EXTRA ANORMAL - RELATOS más TERRORÍFICOS del HOMBRE del SOMBRERO

Episode Date: July 4, 2025

¿Te atreves a ir más allá del miedo?Hemos abierto una puerta… pero no todos deberían cruzarla.Lo que está en esa página no es para todos:⁠https://podcastextraanormal.com.mx/⁠Escucha y ve los relatos, exploraciones y casos más perturbadores y crudos... bajo tu propio riesgo. ⚠️En este episodio especial de Podcast Extra Anormal, Paco Arias recibe a Dafne Silva para revelar los encuentros más escalofriantes con el misterioso Hombre del Sombrero. Relatos reales de apariciones nocturnas, persecuciones paranormales y manifestaciones sombrías que han aterrorizado a miles de personas.Dafne comparte experiencias personales y testimonios documentados sobre esta entidad que aparece en hospitales, casas familiares y lugares abandonados. Descubre por qué el Hombre del Sombrero se ha convertido en uno de los fenómenos paranormales más reportados en México y Latinoamérica.⚠️ ADVERTENCIA: Este contenido puede resultar perturbador. Escucha bajo tu propia responsabilidad.🔔 SUSCRÍBETE para más contenido paranormal que desafía lo inexplicable. Cada episodio es una puerta abierta hacia los misterios más oscuros.

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com. M.X. Be, Cita Treves. And they're to goerer to the

house, because when they got when they went to my house and get to

that woman, because if enter, I will to get. Carga a little

or what is a baby, but he started to press to the and she

said, I used the yantto of that the little like

like like that she was that he's he

and he he he said that all that all that all

that he was that he she he regressara three

times to the person that he had said, he's cause

because you're going to give a tund the little

he says you you talk and the sir button

is and the man he's the What I'm going to be able to be able to be a lot of people. are welcome to a chapter

more of podcast extra an normal. My name is Paco Arias. I'm very happy to

start in an episode in a episode I'm very content because me

a great a great a great a company and a favorite of a favorite of many.

Today is with Daphne Silva. How is Daph? Hello Paquito

very very content and a little atemorized for the stories of day

of today because this of the man of the Look, I'm going to

be honest. I've told stories anteriorly that have to be with the man of the

sombrero. I've told about some things but never he had dedicated an episode

complete to this time. When we we're to look information, stories

there in the mail electronic, that is where I want them and I want to

make you to mentionar if you want to share an normal podcast atrobaGmail point.

I'm impression the quantity of stories that we have that have to be

with this phenomenon. Of the real, I see some months, I'm

a little looking to understand where he's, or in what moment

he started to name to this entity that appears in dreams

in pesadias and all in paralice of and it is

impressive because this we have more to the decade of the

70s 80s 80s where initially a group of people in

States United mentioned to have different dreams where a figure

of approximately two meters a one meter 80 completely of

a number and was present in his dreams. It's

interesting because compared with other entities this this

is not move no no emite some really

simply not a person because in the moment where

you you have to have costed, open the eyes, notas that you can't move,

you know, you're a presence very pesed, your your mind

and you know, and it's when you know, you know, in an corner,

without moving, is there is there is there is a parado observantly.

Much those describe with eyes with eyes rogos,

with even certain elements, the sombrero can But always is that same being

that's the corner of your room mirandot and only his only his only his own

presence is it's that the people feel a lot of fear,

many people people say that is a grego or that's a good because that many

people have seened he had done that form written as crites

more the materialization even of a an entity but an entity

demoniac or even there people in the ambitual that refer in

this entity is the form in how it's the way in this plan,

but that his origin is more more to a lot of demoniac and it

and it's impressionate the things that have to be with the man

of the somberer now. Now that you're talking

Paco I I don't if you remember you have a time

that you we of what I me occurred and one of the first questions that

me was with the man of the sombrero and specifically

everything what you are you do you do you do a difference that

it was a I remember perfect that was conscious but

was having the paralysis of the when I

when I intend to start moving I only only

I can open the and I'm exactly to the

corner and I'm there's a very high, it was to the top, I'm doing nothing,

simply as you what you said, I was and I'm observable, and I saw with two

points red, that were the eyes, me gave much much a lot, so,

like you say, so, so, so it's, it provoked, a, it's a

fear, horrible, I, I, I, I, no, I didn't

mover me, no I knew to do the first times that I'm going to these

things. And I'm quite, quite traumat with this presence that,

like you know, he's absolutely nothing, but I was more I'm

yeah. It's known as the observable because is what does.

Obser the people while they're in a trance but atrapados, no

soniando, not during, while they are just consciententes, are atemorisated

and he observe, even how, even how they can't the person under this, we're going to

this trance, how they're in the fear, he only the only he's like, it's like that

you're in that you're, and is that you're doing the clove and much people will be to be

identified or identified. After to have an encounter with them and they they're

the agotament the people are so, is shudando, is alterated they're even can't

it's a way in how you drain a energy impressionate this this spirit

malignant. You know when reaction after that when I did this he had

much tears. I don't see of the fear but my my car was

full of the light of this there was another occasion in the

I had to but in this second occasion was with a

perro. The perro also was a sort of not, no,

no, no, I was not the idea of the person who didn't

not. Simply simply he was the man of the and the

and just at a little and so and so like that

they're all waiting to be and that I also. I'm

also I'm in a light, my mom me pass the night in bele or so,

millions of things that were going to because obviously were more more things

that were in this moment respect to the man of the sombrero

I can confirm that effectively you drain the energy without absolutely

nothing nothing. Fidate that where the people the people do you

see in in the spaces of abitations of quarters to side of

the windows and at the side of the are like the places where,

where, where he prefers to start, even in the reflexes of the spectes or of the televisions of these

panties, that are in the abutations, is where is the form that is the form that prefer where, no,

no, no, no, no, I don't know what, but just that you talked, I,

invite to the person, for the episode, look the episode number one, where you took the

first, the first Capitolo of Subdice with us. It was the 101. Imagineate the 101 for that there and it was because there Daphne us

with all this type of experiences and that's good that you're going to start and first of all you know that I would like that

much people you know, but for the people new that's coming you know for first time who is.

For support. I am Daphne Silva and you can find me to me Compartending Mesa with

my dear Paco Arias and also Oscar Herbert in a podcast called You ReGalant Sustos

for there I know you're going to give us and thence the opportunity and they're to check our

content and you can find me in Instagram like Daphne Silva or Nenukado for there

those be Thank you and you know in the first moments where the episode

commencing for you to subscribe to the channel actives the campanita much

people much and I think when I'm I'm I'm I'm

I'm I'm people I'm Disfrutan this content, enjoy the episodes, but not subscribe.

And, I'll invite them to invite us. For you do you do your device, even your television, your smart TV,

there where you see, where you're with the control, back a tantito and there's the option to subscribe.

It's totally gratis and you know, you know, to keep trying to this type of stories and

these conversations that many and if you know, and if you hear by podcast as Spotify,

there's an option that says to continue. Pical there for that you support also and continue with this grand project

that really I do you do you want to talk a story Daphne. Fifate that a

long of the history, many people decide to make acts with different Dioces deities or

entities of any types of any type be gods or entities and deities and deities yeah

are entities of light or entities of astral and much people do you

make pact with them. Because to do that context, there a woman

of the name Sylvia. Sylvia is a woman that in this when when occurred

this, she was working as a year, I'm a year working

in a hospital private. She had the experience necessary to be

with those auxilios, questions medics, yeah was super familiarized.

Pasa that in that time unfortunately her abuelita paterna is a infirm of gravity, is hospitalized, is

a little days in the hospital where she's a job, and when they're done de-alta, well, one person needs to go to care for the nights. Sylvia us mentioned that there was a great discussion with

your family, something that's unfortunately pass in many families. When a adult is a major, nobody he wants to see that, being her abuelita paternal

He gave much courage to see how his papa, and his tios, his tias, they said, no, I don't let me to care, no, I don't know.

I'm not, I'm not able. I'm not I'm going to your nieta. Decid I'm to go to get to all the

nights with her. For this, I say, I'm going to go to six the morning in the

way, and then I'm going to get all the night and my abuelita. So,

so I'm not dormia well, it was very very my primos they're that I

go to my abelita me say, hey Silvia have much careful.

Talves not you know the but the abuela in his youth was not

nothing was a bad so so his house is very pesada

so his house produces ruses like the house

because the house even even with those primos because he says

he says to think of those tonteries, in best of that they're going and also me

help you know to do the abel, they're talking and they're

saying, Sylvia, our Buele our Bula, not was a woman good.

She did things very very just have all. Well, you know,

and then Sylvia is practically to be, practically, it to be to his abel and then

there's a little she kept with her. The abelita moment in the moment in that

she gets because he said that all the time she was all the

time was sitting at the corridor, in the corridor of the carer of the

looking to the car because nobody he was he said I

see that that I had I had to be with my mother I'm

I'm I'm and I'm I'm first night all right he said

I check his sure the fact of the fact of

her and I didn't check his signals vitales, oxygenation, the osirro. I

really not only the only was doing it, I was attending it medically. In any situation, I'd have to the family, for that we'd transladaramos to the hospital. Dice that the first night was very normal. My abulita, dormsanty well quite, very tranquil.

I mean, I'd be able to get to the 5 a.m. And before the 6, I went to work. Passed some nights, and like all history, the things begin to

change. She mentioned that the dream is a about at the

morning the classic I'm I'm like I'm and the point for

a situation I'm my my I'm my I'm

I'm I'm check her my temperature, checko his

stuff is I'm I'm to prepare me a coffee because

yeah it was a hour to get to

When I listen the gritty of my abuela. I heard literally how she grittal

what I'm doing, I'm running rapidly to the escalers, I'm

I'm and I'm don't she. Another night, I said I was

on my telephone no I'm never I'm when I'm

when I hear the door of the cell open the

door how they're how they're they're to to hearse

passos in the kitchen how move the vassos the utensil of the kitchen, how they're

the siles. I said, I'm so I'm so I'm my first my father they're

they're the house and then you say I'm going to the room I'm

that's there's no there's no it's like when when someone you're

you, nobody contested Papa you nobody contested in that

it's it's it's there's a there's a but it's also there's

also so it's a lot and he does it he's all the lights and

when sheka and when check it all it's in order door door closed

windows she she record the words of the words of the house of

the house of the world produces like the things are and she

no cre in that but he's something something that's something something

that's she's she's she's she's she's she she's

you know she said she she's she's that I'm I've heard

I've heard many many things and the little she and the

girlita she domate no doesn't we're we're we're

she she she's acuesta, he's practically at the 40 minutes because

yeah's going to go to work. So, maybe he's a little, a

little more time to every time. Every night that was going to go to the way,

they were putting a little more feas. And I heard how even in the techo

they moved things, and how like forseh they were a ventana but of the second

piece, then he said how it's possible that someone, well to get to

enter to the door and it asomable and no there nobody in that

moment then you don't understand but she noticed that the things

were even even when a occasion he happened she

she she said she was on the floor on the

room to the room and he and he started like

her she started to put immobile she she

And it's in that moment, when, when, at mirroar for all parts, be in the feet of his abuela to this ser. Grand, imponent, impone, impone much. The presence of this ser impone enough. He said, he parado, mirandola, to her. His sombrero and his eyes

were like two farolas, rojos, like, of fire. she says well what I do primarily is impression me but then he starts to reprender he begins to say

let us in pass you're the who is the that's the way it's like it he's started to correttear in that so it's

her expectator she's like she's like to the entity that he had seen he had nothing but in

that moment in that moment So, his abuela is crying. And her only

he said, he's he's for he but he but he was, I was

I'm a so I'm and she said, she said, she said nothing she said

for she for what she and like he and he was a family to his

family to say let's get to get to this day I'm I'm going

to work the her is she She regrece in the night, she's dweller normal,

and it's there when and she discovers something very very strong. Resulta that when she gets, her, she checks

for there the signos, the sueroes, all, all, all, all. So, and so to do you,

in his dream, she, she, see that her his abuela in his car,

will be to see, the man of the sombrero in a corner, but see how

it's going to, like if if it were disappearing and see how they're like in the

mother's they're like men's and they start to lastiming to his abuel like they

they're, like they they're and they're and her and her and her and she

suena to come to go and to work to get to get a alterated but

when when he gets me he said I'm Voltao to the camera of my abuela.

What I see is the mirada of my abuela with a mind of the eyes

abirtos, the boca abjirt but she was there was a mother. He had

had fallen. I said I'm so I'm so I try and I intend to reanimar

no and it was too too too but the form said

Paco the how was his eyes abirtos, lagrimosos,

her boca abirta. I said, but what what happened? He said to the family,

no, he went to travel. She said and she said culpable because I said,

I don't me figee if he took, no, I don't see some

some parodiac or something. I'm kept dormida, but I remember

the sono how entities were allian and they were and the

funeral is a one of his tithes, is the daughter

and he said, I don't you're and she's that I'm feeling I'm

I'm I'm I'm and I know I know I know I don't

I'm in what the moment and it and is where this she says

something that says I'm going to tell I'm to say I'm my

mom since I was when I was things very very very obscure

and those same practices us orillated to us our children to get to her my mom

pacted with a ser that I would and I was with her because

as a woman had attacks and that's her we

see all his always was in their room a

a very completely of black and with sombrero. That was her guardian. And it's when she recalled

that she was re-empsed to reprender and he was going to gore and that night the first night that he was he, the attack. The attack.

And then, and then, they're, but it's the price that, according the majority of bruchos, that's

they're dedica to things oscuras, is like something something that you expect,

of the time you commit to do you know, it's like a

effect carmatic and you you're going to do a form I don't just

just the record and the read how describe that his mother

and in a shock with the eyes with the eyes what you

what happened that she did you not he didn't he in the life

real but see the representation in his dreams of what

was going to what he really. The really is that, well, here

also one a question that I see in the way in the dreams? Or pass

what I do you say that in the moment in the that you think you

think you you're not you can't you can't you know because it's sometimes

sometimes you're you're saying you're supposedly you're you're a mark

the mark of but is that really you're not you're you know, at the

maybe it's been a year, and that really she would have been in paralysis

and presential all. And presencio all. It's the question of how it can't

in your reality, a fact that's happening in other reality that's also that

also but it's known as the plan spiritual, the fourth dimension, where they

move in these spirits and how you you can you can be

manifesteded in our reality is a great mystery. Yes, and the truth also I'm the mystery of, well,

the man of the sombrero, then also is a protector? We're here a friend, a grand a friend,

that has a entity, she, she, she says and, well, I'm going to say the

cotation, not is the person that the woman of the sombrero, but has, a sombrero. A sombrero.

The be the mortal that he's so we know a science

certain if that that entity is a not I don't know an entity

that simply has this characteristic or is the the man of

the sombreer of that many people don't know we know

is a great mystery the really and I don't

this also because in the story that I want

to the same the man the man of

protector. But to get to this point, I'm to talk to what he happened to a group

of children that were of missions. You know, the chavos who say, no, I'm a

point to go to to pray the word and we're going with an enthusiasm to

look that the people, then, they're they're going to they're

in where they were, then they're they're to get to this people

but since they're to this in this place, the persons that receive,

in the other to say, oh, they're welcome, passenla well,

they're with a advertency. O'gan, you know, here in this place is very

little, we know and there a woman that is a pretty dangerous. Nobody

is a person, he's like, he's like, he can't much care

to get to the house to get to a thing, it's is quite grosser. And you know, the typical rumor of a person that is solitaria, that not

you know you, that maybe is a bruce, the chavos listen and, well, the truth, very respectful, they're okay, no, no, doesn't happen anything. They're going to go to predicate, they separan some of them, and all. And it's that Roman, who is the leader of this group, be a the senior of the that they were they're talking.

We're going to put her my nerve to the woman. So, the B, she was in her world, nothing, well,

no, was not a maldat in the woman, she would be a, well, a senior, a senior,

she solitaria, but, well, the fact of that the people did some rumors over her,

so, so, so, so, so, she, that he put a,

a barrera, no, until all. So, then he passed, he passed, he's

He says, good days. The signora contests, good days, welcome, so, very conscientious the woman, to say, well, me contested, very amiable and all. The next day so says it the same, he passes for there, but in this occasion,

you're in tablant a conversation, they're both. Yeah, it's like, oh, much gusto, I'm Minerva, I'm, and they're and they're like to talk about what Roman was doing in this place. Yeah,

he commented, Fidhese, Doa Minerva, that we're various friends, that we've been to talade, and so, and we've to predicate the word of God to be that, well, that all so can't in things good.

Platicated for a lot of both, and Doa Minerva was a woman that he was these things of God and also things spiritual.

She made to know a Roman that always has been miscued in these times, but that not for that she was a woman She said

for me was a woman normal Sentie pain for all the rumors that there was because not

it's valid that the people that the people but it he was going passing the days in

that all this group was in this place until the moment in the that Doa

Minerva he said Roman oh yeah and why why don't you come with all

your friends to do you for to know He'll know, the other, and all. And then, Roman, says, well, it's very good idea, and so the other

can't this mal idea that they're of Doña Minerva. Sure. They're going to their house, but in the group of Roman and of these children that were missioners, there was a child

that percivia things paranormal. It was a, very perceptible to these issues. So, when they're going to this place,

well, they're living, platican, this chick, and this chick very serious, observing all.

When they say she said she to Roman, oh, you know, you know, you know,

I'm going to say a little, I'm going to see many many people in that

house. Roman he gets a lot because no, I don't feel like

no bad a bit, so maybe because he's well,

but Alondra that is the chica of the I'm was a

little was a little that this woman is a woman's

good. Roma he said no, tranquillise you maybe you

did you a bad for all the you're so you know

you're to be to be to be there and they're

and went to her and one of these

times when it for that they were to

where they were the she she was a

invite to a coffee but for the okay me

to dinner for not they can here with me before

that's going to be the despeded and all. So, accept them get those

people to the house of Donia Minerva and they are going to care

the coffee and they say, yes, I'm they're in the place in the

table in the house that's very very beautiful. It's said Roman

that was a limpeasita only very beautiful a house

a house and with And he sentia this vibra like a phantasmal, no? But he quissue, well, attribute it to

that it was a house an case. So, they're all talking, he's got a Doña Minerva to go to

the cafes. And Alondra, that he had this idea of Doña Minerva she's a little and no,

he doesn't get to all what does, Romance, does a question, and also

observe the woman. And just in that moment they, a sombra to doña Minerva. Alondra and Roman

see them because Roman can't can't be seen the sombra. He's quite

back out of where he says what's going obviously it's in the mind. They're they're not

put up nervousos and a Londra and he says to don't know she

he needs to do you to know to do to what the thing he said he and

he says no doesn't and in that moment that she says no

has Fault, is serving in a tassar the coffee, Doña Minerva and another

taza that was a little, he starts to get a to the man of Donna Minerva.

Of the nothing. Like if someone or something or something to the tassah and she

had to move her. She spanta much to Londra, that is the chick that I'm

that you think you can't can't see these entities, but no does

nothing. So, then for this, yeah, the Roman normal for not

to do nothing that would be to go to go to the person

they're they're they're saying oh yeah we're we're we're

tomorrow is our last day me could be to

pray for that that all that all that

she don't don't be she she she Companeros, the

signora onriending, no pass nothing but for this, Alondra

and other chica are at front and in the other they're they're

they're and it's where it doesat something that while they're

in the skin reprending and saying that in the name of

Jesus this this entity is going to go and this

and it's to see to be behind to A sombrae, with a sombrero, but this

sombra had some in the hands. Okay. Something, something strange. They're with the eyes closed, while the chikas

are reprending, and it's there where Doa Minerva commenced to and she's the, of that he's crying, Roman,

open the eyes, and the V, completely full of lachrimas, and they're on, and now Roman starts to reprend, open the

eyes, Doña Minerva and he says, no do you do this no you know

you know it's where Romand starts to put yourself but the chicas they're

concentrated and are doing the they're reprendient this entity and just

before that they're getting callated she she's how are rastran

the sombra that was behind she when she

When you hear in these Cedenas, Doña Minerva Toma to the muke Roman and he says,

no it do you do it. Voltea, go to the entity and he says, calmate,

the children just go. Oh, manches. So, it's there where they don't to

doerer, agar those things and supposedly they're in this house. But a

light, like of a focus, has that all the place is

like if you put a little. And all the woman

is the woman, and he says, then you was to go to me?

She went to the time? And Roman is seeing to all

all. They're doing a coffee, is so normal. And he's

a little and he says, almost in the o'clock, you

did an opportunity? You know you know what is what

you're what you can Just there, Roman, says, that God the Lord Minerva and previen

that all and previenes that his amicies to repend. They're despise to Doa Minerva,

they're and they go. He don't think what what was what was the moment,

if he's the time, if it was a vision, what was what was it was going loco,

no he said to get the moment to get to get the moment to get to the And Alondra

he says, what's the past, Roman, you're doing? Uh-huh. What is what is what's going?

No, no, no, no pass nothing. All right. So, he's up to the

auto bus, obviously he'd him, I'm never, I don't want to do but,

but in the transcurs of the time, he bense the dream, he's he's got

dormido, and there, and there, he's a daughter Minerva, and he said,

Dr. he said, a Roman, he did the correct. Every who has

the protections that he wants to and disappear and disappears of the

dream, desperate to see to be to all the bus, all

being dormied but he until the day to he

asked why why they did this second opportunity

and what was what was what was that did and

that the sombra with the sombrero that he

gave wow Now, fiftate that just and curiously, I'm talking I, the story pasted, the people

pacted and does these convenios with different entities and deities, God's, not precisely a figure

known as what is the devil or God, but there people who actually pacts

their lives to something to really something and really something and is the form in

how they seem protected and they're impression that's that's

really, that's really, that's going to do this. But I want to

tell the story of Carla. It's one of the stories that I'm not

not for people that people that pass things bad, and

especially because you have to have good with the things that you do you

do do you want a context of Carla. Carla

us wrote an being something very strong, starting with something

with a lot of her story of her when she had approximately 15 years. Karla

had 15 years in this time and he liked the thing paranormal.

Of these people that are fanatic of the thing paranormal, the

movies of terror, the those games paranormal those retos, the wisha

and she I said that to his 15 years generate

an obsession for the things paranormal. But not,

not was the person that's like, he's satisfacia only being a

movie. He was to go to go to learn the necronomicon, the Chaves

Menor of Salomon. He liked much to investigate when only

only he was she years. She mentioned that for part of

her school those they were on an exchange to

school and he was just when she visited some

some book that's that's toped with a book that she

she said that I'm not a name because I did make

emphasis that the book that was that the past

was completely oscura that had like in the board

some but it was a little so it's never

was never so that never so she was

bogeand and he called the attention to a

a part that was made a little to the the name of the salamon the clavicles

salamon that are like certain invocations so she ogeando she took with a

representation of a person that was could uh well let us

this being was a little like all we know the sombrer

an entity like an a a man sombrer with

a She says that a little of the image came in the oration and she

in that moment look to look to the and he a roger and doble and let

in his mochila and she will to leave the book in your

book. Passed the days and she gets to the house. The

first what is when she's in your room obviously yeah

of the night once 12 of the night that his father

that's don't look between his things that things and she put

close of her window where was the luna he's a little

and it and it was dobbling the and he he began to recit

the oration not an not was an long she she

she said she she she said she she ran the eyes

she she said she she says she said that intention from

the moment where is doing this she learn and

she'll be saying with the eyes and the again to repeat three times more.

And she had a expectation altissima. She said I said, I was going to be

a manifestation real. I said, she was she was this and she said I, I

was never to see an entity for the first time to live something for a

normal. No. Simply what happened was that was that was that was that

was that out that even to the bell I'm I'm

I'm so I'm I'm never to repeat but no

I'm nothing I'm feel more more there no

no so so so it so it's even even

even even even because it's a fraud this

is a mistake and they they didn't feel defraudable

I got I got to do the other between

some things that there and well passing the

your mom let me to a school of munchas because he says for the

context of that his mom, as a person a person a person credent

sentia for all what had in your room. Imagine the

the room of her and a picture and a

movie had a elfo had a lot of things and

his mom and her not not he had

a school religious where she there study the secondary and the preparatory.

She, well, away from this, she was all the thing paranormal. Saliento

the prepa, she went to a university, study an engineering, is engineering in systems where

he knows a his Prometito and future husband. And she says that all the

thing for her changed in that moment now not was the woman,

obviously of 15 years that was this type of emotions

extremes extremas. She formalized, she cased, and, well, past the time, going to

pass into the months, she enbarazas. She was a baby, a baroncito, a man, and so,

and just exactly, yeah, about the eight, eight months, more or almost,

as all fathers, primarizos, then, seeing the space, not anticipating when he was

going to do, the baby, the cuna, the and the And just the house where I lived with my husband, we had

a room where we'd have used to buyer caches, to clean him. He's going to work and I'd get there doing what I could. When in that, he said, he's got a little bit

pesable, that had a lot of things of my youthent. And I found a album of photos when I was a little, of when I was a secondary, of when I was to the

school religious. And ogeando that, Until the final, I see a a little a little little

dobladit. What is that? A car. It's a disdoblar and remember, when she

was the that was the that she had robbed since that had 15 years.

She she was and then for inercia leo all the text again and

she said to learn to know, she passed nothing. Then

it's then he will be to learn and it's and at finalize

with a kind of a little bit of I'm doing things I'm doing things I'm when I'm

a chamek agarra and he put the ball and let the sesto of and she and she

in the no no no no pass nothing no no no no part of

there the things started to change she she said the moment to go

to go to her she when she was at a alexar of the

things paranormal and that that's she had in the past, she yeah

I don't think about yeah she no was going to this but in quite

she began to get to dream and the night paralysis of the

in these paralysis she she she describes that not

she could move but that she was about her

and things and rumors and in the moment

that she voltiava to look at and start to only I'm

he's a postado to be in her but she could be moving but in

a corner was the silhouette of that that that was that was

that was she was looking she was she was she was she was

she was she about 20 days all the time he said Paco

the I be in a little the reflection of my

talk She was out of my house, but I was no, no, she moved, no, I was, simply I was,

when I was when he was the date of her part, justly in that moment, one day before,

one night before, she was she was she said that was in the same corner

where always, but that This time, I had the brazos so, he was a what

was a a little a little a baby. She see how this

carga a man, or what is a baby, but he started, he started

to press the the and she said, I heard the

I'm like, like if were very so he was

listening how his yant was palando. How his yanto was

disappearing how he that the baby had to die of and she kept in

silence and he he was more. In that what the what she is a

strong contraction. She started to have contractions and she

she was the same that she she was being in the trance

obviously no be nothing but he had many very

very very very of the morning, in that moment they're suen to the vehicle and they're to get to the hospital. When she gets to the hospital, rapidly they're going to

attender. She said, me met in a chirofano. Something that is so extrano, because I heard that me going to do an intervention by the cessaria. She had a part to, for

to be natural, as in some places, they when it's in form natural, he said, but I heard that I said that my spouse that were necessary to enter

to you rapidly to to make me made a cesare the bad the bad notices no demurred

nothing. I don't see my baby, no I heard. My my new

today has three years. But when he nace with paralysis

cerebral. A condition that affect the coordination motor muscular,

his medical he said that this was the consequence

of the sequels most of the asphyxia. So, his baby was

fixing with his own his own umbilica. What to her day of

today, nothing he quita the idea of the idea of the case is that

what so know and what happened in the life real no is

no coincidency. She she how this ser apretable the coo of that

the baby and she was she was just about what was what was happening

in her in her and she said that by this and by what she

did she did of the what she did a child with certain

pain and that's with that they're with and

practically to continue living one of one of the cases more

more more And it's a tremendous story When you say When you say the baby Well, the nene has three years

I said Ah, all right But look No, it's good Yeah, it's Yeah And that's

And that's And how The fact Also, and how the things with what you It's like

You say No, in what you know, in We know So, we Can't happen

There's It's a much fear Yeah, That, that's not a coincidence

as the person that manned this story. Also, I'm going to talk to Pac,

a story where also a child wanted to know and know things

paranormal because effectively was he was passionate of all these

things. He had the attention all what had to do

with with with things of things of all he

also also his mother was the religion but

it was just, no pasable nothing like he wanted. Apart, his mom thought that well,

it's a one, he's a little when he was a when he to learn

about this times, I used too, he was going when he talked about

things of the family, he liked much this thing.

So, in an occasion was to look books precisely

of things paranormal and he found in a

Tienda of Second Man, a book in where, the portada, was the man of the sombrero. He called much the attention because although you had used and a

little roto this book, the portada he got to and said, I'm going to get, I'm going to see what

to do this. And so he was, he was to his house. He was in a quartito apart.

So, then he has this book and commenced to learn. There are many

stories in this book about the home of the home of the

sombrero, but there were some times that they were the little

and they put them pieces of a letter with letters of someone

of a piece of and then so it he did he did so he was just

getting like the pieces of the piece of the little

he had a question if you want to see this. It's

like a ritual, but no they were in the book. So, if they were in the book, because someone

he had had written this ritual and it was like to call the attention of the people

that were to learn the book. And so it was, he called the attention of Fidel,

that is our protagonist. So, he comes to read this ritual and says, well,

no, it's so can't get the things that are here that they are going

to use for this ritual. And he was He He wanted because never he

had never had happened nothing he had to know to know to be

to be a entity in front or what were that whatever he was

this ritual and I said that also he had to make a circle of salt

in some place because it was supposed that with

this ritual the the man of the sombrero

he was present and he does all the

vellas does the circle of salt but also to

do you have to put a got of his liquid

in the book I'm he he he he he

he he he did rare but we don't

do do it and effectively it was for

an object ponso court and he he began

to talk the palm his hand the was

that the liquid rogo. Cae the gota, he

commences about he's about on the soil around of the

circle of the little and the little and it and he to mese

with the eyes and to say to recit this or to

call to the man of the sombrero and you

talk in the story earlier he had the and

he sentia an air free but no pass

nothing more more more Sombroso. Uh-huh. And, and of the same

eyes and they're to see sombras pass on front of him. And it was there where

he said, I think that's working. He went doing all what he had to

say of the ritual. Abre the eyes when all this kept in silence. And in the

corner was the man of the sombrero. He was he present to this child,

Fidel. He did. He kept in shock. He kept looking to this

entity that the really was imponent he's he said

he said he's he's too he's also also so it's

something so it's something you know that you always for the same

for the same he had much feel and he he

when he reaction and he he looks to move to work to be

a piece to a piece of because I'm much fear and

he And he said, pardon, I don't know what I did, no see what I did, no why I did, no I will go to do, God my. And he was repintynded-se to all what he had done. Passed this, and all the nights, he had a pesadies.

But, a part of a time, it was going to feel like Fidel had some kind of visions with the man of the sombrero. But all this had to him he would give a fear. We share

what type of visions he had. He said in one occasion, the first see a

woman in an altar that was full of and of things strange.

He was asking to the man of the sombrero. She was

she was encada and he he could hear in this type

that he had, he used what the woman said and she and she

he had to protection for her for his children for

his family. A Fidel is a extra he's

a question. It's an ancian also that he

proportion money and that his business prospering. He not

was he was what I see all this but

the second vision he he he he he

put how a woman cut a a little

a other woman and put in a plato and

then he I'm a fire. When this happens

change the scene and can see Fidel to

the man of the house that was incendium

and another of this a woman was involved

in yams and was and he was related with

that someone was making a work to this woman.

The the second vision that he took Fidel was

a woman that was in a long, intentating to to hogar

to his baby. He was getting to the baby patale and and he

had to get to get the life the little, she was,

she was and he wanted in this lake behind the

woman is the man to have to brazzar to the little bit of

the water it and the he's he's got to get to get to

the world Fidel and he didn't if all this all this that he

was really really were really really I don't I think that was

what was what he decided continue his his life night after

night he had visiones visit his mom and sometimes

his mom would to visit and in one of these visits

his mom gave and he he he said largate no

I want to get you a mom so he he has he was a

woman says the maybe was a last the visit

his his mom she always she never she

and he he's he gave the hand he he

he said no so he was completely aggressive and he

said something, something is bad? I'm to talk to Dr. Rosa,

that was a woman that was a lot of they're really, they're

to get a mother to his mother and she and then they're

to because when they're when they said, Fidel, he said,

get to my and get to you, I'm going to when he said, when he's going to

go, we're going to reprend, and they're going to or all. And a person abe the

curtain of the window of Fidel and can see how he is arqueed into his house as

if it's he's been posseid. Okay. They're are quite asombrated and they're

doing all this, they're doing for him and because all the bad he

and when they're when they're to come to the guy, Fidel and he

he's put to cry and he to enter to the house, he goes, he says, and the chico

he said a problem to his mom. Mom, pardon me, he confies that was what he said,

you know, he said, you know, this, this, there's the book, you can't

see it, and he says, he says, he repented and then after this liberation

that they do you do this he does well, well, but the malos

dreams not be done. Dice Fidel that day of day of

he, the maximum that doerme, are two, three hours, because he's not going to be able to start. He still still seeing being to the man of the

sombrero. Wow, what impressive when you have certain pesadillas or dreams that are replying to the long of the years or of the months, and it's something so repetitive that you feel familiarized with that dream, in this case, with that pesadilla, no? That

what, that's great. I want to, I want to, you I want to terminate my journey of stories contendot and you're giving a good important. Because, for there, in the world of the magic and the brujeria, well, there's a

very popular that says that never compre things of second-man. Or, even if you go to the call and you, you find anion, a diadem, something, something is because a to someone's

he had caught. Incluso probably someone he has put up this

what I'm going to tell us what I'm going to tell Julianan Contexto

Julian is a father of family a man of 35 years

that never had lived and this that I tell

to you to be the most strong the most disagradable

that has lived and he has done question his

his life and the reality same. He said that his his son

he was in the Kinder and all the time he was more or less near the time of the time when he

was going to get to the school was he was he was he had this routine that he was the school

to the school of his school of his he was he was they were to get to the house

and and now mom he had made all the he was his routine

he said he said he says that in one he says you know no you don't

go to the house, be with the child and go to the market, compram me some things

for the manned for the food. And then he's he's to get

to the vehicle, he's to be in a little and he and he and the

things for the food. Passed for a place where, well in

Mexico there are many people a type bazaara some some they say

in the market of the Pugas many names they do.

a place where they're in a second man. For rapid for people that's in Mexico.

And he says that his little because they're many many stances of the but

they're in many repis like of peluches and things that also that also that's

that's he's apart and he he's kept being and he he'll call the

attention something or he's a little more or more of

like of some three five centimeters that was black and he had a sombritito.

He had eyes of a button and a sonrisa. He was curious, because no is colorido, no is like any that a child he wanted. And to his his son, so,

since he went passing, the little, the little, he said, Papa, come me it. The juggette was a suce, the

peluchess, was socio. Who knows who had been had been, and after that cost very little. In pesos

Mexicans it cost about 20 Pesos, a dollar Estabonidens. And if, no, I, he's soo, and,

he's too. And the little, no, a force, compamel, Papa, comprammol. And he

he said, well, that's a bad, so he's going to get to to get to

my father, or the father, or the to be to be a

to be a in certain costuras or that he'll and then he comes, he's,

but he's, but not to do you do you do to do to do to do to do

for that he he refuerces some of some of the and he's and you know and it's because who

know they're to get to the boy the day the day the next the

he's he said something but he said but he's he's like in form of a drama

oh yeah where where you see that's you the really

because me did you and when he got me I'm and when

he went to learn much the man right I'm a

I'm a I'm a I'm a really very I'm sorry I'm sorry so I'm

much much and he he's like well I don't think in that's not so if not

you know if you do you do you know to play to play with him and he

actually he put the name of the Mr. Bottones because those

those eyes are two buttons and he he and he he

and he to get to the the Dwork with him. Cases, he wanted to

be to go a poloche and he was to gojohn and he was all over all right. All normal.

The fact the things are very very well. They're passing the time and that's

then when the things start a little strange. The little primarily

started to have changed to turn to temperament or changes of humor. They're

they were part of these crises is that then the kids, not the

those terrible two, the terrible three. And he said, well, yeah, you know,

he's, that's, that's the thing, no. It's the they're going to be

that they're more strange. Of a repent, the young passed to a man, he,

he said, oh, yeah, he, he's, he got to his stuff,

do you, do you, do you, the time, he said, and this, he said, he,

he, he said. And he said in a little moment I let call the attention to

my his son he said he's cause because I'm a turn

a tund some some some I'm going to get to get a the

the man he he says you me to you you and the

sir button is he he what you do you

mean you you're you're am you no papa

no no no from that moment the things changed

and did a very very different. Because this man, Julian,

that's that's that I'm saying, my son, my son, my

son, my my my son constantly I was and I saw and he

sitting, I'm talking, like if you talk to this peluche with the

Mr. Bottone and talking with him. But I no I don't

heard nothing. But every that I was that I'd call the attention, or I was castigable because he was parted a man,

something something. And that was the moment to go to go to sleep. I was I was paralyzed

and in middle of the obscurity, I felt like that I'd like me lastimable. At the

amnester, I had markers in my body, I had some moreetones, in the zones

where I sentia these chockes electric I went to the doctor after

a time me they were like a discompensation me gave some some

some vitamins but me called what I said my my

if you you talk the the sir boton is

he will be to you I intend to

get that that one day simply I got

and he to the basura. No, he said nothing. My son, the start

and he he's got to get to get to be to get him to the camera, about the almoadas.

I don't he said I'm not. You know, I don't see a me? Moma, I don't

see that. That night said, I was I don't know and I heard the door of the

cell. The port principal, rapidly I think, I'm trying to get to rober,

rapidly under the escalars and I saw that my son he was he was

about the door and he said and he he's I'm

and my and my he's directed to the tambo in the basura

and he said the and I said I'm what you

that's doing I'm by the Mr. Botton me he said

he he said he he in this moment he said I

know I didn't who he's who no no

no was my my wife who he said. Who knows he? No, he said,

give me that's soo, no, papa, damme, it's too soon. And there he started a discussion, he said, I'll rebutt, and me will be a menacear and me will say, the Mr. Bottone's, he's going to be in cargare of you.

He said, I was his quarter, it was at the madrugada. I got to, and the peluche, it was in a box, because he was sure, with basura of the

house, it was to make a box, me to be the hands. He left in one part of the cochera and I went

to go to get to get to be being very pesed. My his wife only,

I said that he was about with the peluche, he had changes of humor,

it was aggressive, he was distant, he didn't get to go to the school,

at the kindergarten that he'd he'd he was a different that he

had not not had not had like a comprehension different, like you

talk about like if had a knowledge of a person major, not of

a little, he said, and he said, in what he said, he said,

he made, he was, he was a other person. In that, he said,

they're his abuelos to visit him, he, I was I was

my papa, and he said the comment of, hey, Papa,

he record what me said, and me how is that the

little and he I'm and he said my papa he's me kept and I

said, I said that's that I'm I'm did it something when you

did you did it and I felt a I'm and I feel

to do a man something something someone someone who

someone did it or someone practic something he's to get to get

to let's that is that the problem, Papa. He

told all and that the little he got he got to the

thing. He's going to get to get a to get to get a car

to get to that's you know, and it he's he's he's but the

he's he's he said no, wait me, I'm go to

my go to go ahead he's he's he's he's no no

no no I'm no I don't me go to I so like

there a the little and that that peluche. So it was very difficult to rebatical. The kid

was in some point, he was going to certain sessions with a person to a shaman because he

he gave to confirm that there a vincal very very strong very very strong

between these two elements between the little and the little the papa

he's normally again to get to this peluch in a

ball and the guard, after in the morning the next when he's

going to go to the car and he he's and he he's after

these sessions he's he's but he says something that he

he's feeling because I said I'm when I cerciero if

the car the car he gave the car I did

know of the person that was my boat of the

was a peluch in the man. No he went he was

he was in the man he's in a moment this this

petulche today in the man's in the other man he he's

feeling because he says I'm repent to not have to be

to not have destroyed simply the fil I bought

but but the person of the basura no no he made

the the box and he he gave the peluch

in the man so so he feels that or has that temor of that

has gotten to get to the tasty breakfast trio your choice of chicken or sausage

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imagineate that in really that now is a man today I'm with someone and that

start things strange inexplicables because that was what was going to it's

something that one one of sometimes no can't understand and

that's that even our kids or the children are vulnerable under

these situations that's that's that is that very very

very denser and also I'm to be about about about

about something to be about something about this story

for my kids but but it's like you I don't know

we know in what moment we can pass these things. Here in this history,

the person that the person that he says we need to change the names.

So we let us numbers X, no? Paula is the mom of

these and was a divorce her matrimon was had passed

for a situation complicated and decided she and Marcelo

that is her ex-expoo so then she she went to live with

his daughters Anna, of 12 years and Emilia of eight years.

So, they're living in this house that's his ex-spos

for them. Everything was normal. So, all, all, was marchable her with

her with her and all the separation was a little tensa, they were

to get the things in past, for the well, because not were

that the the girls pared so there was a separation so it there's a

going to be a papa, you're to be a mom, all normal but there's

there a certain attention and all and all so it was because

Marcelo the father of the new a new a name

Frida this she frida complicated a little the

things and when I was with the women front

to Marcel she was all all when Marcelo

not she ignored the the children, she had desdenes,

no see, they were not not, but it was like,

any who's not the so, so the the kids didn't

this and and in occasions not they were but they were

the new new novi of the she they're not

they're trying to give the party at the while

paula but in the house, in a house where they were

two, the two, the nine with the environment time after after

before began to get a very so the vibes

something and and Paula started to do but no

I don't want to not kind of maybe suggest and

say no, I'm going to think in this we're

going to get a going to get to a constant all

this that that's I sentia the environment pesado and also

of this the kids, the as we're very these situations,

they're to start to be situations paranormal. The major

that is Anna, be a sombras and the recamara a

sometimes be things that he provocable that the

little the little she was that they were voices or RIS

of kids in the madrogada and it was a very much

that's they're saying to a mom, but she was like to

not to be important and also they said no my mom no more

no doesn't I'm my little and the little and apart

and apart I'm and a night the nena that Amelia

was was doing and she was she kind

about the the time took his top the

when when she reactiona, sheenty how this man frie and the little bit of

the time. For this she spanta, grita, he's all running and he says his mom

mom, it's what he said, she says, the nena major, he said to me

and I don't want to get in this court. So, Paula

decided to get to the little to the car. They're all

three while and says, well, if I'm maybe

not a little bit more levy when they were in the kids with her mom and a time, and he took to

a Marcelo to go to see a his kids, he came with a supposed food that

that's that they made frida to the little love. He gets

the plate Paula a little disconcertated and say a little he'll come and he

and guard the food and she said I don't let me give to my

kids this because we know what we know the

a little small knew that his mom no his

was to get the and he's the place to make

that he was the man that's so I know that my my mom

not not we're not we're there and they were in

a movie and they're going to be all and

all and the morning and when back they

back Max was on the back was sick without

life, like if something he had absorbed all the

whole his things. The kids are like and they're to

say, they're to say, that's what it is where Emily,

he said a mom, that she she had had

had had the little a tragedy. Intent they

tried, and they're trying to think that something

that something that something bad. Uh-huh. The kids still were with these

pesedias but now there were something that they were the same. Ambos both saw

a mom in an hospital standing in a chirofano and they saw that his mom

had a life. This was a dream constant, sonjaban with this

and the minor in an occasion that he a other a

mother I'm my mom so I'm my mom I'm Pace nothing.

I mean, I'm sure all the nights with this. Doa Yvon, that was

the abelita of the little mother of Marcello, she's much,

also to Paula, abrace to the little, no, my more, no,

you're going to get a calm, but her little her little she said, no,

no, I don't care, I'm, although the woman knew that was that

there was there was a other of she, she was She was a very spiritual, I said,

something is bad, but no, it's going to pass nothing to my little. After

of this, the nights were thempererer. Now, she present in the court,

a sombra a black, with a sombrero that was spantable every

night. The girls they had them them were, but this

sombra not did not they were they And in one night, the cortina of the recamara of the newies, because they're going to open to, but not when it's when it's the wind, but like if

someone had recorriar and so it would be in the middle of the cortina. The little bit of this. Salle coming to the court of her mom again, but in the passillo, it's tropia. And so it's going to get the liquid rojo, and I need a sutura. The mom's She's up. What's what? My

Amor, is that I see this, and opened a curtain and all. The lady, says, you know, we need to go to the hospital? Then, so, you know, the kids with Paula? They're going to the hospital for that they

do their injury to the little. And in the hospital they're going to get a Marcelo, to the papa of the nines. If they're

a little bit strange, because they never they said, no, they said, oh, yeah, and Paula he was,

and he was He was a pretty preoccupied, he was a lot of something bad, no? He gets to Paul and he said, all right, Marcelo? And he said, no, yes, yes, what's what are you?

No, well, the nia, he said, and all, he said, and all right? And you, what ises here? And suspiced, Marcelo, and he said, okay, I'm going to tell, he said. He's here, Frida. Just to go to

get a chirofano, he says. She She's She's She's Or was Because he

Because he He's He said Because he He said And he's And he's And he

And he And he She was She was And so What's What's What's

What's What's What's I'm Inest I'm I'm Can't

If you Can't You In this Moment In the Paula She's

About Marcelo The two New York And They They're asoman and

they're at this woman in where she they're they're attending and they're at

the sombrero to the sombrero to this man was behind of Frida without doing

simply was there and the and the and the girls were like saying

there's that it's that sombra that's that that's that they're

going some minutes and they to Marcelo that Frida no

he had done. Lamentably Frida was from this world. Obviously

Marcelo was very bad she felt very bad, he had had

had a his and also to his actual

and so it was a great very for him

when they they're to their house all all

and they are the kids with she and

she And the abuela, I said, I know that this was a bad. Doa Yvonne he confies

to Paula that she was made as a protection to the man of the sombrero and he

he said, that all that all that were doing to her and to her and she

were back three to the person that he had been and it and it

was so that the person that was Frida, the a pair of the father of

the little and for this tragic final. Oh, yeah,

no, and what do you do you know, and what about this

story very repeated, many many times where the time,

and for the person, too, Dufie, what form to determine this,

this, this, this transmission, this video, this chapter

full of many, how you did it very well, although if she me

he left the end of this episode because, as I have been

I've lived a situation with the man of the sombrero, if you get so

you get implated for all what you do you have that interview.

Capit you said 101. 101. There is the Davne in his first

episode here. Sin Cabello Rosa here in extra normal

podcast for that go and that and see that because

it's was an interview where we told us what you've lived Daphne. Muchism thanks for

to be with us family. Thank you. Family, thanks to all the final. For favor, no forgets to get to

subscribe to this channel. Searney to subscribe from the Smart TV where you are seeing

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