EXTRA ANORMAL - Los ALUXES me querían LLEVAR | Relatos de DUENDES REALES

Episode Date: July 31, 2026

Los aluxes pueden proteger la naturaleza, cuidar los hogares y atraer prosperidad. Sin embargo, cuando alguien invade su territorio, rompe sus reglas o ignora sus advertencias, su protección puede convertirse en un castigo aterrador.En este episodio de Extra Anormal Podcast presentamos relatos sobre aluxes, duendes, elfos y criaturas del monte que reaccionaron de manera inquietante después de ser provocados, desobedecidos o tratados sin respeto.⚠️ Una familia de Tapachula es perseguida por seres delgados, de miradas profundas y pies al revés, después de que uno de sus integrantes daña la naturaleza; una criatura con apariencia infantil intenta arrastrar a una persona hacia el agua; un misterioso hombrecillo guía a una niña en trance hacia lo profundo del monte; una pareja descubre a un duende sonriendo desde la ventana mientras sostiene las llaves de su automóvil; y unos elfos protectores castigan a un padre para defender a sus hijas.En este episodio encontrarás:•⁠ ⁠Historias de aluxes y duendes.•⁠ ⁠Seres y guardianes del monte.•⁠ ⁠Relatos de elfos protectores.•⁠ ⁠Ofrendas y permisos sobrenaturales.•⁠ ⁠Experiencias paranormales reales.•⁠ ⁠Leyendas mexicanas e historias de terror.Se dice que estas criaturas pueden atraer abundancia y proteger aquello que consideran valioso. Pero cuando alguien las ofende, invade su territorio o rompe sus reglas, pueden cobrar la falta de respeto de la peor manera.🔔 Suscríbete, activa las notificaciones y comparte este episodio con alguien que disfrute los relatos paranormales, las leyendas mexicanas y las historias de terror.Bienvenidos a Extra Anormal Podcast.

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This fever dream of youth, beauty, sex, and mystery is a must see. FX's The Shards, streaming August 5th on Hulu on Disney Plus. Sign up now at Disneyplus.com. The Cheneques and Alushes are much more than simple characters of the folklore Mexican.

Since has a generation, campesinos, casadores, and habitants of communities, assurances, that these little are not only

they're not only protect them, they're not they're not to people, and in occasions make disappear to who they're

to tryven to defiars us. This night will be relato of people that

affirm are to have been to be ever to have been with

these mysterious things stories that are to ask you are

not not a legend but something that always

has been there has been to be so to

talk them to talk so well the natural

where they's scone great secrets. Incluso the people have been

existing years, millions of years that not the same human

can imagine. This night, we're to talk stories,

relatos that have to be with some other people,

that are for being for get to the

people and the appearance a A Relatos of Chanekes

and Alushes This night family I'm the most cordialas my name is Paco Arias and I'm

I'm happy a second episode with a great a great a friend that

she has her Missa Missa Elie Moncerat How's Elie?

Olis Marjolis very very much thanks for the invitation Paco how

you're very content entusiasm because this theme in

special A much people that a lot of people who people who people who

especially. I mean it's a much to talk about the things. But I know that much

people have seen. The actual, it's the second podcast that we're we're doing. We're doing.

Celi, thank you. But for the people that you're not for the first time, I'm

really, to presentes to who you're to give you to give you and then thank

thank you for the invitation, Paco. My name is Elie Moncerat.

So, me know, they know here in the world of the internet. And, well, I have a channel that still in process of gestation,

that's called Paradoja paranormal. Me entreated in all my social, like Ellie Montserrat. Perfect. Ali,

much thanks. I mean, I'm going to say something when I talk of stories of duendes, well,

Chanekes, Alushes, or this type of being a certain something and literally I'm going to

give the reason to the people. And is that that you'll you know, even if

you're even if you hear that's a time that's one of you're going to

get to get a in the house, in the house, in the cell,

or even in the office. And not it's a a thing that

you're to get a time. Call that that cell. And if something

that's so you do you do you let them in the comments because

we were they're we're and we're moments to say to the agenda, something very important.

If it's the first or the first times that you're listening this video, this podcast, we've been to you invite us to unas a family of podcast and start normal,

totally great. There in YouTube, there's a buttoncito that says, continue or subscribe to, call there for that's a member

official, and there's a little. It's important that the campaigner, we, let's active,

where it's the time, that you know, that you know, that we're that we're new episodes. If you

If you hear this in the media of podcast like Spotify, there also you can and recordarting you know that

you know that this podcast will have to have two stories inedithes that only are available in our

site web for the dark, for the true, for the good, this episode, to your

buscorer favorite and you put the www. podcast extraanormal .com

. com. Now, Cely, this episode is interesting because what I

did that of the Alushes, we're, we're, we're at the Republic, we're in the

Chenekes. What do you think of these, Elie? Well, I'm, I'm,

think the Latin America is, like, so, of this type of of the naturalness,

not, even, we're to get to to say, in Merida, it's he's just

like alushes, and the Alushes and the thing, a time, which is

a Sheld a major, that's they're they're they're they're

a place of a little where not there not a woman this is

very important one one of the one of they're they're they're and they

other plants that are the panisula they make a

make a lus and they they're in an altar and

there I think to have to have to come after

that you do you do to be to you start their job,

or in a rancho, in an asient, or in the patio of your house, so it is a through can't, of rest,

of ceremony, yeah, it's like, the L'A Lush and it's like it and he's like to do it

and it's important, but also that every certain time he desofrenda and I think that's you have to desacety of

L'A Luch because it has to be to play problems, more than than more than more than

more than, it's very interesting because many maybe are asking what is the difference precisely

between a chaneke and a lush. And you have you just to say a lus the same sacerdote

Maya is encarg to create it. I'm I'm going to you're going to you're going to make you

that the same sacerot Maya is in car to create the basica where

he gets the spirit that he himself invoked so no it's like the

sacoote create a a spirit record the energy not can and

it destroy. So it's like invocar and get a vasica. That normally is what you

do you say, that's what you know what you know, we know we're giving a manned a manned

merida. The cheneke is totally distinct. The cheneke yeah exists in zones where still

no there's a lot of a lot of a lot, in places very rural the cheneke no needs

to tryers he's he has in this type of places. And in comparison with the alush, the chaneke,

his function is to be a guardian of the same naturalness. No, no, you can't as as a

little, to take to your house, to your rancho and to say, your chambah now,

you're going to even if you get to do you get to a pact with them that has some time

in some years, I've done a story of a man that is a fact to

a pacto with the chenekees for that they're their house. But this I'm about to

someone that's not we're not a not we're not we're not about a person

normal. We're not a man who can do that's that kind of that's a thing,

you is like you know, you know, you know, you know, you know, you know, you know,

and there you're to do that to be to do you know, the luch that you have been

to get to robing to your studio, and it's to make Ruidos, for that the

people that want to in this case the ladron think that there's a person who

there's a better. So it's very, very interesting. Because this type of I'm,

I'm I'm do you, do you? You, what do you do? Do you?

Because it's a grand, grand questions. It's a thing that's people, it's

about that they're that's so that can say that they are good or

malos? I think that it will depend of the perspective of every person, because

the concept of good and bad. But for other entities, no exists just this

concept. I feel that they're really to care to care, if you know,

you know, and then there's a respect and then there's a other part that

they're much they're that when, when a times the people are in situations of

violence, is when the Alusha they're they're to them

to do situation dangerous for the that's the thing is the that's the way

there's there's many of there's many people who they're and they're not even

and they're generally to the saloches but I think they're they're they're just they're

they're they're to be a way maybe a little different and I'm

going to tell you how is my vision of this does do you do

that if something, perhaps external, pass that line, no, see if it's a child, if it's adult, if it's what

he's, he's doing your encomiend. So, for us this side, obviously, if we're not,

we're saying, it's malo. For us, because it's a concept merely moral of the humanely of

the human beings. For them, it's not a way. They're, amoralalal.

As well we've said earlier and they they'll do you do you

do you know, and they're clear, because I you want to tell you want to

a story that I think you my family, for favor that story and

you and you make your like to make to this moment, because

I'm sure that you're that's that's the house

of the abelos us and it and it and is or the

tapach Chappas and this story occurred in the year

2001 in a December and us does a, and we're just an emphasis us says that his abelitos

in that when they were in a part very away of tapachula yeah a zone a zone

rural and the custom of the family his parents and his tios was that every

Christmas and year new all the family was and pass these

these feches that monita that many those oldos and it's that

was something Because literally he was a whole the family and at all then we

we're all about we're in families numerous so that all they had to five

to five to even so all they were on a same

and for some reason the abel was the ability to

something something something something that when when they

when they he had a 14 15 years he

was with his brother minor that he had 10

years. Something that we can make in clear Alonso

is that the abuel his his house had a

lot of the abacate of mango and the all and the

father was a person he was a that he would get

to start the the little the animals and

the other always said for favor, respect in the naturalness.

Always they said, because the naturalness has a lot of the mannito of the one who had a year,

he said, my abuelita, he went to one orue and he's and it's a little. The

little, a resortterer or a charpe, as you say, it's an appartit that has

a little, and you have you get a many, many people they're

to get the garth and so. Resulta that the the brother of Alonso, no me does his

name, but we're going to say the the armando Alonso, he's got with other children to

to have to play, to when the abelel when the man was that the little bit of

the resort to a parvada of the the abhoras he said to be, let me

back, give me that he doesn't, and he he'll get the attention,

he said to he said, I'm that you have to respect to the

animals. You need to respect those, no I don't the

restot other, until you go you go. Well, pass in the hours, and for some strange reason, the

people have the capacity of that they're that they're that they're done. And we're saying Alonso

that passed on two hours, and all that's the brother, he went where he's

the resortterer, the he's got and he's going, the abel never he said,

he said there was a little that had ramas many large that had ramas

that were because it was like his casita and the family was getting to get more family

and he was more people and the family, the women were also like preparing everything

together with his people to do you know? He said that's at the

time that was yeah between at the sun was getting the

the son's he was to do all over he's he went to with other

people so very spantado. Incluso they had these mues of the people so all the

family so did so. What did you do? The kid no, the no, the no,

he was to have the same? And then it's a little bit so they're not going to get to do with his mano in

a bitation. And he noticed that his brother was very inquietto he parable

the camera he was a somable for the window and he's he's he's

so much very so Alonso he says ohye what you have

you see what you see and he he said and he was like

with the eyes with the eyes he was he he said

he's he said he's he's he's he he's he's

he's he they're that they're that who's who's

who's he's but is that not you don't let you're not quite

he's not a new he says that he he said he went the resort and he

went to to play to other he said they're to get to the

part of the where they're and they've there there

there there a nid a pacharos and there was

the pacharito and to these chakak so so it's so easy, the

man, Alonso Gararar and bra, you know, to have been the peddra with the resortar.

He's the nid, he's rubbecett and they're and they they're and then

the pacharrow so it was going but was lastimated so. So, he was

very big and these people and the pagererer and tirandle with the

headers with the without the the children were they're allegear completely

where were the adults, they were completely to the mountain. No, know how time

advanced, they were going to this pacharrow, I said that they were to a part

where there was a much mountain, much a arbor, and there they were

a two things strange. The description that the brother of Alonso Daelie

is a little rara and many maybe you know because mention

that there two people were two people They were other children. But his

brasos and their arms and were extremely delgated. His feet were on the

repis and the appearance was of a movie of a face,

some those those those those in his hands so,

he had some little little little little he had a

he he'd and he said he he said he was

he was with with the other being the

other ser that's he was a little he was a rostro of the idea of the

he's and in this moment he saw how these two beings were

to come and they were like if they were encorbos and said that

the people that they were so they're so they're very

very super rapid because they they were that they

they were they they were when they were the there The brother Alonso

he to see when he went to back, how one of those serres like if were an

animal, trepa the arbor and he'll put the nidito in his place this that had

got to so that the time the man he had much fear because that

night that night he said he was that he was that

he was that he where was the there was the there no

no no no two Ceres. There were much and all they were

looking to the house, to the window of the room of Alonso. Alonso

obviously he's all this and he he's not I mean I think Pacae my brother.

Apart he he was he was he was he was a time. And when

he's he was he'd find out of that his his body

was a he was he was a he was he said oh, my brother's my brother's

a blah, blah, and he said that he's got to the mom and you're like,

they're there's, but the boy was going to say, but what you're

what you're saying? The new he said, the new never was, and she said a

little indecisa, because he was a so, so, his son, he said, I'm, intuia that

he'd because he's all right, until after that that's a rude, enter the

the abuela. The girl, and the girl, he says, what you're going, the boy. The boy,

the boy like, he's a gesture like, a, he said, he's, he says,

and he's, let's the little, and she got a over to look at the reverse. The mom,

the daughter, the mom of the mom's, the mom, what's what you got

to, why you got to do you, why you got to the only that's the only that's

Mirella, because he's called her mom. Toma your things and goyance to your house, the most rapid that could. Say, Mom, what's the past? It's tardissimo. How we're going to go right?

The city? I don't know, but they're going to go to here. Vallance yeah. Oh, but my husband is to go. Vance, yeah.

The abelah no, said, he said that he said that this woman to his husband and he never let's he just he left his maletas.

He said, no, goyance. Even the husband was enojo with the woman

with the mother, because he's okay, what he says, he's the night of

the dinner of good, how we're to go? Necess to go yeah. Levense

to his his son, and goy yeah. Dice that said, they were exaggerating.

When they were to get to the ball to say, no, deja your maletas

there. Let's just you let's let me get yeah. He said that they

managed and they not went to the city because it so,

so they they're simply to the public and they're a night in a hotel to the morning

the next night of they're doing with the family of the man and pass it in the city.

They didn't anything. They didn't nothing. So, this was very confuso.

But, then for Alonso that me to make his story, the things

started to make a story of his brother, but he he said, he

months after a mom what had passed and the mom came to

a man came to a little he said even he said he was

he said the mother had much many but one of these brothers

casually disappeared and never they never they never.

This brother little that had the was the little

that was that you say that you really don't you don't

you want you in your house, with all respect. The

that gets to destroy the thing, and he repentous with all. So,

this family intuye that the mother said, practically was,

protect the they're, they're they're and the woman, and the senior and the

woman, he confirmed that in effect, the chanekes were not

molestando to the and they he said they're the because

at these these they're they they I know know, but they get in the

maletas, in the equipage, and if you're to get to your house, you know what you do you do you know,

and you know, it's that you're going to be the year. I'm so much really and we did this

reflection also of, hey, respect, and over all the naturalness. What do you think is it?

Well, in my thing, you're very to get to, for example, to a cenote, that are

these canals subterranes of water, are in places and there are

to pay permission there's there's stories of busiators that they're not regress

for not respect to these these reglas and then when you start to

work to be permission and the story that I want to just about this

my my father when was I was my abo

my abelito had kind of my different terranos when my

my father my father my father my father decided to start to

to construct in this, in this terrain. He's a chapierre, like, deserb, they're going to start arbor, to get all

all the things, and they're like the bases that are going to do the construction. And my

abolita and said to my papa that was a very important, that he were a true to make a permission

and to make a permission for that he could continue to be building in this

area. My papa like decided not create in this, think that are like,

Quintos of the BOLITA, like to see the tradition. So, concede an Ishman, he goes to a house,

put a little, a little mecita with a table and two blocks. He starts

to put water, and he to put up other elements, representat and

and the father that he said, a basiton, a basit and my with the resos in maya, and he paced with the can'tos.

And in that my papa comment that he sentio a verisa was very very strong. And one that was that the barisa

me said, the water, the water was was full, and the vase was and it was evapored completely. I was

so I'm made aond because I'm just for a wind, the water disappear, no,

no, it's not there's logic. Elishman I, I'll look to be

to my father and he said, you're they're they're accedient to that

you can't you can't you have the way the life. My papa

and he said, oh, well, it's a well, it's a good, he's got to

the time, and then it's after that my papa and he's to do you and what he noticed when

was more more young, is that in the same ritual, and he commented that when they

were, the people, they were to clean because part of the process

of the process of the causeech and the year, just to keep the the earth

to clean it and with that can they can't can't learn good

cultivos and he said ironically where there was there was a bar

so that's done with a muret made by a muret madeas but in the other two

two terra even though were together and the other were with those trees

the fire not over me it's like it's like they're a mur

under the terrain that's that's the terrain that's with

the fire no not not passed me so for more

that the fire no never and he was to go to the other side. And he's

he's a lot of the attention because you say is a lot so now so now I'm

like the thing that the woman is a woman is a dog and the devil and the top and you

know, well, you understand. So he said he's he's got much of the

under for these situations and in an occasion my pap he

he presto a a car to a a yeah when the house

was never was not good with the family

and much much much with me I never had a because, because they were very chiquita,

but my men said, I'm going to make the woman, well, it's very hard with me.

And she got to see in the house, my papa he gets to the house, and she

said, and she said, he was to get to get to get to the house, because no

could not keep, my papa and I'm, he said, my papa, he said, he said,

he was, he was they were they were they'd like, they'd or he apagabed the

on a occasion even though she said he had been about a old way. So she she spanted

for that and decided to abandoning the house and my abolita even never came to her

because I knew that had that had bad intentions with with the family.

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maybe I'm equivocal, primitivos that not have the technology that's supposed to we're we're these advances and this,

no. They're not they're they're not they're and they're perfectly how it's

and they're about the person to say, ah, this person wants to have a

person, so they're those are very dangerous too at the same time and

I'd understand why the people sometimes sometimes I'm much time

I recommend the people that in that episode of duendes, is that I've talked many times of duendez, rapidly, a family pacted with one,

because when they were in house, they were bruchas, bruchas. So, the abuel,

that was a big lobo of mar, he, he's, just to a chaman, and they

says that he wants to work with these with the chenekees, and they give offrendas.

To the chenkes also also also also there's a this is the plot twist of

the story that's the baby not he was the the boy he's the boy

his and they can't come that came coming coming to come

to the house a a pork a enormous but with

some characteristics rare to an animal normal because apart

that was extremely great had certain deformations deformations in the

rostro, what implicated for the family that was a woman, and they're that they're

that they're so, as like between the arvoles of the copas, they'd

to vent pardardas, a lot of peddras, to this serdo. And he says that

they're they're going from this arbor, they're as they are like they're

in the hand, this, this is this is incredible, and what they

do they they'd say, literally, a barrera for that this serran not could be and other they're going to

the arbor, evened to be pieces. What he said this animal was to do the world, and irrese.

The abel sent to the carcachas and it's a vion of a punche brouh

and ohio you'll you'll you'll be to be to be because I'm that this pacto

with these was actually in a rancho in a a plowado very

very of the place we're in the part of the part of the way of

you think you think you do you do you do you think we we can

get to work to work but just to have someone to know because

to go only to not not not so it's so

and it can be dangerous also there I'm I

want to this this next story that we we we

the character the Compartes Julia and us a context this story occurs

no has been 20 this this is a city in a

city we're she said that she know in Monterey the actually

they've been before in some excursions because some people

that they can't much come in selvas sub mountains

to senderism they They're just much and in various occasions

you have seen but in Monterey was like to be to be to make

a couple and they they're doing to do you get to get a time and

they were to move to until that in this case

Julia is and does make that he's a

part total to all this this they they

they moved to tabasco because says that there

was part of the family of Julia who

help with the cranesa and they and they they used in the times in the

times of maternity to the mother he's that they're that to the

naturalness to the vowsk parenthes neither she had seen something

something about of duend of chankees alus never never never

never never never that those not those were

and they were people and were people that was not was

part of your credence. In Tabasco, when her his wife the

five years, they're the little the new the new is a great. I think we're not

to go to a little to a place, a area where they had a

one a area, they said, we're going to go to us.

They're to do to do you know, you know, you know, the day, the three,

the three families for the they're all beautiful and I want to do a parenthesis,

too Julia, as his sposo, Arturo, were parents overprotectors. To what I'm, they were in the naturalese,

they were, they were, they were, they were, there were, but no, of those two,

was, and if they they said, a, a man, you know, a man, you know,

a little, let me a new here, my little, so- then,

so they, then, then, they never never, they're, never. This is

part important in the story. He says that in what the matrimonios sacabas that gelleras

that the cerebesas that aremavis that's the little the little in the oria in the troyo

in his trage of a bago and you just like Julia that she's made the story to her

mom was about some she was observantly but so literally like like

with inoculares noculeus no says Paco I was I was p'c't

I'm she was she not that some meters on the other side of the

river, they were getting some vehicles, and they know that there were more people

but other families that were there also, I'm to campar. Dice that's

like, literally, I'm just I'm distracted three seconds. For the things, are so,

really, rapidissimo. Three seconds in what I go, I'm my

mochila and I see a water. Three seconds. When I'm

when I I regress on the mirrored. And I went to see to see a my

my wife my wife was she's she was she was she and there

a little a little a little a little a roger there was a boy

like a little the and he was like she was like

she well no no no no I'm not he was

a man to the family that he he was my

he's she was the little of the water he he hadrava

like the and he and like I'm going to to get her to get her to the river,

to the when she does that she does the problem that is, hey, she,

she gets and and he and he's to come to and he

got to get a he's about about five minutes to get

it's like it's like a speeism of the look at the

the mind of his He said He was not that he had a plier a roja

roja and says when this man he says that he the car of an anciano

of a person of an person of an 80, 90 years but he was so little

the appearance of the appearance of the he was a he says even he says

he's he's he's he's he's he's he's he said

she she came pasmada no she was she said he

This man, this is submerged to the water and he's back. He's a his husband, get to the

other matrimonious, what's the what is? And there's like, he's not even what I'm

saying, but they said that a little bit of the little bit, he was just having to get a

and he says that's that's always that's been to get to the water, no, they've been

not, minutes after the man, the supposed the same the other other side

of the river into the arbor So, look, Observant, viewing. The father,

or the husband of Julia, molesto, decided to go to talk to another family. He was to say to them

and they were to give them with their son. What was his son? His son was going to

do you to get to the person in front of no, they were people,

they were people who simply were to pass a a rato. And that they

they were them They were confused, but Julia, who made the story, no says, that all of her, no said, if it was a young real, if it was an adult,

maybe, a person of a back stature, a condition, no knows, but he gave much fear the appearance that had. And for a,

for a moment he passed the idea, why not we're going? Let me. He said, but also remember that the trajectory was long

They were very lateh, it was a very hard, it was dangerous. Yeah, they were all all right. They were all all right. They said

that they're that they're going to be and flusiness. They've got to the salchiche, the bombones, they started.

The things were all right for complete. You know, the things started to try to down at

the night they're they're getting to get to their house to campana. There were three.

There were the of the two matrimoros and the Julia and Arturo, who were with her house a

house grand. There are you at the river of the river. He said that they're

not of the world, he'd get them and they're doing. And the the little

and the two. And the two are not to be not to the night

because they're meh they're much fear. So, they're

they're saying that they're the one, the one, at the one, the

at the three of the the morning, and the four and the

morning. He said, Julia, my husband, Arturo, he said, we were, we're talking, he said, he

said a little, and he said, he said, I made a point of the yeah, I said,

you know, that's the dream. You know, because you you're going to manage. I'm,

I'm going to be able to the little, I said, okay, the type of she got

done to don't want to. And Julia said that he said, he's looking to his

looking to see a of seeing because no there's any of the I'm

there's I'm going to the photos. I'm going the photo scroleating. He's

to have to becearse and so to see the hour. 5 and the

morning. Yeah even I was to clarify a little to find out

and then they're the first rations of the sun. And

says that she said, and she disone and he disconnected, so

the I mean, the dream of a mother is impressive, the of the father, much of the other way. It's like, like, bro. I'm sorry. That's a precedence. I'm a piece. No?

The momas have, that state of vigia super furt. She gets dormita too, with the cellar in the man, but his cereo was a desperate.

He said that neither the eyes, he started the sound of the the series of the house of the camparas.

How would like? And like, like, that someone was opening from the cremire.

and she said that she started the noise but as she was so so his body was a

active but her body not reactionable and that she was she was saying how someone

was so she was opening the house she she could she

and she she says that she be just right just like the cremallion so

she was being she was she was she was like to pick the

back to his husband, Arturo, and this is like that's like, and he's like, and he he'll look at the minute, and he said that he's going to be the middle. There, Julia, says, that with the light of the outside,

he got to be that who was opening the house, to campar, was the same, the same being, the same being, he, he, he, he said, he said, he said, while he said, while he said,

a sonrisa of an one of the I mean a little a lot of

a lot of really the russ arugated like in a tonality gris and he

after after after he started to make his and he he said when he

was he said Julia I want said paco it was some

those longs some uh some uh... uh... and no

he had five deados he had four this was was

getting to the piececitos of the little of the little and he's that my

husband when he saw the only that was a little was a

little he gave in the mere man and he he's when

he's he he's he's he he's he's like

he he's like he he got so he he's

he let's let's get to get to my husband he's

a lot of But he from the house he grittable, Largatte, get me, he's in peace. And he says Julia that he says,

Sal, sal, call, comeete, all, do you, do you, do. He's all so,

temeroso. But when he's, he's, there's, there's, for the ruse,

salen the other two matrimonios, so, what's, what, what, what,

what, what, what, he said, no, but it's he, he,

he, no, he, no, no, no, no, nobody. And they

tell to his friends what had passed. And in that moment, six of the morning started to guard all, let's. We're going to, Julia, that when her daughter was still, because she went to be there, he said, he had

done, said that she had been a pesedias. She said that a manicito very feo, the haalab of the tibyos, and he was the room to that was the dream that she took. At the last one says

Julia, Paco, that was the first and last time that my husband and I visit us a place after the

last of the whole life we're going to that's we're the last time because yeah talking about

that story the family the family that's of the tabasco they said no it's that you're

they're don't know those duendies the duenders they're they're they're they're

not being not creyent so that so that the benis and they said not we're

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I don't see consciential of the history this, my mom me, my mom, me, me, me, when the house

was, like the part central, because it was a little doing what my father is central, and

then they were building the rest of the rest of the room me said, my mom made that I've

liked much to play then over all the place, the house, the house was just

was just completely a little bit of always had like the vicio of and notar my papa had to have arboles fruit-as. Then then my mom had to go back Nancy or Nanchi, as some people would say. Here, she like Nanche.

Nanche, Nancy. Then then, then, then we're going to and then we'd have to try to eat to eat at the gallinitas or the animals that had my papa in that moment. And one day I commented to my mom that, you know, is that I'm, you know, I'm sorry?

I'm going to go ahead. I'm sorry? I'm going to go. my mama, he said, ah, is it, me cargo. We went to, we came to the house,

my mom called the maca, and, we, we, I mean, I was, I was,

like, in the shoulder, and my mom, was, I was, was, and I was

and I came to my mom comment that I'm, I'm, I'm, I'm,

I'm, I'm going to get to the house, my mom, in that moment, so,

she was, so, I'm, she said, of the maca, but he said that no it was a completely like in a paralysis of the sunno, but was

totally conscious and she was not, no, no, she had been dormied, so, all the time she was, all the time, so,

she was able to and he was, and he saw, that, by the rabble of the o'clock, he saw, a, like,

a, one, well, one, so, like, the height of the , like, the height,

like, so, that was, so, so, like, so, grisazzo, so and so, he said, me said,

I said, I mean, I tried me, I didn't move me, and no could. So, she said, is that he was, he was pared, he was he was made that and he went to

and he was behind to you. In that moment, my mom, so I was so much, I was just to get a

movement of his body, my mom started to get to this and just see how I'm going to get to the mountain,

into the mountain, into the tree, and the part of the terrain not was completely

limpia. then my mom my mom was going Monse Monse and I still going to

I'm sure I'm you're going to I'm desperer to start and you you're just you're

getting to into the malice me said I'm just when I you know to get to

you know you just you just me ask and just I'm asking you you're

what you're you're you're you're you're you're and I'm and I'm

I'm like I'm like I'm like I was like I'm in a time

and I after after after I'm like, I said, and then, well,

what I'm, no, is that where you're going to not? No, no, no,

I'm, to tell you know, that's so I'm that I'm my mom. And in

that house, I think, was where he's just about the ritual of the chaman,

and also other sobrino that were more little, then they, then they

they were to be in a room to a house, and then they were then they were they were

they were they were to do the Karnes or if they were to talk to with the adult's and then

they were in the baby, that the baby, that were in the room, she was

being in the and they were asking, they're like, there's a person, or who's what's

or what is, who's with the little and when when I didn't,

no, there's absolutely nobody. Fickate that me you've got a story that I

know, I said to go to come but it's very interesting because exist in

the people people creient and not-cree-tentes. But what happens when something you know

to be able to think, is that there's a question. There I'll tell you. There's

a woman that's a man who made her story, to be the question. There's a person who's

a little to make a good, a a little very very beautiful, it's a

roggito and all. And they're being being a teacher who are doing in this

school. They're and have a a his wife. Mentiona that a woman

they paid there a money for that the she would to care to the

little were doing classes and the two at the two of the time, they were at

the 8 at the eight of the morning salian at the two of the time

and yeah the the Sina the little a little

a little little a little a little bit of all the good at the mother

this man she had a mother, she had a particular very peculiar had like some new

little little not this typical pulser that all we know that we're

we're we're not a sort of some symbologia like some

some some some something something and these master

and that that that that And the she said, ah, it's for

protection of the nina, for that's so they're so much, and so like the two

masters heard of the and say, like, for respect, no, we're not we're doing,

but, but, you know, they're not, they said, well, it was a good, it

was a person, and for the little bit of, the little the little bit of the time, they decided to get a

to the water, that's to bea to be in to the rio. And I said that the that you

like a two, three months, yeah, the baby's like chapotea there's like, she pothedia, and I made

his manita the water and she was and let me and it was that made it, and that that made it,

it was that flukerer and yeah, simply the current she gave that pulser. No,

there was. The mom like he did a attempt, so, oh, no,

I'm not, I'm no, I'm no, I'm it's all, it's

night, it was an sombroso, asombroso and terrorific. I remember very in that story for

how much because he said that they're to get to his house. The water said, I said,

if you're getting to your house. He has was a can't a can't. A little three mesidat

and the little bit and the little bit more to do that Mak. They

were in the camera, that was in the time, they were in the little

they were in the first, the master, the master, also the other way, the papa, well,

the one, the that's the mom. But, there's the thing, that woman, is that

she, what she does that she does get, is that the baby, was the

I was at the carcachas but she she's a her little but she's she was a bit can't say that he's of that

but not I know that he was about a lot of a kind of this say these that you

can't that they can't that they're and she she said why my

she she was she she was she she she was she said

my my She's Ryeenno, but I'm with the eyes with the

eyes. And she's me going to get to not, I'm I'm

no, I'm a lot of he's he's no, he's not

so it's not a little the girl at a more and the boy,

the she she she'd see there she'd keep

and she's that that's that's that was when someone was

I'm saying no, no I'm to know to be

what's what's going. And I see that is when she's when she tried to move and no could, and not could, and no

could. In that when he makes the eyes, and he's, the mirab to the maca,

the same that's with you, a ser of no more of a meter of that was,

he had, was, I was, was the way, but he was able to the case of

this ser, I remember that the woman mentioned that had like a

camiseta blank, or at least it was a mugrosa soo, soci, so that's

long, it was a much, much be able to in the back on the back on the

head, but he said that the the pillow he was over the column, and this

Cair, had a man had a little to the maca, and he had to

make a baby, and the baby was and the Cera was the said,

he did he did a fear that that cause and she in when it's

if you want to move he's not it's in paralysis then he's he's

to make this really to when one intends to make this soundidito

that does it the look at the camera and she know

that's the mind that she said in when this thing she said

in that I was was being that was he was

he said he was very curious the way in it

He carried as if were a simio. Sacko the man of the maca and he said he said, like a

animal at four patas, the ventana of the room of the room was abirta, brinked,

and until he was she could start her. And she was a spice. The

little, she was a little that was a little very, I perturbed much.

The fact I was I remember much, because when I was I was reading

in my house, the I said, I said, or for so I said, at the principle, when we're talking that type of stories,

I personally think that if you're just you know, I'm, you know, you know, you know, you know,

you've been commented when you've said, it's a long time, we've done, we've done the time,

we're doing, the environment can be, the things start, and the things and it's,

even has been passed that when I'm going to the night, or I'm in my house,

I only reading the stories, the environment is a certain and you're just to just to listen to hear things and it's

like in that moment to decide to change like the mood of the environment, put like music more,

more amen, more agreeable for, like, just to dispehart to do this. You what

would be to get to see, if you'd have been, if you've had been this maester,

you've this being this is doing this to a, a little, a child, a child,

a child, What you do, hours, reprendes, grittas. Like, they say in Mexico, le mint a sub. I think it would be, for the fear, for the sust, of that you know, in that moment, for instinct of supervency, not you're going to think, oh, is a-chenequito, that's nice, I feel like, so,

I think you're going to react to the way, well, because, justly, I don't think to inventing madres, but, so, like, remetient to, because at this, you know, because at the final, it's your and you know what are the intentions that try.

Now, now so, I want to tell this ultimate story. We're

titulamous this story Fiesta of Tambore and we know the parted Elisa

that that story occurs in the municipality of the city of Maracru

said, a haivita. A Javita. A Javita. Digeran for here,

my family. That story occurred in the year 2019 and we

us a context also very interesting. Elisa us said that they were to rent a

house and they're to get to this place for the work of his husband

and they they're they're they're a house really a house grandissable

the house. It's actually had these details as very

kind of and he was and notable that the house was

a few a few years if I had the house, facilit.

This house had a land a big, a dittito of

arbores like, the arbor of an arbor of anarachate or paltta or paltas

and he said, and when they get the duke, he rent to the

house a price a accessible and he he he he's to do a lot

of instructions, no, like, no animals, for a

animals, a that they were a particular not this not this,

not that's many things that the guy was saying, he said, he said,

no, fiestas. And it's where he's what, how, how we're not

we're not going to do you don't know very there's a great, and this,

and this, and this, and this they're going to be a convivance to

get a inside the the house, not because then the animals,

the people, the people, they're they're Borotar. No, fiestas grand. Okay.

Dice, Lisa, that for various months, they've lived there and nothing passed, L. nada passed. After after of even, even, was that the things started

to occurre. But why? Because Elisa is a after of her embarazzo, she and her his husband,

Omar, they're put very content. So, we have to have the context. Elisa,

was of the Costa Colombian. She not here, of here, and she had a lot to celebrate

her embers with a festival of like the in the cost of their country. It's the custom of yeah.

So, like they said, we're going, they're going, they're to be a family, they were,

celebrated the endarous with tambouras with a lot of people, much family, the tambour soning,

so, all what they did they said, so, all the that they said, that was, it was

just, I was so, they were people that all the time

they were they're they're and they're they're and they're not we're not we're

like they're like they're all they're to do they all the do they're all the night and

one of the one of the family that was going to go around exactly this

the new she was she went to and the little the she's

looking and she and she came to a Lisa's called the attention and she said that she's in the mirab of the

and the little and the little like, he was like, he was going to see something in the mountain that and the

little bit more to see her. That's what he said, he said that the point, and it's a point where there's a

lot of there's, and says that when Elisa and see that when Elisa would be that there,

see that there a new another this this new, a person that was all the dark

until there no light, he distinctly the thing, he said

that he he was a question because he said that this little he said to make

a second to her this sobriently to her ever order furniture online and wonder

what if like what if doesn't hold up that sofa was four days old you should

have ordered from wayf with wayfar there's no what if just style you love

and quality you can trust visit wayfair wayfair every style every home Like,

Like he was talking And this And this He caused Ternura Because the Yeah, I'm in the

No, no, no I'm going to I'm going to And he said that And so he said,

how he said He said, He said He said He's a He says, well, And it's

that And it's And all right, And he started to come in, And he He said to

And he He said He said, And it's, Because it's There's all but that this

man when they're in when they're seeing, like he's hidden to be behind the ardu,

and he says he's what he's, what's going to what's going. And she says, there's a person

there. Dice is like a little that's a little bit of the little bit of that's a person,

like the, the, the, the, the valiant the last of the family, we say,

Lisa, that I want to hear, he's my The husband, he's to enter in the

mountain and he's to get to the little to get to get to you?

How you're at a new? Bette, gette, be it. He's like this man

so much to see and he said that the husband the light of the

light of the light, and when he he's, another we're this this same

appearance. He's says that when he he does that it a a rostro,

other other of a man. But this had a large, a naris

so longis and he was a no completely, like he had a

few little, so little, but even of appearance so horrible. And he says that

me, me, I'm a little of this part of the story, because

he says that the husband, he said to his person, he's a man,

a manit that's a manito, certainly is a borrachito in about

a He's close and he he's a corretier and he's like, like you want to and then they're still and then

he's going to see if they gave to come or something. The fiesta the fias the tambore and all

the the fiesta was they're celebrating no. Dice that going passing the

hours, they're like at the 11 of the night the the tamboures no

they didn't do not if not were if not people, he said that no, no, they'd say that, he said, that of a little,

a little, a son-a-old, and this, yeah, he was going to go, he passed exactly the same than you, and he started to come to, rumbo to the malice, and his mom,

equalito, oh, yeah, the, man, the little, me, no, in-counter, like if he was a sordo. Omar,

he's, he gets, when he's, he does, when he said, he was, that he was, that he was, another,

that he was, this man, there, and he said this time he's ennojured. He said, oh,

you know, or you're to get, apart to Omar, yeah, he was a passadit

of, the crevasas, of cups, so he so, he said, he said, or you know,

he said, and he said, and he said that's just only like he was like he,

he was, like he had the mind the, and he said, he,

so very very valiant, he started, and he said, and he did two, three

passes, he ras, he went to be a bad, he did a little bit in the head.

This ser, he said, he said, he was, he was doing to him, he was he was

he was, he said, and the moment, what was that was that's, the people,

like, he's got, he got, after the he, he was, he said, and he

started, he, he said, a gusus, a gusus, the fiasus, the fiest,

the fiest And they've started to guard the food, the messes, they started to go. And here the things are to put in feas.

All caer the night, yeah, standing in the room, Elisa us says that the things

were going to pass and to put to be bad. He said, that same madugada, he said,

I was I was I'm noted that my husband was talking so, like he

was talking balboceying dormido, I'm He looked at to be and he was so

trembling. And he says that when he took the rostro was irving

in temperature. He said that there had a rapid a thermometer I said when you

when you're a time, he's a time, he says, 39 degrees.

No, this is that's bad, this is bad. He's says that

he put some a few a and he says a few

and he makes to put that the senior starts to play, but like

he had a a pain of the sunner was a really, like it's he was going to turn

the temperature 40 degrees. If I don't have to get to the hospital he

and he he gets to the cellar here the and when he wants to look

the the vehicle, no, there's he says where they're where they're

we're we're we're going to let's we're just we're we're the

the key. I did it. I did it. He said that in the moment, he was like to look at looking at the ascentos, in the entrance, in the camera, in the pantalones. Nothing. The the yaves disappeared. And he says, my husband's just, put it in normal, and if no, we're going to be the doctor that he back in the fever, it's not but the key no-in-is-in-is-lawed. In this

he says, he says, no-modos. He will have to be to have one of my cunjaroos, and he'll mark, he's Oh, hey, Ben, because Omar is a very grave.

There's the response of the brother. The brother, he said, Cunia,

I'm going to the house. I've a bad presentiment, and I know why,

I'm so the son the son of the sound of the sound of that's, the advantage

that's over in the morning, but there's that's there's that

she's that in that's so all, all very hostile,

the and he says that he's that he he says, he's like the window of the

window. He's she's she's he's he's a little manse

that he's that's a bigadito to be like a earha orureh and he

and he's and he's so he's what he had in his man right were the

the hands of the vehicle she said she kept in shock she

It was a complete shot. And she didn't, she'd be in the carlestone of the vehicle of the brother.

Elisa us said that unfortunately no passed to the husband, that's the same

madrugada to the hospital, he controlled their temperature. If it was a

very rare because not was not even was a no, no there was nothing.

Simply he did the fire. He said that were some

days there And look, they're the first what they did was to look at

a house in rent and let him from this was just in the two things. I don't know. I know.

I know that could get to get a mood that's that's is that the is that

being the situation, to be the person of this, is a, it's a thing. Something of the

what I mean we thought, but my father, this same house in Kaukel, that's

a was a little bit quite away from the city. And the people were

the people were the people who were the people would be that they're like the

time of the time. Ferected that I made much the attention of the

story that I told two things. These are the capacity one,

to control the state climatic after that Omar, the

husband of Lisa lands the am the water, or so, of the

nothing, it's to know, it's a new to go and the and the time.

And the time you're to be in the state of the person? That's, I mean,

I know if you've heard of that you have seen, my about, my

old was, I said, when it was, the patio, like, I'm got to, because I

said that this hour in the culture Maya, like the kind of not is the

Mittlam, but it's, like, and it's to get all just the mal-air that's

like this cargnerner and this energy very bad and she said that she could

give a bad-and that much that those entities are the you're in you can't

you can't confront or have to have a contact very certain with this then you

know I don't know if the energy but if they're they're like this

bad that makes with the it and you that's what me me me

me So, of all the Yorona. This, persons who heard from the lament very close

of their and so of minutes, fever. But so, rapidissimo. And, to you

say, that you're at at the day? Yes. So, of the day, not of the

night. No, no, of the hour in that that's the

fall in the world like the world, and like all the energy

and it's, to start to start, I'm to know

I'm sure maybe, is that when after a years in the government of the government of

when he started to build and the things of the train Maya, I even

I've got with a person, an engineer that is here of my city and they're

to be to work a time a time a time and it says that there the

thing the thing of the So, net, as if the words of these are the words of

these men, the word of, that was the word that was the word that was the shangos,

that they were there, abriending camos, with machines excavators, and he he took to

see, all that when they were doing, for where he was going to pass the train

Maya. It's true, this, Elie. Yes, he, even,

a said, I had made, a, made, a, had to get an

story that they started to turnill the machines and the people were you know,

you know, they're to have to do you're to get around the when they're in the

car were, they'd discomponial, they'd get them the turnips or then they'd

not runcable, but if the machines checkable, abrian the machinaries,

and the machines not functionable and in Cancun in the cart of Cancun

in the Bouloul of the Buconald, since much before the

they've been made a little edification like a little house-a a lot of when they're in

they're doing to they're in the houseita, the locales, no, because they they're not, because the people really the area of

the area, they said, is that we're going to do this to do this to see or so to put the basis, and

they said, no, is that you have to put the house, so it's, it's an altar to the

alhushes. And, well, obviously, the people, the people, well, yeah,

yeah, yeah, he's, yeah, yeah, and when when they started to do

a moment the work was started the way of the machine they were to get upentary the equipment

the equipment and they were to get back and the people were you know, you know, you have to

have to have been a offer, you have to you have to because you know, the engineer

to be able to hear of the world and they're doing and they're doing this again the

machines failed after there were there was a point in that the work is

they're Nishmen, they're to prepare newly, and the casita of the pacha yeah more and just

so that's this way, is that they did they're to do you to do you the construction of the point.

Is that that person I know, me said, oh, is that they had to talk to

him, he said, a, he said, they were to talk to a broho, and he

did he a ceremony offrendas. Dice, and they they're just they're a lot

of things, a lot of things, and so just they started to to work.

One of the testimonies, that's, that's, that's, that's, he's, he was,

he was a one of his friends, he said, he went to the madugat because he were in

times of campar, too, he was, he was, to do the madugada, and he said,

and he said, he had been, he said, to hear, this, these, these,

these, so, like, so, so, so, so, so,

so, he said, he was, he was, he was, he was, in his arbolito

this well doing his necessities and I'm a few meters about two

meters there's like if were two artigittas that were talking and they were

and when they were there he said he said he's he doesn't he not

he not he not he not he he's not he he's something he says

that he he looks and he looks to come to come to come to come

and says that when when it's sierra there's the there's

the and he's the literal like if there's a little like if

put his manita like the material of the camppare is like a

a nail a a and it's and it and he

he's he he's he he's he he's he made

his car rennice and he I'm here there

there pass things here they It's that I said at the beginning of this video. These are

these can get to or are so inoffensive but when they're in causing something,

a fear, and something more than of the death, it's a rapid, a,

one of, this, one of my Tios, my abelita in Paces, my Tio, Armando,

me said here in the rancho, he lived in a in a a, uh, the

women, just to not the to the women, there were duentes that they

those, those, those, they were, oh, carie, well, how,

no? So, how is possible? Resulta that not was a person,

were a person, men, passed out of landsa, aggressive, violentos, and,

and, they exercian much violence to a family, and,

and over all the people, more than their women, to their children,

and he's that they're in the nothing, he said to know that they're going to

and this is going to do you to a person to a woman, something, and they

was going to get to and they were, and they're very very attractive,

very, very attractive, even, so, so, doing insinuations sexuales.

These men, well, a many a majority, the whole

in the whole they're going to go to go to and they're on the

things, but they're not, but they're not, and they were they're they're

doing the and they were at riscos, asia a voladers. They they'd

know when they're they're they're and they're and a God.

Eli, we're we're at to have this podcast, something more that you want to share.

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pursuant to an Operating Agreement with Eye Gaming Ontario. Let's see this story me gave to go to grow like. The family

was quite unieda and in a Naviidad to this my segudoer, we're going to put to

Maria, then they they're with her women, they're they're some don'teces

know, they're they're not, they're not they're not and they're they're going to do not

to do give them so that they're that they're so that they have much carey

and that respect these The mom what does is that is that she's he's a little a motioner, the mobletesito

that were in the commedore and the kids, as they were they were, they'd go to get them, or if they'd get them to be

a lot of the house or in the street, they'd be they're just they'd be to get to the mucleasas like the

and they'd they'd be in the innocence of a little a new. In an occasion, the nays has been a

travesura in the house, no see if they're some basic that they had to the abelita

and the papa so molesta agarred the little the clasas and in the cell they're to get to

get to and they're to get to do you and the and the papa then canalisa

all of all of the all of the kids. The little the light of

and they can't to come to come all the time until the

after that an nightce they're they're they're normally they're

castigated and they At the time, it's all apaguer and he acuester to

do this past the night of the night, the nays start to hear that the

little bit and they're in the get used and they're saying, and when they're

saying the he said that the papa was aterra was a aroused, and he could

be able to get the day when he comes the the papa he says

that he was doing and he was thinking that they were saying that they were mordiento and that

I felt the piece in his when he he was a commenter that he was not he was normally in this

paralysis of the sunno and in his piernas and on his his legs he said that he saw

he had had been to have his and with a voice very good the elfos

look to the papas and say not you don't let's don't

you're aterter and so he's airst for what he's and normally

can't move and can be until that be that the little

when the mother when the mother, and they they're desmaterial and they're

and they're when the father to get to do that the spouse does that is a

hand you know, but they're like they're like they're like like a like a cat

had arraigned and so is that's like so very very finito and profound

the the papa the the father and for the whole the wow

is that when they're when they they're they They do they do. And, they're

They're provoked a deal a deal very very hard. About, to the

time of duendes Chaneke's in this case. Alushes, I mean I'm really,

family, if someone, someone of casuality, the pure casuality, while they were in

this podcast, one, they've heard that don't have a origin normal,

so they was a something, or something you know, for favor?

You know this is an experiment that I'm doing to show this is a certain that when you're like you're

like you like you're like they're presentes. So, help me with this experimento. If you

you've experimented on something of what I said, let us in the comments,

share us so rapidly the experience to be to see how to how to let's

talk well, let's, you know, to live, this has been related to

the dweens, to the dweens, to the t'Oenks, I don't see, I'm like, I'm looking to the other

you know, you know, like sombras or Kelly? No, just that the anxiety. Ah, well.

The bit of the people don't know but we know we're we're not we're not we're just

we're talking musicita of terror when we're talking this type of stories, then we

submerged much. For that that the people then then the We're we submergium to

feel this, to see the stories, and transmit this sentiment to the people. Eli, thanks for giving us this marvellousa

great stories. Thanks for to tell us these greats. Before, before, to go to the audience,

what are your projects? Okay. Well, right, I'm in production with Parajah

Paranormal. All my social are like Elie Moncerrat. Can go to check them and again.

Thank you. Thank you. Thank you. For all the carino that has brought

and the attention that's done in this moment of a way to a way to this moment of

a way to the community for the for a company for a company for a

other more. Amiga thanks. A mean no more more than to get more to get

this to Merida. They've had many many many thanks of your heart of your

for you, for the community that I'm sure that also many people that's much many

thanks. Thank you Thank you, obviously, also you guys, who are the best podcast, the best podcast of content of terror. Not what I do,

it's in the numbers. Much of thanks. I don't say nobody more than a simple fanatic, a person who has this content. Much,

much thanks. Of all, of all, of the whole, from a lot of many questions. And, before you know,

for favor, you know, that you want to get to the site web, there in our content

exclusive, you'll find what the podcast stories ineditas stories that only can't you're always you know that in

podcast extraanormal com.com mx there you see you until the next chow

at a little bit to hear how is that they're to start how they're to get to start things

and he's and when he's justs and when he's going to see that the cardo was totally

dispedasado with the little the and he was a only in the house.

If you going to go and you're to move, I recommend one, that you

keep your your capice and you put it because if you go the next disappeared

you're you're you're when they they're they're totally dismitted

I mean is that the gato was that the cat was in peda not it

was a cat, and all, simply, it's just, he was in in penerentment, no, he's in pieces. He's,

Paco, what my papa says, is a two people, of the size of more than

one-m- -m-a- with rostros' like if were the men, he's, he's

to have the cord, and never to that case, and when he was he did

know that he's, he's he's got completely only in the son-and- he's

a problem with the tank