Also, these, these are exactly equal. Well, there's there are manifestations of the

Yorona, especially in South America, that not so can't much to our Yorona, that also

is a serseductor. I mean, so, so, so, so, so, we don't

let's the spectros seductores that exist in casas. In cases. In cases, for

Of the of many stories of a house, in a house, in a house,

so much they're romanticize in cases antivas old. Okay. Where

a woman and that young is a house, is a young be a

that's also is looking attention of an man. And then then

it's a spectro seductor something like like the incubus

or the sucubus noctur no I'm referring to the of the seducion

to do that so. So, so, there's there, there's where

in the area in the area of the area, there's there's there's wow,

it's impressive how it's a lot of a lot of a

looker it's a lot of let's a we're going to we're doing we're

going to the next you're you're you're no no you're no,

you're going to to tell my experience. Exactly. So, more than I would say, you'd per se, you'd per se,

and I'd tell you to what I'd go. Adelante. For the course. Yes,

so. Well, then you tell you. So, and I tell you, I don't know. The posada of

the sun is this, that we're seeing here in in the screen, constructed by an architecto

that in a moment very complicated decided, you can't be able to and not only

only that, but also, but also, also, it's a thing that really,

that's a problem that this property, but, there's many myths about her. One of

of them is that in a room of this is a little bit a little and things for there,

that also they're also exigens the ritual of the change, that if you do you

say this this is a little the muke if the oneue to get to

to do to do to do Or if you tomas a little of those, then the dulces appear those dulces and they're

in your house, and they're in your house, it's one of the places, well, that's that we're doing. That's an imponent.

Imponent. But you just you've been a- I've gone to, you yeah, you just. That's al-al- is that

so, no? So, that's that's al-a- because it can't have consequences because it's

not the other other side. No, you've been the tomb of Nachito. For sure. No.

It's, Another theme of these. Duleses, Juggettes, you can't. You can't. But, but not you

can't get to be. No, because if no, you know, attracts to something. But that's

super-antigo too. Fidate that's the place is enormous. I mean, I was

I don't I got to gore to gore a lot of I'm, I'm, I'm quite

pointuales, the scene the scene, the theater, I, I gave to the part where they

were people of of the Mexico, and I think that there's a photo but it's a video in the

site web who can't be able to there. There's a place and I was going to the colleagues

with the guys with the kids of mystery because you have the place where they were there

and there various like tronos tronos so so so so so they're like of

like there's like a place where they put you a person no

is if a marrada but this place had a pichanch which is the pichanch

well it's where you can go to get to how because it would so when

we're we're we've got we've got we've got that the pichancho or

the down where there there's there mangueras mangueras mangieras and you

you've got that mangueras, they're all the center and recorren the part of

the part of these tronos. It's infere of that the no, no, it's a

real, no, no, it's been that we've got to get the, we can't say the, the,

the, the, it's, the drainage, a tub, that's the two, down the

there's, yeah, about, there, about, two tubs, four tubits, that were

like, manuerita, and subian, and it and it said, the person,

there a liquid rojo and this recorried all, like he went a way

and he was a circuit of a power that's that's so that's incredible that's incredible apart I

went to the little and I'm there I'm just there I went to that so it's that

I said I said I didn't know I'm to see what on here I'm going to I'm

to look at the camera of vision nocturna That was my view because I was I was in the And what you

No, my man So, oh, so Oh, So, Super dense I imagine You know,

I'm sure, But you know, Like, like you Like, like you're getting a atmosphere

Yeah, but you feel like So, if you're If you do you do you feel like

you're doing a PAS Ports, Ports, Purtas, and you see,

and me Cappy, that me says, in some moment you're going to top in

a little at a altar. And I was going to, I said, this is more grand, there's a lot of, and no,

pass it was a dark, and it was a little of a quarter and a little bit of a little bit. I said, ah, no,

will be there. When you, there's been, fung. There's that it's that it's not, you're just

you're just, you're just, you're just, you're just, it's only, it's just you know, the thing,

the picture of the new year with the vestido of the the new, the bestido of the new, I mean,

and it, impone. What I don't see is, if still this famous muke or or you know

it's a more muke and there's more mukees but are in other quarters there's the other than the

case, there's there's a lot of the time of the ones I'm frank I'm afraid I'm afraid I'm sorry

independently to go to the island of the unneques and see that is spectacular I think

who has been to Sochimilco and has seen this is brutal I mean, is brutal. So, to do you know,

to do you know, it's a lot of but that's a mooseka in particular has a story tremendous like these great mukees

posseidas, no? Clarivele, Anabel, these and well, others that are a little

more closer. A little more more a little more here. Here, Ramu, yeah,

yeah, yeah, oh, with all the respect of the world, the truth is that

I've had the privilege of that that Paco me permitier to carry this muke that

he's a evident, he said, before I'm he said, no, you know, you're

with him. Kedate, and I said, no, you go ings with me. Here, keep,

with much respect, I'm a form of respect to, to what is here, and with

the same respect, to, I'm, to go, and you're back, don't,

no, it's, the marvell, I don't no thing of nothing.

I think the theme of respect is like the passport to these things to be in the things to

not be able to you. I think that you, I've had had been experiences very

very faredes and for so you know, that's a time, again, again, I'm going,

I'm sorry, you know, apart, you know, I think, masones, well, obviously,

they were there, this, this place, where you're where are the thrones, for say,

uh, this, no it was a place of a rito, this, that was where they were where they're sitting down.

Okay. It's that I think the little, are the, this, tronos, so, so, really, are really,

are the, and apart, there are much, much symbology of liturgy Amazonia, um, that's,

so, for all the place, yeah, this, and it's, of the places where there is,

so, I'm, I'm, There are many Fantasmas there. I'm going to say that there

were to say that there were to see that many people, submitted to, um, without, uh,

don't know, I'm, I can't talk. explicitly, this, it's, about the

thing, a time, a lot of, a lot of, a lot of, a place that were a lot of

things, and so that the people would be a suffering and, exactly, and is that

really, the second, from, from the second Pissos, you can't see to be to the tachos and

a soteas of other houses. And there was where the people, the people, the people,

you do you do you? Yeah, yeah, I'm, I'm very arrojado.

I'm really, I have passed for example, for a flower negra, the novel

that's a about a of fantasy, of a dark, but it's many years of investigation.

I'm meted a coveas may be in plen obscurity where you really,

you put the hand here and no see nothing. Passer nights in the mountain solo and

I've gone to do a places where they're they're in places where they were the

people they were the arrojators of the dolor and the maldard. It's saying,

the bruchos oscourous Mayes. They're terrible these. Well, places

where there were places, no. You know, you're a rato we've been of the

circular rojo of the those circles of Piedas Rojas are in some places where there are things very,

very complicated. And I like to enter because I like retar me to say, I'm atreve, but always my

my, my mind is thinking in respect, in respect, in respect, now, met me at all the

no, no, no, not, not, not, I, there's a

way, I'd like much, to know, so, it would be going to be,

we're, it's, We're going to be. We're going to. Great. A good place not enter you?

I think to places where there's where there have been this suffering extreme in

enclaustro. And so, and so all that has used to say,

like, things oscuras, for invocations, for pactos, those would have my

reserves to enter to those places. Do you any number, no,

not exactly as a time. You can say, a experience that

me pass. And fift that it not is, not extreme, but I'm

doing so and I did a time. In San Juan and Lua, you see

there's three prisons where were the were the prisoners more more,

these more, complicated for them and one of the pariso, the purgatorio

and the infirno. The infierno is a prison, a cell terrible, that is

very small, very angost, completely dark, no there's no,

the sensation of a hogo is spantosa, the people suffered much there, and I met and I met and I

kept a rato only in plen obscurity, solo, solo, only in this prison. Maybe for

the people that not is of Mexico, San Juan de Uruguay was considered the peor of the

world in a moment. And, and, the vera, the vibra was so dense,

tan complicated, that if I, I'd arastrando something. Now, that you

say, a place in particular, I'm like to know to know, but of these these,

you know, of the suffering extreme, if they're respect. Look, at the hands I'm

doing so. Fiatte that I have been to many places, but if there are

places to you don't want to do you? Well, I'd do with

much respect, but I don't not, for example, a the Cue

of the Diablo. A Gua the exactly to the catamaco I'm in Katemako

I'm not not for really really so no is a thing of not a problem for me enterer for

two reasons number one when when when you enter so much people think that there's that there's

no I do the respect to to do you and you did you say the respect is the

primordial here in the thing parinormo if not you have respect you're

So, I'm sorry. So I went with one of the bruchos major, one of one who was a broocher in a negro.

And I'm made clear to what, who's the Godo of the devil is because is because he will be to

a Donai, no? Right, exactly. A Adonai. A don't a don't, no, no,

no, I mean, you're not, no, so, not you're going to be able to be able to do you,

not, you know, you you're going, is because you're going to something, or so, I said,

I said, and me they're here to come to do you know, to be done, you know, don't come, perfect, no way.

No, I'm interested to a pacto with Adonai, a negative, with the day, no me and I'm,

and I'm, and I'm, and I'm, and my life, I'm, for two. I'm, for two.

I'm not, so, so, so, so, if you me're saying here, not, then,

not, so, because I'm, because I'm, you know, you're, you, is,

I know that if I'm because I want to do it. I don't know I want to get to make it. I don't go to yeah, because

no I want nothing and I need nothing of that. Two, the theme of celebrity. There my colleagues that have

been talking with them, and hollermano, there's a concentration of gas is impressive because

there you can find from from different offrendas of animals desvivis to

humans. Fetons. Imagine what is there. So, Cucarachas is the most livian what you can't see there.

Yes, I imagine. So there's a part when you enter where you have to getcha much because the the techo is

more low and has puttas. You can't that's rasping? That's with what you're right? Exactly.

With all the society, vapors, all, all, all all the thing. So, so,

so on a theme of a salubrily that's a very. So, so I don't, So I don't agree with respect. You know, I'm going to,

it's been in my Crencia, so it's not because I don't want a favor of there. Point. So, so. For what? Exactly.

For what you make to make sense a place and not you're going? Exactly. Exactly. Like, no. I see.

But many, but many, but it's chido, no. It's a great. It's just a general. So, it's just I'm very conscientious

of that. That's all right. That's all the day. That's, that me, no, no, me I'm

really the attention to say I'm trying to say, I'm sure, when

they're doing the things of the torture. Ah, a clear.

When they're those the apparats the those those

did I'm I'm, I'm, I'm a sense a very complicated

because although it is the morbo explotado at maximum because

to say to say it to say to let when when

when you that that artifact really that's you're doing, caused what you're

saying that caused to the people, the forms in the you're in an

illustration or in something, that's, that I'm a question, me cause a thing, okay,

if it's it's been to be to morbo, but yeah me want to say, like,

like, like, I'm, I'm, I'm, I'm, I'm, I'm,

No, to the real of counts, maybe I've got a time of sensibility in that sense, no, to think really in the past, in what he's kept impregnated in

that instrument. The echoes, those echoes, the caskareones. Uff, I mean, I, I saw, I was very

beautiful, I said, I said the park complete, but they're they're doing, they're doing them bruchess, and there's

one where, oh, God, if it's, it's, it's, me perturbed much, that was an

impalament, No, no, no, no, no, no, no, no, no, no, no, a thing bestial, inhumana, or so, horrible,

and I, it's really, and there's, there's a legend that you can't enter, that can't enter, people,

not, no, let's see, the people, of those things, that are very denser,

I'm, I'm, I'm, I'm, I'm, I'm, in the line, in the line,

in the line, in the line, in the line, that, I think I've I think I'm a I'm going to say a word,

but don't know. No, no, we'll see that's a percivise. Oh, so we'll be that's a bit if they can't

the same way. Because, shit. Dice, all the articles of Tor, ha, are things that

yeah, yeah, for that's a lot of a shot. Dice, we're going to let's start.

We're going to let's start with the shots because if came very very dense and Gualup and Manicomios

too. Oh, and the monicomios, tantas stories. I want to go to one, fifted, no, I've gone to.

I'm going to find out. But, it will be a pen? Look, that's not a day. It'll be a bit. It's worth. Yeah, it's,

let me be, there can fernar the comments, for favor. He says, for that the master of the ceremony,

the slave, and, well, the key. So, okay. So, they're just they're saying. Okay, perfect.

Let's go to the question. For the, uh, say, saluda, my Pueblood. called Plan de Alleyla,

the Margaritas Chappas. Saludos to Planda Yala, my dear Ephrain. Erman, we're going to

a court, before we're going to get to be the other things very interesting. Family, I invite you that you

do you goys, get it in the transmission, we'll get in the minutes, we're to go to

get to more than, so we're to go back to make sure. It's moment. Much said,

they're grab is a grab or it's pre-gravable? No, not it's pre-gravable. we're completely in vivo.

It's on the 7.4 minutes, or the time of the city of Mexico. We're completely in vivo. Because the other than I don't know what I'm going. We'll go. We'll go. We'll go ahead. Production, for favor.

Samus, we're going to do a break. I was simular like this was part of, and one of the past, it was going to say, the next semester I'll apply. The next summer will apply.

It was like, and that's like, and yeah, we'll see, I'm going to do that. But, nothing, we're in regress

and after this break-sito and we're we're to serve here some some shots-sitts we're

there, they're two pendentes, they're, they're in- those shots because here these two. So,

so- so-s-s-l-s-l-s-l-l-s-l- I'm-a-a-a-l-l-a-l-l-a-l-l-a-l-l-l-a-l-l-l-l-a-l-l-l-l-l-a-old. normally, normally, normally, but, but, but,

today, we go-old, we go to becitos. Yeah, and, like, becettos so, I'm like that

Guadalupe. The next a month's going to apply. So, we're going to say, and then we're saying,

and then, and then, oh, yeah. A- see, who are you? Look, says Guadupe

that is water, no, man. No, man, no, no, no,

no, no, no, no, no, no, no, no, no. A very.

It's, it's, it's, it's, it's, so good. Oh, myrido. The water not does salivar

this way. Grimmard, it's just here, man. No. It's that we've been these days. We have to admit it.

Super well. No, to the no, we're going to we're going to go back. We're going to

let's just four shots. No, no, no, no. Dice, no, Chama, what?

It's four monitos, four bonitos, four bonitos. Four bonitos. Let us. We're going to let's go

our question with the next Cuba present to our our brothers of Cuba Saludos

for being to be here to be the people of Guajaca my Paso my

people a brachio for all of you everybody 22 is my complete year years

before before before and Adriana Elizabeth you manda

a great thank you be able to be with us. We'll say a good for a nice company of all your

people in company to do you know, like you to be there's, there's, there's, there's, there,

there, there, there, uh, let's get it a little more, so, the camera, no,

see, there, a bit, yeah, there's, there's, there's a, yeah,

yeah, yeah, yeah, yeah, yeah, yeah, that's, yeah, so,

that, yeah, so, this. I don't know. Let's see. Ah, look,

how beautiful, that's a good. So, so I'm so much a year, it's great

and also to do you know, our brothers of Panama. Herman, what you think you

think you about? Goodsimus. Before the other with us good. Mm-hmm.

A me, the fact is that the thing of cases embruchated that have energy,

I've always me have passionated. I guess. Well, I've written a So, so, so, imagineate.

It's tremendous. Padrisome. Apart, the community is great. Fidgette that much people is atreve to enter to these

casas embruchadas. I mean, evidently, then they're things too if not are prepared,

you know, they're things a little for the people that are the people who not so much

to be that they're not much in a house embruchada? Ah, good question. Good question.

only? No, with a team of gravation. Okay, with a team of a creation,

yes. Solo no. So, no, so, it's, it's, it,

it's, it's, it depends, the place. Okay. Depend, so, it's,

it's, depending, it's, uh, this, um, with a group of

a group of a question, I'm, I'm, I'm, I'm, practically in

any any other. But only some, no, because I don't me want to be more

more than I'm like that I'm not, I'm sure, and at the hour of the hour you rachas, no? And it's

well then it and then it well. So, because they tenden to that that's a yeah,

right, exactly. Exactly. Look, Rosie, Rosie, thanks for the donation.

Dice every every other much thanks. Thank you a Brasote and thanks for that Donation,

says Paco, today Cumpal my my I'm and say, you can't say it's you know,

for the supposed to say a manu a brother's a man who a

birthday of all the people of the people of the globe. There's so. Felice

compliments. Now so we go to the next theme. Dignam

Mendoza Salus also for you a brachute we we're going

with the second card of this man. I'm going to

this theme, here we about about doundes. Yes. Salus, Salus. Salus,

we're going to talk about doundes. In particular, about doundes of the surest. Here I, I, I,

I've, I've tried two legendas. This is about, the people know, the people know,

the reference more than the reference more a lusite with tinneblas. In the luche. Exactly. I have

a luch of Medea, that we put him the name of the carino, the alooch. The alooch. Well,

because the people say that said so. No, no, no, it'sia lushe. He's alooch. Well,

so, well, so it's also, also, other duendes, all the elemental of the land,

for say this. In the Sures, there are others that are acaches, which are different.

The alushes, we are created by a broo, we can say, are the H-Kin, are the H-Kin, have the process

of creation of seven lunas, seven months, with barro-rojo, is molde to la Lush. A l'lush, it's very beautiful, the mytho, they put in the

feet, for example, the blood of venado for that they can velocity, it's in the back-to-h for that they have a-n-for-to-

in the vintra a nelotito tierno, for that always come the things natural, In the

box a catacol chiquito that this is this this brucho

let's say, bendice for that he can be able to all the animals

in the lot of a goutita of the bugo or the chusa for the

night and the sacrifice it's a a ritual with a

shui that is a water pure of cenote and

they they they're a light and the light is a

man the The people know very well about this. So, aloces, good, a luses malos, that's all the luses,

of those, they're really can be terrible. Can't be terrible, for supposed. But, so,

the function is the protectors, over all of all the and they're also, and they are socian much to the

people, the fact, they're in, they're not, they're a lot of a lot of a lot of

a lus that's a friend, can be very very molestoso, or even even to

do things very great for other other side are the acaches. The acaches

are made with the load of the black. The lodo is made clas with desechos and things

terrible. These are the same moment of them of them of the arrojors of the maldd

those bruchos oscuros mayas and these these seres with these with these

these terraces and in effect they they puten in the in the the

in the the the blood of tarantula and where come in

where can mean in venen and no run and they don't run in the mouth,

the samegrey, to have a gritty and spentosome, in the abdomen, they're putting a lot of, in elote, Function is the contrary to the La Lush. The Akash is the service of these

brohos'scuos and are made strictly to cause damage. Wow. That's the mytho of the matter. And there's all there's many

things and other. And much creencers, I don't judge none. Simply, I just say, many years

of investigation, is this. Well, I did a, a little quote, a little that's called a

letter of a desperida, which is precisely the encounter of a a little with a

of these and I'm a cash. With a cash. It's very short. No, they're going to be aburried.

Only it has 7802 pages. So, well, those who want to live more

long. We have a live for all the night. No, it's very short.

It's two ojitas. All right. Rapidito. It's a matter. It's called. Never

Kise ever. I've never Entree and recorried those curgentes passillos, me convinced I convinced that

there's a home of the mothered to the engendro at the front of the patio. It was a monticulo of

ramas and the ojas mortars. Why met I the hand in the aguero? Now I

understand that the statuilla was a first time. From the first night my trophy manifesto

his pervers intentions. In my dreams cobrough the He was a little bit. He was made my camera and me morded

the dead of the feet, to rancar me the soñas. Desperte awy-y-u y'all, but my feet were intact. Passed the nights and the sensation of seeing me observed, I grew. When I was front of the spejo,

he could be a reo-o-o-the dweener me observed agasapado. He lamia the labios and he rea, but every that he was that, simply,

it was sometimes that I'll hearsehraise below of my camera, rasguna the and me susurra and I

never have a trebue to be able to somar me the fear of the night envueled

and the afts and the when I did I'm that I'm hernestina the

old India me she's disinteresate but when I was the tattoo I've

opened the eyes very great and me soplica that me he were

that with the world that with the Desperated, I waske to the Anciano that's

aftueres. Dice the nana that's anahem. The old of a rostro tostated me mirro curious. He said,

he had a offrenda to tranquilize but the morning the next I'm a pachor

of stripado over the meal and the mais that I juste to get to the mountain

to the Ramos. I'd I'd asker to what I said, but the

expression of the the old was to be the and I was a while I said, and I said, entree,

ala, ala, alaet, somber of Akash. Cahs. Every bit he has got more. When I doerm, he starts on the pecho and commences and he has carcachadas. Me has made her reen.

I see that this night will be for me. He'll do in suenus. Me want to get his sombril reyne, me want to do one with him. For that I'll write this card. Mom, Papa,

I'm much my fear, I'd want to me hear you

want to me I'm I'm I'm Papa yeah he's

I'm I'm I'm I'm my name my mom

mom pardonem if some day I'm if some day I'm I'm

those kre Oh He went He went. Oh, My, Carta of

Despeed. No, manches. Fiatty that that image I think that's perfect for what you've

to read. Oh, man. And is that there's that there are many many many of fathers,

over all, that they start to tell us how their kids have to have taken

interactions with when they are to a house new that they've got to rent,

they're going to have these interactions, they're going to and start, about solos. And the Wendez is a thing that we're talking

and me gives a lot of the attention two things of what you about you and of what you've gots

to say, the theme of the Akash, we've we've done we've we're

a very similar that's in Africa. This being a man a mango obscure.

And the number exact, if I'm doing a question to someone, I'm this ser, of the same

about this ser, but also they're doing. Okay. And the same way, the same way. Oh,

but you're out of the other side. So, this is... But the humanity is the same. I mean, it's the

wow. The opinions of those are incredible, no? For all the whole the tocolosche

Tocoloche exactly I've heard I'm never I'm going to I'm going to do you're a versus

uh huh between the tocoloche no say no say more Tocoloche and the acaches or the Aluces in the acache

no one there one one of one one of one yes yeah yeah so yeah

so the tocoloche so coloche for the for the people that not for the people who

in the middle antipasas is a man who does a so it's a man

is a intention of this is destroy. He gets a a family and destroy a whole.

So, from a lot of posers to get a person to be this sensation of that you cut in the

respiration, of that you're all so all to colloche the mago to do you for example

I'm going to create a brand a into the palomayombe when you create your brand

that the a preender, he's a caldero a lot of a lot of things. It's like a prenda practically.

Okay. The Tokoloshi Surement has their roots for a lot of my name, me imagine. No,

sure, the part of the palomyoone but the other side. But with the acache is that

is that, is that, is that, is that, there, there's a something some type of

connection in these things. Sure. So, the, there's, but the the dogosh

for example, also, they're to dogoo they're to be aggressions carnales.

Because the Tokolosche has, I mean a member very great disproportionate to his

size. The To-Kolosh is like of this whel. And the other thing. Yeah.

No, for sure. It's a thing bestial. So, the three-

feet of Chocolosh. Exactly. But the form But the form to contrast

them is a ridiculous. It's just with To put in your Cama, debacle of your bedding,

and with that he's not, he can't go to go to your bed, and he's, he can't, and it's a

thing of the altitude. It's a time of the nature. But it's me make absurd,

because there families, and that's, I was, I was, I'm investigating, that's, that's,

like the people that are, the things down the, the triers, the back, the, and with,

and, and with so, they're, and with that, The Togolosci no, it's supposed to be, that's aburre, that intends

to go, no, he's going. So, I go. They're a demonio literally, powerful, bestial, this aggressor,

but if not he can't get a car, then you go and yeah. Fiatty, that in terms of the acaches

and of the alushes, is very interesting. In Flore Negra, for example, I'm,

about, the alushes of the alushes and the alushes are those are the acches. The alushes are

those are the alushes are the are the are those to be of a car.

They're some are similar and they're and they're there's there's, there's

many places where they're in the night in the milpa they're an battle

terrible, gritos, espantos, and they amnesen the milpas and quas and

where was the battle supposedly between the two duenddes. One protect the the other

is a endenerla to destroy it or or what is interesting isn't the other is

encarar those is other way to encirrars in these things that called Catalalush

which are some species like monticulos that are those who are specials that are to encirro where with

a seal encirran there's a and they're there's salvo that you say that and so

and for example in a battle brother for example I did a versus between the Lush

and there there's the name of the the kid tabled the Tocloche the Tococ

okay and the the people the people voted that the Lush But we know, I mean, I vote that the Toco Lach

he was going to... He won't. Because Tocloche is very sinister. It's a demon, is a demonio, is a demonious, horrible. I mean, Lerush, also, but you, who thinks that would be in the Lush and the Akash?

It's that depends. It's that, look, like, all, the more big, the Lush more powerful. Sure. Between more of the Akash, more powerful.

So, if it's a luch that is a recent created, against a cash that's that's a lot of years and it's

sure the cash was more poweros. So that's a dynamic generally in the world of the magic.

A difference of our world that the more you make more you make you make a time of

a time. It's a start to get a in the world of the magic, in the

world of the paranormal the more more more powerful. And this apply here.

Okay. So, so If we did we shirom, an enfrontation of a to-o-loche, it was he, yeah. Contra of an Akash, we'd have to know a little

the distance of creation that there, and two, the father-creator. It's, the broo-to-do-it-all-you-all-old-er. Because, also there's part of that essence in the being the ser that's creating. Wow.

So, yes, it's marvellous in those terms. but it's so of the tuccolyche to me is very dark

because the two you know about you know about that's the chagra the t'coyce

needs to this of the little and the and the and from that's we're starting

yeah not I don't I'm but the sacrifice that's for a

cash if it requires a complicated oh oh no if

even in the theme ritualistic Maya one of the sanges

that's that's the The Sanger of the Mniquire of the Sanger of the Mnoyneutral. It's

used much especially in the times of the matters perversos. There's a ritual

that's called the Kainikte, the can't of the flowers. That is

the, I think no, no, there's the famous water of calzone,

as the famous water, but this is a ritual very elabored

with the Pronto invocations infernal Even because it's all a process, no, that's the

type of water that's the type of meal that's you have to put the the same that's

the, it's, and it does a ritual tremendous. So the same,

you know, you know, perfectly that the blood is the combustible most important of the magic.

Sure. So in the case of the cash, also also super-sinistras and perverses.

I want to know that versus when you know, by the first no, but, but, no,

no, I want to want to be that person. Quenta to him, we'll see what

the people of the people, of allushes, of the cash, del to coloshes, we'll see, in the video past,

it was in the last time when we were in the lastapas when we're talking about the photo to a pyrito

chihuahuaua that's a negrito but, of the pelito of pelage but that's like so

like that's like that's he said, look a Paco, he's a look at he's a

good to colloche also. The Friths Chibuas also that's not even doted. He's but if you

say the your a duend you start to come in a guy so it depends

depending how is your duend our our our our our

said that never you can't never never because the duend when

they they're they and he's and it's really and it's

say, Ali, I can't can say an en-a- good on that's with us

with us with us saying, the production no saluda, what fresas that's

so many fresas. Ah, I'm a biter, they're in ching there,

being the controls. Dice, those series in personal is in the personal,

I'm too, I'm too to me the things of the ones,

the ones, they can get to be so but so malevolos

in the same time. Manistros. And apart you don't have you know, you know, because they're

they're not they're in the little, they're in the skinn's, wow. Look, says, Gijen,

says in the Pellowow to my mom no, they'd not have been to-o-o- -loshes.

Ah, that's, that's interesting, eh? Here, here, there too there's,

wow. Look, said, Jessica, Rodriguez, Pagito, is my Cumpo. Oh,

much thanks for us with us We're doing we're justicke. We'll have a lot of us. A bit of a break. A bit of a break. A bit of a bunch of

beautiful. There's a lot. That's allude. Cuita much. Thank you for start with us. Let's go to the night for a

very, says, for if a case, I put my blocks in the feet of my cab. Just for

a case. No, no, no, no, no, no, no, no, not, not say. No,

that's a lot never will get to attack at the nada, that's, that's, that's,

that, oh, this, it's, it's going to go to go to know,

so a , so a attack, you know, when it's manned, so,

when it's manned, yeah, when you a person, you know, yeah,

a person that's about you, over you, over your family, there's when you

get, it's that he was going, it's, not, never, to-o-

-ch- yeah, to- get, to- because, he's, and then-

- and, so, that's tremendous. tremendous. Let us go on the next

the next time. For the Tia Nati I'm going to the time since a rata

this time and that's a rata wow. Well, this was part of the investigations that we

were doing about and when we came to we're going to we'd we'd be more

more than what traditionally is that it's a talk that can be many chankees that are

various bruchos also in the area of Tavisco there various spectros also and

of the point we took us we're talking with this legend of the Tianati that we

just he was impressedionados for the fund that there in this this is in a

community that's near that community that area that that's where

is where is where this a, a brouha monster that they are

being there a a a a little I

a little bit of a case, no, the case of a new a new girl, uh, is possible that this

has fissioned because of the we found we know we're like the names not were those who were so we're

going to say that sylvia was a little a manitow two papas vivian in Nakawal and she was

very inquietta the mama said, no salgas to know not you metas to the cellva

to the night, the cellva is a not you metas for that soan

and the little was a She wanted to and I wanted to be a 14 years, 13, 14,

still very, very youngsita. Still, in many a lot of a little is a little bit of

his house, and she goes to and he's put in to do it to do, and he does it, he's going

and he's going to. And, and, he's still coming and it's extravia,

this is very common in the bruchas of the bosques and the celvas that you go

you're going and the point the line of rectas not are right, that's

very common in all the part of the bruchas. And he gets to a rio, a roooo

very beautiful that's never ever seen. And she's that's a roo so beautiful. And she

has got to discover a little bit of a good so. So she is there sat there

sat down, she gets a and she yeah the night and he says, well,

well, I'm going in a little and in that's to the distance,

and imagine that's the arroyo and it's a way and a thing, it's a piece of the

beginning to be and they say who's the normal, he's a normal, you know, a little a little bit

the attention, he's a part, and he's a point of a detail that there was luciernagas

and when I came coming coming this thing, the lucyernagas start to begin to bring to

where it and it's still as circando and And even the grilloes they're to be here.

And the Ciarna's too. And still advancing. And of the other side of the

river, it's a row, it's a rio. There's a good space. And this person that person who

was like an ancient at distance, he, he, he, and he said, Sylvia,

and the line is a little, a little tense, as how I knew who's

and the old she did a pass on the water and he does a other pass over the

water and he and he starts on the way sacrilegate completely

sacrilegate and the little that's so he's and of the so that

what is also what does also and it's and it's

the other and it's a woman terrible, espantosa, a car

a hagged completely full of arugas very profound with the labios those labios

those long, those figure that they've been with those trapos and then

and so he's to read and Sylvia she gets completely paralyzed and in

that instant remember a little that he He said his mom, over the Tiana, about the Brouja monster that had

made made a pacto with the demonios of the cellba to have a life eternal, that was only only was only

by the souls of the children. In that she said, she said, only about with me to

look at her for that your own and a and a and I'm a very the relato

says that be a the eyes and that in that instant while he's being the eyes of the

Tianati the eyes the eyes to get grises grises grises grises grises grises and pierde

conscience a the three days they're they're vagando in the

cellva caminando as if were a zombie repitting one and other

again his eyes his eyes those those those

they're to have a hospital evidently no there no I'm much to do

the the the and his last of more he says

his eyes those those terrible eyes is that

I've I could be to see a many of

children grittando and suffering in the terrible eyes. And I go to

and I'm that you do that you. That's the not the Tia Nati about all the

mythos around of this Brouha that sinister but that also

in the day you have a book a book a book of a book of a

book of a book of a in any place for that

that anyone that they can find they they're

in the book they are narrated all those the

children that she have absorbed that have they

have and with the suffer and that he does

that does pass and they in it they

they are so so that so grave that

Duro, the relatted in this book, that even the most valiant could enloke

to be reading only a part of pages, to think, the aberrations narrated in the book

of the Tianate. Wow, hermano. Oye, he, he made a mix of

powers type, like, but the same Freddy Kruger, or, I.

So, the really, the collection then people, personitas into your

world, I'm, and maintain her suffering. It's a lot of it. It's a

lot of the people. We're not these days of Tlauilpuchis, for example, that are the,

the stereotypo maximum of the Bruja Mexican. This is another thing. This is

another thing. This is a problem much of the paradigmas generales of the

bruchas Mexican. No, is a way to a European in nothing. In a

cellver. So, his form to manifestarse is very distinct. Yes, the

bear that cause that but the thing is the book, no, the perversity

to leave the evidence of your maldard, of his malignity for that someone

can be to learn and what is that is a thing a unferma

completely. Let's see what the person to the woman, Like,

I said two I've been about a Bruchie European that was the typical a big

a big that is inspiration of the movie like the book of 2015

of which a woman that is very an old a ruggish

a woman like the woman in the Bruch of Hansley Gretel that

that tends to do to do things that is a kind that's

kind of so are those type of bruchas that also, you get to generate practically a great impact on

all the people that are knowing all this world paranormal, no? And is that no there's a type of a bunch of people? How many people? I know, so, I know.

So, I know. So, I know. So, there's, f, are many, um, are many, um, are many, in Mexico, I think the most

is the glauilpucci. But there are more, I mean, a lot. A lot. For the, so, a,

a, a, of brujas, is, it's, is, it's durisim

the time. It's durisim a time. Me, me surprised when we did this investigation,

because we started to see more more things. After she, there is things like, that is

true, are tremendous. It's a tremendous, man, manned, I'm sorry, you know,

we're saying, we're saying, we're saying, Christi, the maldard in their state, in the

state, but the question, says, too, it Pazza, the Mio impractant.

The Tia Nati. He says, a bit, says, that's another type of of bruce, is another level, for the

supposed. Yeah. It's a, the Tia, a Tia, the sister, of the Kien? He says,

Arriva? Arriva, for a can't see the comments, and say, it's, it's very

on the space, more, more, I'm over. No, yeah, I'm, yeah,

I'm, yeah, well, we, we, actualic, we, we,

we know, many, of the, California, thanks of Argentina, thanks for to be here.

Good goodnuch, salo, from Peru. He's also here. Oh, my,

says Robert Flores. Saludos, Paco, from, up, up, from you,

from, from, from, Arroup, I'm my mom, my and my

mother, and my friend, we never, we're never, we've we've got the

podcast, and we've never, a man, for your Maria, and for

Fernanda, and part of Paco of Ramon. A brazote. Thank you for

to be a good. A good a good because there are people who don't get a presentation

to come to a year, I'm a family, I'm a family, I'm trying to a little personal.

No, it's like, for nothing. No, no, no, me let me, you,

I'd like, no, no, no, no, no, no, no, no,

I'm not, I'm to do you, I'm so much, I'm saying for there,

and say, and my Cumple, Mynor, that's with us. Venezuela. Fours, our brothers,

of Venezuela. De Verand, much thanks. Ermando, we're just over the recta final of this in-vivo.

The fact me, I'm going to be quite. Placique with you, it's a agasajo. We're going

about the podcast. Content for the page web. We have the in-vibo. The fact, it's content

family that really the pain that be that enjoy that enjoy with your family, with your

mom, with his my dad, with his abelita, with the perro, with all the family.

And then they're all the people who are the people who are the person who's and the podcast and there's the perro or

the gato. And they're being the podcast. In serious, they're seeing that's like that that's like that. What's a

girl? Look, saloos from Japan too. Andrew Medina, thanks for

being to be with us thank to be what are on the time in this moment.

They've been to be more or less than 6, 7 of the morning, more or less? It's that I think Japan are 12, no? 12 hours. China are 13, I think we're 12th, I think.

We'll be able to get to get it. So, so, the time of the morning. Wow, my, man, 12 hours, what impressive.

Look, and there's Mary Sosa, that's, my birthday, Maria, saludos, a brazo for

you, bendicions, thanks for to be here, thank you, Remano, remember us for

favor, for favor, your social. Before of that I'd ask you to me diaries

a minute for one just for one more just for a thing. I want to give you

want to give you this book that is a horror, passion and mystery.

This is the edition of the luxury, the the past Dura that is

precisely this book that about the all the

many the three three three landas here is the Tiana Nati, for supposed.

Wow, and this. And, of the really, with all the carino of the world. No, for the grand person that you're a man.

You know, I'm very much. I'm very much. It's a great person. If you're that Paco is what you in the panace,

they're seeing only the middle of what is Paco. No, it's a grand person. And, and, with all the carino

of the world. Herman, that's true, no, manches, herman, of the real. What a beautiful really.

It's a padrissim. Family, it's a padrissim. See, how you know, like you represent to all these monsters.

Yeah. It's incredible. It's incredible. Much thanks. Thank you. It's a decatory. Armando, do you know,

in family. Behan a more. That's, here, for that you can't be able to be. There's

what you can't see. Man, no, I don't have a lot of you're a topos. Of course. And you're

a talentazzo too really. That's a great a great. Family if you have the opportunity to

to read this book, tell them, where do you find it. This is an exclusive in Amazon. Amazon. This is not

in libraries. All the other are the rest of all the rest of but it's in Amazon. There's no. So, but it's all the

people, for favor, buske, horror, passion, and mystery. Mexico, through the

time of his legends, of our brother, Raman Maldes. In Amazon, de'rath, is a grand

book, for that you know, what you know our country, that is our country, in our stories,

in stories, no, dearest. I'm really, much I'm trying to addlantarles too. from there, I'm atrazado, this, something that's, and I can't, and no, I can't,

and I can't, wow, I mean, manches, wow, Oh, it's a genial, genial, genial, it's a, a story

very local, very local, very loca. So, so family, expect in the last ahead of the

other way of our man, Ramon, of the really, that's a master, in all this

book, and you know, and then that's, they're going to get to that's important, again,

thank you that's, that is what what you do you do you do it is what you

With you, with all your team of of the time of podcast that's with us. Thank you. We'll hand out of a brother.

A lot of us. Asa-bon-a-bon- until the next. The Lone's, we'll know episode. Nos-Ropier. As a

next time. Ciao, chao. Yeah, we've got too, Ramon, wants to make

us an invitation. Well, if they're like, and want to listen, and they're in Amazon.

The other books are called, Flore Negre. It's a song that has been there's in

all the liberations. And one thing more, uh, take with the invocations this night.

No, I'm going to say that's a good, I'm a lot of the co-loche with a lot of us, we're

going to say that there's a problem in part of the list. No, no, for nothing. Family,

I want a much. We'll see to the next. Bye. What's is here, am I mean, is it

with us or why is it's mannip there? It's a man, whew.

Oh, those perros. We're We found in one of the the points most of the factories of the perros canvals. There's something, there's

There's a lot, so you're seeing in many their skin, I know, I know where, I mean, of where. Justly,

here out, is where commented in a principle, that they're, or that they've got, or,

they're, where they've found many of their stances and all of this. Who? Who, who?

Who, there someone here with us is very very close yeah it's like what it's

in front of we're doing oh what that is that is there no man

hello we know we know we're we're we're we're

we're we're they're they're they're in a violent uh

back of you behind behind of you behind behind of you have they're

the freedom, to talk, to make some sound, to show to show

to show.