EXTRA ANORMAL - LIVE: Historias para no dormir Ft. Dafne y Oscar | No Es Normal.TV

Episode Date: June 8, 2025

Prepárate para una noche donde el sueño será tu peor enemigo. Dafne Silva y Oscar Gherbert te traen Historias Reales Para No Dormir, relatos aterradores, experiencias paranormales, encuentros con lo desconocido y testimonios impactantes que no podrás olvidar.👻 ¿Estás listo para escuchar lo que otros no se atreven a contar?🔴 Transmisión en vivo desde NoEsNormal.Tv🎙️ Extra Anormal Podcast: Donde lo inexplicable cobra vida.✅ No olvides suscribirte, activar la campanita y compartir este episodio con tus amigos más valientes.💬 ¿Has vivido algo similar? Cuéntanos tu historia en los comentarios.#Paranormal #HistoriasDeTerror #ExtraAnormalPodcast #Misterio #NoEsNormal #TerrorReal #PodcastDeTerror

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Welcome to the place where the inexplicable cobara life and the fear is sent to your side without you invite. This night, apagin the luses, adjusts the volume

and prepare-ence because it gets one of our sections more aterradoras stories for not to dream. Quentos of terror, relatos inexplicables

and experiences reales that you'll doubt of what you are sure. They're are testimonials of persons that like you

they thought that the paranormal was only a myth until that they were in the same you've seen that someone

you've seen you've seen you've seen you've seen what you'll you'll hear what you'll do you can

do you do your or that's you know or that you can't you ever you're

this night so you Relahat. Or, or, better , said, intent to do.

Because the stories that we're not normal. And, after to hear them, maybe

you don't do you do this. Bien to stories for not dorm.

Comeensable. Thank you. Thanks, thanks, to all those who are connected

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Yes, thank you thank you aubriels. Abreel, a brao a great time has

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RELenses that is Proctor and then Pepin Chema. Yes, goodissimos those

premiums. Well, we're with the stories, because today, today is going to quite turbue. I think we

have stories quite oscuraous. Yes, scabroses. And the interesting of this is that probably probably many people

that are behind the monitor of the devices, have lived something or have been or have been or not know

that's going to be doing in their houses. We've stories where there are many people in these,

where there there are situations that I think that the majority we've lived and

for that we're encante the theme paranormal. I go and in occasions

we're in occasions, we're these experiences that are very going to be a lot of these stories that they're

really, the really, to get to get to and and so they're going to

don't let's get to get to identify. And so I think it's a

moment to let's production. With who we're we

we're we this this story this story if all all you

are there There's this first story that the really

is this this story the parted Irma the person that us

the story this this this chica from she was a infancy

a during when she had two years she she got

an woman and I'm a woman because a father

never knew where you know where you know you

know these Then they're not, so is, not want to be able. But, unfortunately, for Irma, existian, and they were a little pairha, that no had children. When so, they decide, you can't get us with Irma, and it's a family very beautiful.

For her, they were his papas, and for them, Irma was her little, her. His Tios were to do what

had to be for Irma, education, rope, a house, all, totally, totally,

completely, no. And in reality, they're they're much. Passed

the years, Irma was made adulta, she was what has what has what

has to do you know, he's a child, Jose David, and they're always,

she was much, she was her, she said, Well, it was to go to his new house, to his new house, to create this family with

his husband, Jose David. And all of very well. After a year of casados, they've had a little Pamela. Her bebecita, yeah started, they're to,

uh, to do you, uh, and they're going to live, well, this part of the family, to care to,

to this littleita. All right. All right. All right. All right. But there was a incommod, incommodable a

a little to Jose David. He said and I thought that his superiors were bruchos.

So, like, he had this spinita and he said, I don't want

that they start to inculcar these to the little Pamela. No

me doesn't not. I don't want to how they all this exploded.

He was he was he was he was one once that the son

David, he goes to the house of and he said to clavar a herrard in the door of his

house. So this man, he and he he says, why is doing this, Sueger,

for what he does, for what he says, and the sir, he said, that he

trometeer. No, you know, you're not you know, don't know, then. So,

obviously, as a person says, oh, you're, you're, you're doing this,

no? He's Jose David, and he said to Irma, they're in pleads. And he says, you know, no me doesn't. How are your papas? Passed this,

that's, what I'm not going. It's not a part to discuss. Between them. They were to gojure. Obviously,

Irma, he was sentia between the spada and the part, because, well, he was a

person, but also he put in the side of his papas and I said, no I want to play with

me with my husband, no see what she, But, well, was, it was a situation quite, quite complicated. And, in, the pleito,

well, Jose David, he said, I don't want to those bruchos he did a little to do you, and that was what enfurcedo to

hear me, and he said, oh, don't let's do you, don't say. They're not bad as people. Calmate,

no digas that. So, when a time, a time, he went to Joseph David of the

job, he, he saw much amuletos in the house, precisely in the quarter of the little Pamela.

So, he started to observe the court, he did a quite strange, he found a balde

with water down to the camera, heardurras, a spejo, salt, something about this

questions of well, it could say, of protections. So when he's all this,

it's enfurce, it's like, he says, oh yeah, no, he gets to

keep all all the things that they've put to, and And she's still in the pleitos with her husband.

She decided to talk with his parents, he'll comment to what was happening, as a way to medial all these questions of

that they're not they're not getting and they're not. And that night, after that

after that were all the amuletos, Irma went to and just he was a pesadilla.

He was a soniard and saw a baby a baby very great that He was acircable the

window of where they were doing and then then the window to the

door of the baby. She was like in a type paralysis

of because he was to get much fear. Observe this

bird had plumage but he saw something that

the baby had a rostro of a woman.

To she she saw that this car, this rostro in the ave,

had a handkeries also like if something that was a little bit he was very

strange, he was he said, he said he said, well, okay, it was a

piece of a no pass nothing, and just also, in that night

he knew that he started to adder his to just this he passed

every last time of October she was she was very extra she had

a a cicatrice in the tovill, but no saw how he had done. I mean, he had been a mark, and his papas never said that he had passed. Simply, it was like, ah, it's a a little bit, but always he ardued, and also, at the same time, he

doled a little bit of the part of the back of the head, and she no, but she was a little common and something, no? So, it was a lot of strange. When he took this A pesadilla, also, he'sperted

a little bit astusted, and the day next, decided to talk to his husband, and he said, hey, you know,

what, you know, he said, he was an abe, and he was to a little strange, but when when

he said the response of his husband, was that was he said, the husband, he says,

maybe are my suegros that are my daughter, and she's, she's

molested a little, no he got the commenter of his husband and he said, you know, I don't I'm going to

know what I know what I'm sure he's obviously, no. So, decided to go to tell us to his

papas too. They were to suggest for favor, Ida, put protections, put salt, put a water,

ask something, for favor, we know, we know what we're talking what we're saying, and

even she had to his house and not could do to do because obviously

his husband is going to get to be to be to

not a question they're they're still having pleats and

they're not do but lamentable the and that

so it was having many very very densas and

always with this abe that I'm talking and

then then a night so the next this

this abe in front of the she had a precaution. It was for Pamela, for the baby, and she was done with them.

He said, if she's with us, maybe, no, he passed nothing. Decided in dormice when he'llethe, open the eyes. No, can't move.

Another way, is it's with the paralysis of the dream, and be how the abe is by the part of the front of

the window and isleteating like trying to getararer. But just in that moment, the scenario change, and now

she is the baby. It's like if were a record. She's like she was a recording that she is the baby. The abe enter, with a garra,

he to take the topio, and the halla, at the moment that the halla, he'llpea the head.

And it's where she kind of, what is going, and can observe that there's a woman that

enter and a sota the door and starts with a to put a peggar to this abe. When he comes across the

abe, he looks to make a raguio, a woman that she know she knows. Cambia, other the scenario, and can't see to this same woman

that had entered to defend her of the abe, she can be at this camera, and the bird is on she's

on her. This abe has one of his garras in the cooel of the woman, and only

can see see how, how this woman is just a little to

get to be and it she's a she's she's very very spentated to see

to be a little, the she's all right, but she is very accelerated,

no she's what is what she is what she's what she

she's what she and because now she was in the life she

he's put to get to get to what's she does, my

mother, she decide not to tell her because no I wanted

that he were to be able to bela in a while amnese, decide to go to

his papas and he's he said all the father, mom, pass this

and so when she she's when she she's her mom that in reality

is her she he asked for that she she she was the

that the woman he said you can please for favor of scribe

to that woman, she she begins to describe her.

And it's there where they're in account that the woman

that was describing was her was a mother and it's

it's like it's now understand how his mom

had parted of this world because really never

never knew how she had appeared had appeared

so they were impacted not they were she was that she was

she was she's talking about with her husband and say you know this is something

this is a serious, so this this, he explained his husband and he said okay

I think no you don't you don't you don't you don't he's where he

let me let's put a muletos there and they understand they both

as a couple that the abuelos of the little Pamela, no they were to do you.

At the contrary, they were they were for the baby. So, they were

the water, they were sal, they were the arrasurals that the abuel had said,

and it was that all this pared. The pesadies were never

more never more had another apparition of nothing, and there they put

they were they were what had passed. Tient after when the little

Pamela She has 18 years She was with her mom, with Irma, to buy.

She gets to a place, she's separer a tantito and this woman,

Irma, can see, to be a little talking with an ancianita. But,

well, she was, she was, she was like, she was like, oh, I, you know, I'd be

talking, she's like a little extrano, and the Anciana to do, Pamela,

I know to your mom. After the cargues when was a baby.

And Pamela he got much of aondas he kept being coming and when the

woman see a Irma and comes coming rapidly and disappear between the

Multitude Irma and he asked Pamela what said Moma this

she said mom this she said she she cargo when you're when you

was able and her a cicatrice in the rostro. Since then I knew if

this anciana was the spirit of that woman, or if really still still had that she had

much. The bruches that were to get to the children. I think that many have been

a story where there where they don't know, where they're these, or in this case,

I think it was a naguala, no? I think because they were in an

animal, no? Yeah, I think is a thing a little feo

for there Paco then I quote in the story of 30 of April that is

also a very specific and what I am the attention is that's in October

in October in October in it's that they don't even disappear those

cats and to do these type of do things do you do this

work on the babies because it's very important the energy all what is all the essence

that they try in the innocence is very important for these

work that's quite, I'm quite feos. I'm going to tell a

history. This history is a very much common, for so I

think it all, we've lived in a certain way to what I want to

this is the story of Jonathan. Jonathan he's changed to come

from a problem that they have been the problem they're they're

going to be to another and start of zero. Resulta that

he's a department in a edificio, a edificio like a six

pieces, more or and then Jonathan was a young, or a man of

a man of three years. In that moment was I was living alone. All right

to get to get with some people, you know, there's there's a person

that has to be a person and get to the person. It was the Jonathan, in the city where

he lived, he was a much, much time before. He lived in the ranch with an anteriority.

And it's very specific. I think this, for that's a lot about, this, this has lived many people

that have family in the ranchos. That's the point is the night and the perros

start to go and there's the carena, no, and then they're and then

after the gats, they're to do the noise of the cabos, he narrs a situation very similar. He said that in

the first nights he used the outgidos in the madugado and they'd start at this cadena.

They were like the perros in front, and there was, it was expanding

all this this and it was that sometimes not even didn't even to get

to get to the other day to work he had a little quite was a

quite complicated, had a and some problems personal. Conforme it was passing

the time, you had had done and it was like a realocic, and it was about

at what were the hours were the animals, and he began to put a

much attention. He did you know that before that

before the there were a sort of yantos, there a species

of laments. And every that was that What happened like it was the

agudisable the o'idid and he had found that first again again, some of the

laments, then some gritos, and those grits and those grits were in one of the houses

in front of the edificio, there came these these these ruses. He

kept observing in some moment and see something that's something that's

a little like if was injauled he's he's rare the little

he's he's and he he was he in the time and what he was

he was that the people around no he said absolutely nothing they had

a little he he had the police he he does

know that he came in the patruias and the mother

or the woman of the he and he plit with the police they're going and no

suede absolutely nothing. Everything was very rarro. In one occasion he's

and he goes to this carie to the town and see that the man is

injaulahed and the man is he's so got and the barrotes and

he comes to get but when he's to start the his

rostro was very very confused because more than

a or some sentiment negative the the little bit about and he started

to read. And of he said and he he's not he gets going to get

looking and he says, you know, and the little he said and the man he said so

he went he went and he was the she was the man in the patio and he

he said oh yeah why he has a his his his and says

he says I don't know of what you say but if you can't you can't pass

and he says he's going to get to the office he says oh yeah in front like he's not he's not

he's a little he's and one of the business he says well it's a girl she's a

many many but no see of what you don't know that's about and he he gets

and he gets out of the house because this man all the time he was crying

and in this occasion the he has so that he's that's that's

that's he's And he, he, he begins to and the child no, he doesn't simply the little bit more time, he wrote,

and of the point he said so, that he went to be to the door. He gets the door, and he says, passel.

De really, passel. And yeah, Jonathan, enter with much curiosity, and he offers the lady,

a man, and say, he wants to take a coffee, and he says, sir, why has the thing the

there's, that's what is what me is carcomying, no does nothing

you yeah you know the authority and it's it's

you know you're you're you're you're sitting in the cell

and the and the lady and the young and he gets the

the cell and she he kept observing she

she can you can't give the man the

man of the little and he comes to have

a some you're extranees. Comienza to have a lot in the stomach and

some of vomit, it's got to get to the end up, and the she says, he says,

he says, he says, he says, he says, he's got to get things black, a

ball of people, even are things very, very extrana's that he

never, never, have had inherited. The she never, you're said,

you're very he's what you know I know you're going to you know he's

and he starts and he says that in reality but imagine he's all he's all confused

and says in reality I know what's a very really bad racha the

she makes a baddeja and he commenced to make some things there's like some

in a water and the she says I'm see a work of your

own and the she here working, but all the scene is very chaotic the man,

the man observing the woman, the woman, being the things here in the mess with the yerba, and he says,

you knowces to a man called Ricardo? And he says, is my brother. He has been working in

your country. And not is normal that you have been done your job, no is normal that you

have divorced not, not normal that your kids don't want to want to not

the bad ratch financial that you and today she's going to be to be able she's

a question to make a question and then he says that's a liberation

when when he the eyes and he and he and he starts

the supposed the little and starts the little

and it's and he's reduced to a manches and he

he's he's he's he's he's he's he's my

child, the that me help to do do you what you you're doing

the is what there's there's the way in how I do you do the

person all the all that he was he was his his own he said

that he he's like this this this object and this is this is very rare

because I never he never I've said he he said Jonathan

that the person he's that it's like a proper refle what

one that's passing, it's project a through the muke, and the people see to see as same as if it's

seeing a someone who's doing, but are their own their own their own. And he says that after

that things started to make a there's, the good, the good, the bendition, and that

he was going after that he caused much conflict in the knowing that his brother, that his

brother, that his person, he had been to do a job for to the to ruin our

life practically. A part of there the things changed and it's

different to the family because the family finally the family that's

that's the story of Jonathan and the muke that was or the little

that was in that you don't have that you didn't see

that you could see your little that that I imagine

it was something that was to put we've got to get there with the

good Samudy to be a bit to be a question to be a really a really a

me make a a sussie for it. Yeah. A sometimes the family is our

one more enemy. A sometimes the family don't let bring you. They're

those are the power. Hello, good tars. Paula Paula.

Paula Diaz. Saludos Paulita Caterin Torres what yeah

yeah there's there's there's God the God in the

sky. Okay. What story so tetric says Medusa. Saludos, I'm this community.

The perit Luna, they're a little. Oh, that's about there, Lunita,

too, we're listening us, and I'm and I'm the stories that this night let's

try them. I'm for my second pañal, says, Mary, Luna. And I'm

for a little, Lou, oh, Lou, thank, thank you for your

questions, thank you you're that they're saying for the thank you, the

the day of today. Much thanks, Lulu, for the presentes that you did to us to do you to do this

all the crew. It's all to the good Sergio, he's so I, get to the peinado and all. Yeah,

majito, a all, to us, thank you, Lulu Pedrosa. That's a luchel that's a loquillo. Sure,

that's a lot of donations. Gustavo Resendis. Resendis. Rescadis, thanks, thanks,

Tavosos, thank you, thank you, and thank you, sorry, and USA, and saludos to all the community

Latin, that there and also to our brothers gringos. Abrano. Saludos

from Merida, those am I'm. O'gain, yeah, Paquito what I said, and they're being locations for the new

presentations of the night of extras, and for there we're going to get on the good. So,

Mereo. Another other saludit more. Sittlali, says, Citlali, Martine's,

that also that also I've made to make us to you, thank you, thank you, thank you,

thank you, thank you, here, I'm here, I'm listening to these stories tethricas.

Dice, Oskarito, Saludam me, clear, a $200 pesos, the salud. Depositam,

and I'm, you know, who's the time, I'm asking, I think there's a time,

I think there, I'm going Chilett. What's that? Nalca with Salcita. If my

Cals, Rennalels are not Fian, are the eight, I think are the

eight, 40, yeah, 8, 40, more more more.

Confirm, confirm, for favor. And, so, abacito says saludos from

to parral Chihuahua. Yeah no see the name, it's me foe

but TQM. Now get exciting This is big. For the summer's biggest

adventure. I think I just smurped my pants. That's a little too excited. Sorry.

Smurfs Now playing. Book Club on Monday Gym on Tuesday. Oh! Date night on Wednesday.

Out on the town on Thursday. Quiet night in on Friday. It's good to have a routine. And it's good for your eyes too. Because with regular comprehensive eye exams at Specsavers, you'll know just how healthy they are. Visit Spexsavers.cavers.cai to book your next eye exam. Eye exams provided by independent optometrists.

Okay. Okay. Okay. Okay. So are the 8.41 of the night, to the one of the

two of the 1840, they say. Thank you for synodisarned. We're going with the next story

and DAF. Perfect. We're ready for this story. That's pretty Fiskerin, it's a

very much of an one of your and it's and it's very, very, random this

story. I, when the day I said, oh, what's what's going with this

world, but but there they're all all all all all right

about this story that is about Angelica and Joanna some of hermannas were very, very unied. This story the parted Angelica, which is one of the two two womenas protagonists

of this story. They, from the one for the other, always had gotten very well, never were they were always

they were all to do everything and all moment they were pretexts to start together in the actuality

they're they're they're they're their own their family each

so always together they're they're they're they're any

pretext to to be to say we're we're for what we we're

to and the last celebration was that Joanna yeah

she was going to go to get to a house

much more because I've in a department little

with a husband, and to his husband, and she had given an ascent in the work, and, obviously, it was

a question of celebration, no, and they were a house quite great, a lot, with certain chispassos

colonial, it was a house beautiful, but mediotetrica also, the celebration, well, you know,

you know, between family, with friends, risas, aligia, chistes, and all over

excellent. They were passing them very very the food also

that in a moment almost at the person asked well and

where they're and they know the pozole is a common a

typical of a very very very savored and they they're

they're not not got to the so they didn't and

they're they're they they're and they're a question

to be a reason Well, I did with the recipe secret of my mom. This little chiste, was a little agri-dulce for Angelica, which is the other woman, because, well,

I mean, when they were young, when they were young, so it was like, I'm rio, no, me rio, and it let me pass.

All this happened. All this passed. They'd in constantes visits. Angelica visited Joanna. A. Joanna, I went to house of Angelica, and so never

they'd have to frequent that's what I'm going to always, they're very very unied. But there

something that Angelica not had commented to nobody. She us comment that

she sentia something a new house where was a woman. The house, like

was very, very beautiful, but there something in she had that Angelica

she seemed incomoda. She talked that since that this house and

to talk about the timbre, I think like if someone in the front of the room, it was

being in the way, she was surrounded for someone. When he was

and he was in the house, she she was that she said,

I'm going, I'm saying, I'm something very, very extra in

this house, no, I'm a angelica. But, but, I'm

that this not came to relucing because he's, no I'm to incommodar to my

her mother and that I think that your house me do and that's that's a

little bit he's he's not he's not he's quite oprimed and he said what's

what's what I'm and then her nothing his husband he said he said that's

rare when you're to go to your woman? No, you see this

vibra extrana she's kind of kind of tenebroso no? And Angelica

it He looked, so kind of trying to affirm it, but molesta and he says, oh, no, no, don't say those things, Oye, they're going to get to knower because

we're talking of this, no? In his mind, she knew that his husband had the reason, and she said it,

but for to do that her mother, for good, that there was that there was more than that, he was,

he was, he said, hey, you're not to be, because the husband, admitia that too

when Joanna went to house of they say also when she comes, she's a vibra

very big pesed, like something that's your woman, he said, like something that's

like that different, she not is so. And effectively Joanna was different, it was

a rarer, she was a way a way that they know, it was a person

mala, but had changed something in she, of the nothing, he had

started to do you she, she no she not she, it's something,

that And you say, well, a lot more is a step that is living in this new life, is changing, because well, you know, and you're a senior of house, no, and you're trying to justificarily a little. Tampo, they liked those plants, and

she began to have many plants, to to guide them. It was a little details that maybe not they'd have been much importance, but if she had a bit rather, Angelica. She tried to ignore all this, and in a visit,

that Angelica he asked a Joanna he asked how about how is all his husband and he says oh yeah

my my coonial how about so I don't see I don't see here in your house

for what Joanna said all all all right all super X this

this chica no he didn't tell nothing she he tried to

evade the thing Angelica did take the because

those was very distant no I said something something

here, not me convince, I think they're problems, but if she doesn't want to tell, well, we're not talking the thing. And, while they were talking, they started to hear some passes in the part of the area. For this,

I'm going to, that Joanna only was with her husband and yeah in that house. No, there were nobody more, more than the visits that were given. So, while they were, they heard, they've seen these

and they and she gets being Angelica to Joanna and Joanna he said no pass nothing

no you don't you think Angelica she did quite this is a question

so okay so two seconds after the kitchen Angelica and she to Joanna

and be that Joanna was like how long the classes accommodating

this part here of the kitchen. And clearly Angelica log to see a

somber a lot of her mother. She entered in shock, no can't say he

how this sombra so it comes to the side of Joanna, like if he

susurrara something in the o'clock. She wanted only was only was

just about she was a carcagear like like if really something something

Volta to see to her her mother. She's a little and he says, no you'll make a case. Like saying, there's a

person more here? Angelica was in shock. Of the really, no was what said, he said,

her manna, me have to go to do, I'm going to get to the house, he was a lot of spantada.

When he gets to his house, he said, me, he said, I'm going to do this,

I know what's what happened, I'm in shock. The children of them, this angelica if I had

his husband and they're they said, mom, a lot of us don't not us

to go to get a house of my tia because we're always we've been

we've been a woman and also also a woman we see we've some

of the and we don't see all this for that so we not we

don't just to go to go and the first

first time the first time the because Joanna was like in other world, no I wanted

to see a her mother, was a different. And it was many years before that they were

to re-encontra. Angelica decided visit to her mother because they had the tradition

of the altar of the Murtos together. So, so, he gets to her,

the visit, they're to be extrana, what's what's what's what's going to

joanna, she'd like she had been my coonial here, she's

a little to cry Joanna, the braza and he says, no I don't

I'm I don't because he's and for this also the people,

you have mentioned Angelica that they're that all the

nights how Joanna year and and they they're

they're they're they're they're When all this happens when Angelica

decided to get to live there. She are they together together

and they present a little more to be what is what is what is

what for all this when they talk to do the heart

of the she she Joanna Angelica her her

she is there is a something something he

was a very extra Angelica because they they was something that

year-con-a-year she put in a quarter to buy the things in Angelica observe the altar and see

three photos of persons that she not know so she said to Joanna to be

her herman explain me who are why are they're in the altar

Joanna he looks and she with a with a with a mirate to her

her man and he says, how who are? Well, are my papas? And my husband? What, you're going to be? There are your photos? Why are you asking this? Why do you ask you the tont, Mercedes? He says, Joanna,

to Angelica. He does a name that not is the name of her. In that moment, Angelica, obviously, she kept impactada and he says, how me did you? He says, well, is that I don't understand, Mercedes, why you put

you put it like, if are my papas, you know, because you're doing this show? When she when she

happens this, he says, Angelica, a be, tranquillize Joanna, why me

says Joanna? I'm not Joanna. I'm my name Pilar. Why you you're saying

Joanna? You are Mercedes? I'm what's going like a looka. She put

hysterica, that because is going this. And obviously Angelica is preoccupated,

he says, something says, what? He said, oh, you know, and say, oh, you know, say, oh,

you know, because something is going with Joanna, I need to me help. I know what I'm doing,

but rapidly come. He gets his husband, also, it's a ambulance, and they

get to the medical, and, well, for all this, obviously, they're very assustated

and the medical, he's made to the department of psychiatry, he mandan medicament,

has been to be in treatment, for these type of hallucinations that I'm so it's a lot of

because they were a problem of this. Passed? When all it was better than

Angelica decided to get to her brother to live with her and say no I

don't let go to let's try to take the house that was in renta

because obviously there was a son Joanna, her his spouse

she had been, she had gone, he had been the lady the house. And when this woman,

she gets to be able to a boat where were the photos that she

had been, and the she said, those photos where they were I'm and I

say, I said, my brother, she said, my know, I don't know, the

daughter of the house and he said, I'm was looking those photos

during many years, and now to you, they're they're

and Angelica question, and who are they're they're the photo is my

abuela, he's my abuelo and the two that are my

ex-abuelos those that Joanna said that were his father.

So, another of this the woman of the house says

that his abel had had had had two

children and always said that and they had caminanding in the

house. So, it's all the really to talk about and it's like if

her her man Joanna were that woman, like she she

she were living this life of that she was a woman

and also and also about with those people, and

then she she began to understand all that the she's the

she's about this, this and go to to get me my

brother. She gets her her brother to live with her and

it's a way, and supposedly Joanna with and her and the treatment

and they're doing and they're a reunion. And in

this last reunion that they're they they're they're they

they're saying who he's he's so because the

really because the really when you had 14 years my mom

me me He was taught Angelica she kept impacted because his parents

died before that she had been this age and it's there where finalize the story

of Joanna and Angelica. No, manches. The connection with the mass there.

That's I mean, we've talked about you have to have to have the mudances.

Yes, the house, no, no, no, the casas, no, no, the casas,

you know, to her, I here I can't capture that maybe I'm having to the spirit of this

woman in the endro of her. Unfortunately, no, and we hope we don't, and we're still.

Still, no. I think that also a lot of many people have happened to this.

Some are sometimes to move to get a person to a person to a pastor or

a pastor to be a pastor to give a cause. Because we know what is what

happened with what happened. And And with respect to the other, is it's a very rare. One of us, I read in the Correo, something

of a person that was living a through a through a dream in the body of other and so, and so, like, like,

they're alerted to, I don't know if they're a premonition or a day-a-uh, no-seh, but is it's a pretty impressive. How we can get

to get to be so sensoriales? Yes, to have these contacts, quite, with him more

than the more than castigel. We're going to see with with the stories. I think

I'm going to go to say we're a good man, we're going to let's get a

very dense right. I want to make a question in some moment has

felt a little of a little to look at an anciana so,

X. Yes, yes, if I have passed and you know, well

So, many know my story from the first that I've played with with Paco I'm in the pantheon

and at the way I'm a little a man that all they said that was a part of the

brother that she lived right of my house she was she chaparita jorobadita and she

always had a trance her hair and the place in where she was really

not a really not a house was a a terran baldi and there platanares,

it's always was too and she only was there's always there's and she you'd

like to say to say to say, nah, man, obviously they said they're saying that was like that

but when you're a little and you say oh, what's the she's like that the lady

the lady a very rather rather too rarrow too was very very solitaria no

had nobody with her and she always always always had around of perros

much perros many I think it is very rare, no, because we're this custom of this customary to see a,

with the beheets, like with much carino, with a pressure. There's people that really is very, very very agree, but

we know we know what there there's the story. I'll let's go to tell the necessarily with a woman that

you'd do see her. At contrary, it was a woman that was like of these biggitas, very

very agree that always that everyone that everyone wanted, and this history in the story, the

count Sophia. Sophia passed much time, she went to study to the university,

the point he went to the people where she grew, me remember much when we

we're going we're going we're going to get to other places to continue studying.

He said Sophie, that she go, she's go, the time of the

career and And he regress, and he's a friend a friend. He's put in a platicar. And he says

Sophie, Oye, how you're in much time? He's like five years, that we've five or six

years, and I'm in the city of Mexico. And so his friend he says, well,

regular, just as we've been here, no, here's the life of the world,

et cetera. And he said, Sophie, fickate that I've to be to my

well and me really the attention that pese to a

age, it's still being very very vital so the my wife Sophie,

she's he's when you said when you said, and I'm saying,

I'm going walking over the market and the and the saluted even

and her and so she's not can be certain that is a bad

of what you're saying but because my my abuel

has four years and And there, but if I I said, well, I said, good after, how is it? And I said, well, my

little, when you're going to go to the house. He said, no, no, no, can't be this. There's a, there's a story to what happened to,

says that the lady, the woman, the woman, she called, Eva. Dice Sophie, said Sophia, that the

things were in a manner very, very extrana, because, as a matter, Doa ever was a person

very or at least that was what the people mentioned. And for here it has to be a kind of a species of, there's this pathology, is a disease, me

it's a very moment we'll talk about when they're gals of when the people reviven, they're mortals for a moment.

This is to doña Eva. Doña Eva fallece and is a pretty turbio because in her funeral she's

enderesa. and he begins to see to all and all they're spanned what's it's going to it's

he's going to and then he's a medical and there's that there's very little probable

but so it this is this is very extraion what rar of this is that when Doa

Eva regress for so say to say He passed to be anciana

with debility you know that a sometimes there are some like a

pacita coming the end of the time the final he said

sophia that her mentioned that when her her she was

she commas commas kind of like if not if not

was been not if had had had had

had had But, but it's that she commenced to not

only to talk different but act to act distinct and commenced to reveal the

things that she had before. The she during much

time, she dedicated to things that the family decided

do do to do say. They're that what did

what was don't very but they're all each

everyone. Separated their creensions, respected during much time what Doña Eva

did. The friend of Sophia, we're to nombron Karen, that in

an occasion she gets to the house of her and her was

cooking something, like was like he was preparing something. And

he's done that he came an door of her

and he She asked, Abuela, what you have in the room that

is in the world. And so his abuel and he says, no,

no, no, there you can't you see a woman,

or the woman or the woman, apparently was there was

a bad odor. He said that he had

a , a suffre very, very very rare and

he said even he he said he had to there had

there had some So, his abel she used cooking Doña

Eva, but he's that she said she's a lot of she's a little

she's there and the girl and the year he said well, but this

would be better if you have been so you so it so it so that

it's a lot to cause a nonformity with the family and the front

the mom of Karen says that he gets to visit to

her her her her her and says that when

when went entering to the house, commenced to hear some the grits. But they're

some of the people who are like if they're torturing a person. Entra and preoccupated

because no knows if is the mom that's that's passing something. And she

said that she was taking a tass of a coffee while she was in her

room and the lady's she was she was so, the mom of she says

what's what's what's saying she's nothing records, things that

happened and that the woman continued taking the but what's what's going to we're going

we've seen this in the house, never had ever never had heard absolutely nothing pese to

all what had done she had done during her whole his life. Not only was the

mom of Karen, but that all the family started that the family

of the daughter of Dona ever, socied one of the in one occasion he he asked, that because

there were a lot of people pallid in the house? And Doña Eva he says,

it's people the which I gave. It's people to that I worked.

So Karen didn't his abuela passed to be in a pedestal very, very

alto, passed to be an anciana very amorosa to be very

fria, to be very grosser, even And the most Triste of this is that

says that the She said Pronto me going to but I'm doing I'm reviving what I

did when I was born Resulta when she said this part of that she's in the

funeral much people she spant and she went because they said that the senior

she was doing to do something but some said they were they were the opinion

was divided some said that was good and others said that was a woman

very bad in reality the people that were because she was she was she was

she began to reveling before to fall that she was about the

life of people because they were there and he had the

work his his new he was he he said he was

he was he had an drainage as as suffre and

He says that there was much people, but that the people that was in the room was at a question, and

said that the people was retorsia, and that Doña he was while he was while, while he was

he was scupia. They were like the spirits of those people. Termin the conversation.

All this is all this was telling Karen, to her friend, and he said, the best

what could have been had been was that was to be able. No, because

all we know that was a woman very bad. And I think even when

he says that the medical is a condition, is a pathology, we're not, we think that my God's myself, my abel, for all the things that did in the people, before that you were you. That's the story of Doña Eva, the abelita of Karen.

I'm going to get back to the university. That's so. What, what you're when you started to tell this story? Well, no, it has nothing of the

similar and so like like that's like, but I remember when this

I'm this I'm that you know that you know that

he's a visit to Tuxtepeg and she had many years that

she went to my abuel and he and he and they and they

they're so that they're they're so they they're my bora no I

no I don't live with them and I'm part. Your abuelita? Yes.

He says to this known. And he says, and she'll go see to visit? Yes, I think they're going to visit.

If you're going to see, let's say, that me cut down the loose, porfa. And she to her not

she's like well, the maybe they pay the light or something, and,

well, it has no, you know, it's much years this. When we this person, yeah no

we've been there, we've been there, we've been this, and, my abuela

she had fallen I mean she she had done that she he was given the roba and all of

but my my brother yeah had been a minute that's there in the comments

have been there a point of this type to me one of this time I think I'm

I'm in a programation that so I'm a house to a house of a

company of paco of Haciel and and of also I'm

there a person there in the house that result that was that was a

family that was a And the net is that I don't see if

me was cotorreating but the she was a very great like that there was in the

salos to the salus to the francis but it's quite pretty very tenberos

yeah very tetic I'm very I'm going to ventaner to one of my primos to be

he in an occasion I was he was in a context in the place where he

my Tio my Tio political the father of he came from a family precisely of the ranch

and where they're in the place is a house amplia emuland like if were the rancho

where he grew and then they have his gillinitas and the molino and all this I was

I was about 12 13 years 12 13 years and my prim all the time

was a thing was a put a to clean there a party to have to have

activities no independently of to go and the school always

had like a responsibility each one of them. So, I'm going so on the house because

I was in the patio of the past. And I don't I remember, he was, I was doing something. And of the

point I'm going to do you get to do you, I'm to venter peteritas like to espantarro. And he, he said,

or he said, or he said, oh, I'm going, you're, and what you're talking? What's, his, his

old, he was when he was a, he was He said that, you know, he had conversations with with the

abuel. I don't see if I'm trying to or I'm sure he's in the moment, but

he said that was a bit of a patty and said that he said that he was the abuel. Oh, no,

and imagine that's something that you know, that's so I'm a little a little

my abel fallen, no? The ultimate story that I've been that I'm something. Well,

well, I think we're going to pass to the story that I'm going to

and for And it's true, also, also, you're going to see, there's yeah the image and the

person, and the protagonist of this story is Jairo. He is a child who studied psychology.

He was a psychologist with a little time to exercise, not had much exercising,

and it was a time of Jairo between a clinic and also had in a

fundation. So, then I went to this and you know, much energy,

he's a young, soltero, so he dedicated exclusively to their work. Before, in those times

not that common or not normal that the people were not so it was complicated that was a

full of the agenda in the day, not in the foundation and the clinic. So the

patients, for the regular that were children were that were accompanied of her

mom, of their mother, of both, and it were very strange that were

adults and still much more extra than were adults major to a therapy

to have this conversation with the psychologist was very very rare but in the foundation

in an occasion he got a young a third and although

it was something for Hayro said wow I'm to talk

with a person of the third that that's quite

when he he looks and he he something something

in this sir. No I don't know Jairo what was what

was a strange in the man, maybe was a aura or no

see, like a energy a really not he said he

but he said well he's well it I'm to attend

so so so the session the the the

man even he had been he he he had

been not much he was words of his book. I said,

if Jaird he said, Jaird, he asked, but that he solito to start, it was very

strange. So, then he was batalliating a little Jaird with this man to

get him the words, and the only that he he said very clearly he said, well,

something, he's going to come to this, he commented, he continued going to the session

equales, where no about almost nothing, I don't have much conversation

with Jairo. Jaird was a person very patient, always was like to make fluid a

plightica and although he said the next session, tell best is the good.

So, it was passing the time, and they went going going to

and he went the moment in that this senior, this anciano

so he began kind of to be able to a little more

in these platticas, yeah he said to have more confidence

to Jaird after after various sessions yeah of various therapies and he

decided he entablar a conversation well he said he's moment

now now so he and he he starts and he he began he was

he was he he was he was he said you know I remember many

things few and malas that me succeeded when he was a

I said, but, but, but, for favor, before, before you decide to give me to the , please

listen me. He's, no, I'm, I think that after this practice in a

other area because I'm still having confidence with you. So Jaird he said, yes,

no you don't you don't be you know what you see, and we're going to be

how go flowing all doing all this. Commience to say, I want that for

favor me When I was a boy, I remember perfectly that in the house of my abuelos, there was a

man man amarred at the front of the court. He was there and many people were around

they were doing movements strange and also I used many voices of all these people

saying things very very rare in one of these moments I see how my my abuel,

he a man that's a marrower there in the soil, and he says

something to do you. And when my abuel he says these words

strange to this man, he's to start to retorcer completely. His back is

a turn into a arc, and he begins to make a ruse strange,

he said I was being to look at the long and he was

much much fear. After he he's encorbo he He started to say

words in an idiom that I don't know. All this said the Anciano to Jairo. Jairo was

quite impressioned for what he was listening in this session and how he was this man?

Because a past that he had passed much time, it was not that was quite

quite clear all what had occurred in the mind of this man. When he went,

when the The Lord, I was telling all this to Jairo, the lights that

were in this place, there in the foundation, parpadeable and like they were

to be able, like if the fokos were to fund to finder. It was

the place strange, a tethrico. And of he continued this

sir, and he said, he that a sombra a lot out of

the back of that was there was my abuel, where were the

other people. And, and, also the things that were in that abitation, commensarer to move. So, they were in, some things that were around, they were done despedasada,

when all this was going. And, also, the people also, they were and were saying orations, I could see

all what was going to do, and the truth, he mentioned, He mentioned that normally to this Anciano, he passed when he was a young, that he'd get to some and he could have a much

persons, but, other than those humans, could have spirits. So, he'd down when I was a person pallid, when I saw a person that not was in this plan, he'd say, I'd say, me'd have a fear, because they're people who are not even, so? So, the man began to

when he was going to when he was talking all this to Jairo. Jairo he did the way to

take a little bit of a servietta and he he's like to be able to clean the legions

to know to know to do. Then then decide to the therapy in that moment

the sir is going and you see that here was a very strange because the man,

the old he told all this to go to go to go to this sessions.

No regress he went so much much time time and Jairo, day with day, he was

he kept with this, no? No, no, I knew that he was listening, he interested about this story, and for more that he said, oh'allah today, this ancianito, no he never, the man no yet, Jaird, he was

in the orario that he was presentable, and this man, no, yeah. So, um, he gets a moment in the time that he regress to this place, and

he's a session. This sir, he's to say to Jair, that not going to retomar the time anterior,

because he said, he said, he said, but why no, we have to keep going to talk about all these traumas

when you're when you're when you and he said, no, is that you don't get the time,

you know, you know, you know you do you don't you don't, you know, I know what

is what you pass for your head I know that's all what has passed for

there I know how much times you have tried have

done I'm very all what you have thought and

you have that he said the Ancian mirando to

the eyes Jair he he gets got back to

he says what he's what he's he's the

man's just only only he He went to say to this, Jaird, he gets to see many nausea, he's got to be in a-a-nauzia,

he gets to get to his house, and he's not termed his work, he said, he said the man, he could doorme that night, he was doing

vows, and in these voices too, and in these voices that he was he said, he said, we're,

we're going, we're going to a scalofrio and he said, no, it's what is what is what is going. I need to know what is what is what is going.

And at the next time, this anciano will be presentarse in this place. Jaird, he asked insegida

that he'll be. Who are you did this? What is going to be doing? Explitam me. I don't do I'm in

my head to all what you're saying, for favor, tell me what is what's and the he said,

we're going, we're going, we're going one myself, that you know you know

you're not you're conscious of what is going for favor no men

you know the don't that's you and me he said the he said the

he says the he says you and he said you we're the same

he's going the he goes to hearer the eyes

the eyes the eyes when he intents to say eyes and there's nobody in the

place. The Anciano disappeared. And, well, in that moment just recall, that all what this man came to tell him, Jairo, he had lived in a little. This what had happened to him. That man

that came was Jairo. And it was all what he had been when he was a little, and also, he said, that since, Jair, had had been the don to be

spirits. No, manches. He's he's got to his own that's. Careful, and you know,

and you imagine you that in some moment you make a friend or a person and it's

that it's a spirit and that's you're you know, I think it was a trauma,

it was like it was this that he saw, I think definitely the part where the

person is the archa exactly. Exactly. How the that's good stories were

too, me record to the barquetetro for the those They were, that they're

really, they're really shied. No manchis. Porcito, Jair, a little bit of where you're where you're going to be there.

And is that's there's people here we've talked about and in the callas from the last year that

no exist, in some occasions talked about people who had the don't, to be

things or or be the world spiritual. And a sometimes these people said that

they're that don't want in this. Because it's quite strange. I mean

there things that maybe for what we who we like this thing, we can't

say, it's very marriottos to be very marriottos but it's the part that's

a good, I think the part when you start to see things more aterrador demonios

that are with the people, even the those desvivable that then I think that there

not would be a super dense and even I'm think I'm going to make a

comment that is of a something of a little fictitious of a series, but imagine it, right that you're talking this theme, that really suede, there was a series in where a girl that could talk with people that not were in this plan, but

of a sudden, I'd get them and, hey, oh, hey, hey, Iud, tell me a message to who, and for this side, oh, yeah, I need to me help you. And it's like, oh, I'm, okay, I'm doing to dream. Yeah, it's a little normal for her, to hear the almas in pen, but now, yeah, relationating with a thing of the people that

this, what complicated has to be, and more even if you're a little, like in the case of Jairo, that he could have spirits when he was a little, you know, I know, no, I see what to do, no, I know how to control it. No, and apart it was, um, those that had, exactly, for that I was accorded to

care of what we're being blocked. I'm going to talk a story, for there, production, if I'm to help you know, with the second image. So, after a rato we're talking of something quite perturvador.

You have puras nens that's I care much. If we're seeing, we're doing,

salutes to and Gretta. And he's the other? A Gretita that, no, Greta,

I think we've robo the heart of many, this, fiatte that there

certain situations, Gritita is about to come a year, no? Uh-huh.

Well, but there we've been that's like trying to to walk, and the imagine that in one occasion, or that

one night you you're just like that Greta Bebe, and of the point you don't know in the camera? No.

I think as my parents, I'm talking about from the ignorance, because I don't have kids, but maybe the

fact of, the nature of a creature, talking of my sovereign, no, that of course that you get there's dormido

and then the point out of the eyes, and now it's quite dense. Resulta that this

history, this story this story to the family of Judid of Judid and of Albert.

They're two have a little, the little Beto, that has four years,

and the little Iran, that just has more or less in the history, the age

of Gretit, that's that's not he can't make a kind of, and I imagine

that also I was a little a little like a great, no, that but the

RETT and said to do that nothing. Well, result that this story commenced

when Judit when he is a start precisely a night and

he'll to be to be a person but there's a little

iran and and as mother is and she doesn't

disperated and move to the man she says she back

the she back the door and when when the door

the room the light of the recamara illuminate the pass In the front, is sat down

the little Iran, and is there solito, in the obscurity. She gets a little,

he gets a court, and he says to his husband, you know, his husband, why I'm

why I'm going to get to the fourth? At the other day, while they're going to go to

the job, this, Juddit he's a betto, a bettito, cargast to your

manito noche, you got to the fourth. And Beto he said that no, but Beto was nervous, and you know, and you know, and you know, and you know,

they tend to be these zeal, no, of part of the brothers more grand. And mention to Juddik, that, well, never had been a problem, no, since that was in the vintra, the little Iran, always, Betito, was

very carinoo, and always, like, he inculcured that he had to care to his brother. So, Beto, he said, no, because I'm going to set to my brother, no.

This night's. The little was in the camera and appeared in the passio. Cosa rara

because imagine it's a little that just a gettear. Now, back to a camera,

is a bit strange. Yes, yeah, rarro. Dice that in a night,

you know, he's not he's he's not to get to averto and no see the

man, open the door, soombe in the passio and it's he's

the recamara of the little Beto and the other way, the light of the passio illuminate the recamara

of Beto and there is the little and he says that the little is sitting

and like he's playing. So, he got the little the light and bettito is he

he's hearing and he's and he he's when he going to go and

his papa he says your brother never never will always will be able to

and he he says Beto no no I'm not I'm going I'm I'm talking

I'm going about the I'm my brother Beto is better Beto's impressionate

what you you said it's is that is the sombra that's the same

the car and he try the pastio then so Beto he says

what he he said the he said oh the the You say it's that very rare how is

that the little is that the little is in the quarter of his brother. For this start in the

time of the time of the time. And then they had to the little to make to get to

the same recamara because Beto also is happening things about

things that I'm making situations that the parents not don't

know. They're those four in the same recamara it's It's

it's jubing and they're doing that when we're doing

in the part this where in Mexico we're we're not the other

part and where it's where it's in that's there's there's

a bit of a water and the detail here is that when aback

the lights it's a figure a quite strange

it's like when you when you when you find the detail

of this is that every that Betito, passed for there,

and he started to get a fear, and he said that that the figure that was the

was the person, the parents tried to explain to that it was a part where it was

a part of that was the monster no exist that's but this so, the words

of the parents of Betito did not no, no did you did

make the the next night they They've heard clearly some passes

for the escalers. Alberto Grandes and he he's he went to be

the little Beto and he also there regularly apparently

was or in the pass or in the part of the part of his

room in that Betto back the escalers and

he he's to start to Iran and he's

the listen the the of the young. So when when he

the light, it's reflected behind the figure of the little

behind in the same the next the mancha of the the

wall that was that was down and he he he

he but he he's that when he he comes to signaled

the and he's to start to they they're

they're a per Every that that's that the little

the little the person was a grunier the part of the part of the house

the rar of this is that when the perro was that when the little betto

and passed for the escalers the the heilerize the loom and grunia

and grunia and the things continued so and this

manner in one a night Judit suey that this

figure So, He's out, enter the quarter, carga the and he's

he's got, but he's a little strange, like, like, it's like, he says

that when the little he goes, she'll see that the nene is looking and the

man, and he says to say his mom to do you. In this he's in this

they're not the little. They're going to get to all the little they're going to

get to the the little, he's in the patio. Sal, the papa, and see, like if something was in the arbustos

and he's and they've got. Decidion to move to that cause were in peererating and not they were to

disappear because they were there's there's where there are there's where they're going or so

they're going past the time and they're just they're like they're talking, they're

talking, you they're going to his Oh, you, you remember is the that's the little to visit us

to the house? I remember that when was a little you know, you know,

you you're like you're that you would be so I'm no, I'm I'm

I'm a I'm a little rarro but when I grew there's he got there

to come we're like we we're we're to you not you to be

to be to be to be to be I'm I'm you know what you

know the mom of the mom of she she You says that when you were a little bit of this

that I just I've got to talk. And the little Iran, he said, well, I always

had an friend, he was a little bit more, when we moved to the house, and he said, he said,

he was going to and that he said that my brother not he didn't, and that he said

he, because I don't you don't he too, molestable to my person,

and he made to make the drama, to get me to the house. That is the story of

Iran. That is the loco. For those who have kids and they're in the nothing.

No, that's really. No, I'm going to that's that. I don't see it's a

demon. No, I'm an angel. Because Gretita is if Rue and then it's all.

Yeah, yeah. Yeah, but it's the history of the family of Judit,

the Betos and the little Iran. Wow, that's it's good good this last

story, Oskarie. How is the family of ExtraNormal that says fear. The

netta, yes, I think that, for that I'm thinking that were the duens, but

yeah me are you don't know no, no, no, no. In a moment I also I think

that I'm a little a boy was a duend, but no, no, no, no, imagineate.

Look, says Magillady, me imagine that so she's preuncy to say, they're all their kids,

the neta if they're not they're mentioned in reiterated occasions don't know that anyone

that's that's not maybe I'm very but the net, quid, quid, who's

who are who are the people, we're in the tact, of the that someone to be able

to be able to palpary, can't be certain things. No, they're but it's

something that's very veridicic. Yeah, me kept with this ultimate story, no, I'm going to

be to let's be to get a little, I'm going to be because I'm going to

get to come in the camera, what? No. That's good stories. As soon

nobody Vasquez, Saludos. Saludos to that's quite how's

we have our people people we're two four hundred and what's

likes exactly I'm just I'm not I'm five hundred $1,500 $1,500

Helpin' Helpin'n't Don't say no say Coditos I'm Dice Fidencio

Well today well I'm well I'm but I'm with I'm with my

life that's called Oscar the most of my life of my

I'm I'm I'm going to rapar. Manda Manda Manda Manda Bessos to the Oscarinas

says Pau Pau Pau no, man. Cobra's for the bestos says. Oh,

again, what relax they're in the chat but thanks, thanks for

being this nightcett in this Mivus of 2,400. Why I've per die

the melina? No, man, yeah, it was a time, you know, I'm

with seven without, with the cabio with the when I'd when I'd

I'm a proper I'm a a rome it's a yeah we're in the city

of Mexico in reality I'm with Chucho Katrin saludos to Chucho Katrin

that was to do and I'm sent to the seat in the and I said to the

beller the barberer corta me I'm cut me and I'm really

let's see yeah I'm I'm going to I'm going to love you love you too

baby better bests for Daphne a A becito, Augustine. Thank you.

Thank you. We're going to bezos of Daphne. Maggie, you adore with all my heart. Thanks for being. No, no, I don't have peojos.

There was much where to cut. Nadia Bask, who's love, chikos. We're not. We're also. Thank you.

Thanks, thanks, because they're here. Look, Philly says, Saludus to Carrily-Bra-R-Cruz. Oh, yeah. We're pretty close. We're super-per-per-per-T.

Maria Brac-Mont. Bess-Mpte. What? What's-quire? B, so three. Los We love us, Chile.

What are you? No, I know. Thanks. Those am we also with all our heart. Thanks for to get us

to the final. Yeah, we're about to start this. There are there. There are some other

Annunctu. No, Monkey No. Emosso Life. I want more histories. Well, approximately.

His best Daphne, Divina, divina, like, yeah. There are some,

uh, anuncius production for there, Annuncios finales. Well, we're

going to us, because you're here with us on this emission of Histories for not Dormer.comal. Don't forget to see all the programation,

the programation, the programation of ExtraNormal, the lunas a Saturday. We're here for you. Appoen the

projects. Of fact, that we're much good. That there's a lot of time. We're very

emotioned with the new time. For there, yeah, I'm Coredelo

of the page, no? Is that certain? Yeah, you know, I'm about for here, the conciencia. Yeah,

you're doing on there a big me of a minute of when it's like about it's practically

the material exclusive. Well, yeah we did we for there the first bestasos,

the net, it's brutal the content the merch yeah, they're going to get to

come to and they were going to be to be to other part of the

world. That's no I don't know to because I know that so.

And there's the page that's the page. Yeah, it's excellent. Oh,gan, yeah we gave a vis-a-s-a-sqarine. It's excellent. The content

exclusive, I know about it. It's all. It's all right. You know, that in the content-exclusive you can't

the stories, but with all the words that can't say for a car. Yeah, but there

they're saying, oh, yeah, amplen more of the vocabulary. No, it's that. At the

algorithm, well, it's a function, is part of this the issue of the intelligence, detects, although they're synonyms, and they're, then, then you can't sanctioner

the videos that are grabbing for you. For those, is that's used words, like, Desvibir, and all this asunder, that's a lot of this, but it's part of the no-libertat of expression that now exists, right? Thanks to all those who are. The last salutes, DAF, for there.

Ultimus Saludence, says Aileen, where is the content exclusive? It's in the new page that we're at days, I think, of that out of the and you can go out of

how it says subscribe to subscribe or you, you're pagas your subscription and they're to be able to be to be a merch

and much, many, many surprises for all those who are really community fiel of extra anormal.

Saludos to the profe that I'm going to be connected. So, invite me to send us. Paulina

Gonzales, since a time I'm saying, I'm saying salutes from allahara,

I'm I'm Fedra. So, a Fedra. Saludos. Mandatakitos, because he has hungry. He's, yeah is ready for the

500 days with Somers. Yeah, I'm ready. Yeah, I'm there for the trage of a and the rest. What about here? Daphne. Dice, Adriaana Martinez, excellent and terrorificas

stories. Thank you, Adriana, for listen to and get it until the final of this in-vivo. Well,

I hope and I don't know with the stories that we'll we'll expect. The next Saturday, you'll be

to be here. The patron for you're the only, the Apostle. But thanks to all. We're going.

We're doing, we're doing. We're doing to see us in our respective reds social. You're Instagram.

Principally for there, I'm getting messages in Instagram like in Enucado

or Daphne Silva me can't in Instagram. A me in all others, me can't

come Oscar Herv after in Metroflok for there and Gottorriando Cigerno

to all Equip, a Jaciel, a Cheo, Amajo, no? Because, because, I'm going to know. But, well,

we're going to. But, well, we're going, we're going, our guys. Thanks, thanks, thanks, we're going.

We're going. Adjose. Bye, portents, bien. me love. So, so it was.

It was, it was, it was, it was, it was, it was, and keepens it. And have the

bond of being, they're doing being doing brujeries, impending that the people work.

Bye. We're we're going. Thank you.