EXTRA ANORMAL - LIVE de Terror: Historias para No Dormir | No Es Normal.TV con Paco, Dafne y Oscar

Episode Date: April 6, 2025

¡Prepárate para una noche de escalofríos! Únete a nosotros en este live en el que Paco, Dafne y Oscar de No Es Normal.TV te contarán historias de terror que te mantendrán despierto toda la noche.🔹 Historias paranormales y misteriosas: Relatos que desafían la realidad y te pondrán la piel de gallina.🔹 Interacción en vivo: Participa y comparte tus propias experiencias mientras exploramos el lado oscuro del misterio.🔹 Una experiencia única: Vive en tiempo real el suspense, la emoción y el terror en cada historia.No te pierdas este live imperdible y descubre por qué No Es Normal.TV es el espacio para los amantes del terror.🔔 ¡Suscríbete y activa la campanita para más contenido aterrador!

When planning for life's most important moments, sometimes the hardest part is simply knowing where to start. That's why we're here to help. When you pre-plan and prepay a celebration of life with us, every detail will be handled with simplicity and professionalism, giving you the peace of mind that you've done all you can today to remove any burden from your loved ones tomorrow. We are your local Dignity Memorial provider. Find us at DignityMemorial.ca. The Dignity Memorial brand name is used to identify a network of licensed funeral cremation and cemetery providers owned and operated by affiliates of Service Corporation International. Thank you.

Welcome Family to this night of No is normal Histories for not

dormer. My name is Pacuarias and I'm happy to be every

every every Saturday with today. Today me to be to be this new

format of not normal to talk of stories that I'm

sure that they're going to get impacted thanks to

all the family of podcast Extraanormal that are connected

from all parts of the Let us please that, for favor

to put comodos, prepare a botan if you're in your house, if you're

in your job, too, you'd do the good and an excellent journey

and we going to do this night of not is normal stories for not

dormer. I hope they're prepared and that not there not

any little kids present because I'm sure that

what we going to talk this night those are to

perturb much we We're going to with the introduction. Welcome to No. It's normal,

the place where the inexplicable cobrae and the fear is your side without you

invite. This night apagent the lights, adjusts the volume and prepare and get

one of our sections more aterradoras histories for not dormer. Quentos

of terror, relats inexplicables and experiences reales that you'll doubt

of what you're sure. Some testimonies of people that

like you think that the paranormal was only a little until

that they they've been in the right has

seen that someone you see you have seen

you have no there no you what you should

you can do do make you do before

before or that you never you never you atrevas to do you

this night so relaxate or better try try

try try because the stories that we are not

are normal and and after and you don't

you don't do you don't so well welcome

to stories for not do we. Comeensamos. Family, are welcome.

Thanks to those who are here with us. I'd do much to say to say for this

new in-vibo in-vibo of stories for not to do I'm to present to my

great friends who we're people, great narrators of history and I want to

start to my right of the left. First, with Daphne. How are you? Hello, Paco.

Very well, very content to this format new of not normal. Histories for not Dormin.

I think it's fascinating. I'm thank. Thank you. I know. I know. Much of

people. It's a familyized with your participation, but for if there a person

there that you're going to you can't do your social? Sure. That's

you can find in the podcast they're regal sustos in where I'm

a lot of Oscar Herbert and Paco Arias about about many many times so you

going to give to give us a world and they find on Instagram like

Daphne Silva or Nenukado Thank and my right I want

to present a new person a new a new person the good only only

we're just to call the mysterious Good, well, Francisco. Thank you for invite me to

your program the day of today of you. Who are you know I'm Oscar Delta Gerber. It's a

good to be with you're in you're doing the crugir of with these stories that we're coming. Thanks,

Oscar. Thanks for start with us again, let's see that we're like we're like we're just

because literally, it's like, it's really, but we're doing to get us more in

this paper to put these great stories of terror. And is that the reality is that much, much, much, people have shared those have gone to

other level, Oskar. For example, you can't say of that? Yes, always I feel fascinated with the stories that get to the Correo.

There were clarations in some, that's changed those names, for the vivences that have passed and for other

patterns that are around of these stories, every bit more more intense, every more perturbator.

In the personal, me fascin and it's this part divideded, no, and that you

end up the stories, but at the same time, what there is a time in-torn

to this, is a very, a bit- pretty and here we are to be

about this. Look, he's about about it about if you

you're talking about you, no, in reality no. But,

but, well, there, there, there, there there in the stories

that we're going to this night about this night and here I want to put a very serious because you know,

I like much to tell stories, also there's the moment to reallelior and also there are the

moments where we put very serious in things very very delicate. We have the damage

and I remember when I was a Yijexi her man of Unicornio Negro and me said the

the work that more me dole that me platicen so that the people the

BUSCA for help is when the work of the work of

a actually for a child, it's the poor is the

most reprobable the most most most most most

most most monstros that can to a human

to do to do to do to someone

that is very innocent that is very pure

that not that only that only does do

do Luce and Metserce with that is the most and I know, the most

askeros that a man no can do that we don't know we've been to tolerate

and this night we're a story that has to have been with that but fortunately there was

something that happened to the very I hope because I'm sure that the

stories those are not Daphne that they're macabras O'gain

before to start There are much people connected We have almost 5500 Those I'm Invite

For favor Family, those who hear in this moment, in this video of this video,

I'm asking the great favor of that you subscribe to this channel activate the notifications

of the way they're and they're and they're getting this gravation

in Spotify and don't forget to give us then the next story for favor

the first story the first story better Dish. Pesadilla. Of who is that history?

Pesadilla. That, I'm that I think I took to me. Okay. This

history, and I want to clear that this story has made a person that strictly asked,

that's changed the names. Okay. For a time there of family and you

are going to do why has changed the name. This history is of

a a family that is a protagonist, we're going to put Amalia. Amalia is the minor of five brothers, and it's of these

families quite prolongedas, that many of these, exist in generations after us here in Mexico, that of the

three of them, that all have their kids, and with her mention a that he has 24 primos in

total. They're are too too. She is of the menors also of the family.

Resulta that with the family of Amalia there had a myth in the

one of the primos more great, considering that his primos even

were more more than more than she had a house to her

her her her her her her number her

she don't amel because in reality has a

name very very very very what no he

was to Amalia of his primos more grandes is that in the house of the

abuela there's things paranormal contextualizing in the house of the

house very great and unfortunately his abuel fell

so don't be a biuda and regularly they were

to be to be a abuela and however the majority

of the primos of the not amelia not

was mentioned is that there were somebers that they were silhouettes

of reojo they were down to the door to come in people even they were

they were things all this had a sensation well that's quite

a for the not because they're in the house of

the mother they were much better for them contrary to the

little amalia amalia passed much time with her

A little bit of the fact that he had to eat to come. He told stories of when the abel was in

life, of how the city was changing a little, how was the mom of Amalia,

pardon. And all this was fascinable a little time in house of the abel and he

was too the abel because it was like if it was a, and it was like if

was a little of a movie of a movie. There objects quite

antivus he was like it, it was like to be in a

little and what most he fascin to the little was a woman

just in front of the camera in that there was

a there a and just above of his

abel his little strange mention she she had

a color opac there had some some black

other red he fascinada of that part of the house is that

he had a cajita musical that every every that I would

intonable a melody don't to her that I'm that

time that was she went the time the

the little the time she about how his

abel how his natural he was his arugas were

more more more more black she was periding

his force practically. And, and on this, the stories of his

primos were more more intense. His prims mentioned that when

they were, even they were to get to do with the most of they were,

mentioned that they were that's abetations that were that were

the children of the women, uh, they were they were not more

in that house, simply was she was she, and the The past the time and,

unfortunately, the lady, for a thing natural, pierde the life. Yeah, for this,

the little Malia was more grand. And in the time, what's what happens

with many families that's, that's the theme of the herence. Doha

Amelia left the house divideded. So, the children were in this

luchas and they'd they'd they'd they'd they'd that's a little bit of the

house. Yeah, Amalia, a little more grand, was a little bit more because

nobody would give to make a house that practically abrogue to her mom and

her and his tios. She pere the and constantly went to the house,

to clean her. For her never never never took a manifestation

of those that they had his primos. Inc. Inc.

I remember that in the funeral was quite feo, of the issue

of the issue of that someone part of this life is a lot of Amalia is that his family not took

so much time. It was a process of that was more and the more better more

better. She had, limpea the house, arreglable the

little that was at the the time. For this that Amalia

had twenty two years and he said, he said was there was there

in the house and he was much to be in the quarter of

his abuela. In one occasion, she's going to see a

front of the space, and he comes to see the and the little

a capita, and be a sepio, a little bit of his abuel to be in the room and

he comes to a sepillars and came in these recalls of when I was with the

woman. She was a little right where is a quadro of his two abelos

and it percibe that her abuela, in that moment was impregnated in the same ad

that she. And the similar was impressive was really and this goal of nostalgia he was

he went to and then she said she she said she one of the one of the peteras

he said she said she to agar the and she she was with that nostalgia because

her was a little so precious and at the side the caj the abe and says

that's flashback of when she was she but in that moment he began to

feel to feel like that all of so he moved in the habitation, his vision began to

be in the reflection and it's what she was what she had perceived but her rostro but his rostro and it's

to have some visions quite strange. They're in the space I saw the siluetta

like of some of some of some of that were in movement and that they wanted

to start a through the space. This it

will ater much and the little and then he's

to be this vision and after of this moment

Amalia has to have and not just all

what his prims he mentioned about the house she

he he and he's to go to the house

because for she had a very sentimental very

profound. in occasions she said that she was barriending the house

and he said like someone was in even even the part

when his friends mention that's people pass by

the door this it does get to get

much fear the the I'm a man says

that she was in a place that was totally

also but pese to this obscurid see that

many many were that were I heard much laments.

This had to get a dream totally and I don't think it was going to

see that the family for the fear to say that they were to say,

he was a problem or that he had a problem but he kept with the

uncertainty of the question. In a time that was in the house of the

mother will be to be to get the piece but no

nothing. Abre the caja and it's when the musicita and it's a sound and the reflexe

again to get a disorcionarce. But in that moment mention that the space

was like if it was not solid like that was going to move. Like that something.

In that instant she let the piece the piece of the car, she levanted and she

go running to go and say she she starts to love the picture, that when it She was a

two hands and a rostro and she she says, God, what's going, what's going

what's what's what's what I'm that's she's she's she that's

she can't in the bed and she gets to have a very similar to the

other but this is a different that is that is that in some

moment that that that began to bring a break

and in this break she was coming her abuela. But he says that conform

his abuela he was advancing, there had many laments around of her. He said that the woman and he says,

Toma this. She says that he's his man and the moment that the abel his hand, there's a

piece of those that had in his talker. In that moment, he said that something,

he said, and opened the eyes. When I opened the eyes, one of the pias

was trying hum. And he says that the spej again was doing this. She had a terror

about this began to think that her probably maybe was a woman but with her all the time had

been good and for those sobrinos and the nietos no they want to let me

to have to another dream where his abel and she he's he's

he's he's he's a way and he says no temas to come

the don don't that I'm the don't that I am What you're seeing

are all the of the people that you can't help because in some moment I was I'm doing.

Amalia, in this moment says that he's up and has this the pale erisada and he

begins to understand many things that the manifestations that had in the mother

not were not were manifestations of men's men's and things of persons

or of the almas that his abuel had had He says that conform

I was passing the time, of the point, I went in the street and and saw the people, but the other of the people be a almas.

And, of course, those almas wanted to talk to talk to the people, but she had a fear of to communicate

this to the people who had, I don't know if it's a different, or what were that

they were there, someone that was trying to talk to her. What I like of

this Correo, and for that's the identity of Amalia, she mentioned that's

in this decision, of if to take what his abuela he had left him or not to not agarral

because he said that's something that's something that a person that a diffunto want to

communicate with him 100 so that what's I mean evidently the abel

was an medium yeah I could talk with the people and

apart you know what is what when when when they're

that when are really there There's something, Johanan said, the visors of veracity, no?

So, then they're saying something that only you know, and if you kind of, that's like, that's all- that person, how not I'm going to

believe to that person? No, I know, for example, that said, Nena, no? Oh, yeah, the person this says,

I want much, nana, well, obviously, he's a because you're a disconocid and you say, my apodo,

no? That's what that just what mentioned I've talked with mediums

and the most difficult that they're many times to comment

is that precisely it's complicated many times give a message

because you know you know how it will take the other person

how will reaction there there there people that

in the majority of the cases are and so

if He's a child, someone pierde a person very amy,

and you say, you're your his own, you know, so many times

the reaction in the stories, and this me baso in the stories that we've narrated is first,

it's a offence, so, what, what you're, that's you know, so, not

you know, you know, you know, and then when, then, it's liiar with the

thing to how will react the person, but when the message is contundent and

as, and he said Johan, it's a thing that only you know, is when you know, is when you know, where it comes

this message. That's really, and what's and what's really. And what's too? Yeah, for part of this

chick that's scribe because he says that's justly and that there's because she thinks

that his primos also have the sensibility. Sin, or maybe for the desprecue

that they had a abel. For that he deleged to them and how she,

a part of to have talked the I imagine that you have been to have been something.

And also you've talked about the personal about the portals, no, of how the

space also was the way in how she communicated, or how they were trying to

to communicate these almas with Amalia. That's what you like, let's say

before to continue with the story, we'll send us some salutes the truth is that

you know you know the things practically like are thanks for what we've seen that the people have donated

thanks for the people that people that's for the people that God that God

that you multiply in grand abundant all what you're doing so much thanks

for those that are doing and also thanks to all the community

that is present being here the in-vive comment Thanks, because it's very beautiful.

Those in-vibos are for you. Those we're trying to do the better. So, there, there we go. And we're going

with the story. We're going to the story. Because who know, what can't, that's

that's bad to be to be a good, lineage. Okay. Lethese with my accordion because the

numbers normally see me, well, yeah we're going. Yeah, I want to guard at the final.

But, well, for favor, leave your like, subscribe. We're going to start with the history of lineage.

Much of people was talking about there that in what I was I to tell the story that I was the

that I that I was the story. This is the story. It's a story very very cruel

because the person that the person that the person that does the anonymat of the story.

is something very that's a very very and we send us a great abrazo Jessica muchism

thanks thank you for mandarin your story obviously jessica is the name that we've

put us because if we did the anonymate so we're we're referring to her as sheica

okay jessica and mauro were in a matrimonio young of you know you, you know

you, you know, you castes to the person to the love of your life and they're in

a life together something, something for the people the matrimon perfect. No,

there was there Oscar, there was there much love, comprehension, and

that there was a third integrante product of his great love,

Fernando, the little little nine of six years. So, it was

a family of three very very similar to my family a family chiquita

only a son, and they're very young. The reality is that they had many things very little and

the people was like a matrimonio very felice. But there there's a manichaelus we've seen,

Corasone we know. How is the situation? The reality is that a person, to that for the

people that apparently they were an good relation, not was all well well. Morrow, the

sposo, was constantly constantly had kind of certain chockes in the relation, in the matrimon

with Jessica. He was very very much. He was a time. Jessica was kept in

the house to do work and then the little Fernando, Fernandito he was

to go to the school. In that moment that Mauro was going to work he,

he, he, he, Susanna. Susanna was a companyer to work.

Susanna was a woman that we going to do you in some moment

he was a romance with Mauro obviously being his amante so

so Mauro constantly he said how was the situation that

was in her house with her and she was living

very man with her she and they were

just just and etc. And Susanna, well, generated in a little time an obsession for

Mauro. She wanted all with him. No, I didn't obviously be the man,

not he and constantly he said to his, to his, to his mom, to Maro,

because not you know, with us so, you know, so, you know, you're doing

the life that you want, and he always repeat the same, no I could, because I

am because I'm with her for the So, then from it's from a little

perturbative the objection that he said. Passed the time, pass on the days,

and his matrimonio for the people, like very well, the things were going

and peorand there was a very mal relation, pleitos, all the time,

there was things rotas, plato, so it was a chaos. The detail is

that the little Fernandito, that was a young very juggot, a little, a little

a little a little to be a little to be a little even to even know even to

even know and the people that he had not about this change in the little

the family his mom and his father and they're all the time

playing for all but but in this point Maur then he

had his other life his other relation and only he got to

play in his house with his father, with his son, something something very

bad, very, very very very very very very

sad after the night the little he started

to get much much bomito his fever had

the temperature very and they they were a hospital

and it was a very first first he thought

in some some some thing that had had

had had had in discomposition, but that was very rare because, yesica said, well, my son, he'll come all the do, and he no come in the callie, or so, like, no quadrava the diagnostico. Sin embargo, the medications, no, they did nothing to this child.

His, his, his, the infirmity, he was advancing. There were a moment where the child has to have connected to machines, with suero, with this, and the other, and the child practically was at the border of the life and the murder. In this

point, Mauro is a little culpable because he see a his wife

that practically not dormia, he was all the time in the hospital with his son to him

at a side of the little while all the time, piddiel to God

that he was to sanara. Sin however he was going to continue the

encounters with his man with this woman so there so there a little

of how you can call you this remordimient but he was he was he was clavidissimo with this

woman even there even there was fingia that he had to retire to the hospital I was

he said I have something something something to go to do do the office or I'm to go to

go to the house for more I always always I was a excuse for

to start to be with his husband and his his his wife and he went to have to have

encounters with Susanna that was his am a man there. There was something

that was a very very extrano he planned he was to pass a night

with his and he was like quadrando that that never faller

and standing in the hospital he I'm to go to

the house in the house no there nobody because my

woman is in the hospital I mean, I mean, I'm like, like, all right. So, like, all right.

So, he gets to the house, abre, and when he goes to do a count of something. In the cell of his

house, was her was her was a daughter, was yesica, accompanied of two

and he, when he comes, he's soprended, no, what are you, what are what's doing to

what you're, what's doing you're doing, what's doing, and who's what you're, what, what does

you, Yessica, with the temple more impressionant, containing also a little bit of the lachrymas and the courage, the only

that he says, largate from here. Lovete your things and largate to get to that woman

that's fission that's fission to get to work. Larkate to here. In that moment,

is super confuso, no, I know what is the refere, but something in his interior know that

his his wife he's not sure of many times but that he was he was

doing the thing he's but the thing was to do that go to go to his house of

his house of Susanna but he called much the attention to when when he

going to his house when he does know there's a cumul

of the people that's in the out of chismyando and saying

what's saying what's what's what's And he, he, he, he knows what is going to. But he'scuched the grits that came from the house of

his amante. He preoccupated, enter, and encounter a Susanna like in a rinkon of his abitation, agarandos, so, the headas, the eyes, tapas in the eyes, grittando

in, like, in shock, and I said, for favor, tell you that me in peace, I reprie. I said, like, I said, like, I was, like,

I was having, like attacks spiritual but it was like a entity that for what I think

I'm I'm trying but I'm but he no be yeah he went to the room and no

no he didn't physically no there was a manifestation but she was

she was in shock and he he no he not he didn't in that moment

his his amant he he said to a to this home

tell a jessica that me pardon. No I wanted that

were so. Dile that me pardon. He not

he's exactly to what he's referring. Pass in the

days? Fernando, Fernandito, the little was hospital was

unfortunately he's out of the hospital like a miracle.

Sal the the little he will be the same

the same and a happy Susana the am the

man unfortunately it's it was bad of his faculties it was

like he was like all the time with this delirio of persecution all the time

seeing things he got very and Marro so

he was without his his and his his

man after after he he he started and

he started to recap what what was what

Yesyca, I mean of family, of people that practiced in the Alta Magia. Yesica

was the husband. And what he did know, is that Susanna, her

amante, in his obsession, well, he said, no I could be to be

with my mother for my child. She crossed the line and

the time to make the little without Why just survive back to school when you can thrive By creating a space that does it all for you No matter the size

Whether you're taking over your parents' basement Or moving to campus IKEA has hundreds of design ideas And affordable options to complement any budget After all, you're in your small space era It's time to own it Shop now at IKEA.ca With who

With who was getting? Jessica us says, Mauro he's my partner,

I don't I'm just know that's she didn't with

Susanna she got completely solo my my my

son but I want I want this what

that that that he's unfortunately the man the

the little the no didn't nothing but he

was in some moment at the death. I mean,

I was a foot out and a foot in a bit of there. But, to be a good.

What, yeah, it's a sound very gacho, but what the little

that the person who had been this woman, has been this woman. That's really,

what I did in a principle with the kids, nobody, nobody never,

nobody, nobody, never, that's a great lesson, because practically, for what I

think I think, I don't want to live to live the little. Sure, he was

the start of the because he's not the because in the idea he's

like I'm just like I'm like I'm just like my my little they're in

their relation clandistino if they have done and so they're they're offering and they

don't know if they're going to they're exactly exactly. Fiatty that it's

very, very common much much people all the time I've said all the

time I have said that practically much people there's many people

there are many those brus there are that really is that how did Oscar have much

to who they confi and what they're and what they're doing what

do you do you do you know no the really I'm impressed

especially because there are many there are many cases in where the women

for this obsession or for the gas to say I do you

do they do these and at final they're they're

they're paying all they're because it's all you know you're not you know

you know you know that's the even they're they're not they're they're they're

like the like the children, the children and so go to generation and there

is where then the family no's explain but why why why so why

why's why he's why he's for this these, these, these, these

work made exactly. No, I mean unfortunately, if it's too

the job, fortunately the little, uh, he's, uh,

but there cases, and I do I say it, there are cases that don't

they're not they're not so, not they're so the, so the, those,

those, those, those, there's there's unfortunately terminated terminated

with infirmities and I can't mention in this platform and that

they're that's those are the most innocents are who receive in the attack spiritual.

And it's something very, very, very, but what to me does, I can't

make a comfort to know that I'm very that I'm thinking that there's a fact that

there's there's there, there's, there's a way and is universal and it's

all the cultures, the law of cause and effect. Here, no let's

that if you do it or not with intention with a question, if it's free,

it's it's to be to go to get to the way of the way.

Oh, what way to talk of this. Oh, well, there's a third history,

but no, no, we can't mention it so, tan so much,

so so, there, some questions that the audience for there in Instagram

us we're not, we're just there, for there, if

us can support with the first question to enter and also remember to this

majo for this is for people that they're to form part of that I'm this grand

community in WhatsApp there are they're sharing the link in the chat

for that you want to get a community in WhatsApp and not you

don't get all because I don't I'm to say because you know

there things very chid very chid for when when so when it's

on the page web that we're in nothing. But yeah,

I don't do you because you know I'm going to be able to with the first question

of the night. Before, before I'm to hand to someone. All right. Saludus to the

dog, Aluchin that's the people. The Luchy, if not they don't listen to

the luche, the luche the luche came to to say, to say the things, there's,

oh, he's saying, oh, no, no, no, no, no, no,

no, no, no, because if If they're to make a case, it's

a little bit to be going to be going to be going to be going to be going to be you know,

I'm going to do you? I'm going to do you? I've said, you've seen that all

investigate the paranormal, not only you know, but he starts to you, like if

if it profundized in these worlds, I'd be a part of the

same mystery that's trying to understand. I'm want to say

that you at this too, too. Hilly. Well, if it's, no?

I think, yes, you, the really, you know, you know, you know, other

space that you're in what time he started to feel this so terrible. Okay.

Personally, and I have told in other occasions, well, me to the chama,

no, in the productora, and I do part with you to be getting

the crew. Yeah, me The part where one is saying what is going to

the person in the reading in the lecture of the lifeences the fact that particularly I like

to do this work for the night where you is a little more more than the

partiedor of the tortillas for there pitando and all it's it comes

yeah that that that you've mentioned I've mentioned various

times in occasions even I get to soning with things that I fascin

at the moment to start and know that all it was a dream but it has been

occasions where I'm doing cases of exorcism cases of manifestations of movements

of objects and this part obviously in occasions I'm sometimes I'm

in the obscurity of the office that I'm in the house that they're

they're being or in occasions. And this I was told one of the one of the one of the

story about aterrador and it's an extra normal and of and the point it's there's

in the part of the back of the how there's how it I'm not I'm going

because I'm afraid to the other I'm afraid. At the other day I back he the four pieces of

the house where I'm that's and I'm and I'm and it's the habonera

you know is that there's these have been in pegated to get the shepherding

for a strange reason it was and it's about the dispensator of the

habon the jabon the and it and it made a house but

this so it's so it's so you're so

you're so you're because that so that If I, if I told you to you, Paco,

let's tell to all, when I was I was editing and clearly I saw, like, if Mariano's desprendia. Ah, yes, sure. And I was talking with Oscar. It was at 3 of the morning, me it was like, I was writing, he, he was writing, and he said,

oh, Oscar, me, I've got to pass this. I've got a little of a time of caseer and when I go to open the eyes, I feel clearly like if Mariano he was

up and he made to sit in the camera. But I'm clear the eyes, I'm sorry,

and Mariano is a dormido completely. In the morning I'm and I said, no, I never

me never I'm never I'm very and I said, I think that Mariano

was disrendio and no you know I saw you know I've seen that in the fact

that it is something maybe is something is a very impossible or very little

probable. The reality is that the grand majority of the person and I'm

a figure a number but more of the 99% of people who doorming obviously

all we're but when they're in this world of the dreams they're they're

they're they're not they're not they're and it's that the reality is to be in a

exercise of respiration, and it's your subconscious to want to start what seems a dream, but the reality is that you're living in the world astral. You're seeing what there in the astral, and it's definitely

a desoblament involuntary. The people don't know. And then it's a little bit loco, no, that was a dream very loco, no, that had been coming. If you stood there, and is that it was that it was interesting, but the, the laws of the

physical in this plan material not functioned the same way in the

other plan in the astral and you move at the velocities

impressionate so is the velocity of your things you can

do you do do you do this something not function so

but the but the laws not not apply for

I want to question because I want to

put on an example and this whatever person

will to know to know This has all to be with the frequencies. There are entities

of a frequency, of a vibration, and there are entities that are of high frequency. When you vibras in

determinated frequencies, no is that invoques, of the actually, no is that invoques

as you are you are you are you, and when you want to you want to you want to

you know, you elevas your vibration and is when you get to where they are going to

you're more it's easy that Sientas the benition of God, the presence

of God, etc. Sientes beautiful, connects with the fencing, but because

it's your vibration that you manage, so you decide in what you how vibras

and how vibras and you vibras low, obviously depending on how it's your vibration.

When we're not we're going to start the thing paranormal inconsientiment we've got that vibration

and it's when the well, the, well, the, the, the,

the, or this type of entities are more easy to be because we're to get them to the terrain vibranes,

we're able to us and it's when we've been so when the people, many times inconsientimenting they do,

they're doing a lot of fear that's that's a little bit and they're just that I'm just that

I'm sure but the explanation of that is there when when you when you a caricature

elevas your frequency you, you're you myself you're you're not you can't

see, you see, you know you see that's, but it's so it's how you

know, you decide, you're doing, you're to get to investigate, maintaining your vibration

alt, if it's very complicated, if it's very difficult, especially if you're so,

and the other is complicated. Yeah. But there, if we're another question, for

favor, there, there, there, there's a, there, there's a atrevan to

to show for temor to do that you can to be to

do you. You know, I'm in Christ with the truth. The fact,

no, there's been that I know this no, apart the patron me reagee

me and it doesn't say. No, I think that having a time,

we've got to that's saying, and they regal in susstos and they're

there's there there's there there's there I think that we

never never we've never never there no but in extra normal I'm going to

there you're going to there you're going to there's yeah there we've got to do you know we've put up over

all I think I'm going to but I'm going to but those grabations are in this moment

in this moment in content exclusive there for example just imagine Feppo Johanand

Diaz persons of high knowledge we have been parted things that difficult

can be able in these platforms. So, those, those podcasts, those podcasts

that are not going to go to go to that they're going to be available. And then, with that we're going to

the goal. The fact is that I'm balinas and the stories are brutal. The content

exclusive are they're very very strong. The fact are they are dense. There, we can

put up with the question. And Daph, no, no, so, no, but, no, but, no, but, no,

because, um, to get, how we're going to when we're going to the patron, because I think there is, this is going to

put to turn and who knows, who knows, if it's a exploration in New York. Ha-ha-ha-ha-ha-ha. No,

for there, the patron yeah in where, no, to be, see, approximately. How's

they know? The Santa Trinity-Dard. I think is a question that we've we've

or anteriorly. In Instagram. At the maybe some of you don't Instagram. What's

Oscar? I'm like your questions. The really or not the truth?

The real. The really? Do you guys to say the real

Francis Dio? You're have seen that Francisco Arias has tried

a collar. That that's we don't have to talk much to talk about

but has been much with these of how we know not only

not only us three but also Hasiel, that for there. Elisio

also came to a time through a ritual for there. The is that

we know to do a time before a initial of a business specifically.

Personally, I know Paco since 2014 more or and after

Daft I know much more back. Not you go to go to the

secondary too sometimes so so so so we

we were part of the life we let call a

a coincidency. Yeah, I Oskar, I know it like, as 2014, I'm doing

projects, a Daphne, I know when I'm in the university, I'm going in the administration of a university.

I was I was in the school. You know, you're doing, and you're saying is Afne.

There's going the next, for favor. Look, I said, Medusa, I'm coming

on the tacos. UF. Invita Invita to go to go to go.

Does, Oscar? Does, Existe, there's the possibility of that certain entities are versions of us themselves from other line.

Ooh. Ooh. Those multiversos. The multiversos. Sure that, Steve and Hockey mentioned a much that part

of that for him, being a prodigio, a person with a coefficient intellectual very high, he no discartable

this, that in the moment that the universe, So, they create at the same time many lines of reality and that we're in one of many times and that in

some moment, obviously, it can be passed like type Marvel, no, that the lines intercruces and see these these points to

other realities and you can contact with the version you, no see, exitosa, the version where you're,

where you're, where you do really, I do do it, I'm in some moment we'll, in some moment, and I'm going to sound very rare, but if in some

moment you discover the voyage in the time, definitively, the man, what he'd want to do is know their history, and probably be in those sopnees that and we're not, and we're not, man. It's a lot of this situation. Imagine

that the dreams that we're like the pre-sue of the time, time. That's the part of where we've got to live, no? Imagineate that we've got us in a prision. That's That's great, no.

We're going to the But history, history, no question, for favor. Because we're we're, we're,

we're close to our first court. That's perfect, chicoes. Well, I want that right

enjoy this history. This is called the Vecinus. It's a goodycema the image that

put a production for there. I'm here I'm here. I'm yeah, I'm

a second of a child Brenda and this story, we said that she when

had six years, his parents, who are called Elisio and Alejandra, decided to move to

a new house in a new new recindary. So, they're to this

place, in front of this new house, it was a construction that they

they, they supposed that it was a house too. In the other

side of where was a house little, that colinded with the house of

there there was a uncianita was a a man a chaparita canosa

arugadita and even his aspect physical could say that was that was not he

did a mind this to the woman to her she was

she was the thing was the this woman a sometimes

this anciana she had a mid- of the street in

a day, under the sun at 40 degrees, and I'm in the middle of the

street, all vestida of looking to the ceiling with the mind

and then this type of this type of that was what a little more than

the question physical of the ancientita. So, with the time, conform

they were they're making friends of the people, these these same

people were to say that the a senior had a problem that had had been

the corduera so you know you know you're going to make a idea of the person when Brenda

when Brenda he's one of his tios he regala a little a kid to who

he put Chester for then this construction of the that was in front

yeah she had had terminated and not a house was

a was a there construed this church and then it was

it was so I'm a little kind of but at times in occasions this

tranquillity of this space was a perturbed because this woman this

anciana had in the madrugada to come with a hand

from a where he was something like a kind of he

started and I said some words strange. A sometimes when they were

dispirited and they'd listen to hear them in occasions grittable but they're making to

say you this loquita not maybe they'd pass these situations but if they had this

certain temor and Brenda was not to not toparsela because not to be

to be to be going to go to get to the to So, your gattito, always

I was like a guardian, no, accompanying her for a other thing. One a time,

while she regressable at the time, this woman was in front of the little,

and she she said, no he did a fear, and nothing, only he said,

and the she said with a little a little a little tenza, but he

responded, not more just, sonriending, although in that Mr. Chester, what

he did was erisar the loom. See how they put in these gattitos when they're at a point to see

something that not they not. One night, while Brenda and his parents were

just were just sat down in the balcony of his house and

from the church. He was how the people that were in the church

began to do certain questions like alavanzas and they were living

and the The environment was full of peace and harmony. So it was it was a little

but for the other side they could be both to be the church and the house

of the old. In the side of the house of the old she

was she said how she and started no, no so something

something like something like if something like if something something

was going and obviously they were they're they're they're No, it's not.

The moment was aterrador because they felt like if she to her he molester that were these alasas. They were to doorme, they're going to be, we're going to get back.

For the morning, very temprano, the papas of Brenda and the first that they're going, and the first thing is, you can't to get to the balcony.

And they're a scene a pretty turbia. In the patio of the church had many gats profaned

they were all the gatties a bit of don't know to interrupt what you interruption

they're talking they're the part of the the river of their okay and they

were there apart that there in the there's this liquid rojo of them

were these animals these animals so the scene was very very fea they

they were they're they're they they're they're a chester no

to the gatito. Unfortunately, Chester was in the house. They started to have a little bit more of a little bit more of a little bit. A night when he said, the father, regressor of the work,

he was yeah almost getting to his house, and before to enter, to where is the door of his house, he'll get

how it passes a ballando, a bee great, like if were these birds of rapi. No, he wrote

distinguish, but he described so this way, and the He was in that he went to the patio of the house

of the Anciana. There's a he went, he's not out of this abe. He no he took much

importance because he said, well, it was so, but that scene is he kept very in the

mind, he said, because a baby, he was going to enter to the patio and

apart he not he didn't know, so a little after Brenda came down

with her catito, with Chester, newament the woman She's but in this

occasion he wants to give a box of the little bit of a little bit

a good a great a woman but in this moment Chester she lands

against the arraean herna so Brenda she put very nervous he comes

a cat and he he comes his cat and he goes he said Moma he said mom

he said the mother once again agar those and let's you're going to

you're going to but so it is quite quite preoccupated that's a same

night the catito Chester was from the house of Brenda Brenda

was very because she she he was across to the house

to the old he said I don't I want that my cat he doesn't

I'm for favor papa he's he said to he was

for Chester he's he's for my cat so so Elisio

of a manner very tranquilla and a good need to go to the

door to the old and when the anciana makes to bring a little this

shester comes out so it was very so it did the good night's

the iceo and the catito came like if wanted to

want to he went to he went to his house Brenda was

was with his cat was happy that the catito

was very well. And they were tranquillament the night passed tranquillamity

but when Brenda went to see a bad to be a catito, he had had caught

all his pelage no he said, and he said, well, no see

what's going to start the days and the catito began to get

to get used like and he was they're getting to get

to get to what he was but they had but not

what the gatito had, and lamentably Chester murieled days after. No, they were not for him.

And in those days, they were to pass this type of situations in where the gats were in the

church, as a first time. They, they were much fear from that occasion,

and from this scene that we've been parted Brenda, have passed approximately 10 years

from these days, and they've to know of the Yeah, no, they're in for the cars, you know they're

too, of the way that they're saying, but there are other people who say they're that they're

in some nights, how the she's got in this house. And also they've been

the abe that he said that he had seen that night. So, there's there much

rumors there, that the Anciana still for a limited time at McDonald's

enjoy the tasty breakfast trio, your choice of chicken or sausage McMuffin

or McRiddle, with a hash brown and a small iced coffee for five bucks plus tax. Available until 11 a.m. at participating McDonald's restaurants. Price excludes coffee and delivery. That's what I'm chas. Fiatty that, I mean, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm, I'm,

that's not doing many, that's not. Here, here's, he's in the eyes. Here, see, they're in the eyes. Yeah, so, so, so, no see, if you remember that after

ohle like about four or five years there was a

like a like a kind of kind of a woman more or less so that

if you you was like you like a kind of that you

that if if you you had that you to

in some to get to this it could

I could it could is Vivier. Uh-huh. It's,

it's because many of the videos that are fifted on the internet is, so,

are fake. So, obviously it's a crappy pasta, no, no, I'm going to

say, I'm going to say, like, like, a person saying, no,

it's true to me, no? It's the person. I'm not much, Francisco

there. Yeah, so, but there, but there a person that I

know that in that then still I'm not about I'm about I'm

and I'm talking about him of things of things of terror I mean really I'm

really I'm talking to talk about this things and he said he's a name in special

this I don't I remember how they said if there in the comments

they're they're and I'm and I was talking in the school with him

and I said I don't manches no manches no I don't you don't you something fake,

is something false, no is true. And me say, pro, net I, I did. And if I,

it's like, I mean, I don't, I mean, I'm like, I'm like, I'm like, I'm like,

I'm like, is in serious, and say, if you want to to my man, that I'm in

other salon, I said, I'm going to ask, and he said, I'll say, I'm going to ask a question,

what you see, that day, at all hour, and he puts the car and said,

no, me you don't me I said, my quothete, you know, I'm going to be there. One thing, and is that

it's the same that's the endermann, a past that are things that are, that's created. Obviously,

it has a story that one person, a person, a human, he, creo, there are

manifestations of these same, and the people is where is that I'm going to say, I'm,

I'm, and now I'm trying because, no, so, so, they're they're

some form they cause they cause fear and these entities take that appearance and then I feel like that's just they're doing

like us like those other vestido like disfrasated like they're like they're yeah and apart

in this story I think I think a little more to the question of if the answer the

can't have been or not a while also I'm definitely definitely so that then after

when the people live solo and away like that's like of the society asylados. There are many, there are many

legends, but I don't know, you know, so, no, and the thing of the gattitos, no? How many times, and we've been talked about, so at all in Extra-Normal, have gotten to have gotten to stories,

and I've always present this story of the chick of Argentina, no? Mm-hmm. That says that he had a catito that,

well, because, for things biologics, period the life, and that she had many dreams, pesadillas,

and that in an occasion, the other gatito that adopted, that also was like a sort of a guardian, because

she mentioned that the gato always was in the header, and that's true, and that in a night,

it's, because the Michi's have this faculty, they're, you know, you know,

you know, you know, you're in house, that's then you're never to get to

never to when you're done, so, says she, she, she makes this

sensation that that's the catito above of her and that even he he's he's

his language and then he's he's that's too he's too he's too he's the

he thinks that is the cato anterior that was the he was he was the bad energy

yeah that's so much so yeah the stories are putting tremendous and we

have still still there still there but I've mentioned and me

can by my power with the camera central me and I want

to mention them some of the we're there are some some of the people and the

family extra normal they're unying and they're supporting us letting your like

comment and subscribing we're going to pass with the questions that we need

for family let's let's let's let's let's let

let you to learn for for Oscar I'm they're they're

to do the people we we No, what they're saying. You know, man, so. That's what we're...

We're doing. So, it's what we're going to. But the reality is that we don't want to do, ah, we're going to something like, so we're looking a place.

Something chido. And apart, us want to you know, to know, where you know, there's going to go to do that.

I mean, those I'm going to the place. The place so pretty, it would be perote. So,

to the ex-normal where I went to the kids of the kids of MISRI and then So, I think probably if it's

it would be a perote for that's because there are things that are really that are things that are you cause a lot of

there's manifestations there's a there's a word but there's a force, your level vibrational back because it's a place that is

imponent, it's obscurities, bosque and of a repent you hear you're like the people, it's impressionant

It has a story that's a much history perturbator here this... Yeah I'm in therapy

psychological Yeah Daphne is he's preparing psychologically we've done actually some explorations

we've done the more the most the first we've done is the Shenda of Waxaca

that's impressive the carterter we're going to go a Peña of Lobos

where is the Brue Nawal all all all those all those these are

being in content exclusive for the people that want to want

there because there will be podcast exclusive testimonials of the people and the people and the investigation all of that all of a

single place for that you can do you know that's just and then we're the question me help with the

second for favor last question me you know with who who would

give up and that one no so you there's there a there a person

with a there there And this, really, I do do this from the

because as a person that I like the paranormal, that I do you

always have been so and that I consume much the content paranormal, for there

in the Luch me just to learn with the Mr. Dr.

Rox Roxan. I think that would be a great to be to be

to be to talk so if the family of podcast us

would I'd the honor to do not to come up there's a there's

there's in Instagram, that they're they're to get us and I know that's a person

very occupied obviously is a person that has a person that has a lot of your agenda

is very really would be something to be able to one for me consider

one of one of the many one of the stories paranormal of the world

Dros the really would be super super general and

So, especially because I grew seeing, I mean your content, I mean,

so, from 2012, 2013, I mean, I mean, I put in those videos to my

abelita, to my mom, I was going with my friends, with my friends,

so it will be very good, ohhala in a moment if Dros

Roxan see this message, would be super, super, super-genial to be

about this. And for here, look, said, the seven moments

most epipicic of the definitely would be super mega epic obviously I'm a fanier

a good something that that's not we're not we're not we're just we're going to fanier

so there if the people does the honor to etiquet and pass this video

I'm going to thank you there's very there's much there's there many there's that the community

and it's seen put in the job and we're going to let's see And you're To be, to who

would you like? Higolet. Well, is that no inventes I think that's

a yearon that's in the top, top top, no. There's many people that also would be

a great to do a collaboration but so I think the maximum of Maximus is

the Dros. Yes, for don'tas I think would be a great logro

disblocked and me would be able much with the No, no, is certain. I'm going to continue contending.

Thank you. Thank you. Thank you for your prudency. Let's go to the next story, for favor. Yes. Let's see the next story. Accompanient.

Who is this story? That is my. Okay. For sure, you're going to be the reel that's on year of Extra-normal. For if no,

it's been seen, it's too, it's too. For there, you think, you're the people of this here ExtraNormal is

very serious. I've seen comments for there like that I'm going to get to the serried much with

the seried of paranormal. Well, they're going to give us a way to Instagram of ExtraNormal for that

not the ball of here of people not are not so much you think that they're going to

get in context of the history me going to back the capuch so they're going to

get much before, before, before before, so they're very, it's serriil.

Yeah, it's serri also there a person for there that precisely

I'm going to but it's an excellent creator and I'm that you can do that

the world that we'll we'll be in a moment we can't we can't put it that would be

super super general I'm gonna I'm gonna yeah in that day in the day of

I'm gonna I'm gonna I'm I'm gonna I'm gonna Oscar te deposition I'm gonna put your number of

but but above $500 dollars in where no it's not it's no no

those I want much. The truth is that I like to talk about to talk to talk about the case of

comments of the of the people of the goal of the in Instagram in the profile of

there's we're getting in-vives the on the days, before the day

before the episodes for that we're we're talking of things more personal

cotorreating with the band and they're not talking about about things of things

of or the investigations that is what we're we're in the

Arroba Drost of Roxanne. Oh, thank you. Thank you. That's shulada are of communities, yeah, net. Sure, Moon Dalcon.

Thank you, carnal. Thank you. Abrose. Well, the next story. I'm going to

get a capucho and I'm to change the tone of voice because I'm Oscar Delta Gerber. Oscar

Delta Gerber. You're you're going to make a section for there. Well, this story

the man a person called Ricardo. to him also he also he

came a little the number because it's a important interesting and perturvador

at the time and here I want to ask a question to you two

friends how how times or if in some moment of

his newness get they're getting to get so

the somras for the siluett that were in those

recamara for the arbores in some moment they got to feel observed

or for or for a point and in some moment they got to terrorize the fact

that someone that was that was a little in the closet or below of the room

yeah I think that I think of adults is something that one I don't

to talk and when it's when you know you know you

know because in occasions the people adult or even your family, not you

create. And the history is a story of that so. Ricardo was a

little little, and however, and yet with conciency, he knew what

was this manner of, was to be very, very particular. He

mentioned that his life changed a night precisely for what

I said, and he was he was he was he and that, in his

dream, he began to hear a voice in the dream. And as I read the history, me I imagine

like a voice in off, or like these voices that are you are narrating a scene. He's he

was trying a dream a dream common, a corriente when of a moment

to start a voice but very real, like if someone stood in his

court. He said that this he did start to because it was practically a susrower it was a

voice infantil but a despite that it was a voice infantil it was

a aterrador and mention to him that applies what we have done

many many many times when we we're atemorizated and is

with the saba. He's set up to piece to head, because this voice was so present and he said that in

that moment for the light of the street, the luna, that was infiltrava between the

curtains of the ventana, I'd see figures that they were to try to

to be to a thing more rational and think that were the the walls

of the outside that were that were doing this movement Passed the

night and the next occasion yeah it was to be a more

more grave the situation and I was that from below of the

camera like rasguian rasguian the colchon you know is that before the

times had still still being being in this manner says

he said that said that the table like crugia a

and this he starts much fear. In one occasion he says clearly how he thinks that, debauching

the colchon. He's, he grita, and this propiti to that someone of the family get to the court and open the door and he asks, what what happens? Ricardo was sitting, mentioned

that in position fetal, abasandos, his piernas, over the cabicera of the camera, and And, you're saying, is that there someone about of the camera. His padastro

he, he a gachach, and he's and he says, no, there's very great-sito like to that's with

this type of things. And the Lord, he's out of the room, apaga the

light, and a door. Ricardo, he gets there there, he, or,

trying to do not, because it was something was a really real, and he costable

apart of that he was suffering or was passing this situation in his recamara that the only that

he was his fatherastro his mom not went to be able and every time he tried

to mention this he ignored in other night he mentioned that he

he says he will to get to be to get a voice enoff

a more strange a voice infantil and he

he and he says that he's only practically to who he's and his padastro he's not

he says that he's a great and his mom practically not he he recurs to this protection he will be

to tap to be a head and he said he was he was he he was a family

not so religious he'd try to recordar certain resos that his abuela he mentioned

in some moment but he into of maybe his innocence

or the null know of this was coattrapia for there,

he sent desamparated. He termina taping on the piece to

his and he says he says he he's in this moment

or at least for a rato he he's he's he's

to start in this trance of when you are a modor not

as A reason. He says that the sabaena and begins to get to be, and he comes to see how the sabana

starts to his feet by the and he he's up from the camera and he not want

to go to imagineate a little if for one of adult so you go to the car's or you

go to the house to your recamara to hurrying practically because you think you can't

you are observing. He's Sient solo and he gets yurrown on the

camera. Pass a time that that same night and he'll sit and he'll

hear again how they're rasking by the camera he gets the sentado

no he doesn't because he doesn't start to his papas and

he de he's he's he's there there there there

and says that he listen to the tables that they do. He starts to get to get a lot

more nervous and he and he says, I'm going to do and no there's

response. He kept he's waiting and at final envueled for the curiosity and

without to bring the light of the court, he says that he he's

a way that he's to get to make to somer his head

to make his instant when he he is a he isom

to the same in the dark in the look to see the

silhouette of someone of a man of the man he

he he he will to ask me going to do

do say the the silhouette and he's to

get the light that when he when he he's a man is a

little totally pallid he said he did fear

but before that that grittara that the man to get the man to

the back and he's, in this moment see the the little

but his eyes were so he mentioned like if someone would

suturated the the man he says so he and he

says he's he's malo and he said that the

he's he said he's with the he's so that

that he generated tranquillity. In the next night, he has

the contact with the child directly. He says he's observed, open the

eyes, and the little is a side of his camera. And he he says

here with me because you want to me want to do you. And that the little

starts to talk with this voice me and he says he there's there to say he

He mentioned, I'm here to caret. And he says, Ricardo, that he starts to and he says, thanks because

I need. This man he said, he said, no, I want to you passes what I

passed here what I did. I know. I know he is a malo and that your

mom can do that can't say in the Correo that his fatherastro,

was a person very bad with him. A part of there, he begins to get to a little bit of being in house because

he said that his padastro was a person with problems with the and that when I was a excess

was a malo with him and with his mom. So, however, her mom

no had the value to leave it. And here is where it's where he says

that this year, he said, with the chagos, commensable to do things paranormal in the house.

Dice that in one occasion this person he quited the cinturon, he'd go over on the

and he said that clearly he saw how a box and he cameo. Passed the

time and this person in his padastro would that was that was putting the

cordura, I said that he had things in the house and that even

had sometimes atterererer atterrador. At last this man is coming going to the house,

unfortunately for Ricardo. What I like of this or the quite strange is that he says that

he says that he's a time because Ricardo in the actuality is a person adulta he doesn't know how

about this thing with her spouse. His spouse is something is a little preoccupated because the

son of Richard constantly does a woman that has the eyes

sealed. It's repeated all over but he says Ricardo that no he's

because he he thinks that he is there that's there that's that I'm that's

what I think. What do you think of that? No, I mean when you

started to say to the sabana obviously I was I was on

sometimes where I could I don't know if you had passed, but

that you took the foot, it's so and the only that is this part

with the sabana, like if really that's been a protection, but you have to feel a little more more secure,

no? And, oh, it's a very emotive, the history also for the question of

how these situations did not that were not not. We've been puttickable, pardon,

we've been we've been not, that all the manifestations are bad. Some many,

many times is the pure fear to the disconnocido, you see a parision and the first that you

get to be in the mind, evidently it's a thing malignant, but many times have to

understand the phenomenon, what is what is what is what is what is a series of

things very rare and that a little a little in a space of

time that can not passender but that they have a mission and that

is that is a other people. Apart the coincidency to

many people say that no exist in the coincidences

as a quite. But I imagine, and this no mention to Richard

in the history that this man suffered just in that

house or no know because it also it's to

get to how is that he he goes there is that

there are things generations and generations after that

yeah that yeah and so too much too

not not houses very bigas but if you do a limpidita

no depending what you think what you're from the house from the

from Saumerios from the Palosanto from the Chile there in the lumbre

there's many there's much there many your so it's not

that's that it's that's that it's because you know what can

be about so they're many very for favor, we're going to

a little of comments of what what you opinion of this. For a car for favor,

the history. De the story. I mean I was so much, eh? It's too really good. Thanks for

to share the Oscar. It's a Richard. A Ricardo. He's for here. Dice,

Richard, look, precisely Tierra Harkar. Kisazazes yeah was before there.

Exactly. A limpeas. A limpeas. A. So, Carla, Medina, Arlet,

me was a when my mother no A lot of the sombras, no? Fidgette, that does for here, Majo M.M.G.B.O.D.

I'll reso. Salmo 91. Fiatty that, I mean, my family is accustomed to much to put the Psalm 91 in the television,

or Salmos. And, really, I don't know one with much a pass. No. I don't know if in a moment

I've applied to you, you see, a pass so very beautiful when you put orations, even many

many times are accompanied of songs with certain vibrations that you harmonize that you harmonized all the

place. The first the first time I'm like I'm with a great friend Isa.

Me took to start in a day with her and I had I'm I'm afraid. And I

said, look, I'm going to show something. And the television put al-a-a-

and the really. Yeah, it's done very good. Very very. Hey,

I have a friend saludos to the engineer Civil War. He says that no

he doesn't absolutely in nothing of this. and not so much we were talking in your

house, he said, is that there was there was a many times had much intranquilidad at the hour of

and he said he said, put this vase of the water to say, hey, my mom, for favor.

And me says, it's a sereno, but he said, the very that when

he went the buso there were the things and I began to signer a final of a matter of the energy of the elements,

the water, the fire. There are many things very interesting, very, very, badres and that

can apply. Let us with the next story because this in-vibo me is the first time.

Thank you for invite to do to do you for not to do not because it's like

the the is normal so. And, the is it is a lot of them. The best in

when we're going to do this when the Sabbaths will be in vivos

of No It's Normal Gion Histories for Not Dorme so thank for invite to my podcast

guys. Let's for favor with the next story. Oh, a new

a new garden. Ah, that is a story my. A be,

a be, a bit. It's a very good. This story I've mentioned

something. It's of the few stories that if there is a name

that we can mention a name a real and I'm to

Angelica Belles. Thank for to send us the Correo electronic.

Thank you. I mean, you know, that's a question. Is Alin? Alan. Allen.

Okay. Thanks. So, this, this, this, we get to the

correau, and again I'm of the little because it's of the little to say,

this history. The name is a percent real. No, no, we've changed,

I mean, I mean, obviously we've got, we've, we've, the privacy of the

people that us share his stories. Alan and Angelica

equal a matrimon a new that in a relationship. Well,

in this moment were nobios. They're in a relationship a

love and they and they are all very and more or less after

a year and that they're in the time Alan has had to

get to move and he's to be to live to not

more and none less than the Angeles California

with her mother. There, those two were working. Fortunately, it was

good. So, they're in a department that is very very close of Universal

Studios, something that would have been that were things super accessible, something.

And after a time of that they are there are working, that they are doing

a lot of things, he gets a new angelica to know where they were living

and all this. And I know something very rare, that I think is a classic of history, of terror, and about of vivance.

You get to a place and you notice something, this case is very obscure. Or at least, well, in this case, this department was very obscure. He had this pesadess, and is that, like I, me took personally to live in a house, so. I know exactly

how it's. The first that Angelica, he says to Alan is, this depa is very oscuro. A past that he had grand windows,

it was it's a kind of in penumbras like strange. So,

this to some kind of a little strange. She didn't identify exactly

what it was what we know the bad vibra. The place

he gave this bad a bad sensation that was very

strange so then well she it was that day

only it's only he's going practically to recor the city to go to

gore the Angeles California to visit to come all all right for this

they've had had taken in order in the department the the

and the roba all stuff was like and in the

night when they're they're they're they're they're they're

to they're made a try a lot to

a propos They did a ball, it was thrown, for there, more things tiradas, things personal.

It's like if someone would have entered to to get the place and hurt something, but they were, they were,

so they didn't like, like, something like, to say, someone in that moment,

then, uh, he, he's, uh, and the person that's in security

of the department and he starts, what's going, and they're, they're doing, revis, they're,

they're, they, and, well, result, that nobody entered for this

the woman of Allen, the coñada of her her wife of the angelica

was not there there was there had a house and that you know

to generate a me would be a imagineate that you find you you

find you someone you know and it's that you never knew

who was who nobody was the door was all

was Yeah, like, there was, like, like, of a certain form, inquietude, the, the, like, a lot of that the environment were much more pesable.

Angelica, she was sentia constantly observed, Alan, also, like, was, like, he, and, and, like,

in this, in this case, Alan, he'd, then, he was, she had, had a much

time, solo, and, and I, to get, like, that, that,

that, was, very extrano. One day passed something very rare

and this is a classic and much eye for the people that's not that's out of this

part of the kitchen and there's many many ormigas. I go

is something in the kitchen where there food there's normal that get

in these insects but one one thing is a cumul of

armigitas and the other is that is that a quantity exorbitant

of Ormigas, that even had entered, I don't know how, but, within the refrigerator. That's, it started to a certain way, to cause a little of fear, because

she had to relate to justly, like a person, like Ricardo, says, like a type of manifestation. So, the three were there, in some moment,

platicando of the things that were in that department, obviously something, something something not It was not even, and it was like, to

some way, the things like were in peerating. One day, they're going to a new event of Halloween, justly in Universal

Studios, and at regressar of the event, while they were they were, they were, we're doing here, we're,

we're just, we're talking, and they're doing that in the door principal, the manila of the door was like,

like, giving waltas, Dando Wondas, doing Wences. Obviously they're

listening the and they can't look at the door and they're doing quite

that's going to get a moment. Alan, like he is soma

like for the the door, the and he does know that he

doesn't know he's he's to be to know if there's

there to be but good to be good and in this

moment Angelica he he says that no he said my my

abuela, always us said that if they were in this type of

things, not abrias the door because if you're the door, it's

like you those invite us to pass and this then it so it

started a thing a very strange and this I remember

I remember much because I was personally in the department there's

to be much pleito. For example Alan and his

time all the time were all things were very tensas

he didn't even want to go to work and Angelica like he felled in a depression

or so like that she was like she was still and he started and he

said a real he said he said a mom is that I'm going I'm feeling a lot

I'm I'm I'm not what I'm so and standing in the time

she was she was she was she was she was where I didn't where I'm

she said her reza much for that that that's quit but unfortunately

there's things that they're and that you're not to do when you're in a

place that is infestated for something so that there is evidente that there is evidente

the the oration what will provoke is that all borot is the abispero and it

was what was what she began to order but this so is

to be to start and this was very very very

It was very strong because in one occasion they were in Angelica and Alan of a sudden to make a sort of that had a pesadilla,

she'd get a grittando and astoned so he was very altering to say what is what happens that all is

a dream but he says something very rare. Dice is that I'm clarissimo view an entity and

I want to see the image that is in this moment there in this moment

that was there with some eyes and he was a sonar like a but it's like a

like a person that even was like an elephant but that was a form

was something was there was a look at her was like euphoric and me

was looking and I I was just like only it was just I'm he said

I'm like me I wanted to mandar to the other world So, the things

just were putting very pesas and there were manifestations of ensuees and these things.

And one day were to a center commercial to buy mubles and they get them,

now so getting to the place, they're to where we're going to the direction of

the department, of the edificio and they can't know that this

vendor he put a car very very You know, they're living there, and they're saying, yes, and all is, all right? So, no, it's been doing reference to the

place, and he says, why do you do you? And it's where they discover something a little bit rare, because he says, in that moment, all took sense. Resulta that's the place, before, had been an hospital mental, like a type of psychiatric,

That is that the government closed because there were many abuses to the patients. So, it was a place where the people had, imagine at all, some, details mental, persons that were people, people who experimented

things that not had said and that were in the reality. And they were that for that, obviously, the things were passing and all had a sense. He said, because there's a part

of the entry of the edificio that has a rampa, or so for people that were in, in a seat of and a reweds, there were, there's symbols,

and they were to start their deductions. Obviously, what they're after that is move to the place and abandoning

and unfortunately not happened like other times that what is there like create a vincal with you

you see, unfortunately not was the case, but if it took to live in a place

where there were where passed things very, very turby. Book Club on Monday.

Gym on Tuesday. Date night on Wednesday. Out on the town on Thursday. Quiet night in on Friday. It's good to have a routine. And it's good for your eyes too. Because with regular comprehensive eye exams at Specsavers, you'll know just how healthy they are.

Visit Spexsavers.cavers.cai to book your next eye exam. I exams provided by independent optometrists. For that's important to investigate To where you're going to go To be able to be it. The same So, what we've said With the story

of Ricardo That's a lot The fact, and sometimes Not even That's, because I've readed Stories that

are about to be narrated in extra-normal Where even the fact that it's not a construction new,

exime of that there's because at sometimes the Terrenno is the story So, at times

not only is the house, it's the piece of the I'm impacted. Some things that are that are

what I'm saying the audience says for here, look, says Abraham, Aranda, says,

Salo, from us to Pueblo, Oscar and Daphne. Are you guys. Thank you. Much thanks. She's, Anita.

Anita, says, Paco, salud me, thanks. Anita, you're sending a brashote.

Thanks for to be a five-peso. We're not a person from Los Angeles. From Los Angeles, says

Jack Basurto. Salud. Saludos. There you guys there's there. There's, that's,

that's, what I'm there's, there's a question long that said Maricela. In the

edificio I live, in the apartment that is the other me, I think

there's there's there's because all the people, they're they're playing and

they're very bad. U. U. That's, say, I mean, says, Salus,

a lot and I'm listening a Paco. Thanks, Alexander Ray, and I'm

a heart a brother, uh, look, look at them upyian with those

Comptuarez Lozano says, Saludamme Porfa family, saludos from Valencia,

Spain, I'm Colombian a saludite. Antonio Perez, saludas from Satt Lake City,

yeah no, Ike, what else? Oh, he's done with Mammie, he's a image.

He's a man, he's, he's, he's, oh, a lot, a lot of

a lot of a lot, a lot, do you get there of a repent, there are images that are much fear

that you perturban, no? You have to feel very, very raros. My name. Saludos, a Kayuka in Veracruz.

Saludos, thank you, Valentina. Peralta. Much thanks, Valentina. We're going to the next

history. Yeah, we're just, we're going to end of the board of this in-vibo of not-

normal. Stories for not-d-d- -d-d- -d-d- -d-d- to this point with

us. We're are doing these stories that the really

are very they're really and precisely is the case that we envied Anna the family of Anna

was a Catholic without obviously always they've been professed this religion never to

the extrems this story is focused in her Tia Roxana and his Tio Misael The relation

between Roxana and Misal who were brothers was cordial no they were

the best relation of the world not were the good brothers,

but they'd respectably no. No, there were intromisions of any

part. The abuela, Doha Rosa, that was the mom of

them, had divided the land and the properties before because

I was I'm trying to that his kids were being for the

herensia so she she decided to do before.

There a house that was a one one

one might be to for Roxana and other

half it was to be for Misahel that was the one of

the little the child she was a woman she was a person

that was a person and was a very well was

very a life a good well well for

so for the contrary Misal he he was a

he was a man he was he he was that and yeah

had passed for two matrimonies when he knew a other woman called

Loretna this chica never she never she didn't a lady

to the boda with Lorena was it was a point and apart this

time no regress with Roxana she in the 2019

decided she decide to let's the property in

that was for for for for for major

of her was with the family of Anna. Here is where this situation. She went

with Anna, with his papas of Anna and with her to live for a rata because he was feeling a little

so when when you she said well, I'm going to go to my house, but for

his surprise the home was a little something. She decided to go with a

Maria, the senior Maria, because in this place and will need a very good

clean to this house. So, we're going to get us to get us to get

all the necessary for, for to leave all all right. What they were

quite strange. In the doors and windows, there were lines

grosses of salt, they were also racimus of plants and in the

doors, in the windows, when they decided explore the quarters

they were something they were a little very strange there this liquid rojo

in the pastes and they're surprised much because they said we're we know

we're we're there like there's like they're like

this place and then just in this moment in that they're

in this recamara enter Missael like trying to

try to see that look that's Mour was a gatito, and for that's that is that is that be

this or so don't you don't you care, he wanted to they're out of there. I'm

so I'm cleanse with calm I'm don't see so much they're they're

quite quite extranated with this situation and she said the senior Maria to Roxana

this is very rare I see I for there some some

many many rareas in your quarter there had plumas redas was also

a little of cera and some Marks in this recamara.

When the Sr. Maria to say this to Roxanna, what she thought she was going,

Roxanna is surprised and decide to go to his brother to Missael. She gets with

Misaer and he said, oh, why he did this to my house?

No, it's a way, what is you do you? Because you're doing this,

the other or the other, obviously, obviously, started a between Missal and Roxana

were in a good a rato, talking and saying things quite and then

so there Roxana decided better to make to the family of any

detail for this pleit that was having when she she

was a percent to this house Missael and Lorna no,

they're not this house not not will be your

we're we're going to get to and not they're so the time

and the nothing a day, Misael is a house where he was living Roxanna, because supposedly he wanted to make

the things with her mother, you know, I think me passed a little, no we've been to start peleados, no, we don't we've been to this mal manner, so

so, so, it is a little strange to Roxanna this supposed visit to to clarify the situation, but then, in this

moment, Anna, he was getting to the school, and when he's a house, we in the table

fruit, fruit, a very rich, it's very fresh, it's he's

a lot of a lot, and he was a little, he was he's going to

go to go to get a back, after a little bit with Roxana,

just I was going to talk a Anna, and he did do you

don't do you don't you don't get to this is going to go to

the back obviously, don't Maria, thinking in what could

to have these fruits, no? And, well, it was all this. Never knew if someone took a fruit, but the strange

is that that after this visit, after the supposed reconciliation of Missael and Roxana,

Roxana started to get to get her. We know, as I said, that she

was a person diabetic, but she began to deteriorars. I was to checkars,

the analysis medical, no They don't show them She said, No, I see what is going, I

I'm Cued, I'm sure I'm atent of my symptoms, no see what she's

going to get a delgazer but at the great of a a skeleton.

She started to be ogerosa palida, he started to gropes too to come in

the moment of coming. I'm passing her very, very bad. And in

this time Misahel he he had to question for her. He had

messages earlier how you when you and so supposedly with a cordial relation. And when she started to decared, Misael no see appeared

nor by message, nor in person. That was what to Anna and her family was a lot of her family was quite strange. In just four months after this that I'm talking,

Roxana parted of this world. With all this what he was the act of the defunion of Roxana

no said nothing more that parted for problems in the heart. Supposedly

it. It was something. Anna was quite really really was a

great was a really apegated to her too for the

parents of Anna and and a second after that

were at Belorio of Roxana Anna decided to

start to the back where was the house of

the she not not to the house or but just for

there the the the people they're to tell to a

Anna that they they're in the night like if

to talk tamboures and they are some many

that that that he and one of the one of the

one of the she said that those can't so are in

a gratitude to a deida for having given

a wow tambore tambore that to think in some

religions that obviously I'm going to mention but if they're much

in certain cultures as a greatest of so that's interesting no

oh and that's a great how how atent

in contra of the her and all for a thing

of property and that is my disgust is the is the classical

is because because you do you do you do you don't

you No, there's, and we've seen a lot of stories that that are the same. Me made a work for a

thing of the thing to work. You, puttend to work. So, the people who play something, that's a lot of,

that's a bit of egoist. Exactly, and the truth that's a mommy had had done this before to

get to do this, no? And, you know, it's allian and it's so much, it's allian,

in these stories of this night of stories for not dorm, intense and to thank

to the people that's envying these stories to write another way extranormal podcast

or gmail.com for there we're going to be going to be able to be here or in extra normal

so that's that's what it's the most I'm going to get the Lester because I'm doing that

I'm going to see that we can't we can't us can't us can't let's a little more

yeah for this chaitto yeah for Salus thanks thank thank thank you

thank you I think of the As a repent, if, start all the time,

so it's all the dark. So, but it's really, it's too very, it's too very, they're being here where they're doing

their stories to extraanormal podcast atroba gmail.com. Thank you for it was a sabbado quite interesting.

How do you still, Oskar, of the garganta? Well, there's, I think I'm I'm going to do a time.

I want to I'm going to want to want to do. I'm want to do want to want to do.

All the people that's listening this. We're going to do something

like a or a see, we know, we know, we're we're in three,

people who people we're going to put our hands, we're going to let's let's,

all, all, all, all, all, all, all, you know?

You, no. You, like, you're going to receive all, all, all,

all, sort in your man. And, I know, so is something is something but

extend the hand the hand the hand the , can put to Oscar, for

favor, in the Oscar, to asker, to Oscar, that's to put in the way,

to ask usk and we're to declare nothing more things positive, no, health,

that in that moment we declare that your body is regenerate, that all infection,

that all that's going to get, we're more more of three, 400 people

connected and we imagineing the, all the intention like a genkidama

is impressive but it's all the intention of the people

about Oscar to declare that his body he's recuperer in a form supernatural

and that tomorrow even that after this transmission will be to be completely completely

sano and and far the whole of the first of those who did you did that

after this there's there's much there's there's so much so it's so it's

so it's so it's incredible because it's incredible because we're fear, but

but to do use the intention for things good, we're sure that will be going to pass something

and there you're going to talk about. Chicoes, how's it got to be incredible? Look,

excellent and what final? Much thanks, thanks for accept the invitation. Thanks,

also to get to the final of this in-vibed No-N-N- Histories for not-N-R-N-

stories. Me, the fact-in- the fact they've been good the stories and you

know we'll be the lunas on the next episode, Marches episodes are at shustos

myruses inbrugated Juebes ExtraNormal and Viernes other way and then all the time is

completely tapisada of content for that you don't say it's that I'm right now. Now

now see we have we can't repeat and me said and me said and me and the

Saturday obviously not it's normal so literally we're we're Saturday. And obviously,

the dominole, we have to have to be to get to know. The domino is the year.

The domino is the family, so, that's, there's a family, for that's a whole the community. Thanks to all the final.

We'll hand them a brashote and we'll see more in a next in a new in-vibu. Until the

next. Bye. Ciao, chao. I think you're going to be able to ask you. Here we're going to, Oscar, I'm going to ask you to ask you. Now that I'm Oscar Delta, I'm going to

leave here, for you, production, my number of of the targeta of the bank of Amargeto to cover and do sessions. It's very much to stafar the people, to have a house holistic and so. Saludos.