EXTRA ANORMAL - No Debí Ver Esa PELICULA | Historias Macabras En Cines y Teatros

Episode Date: December 5, 2025

“Hay cines donde los lamentos no provienen de la pantalla, sino del pasado que quedó atrapado en sus paredes.”🎬✨ ¿Qué pasa realmente dentro de un cine cuando se apagan las luces?En este episodio de Extra Anormal Podcast te contamos relatos siniestros y paranormales ocurridos en cines y teatros, donde el miedo no está en la pantalla… sino a tu lado.👧🏻 En un cine de Perú, testigos aseguran ver el alma de una niña que falleció dentro de la sala.🎟️ Un taquillero recibe cada noche a la misma mujer… hasta que descubre que murió hace años.⚰️ En Parque Delta, la zona del cine fue una morgue, y las apariciones demuestran que algo quedó ahí.👤 En un teatro, una mujer se manifiesta a través de un espejo, aterrando al personal de escenografía.💀 En otro cine, una persona desvivida regresa con lamentos desgarradores que aún se escuchan.🎭 Y actores cuentan cómo eran drenados de energía después de que alguien jugó la Ouija en plena obra.Si te gustan las historias que te erizan la piel, este episodio es para ti.Prepárate para no volver a ver el cine igual jamás. 🎥👁️

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When the public's the real spectacle commences. Projectors that are on solos, sombras that cross the panel, although there are no who are the employees,

who know the secretos most of the cinema and the theater. They have seen what the public never will this night

stories macabras contadas by who limping the scenario and discover that not all what's move there is a big.

Well, welcome. How much. How much? To be welcome to a chapter more of podcast extra abnormal. My name is Paco Arias and I'm happy to be

in an episode for all of you. Family, I'm very content, very happy, because we're we're a episode that I recommend that you see

complete, from the principle to end. Because these stories are very conventional stories very casual that are usually to happen to

the people normal that simply a fine of a week, we're going to be a movie, we're going to a work

to be a result that in these places are things that don't have things that situations

where even even women have been posseidos for see something

to be completely to other about this thing me

I that I'm sure that if you like the terror, in some moment, you topast with one of those videos. Today, me entusiasma much to present to

our new friend, Cesar, Peralta. How is your man? Hello, how you are you? Well, thank you. Thank you. Thank you.

Thank you. I'm very content to be here. The fact, I'm really, I'm very much that we wanted to put up

and for fin I'm here. Excellent, Erman. Oye, as a rato, much people I'm sure

that's sure that's toped with one of these clips that you do They are good-simmons, super-a-terradorers.

But for the people that you're knowing for first, please, I'd like to present you, who are you, what projects you have? Well, I present my name is Cesar Peralta. I'm dedicated to do short-metrages of terror

in TikTok and YouTube. Me can't find as Cesarperalta. . Al-I, like in Instagram. Well, I mean,

I like much the terror, the fact. I'm very fan. And, since I liked much to be movies, series,

I decided to start to act between comillas, for my own own because, lamentablely, not I'm

in my career of actuation. Okay. So I'm going to do you. For all the people, and remember that

the channel of our guest is in the description, for that to end this episode, you know,

you know, your work to do you. It's really a lot of that they're that's really that's all right

to me make a little bit a bit of a bit of many rarerer. That's, always that me to make

to look to the and why I'm out of the night. Exactly. So, Herman, a bit,

passing a little to the thing, you, because you think that occur in

these inexplicable? The other is so common like a cinema or a theater.

Why are these things, what you think you? You know, I'm, also,

it's, also, it's much to be the aglomeration of the people. Uh-huh.

You really not know with who you're in a cell. No, you're

who's doing the theater. No You don't know who organizes a work. Actually, not you know

with what intentions. For example, in a work of the theater is a work. So, I feel

that that agglomeration has a lot to be of many energies, yeah, yeah, yeah, as well,

in a movie, in a really, there are people with what intentions, you know,

you know, of who is a person, so I'm so you, that's a question.

There's a situation. Right, you've mentioned you, a point important of the

side of the spectator. But we've done on the side of the producer. We know, and this

I've have been with great directors of the cinema because I did a question.

I know one very good that I want to give to my little to say, Henry,

Edwell, that we're going to be doing a question, a director of a film when he's

running a film, recurre to do a things reales. When I say, when

I think things reales, me refer to rituals real, invocations demoniacas real. Because there are many movies where you hear, like, change in the

idiom, like, they're talking in other tone, in other frequency, and one of this side says, ah, well, it's fiction. But really, this, this, this director, me said, Paco, in the majority of movies that give in rituals satanical, are real. Because what he wants, the director, like a person who's producing something, is that

he'll go very well this clip, that causes really fear of that really so on things. So, many times

we're talking a ritual real. So, something I'm really a lot of the movies of terror,

but I when I get a part of the movie where I don't know, I don't know, I don't know,

I'm talking, because yeah is another idiom, we're occupant to Latin, Arameo, et cetera,

Ebreo. I what I do, sincerely in that moment is to back the volume,

because I don't want that I want to the of the and that's that's

that's that's so it's that you do you do you know for protection

or I'm the camera if it's of my television but in the

cinema when it's the dark what you say the people who

know what is what they're carrying like that's like so you

do you do you do you do you do you just what you mentioned you know

a little I remember very well but it Japanese. And just there a part where in their idiom, they're going to be a ritual.

Like, many times in the movie, repeat that same phrase, one and other way. And just to what you mention,

you know, we know what's what they're what they're doing and for what's doing that movie? Because,

there's a logo that's many times while they're those words, that really, I never knew that I'm

to investigate because the really did much But really is that point that's the point that we're

really for what they're doing the things what is what they're doing to make with that

movie or any work of the theater. For supposed. Erman, once

to start, it's I'm just about saying something. Family, if is the first time

that you're in this episode or is the second or the third or the fourth time and

you say, I'm like much this podcast. I want to you want to you're

you're part member official of this great community here

in YouTube there a buttoncito that says to continue or subscribe there abacito

piquel activate the campaignita for if a casas you say you have I'm activated

but no me notificate desactival for favor and back it's an error a common

of the platform if you listen this on the podcast as Spotify

also you can you can you can see and you know that our

great invited has got a story exclusive for

our site web there we we And this story, I was I was telling,

me was giving a little bit of a riz at the because it's something that I'm going

to occur to call to get a whatever. We're this person that's called

Victor. And this history is of Peru. There's a place,

and me does the permission to say it, the cinema

is in the place San Miguel in Lima, Peru and this cinema

has has a peculiarity has a fame of being embrujado or

to be maldito for some reasons of the past because he says that

probably before many years there there was a time very very

very with the time and the situation and that in the 2012

when was this scene passed a tragedy with

a little a little a little little that

per the little a circumstance very very rare

because no we know that happened simply was encountered

without so the cinema you have this fame not of to have

these he he says he's he was he was coming

with a child and he he invited to but Victor

yeah had planned what he he was to be very

sincere Paco I I'm I'm I'm to go to

see my movie to try something because out of

the scene his plan was to go to other place, plus

more intimate, more private. So he wanted to try in the cinema, if this would be

to be a little bit of a little several years in the cartelera, that all they had

been to have been and that was I was sure that the cell if not

was a not have to have a lot people, then he he was the

movie, the he was with his novi and all normal says

that the surprise and that he a little of rices when they enter to the cell,

you know, he had a lot of the cinema, I mean, all the cell was, was,

was, he was, and the type, like, so, so, if it's,

so, so, so, like, he's, they, they're, you know,

where you see perfectly the screen, and then, he, he had planned this

in his mind, for to be to be a thing, and they were,

they're doing, a movie, of this that all all us to go to go to see.

It's that in the first minutes of the movie, the situation was

calentando, that the abracito, that the becito in the coo, and at

the little minutes, yeah, they were giving us much love.

At the grade of that Victor says, Paco, not to never, the

only idea to do it in the scene was in my mind, I,

like the adrenaline and all this, like my It's really, it was going to, and it was going to do. There was a moment in the

movie, where it's going to be the volume. Some of these scenes where there are silence. He said, we're here in the our own and I hear

a respiration like very profound, like and he said, but not my novi. In that, he said,

it's, he'll listen, and of Pronto, like you you're like you take the

eye to the lot of the lot of the and it's where he see a something that he's not

a lot of a new year not more of eight years. I was sat down in the

those those that are these that are sitting at the page,

I was sitting looking the picture. Me made the

no moment I did that this man was and because was

only no, there was no one adult. He said, my noviya said to get a question that I'm and like that

what on, no? And it's when she's when she's not, it's a little of intrigue

like, what, what on, no, so that's a little there, and seeing

this this one, and he says, calmate, surely, he came with her mom,

and his mom, he went, to say, the, I'm, looking always the

explanation. He said, then, in what we're in the I don't see you. But the situation

yeah no, you know, yeah no regressor to the because he said that she was a lot

different in the environment, yeah, she felt and they're like the mind that and then

when they were to look at her and the little, and the little bit the movie, it was he was,

he said, his nephew he said, he's not that's incoomod that more if they

were to see, okay, this this new me came to ruin my

moment. but at past the minutes he said he sentia like the sensation to walk

and there moments where he was he was he said he said paco

this a little a little so a little to be and then after

after that was like the she came to come to and

he was going and he was an hirer until a point

where the the little to be a five hires back of me. I was, I was

really close, and yeah is where I got her. And it was a little bit of a little. It was a little bit. He was a little bit of a badem. And the little, it was like to be a movie. But

his rostro was like a sensation, like, of fear, like that you incommodable. He said, because he had this mirada that seemed that your pears peccas. So, like the little bit more than you

could know what you're saying. He said, A my noviya also he would be and he always me was saying

why this this little why this does make? We know and over all the moment

was the adult who was supposed that should be there should be the movie

Victor yeah well resigned to that all this was to go

to the to carho and no he no Well, what we're going to do? We're going to be there, we're going to

and say, no, well, we'll see the movie. Passed the minutes and again, they're going to be those besos, like, another time they tried to recuperate the fire that

was, and at the time, said Victor, that he started the respiration much more closer. He said,

at the grader that I sentia this vapor calient in my coo, and not was my novia. He said rapidly, and I voltae back, because I sent

that I was very close to my nuka, and at bolted, yeah no, there was nobody. Nobody. My noviya, also did the world, and he said, no, I'm going to tell you, Pank, Puck.

I had a much fear. I had a lot. My noviourer but I took to make me the valiant. I've got to say, no, it's

this situation, well, it's, has, it's, It's normal. No, you don't preoccupies. But he said, I'm going

to do you. And like he said, you know, if you want, let's go to you go to your house, and then we go to

see, I'm going to say, I'm going to say, because I didn't want to be there. When we we were going to the

cell, the movie, the movie was there, we're running, we, we're we, we're a guarder,

he's in the entry, and we asked Disculpe, you're to be a little a little

to see this movie? The guardia he said, no, of the actual classification not is

for children. It says that one is that a in the cell. No, it's said

that the guardia put a rostro like a kind of a little kind of

and he he said he said, you know, but he said that the guard

like he he's like he's because I think that is bad that

a little that's a little bit of this movie. And he's

that the guard like in the look at he said you know he's

you're too no to be going to pass nothing so

I can say it's normal that in this see to this

this little this year no you don't you

don't you know you're not you know you he's

the In fact, there is a video that will get to capture to this little bit of this vestido, and they're going to see a continuation, because it's impressionant that not only one person, many

people, have seen a this little. And, over all, in the salas where there are many people, always they've been sentada, until the final. There,

sentadita, mirro the movie, but nobody knows in what moment gets, nobody knows what moment is going, but

all they're They want to feel his mind like very pesada and his respiration very profound. In that

moment, Victor, we say, that's a little, or at least is what me said

the guardia. Some said that was the time. Many of years. Nobody

knows. Nobody knows. But, always she's sitting atras, solita,

like if if they were being the same movie, like if

were repiting this pattern one and and other other

and the grand question if it's a little, the soul

of a woman of or is another other thing that's there. And in this

moment, I'd like to ask you to the people, but you have

seen a this little this because according people, this

this has been part of the public. What you know? No

I know the first story that you can you think

many people have lived something similar in the cinema and not only in the cinema, but especially in the

salas in the salas and I'm sure, and I'm much coincidence that this cell has been totally

vacy, because really, what probability there is that a cell that you totally completely

vacy. Exactly. A me has to and I have tokeated for that because I

don't go to the but when a lot of my husband says, we're going, we're going,

we're, like we we're going to be movies that have a good time in cartelera

and see me have to have taken a lot practically for me only. So,

the chos that you choose where where sit and I'm has passed and I

say something. When you're you're alone or with someone

more, in a cell that's completely vacate, no I don't know.

It is a different. It's like if if there more people

that were more people that's not I'm of terror, it's a atmosphere much

more pesable. When there's more people, like you see you obviously accompanied,

but when you're just only, it's very different. I don't see you know, so you

have been even when you've been even when you see, you see, you see, that someone

to observe. But I feel that the cines have this peculiarity of that you feel

as the ascentos ascentos, maybe, I don't see, to look, to look,

to look, to be nobody when they're going to be people, that also I think

that's that's that's in the really, you know, you know what's too, you know, you know,

you know, who can't be there, even if not is a a phantasm or something someone

demented that is there is still, what you imagine? Yeah. That's a pretty,

but I'm more more than that more than a, that's, that you think, but now

that you're not, but now that ascentos, justly, I want to tell

to a story that was in a theater. And just is a

kid that he told that he talked about in this cinema,

very normal. You're a first time, but just

in the third time he was it was a night

normal of a function, it was the last

function he he he not he just was

was And we were, when he saw this woman when he said that he had

seen he had been front of the video, no he he just he

apparently appeared to him and that she he said a for this

for this function but he had a peculiar vestido and like a

pale of this type of people of people that you see and you say

that something that's type of that type of piel she said

he said he He said a entry a voice very soft.

He knows he was a voice very very very particular

in he had much to see but he

he he said he and he exactly in

the right she she she not she he

he didn't he he he took the but he

he said he he he didn't he did importance

and simply went to he because no it was not he

was not it's not but he mentioned that she he said he's always he never

they're and he's he was he said he was the last function yeah

I don't think nobody so total what more could

pass as it was not much attention but but so

I know that at final no he he he after

he just he he just he didn't he he simply had

had been had had had been taken a taxi or

something but when he started to know that the actors of

the functions were and the people that was

there was too was much people started to

go to renunciate and some some said to

have seen to this woman just he he

the The fact is that is that he said he said that he was having like a episode psychotic or something

it was a mind making a bad a bad but but one he was he was over

in this theater coming into the utileria where they're where they're going to

use in the function and the he's he gritow but here he said that the

woman no did no reason only did this thing was all what

he did and he was frio evidently to be this woman of the

that everyone was talking but what he says is that in that he saw that

he noticed he noticed that she he had not had eyes and she simply

disappeared the door he said he was the camera's well

it was to that revisar the and the chico appeared

about so he appeared talking totally solo. When he he

sold the when he didn't any more. Even when he said that he

said he he said that the woman only he said all the time he was all the

time he was all the I mean there there front of the taquilla

no there absolutely nobody he he he knows he

he was he he was some some people assurances to

keep being just in that in the file even

he said that when he went to revisit the car where the money the monies were

completely oxidated negas the that this woman had had

said he he he he he did much important

but he he he's he's he and that is

a part mal because he really he really he really he did nothing

for advertier a people. But he says that she no does that only

apparently appears of a time. And it's like she she not

could be to get to that that only only that

there but he he knows that nobody knows

but all coincide in something that that that

that that function has done a much time.

Wow, oh is a woman, that like the story that I

told, the little this pattern. This pattern with the person.

Exactly. And, see that it's so it's curious because these

are not a form different all the time. Tant they're

the power and the ability to manifest as as

people as reales as how can they show

and they to a way that they know

perfectly that they are not occasioning fear, mostrances sinos,

discarnedos, mostrances very sinistered. Yes, even first showing an image of them

that's, mosthands normal, and when you can you know what they're they're

they're or they're ready to to show their version real, is when

they're that's that's that you're that's that you're going to get to

that's that's that's very so that this story and this history. I don't know what could have occurred in this

place. Evidently, we think that occurred something that propiti this manifestation constant in this city. I want to tell you that second story, brother, that I've been, that I've been in this place, and I can't say that if are things rare, this is occur in the city of Mexico, in a place called Park Delta. In this city, there is a

movie, that I'm going to say what is, but obviously many people know. And this

me will do a person that's called a man, he says that he was about, in

the 2012 approximately also, he was working. He had about 19

years when he went to to work to work to this city. And he said that

he had a story a terrordora of this park in general,

because that this place has been the fame of a place with much

concentration energy. Yeah, that we said that before that this park

as we know we know, anteriorly had been a stadium of baseball

that after when occurred the tragedy in the term

of the year, this place was occupied like a

sort of an morgue impro where all those

people affected by this people who perished in the life and

that were in three encombros this stadium was like a morgue because

literally they'd have a quantity of people impressive so

it was a place they were to be to and to make

them not not in descompos so that on

over all they chabank and elements to avoid

to get very rapid in this process in what his families came and they were they're in. It's a little

of what I'm apart to Alexander I don't know many of the people who are in Mexico and they know perfectly what you

and that's one of the places imagine it was occupied not for one person was a lot of a lot of scenes of

persons of people who were in this city and then to part of there not only only in the

cinema of this place but in great part of all the locales, the centers where they're, the people

always occur in things strange and it's in the night. When yeah the people start to go, they're going to get to get to these sensations.

And, he says, apart, cabbe to mention that in this place is where more they're in the

and not it's that they're not, it's that, they're they're getting. So, then,

so the amount of accesses, that has access, entras and He says that, well, he entered to work and he was

happy because, he said, the really, I was a very young and the fact of that you get, like, you're going to get to go ahead, discounts in

dulceria, and then, you could be all the time in a place. He, he was a, he was the

job perfect. So, he started to work, and even, he gets still still a good rato

there, but he talking, but he says that in the, his companions, the other employees,

contable things, things that were in the cell, over all in certain in specific, in the area of

the banos, in certain passages abandoned. For Alejandro, all was part of a story,

of legendas of passages of passages, of things that can't but

without, then he said, I do say, I go this no has no

logic. He said that this a second time had been very pesable because

it was the show the movie of the Avengers the first

that was a complete locura and the fact the

the fanatical people people that were disfrasas etc and

what was how they're that last term the

function because between my company Ector and you

we took to clean that was a small

was grandiss and And he said, it was all a cochineer. Of really, palomitas, refreshcos,

a quantity of basura impressive. He said, we're just we're used to be used to work.

So, we started to work. My other other other salas, and we

said, we know, we know, we're we're going to say, and so we're just

we're doing, so, we're trying, like we started a song that came to the

cabin, the film. He said, someone entered and he's moving there some

some of the couple. He said to do it's like a project a on the

screen and what he projecta and it is like a type black and

black and of what was this place like the stadium and says it was

a scene very perturbora because there was a lot

of people there apiladas we we we Why is that that's going?

And he says, my friend, Ector, so, I'm gonna sitar what he says, because he says, ha, ha, ha, no mames, us want us. We're going to the other employees.

And, says, we're going to spantar. And he says, and still, Ector, with that confidence that does the stupidness, he says,

Adelante, manifestate, satanas. Oralle, so, like, he, he said, he said,

he said, perfectly of that that someone was playing a drama but he was

to hear that sound in the cabin and it's like the image and then

they're like they say well they're they're they're they're

they're moving the and they're to be the and so

we're we're we're and there's there's where we we're

we're we're let's chambiar. I mean, you know? He said, Paco,

in this moment, the lights regressan for a fraction of second. When

regress on the lights, what happened? Volteam to where are all

the batacas, the all were full of people. He said,

but it was a farpadeo. He went the and it

went to the lot of the the room, it was full of people.

I said, I did a brink a grito and he's back the light and we'll get to get to

get a carl, I say, you know, let's get this problem that bad.

And, so on what moment? Will to return the light, all normal,

all like, all, it's but he, Alejandro and Hector and he

sawian perfectly that this no, no, no, no, no,

no, there was going to be It's impossible. He said, I saw, I see, I'm totally petrificated,

was totally he'd, was totally in shock. I said, I still heard the latitudes of my heart. In this moment, we're not,

we came from we didn't know because we didn't know what was going. When we did we know that our friends there

were, they're they're doing their labors of always. Dissue, when we allterated and a Hector

it's black, palid us they're they're and they're they're

we're not we're to say but even we're we're saying all so paco

all they started to be to us nobody nobody said how

we're we're we're so these events paranormals occurred

in a fraction of a second in a parpadeo in what the

the they were, they've seen this. They're corroborated that nobody was in the cabin where they were in the movie. There were

nobody, so, suddenly were employees in the salas, and there were more. And they're

for his life and say, is that I'm just that I'm sure for my life. We've

seen all the cell full of people. And in the little that we were people

to be they were women, women, men, it was, it was like a

function, no say, type six of the time, no see, something. We said,

we're we're not to talk to this because the people to the people who

we're nobody us and at finalize he said I do you

for my mother that when we went I'm I think that someone

took my arm to the day the day when I met to

baner in that same place had a marca like more

like like if someone me had got a never I'll

never forget to the lot of people that that in the

cell of in Park Delta of Mexico America. Canada's

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back with Canada's kindest community celebrating acts of kindness nationwide with a chance at a 100,000 donation for the winning community

and a 2026 holiday caravan stop. Learn more at Canada's Wonderland.com. What do you think? I know. I've seen that place. If you've had the opportunity to go to that place, but never entered into that cinema, fichita.

I've been in the place too, but never, I don't know, I mean, maybe because I almost not go to the cinema, but. Yeah, I don't know, I'm too much of cinema.

But, I don't see, I feel like they've been two, no, no, there's an explanation. And I think that, evidently, nobody would like, because it's something

very surreal. Yeah. So, really, if no, nobody in the cabin, what was what put that cint, the people,

the people, who were, what is what they were, what is what they're, I mean, I think, I'm like, like,

in a, no-se, or something that's situation that they're living that that they're that they're

exactly it's a thing that's a thing very difficult very difficult because the cases

or the events paranormal well people who people who really and I

want to put in the feet of these people imagineate 19 to 19 to 19

to 22 years young to are chambi and in any moment

pass for his cabes that something that something is about

to pass. And definitely no. And that's when when are the things, no?

And now that you think you have a story that he's a kid called a

little bit he's a young, and he he knows he said that he was utiler in

a theater in Buenos Aires. Wow. From Mexico to New York.

Genial. He was a work in a work called the game of

Elfiel. This work was like a suspension psychological of that

type of he He said that the scenography was very simple it was a way of aheadress,

two silas but there was a peculiar and that he noticed from a principle

that was a front of the piece. This he said is the thing is the

principal of this story that he knows he says that he said that was a

problem from from the thing that was every every

every every every every without why. But the people that

limped was that was simply that someone he had got rid of and he

but he said that he said that during a lot of the actors was dismayed

in plain scene that is something that is something that's noty

he took much important but when the actor he said he said

that he had seen a woman behind of the bed

of the eyes nobody he did importance nobody he creed but Nico

that he had like very yeah in the mind that's he's

he's something he's something he knew that he he was that he

he was more more than more than the little he got that

that he noticed he noticed that he got of the

picture but like as those were behind behind

the like not so No, me you know, detract of the video.

One night, while he was only in the theater, he said that was

reglating a piece of the chedress, of the scenegapy, and that saw,

he saw, he went, he went, he went to go to with the nudillos, because he

thought that he was a little or something, but no socedo nothing.

Really only he only he was really was very solid, No, not even it

but in that moment was when he put free because he was a respiration and he

and here there is a phrase that he pronounces much in this story because just he

he said that someone he said he said okay no know why in the

moment that he he's he he said no be a nobody will be

to and the phrase was written in the space. Pronto Saldre.

So, he tried to clean her but he said that I'm he said that someone was

observing and that sensation not so he went. With the time, he said that the

ensues were always more more ballarines and actors were dismayable

and, and there were passos in the bastidores and there were

phoos that's that came without reason. Really nobody more

he took importance more than he had been a experience in the

space. But there's there's something that was where he put

in alert to all. He said that the actress principal said

to say that I heard that I'm and he was

where Niko came in mind. It was the same

phrase that he had heard that had seen in

the spejo, but nobody he knew, normally. Only Nico, that had

had been that experience. The work says that's canceled to the few times

because strangely nobody wanted and he said, and is what he said

was what he caused like, that nobody had wanted to see like that

that that's kind of that's all the time. And he said

that the space disappeared after after the desmontage, nobody know

what But he knows that still he doesn't where he's he has

been in that he has been in the theater but he said that he said that the person

that has the person that has he's very preoccupated because he doesn't know he

he can he can he can or who who can that he has been that he

wow well well, well, the for si it's about

that the spej are portals. There are like recommendations of that

you don't have you need to be a camera or in the cabcerer or the

page of the television. Yes, of the actually I did a short-metrage about that

of the pictures. And just that you don't have you have to a

camera because they can be able a portal, something. You

think that is real? I the fact is that I've had been my

space front to my like the, for example, you despirtes in the madrugada and you see a, you

see that sensation like to start to looking fithing to think about you, because you get to

all over so, so so I'm so I'm able to open something, yeah, well,

I don't see. Figate that there's a situation with the space, very apart of what we

are that many people have the people have people, spirituals a through this

spejo to our reality there are many experiments I don't like

to call games because not are a place where they're a

and it and it and it's these mini-rituales that can't have

or can cause a more done a experience in the

practicante you you have practiced something with the

space or like to for Provar, no I see. Well,

as a time that I tried a video of this RETT called Bloody Mary and

just it is front of the and I don't to make to make, I think

I'm like a feeling a because it was in the bathroom.

Just that that Ritual called Bloody Mary is made in

the so then after I'm doing I'm like

someone me observed but not of the other, I mean, I sentia

very rare at me to be at me myself in the space. So that's been the

only experience that I've had been any you, if you guys have done creepy pastas for example

Baby Blue is one of the most commones that I did to do and no no,

no, no no pass nothing, but there people that the suggestion enter in

the obviously they're to experiment things yeah very and tirada

the suggestion but there experimentation that's with vealas before an

light of a spejo observe a flama during a time prolonging or observe

your reflex in a spejo has been obviously an effect psychological a effect

in your mind for many even is to enter as an state

to the where these people when these people begin to

to notice that his rostro begins to change and you start to start you

start to move the eyes, you know, the muscles of your and you don't

do you do you have done many comments in videos of TikTok

about that that that mirate much time to look

might In the space, you see how you can't be much with the mind, that you start to play cheque, but there are people that really say that no, that's I've experimented, and that's certain, that if you get as being fichamently to your reflex, in the

spejo, can't succeed this type of things. If there are people that do you get traumatized, the fact of a flama of a bela in a quarter, completely obscure, so it's the same that if you're looking at your reflection, you're going to

notar how the flama of the bell and it's also to change and many say it's a thing psychological, no. The start being, no, really, if there's a state altered in your

conscience, pass to an event that not is normal and the point the people and start to experimenter other things in

other level. And to be the theme of spejos. I want to tell this story called the

Rostro. This no us made Guillermo and he's

he's he's a very young, he was he he worked in a

movie very popular too of those that are in polis and a lot of

what is he says he he was he was he he was he was

he was the way in how he he he was he

he he went very entom to get to get to get to his parents

too with the gasto of your school of his colleges and he

said when I'm also it's like the work perfect because

normally those who are people people young and

so so so I know I my my

my my my he's he's seemed very well

he got a very very we're let say

so beautiful not the people was always was

there was a person major in the group that was in the area of and said he was a man who

he had a year of his years and he had been in this cinema and he

has a reference yeah I've had many years working not with

the name that he has a film very famous and

it's before it was an a local so so

his structure is very very very very And with the

past of the years, the cinema was changing of the time of the time of the day of the

day of it is a very very recognized. But what what generates this environment,

is that is a place with much antiqued. You know what is my

good Cesar, in the places very old, you know, so you

know, when I'm doing to work, all normal, all good, all chido, all relashed.

Dice, to me how was the of the of those new me took of the worst turnos and what was he said almost all the time me took to enter in the

night when yeah there was people when yeah the people and said I mean me tocable over all the vans of

women and my other other companions they were to make the salas despite of the last functions

and I me to come the banos to me to clean vanes in a scene very

great is be of all. And I mean he says many things

explicit, no I'm going to say, but you imagine many people. They say,

no, I see how those people live in us. What fear?

What I'm to know that these people live in us but so.

But, yeah, there's many things in the banos. He said

there was like a old legend and this he was the

person that was the person and he did he occurred

a actually very tragical has yeah various decades when he went to work

being young. He said that in that he had used another name and

passed a situation with a student of a preparatoria that was with

his friends to see a movie. This chick a

middle of the movie she is out of the but in

the room there a group of people in the Mano of

Ombres, that's a other there was a group of people

there's people that were to be able to beular the law. It's

that the little she's in the bathroom yeah was a time

and what is the rumor or the legend is that these people

can be to be to get to the time and there

was there there and there and there to go to the ba'noy with her and they

do they're doing the poor. With the temor of that she can't accuse or they're to demander, they'll decide, after having done something unnomrable,

decided to mandarla to other world, and his friends started to look her because supposedly they were waiting that were waiting

minutes, 40 minutes and almost going to be to the movie and you say it's that no gets. So,

they're to be to be to have this of the cellars and when they're in

the last bathroom of women, what he this legend is that they find this this woman,

but of a form that I can describe for the things of censura. So,

there was, no, all the piece was full of this liquid vital

rojo, this, she, she was in other in other world, a thing

really Tristan, no. Ropa interior, botada a one side. Obviously, after the

situation, he said that this Cine, after many years, it was closedurated

for this thing that happened, in no moment, they're with the people,

and this pass in the person, that's re-abry this business, no,

this cinema, with other number. So, the people started

to get good, and still the day of the day of

the day of and I'm with but I'm another other name

that's the person that's this person that's he's

and says the person he's like a old he

the typical man he like he and he

he does he and he and I'm you to

you can say that I that I that

this was real this me, he said, one night,

yeah, very night, I'm going to the banos. And, he said, I had a

form of doing. I was always, he said, start, from, from the first,

until the last, and I, I was, I, I put here the letterer of that

nobody, he said, I actually, yeah, there, there, and I started to

this, and I started the last thing, and I was in the

me, he said, I was I, in that banio, moving, and with the scova, etchando water, and I hear I'm going the letterer of precaution, piso mojado, like, they're moving, and I hear and I'm going, and the only

that I do, say, since bolted to back, is, uh, no, is it's available, it's not allowed, and I listen how the person still coming, and, like, no, he doesn't know, it's,

it's to the last time, and it's called the door. And he says, there an person and said for protocol

no there's a person of the gender different, if there's a woman

and said me have to say me and I said and I went out of waiting. They said

well, no, no, it's what happened I have to do you, I've got to

the movie, so yeah there's there, so yeah there's that's

he's that, yeah we're we're to have to have

the bathroom, nothing. He's that with much a little

to be to be and nobody respond. He's that with all the

pain of the world like he gotcha to see

there there or surprise no there. He said,

that so you know so when the person came,

so if I stood here parado in the entrance in all the

time. But, well, he still working, he's on the

and he said when he was he was he he's a

sound, he provoked a a woman that is

that is like lamenting something. He he he

he does do you and he's when he he's

when he really of this woman that has

like a He said, there's there's a in the in the in the person

he's he's out of the room where he's he's the room and the

room where according the there had been encountered to this student

of prepa he said I'm I'm I'm there there there

he took the door nobody nobody I'm I'm the door and

he's I'm I'm I'm sure the voice the sound that

a little person that's a person that's you say I'm like me mentalize that is the

canstance this and the other and he's the I'm going to listen but this this is

not came at the banio it's a little difficult to explain to explain

it's like if this it's what he he's what he he's he's like he

he's he's he normally he's there again there says

that when he these questions, the light of the room like, like, it's

like parpade a little. At the moment that he's done the and he kept looking

looking to the lavables where are the space, is in that moment Paco,

when I literally, he was he said, he said when he he he looks,

he his reflection, he says a one there, there was a woman, he had

had had been in the spejo, like for this vapor, like, or so, not literally a rost, it was, I was, it was, it was clear-it-sus,

his eyes, her nose, had the cabo-large, but the image that I saw, it, I had like the box very great, very abjured, and, of a prune, and, of course, I saw, move the book, and in that moment,

the only that I did was to go ahead. No, me important to leave the piece full of

the way to just, no me important nothing. He said he said

he's he's a little and I didn't go to the night and I

didn't me he said, the general, the what they

thought was that I thought I'm the only that he

was the he was the old the I'm he but you

don't me creist that that that that that

and And then of the 12 of the night, it's more more easy

that you know you, or that you know and that's still still some people have done

to be to see a this student that's that's unfortunately to you

know, no, no it's you know, in the places antivos

always they're like this peculiarity that I'm, I'm, I'm,

I'm, I'm, so, really all that energy and, lamentablely, what you did this

woman, in that moment, it's always kept a guard in this place. So, I feel

that is the part for the kind of this type of things are for all the

energy that is that is like when, like when when rents a house,

a apartment that is very old, there, there there man,

who live things things Firtes in your and this is a movie

but you have put in the comments helpen us to come to make a lot of

a house to a department and are passing things because before

before another person and he is there a cause

they invoking or evoke or evoke things they play wika

so things very really because really really you

didn't before there What is like is so before in those places,

yeah it's a department, yeah, or a car, yeah, or a

or a little bit of a business, really not you know you know you know, you know,

you know, when it's good, when it's where you go to live, clean your

house, there's many ways to do it to do you to do you to do you and to

your and you and you're going to be better I'm I'm I'm

even established like to make things that you don't use

because They guard a certain type of energy, that, yeah, of the peleas that you've been with your partner, or experiences malas, of times that you get stressed.

They're saying that's good, those things, sacars, to do that you know that's got to get that's that.

For sure, there's people who accumulah things. I have family, that guard,

for example, in cajas, the quaderns when my primos, when my primus were children, so,

guard many things. That's not not recommendable really. I know the sentiment

of that he did, but I don't see, I mean. The change is good. The change

is good. The change is going to be talking about this story that this not has a technical

of audio. Okay. That was in a theater. He was a comedy,

he said that's called the other so he's called the comedy, that all right was always

very little, were only RISAs, chisters, Scenes Scenes of the

life, etc. But he what he was to hear he did absolutely

nothing of the he said that during the function evidentently was

monitorial the sound like in any whatever event

or that type of he he said he he said

he he said that there was there was there

in the moment that he he he said he thought that was some interference

of someone more, of another that was in the same place, really not he gave

much important. But he he knows that the day next he was

back. But this time also I heard a voice, to say

this was to hear that more what he said. Yeah no,

I don't think that it was a only really that someone more

was talking. Dice that after that I started a group yeah

a group of people saying spiritu and he just this phrase

spiritu that in this house manifestate he he's he'll

listen so he tried he he didn't know

because everything was totally completely normal it was

there where he really he really really he and

And it was where he fell in into that something that's with the theater

and with the audio. But he said that in the theater nobody noticed

were doing doing doing the all the other of the people still the

people he said he said he gave the microphone abiot to put

the scenario to be that he was only he he

he still in his idea that he was he was he

he was mentioned. And in the transmission was clearly how a voice infantile was saying, no sires

the session. No, the series. Since then, he started to feel to feel like

physically. No. He could explain not even why. Of that, he he

knows that the bellator of this theater he he told the during

a work called. The Yamada, the The actors utilised

a huija real. There is where is the problem. One of them says that was

he was hailed with violence and he got over his column and never never ever

back back back to when the time when the people when the people are to listen to

listen to theodifone is because something is because something something bad will

say. He said he still working there because I needed the money but that

every function it's to cost to more the sun and even he said

that's he's not a not for he's not that he's not

he's only he's waiting that those those don't

do they're to run to imagine imagine a

place where there there and they still do

a session huica real and so So, I go

recently, the day of the day of the episode, I've got to get to get to

the city Saltillo, where we went to visit some places that are to be

available those explorations in our website. It's a website.

Weha there. Wehah. Weh. But for to do session Uiha,

we need to do it correctly. Yes, to do a perfect and good aperture and

and, over a good series. If someone who has a question,

and simply halla the table, it's to want to get to the moment, and it

and it's that there is someone that that's that's now, imagine

to what is going, because you in this aperture, what you do you do is

an invitation for that what whatever that want to be to get to this

table. This table is something And that they're occupied for a work of theater

like if it's like anything that normally much people do it's not they're in those things and it's

when this type of things they're doing. They're not they're but lamentably suede. You've

you've played Uigh in some moment? No. But my family, my mom with his

women, my mom and it was a classic. Yeah, before it was like it was a

thing, yeah, yeah, yeah, yeah, so, yeah, And the people

I went to the pharmacies, to the jugeteries, and there's that you know? Yes, you know, your kids

contact them with spirits and come to with instructions. Even for internet, you can't get to get.

Of course, it's very easy today. But, well, hermano, how you do you know, you know,

that's the question, the fact, a little tenso that I'm with all these stories, but

very very happy to be here. No, my man, much thank you for

favor, record us noteworthy media social. Well, I'm in TikTok

like Cesar peralta. com in Instagram and YouTube, like Cesar Peralta, me

can't find out. And as I go short of terror. So, if you

want to do a night that they're not going to do you, my videos, not they

don't get to do you. Yeah, I'm so, so, so I'm

visit. And, and nothing, family, thank to all others to get

to us to get is that a continuation you do a little of what Cesar

us we're going to share the story complete. I'm going on our site web

triple www. Podcast isranomal com.m. com. m. I'm there

I'm there's all the content prohibited. My name is Pacoarias

and we see in another episode. Until the next. Ciao. was naced

for so so I did a light my mom was he was he was without

when they when they're when they were to make they're to put the senisas of my

her manita in my court I said I'm I'm going to what you will be

to hear I know you're you're a year I'm a but you have to

say And I started that there was a little there was a little bit of

his friends, because I'm that they were also they're there's there's

there's there's and that if nobody he's never will be

to happen to never to happen.