EXTRA ANORMAL - Leyendas de Pueblos Malditos con Jaziel Cruz | Historias de Terror 2024

Episode Date: November 18, 2024

En este episodio de Extra Anormal Podcast, nos acompaña el Producer Jaziel Cruz para compartir las leyendas más aterradoras de pueblos malditos. Desde lugares cargados de energías oscuras hasta relatos que erizan la piel, exploramos las historias que han pasado de generación en generación y que aún hoy causan escalofríos. ¿Te atreves a descubrir los secretos más oscuros de estos pueblos olvidados? Leyendas de terror Pueblos Malditos Extra Anormal Podcast Historias De Terror 2024 Historias de terror

And it's like a moment where you see a much attention because all what you've heard of this legend, know that the person that's your side is a person

is a spirit. When I go to the house of my tia, obviously they're an hospadege, they're where where you get to. That night

that I came to the house of my tia and that I kept to I've been, I've been to listen to hear of a voice that I said

no, we've always we've always of you. What How much? To be welcome to a chapter more

of a normal. My name is Pacuarias and I'm very happy to be in a chapter for all of you. Family, the day of today

to do you I'm content because it has much time, to really much time that I don't know to one of the

things that me can't much As well, as you know, in the miniatura, in the title of this video, of this episode, we're going to tell stories of peoples embruched, peoples malditos,

places where passed things that marked the life of many people and that were left for the posterity. For this episode, me accompany my good friend, producer, Hasiel. How is you, brother? Good, good. Thanks for the invitation, again

I'm very content and as all the chapters that I think to all those the people

you're going to get to be a little I don't know that's nervous too but well oh yeah

for the people that you are who is who are who are who I'm my name is

Hasil Kru I'm a producer of this hermosa house productora called extra normal

in in red social me can't like Haciel John Bajo CD

for the general I'm in Instagram. Not so active, but there we end up, and then we, and then to

get to your order. Thank you, Family, we're going to start with this episode. I'll try

some stories. Cassiel I've got some some stories, and the truth is that we have been

with much love for all of you all of you. As a dynamic, we're going to start

to less to more. So, we're going the stories more up the first to

the final. So, so it it's all the pain that you keep it's until the final.

If you don't if you're a lot of family, there's a little platform

that is YouTube for you know and you know to get the little the campanitas for that you're

for you and then Jaciel without let us we're going to start let us

let us let us let's say a little introduction here we're here we're

we're we're we're we're there there certain places that

are many for myths and legends that have occurred in different parts of this

state, as in other states of the Republic Mexican and great part of Latin America. Things that

are our our boys, that are that they pass to our parents, that were to get

a generations still very before, that they did they came the meme,

no, of that they're getting a machetazos with the diablo

in the serro but the reality is that are things things

civilization, where still are in medium of naturalness, peoples, mountains, rios, and it's something

because personally it's one of the places that me I like much to visit that type of other places,

more than places like mega cities, that for nothing, for nothing, is that I don't

go to go, but I preferer much the thing to be to campar to the falas of

a volcano, go to places where still where still still there still still

is this you don't you're going to let's to let me have been with me so we've been various experiences various anecdotas in this type of

places I think we know we're we're more familiarized you know for the zone in that we're mountainous rios

practically all around is and obviously I think the experience more so could say that more

resalted in this role was when we were when we were when we to the exploration, and just that we've got to...

It's that we're going to... Regress us who are who are pendenters of Facebook and Instagram, we're going to to go, because the people is called San Juan Evangelist

Analko, Oaxaca, located in the Sierra of Waxaca, because it's a very mystic, and we've talked many times, there's an exploration,

there's a second, because the first we don't have the equipment adequate. Aulita, we have a camera of vision nocturna,

because these are when there's when no there's when there's so, and there are

things, but no couldn't grab nothing. Now, we're going to be prepared but for

this second exploration, we're going to do that more interesting because we're going to look at

a form of a contact with them so, so you don't you don't you don't you

know, please. Hasiel, we're going to start. I want to another story

that we us Compartee a person that is part of the family that's a

normal, and is a woman of 50 years. Her name is Marta. Marta

lived one of the contacts with Ceres that not are people. We're going to call it

so. Marta us told that he visited a oldita. Because his ableta

he, he told many stories, many legends of where was her his abelita

is a town San Antonio, a for mythos, for legends, things strange that

were in this people passed a a fact that made to all the people and that's the

people and that she became in legend. She me said that her whole time

he told the same story. I was going to tell. Because she took

an a question with this theme. She said that in those

years, in that time the families practicable something that not been

so much they're so many they're so they know that in this people is

when you have you when you your son you're you're looking with who

is going to get so so so the families normally

they they're in the pair of his children in this

then he he went a foraster a young this

young was very but nobody no nobody is

that this young yet to go to the people to get us. And as

a custom to do this to look the couple, since he were in the kids, he was

he started with a child that his family yeah was having plans with other,

with other chabob of the people. But, but the guy, no,

he really he's enamored to her, this chica she called Rosio.

And, and they began to be able because it was there were there

places where there are that for very uh, the

people take alternatives very pesas very bruskas for putting order. So they're on this

theme of uses and costumries they were in the affords of the people making a reference where

there was a point like of a big where nobody there was. There they they were

they were they were a time and they had a kind of the person this

obviously not so he could maintain in secret for much time. Rocio

came to a family numerous. He had six brothers and three brothers and

we're that were 10 kids. So, she she constantly was a

form of her but there was a problem but I had to not only

to be to mom and the father, but of all his

brothers, his nine brothers. As one of the one of

her He started to and began to see her, and she did a point that he to go to the afouras of the people, where she was seeing with this

child, with this forastero. So, this her manna is a regress to his house and he says to his papa,

Fichtate that Rocio is out of someone that you're the person that you he's cogist. And in this

moment, he's with him. In that moment, the father of family he said to his six and to his six

boys, go and do you do the pertinent. They don't know what going to

talk about. I'm going to do you know about. In the in the curito, dandose

of love. The history and the legend that said that in that was a great

torment and it started to make a much frio. So this this caball he does

Rosio his sombrero and his chal to cover the of the water and

and the frio. In that moment, instantees after, they were getting the six brothers. But, but at a place where no there's a lot, and only

they've been a person with a sombrero, they were on on their own her own. Acabarone with her. The story went to the pederererer, and

they're made a little time, yeah when there was a very strong, that was her own her brother. In that moment, the ira of these brothers for having

been done with her brother and not with the chavo they're making that they're doing with the way of him. Practically, assassinated, they're assassinated to the two persons in

that moment. A part of that that's socese, you know, you know, you're in the theme of the legend. The people said that

they'd be you the spirit of Rocio, coming through the people, lamenting-s, because they had plans.

had in the plan to escape and go and going to this that's not so he's not he's

that it so that that's a moment it was that was that this legend of Rosio

constantly our our she was living with her all the time

she was it was the story that never was the story has a final

the abelita of Rocio in some moment fall yes

And the last pediment that She was Entire me in my Pueblo Okay Entire me my Pueling me

So then practically They're in the And all the family So they're to San Antonio That's the

town where was the Abelita and where was this legend Our Our followers

us she said That was very Triste They were And they were

And the day of the Entierro the fact is that was that was a very agovied

and she he had no I don't see the the couple of his abulita in the

attaute because I don't want that that's the ultimate image that I

want to get my my image that when me I was

when she and she me and she me these those moments are

those that I want to get to get to my memory

no I when when they present when they were

when they were in the pantheon and he did a point of the pantheon in some

moment it was he just he was to come between pure between

puras and pure mountain so there there was a person

that was sat for this before before of this moment

passed for a point like and he began to

come and she saw there there She said, surely

she's like I'm a person also of her family that they're interrando, he's

and he sit in the bank and the two are sitting and she she said, she doesn't

he was when she was when she he said, you can help in something? What do you

have? But this woman not parable to learn. Unicamente had

his two hands covering her rostro, but no it's back.

And he said, Amiga, why you're you're also they're

not a family me. No, you're going to pass

nothing. How you're you know, and it's in that when she without

her and she says rocio. Like that's a flashhazzo because

he said he said for a point of a piety I'm not I'm in the

panteon and it's like a moment where you see much attention because all what

you've heard of this legend know that the person that's not a person

is a person is a spirit and is the spirit of the legend that you tell about

your abel in that she she went to be like she went

to the second and be that she's she It was a moment of alibio, but in a moment

that regress to the mind where was this person yorando, Rossio, she'd know that. Yeah, no

was there. She decided call it for much time, especially for the moment, because it was a moment of

much a great for the family, and then after, after many years,

decided to talk and in a mess, in a scene family, You never They never

They believed to the Wemla The story The legend of Rosio I see I'm

and I will say something the day of your endierro I know

I said how he said how he he told all the family knew

so I that that that that was not a story

that was a real and the spirit to the days

of today still ronding that the world. The curious is

is that some people they're with the yorona because

it's the same the same the only that the No, manches.

It's like, yes, justly to say that's could be saying, it was like, like, a little

in the mentors and things these, but I think the principal is the vestiment. Yeah, 100.

No, manches. I, well, I want, so I'm trying a story that we let's

a, uh, a, a, a, uh, this story no,

this story, no, a, uh, the number Antonio, I mean familiar to

to the, a, to talk but here the thing is the form of the

spectrum of this situation of a paranormal, for you say it's different. Antonio

was told that when he had a five years I, I've been in a community

obviously to be to the city. He, he lived with his father,

his papa, his papa and his father and he said that in

his house practically it was a small, to say, let's say, um,

okay. They know he went to one of the night, he was with his father, and they

were to be able to get to get to get to get to a cell. Well,

in the part of the end of the door, like if had entered a very

hard and would have opened the door, even the windows, to the what in

that moment so mom has a with a very very

very very so his father in the and he

know to the door and the door and they were open

in their totality here here the first that's who's met you

so no this he started to be to be to

be in order to be all that night but obviously create a little

of doubts and he's a comment there's there's a same in the barrio. Fisance

that I'm a group of my time. Anoche it was a very rare we don't

we know we're the passor of the door, the ventas have a window, but the

nothing's opened an air very free to do. To what he's a friend

to him a friend of a barrot that's I said, I said, I went

at the night in my tienda, I've heard much noise, I'll

see to see what had passed and the only that was that all the things that

they were that were they were they were that. Curiously they were nothing,

only was just about all redado. And in that's I've seen a

person that has a place of that there in the bario

and they they're they're they're I'm Anoche, I started like if

something had entered to the kitchen and me made a disaster in these trastes.

All the tracters that I had I had in the soil, me molest it because obviously

I had to have to all over but you know, you know, you know, they're

not, so, well, then, well, then, then they're all there

all there all over a, well, Reza, every kind of their

house. And what they're to mention is that the next night, and now

it's going to go to go back exactly the same. To all. To all. But in

specific, to the father of Toio. He's a night they're going to hear a

great in the part of the cell. He yeah is all molesto,

but the first is to get to get to his little that's

all So he what does it is like to mount a guard he's he gets there sit down in the

cell he said well what so I'm going to see what is no I'm going

to do no no pass nothing he's he's he says somebody

is someone a maldard no some maldos that he's a lot but but thinking

that was someone thinking that was that he was someone human human this

is to be repetitive and the moment in that one a night

the night the the kid the he gets and he gets to get to

mom when the when the little he gets his his papa his

father first he's he said what he said what he's

they're they're they're who the young very feos that want

that I are your friend, but I don't want to be your friend. And he

said his father, he's, he's, he's, he's not he's no,

but I'm they're sure that are they're they're so they're so okay let me

to the recamara this is a piece of a pieceadilla and they're with them

so he's all, Papa, or, well, they're to the parroquia, to the church of the

people, to ask you to the sacerdote. Figginsie that's, we're this inconvenience, the truth

is that we're really that we're talking much because not only to him, we've not done in

the nights that, but if we've we'd discarting all, Padre,

could be to us to our house to our house to her to the what you

want to say the father, I know that's the right, and he does the direction

and he comment to the second. That house in that you are you are living

when he was this place, there was a panteon. No, manches.

What you're not you're saying is that you're you're you're you're

you can say that is but is to make you're to make to

your house for that you can be able to be able to see if this thing

then we're no no, yes, father, for favor and that's well,

get this father to the house and effectively the house that he, the description of the

direction that they had had been a panteon they had in a hardincit then so

then so the father, so he put to be to be to be to be to do

to what the father he does a a little of a

is that when the father is out of the house he's back, looking to

the garden and he starts and he's to see a rumb his rumb

to his cathedral to his capilla he gets the night

obviously his his father has kind of has kind of

has a and he's a little a little

he It's very strong. Salle out of the cell, he does that no there's a

little of the little bit of Tohito and he does know that in his camera. But they're

open to the windows that just they're at the part of the part of the patio.

So, mom, when the little he was to get to get to get to

get to his he's he's and they're in the arbustos, it's

tonyito aghado. Like with fear, but the curious is that he has the eyes

his eyes his mom is going to he's got to he's got and he gets to get to get

to get despirt despirte and get the moment in that he's

got got also he's but he he'll a gritty and he gets to

cry and you're what you get to what you don't what you are

they're molestos. They're molest for what I did. But what did you?

I was who I was who said to my father, that were some kids what they

were my friends and that I don't want to be those friends. And the

person that was a water, because he said so the person that

came to regar water. That person was who was who was who was

put in this house. How Chris? So, so his mom

obviously is spanned in that moment, his papa he's

a but he's the image the the risa that when he was

going he was this father and smile to the

patio. What they do in that they is to start to

get to get and they go in the people one

one says well that what Obviously, all the people who are in a people, a time or

or they're going to come back. They had amistades, families. Today, Tohny-to, well, and a tono, he's who's who's who

manned this Correo and no says the the next. The day that I I regresso was because I went to the belorio of one

my mom. When I got to the house of my tally obviously they do an hospade they're

where they get to get to that that I came to I'm to get to

I'm getting to I'm to hear a voice that I said no

we don't we know man that's me so so

paco in the moment of that I'm I I'm I

I'm an hardor impression in my pierness All

To cut me the sabanas My Pyrna's My Pyrna's Myrna's Myrnions Vestia I was

I was I'm on the things And me Retire O'Y A BASA

A bit A situation A situation very Extrana I was I was going With the

Finta because this we've talked in many chapters of

podcast and it's something that I make of the manga. Tant pastors christianos as a

sacerdotes us are that there there are two forms of power and even I was also

I'm talking to be a lot of a house the the bendition not but it's

like a incommienda when yeah there is something that a

house in the Christianism it practica a liberation, because the

liberation not only is for people, it's for houses, for the other places.

And in the Catholicism also they practice in exorcisms to a house. That's also it

doesn't. It's not is to try to water because many times what

is that is that is that they, what they is to al-Botar what is to go to

the bifero. So if if you you're going to go to go to go to war,

I said, for there someone, and you know, and you get to

get to that's in this moment, manifestando's, what what's what's

there, then, it's something, is something, I don't, no, no,

no, I'm not, I'm mentionar because is something very funable. It's

something really, because it's one of the things, for the, for the part,

it's attacked much, some some servidels, talking of that he went to

a little and there passed on things very things very so, yeah, I don't know

to be the criteria of each of we're saying that is a real, it's a number of that we're

a criteria of each that's the I'm a whole the audience that's that's

that's the rio this so suede in a town San Felipe this

this he occurs to Pablo. Pablo is the protagonist of this story, and is who we can't share this Correau. Pablo crecied in this

people, called San Felipe, like all those people that we're talking, a people rich in culture, in histories, in legends, full of mythos, and of a monot a lot of a lot of a lot of questions, that

for many sullen be very fantasiosos. There, about of apparitions, spirits, almas in pen. But Pablo had a quality to Paul,

one, no, one, I don't create in this and two, he molestable that the people

that people were constantly basically of this. I said, you know, you're going to start

to start to this, I'm better me go. So, then he was a

person very apatica to the thing paranormal. Inc. Even the Abolita of Pablo

constantly he wanted to tell his but Pablo he said, Abolita,

I'm going to ask you a favor, for I'm this because no exist. I don't

think in this. The abuelita he does a question very savvy. And she he said,

I mean, the fact that you don't say that not say that no exist.

So, well, it's a part of you, you know, personally I've

lived a and I don't care in nothing. In those years, this

people called San San Felipe, was accursed by the crime and many

many people got on a group of persons but they're to exerts

violence yeah that in those people normally those those

those are they are they're for to have some some

some some some substations or laboratorios in those

years this people was the people were so

the people of San Felipe had in toque, that's

eight of the night, nobody had to get to the people. This was for security.

So the people yeah knew that at the time you had to stay in your

house, you know you know, even the abelita of Pablo he said, I know,

I know, you know, you're you're you're but not you're not, it's

so it's dangerous for the people and for those and for the so.

So, we know that Paul no he One night, Pablo is robbed

from the house of his papa, some bottles and decide to go in his vehicle, and I'm

going to be his two friends, Jaime and Omar there at the orias of a cotorriar,

no, as we're to say, to pass her well, three friends in the night,

tomando, counting, chists, olidating of the bad the bad rats, standing

they're reunied there on the arid of the river of the

one of those people precisely was this Omar who started about and then

then he made to talk about to talk about stories and was where Pablo says a very

yeah yeah I mean my family I'm my my old

I'm not don't let's we're to be more to we're

we're to listen music and we we're to let us in

this moment they they get to nade and Jaime, well,

there's an friend who had been a little bit malito at the stomach, he said, you know what I

don't get to get to the mountainc't, because I need to go to go to the bay. In that

he was Paul and his friend Omar, then the water, was not while

having had and he was doing his necessities and the good at primeras, the one

one of the river, they were a silhouette. They were a person that had a swater

a mariel, a sudader a but they noticed that was coming the form rarer. Caminable like if

stood over influo of some substance. So, they're going to say, hey, who's going to say, hey,

bolta! And they did count that this person that was there, he was to get to the mountain

and they started to get to get to and he said, Pablo, he says to

his friend to the carmionette, preending the faros to see where where

So, it's parrond, but you don't see, but you know, they're to get a

white, but he was coming a strange, very rare. In that, after that they've

seen to this person, fiatte how so in the things, the environment

of the place was to change. The temperature started to descend being

a night hotroosa and it's to make a frio, the rio started

neblin and the thing was very pesed. The two friends were very

tensed. In this friend in the cabinette Omar and said

I'm going to do a play a problem to play a pablo that's

a little stressed for what we've a little in the people that came

to be chismos so he was he was he was he he was

a pablo in the rio and he I'm say

water with the the water with of cockodillo that is floating

that's that's in that's they're in a Jaime Jaime was the

name was in the but he he started alhens to me and let me

in peace and he started and the thing he's to put

very very very tense this this man he gets

coming where they're going and when he was he was a point

to say what he he Let's here. Resulta

that this tronco that had seen the man who was in the car

was not in a tronco and a crocodile he was a brazo pegated

of his torso without his head and without the

water when when they were that the part human

of someone they all all all all they

are locoes, intent to aracharla, because they're in the body,

man. They're, like, like, like, they're trying to get the

caronet, and no incendi, and no incendi, until that at the 1,000

halla, and they go to the place, and just when they start to get

to get to to the point vehicle that to cross this

rio, it's he's back the carionet. In that moment,

it's something they're they're going to be the river and it's like if

were a great multitude of people but they're people that were people were the

same form how came that the man of a mario some even

even they were that they're on the but all a lot

and all they're all they're all they're all they're having he's

he's never they're they're new the and they're to the

house of Pablo, where Jaime he said what was what he he was what he

he said that's that's in cunclillas he he started to hear like mormuyos

and he did know that he had a few meters of him there

there was a person mirandolo this person had a chamar of

a and he had a girl and he he he is here,

he's to espiar, and he he's he gets to confront him and when he gets

he'd know that this man had the man had the man who was not he was

conscious. It was then when he went to he went to all

the disaster. The things were very feas because they've

seen things so for for Paul so that

not they The news of the day in the people confirm that they that they

they're that they're they're the same because in that the rio were

encountered the body of two people. One, with a description

just like the did Pablo and Omar had the suitter

and two the man of chamar of the and arrojado to the river.

They, and over all Pablo, a person that in that had 16 years, today,

being a man adult, conclude his letter, and I detestable that the people

to talk to things that no exist. Today, me because I was

because I know what I'm just just like I'm my woman.

I know what is to live something, and for so I

your content. Salus to Pablo. Well, Paco, I I'll tell a story that we'll send to Ramon. Ramon is a person

that, well, we know, we know, he's titled as an engineer civil, so in those years,

for there of the 95, us comment, but obviously, as it is known when you termines

your career, you're in opportunities where the less you imagine. Sure. No?

so he made similar to the maestors well he he

he he he he he he he he

he he he he his his his his

his his his he because he also he

also he too he took he he could go to he could say

to this ramon when he came in a people

get in a carmion and the first that is, he's, he's

going to be a long, he's looking where he goes to get to

get to get to then. So, then he had to some a little

a little a house for a for what he will be in that

in this place, at a point that's a woman and he

says yes, Yes, I rent a one. He says, perfect, he says, not just that is a little bit of your camera,

ventilator, and I'ma. It's a quarter. Perfect, what I want. I want to get a little after my,

of my job of that. Passed the days, he's obviously to form relations amigable with some members of that people

and of the company, and he's He found his friend Felipe. Philip, well,

they're to make like this one of the lot of a lot of a lot of the time.

You know, the job of the job and then there's a barcito for there,

they're going to take some tracos and all. And so he's to repeat the

days. And then he went 15 days, he regressable to his house with Minerva

to pass time with her again to people, and in the next we'll call the

end of the end of the end of a man, and then he took the armro, coqueting.

You know, when he gets this, obviously, he'll get the attention, Voltea, Felipe

is he, bro, you're casado, you're casado, tranquill, calm, those, these neurons.

And, well, well, well, well, is that I'm just only is the alcohol that's

doing to think things. Salle from the bar gets to his house he's doorme

but in the dream to remember this woman he starts one and another and another and other

and other night he goes to his house again to pass on 15 days

he goes to his his husband he does he does he's wow obviously

this for him who emotiona much, I go to who no he moccona? Yeah. He moccona and possibly

it's obviously it's just to charned more gas to the job and all this role.

One time that he goes to get to repeat all the bar at the end of the end of the time and

this woman but now this woman so he gets a he gets to talk and they're

they're they're going to talk about the reality is that in that moment now

it would be with another intention but just not he's so he's not

he's so he's cordial exactly exactly the night the night and the night

and the the dragos start to get to calent the body and

this person uh he's termina having intimid with this woman

obviously In this occasion, no he had accompanied Felipe, I think he was a repentido because it was

that was a kind of a man in those situations. That night, when he has been after having

been a woman, he had got to that she was in his camera. He's he's still

a little a little, he's not, mal, mal, mal, mal, mal, mal, mal, he starts to

come to the street. The street, he describes that was, it was the last the name of the

place of the people and it's like a barranco he's a little he's

he's a little he's a barranco and practically he he's he was

his friend he was to get to get so okay and get he's

he's he's he's he's he said he's no, well

I'm not what's he's they're doing to sutur he's a shuddered a little

the rollo. When he is out of the center of health, this is this woman is waiting to go out

and he. And he vaguely remember what had passed a night earlier. And he

said this woman, we're going to come you come you. You're going to prepare to something.

He said, okay, I'm going to be for being cordial and I'm going to talk with

her, that this no, no, this no, of what what happened and you

get to your house and something he noticed in that was that where he

was where he had a where he had a house was at the house was to

see a a like if had entered a chosa very the

fogon at the front but the other other side there another

just there a mac no there was only was only

only was only a quarter four four but, but was at the

mess with two sills. This woman he does a clad. He'll

start to eat, he's for that then. Ramon, when he was

coming to eat this caldo, this food, this woman, he said,

he said, a lot of fetid, putrefacto. To what what, obviously, he did

asco, and in that moment decided pararse and retirese. Just

before to go out of the door to the house of this

woman she she will she he said not you're to be

to me to a what obviously he he

made a man and he and the house

of yeah once that he came to the

people he is he to his friend he

he he he said Ramon what he he

I'm going out of the center of health, I'm going to come. No, Ramon, you well know to what I'm going to do understand. Dime, of what you're talking? I'm I'm going to know that

that night you metis with that woman. And I'm not I'm going to go out of his house. Ramon, what you see to that's anciana?

What? Ramon Anciana? Anciana? Of who? Or, of who? I know. I know.

Philippe, he says, Ramon, not you're saying, Ramon, not you're seeing that that you that night, that woman,

that you that you that you and that you're the old. It's the

woman. In that moment, Ramon, so, he says, but is that no

could be possible. Sure. He said Felipe, come me, I'm going to

show a little. Felipe he's his house, to what he goes to his

his wife. And his his wife is the first to say to Ramon is what they

did you did you to come what you didn't Ramon? But Ramon he gets

looking all so disconcerted he doesn't what He doesn't that's...

No, he's doing that woman, Ramon. He's, I need to me

say, what is, because no I'm doing this a woman to be a light,

and in the space and in the area that they was put up and he's there's a good,

and I know, at the moment that he was coming in these insects, these

things. he's spanked in that moment and he's to recordar and he's to record in that moment all what

really was that that night but now when he he's effectively was actually

was being a woman anian yeah no he was with the eyes of a

woman young a woman attractive yeah maybe let me let me

let's and he said but what I did So, I was like

inconscient In conscientious In this moment Uh-huh To me To hear Or not Like me did

A little Me record, you know What was What was I was I was in the Ombro

And me I remember That this This person When was He took The Yeah,

I'm Yeah, let me Let's say Yeah, so That's used The

Acercament A- A- Okay And that So, So, So,

this woman That, That, ante the eyes of Ramon, put a other

other thing a cholah a woman. So when he said, pere me, I'm, I'm just

I'm remember all. And in that moment was when he he was

to the house, and in his house, what he was doing

really to be to be? Remember that you that I said, there a lot of

that. Yeah, what was that was going to like a part of a

little, it was a Bracito of a baby. No, manches me. No.

You're comedy. No, no. How you're? Ramon in that moment

he started because obviously we're that she had the news

of that was that was and obviously all he was he in that

moment what he did was to ask to to them and to go to

his house with his wife and his son. When Ramon regress to his house he gets

obviously devasted, he gets for the situation that he had passed, that he had failed

to his woman, but the thing was that he when he to get to his

house, obviously without, he does know that his person not he was

in his wife. He went to and he asked that he said something,

he said a His Becina, with a like so

like a so your your spouse is in the hospital.

Ramon is back to get to get to the hospital

in when when he to get to his wife

and the came to the family and his wife when

he does it is, he put to he kept looking Ramon and he

says, what he says this woman we've we've to have

to know no. No. I don't see this maldition or this words

that he said this bruja Ramon of not you don't to disac

to me so easy to be to be a job took a price exactly

and then well, Ramon practically pierre a, heirs a his that was in the way in

his way. Ramon us in the Correau, Paco, have much care to

where they they're to come. And, and over all, what people are you

are you know, because we know the day of the day of what are

his intentions. That story not does tell Ramon. Well, I

think that no, that's new for us. Yeah. The audience should know that not is new, that now has occurred,

suceses, precisely when we're going to go to, in the years, and you have lived, I've

lived, have been things, because there's people who is disfraza of fan for,

for, to care to do you, we're going to let's say. And it's something and fortunately

that we've never been libred well I consider that I'm a time,

all good, but if it's a question in the which we have much careful

with much things, because we are very expuces. What what?

What story so far man? I want to finalize with a story

that's called the abuela. Here is the story of Sarah. The

story of Sarah is quite interesting because is what

much people out out out is suffering or is a

living. Sarah is of a people of Lima Peru

and our our brothers of Lima Peru and

she had a her about let call Don

Lucia Maria Lucia vivia in a house very great

and all the time was around he many things

animals and apart and there were many many

families to visit her but the reality is that Sarah me says that her

father was a lot of his children and said my abulita for start had a business where

vendia things of spiritists my aboela had an acercement and a sensibility to the

thing spiritual and that I don't I got to my stios and

actually my they said that she said that I was because I don't know but I mean

I was I said to be Because all the time me stories, me contable things that

that sombrae and he said and he said and he said things of magic and she was a

fact that but his kids no, he was not he got to something,

it was a very peculiar says Paco we're we're in the

common in the house of my abel was a home very

great very great was all the person all the

invitators, Tios, primos, and of the door that was a patio full of

the world, we've seen how went to a ser little, like a three

centimeters, encorvadito, he went and he cameo like changito. But the last

of all. And I kept so like, but I saw my my mom and my

father and my brother and my tios continued in his world, comying

and I like, that no, you know what I'm going what

I'm going to do you? Nobody he was to be to be to be to be

to be this? I mean, so I also. Wow. She had the

don't of the old. Okay. It had and he had and it

still. A part of that she knew that was going to be a very very, very

very very very very vendia cosytas. There was a muchachita

that more to be a member of the family, it's called Norma. And it was the person

that was a little bit of different things. A person that was a person that

was very a family. And a Sarah, he was to go to visit them, because

you know, she was a woman, Norma, Norma, Norma was like her mother,

so it was a so it was a very very beautiful. The question

is that constantly the abuelita they were to look because she or about and said the

people that she or about for the people, he put his man in the

front and the people and the people had and they were that they were in that form.

Constantly the bula came between his plant and the gardenes

to the mother she was much to be in oration he was much

to talk to talk with his plantas then they were a

very spiritual so they had the vacations of

the and Sarah he said to his papas I want to get me with my

abuela Lucia because he was to start with her with norma

and start visit them in one occasion passed something that that's

that really marked the life says Paco we we're

we my abel me was saying my this

plantas you cure the heart the I heard that day because my aboela

had two gats that had been there and they're to go to all the and I'm going to

go ahead of me and I'm and the good to primeras my my abuel

she kept a parada fithing without moving and I he said abuela

she said I'm gonna me contested I'm and I'm and I'm I'm and I

do He said that he had lachrymas Callending I'm He said he said

And he said He said He said I'm saying You know I'm I'm sorry I'm

You're You've made You've made to make you feel and rest in peace And say

The old Agached the I'm agached And I'm But I'm very feo Inconsolable

And And in that moment it was a very rare the birds started like to aborters the cats

that were going to were going the birds started to goyar like something something

but I know I know I know that was going to and he said abuela

why you're why you're why you're because you're you're in this moment

the old little he said something that much people who is living, he said,

and he said, I'm going to explain something. As I can perceive things

good, I can perceive things bad, tragedy, treasas, and not always

is beautiful. In that moment, the woman, the world was called and that

night, that people where they were, they were vestio of lute.

The young Norma, the chick that was the family had

had died. He did the life a cause of a playto

that he took with his husband a night that

they were and he took an attack of

zeal so he made very easy and he

got an object of the kitchen and attack to his

wife. Norma per die. The Buella knew where was that the man

because had been but the police never did the house. All the world

was all was a person. Practically the person or the being or the essence or

the spirit with the the abel was talking was despidending of Norma the girl

a young man, it was she. It was she was there. A part of there, Sarah us is that

have passed many, many years of that he saw how her his abelita was

to this child. And she to final to the courier us says,

I, you, I'm being a woman adulta, I

calli this ability that I have actually I'm really, I dream with people and when I'm with

them, always is because they're at a point of to die. At the few days, they're

they're. It's something that's that's because since I've seen the I've read the

mother, I've rechasado this don, and I have to learn to

learn to him, but I think, she I'm said, I'm

I'm, I'm a person very very and it's a and it's a belorio. I know how it's a little bit of

how it can't get to do. And I've been been a lot of much people. Not only is being more spiritual or perceiving things good So, so, there's an

equilibrium also that's the side negative. Be things that you can traumatize like in

this case. She didn't know a norma, but he affected to his abel to her

and the and things very turvias that were in this world. How is? I think

that we have been many times when we don't people when

in specific to me. Oye, but what When when you see that when you see something, no? No, well, Miodo, how would I feel to me

feel that? How would I be to see that? How would I be able? I go, no, brother, I'll tell you, no, you know, I'd like. I mean, that the day of the morning you're going to have it had been. But, oh, hey,le. That good. Well, me, I have this story that I'm going to to share.

This story is of a group of friends, a group of people that they

like the adventure. Okay. This group of friends always is the

valient, the that's the that's to the manned. Always is the

mehouso and so, well. Oh, you're describing to the

team. Well, this group of people were they were they were in to go to a a, a, a, to know a new valleys,

let's say. They're going to a new place that other friend had recommended. Oh, can't think that in this place, they're going to some legends very padres, this, would be it to go to know it. Okay.

Just that's in the Sierra of Oaxaca. You know, you know, golly, they're gonna, you know, can't. Can you know an experience magical and padrissima because there are

some there are some many times but magic so they're to the chara of Guacca

and me they're just they're in the business and they're and get

to this community for this in this community those was always I'm

another other another other other the who he's

with with an amability very good and they

And in the Comed, this platics of all what is this in this

location. He comment that this place is very known because it's like a world

a local he called him. This world magical where have

seen even captured images of the of things

of but that also in the people in the streets

there are many Lamentos, they're much I mean, I think

for those that like this type of things, is the place. Terminando

to come to come, decided in an type of cabana and they will

describe the cabana here I'm going to be a band and you you're

to be to be to be this this this carana in front

has a lago. Okay. It's a really of

a movie so they're in this cabana and the what the

father is that is that is around the pinos when they're

all their so his equipage his and they're they're

they're they is the adventure so so they're so they're

so to go to to to to come to comein

during in these bosques. Sofocados, but coming out. So, obviously, to put it more interesting, well, they're still in the night, for that this is to put more interesting.

The point is that these chavos, well, yeah, this group of people are going to the night with the friend, the guide, and they'll say, no, well, let me, let's for here, and they're going to move, between pinos, I want to recalcate that

and it's the moment in that the guide he says a bit before

we need we need to do we need to we need we're in territory a general

but it's in territory agen so we we're going to pay permission and I took

this we're going to let's we're going to give to come in the house

of regress obviously those friends acceden to do the not a ritual but

like to ask you tell you tell you know I'm with all the respect so I'm

to know I'm going to get me nothing and let me let's do this of offrenda

for that we don't where they have been the vehicle to a costado

they're a punito uh of dulces monies of chocolate of

these almost rompe muelas that are some those those

they're to enter to what is the bosque. Yeah standing in the bosque

there's a moment tenso. This moment where the person or the or the person or the

kind of things, and he's to feel like that something that there's something that

he's that's that's in his desperation there's the ballita of people and

say, help me, help me, help me. Because there There's something that I'm halla. There's a

something that's, I mean, the bato, in a certain mode, espantado, because I'm that I'm

that I'm in this point, all they've been apated the luses. And I'm talking to

that he had passed about a two kilometers more or less that they've advanced

after the vehicle. When they get to this point that they're just they're having the pantalal

this person, preending all the lights and it's It's like between the yearba

like, like, like, so, like, like, so, like,

so it's, but here the, what, the, is that when they're when they're

going to a point, the, those dulces that had had, on those meters,

or two, a pair of kilometers at that, that's, that's there was there. He had

moved. It had moved, exactly, exactly. Yeah. Obviously, well,

to all all, so, why, because, they're to us and we're

here we're obviously they're to start to experiment like okay

here really there there's there did a fogata the

place was more tensed we started to tell stories uh and you

know that type of stuff for the thing to put the

more more chever and they're to go back to

the cabas because it started to go to get to

get to the cabas not not yet not get to the people to take a

coffee a little a a chosita but it was in the but it

we're we know we're not that the senior that the one of one of

them one of you let's ask a question what

what what's what success has you have And the sir

says, Oh, of him we've seen that we've heard. Just the last night

here in front in this case, she passed the Yorona. And we're saying,

but, well, let us, and she said, and she had had been

with your nieta because his kids and the and that the

little, the baby started and then she was when this person or this entity

pass, it's pass, friend of his house and he and he's

to make these the lamentes to the and the question, he's

to go out and she and he's like this is the pan of every day is typical

no it's very typical in that city well well they're

to just to get to come and then they're to come and here is where

it's where it's the most epic of this adventure there were two

camas were four they were four people to what, for camera, two persons.

Two persons, no? Algo, something that not they, that's so when they went to

was that was totally the cabana in his regress, infestated of arrainess, something

that no had when they had recently had recently one said, it's for the night,

no? Right. A lot more, so they're in here in a car,

for the calientito and all. Well, there's all doing with passamontas and all

to get to to get to to the nose. It gets the moment in that all so they're

in the hours of the madugada and this person that had inhaled

the pantalone and that had had seen this person, you

see how in this moment he disrend of his body. And I

said because he would he would he had been on the costado. Uh-huh.

So, his company was on the side of him. But this person,

when he he's desprended, he'll see in the part of the front of the front and

the window of a side, that they started, they were to be to get,

then he he's a come in the courtina and he does know that was the cabin in

the they were in the they were surrounded by the people,

for not to say other but they were they're they're not he's they're

not even to get to not even to get to they're chiquitos chiquitos desnuditos

but they're around around the cabia was all the cabia was around these children obviously

is the most meadoso so so he's like so he's so he

gotcha and the lag that I've mentioned at the thing

he was to be a stey of the light to the

time, it's to get to get a little but it's

the lake so there's the lake and it's

and every once he was and he was taking

form so to the that he described he

he was that he was a woman when

came to the cabin is the part the

receiver in the part of the person this

this woman gets and makes to enter to the cabana like there

was a about, like there a barrera that this woman entered and and rebotable.

I want to enter and rebotable. For this this child like it is a levita obviously the

part that was out of the spirit the spirit begins to get to get to get to

the part of the carbaea and at the moment of the moment of that he is

a soma look to be that effectively all around was all around was done and he was to see how

this woman had to get to get a get the the moment in that he says

he's he's a somer and he looks to see that this woman crues

a mirada and it's when he kind of he's he's he literally

to literally to the and in in in vivo now

so, like he respira, he and gets to golted to all the other

and there absolutely nothing but his companyer that was on

a loud he heard like murmurable like like

like something he was so encogied he he

preast attention what is what was saying and this

company was orando, he was reprending only he said he was able to hear of that he said

the same of Christ has power the same of Christ he's power between other things

that no in their totality he got to appreciate well that he said minutes

after this person oh no he could like he was like so spantable to be

to be to be to be all desper all this all being chido no pass

here no pass he never but was he's meado. He he was

in that moment like he was not saying to be in that moment nothing

until that he he said to his he was doing the he was he was

he was he was and he he said I've a I've been rare

and this person he said what you I'm that I that I

that I had that I and I saw that are some the kids

that were there's but I'm in my suns I think that something that was but that

was really in that my own my own because I knew I knew that I was

so I'm I'm trying to pray and I reprender so his friend that was

the he said the he had the the who had seen

the he had seen he was a bit I'm I'm I'm

me dis-prended to my and I I saw absolutely all that you are saying when I

regress to my real, my spirit and I'm at a time and I say I'm literally, I'm still,

I'm going to see, and effectively you were after you were doing. It was when the other he kept

looking and how? Yes, so that you saw, I, I was, I was a

dream, but I was a spiritually, because I did all this, I saw, I did a woman

that was, and he And he's to count all and it's like, oh,

manches, how you know, manches, how you're so you? That story he passed to the team

of extraanormal in San Juan Evangelista Annalco. It's real. This is real us passed to us.

He was the he's he was living in the same camera, I was the other that

was the other that was I clavable much the protection and it's curious because I

go to my part It's like how I I live I mean to do paralysis of of the and I'm

I'm going because I don't know because I'm done with a mountainous to actually the cabna and I'm

never I'm never I'm top I'm complete I'm up the passamptainas up the nose

to the nose I'm justo and to I'm justo and I'm to get to get to

and I'm to feel a oppression in the environment very very I began to

do paralysis of the I'm and I'm getting looking to

the window and I'm when I came in a lot of many of

many many and I started and they're talking the bedroom

in the and it was when I felt the scalof and

I'm and I start to I'm to come to protect

because I think I came something I'm something in what

Hasiel was something was something I could enter, but I was

Dandol, Dandol, and I was, and that. And it was that. And it was a protection. The protection. That's why I'm so. It's impressive. Because many say, ah, the oration. The oration has power. It has much

power, much power. So, in what I think, is the word, declame to me, that I'll be to respond. So, I'm going to say, and it's curious because I, I'll, I'm a, hey, you know, a son very rare, boy.

And he's a lot. And he's he gets, no me you don't me you know me digas. And is that are things

very tremendous we're going to get to get to the place, we're going to get back because we need

because we're good capitol, man. The net, and I want to want to

that we're talking about just of people malditos, people of brus people of

brus people of enchantos and I think here to get marked

to this story that we passed. Yeah, so good episode, Jal

thanks to all to get well, all the same. Well, thanks. I think

with that we're going to this episode of the embruchos, encantados or malditos. No,

me was there when you went to the story, I said, I see what is, I see what is, the Bibi,

I'm here, I'm here, thank good, thank you good, thanks, thanks for to tell us

that anecdote, thanks to all those that get at the final. If me I'm

kind of gripado, but we end up we're thanks to all family, for

forward, don't forgets to go to get to get to the campaign to see us

Spotify, calificing us with 5 stars that I'm going to do do you know is Pacorias

was with me Jaseel Cruz, producer of extra normal and we send us a great

abaso and we see in the next episode until the

next time Ciao, Ciao.