EXTRA ANORMAL - Ofrendas Malditas: Historias de Espíritus que Regresaron por Venganza

Episode Date: November 8, 2024

En este escalofriante episodio de Extra Anormal Podcast, recibimos a Dafne Silva para hablar sobre las ofrendas malditas y los espíritus que regresan buscando venganza. Descubre historias aterradoras de entidades que no encontraron paz y regresaron con una furia incontrolable debido a rituales o promesas no cumplidas. Prepárate para conocer relatos impactantes de aquellos que desafían las fuerzas más oscuras. Invitada: Dafne Silva Canal: ‪@SeRegalanSustos‬ ¿Te atreves a escuchar lo que ocurre cuando los espíritus no se quedan en el más allá? #OfrendasMalditas #EspíritusVengativos #ExtraAnormalPodcast

For a limited time at McDonald's, enjoy the tasty breakfast trio. Your choice of chicken or sausage McMuffin or McGrittles with a hash-brown and a small iced coffee for $5.5 plus tax. Available until 11 a.m. at participating McDonald's restaurants. Price excludes flavored iced coffee and delivery. It's showtime! Now, turn up. Thank you, sound effects, Smurf. For the party of the summer with Rihanna as Smurfette.

That's how it's done, boys. Smurfs. Now play. Soundtrack out now. Reina and her mom They said We need to We need to He has to

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In this Quartto The She said Leone If you You're Here you

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in pesadies The woman She-la-pareceo And with her voice resonating terrorificantly He said

You'll You've got to me No, there's back. Enohed And be

that her mother is in cunclillas grittando because they

they said that the little he had not had latidos In this dream

particularly she view how I was in the kitchen of this restaurant and for the door

there's a Alejandro the chef but his rosa was very palid and in that he

see how from the back of him they're like some some and they start

like they they're to start these hands covered their they're

like they're they're and in a moment desperated he

he says when he he says your mother did rituals in this place.

How, How, friends, be welcome to an episode more of podcast Extra Anormal. My name is Paco Arias and I'm very happy to be

here with this occasion I'm content because I had a time when I had a lot of a good

a person that also that's part of the team extraanormal. Daphne, how how is?

Hello, Paco, very great, content to accompany you in this

occasion with this new theme for your community. Thank for

all the people that see this podcast. We going to

talk stories that has that has to be one of the first

for me it is that that's in this month in this month of

November that that is passing Day of Murtos

but we we going to something that I'm sure

that out with the people that's this episode is going to feel

very identified because normally when when they're these times that have

to pass some days Daphne that's a day of Murtos there are things

in the houses in the houses in the people but before before

to enter to to the time for the people that you are

seeing that you want to you presentes who are your

social Sure that my name is Daphne Silva You can find me in podcast They're

there I'm part of Mesa with Oscar Herbert and for suppose Paco

Arias in this in these chapters where we're about things

a little more more relaxed and of some other things that don't

have nothing to be but they're very interesting those

we're they're check in the content and if you like subscribe

there with us on us other. In the social you can find out in Instagram

like Daphne Silva or Nenukado for there us we can't contacter.

Thanks Daphne. Of course yeah so practically we share Mesa with Daph

with Oskar and we give us and sergal and sustos and is that the last the last

investigations the last episodes have been very very good there for there to be able

to get the link in the description and well Daphne we

we're about about of this theme that many people

many people there have had lived things so things

initially because there there there are many of our

and those abelitos my abelos that have created

and have been generated great legends a part

of Day of Murtos is a time important in

Mexico and in the level world and great companies and

we can call them companies that have been with the screen great, great

producers, have created cintas cinematograph about of what is the day of mortals

and the reality is that you're or not there there many

people are sure that they're things paranormal things supernaturals

that even So, many would say that not are our families who

are the people who do you? Tell me you, you know, you think it's a feature

magic. At least for the Mexicans, it's one of the most important

that we we've we've really in particular. And I know if you

do you know, but when you're getting these feches, one

for the regular says, oh, yeah, you see the environment

of the day of the no see, it's something a little extrano, because you know you know, it's a

festivalities, no? The people, how it's to buy their flowers, the things for the altar. And I think

here in our country is one of the celebrities more that we have something that we're something that's

a lot, and as you know what you just have put this celebrity in greats in the

screen. The fact there is that there are things that even all just standing

at the midiated of the month of October us make that

that spirit of the day of the day of you do you

there there in the place where there some people

and some some ramos of mok of pavo

and also they say to the other flower and it's

an aroma so peculiar I remember there sometimes

there I go I go to the patio of my

house of a lot of these flowers so, of the, of the, of the, of the,

so, they're gonna and I'm acerco and I'm acerco, and I'm so I'm sure that much people have

done, the whole, the, a me transport to my newness to the years of when I

had my abelita to put the altar to die of mortals, that aroma, that frio that's so

characteristic, even many people say, that this frio is normal, this frio is like frio of mortals or things like that.

I don't see if you've heard of that's. Yeah, and as you do you know, you're remontas to this

time where you're in those families who are now, you have been in the altar that we're

so, so so it's a time too, that we're that we're living now as as adultos, as,

difficult, no? Because to see, the car of your people, you put these

offrenda now to be there and it's to the offender. So it's

something difficult, uh, and that even though you're a lot of nostalgia,

also a sometimes you know that they think that they're going to say,

although how you have you don't know if they're they're not I don't want to

sound cruel but the reality is that we don't have a who you're to put in

a who you you're putting offender exactly Much people

have had experienced very bonitas others more have

had had experiences very petricas because there this

is very and not want I can ask me

in a question and I do abertam and

with much respect there there people and people

that people that are in contra have their arguments

the people that are a favor also also

they in their arguments because it's a practice that that's from our ancestors.

So, so they're from years pre-Hispanical practically. But something something is something

is to hear what is what they say the people that are why are they're in contra,

because they're in favor and is that the reality is that there are people that are

that people are sure that make that an altar in your house, to open a portal, because really

it's able to open a portal for that in this sender enter an a spirit, to your home,

to me the offrendas, because there vealas, there are many elements. But as I'm like it

with much respect, and is respecting all the creences. And of this is this thing that

is carried in many stories, of many anecdotes, that are from the

somber you know of the anonymity people people who have been an

encounter with something that not precisely are family or

something because I always I've said a family never

will want to never will say come with me

because I think is simple logic no what

do do the spirit who supposedly is going to the way for

the way you put a bell, the guide of the light, you want you

think the part good, the part and now how you you're putting here on

the table, how to know that that spectro or phantasm that's

is really the person that you want to it's something that's many people

have lived because the stories that we try us for this capitual

if they are little tettricas there are stories, I say honest honest, there are

stories that have passed in my family and I have told my mom my mom

I talk about or live one and there stories that there's

that come that come in a circle so and

apart there are the that the family extra normal

and I know I that if you have a vivance for favor

to share a normal podcast atrobaGmail com I'm going to tell you to talk to

my mother Daphne before to start to get with the carnita perfect

this this happened in the 2012 in this then my abel

even even and all we've we've in our house

the reality is that she was she was a much

empeo, much dedication and, over all the moment to make an altar. I remember to be the person that always to go to

go to the market, go to buy flowers, go to buy a super that here in Mexico is very common these mandarinas

or this an anarangita that is like an anarangada, the mandarin is here or a

orange china as you also in other other places. Uvas my my old hasia molley,

ponia in the altar, I'm like you say, no, but your tio fulano

he liked a service, but his serviceita, chocolateit tamalitos, no? And I

remember that when she was gave a $20 and to all the nietons

and all they're all they're all right and come them. So, then all

we're all we're to the tinder to buy sabita and a a lot of

things, chucheries, as they said, and we put him on the altar. Fifate,

the curious, expecting the three of November, that's going to be the people, but

they were to get them, and I gotrava. I gotrava the pack more grand, sabritas

and fulanito and so. Cosa very extra. Because there was heard,

I've seen a much people in the amit spiritual, that they say, that you

don't do you know, no, don't you don't do the offrenda that you

have put a mortal no you have you know and it's curious

because it's about much in this then the that the

food you were insipida no had no there

was this essence and is that at the family of my

old she about that the people the people

get this this sense this flavor making that

the animals that are insipid and if it was curious

because in more a occasion me took to eat

eat a food that you want I don't

I know I can be obviously the explanation

logic or scientific that well an animal to

start three days of the cold that are

there can be there there there no no

no no we There's an explanation. But it is a curious

because there many things that are in this year and he said, well, my mom only had a

lampra in the mess and she saw the reflection of the lights in the altar. And I said

my mom that I don't the night of the 1 of November that is when

supposedly in some places there are that there are the people or

spirits of the are the first that say my mom that was

scribing and he sent you like an air frio entered

for the window even the curtains and the air and the

and it's a feel a scalofio great so that was

from the back to the part of the back of the the

part of the part of the very very very very

She still working and he started like when when you when you get a

so you do you do you do you do you and then my my

mother put tases with chocolate so she she not

she didn't the but I do you do you do you make you when you

put when she said I think I'm to have to pause

and I'm continue she And I seera all what was doing.

He's up with a fear and he got to get to see the stairs and then

he got to look at the and in a moment and he kept a parada mirand

fithing the altar my old was used to put these oranges

these oranges colgated of the arco of a or a mecatito

or a cuerda and one of those oranges is there desprended,

call to the piece and he's to roll to where my mom got to

his feet. My mom was spanted much because it is possible that could

be able to but why in that moment because when she was going because when

she was being directly and the probability that this roared to the

really that was really very very poque my mom what did

was to rest a father of our our with much fear, agar, he

and he got, that's that he happened to her, and for consequence

to the hours suffer one of the paralysis of the more more

that she has had been that the family that

the day the next or at the time and the

and my woman he probably probably was one of

two of the of my an abelita that was a young

probably he he's there. There's a little of the thing

because he was going to come marangas independently of all we know if he

was he was a other other cause if it was but the

experience that that's living during the time of dead

of mortals without some one is a something something

and and part already pre attention to your

story says he said your abuela, your mom that could have been his

brothers. For that part, how beautiful to think to get to your brother and

that you want to do you know, a maybe. But imagine that you

not you have been the your mom, your man, that has been someone

that you never has known, simply a spirit that said I'm here

and I want to come to this mandarin or something

that this question to to stir the mandarin to really to really

to really to get a much times when we're we're we're

sometimes movement of objects is a form of communication of a spirit

because they can talk you can't say they're they're

they're they're they're they're they're for we're we're

only we we're But many times, and we have been a lot of those, it's a

message or it's a something, they want to say something. They're going to communicate, they're going to

pass a message. But as we don't we're we're used to see that type of events, the first

what you think is it's a call, gorele, it's something and are things very, very good and I'm

a month very mysticic very, very very tricky because at final is the month of October,

at the initial of November there are people that make practices with certain animals and you know what I'm referring and it's

very tricy also to talk about this in these in these feches that are so full

of mystery or so so full of events paranormal if if you

do you doff? I'd I'd like formally start with a

story with a excellent you I want the story of

Ruby and for this I want to you personally you

you you you think that are spirits humans those

who get to the earth the 1 2 of November you I

have put to doubt because because view it's from

the manner sentimental yes I I've I have

this tradition since I and I think to

what I can say for me are are spirits

humans, persons that and in many occasions I remember that my

abuel me said put variety of things because many don't

get to get to and if they they're going to get to this and I said

the the family come and we visit and they're they're

and they're but also people that in their people

in their people I'm the way but now that we

we're here we're here in extra normal I

I think that this could that not be a spirit human. So, okay. You want to tell the

story of Ruby. Ruby is a maester that today is a woman

pensioned. Yeah, yeah, yeah, not, he no, he no, he no,

he no, he has done the years necessary to be to get and she and she

started to have a much time back, precisely we've talked

other times when you when you You're at least as a master, doctor, a enfermerer, always they're in the zones

quite aligated. The father of this is that you're in contact with your raises, with usos and customs are sometimes

good, a sometimes not so much. There they they're a manned to a little of a

for a master. Lega a little little, if me a name of the

place, but for questions of the pediment of her, we're to omit

because it's a people. I'm going to say, we're going to say, we're going to be

a lot of a day of a matter as a form special, as a many of many.

Being finales of November, the people were in the markets

to make their own their own flowers that they they were themselves in

their and it was a lotura. The people went to the

markets, and Compraband Tantas things. The people was in

colors. The government of the people mandaba to adornar with

beautiful adornos in the the ceilos in the desches of the

parks, the arrasas all the world. It was so magical.

And she said, wow, how how beautiful is to get to

this type of places where many in the cities not

see like like and is that really, you see the

sentiment of this festivity in all, in children, in adults, in the children, and all felices,

uh, trying to buy, trying to do their own altars. All they

had an altar of the school. Uh, as part of the administration, well,

is to do an altar. And many people said, I, Maestra, I give this,

Pavlito had a can't, Pedrito had the Naranjas, Louisa had to

the tamales and all they were to start and they were and cut down the canes to make

the marco and all of this. In a occasion an an alumno he said

Maestra I only live with my abelita and no

there is nobody that us could help us would be to accompany

us would like what was what was there are

the altar, we can't get, and he's clear that sure that so. Saliento from the school,

he's got with this alum, and he's made in bols, in morralles, some things that had

sobrated to start to make the altar in house of this little. This

little only lived with his abelita, yeah that his parents he had

left an orphaned for an accident that took to be to be

to the abelita. So when he gets to get a house, she had a

question that was a house very um where the little was doing

an altar a little little had a little and I was a

little little little of a compassion and he said I'm

I'm I'm going to help because the altar he felt flowers

so then there was very common of you know

you say you you can't cut them of the patio of the new

you're going to say but yeah everyone was doing at the so I'm

to get to the market and in that occasion she she's she's

she's and she and he and he got to there's he got to be

to the house I was agarand but they were getting so it

is something so it's something because there in those places,

I'm used to that the women or to the ancians have things very pesable and it's normal

or they can carry a leon then they're so there nobody they'd and then after after

after a rato he says a man and he says, no, well I'm to talcaza this I'm

doing to do the name of the signora to be the altar to be I'm sure

to do you I'm I'm a very much and he was a third age,

but it was a very, he was that could help her. In that

the man, the man had the lot of and they and they're going to

get to come in, even they they're to say, the he says, many things

of the people that she didn't know, he even he said, I'd to fund

the school where you're doing class, ah, that's that's chido, I did this,

what's the time you to get to the people? No, well, it's like a

normal. She went to the house of the sir. And just minutes before to get

he's a mother of family and he starts to say and when he went to the flowers

simply they had just there in the place, the master said surely

the man said he was he was he had to go and then he just he left

the flowers there in this moment she she she does he I mean on the meters,

enter in the house, he says to the mother, to the abelita, here he I'm going to help her to put them

the marco, and they're there's there working normal and they're when they're when they're

to put the flowers in the marco of the altar. The she made

a photo of her ropero. So, he opened the ropero and he a photo

an photo an photo an very and she put in her altar and she

says for that I'm my baby and have where

get to get all very normal until that this

maester ruby bolt to the altar and the photo

of the sir she was the person that

he car the flowers from the parada of

autobuses to the house. He cargo his properties.

He was the same who he was and he did that his altar

was beautiful because I knew that this maester had

good intentions with his family Ruby me me

he he's very astombrada I know how say

to this lady she she she went for much

time looking the photo intent to assimilar or

even to maybe an explanation and say probably

was a brother a and he's when proceed

to ask questions have he have primos there

some there someone that says no he no

he no he not didn't he No, primos. We don't even we're from here.

And we're getting very young as to this people. My husband has five years that fellacy.

And then I've put his offending to her. She didn't know what to do. No,

he said nothing. No did the world and she went. But it was an

experience, I go more than of paranormal supernatural. of some to discover that at

least in this history if there was a spirit good, he went,

and did some way, is in a way, she's very, she seems happy

visiting his family. This story has many years that has many years,

but is an anecdote that gives Robben's memory for many

years because she I'm finalized this story putting

me I'm I'm and I want to think to I'm

talking with a person a man the the

flowers that I and I and I didn't

I feel but but the only just to

think it a little a little a question

wow what what what story for the you, I mentioned a little

the question sentimental. That's beautiful. Imagineate when they told to the familyaries or

you know, the beautiful to say that there was he. And it's something that is a,

well, for the memory, for the because I want to think that this was

something something that's like if me me said, you know, when your

abuel, I was going to feel very, very beautiful, no? It's a man who says, is a person that says, is it's

validing what, what we're offering us here. It's a sentiment of satisfaction to know that what you're doing, you're doing. But, but remember that

to all the people that's listening this, this podcast starts with stories, leves, or soecitis,

and little to we're going more obscure So, so prepareate. Sure that's, Paco. And, well, as you're you're talking to you in this moment,

I also trygo a story that us envied a group of friends. Yeah, that's, I'm going to

enter in the context of this story, but I think that when you you have a problem in you, it's

very complicated to sanar this part. That's that's going to a familyar without that

you you do you expect and that you keep with something in the

heart of the not to be or to feel like to feel you, I think

I'm a very difficult and I think I'm so I have lived

something because it's common that the families or people

that are so they're without and it's very

very so so so so so group of people

who envied the story, they're to make an altar or the

offer to a friend to the woman a year in a accident automobile

a carmobilistic very so obviously like all group

of people also the part of one of your group

to know? A sometimes not is one very very

but the fact of the no see, in the school, a day. Well, you know, you know

this sentiment to the person and to get a was very very for them.

They were a culp. It's what I was what I was talking that I'm very difficult.

So, so they were, they decided to make a altar to Valeria. So,

repartiered the things, some, some were the flowers, the

calaveritas of sugar, that also are very typical in the altars. Decidion

put things that they liked to Valeria and

chocolate and a other and a other other was,

they were there were playing and on the altar. It's a moment

unique when you mount you a altar. One of them was the most

susceptible to these questions paranormal. The others others not.

But she at the moment of being doing this altar he

heard a long a so-surro. It was he was

a little he's put alert to the people because

as you know in a group there are some

are meados, others who don't creen, others who see, but can't control a little more. Then they continued doing the altar, until

at the lo-lejo saw a sombre, and decided to tell us to all this. You know? Valeria? She'll

she, how I'd know to get a person, but none of the other other people was talking

nothing of what she said, and decided ignore her. Digeron, this making us

a drama because for the feches, it was in night when they were doing the

altar. So, it was the moment for that for that could have to do a

problem of this style. They've each one, how you did it was,

what they took to get to but they had been always of a very important

Paco. The Vela. We know that the is a symbol of the light

for the spirit that you have to you have to Well, guise in the

way of that's what is what they do you to get to where they're to go to where they're

waiting their family. So, it was a little that night that no had been

vellas, so they only were they were little little in basitos is different

to the syrio that's kind of that's that's a style. That's a

so it's a so it's so it's there's the vellators that are in the Basso and much

they were that these started to parpadear if you have seen like they're like they're

like they're but not they're not they're not they're so so in this moment

all of this socese and they're a little quite quite extraos

observed a lorena that was the she was susceptible these things and said

this you know this yeah no it was Loretta. So, they're

talking, and she said, Chico, do you know, do you think that something in

this moment? They're a little spantated, yeah, they said, I think, we're going

to get a time to the house, and we know, and we're not we're going,

and a measure that the night advanced, then the atmosphere was more tenso,

and apart we're that these feches, like you do you are mistic, So,

something there is in the environment that you make a bit of a little from the

from the environment when when they were going to go back and here if you

I said they said the voice the voice of Valeria and he said why

me abandoned in that in that moment they were all they had

something or one of the one of the one of the chica had

about to make the And no. All those Callero that that

that's a voice of Valeria that was saying this. Decidion each to get to

their house, quite a lot because not they were not

they were what was what was going, Lorena son- with Valeria. La

was, she was she, I don't know, he, no, he did

any message, but she was, cabis- -baja, and she saw

and she no I don't understand that he's he's a good

he's a good he's in the house and he was in the house

and he he started the photos that had in the cellular of Valeria

and here and here did something quite because Pedro

received a message of Valeria before that she partier

of this where he No, observed the message, and was at a feast with some friends. So, the look at the photos

of Valeria, he'd regressable at the moment in which he no leo that he said very bad. He was to

feel that the ambient was a lot of the moment of that he decided to get to his recamara,

he's up getting on the escalers, and he he's again the voice of Valeria

susrando, why not you for me? You know, you imagine how he put Pedro. The culpa

was a cabando in that moment. It was envolvied horribly and not was what he

did. Meanwhile all, Gerardo, that was the friend eseptico, as I

said, there's a one that's a question to all. He was in the cell of

his house and he he came to get much a lot, he sent you something

he felt like something he was a of Valeria. It was he's

with Gerardo and what did that he did he something a little

a person to be a sceptic was that his cellul was in the mess

blocked and at the moment of that he he's this susurro

the cellular so and he's put only play

in a video in a video where he he was not he was

no He was alone He was alone He was He was Lejos and blocked Explak me

how the telephone is going to disblocking and the nothing will appear a video with her

No, there no way there's a form logical There was where Gerardo no

could find a explanation and he said this yeah is very

rare so then then then then then they decided to go

to Anna that was the chica an there had

did also many things strange. I was and I'm very inquietta

and let all of all of when she met you to be to be in the moment

to you see his space of the room was because normally

with the water of the water so it put in the space

she she she and when he he and when he

in the part of back back a baller then

then pe extremely terrorific for her in that moment. He's out of the baby, very spantada, no,

knows what do you do, tremble about reallyly. And in when they're doing they, they're doing

all this that I'm saying to each one of them of the group that had been a thing very

extrana and all that had to be with Valeria. Yeah not they were

she really was she really was she was what was what was what was what was what was

to Gerardo, that was the sceptic, they were the sceptic, they had no knew how to reactionate

into this situation. Decidier to regress to the garden in where was the

altar, with the experience to, uh, then, uh, to,

uh, to us to get to to get to or not they were that they were that they're

they're doing they're doing they're they're to, uh, uh, uh,

to ask, uh, uh, uh, to talk with Valeria, say, Valeria, we're

we're we're not you're when when one does

these actions they're they're they're all time passos

on the dark and they see a silhou of a woman they're

not they're they're but they're they're they're the

spirit of Valeria they they're that she they're that she

they're that she to all why me abandoned there. There

there this question of this question of that I think that I

think that she said she said that they had abandoned and and Anna

in that moment the the child she was

she was and she she she was the she

was the she she said and for favor Valeria

per don't us when she is crying and

pardon to Valeria, all they've seen, how this sombra that had been

seen and they're going to and it disappears. They're they're that they

obtained maybe the and for so they did they did happen to do things. It was

something for them was a record that months before of the accident

of Valeria she put a message in the group

that they were in where they video that one of them for

favor for her she had had been a first with a little

with a kid and he had had had been so

so she she she she to go the

night in the night and someone she she did she she used

and he did you imagine that's horrible so she she

she suceso, Valeria, and they think that it's so bad that the accident of the I'm talking, was totally planed. Valeria,

she quited the life, because no could live with that desire of that someone was trying to solo, and that his friends not were for them. That's great. It changed all the perception

of the history. That's. All, all. Much of times, is a part important and I think a

much us interest when they're in sessions spiritists and contact with an

entity there are occasions where this entity says that have to be

with the moment of his death and it is surprising to know

that in the moment in the they are abandoning this

this plan They're going to They're going to They're going to moments So, So, Firtes,

and terrible and sinister and so doloros that the death has been being being

a libyo for them. It's very Furt. They're are things that are things that

seem to don't happen but that still are going that I'm going to be

talking. I'm I'm going to get a little the intensity of my

relato. Okay. Versus the relato past I want to tell the history of reina

I'd want to asker to asker to asker to the altar of mortals is a

portal the altar of mortals function for that a spirit get

and here we're to retom the question what is what gets

because reina that is the person that this story thinks that can get spirits

vengativos and with this I'm I'm going to she was about nine months that he had

perdive his abel his abel so he called Santiago Don Santiago

a person of the third age that who He was for causes

natural. He was an abuel very amorous with all. A father

exemplar an abuel an abel exemplar. He mourn in his

house due to causes natural and I'm but the moment

of his partida was something so that hard

that he marked a family. And this day of Murtos

that was the first where Don Santiago no I was

not going to be. So, Reina was a little a little comprometida to

to finds for his abuelito. Because the abulita was the person that

was the person. So, all not being, she took a batuta

to say, me to put a altar, to do do the little to do

to do and now to look to an offender to look

things beautiful for this altar. And she he was

going to a market of Veracru because it's of Veracruz and he

was going on the market looking to put to put food and he

did he always he liked much the pulke so also he

also he got but in one one occasion he was

going going going what more what I put

put that was a little bit of things religiousas had images of santo and he said but at the lo-lejo

saw a cross this cross had a form very rare very very rare and it was that

was a but he called the attention he said he can't very well

in the altar that I put and he's and the first

that she noted is that he with this object and she said I think

that would be a good idea very good idea to put it to put it in the altar to my

my abuel he would like and what he is how it

costs it's at the and the and what the person he said

was very scalofriante because he he he said he said

is an object of a good I tend much

her care if you she thought that she

was a problem but he's what is you do you know

he's okay so you know that this cross was

and when he was he was he not I'm I

don't I love I okay then then he

he paid he he he that was the complement for all of what she was he was doing.

He gets to his house, he's arm the altar, he put the offrendas, and at finalize like if

were a ceres in the pastel, put the cross and the photographia of Don

Santiago, his abel. When he did that, she said that she said that

she knew something a little like a kind of of obscurity like she

was a he he's he doesn't interpret it

and he there's he's there's there he's he made much

the attention the and he he said I do do

no no no and let me talk let me let me gotro

but he saw but he he was that he was he he was

put in the altar they were they were they were

all the family reunited and justly, down the midnight night,

like in almost all the stories, enter this air frio, known as

the air of the air of mortals, this air free that comes. The

curious and the strange is that after that's that the

little the armatito Ernesto he got in an She kept

paradito Nobody knew why to pass to start to start looking to

a rinko he said to get a reina he says what you have but

he was he was looking so fithently at the end of the

house what you didn't no respondia and the The only

that responded is I think a new new a new friend

he's no he said no he said she she what he

said she was to be to get to ignore the

comment of the little Ernest he was to

go to pass the days and this little

began to act to do strange. All the

world be a different of Ernesto. And what

so he said that his friend was his but that

he had fear he and when they they

said they said what he he's you know you

know that it's normal that the man imagine

things and the said, he's called Leone. So, so my friend, is a man, it's a man,

he's a lion. And how was that he? He was he, I was done, but I was

really, and he said, and he said, and we said that she, and we were a same, and

they caused a little of a little time, but at the same time, you know, that the little exagerated.

So, like no they present a attention. All right.

Everyone thought that was a very very normal. Passed

the days, passable. But there was a little. The

new described a this friend. He said that was like

a sombra oscura that he was very rapid and that

he was he said is that Leon me makes

reire is very good a friend I make a little

and me makes a really, and I'm going to get and I'm going to like a

like a something. That's that's not normal. But the the little

but the little. There was a moment that they did know that this friend

that this little was playing in the cell of his house and

And he started to get a reina and he he's a little he's a time being

he's trying his rossos was full of the and the only that he said Leo

me is I'm not I don't do I don't I can't be able I can't

say that he kind of to get to get to to get to

to molestar, it was to espantar especially because he caused a much fear. And at

the same time, Reina and his mom noticed that Ernest in the part of

the back of the ears, of the coo and of the back,

he had like, like little saranions. But it was rare because

the Maester of Ernesto never reported that a

man who had lastimed and they had mascots in the house but

without had arachions after of his coo after the earja something

something so what curious is that he said that he said that he

said to get to get to how to get to

get to get so he to jodier to the school

something very very feo he was said Ernesto, the grade of that he

had to be in a hospital, because he he came down and he had been and the doctors said

that it was that it was then they had to put heros, they had to put her vitamins because he simply

also he just he said he's come you have to eat your food, no I don't I don't

I want no I want. So he he started to to lose all the force, the mobility,

all. And he only had to be in a camilla, receiving vitamins and practically the nutrients necessary for his body. But he was like

not sanable and not knew what he had. One of the diagnostics, I think, more that exist, for a little,

that is that they get and you tell you, you know, we know that has your his his

has leosemia something something very very very this

little was in the camilla was there but at the same time

reina and his mom that they were with they know

that they they didn't that all had had had

been that this amigito leon had got to

his They were to talk with him, with Ernesto, while he at a time he said,

and he said, counten us what he said, what did he did he did he? The new only said,

no I want to talk to him. And he began to I'm a fear. And there moments

where the the new was still and grittable and he'd be very acelerated

and he said he's that he's that he's I'm just he's spantando

but you know you see the quarter and no you see nothing in a

occasion when he was in his mom and his mom said we're

we're we're to confront to this because if he exists he

has he has he has to return to our little of our

baby and there in that in that court the the

she said about and he said leon if you're

here, manifestate. Deja in pass, my son. We're that you

are the responsible of all what he is going in that moment the only

lampara that was in that court he started to be false like that

was that was and they had and they were the

same presence that when they put the cross in his altar and reina

he said if it's he, he's he's exactly the same but

they were that his mom was so firm and he said manifest

me to give me to give me my

child and the focus is a completely the

room the and it was then in plent

quarter saw one a silhouette oscura that was a

side of the little something. Something that they're not

we're not we don't we we're but it's like if

us about in the mind the two we we

said and that he he he he pertens

the the two heard that but not it was audible

it was like he had had he had his mind they

they're they're how this thing had manifested at

the room and and see how this position

it and that he a more and in

that moment the monitor of sign vitales of

Ernesto he he he he he det let

of him. Leon he was to this little. Really really did.

Moer in the moment in the that they are they are this entity.

Dehue a very great for them as his, as

a man, as a member of the family but they

they didn't know because what had succeeded that I'm that

it's when the family intent decifar what what what

what so what and is where reina that

this sentiment of of saying I don't I

didn't they're to who I didn't I don't

I don't I go I to ask to

ask to ask and he He said, of who was this? That

sir of this tinder only he said, I only only I only did

to sell things and things religious. That cross was

was in one of the houses where a family entered a family

entered and decided to cover with the life of

a man that He's called Augustine of Leone This family

about the life of this Lord that was a violator and this cross

was in his dormitory We we were a moment where they entered

to their house they saqueered and it's it was it was

it was easy to take it because it was a cross

very beautiful. It was a little common and they thought it's

it's it's what I do you Paco would do you is

they're they're something and they put it in a portal trall

tralliened to this reality I so so I see is what I can

do you can't be equivocal, clear that I could

be a but why that casual in the name

of the friend and the person that was assassinated like that was

a a and it was that not is that he's

that I'm that it that what that so

imagine imagine that so that's always and that

this situation get to get to get a person insentes as the case

of the child that that unfortunately partio many many

that we've talked when there certain practices certain

conjurs or they're simply innocents Echisos Always there's a consequence

And always the most vulnerable Is the person That's the person That's Like they're Pagando the Plato Rottos

The No, no He didn't the Culp of what had done His mom He simply

He simply was there He was I'm playing Like a kid But he

He went to His house That is. What history, Paco. Thanks for to share it. It's difficult

to think that the sentiment of anojo, the rancor, or all these questions that

we've been in this plan, can overpass to the other plan. Because

you don't think that maybe your family or the person to want to you'd be

enogated or with you. This story that we share that they're anonym for the question that's going to

to tell. Okay. It's something very strong to see what you Paco. And you I said I know that

we don't know if really the rencour, the odio, the enoho trespass the barriers,

no? Yeah. We're to put Miguel to this story to change the

name. Miguel was living I had a time with something with a

quite in your heart. He had had a mother a

time after but no he did do she

and also of this to not have been they

were they were they he he he he

he he's also he also the relationship between

the was of questions that maybe well, because that not

corresponded to this fact of that a mother and a mother and you're

going to you're going to this question. No couldn't reconcilial before

that Mary, the mother of Michael partier of this plan

and then he had this sentiment that you do when some

family part and not to do time to give to to

give to to give to He decided to do an altar. He normally not, no, no, he would have done this. It was a person that had been a little

away from the family. It was very independent. No, no, I'd go to the fiestas family. Not convivia with all his family. So the fact

also, the fact that to put an altar for him was like, I don't like these traditions, no? When, when it's this

that he goes to the head to put an altar. It's precisely for this, because he thought that doing this offrenda to the spirit of his mother, she would have forgiven. So,

decide in his department, put this altar, he begins to buy things that her mom like much. Between these things, a cigarito because she fumably he put him a lot, he put many things that he

recorded to the infancy of Miguel when he'd partied many moments. with her mom. He commenced to this offrenda and every

element that he added he felt that there was a little of

that when his mother appeared the day of the death he was to

get with the pardon that he needed the night

the night the first of the belles that he had

put the altar, and he kept a little, uh, so extrano

of, incredul of that get in the day of mortals, he took a seat and

decided to sit to observe the altar that was in front of him, and he

kept on thinking, if the really this is real, I think my mom will be

going to appear here. He's began to desire with that the spirit

of his mother appear, that he commenced to feel as well as you

this frio was for his chamarra and he went to siters in this

sitting here because as it was a little incredulo of all these situations.

He started to see that the bells that were there were to be

and he got a something he was he was only completely

so moment, to his mother. Cere those eyes and he said to say, Mom, if you're

here, for favor, manifestate. Necessito that I'm here. The silence so is

a profound and of a repent, he began to materialize a sombra at the

altar that Miguel had put for that he said, it's my mother,

he got here, he was he, but it was a little different as how her record about the rostro

his mother in that moment had a semblant between a trestesa and also an ojo

a person that in life was very for him was very to see and

see her and with that with that with that with that car of the rancor

that he had in this moment and he said clearly that his

mother he said Miguel Has been here and you not I'm here

to talk about his mom was very enojated Miguel obviously seemed a

trestice when that's because exactly he had made this of

the altar to to give pardon and for that he

not his mother would have that had a past

mom Ma, I'm, I'm sorry, he said he, yearn't, for favor, pardon me. I've done many things malas and terrible, and I want that me pardones. Maria, his mother, or the spirit of Maria,

he looked, like if could be a through him, and with that car of nojo, simply he said, pardon? You think you're that you're

going to you're going to you're going to you know you're not you're

imagine these words to your mother to you for

supposed Miguel he felt that something he and

he could he he he he he's he

he he he he he said he he

said to what you What do you refer to your voice? He trembled, she'd, he's heard like when

you're much a lot of and you're and your mother, with a mess of a lot and nojo

he he said, I've secretes to the tomb for you. How you think

I'm your life has been involved in a minute and now is the moment

of that in frontes all this. The words of his mother, well, obviously,

he was lastimed, although as I said, he was he said why his mother

he said this. Simply was trying to do it like that nothing was,

his images that were in the moment in this moment, were

quite they were to the mother was a what his mother and what

he was thinking in was the relation with Lucie, that relation that he had with the husband of his

brother. That romance occulted that he had maintained during much time and that the family was not

had been not even his wife. So, the mother was to this enojo

to Michael. But when the mother came to make to him to him in this day

of the mortals, he intends like this no and he said, what secret

you get to you get to the tomb mom? He said

well, the response. And his mother, with a

look, he said, well, you know, that the son of your brother

Roman no is of him, it's too you, and this is what I

me me to the tomb. and this is what what happened and the why of not

to be in past in this plan Miguel sentia that he was a day in the soil

in where he was he went to the sill and he inco to ask to give pardon to say to

say to the mother to say I'm for favor I don't I

want to destroy the family that we didn't you were

you were enoged with me it's what I was buscaba. Of

the time you're and to tell and to imagineate that scene of El

incado or piddingly to the mother that he was in the moment

the belladers they were they were completely the

television of the cell and the and the fos

started and the focus that was just above

to he he was there there was where

he sent that his carouson he didn't he

had he was he's he really he really he had done to

get the person his mother not was and the last

his mom he said and that until the

day to he was he was always you

have been a cobar you have tried to

have tried to but today the right has

to get to Not be as co-barred. Your family is a desmoronan. Miguel, he grita,

I don't want that this would be out of control, for favor, pardon me. Of a repent,

he observes to where is the summer of his mother and see that in the part of

her again, appears now his father. Ambos were very enojado with him.

The abitation to be a sentire very pesada, in the very

very pesed things started to move into where was

Miguel and only he gritted for ultimate occasion I'm

my favor help my mom when he he

he he can observe how disappears the sombra

the silhouette of his mom and the but in

where he he's began to get around of

these sombers like a remolino And he only incado he hadrava the head

and he would be a pardon for that he could be in peace. When

he could open the eyes, observe that all around was he was being he was

moving and the altar that he had constructed with the intention

to to give to his mother was he had incendied.

It was destroyed. It was destroyed. Yeah no had nothing,

no had never of that that's and all the place olia

a kemado to do a humo like. The time has happened

like if that would have been a a bad a dream

of Miguel of this person that this person

that's what you do this what he he's he

did think it but all it was so all the altar

that's the impact Miguel manned this story and says

that even the culp because no has been to confess his

his family for consequently think that his mother

no has has done and no has he is

that he's with some questions that that can

that people that not not can not transcend

not They can't get to this pass, to the, uh, the light, no,

they're trapped by a time like you just to mentioner. Much of many times

materials, terrains, casas, herensias, or questions sentimental, is what they're at

a un- a person, here, to our country, this plan. L'O'clock D'Fne,

one of the stories that has to be with with offrendas. but also with magic.

We're going to makelear some factors that I think they can come as a result obscurity

you're to tell the history of Jahira. Jahira hered an restaurant the

restaurant of his mother the kitchen is a place a lot of

some and some things that they were had been a great refuge that from his infancy always stood present.

Sin embargo, those times recentes no, no, have been said nothing good. They had been years very durs. The debt were accumulable, the local, the business, was,

it was going to be in quibra. The clients were casseable, and, and over all the oppression, the oprimed, because in that restaurant of his mother and was a person

very special an friend an friend he had alexandro who recently had a little time to have been the chef

of this kitchen and then they had passed things very and when she hered to this

place and he starts how it was when it was when it was a little all the beautiful

With the day of Muartos that he's back Jahira decided to put in this

business in this restaurant an altar and honor and honor the memory of his

mother but over all honor the memory of Alejandro

because she had the thought that if he had the

photo of Alejandro if he he had off

he he or the spirit of him he was to help to resolve the problems

economic and all the bad he was living in in that restaurant. So she said,

if I do this, Alejandro, Alexander me will say, me will get my

mother too, to put to get this this beautiful that me

got to get to but it was, but it was practically all was going

for the board, because it was all There were clients, no there ventas,

no there was nothing. The food, all she chatted to get a

perder. She, at to put the offrendas, he said to have much

a lot of a miracle, but at the same time, a time, a

time, it was that she that she she finished to arm

at the altar, she kept mirando the like the person

that you Many people I think we've done that I think how much

that's she'd see the altar she went to mirandolo a

a chair and she and she looked mirand and she got

dormida what she is something she she she knew that

she was in the kitchen of the restaurant working but

the place was the restaurant but it was dark like

no there was and there a environment of the she was in the

kitchen and he saw there many some around of the

and she she was she was she was she was I'm at the time

she had much fear and I'm the I'm I'm

had to come with her so she began to

take the artens the food the the things

she started to guise but I saw how there some that's there

there and they're they're they're they're with the eyes and she

she was a very but she had a much work

that that he could that they were they were they're

really really and it in some moment that that

so she didn't she she thought she had

had see how these sombras they're to get to what she had done to

turn to the piece of the platoes and they're to do a cochinero they're

destroying the business she she only she and not she was

to do it because she was she was going to the basura

in other dream she she was she was again in the

kitchen doing and count that be like the plato

of food so delicious it was like a

mass spesa black and and that Ipest and

she all the all the little the they had

never this mass viscosa and she she not

she not she didn't know I didn't because

the dreams were so desgar and so crudous

because they They were practically the reality. The business was bad. She was farrared to start out of this company, this restaurant. But all of all.

No, there was people, no there were clients. No, I knew what to do. Desperateda started to make decisions a little drastic

in a intent to attract clients and if it did, but very little. Very little. It was more what she invests

in that type of events for to gain clients is that what really she

was in gancies. His brother he was a lot because

she in this intent desperated to pay to pay to

the family to his family all the time he was he was

all the time and his time he said that's not

to be to before that destroy to the family because

she he was and we're doing prestam to dreams that are

also very realist in this dream particularly she she saw

how was in the kitchen of this restaurant and

for the door principal enter Alej Alej the chef

his his friend but his roso was very

very very very very really I didn't he

was he had interest like to talk but she

he was that he had a fear. And in that he see how from the

back they're like some and they're to make to make to make

to be and she she had no could do that she was

paralyzed vying and he was looking to do

that so that's hands covered their book like

they not they He said, your mother to make rituals in this

place. What? Promitio that that they're that they're to have

to be the day that they they're this not going to be how these

hands it's they're now and they they're she's she's

with a scalofry with a great grit but, she

she began to record something that her mother he said but

she she was that her was that her was very superstitious her mom

he told that he said cosita or practices to try

clients and it was like a record that was

a borridden. But thanks to this dream, she said that her mother had said some

some other but for some strange reason to her she was he was not, but it was strange

because never saw not bad no, never he was. But she

I remember that there moments where her mom said that she had to

get all the night in the restaurant for the work. And at the day

the next she said, she recorded that when there bellas in one part of the

comedores, there was salt, there was like the piece of here here's like

chamuscated or but she not he took importance. I thought that was

part of the kitchen, of what came to the piece. But

he began to record many things. She began to

understand that the message that he did Alejandro. It was all part

of his dream. It was a real. With the time, the restaurant started

to be to be the debts, all. It was like they were

that his fracacos was totally certainly certain that no

there was more no. She was got to start

this restaurant while in his house was generated much

conflict because she had to do a family to try to try to get to this project.

I'm to confess to something. The person that me the message

is Jajira. It's the brother that she never he could pay.

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who submitted in the disseptation, in the fracassion, in the one of the montenes of the techo, decided to to have his life. One morning, he entered to that restaurant,

and what he was the was the body of his brother and he is

who he he knows how she had these and all the time he

he told but he never he he didn't he what he did

his mother but after he he he understood

that many things did but he all the time

he all the time he a perid human because a

practice oscuras. This one, me, one, makes think that when she

put the altar for his friend, and for his mom but more for his

friend, his his friend he said really to give her a message. But

what things so what could have made this this

woman for that would be the spirit of this

friend Alejandro no was in past. I'm, I'm, I'm,

I'm analyzing that story because it was that they're in the hands

negras that they were they're they're they're that they had been

a little, no I know, no I know probably probably

yeah yeah yeah so, it's not the story about

too and the fact to get to to to

to make that she desivier I think about a little very

very sinister in the place. Yeah. That's that we're we're we're

the skin chinita of these stories, Paco. I want to tell to this

story that for me also for me too and more for the fact

that it was in a town of here a Veracruz and we're this story that

I'm going to talk to let's I'm going to to talk to all you guys in this people, as we're

there's many places of our country, in where the day of Muartos is a

celebration as a popular. Many are much they focus in making altars

be you there are there are here close not you don't

to let's They're even concurses Of course These These concurses are

for that you can you can't know to you can't the altar most beautiful

do they do different things they put at times even even in the in the

in the altar with these these premiums that these

people in this place and there was this and there was a d'O'uipita

this senior was a fanatica to do the altars super extravagant, very beautiful. And they were

those places in where the people and they was going to get to be photos with

those altars most bellows. So, the altars of this woman, Do Nupita, were of the

most them formative. She was anciana known precisely for this because every

year a year a year and year he was better than his altars.

So, So it was a person amable, although a little enigmatic. The vicinous, well, they were, but there

was a little in her and in her house that said that not get them more than all the

people, so, well, they were they were not had a very

very similar with her for this question that they come in. The woman

had a life a life very tranquil, but as you mentioned, the people

not had a lot of a lot of her. But there a young, a young

that always had admired to do when she was that

she had adorn very beautiful her house and the

house and so she seemed attracted in that

occasion for the altar that had had done

that she that he He liked much, and there was something in this altar that atrable the attention of Mateo.

He decided to go one afternoon to the house of Doña Lupita to get more to see more than the altar, but there was something that

called the attention of Matthew, specifically in that altar. It was the photo an old of a woman

yeah, a little he kept being Matthew and like if

he he said he's to talk the photo when he

he he he the marco that was the the

photo of the woman between his torpeza he he he

a plate of fruit and at the moment that

they're on those things they're other things and

then you know you know it has a cause

there inside of the altar, and toca a photo, Siente a scalofrio very, very extrano, and also he says a susrro of a voice

of a woman that emerge as like of the penumbra, the which he says, no destroyas what is my.

He's he's clearly these words, and at the moment of he he's assusts, suelt the

quadro, the photo, the photo to go to the piece and it's a moment

to hear of this crugid of the first of the photo

enter to do you and he and he gritty to

Mattie what you what you let's get to get to

the man he was obviously he was confused with a

little with a little some but he got to

this incident in the head all the day. For the

night, he has his with this woman. No could

get to the head to the and in his dreams, he

he said he he said that he saw a daughter to do

the she he did he he did things he

he he he got to get to see in other

occasion also he observed a woman in the

I was doing rituals in the house of Doña Lupita. In one one he saw

a woman and her giving to her ringotes of gold. They were very

strange his dreams. I don't know to think. But always

they were that he would be that he'd start that he and

in an last occasion he he heard that in the

dream this woman he Altar. So he despirta with this

pendent and he's what is what is what is the very he's inho for what

he's that he he took all this and destroyed the photo no. He

kept preoccupied but well he he got preoccupated but he put

to think that he could do not so he did he he was going to

be passing the time he was he was he was not he did important

and he was not even of the pesadillas yeah no they're not

and a year after the 31 of October occurred a tragedy that

changed his life his her and his little

subrino had a a tragic accident in an

automobile he he was he got to get a hospital

and he and he he he He had forgotten that yeah were in the

feches of Muartes, he came the 1st of November, the 2, passed all this time

he in the hospital until that in a night precisely the night,

the night, he's he gets dormied of a time in one

of the shias in one of the cell and he and he will be

in pesadies to this woman that you had I had talked

the woman she appeared and with her voice resonating terrorificantly

he said you'll you'll you know she's she's she's in the

she's and he in that he's soning like you he's sent out of

the sited in the hospital he he's a great

and and desgarrador of a woman so then

he he despirt and he and he mother,

is in cuncleas grittando because he they had to say that the little he had

he was then he reaction, he's he's he's he's that he

was in this place and some hours after the doctors get to

to say to him and his mom that his mother also he

didn't live both both both were the life

and for him was very strange to have lived this

with the pastedia that had because as he said he was he was he said

he said his words so the the time of the the trinity all the tristence

all what congeva the after the he he was he was so

he was he he began to analyze all he said I'm going to

ask the dune Lupita what is what is what really is

arm to to go to go to his house of Doña Lupita and he he asked

why me is what he's what is what is what is what he when he

and he he is around to the house of the house he's

in great the photo that he had had the last

was the woman but now three times more

the photo a an altar that had there

was very special that and Doa Lupita he said that that

that was her mother. That woman was the woman was the she had created a

daughter but that she did things that was more not say he

said, there are things that you know you have to know and simply

to let let us to be a little strange and he was he was

he had had done question many questions in the instant

that he He started to ask about this, the luses of the altar, parpadeable

and it was all very sinister, and it was that Doa Lupita he said that he

could be that there, but that not you would be that every year,

that had to go to go to go to the woman. No, he did

expletions, simply he said, you know, you need to come a year to try

to bring a offender my He has He's just years of that

his brother and he every year, he, he has to go to

that house to give an offer to the woman of the photo that for he

made that he made that they're that that it's that

we're we're we're we're not so that are so are able

to rebat the life And we, and us that wayco, no, that grand a doubt, why?

What are living? What, what situation is going to the more that there's that there's,

that even in this plan, they're, they're having sentiments very cruel in

contrae of the life. Some a, even drastic, I, I think

much people from here, I mean, I We're doing this. Yeah,

it's a day of mortals. Yes. But much people, I'm almost sure

that's going to doubt or is going to ask in some moment, what

what came to his house? Was good or was or

what? You what did Dapne? I'm just thinking many things,

Paco, because as we've talked in these stories that

are quite and make think that not all what gets to get to the altars

that we put us we're that's something or someone that is that they

really us or feels something exactly. The fact I was that

was a episode was a good to talk to talk of altars

and of the people is something that I'm really

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Ciao Ciao. Ciao. Yeah.